Quotes

Quotes

Quotes to inspire and reflect

Dorothy Parker
Dorothy Parker

Where’s the man could ease a heart like a satin gown?

‘The Satin Dress’ (1937)

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Dorothy Parker
Dorothy Parker

By the time you say you’re his,

Shivering and sighing

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Dorothy Parker
Dorothy Parker

Guns aren’t lawful;

Nooses give;

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Dorothy Parker
Dorothy Parker

If, with the literate, I am

Impelled to try an epigram,

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Dorothy Parker
Dorothy Parker

Men seldom make passes

At girls who wear glasses.

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Dorothy Parker
Dorothy Parker

Why is it no one ever sent me yet

One perfect limousine, do you suppose?

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Dorothy Parker
Dorothy Parker

Oh, life is a glorious cycle of song,

A medley of extemporanea;

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Dorothy Parker
Dorothy Parker

Four be the things I’d been better without:

Love, curiosity, freckles, and doubt.

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Wilfred Owen
Wilfred Owen

Let us sleep now.

‘Strange Meeting’ (written 1918)

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Wilfred Owen
Wilfred Owen

I am the enemy you killed, my friend.

‘Strange Meeting’ (written 1918)

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Wilfred Owen
Wilfred Owen

Whatever hope is yours,

Was my life also.

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Wilfred Owen
Wilfred Owen

It seemed that out of battle I escaped

Down some profound dull tunnel, long since scooped

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Wilfred Owen
Wilfred Owen

If you could hear, at every jolt, the blood

Come gargling from the froth-corrupted lungs,

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Wilfred Owen
Wilfred Owen

Was it for this the clay grew tall?

‘Futility’ (written 1918)

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Wilfred Owen
Wilfred Owen

The pallor of girls’ brows shall be their pall;

Their flowers the tenderness of patient minds,

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Wilfred Owen
Wilfred Owen

The shrill, demented choirs of wailing shells;

And bugles calling for them from sad shires.

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Wilfred Owen
Wilfred Owen

All a poet can do today is warn.

Preface (written 1918) in Poems (1963)

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Wilfred Owen
Wilfred Owen

What passing-bells for these who die as cattle?

Only the monstrous anger of the guns.

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Wilfred Owen
Wilfred Owen

My subject is War, and the pity of War.

The Poetry is in the pity.

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George Orwell
George Orwell

At 50, everyone has the face he deserves.

last words in his notebook, 17 April 1949

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George Orwell
George Orwell

Whatever is funny is subversive, every joke is ultimately a custard pie … A dirty joke is a sort of mental rebellion.

in Horizon September 1941 ‘The Art of Donald McGill’

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George Orwell
George Orwell

The quickest way of ending a war is to lose it.

in Polemic May 1946 ‘Second Thoughts on James Burnham’

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George Orwell
George Orwell

Saints should always be judged guilty until they are proved innocent.

Shooting an Elephant (1950) ‘Reflections on Gandhi’

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George Orwell
George Orwell

Political language … is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.

Shooting an Elephant (1950) ‘Politics and the English Language’

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George Orwell
George Orwell

In our time, political speech and writing are largely the defence of the indefensible.

Shooting an Elephant (1950) ‘Politics and the English Language’

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George Orwell
George Orwell

Serious sport … is war minus the shooting.

Shooting an Elephant (1950) ‘I Write as I Please’

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George Orwell
George Orwell

Power is not a means, it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship.

Nineteen Eighty-Four (1949) pt. 3, ch. 3

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George Orwell
George Orwell

If you want a picture of the future, imagine a boot stamping on a human face—for ever.

Nineteen Eighty-Four (1949) pt. 3, ch. 3

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George Orwell
George Orwell

Doublethink means the power of holding two contradictory beliefs in one’s mind simultaneously, and accepting both of them.

Nineteen Eighty-Four (1949) pt. 2, ch. 9

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George Orwell
George Orwell

The Lottery, with its weekly pay-out of enormous prizes, was the one public event to which the proles paid serious attention

… It was their delight, their folly, their anodyne, their intellectual stimulant … the prizes were largely imaginary. Only small sums were actually paid out, the winners of the big prizes being non-existent persons.

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George Orwell
George Orwell

Freedom is the freedom to say that two plus two make four. If that is granted, all else follows.

Nineteen Eighty-Four (1949) pt. 1, ch. 7

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George Orwell
George Orwell

Don’t you see that the whole aim of Newspeak is to narrow the range of thought? In the end we shall make thoughtcrime literally impossible, because there will be no words in which to express it.

Nineteen Eighty-Four (1949) pt. 1, ch. 5

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George Orwell
George Orwell

War is peace. Freedom is slavery. Ignorance is strength.

Nineteen Eighty-Four (1949) pt. 1, ch. 1

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George Orwell
George Orwell

Who controls the past controls the future: who controls the present controls the past.

Nineteen Eighty-Four (1949) pt. 1, ch. 3

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George Orwell
George Orwell

Probably the battle of Waterloo was won on the playing-fields of Eton, but the opening battles of all subsequent wars have been lost there.

The Lion and the Unicorn (1941) pt. 1 ‘England Your England’; see Wellington 354:8

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George Orwell
George Orwell

It was a bright cold day in April, and the clocks were striking thirteen.

Nineteen Eighty-Four (1949) pt. 1, ch. 1

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George Orwell
George Orwell

Old maids biking to Holy Communion through the mists of the autumn mornings … these are not only fragments, but characteristic fragments, of the English scene.

The Lion and the Unicorn (1941) pt. 1 ‘England Your England’; see Major 225:19

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George Orwell
George Orwell

Advertising is the rattling of a stick inside a swill bucket.

Keep the Aspidistra Flying (1936) ch. 3

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George Orwell
George Orwell

I’m fat, but I’m thin inside. Has it ever struck you that there’s a thin man inside every fat man, just as they say there’s a statue inside every block of stone?

Coming up For Air (1939) pt. 1, ch. 3; see Connolly 102:18

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George Orwell
George Orwell

He was an embittered atheist (the sort of atheist who does not so much disbelieve in God as personally dislike Him).

Down and Out in Paris and London (1933) ch. 30

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George Orwell
George Orwell

The creatures outside looked from pig to man, and from man to pig, and from pig to man again, but already it was impossible to say which was which.

Animal Farm (1945); closing words

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George Orwell
George Orwell

Good prose is like a window-pane.

Collected Essays (1968) vol. 1 ‘Why I Write’

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George Orwell
George Orwell

All animals are equal but some animals are more equal than others.

Animal Farm (1945) ch. 10

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George Orwell
George Orwell

Four legs good, two legs bad.

Animal Farm (1945) ch. 3

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George Orwell
George Orwell

Man is the only creature that consumes without producing.

Animal Farm (1945) ch. 1

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José Ortega y Gasset
José Ortega y Gasset

I am I plus my surroundings, and if I do not preserve the latter I do not preserve myself.

Meditaciones del Quijote (1914)

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Georgia O'Keeffe
Georgia O'Keeffe

Filling a space in a beautiful way. That’s what art means to me.

in Art News December 1977

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Flann O'Brien
Flann O'Brien

A pint of plain is your only man.

At Swim-Two-Birds (1939) ‘The Workman’s Friend’

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