Poems List

To Imagination

To Imagination

When weary with the long day's care,
And earthly change from pain to pain,
And lost and ready to despair,
Thy kind voice calls me back again:
Oh, my true friend! I am not lone,
While thou canst speak with such a tone!


So hopeless is the world without;
The world within I doubly prize;
Thy world, where guile, and hate, and doubt,
And cold suspicion never rise;
Where thou, and I, and Liberty,
Have undisputed sovereignty.


What matters it, that, all around,
Danger, and guilt, and darkness lie,
If but within our bosom's bound
We hold a bright, untroubled sky,
Warm with ten thousand mingled rays
Of suns that know no winter days?


Reason, indeed, may oft complain
For Nature's sad reality,
And tell the suffering heart, how vain
Its cherished dreams must always be;
And Truth may rudely trample down
The flowers of Fancy, newly-blown:


But, thou art ever there, to bring
The hovering vision back, and breathe
New glories o'er the blighted spring,
And call a lovelier Life from Death,
And whisper, with a voice divine,
Of real worlds, as bright as thine.


I trust not to thy phantom bliss,
Yet, still, in evening's quiet hour,
With never-failing thankfulness,
I welcome thee, Benignant Power;
Sure solacer of human cares,
And sweeter hope, when hope despairs!
239

Well Hast Thou spoke

Well Hast Thou spoke

Well hast thou spoken, and yet not taught
A feeling strange or new;
Thou hast but roused a latent thought,
A cloud-closed beam of sunshine brought
To gleam in open view.


Deep down, concealed within my soul,
That light lies hid from men;
Yet glows unquenched--though shadows roll,
Its gentle ray cannot control--
About the sullen den.


Was I not vexed, in these gloomy ways
To walk alone so long?
Around me, wretches uttering praise,
Or howling o'er their hopeless days,
And each with Frenzy's tongue;--


A brotherhood of misery,
Their smiles as sad as sighs;
Whose madness daily maddened me,
Distorting into agony
The bliss before my eyes!


So stood I, in Heaven's glorious sun,
And in the glare of Hell;
My spirit drank a mingled tone,
Of seraph's song, and demon's moan;
What my soul bore, my soul alone
Within itself may tell!


Like a soft, air above a sea,
Tossed by the tempest's stir;
A thaw-wind, melting quietly
The snow-drift on some wintry lea;
No: what sweet thing resembles thee,
My thoughtful Comforter?


And yet a little longer speak,
Calm this resentful mood;
And while the savage heart grows meek,
For other token do not seek,
But let the tear upon my cheek
Evince my gratitude!
219

The Wind was Rough which Tore

The Wind was Rough which Tore

The wind was rough which tore
That leaf from its parent tree
The fate was cruel which bore
The withering corpse to me

We wander on we have no rest
It is a dreary way

What shadow is it
That ever moves before [my] eyes
It has a brow of ghostly whiteness
191

The Visionary

The Visionary

Silent is the house: all are laid asleep:
One alone looks out o’er the snow-wreaths deep,
Watching every cloud, dreading every breeze
That whirls the wildering drift, and bends the groaning trees.


Cheerful is the hearth, soft the matted floor;
Not one shivering gust creeps through pane or door;
The little lamp burns straight, its rays shoot strong and far:
I trim it well, to be the wanderer’s guiding-star.


Frown, my haughty sire! chide, my angry dame!
Set your slaves to spy; threaten me with shame:
But neither sire nor dame nor prying serf shall know,
What angel nightly tracks that waste of frozen snow.


What I love shall come like visitant of air,
Safe in secret power from lurking human snare;
What loves me, no word of mine shall e’er betray,
Though for faith unstained my life must forfeit pay.


Burn, then, little lamp; glimmer straight and clear—
Hush! a rustling wing stirs, methinks, the air:
He for whom I wait, thus ever comes to me;
Strange Power! I trust thy might; trust thou my constancy.
206

The Sun Has Set

The Sun Has Set

The sun has set, and the long grass now
Waves dreamily in the evening wind;
And the wild bird has flown from that old gray stone
In some warm nook a couch to find.


In all the lonely landscape round
I see no light and hear no sound,
Except the wind that far away
Come sighing o'er the healthy sea.
194

The Prisoner

The Prisoner

Still let my tyrants know, I am not doomed to wear
Year after year in gloom and desolate despair;
A messenger of Hope comes every night to me,
And offers for short life, eternal liberty.


