Poems List

Parting

Parting


THERE'S no use in weeping,
Though we are condemned to part:
There's such a thing as keeping
A remembrance in one's heart:


There's such a thing as dwelling
On the thought ourselves have nurs'd,
And with scorn and courage telling
The world to do its worst.


We'll not let its follies grieve us,
We'll just take them as they come;
And then every day will leave us
A merry laugh for home.


When we've left each friend and brother,
When we're parted wide and far,
We will think of one another,
As even better than we are.


Every glorious sight above us,
Every pleasant sight beneath,
We'll connect with those that love us,
Whom we truly love till death !


In the evening, when we're sitting
By the fire perchance alone,
Then shall heart with warm heart meeting,
Give responsive tone for tone.


We can burst the bonds which chain us,
Which cold human hands have wrought,
And where none shall dare restrain us
We can meet again, in thought.


So there's no use in weeping,
Bear a cheerful spirit still;
Never doubt that Fate is keeping
Future good for present ill !
568

When his first-born was put into his arms, he could see that the boy had inherited his own eyes, as they once were—large, brilliant, and black.

The New Yale Book of Quotations

4

Of late years an abundant shower of curates has fallen upon the North of England.

The New Yale Book of Quotations

5

My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for His creature: of whom I had made an idol.

The New Yale Book of Quotations

3

You—poor and obscure, and small and plain as you are—I entreat you to accept me as a husband.

The New Yale Book of Quotations

4

“My bride is here,” he said, again drawing me to him, “because my equal is here, and my likeness. Jane, will you marry me?”

The New Yale Book of Quotations

2

It is not violence that best overcomes hate — nor vengeance that most certainly heals injury.

Jane Eyre (1847)

3
I try to avoid looking forward or backward, and try to keep looking upward.
3
Men judge us by the success of our efforts. God looks at the efforts themselves.
3

I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly.

Jane Eyre

3

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Identification and basic context

Charlotte Brontë was an English novelist and poet, celebrated for her intense and psychologically rich novels. Her most famous work is *Jane Eyre* (1847), a seminal novel in English literature that explored themes of class, gender, morality, and independence. Other notable works include *Shirley* (1849), *Villette* (1853), and *The Professor* (1857, published posthumously). She was born on April 21, 1816, in Thornton, Yorkshire, England, and died on March 31, 1855, in Haworth, Yorkshire, England. She was the third of six children born to Patrick Brontë, an Irish Anglican clergyman, and Maria Branwell Brontë. She wrote in English and her work is deeply rooted in the social and cultural context of Victorian England.

Childhood and education

Charlotte's childhood was marked by tragedy, including the early death of her mother and two elder sisters, Maria and Elizabeth, from illness contracted at the Clergy Daughters' School at Cowan Bridge, which later served as the model for Lowood School in *Jane Eyre*. The family lived in the remote parsonage at Haworth, where Charlotte and her siblings, Emily, Anne, Branwell, and their father, Patrick, created elaborate imaginary worlds. Charlotte received some formal schooling, attending Roe Head school, but her most significant education was self-directed, through extensive reading and writing. Early influences included religious texts, poetry, and contemporary novels, as well as the intense imaginative life she shared with her siblings.

Literary trajectory

Charlotte Brontë's literary career began with poetry, often published collaboratively with her sisters under male pseudonyms. In 1846, she, Emily, and Anne published *Poems*, which received little attention. Her first novel, *The Professor*, was rejected by several publishers before being published posthumously. Her breakthrough came with *Jane Eyre* in 1847, published under the pseudonym Currer Bell. The novel was an immediate success, lauded for its original voice and compelling narrative. She followed this with *Shirley* (1849) and *Villette* (1853), both exploring the lives and challenges of women in Victorian society. Her later years were also dedicated to writing, though her output was limited by ill health and personal circumstances.

Works, style, and literary characteristics

Charlotte Brontë's major works, *Jane Eyre*, *Shirley*, and *Villette*, are characterized by their intense psychological realism, gothic elements, and exploration of female subjectivity. Her dominant themes include social inequality, the constraints placed upon women, the search for independence and love, the conflict between reason and passion, and the importance of spiritual integrity. Brontë's style is known for its passionate, often dramatic prose, characterized by vivid imagery and a strong narrative voice. Her protagonists, like Jane Eyre and Lucy Snowe, are intelligent, principled, and resilient women who challenge societal expectations. She often employed first-person narration to convey the inner lives of her characters with compelling immediacy. Her innovations included presenting a complex female character with strong desires and moral convictions, and tackling controversial social issues directly within a gripping narrative.

Cultural and historical context

Brontë lived and wrote during the Victorian era, a period of significant social change, industrialization, and strict moral codes, particularly concerning women's roles and behavior. Her novels reflected and interrogated these societal norms, offering critiques of the limitations imposed on women, the rigid class structure, and the hypocrisy within religious and social institutions. She belonged to a generation of writers grappling with the implications of modernity and the challenges to traditional values. Her work, alongside that of her sisters, contributed to the growing awareness of women's intellectual and emotional lives.

Personal life

Charlotte Brontë's personal life was deeply affected by the death of her siblings and her father's declining health. Her intense family relationships, particularly with her sisters Emily and Anne, were a source of support and inspiration. Her romantic life was complex; she experienced unrequited love and later married Arthur Bell Nicholls, her father's curate, in 1854, shortly before her death. She experienced periods of profound grief and solitude, which undoubtedly fueled the emotional depth of her writing. Her passion for her work was unwavering, even amidst personal hardship.

Recognition and reception

*Jane Eyre* was an immediate success, captivating readers with its unconventional heroine and passionate narrative, though it also generated controversy for its perceived breaches of decorum. Critical reception was largely positive, with many recognizing Brontë's originality and power. She achieved significant fame during her lifetime, a rare feat for a female author of her time. Her works have since become staples of English literature, continuously studied and celebrated for their literary merit and social commentary.

Influences and legacy

Brontë was influenced by Romantic poets such as Wordsworth and Byron, as well as by earlier novelists like Samuel Richardson. Her legacy lies in her powerful portrayal of female consciousness and her contribution to the development of the psychological novel. She inspired countless writers, particularly women, to explore their own experiences and challenge societal norms through literature. Her works remain influential for their emotional honesty, moral complexity, and enduring exploration of the human spirit's struggle for autonomy and love.

Interpretation and critical analysis

Charlotte Brontë's novels have been subject to extensive critical analysis, focusing on themes of feminism, class struggle, religious hypocrisy, and the nature of identity. Critics have explored the psychological depth of her characters, the symbolic significance of settings, and the moral ambiguities present in her narratives. Debates often revolve around the extent to which her work can be considered proto-feminist and the complex relationship between her personal experiences and her fictional creations.

Curiosities and lesser-known aspects

Despite her literary fame, Charlotte Brontë remained intensely private. She had a deep affection for her home in Haworth and was devoted to her family. Her experiences as a governess, a common profession for middle-class women, provided her with crucial insights into the social dynamics she later depicted in her novels. Her correspondence reveals a keen intellect and a sharp wit.

Death and memory

Charlotte Brontë died at the young age of 38, likely from complications related to early pregnancy, exacerbated by severe morning sickness. Her death was a profound loss to literature. Her works continue to be widely read, adapted for film and television, and studied in academic institutions worldwide, cementing her place as one of England's most significant novelists.