He comes with western winds, with evening's wandering airs,
With that clear dusk of heaven that brings the thickest stars:
Winds take a pensive tone, and stars a tender fire,
And visions rise, and change, that kill me with desire.


Desire for nothing known in my maturer years,
When Joy grew mad with awe, at counting future tears:
When, if my spirit's sky was full of flashes warm,
I knew not whence they came, from sun or thunderstorm.


But first, a hush of peace -a soundless calm descends;
The struggle of distress and fierce impatience ends;
Mute music soothes my breast -unuttered harmony
That I could never dream, till Earth was lost to me.


Then dawns the Invisible; the Unseen its truth reveals;
My outward sense is gone, my inward essence feels;
Its wings are almost free -its home, its harbour found;
Measuring the gulf, it stoops, and dares the final bound.


O dreadful is the check -intense the agony -
When the ear begins to hear, and the eye begins to see;
When the pulse begins to throb, the brain to think again,
The soul to feel the flesh, and the flesh to feel the chain.


Yet I would lose no sting, would wish no torture less;
The more that anguish racks, the earlier it will bless;
And robed in fires of hell, or bright with heavenly shine,
If it but herald Death, the vision is divine.
341

The Night - Wind

The Night - Wind

In summer's mellow midnight,
A cloudless moon shone through
Our open parlour window,
And rose-trees wet with dew.


I sat in silent musing;
The soft wind waved my hair;
It told me heaven was glorious,
And sleeping earth was fair.


I needed not its breathing
To bring such thoughts to me;
But still it whispered lowly,
'How dark the woods would be!


'The thick leaves in my murmur
Are rustling like a dream,
And all their myriad voices
Instinct with spirit seem.'


I said, 'Go, gentle singer,
Thy wooing voice is kind:
But do not think its music
Has power to reach my mind.


'Play with the scented flower,
The young tree's supply bough,
And leave my human feelings
In their own course to flow.'


The wanderer would not heed me:
Its kiss grew warmer still:
'Oh Come!' it sighed so sweetly;
'I'll win thee 'gainst thy will.


'Were we not friends from childhood?
Have I not loved thee long?
As long as thou, the solemn night,
Whose silence wakes my song.


'And when thy heart is resting
Beneath the church-aisle stone,
I shall have time for mourning,
And thou for being alone.'
386

The Old Stoic

The Old Stoic

Riches I hold in light esteem;
And Love I laugh to scorn;
And lust of fame was but a dream
That vanished with the morn:


And if I pray, the only prayer
That moves my lips for me
Is, 'Leave the heart that now I bear,
And give me liberty!'


Yes, as my swift days near their goal,
'Tis all that I implore;
In life and death, a chainless soul,
With courage to endure.
175

The Elder's Rebuke

The Elder's Rebuke

'Listen! When your hair, like mine,
Takes a tint of silver gray;
When your eyes, with dimmer shine,
Watch life's bubbles float away:


When you, young man, have borne like me
The weary weight of sixty-three,
Then shall penance sore be paid
For those hours so wildly squandered;
And the words that now fall dead
On your ear, be deeply pondered—
Pondered and approved at last:
But their virtue will be past!


'Glorious is the prize of Duty,
Though she be 'a serious power';
Treacherous all the lures of Beauty,
Thorny bud and poisonous flower!


'Mirth is but a mad beguiling
Of the golden-gifted time;
Love—a demon-meteor, wiling
Heedless feet to gulfs of crime.


'Those who follow earthly pleasure,
Heavenly knowledge will not lead;
Wisdom hides from them her treasure,
Virtue bids them evil-speed!

'Vainly may their hearts repenting.
Seek for aid in future years;
Wisdom, scorned, knows no relenting;
Virtue is not won by fears.'

Thus spake the ice-blooded elder gray;
The young man scoffed as he turned away,
Turned to the call of a sweet lute's measure,
Waked by the lightsome touch of pleasure:
Had he ne'er met a gentler teacher,
Woe had been wrought by that pitiless preacher.
254

That Wind I Used to Hear it Swelling

That Wind I Used to Hear it Swelling

That wind I used to hear it swelling
With joy divinely deep
You might have seen my hot tears welling
But rapture made me weep

I used to love on winter nights
To lie and dream alone
Of all the hopes and real delights
My early years had known

And oh above the rest of those
That coming time should [bear]
Like heaven's own glorious stars they rose
Still beaming bright and fair
248

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Identification and basic context

Emily Jane Brontë was an English novelist and poet. She is primarily known for her powerful and enduring novel, Wuthering Heights. Brontë's family background was steeped in intellectual and artistic pursuits, which significantly shaped her formative years. She wrote in English.

Childhood and education

Born into a literary family, Emily Brontë's childhood was marked by close sibling relationships and a vivid imagination, fueled by the isolated Yorkshire moors. Her formal education was limited, attending Cowan Bridge School briefly and later Roe Head. However, she was a voracious reader and largely self-educated, immersing herself in literature, philosophy, and religious texts. Early influences included the Bible, English Romantic poets, and the works of Shakespeare. The wild, untamed landscape of her homeland profoundly impacted her worldview and artistic sensibilities.

Literary trajectory

Emily Brontë's literary output was concentrated in a relatively short period. She began writing poetry at a young age, collaborating with her siblings on fantastical juvenile works. Her poetry developed a distinct voice, characterized by its raw emotional power and stark imagery. While her primary literary achievement is "Wuthering Heights," her poems were published in "Poems by Currer, Ellis, and Acton Bell" in 1846, the same year she completed her novel, which was published in 1847. She did not engage significantly in literary criticism or translation.

Works, style, and literary characteristics

Emily Brontë's magnum opus is "Wuthering Heights" (1847). Her poetry often explores intense emotions, the spiritual connection with nature, and the darker aspects of the human psyche. Themes include passionate and destructive love, the conflict between civilization and nature, spiritual longing, and mortality. Her style is characterized by its intensity, vivid and often stark imagery, and a direct, powerful emotional expression. She frequently employed dramatic monologues and explored complex psychological states. Her language is potent and evocative, capable of conveying both profound tenderness and savage ferocity. Her innovations lie in her unflinching exploration of passion and her creation of a unique, brooding atmosphere.

Cultural and historical context

Brontë lived during the Victorian era in England, a period of significant social and industrial change, but her work often seems to transcend its immediate time. She belonged to a generation of writers who were exploring new forms of realism and psychological depth. While not overtly political, her work can be seen as a critique of social conventions and the constraints placed upon individuals, particularly women. Her isolated upbringing and limited exposure to literary circles meant her work developed with a unique, independent vision.

Personal life

Emily Brontë was known for her reserved and somewhat reclusive nature. She had deep emotional bonds with her siblings, particularly Anne and Charlotte, and her brother Branwell. Her experiences at Roe Head and her brief, unhappy attempts at teaching and governessing likely contributed to her desire for solitude. She was deeply attached to the moors and found solace and inspiration in nature. Her spiritual and philosophical beliefs were complex and often expressed through her poetry, reflecting a profound, almost pantheistic connection to the natural world.

Recognition and reception

Upon its publication, "Wuthering Heights" received mixed reviews, with some critics finding its passionate intensity and dark themes disturbing. However, it gradually gained recognition for its originality and power. Posthumously, Emily Brontë's reputation grew significantly, and "Wuthering Heights" is now considered a masterpiece of English literature and a major work of the Romantic and Gothic traditions. Her poetry is also appreciated for its emotional depth and distinctive voice.

Influences and legacy

Emily Brontë was influenced by the Bible, Romantic poets like Wordsworth and Coleridge, and Shakespeare. Her novel "Wuthering Heights" has had a profound and lasting impact on literature, influencing countless novelists with its psychological complexity, passionate themes, and atmospheric settings. Her unique exploration of obsessive love and the wild landscape continues to resonate. Her poetry is studied for its intensity and distinct style, contributing to the broader canon of English lyric poetry.

Interpretation and critical analysis

"Wuthering Heights" has been subject to extensive critical interpretation, focusing on themes of social class, revenge, the nature of love (both destructive and redemptive), the duality of human nature, and the symbolic power of the landscape. Critics have debated the novel's classification, placing it within Romanticism, Gothic literature, or even as a precursor to psychological realism. The characters of Heathcliff and Catherine Earnshaw remain subjects of intense analysis regarding their motivations and their embodiment of primal forces.

Curiosities and lesser-known aspects

Despite her intense novel, Emily Brontë was a very private person. She was known for her love of dogs and her skill in playing the piano. She reportedly had a stoic attitude towards illness and personal hardship. Her intense connection to the moors meant she found conventional society and social calls tedious. Her early death prevented further literary exploration.

Death and memory

Emily Brontë died in December 1848, at the age of 30, from tuberculosis. Her death came shortly after her brother Branwell's and before her sister Anne's. Her literary legacy is cemented by "Wuthering Heights," which continues to be read, studied, and adapted worldwide, ensuring her enduring memory as a singular voice in English literature.