Quotes

Quotes

Quotes to inspire and reflect

Samuel Johnson
Samuel Johnson

Integrity without knowledge is weak and useless, and knowledge without integrity is dangerous and dreadful.

Rasselas (1759) ch. 41

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Samuel Johnson
Samuel Johnson

How is it that we hear the loudest yelps for liberty among the drivers of negroes?

Taxation No Tyranny (1775)

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Samuel Johnson
Samuel Johnson

Example is always more efficacious than precept.

Rasselas (1759) ch. 30

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Samuel Johnson
Samuel Johnson

Marriage has many pains, but celibacy has no pleasures.

Rasselas (1759) ch. 26

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Samuel Johnson
Samuel Johnson

Human life is everywhere a state in which much is to be endured, and little to be enjoyed.

Rasselas (1759) ch. 11

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Samuel Johnson
Samuel Johnson

He [the poet] must write as the interpreter of nature, and the legislator of mankind.

Rasselas (1759) ch. 10; see Shelley 315:6

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Samuel Johnson
Samuel Johnson

It is better to suffer wrong than to do it, and happier to be sometimes cheated than not to trust.

in Rambler no. 79 (18 December 1750)

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Samuel Johnson
Samuel Johnson

No place affords a more striking conviction of the vanity of human hopes, than a public library.

in The Rambler no. 106 (23 March 1751)

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Samuel Johnson
Samuel Johnson

I have always suspected that the reading is right, which requires many words to prove it wrong; and the emendation wrong, that cannot without so much labour appear to be right.

Plays of William Shakespeare … (1765) preface

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Samuel Johnson
Samuel Johnson

Nothing can please many, and please long, but just representations of general nature.

Plays of William Shakespeare … (1765) preface

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Samuel Johnson
Samuel Johnson

I am disappointed by that stroke of death, which has eclipsed the gaiety of nations and impoverished the public stock of harmless pleasure.

on the death of Garrick

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Samuel Johnson
Samuel Johnson

An exotic and irrational entertainment, which has been always combated, and always has prevailed.

of Italian opera

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Samuel Johnson
Samuel Johnson

The father of English criticism.

Lives of the English Poets (1779–81) ‘Dryden’

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Samuel Johnson
Samuel Johnson

I rejoice to concur with the common reader.

Lives of the English Poets (1779–81) ‘Gray’

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Samuel Johnson
Samuel Johnson

Language is the dress of thought.

Lives of the English Poets (1779–81) ‘Cowley’; see Pope 267:10, Wesley 355:5

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Samuel Johnson
Samuel Johnson

A hardened and shameless tea-drinker, who has for twenty years diluted his meals with only the infusion of this fascinating plant; whose kettle has scarcely time to cool; who with tea amuses the evening, with tea solaces the midnight, and with tea welcomes the morning.

review in the Literary Magazine vol. 2, no. 13 (1757)

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Samuel Johnson
Samuel Johnson

Promise, large promise, is the soul of an advertisement.

The Idler no. 40 (20 January 1759)

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Samuel Johnson
Samuel Johnson

At seventy-seven it is time to be in earnest.

A Journey to the Western Islands of Scotland (1775) ‘Col’

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Samuel Johnson
Samuel Johnson

When two Englishmen meet, their first talk is of the weather.

in The Idler no. 11 (24 June 1758)

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Samuel Johnson
Samuel Johnson

Among the calamities of war may be jointly numbered the diminution of the love of truth, by the falsehoods which interest dictates and credulity encourages.

in The Idler no. 30 (11 November 1758)

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Samuel Johnson
Samuel Johnson

Oats. A grain, which in England is generally given to horses, but in Scotland supports the people.

A Dictionary of the English Language (1755)

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Samuel Johnson
Samuel Johnson

Patron. Commonly a wretch who supports with insolence, and is paid with flattery.

A Dictionary of the English Language (1755)

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Samuel Johnson
Samuel Johnson

Lexicographer. A writer of dictionaries, a harmless drudge.

A Dictionary of the English Language (1755)

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Samuel Johnson
Samuel Johnson

Network. Anything reticulated or decussated at equal distances, with interstices between the intersections.

A Dictionary of the English Language (1755)

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Samuel Johnson
Samuel Johnson

Every quotation contributes something to the stability or enlargement of the language.

on citations of usage in a dictionary

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Samuel Johnson
Samuel Johnson

I am not yet so lost in lexicography as to forget that words are the daughters of earth, and that things are the sons of heaven. Language is only the instrument of science, and words are but the signs of ideas: I wish, however, that the instrument might be less apt to decay, and that signs might be permanent, like the things which they denote.

A Dictionary of the English Language (1755) preface; see Madden 224:16

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Papa João Paulo II
Papa João Paulo II

It would be simplistic to say that Divine

Providence caused the fall of communism. It fell by itself as a consequence of its own mistakes and abuses. It fell by itself because of its own inherent weaknesses.

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Samuel Johnson
Samuel Johnson

Change is not made without inconvenience, even from worse to better.

A Dictionary of the English Language (1755) preface; see Hooker 173:1

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São João da Cruz
São João da Cruz

Noche oscura.

Dark night.

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São João da Cruz
São João da Cruz

Muero porque no muero.

I die because I do not die.

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Papa João XXIII
Papa João XXIII

I want to throw open the windows of the Church so that we can see out and the people can see in.

attributed

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Papa João XXIII
Papa João XXIII

If civil authorities legislate for or allow anything that is contrary to that order and therefore contrary to the will of God, neither the laws made or the authorizations granted can be binding on the consciences of the citizens, since God has more right to be obeyed than man.

Pacem in Terris (1963)

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William James
William James

Hogamus, higamous

Man is polygamous

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Steve Jobs
Steve Jobs

It turns out people want keyboards. When Apple first started out, people couldn’t type. We realized: Death would eventually take care of this.

interview, 28 May 2003

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William James
William James

There is no worse lie than a truth misunderstood by those who hear it.

The Varieties of Religious Experience (1902)

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William James
William James

The moral flabbiness born of the exclusive worship of the bitch-goddess success.

letter to H. G. Wells, 11 September 1906

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William James
William James

There is no more miserable human being than one in whom nothing is habitual but indecision.

The Principles of Psychology (1890) vol. 1, ch. 4

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William James
William James

The art of being wise is the art of knowing what to overlook.

The Principles of Psychology (1890) vol. 2, ch. 22

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Henry James
Henry James

Summer afternoon—summer afternoon … the two most beautiful words in the English language.

Edith Wharton A Backward Glance (1934) ch. 10

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Henry James
Henry James

So here it is at last, the distinguished thing!

on experiencing his first stroke

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Henry James
Henry James

We were alone with the quiet day, and his little heart, dispossessed, had stopped.

The Turn of the Screw (1898)

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Henry James
Henry James

Of course, of course.

on hearing that Rupert Brooke had died on a Greek island

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Henry James
Henry James

The turn of the screw

title of novel (1898)

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Henry James
Henry James

The note I wanted; that of the strange and sinister embroidered on the very type of the normal and easy.

Prefaces (1909) ‘The Altar of the Dead’

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Henry James
Henry James

The house of fiction has in short not one window, but a million … but they are, singly or together, as nothing without the posted presence of the watcher.

The Portrait of a Lady (1908 ed.) preface

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Henry James
Henry James

What is character but the determination of incident? What is incident but the illustration of character?

Partial Portraits (1888) ‘The Art of Fiction’

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Henry James
Henry James

Experience is never limited, and it is never complete; it is an immense sensibility, a kind of huge spider-web of the finest silken threads suspended in the chamber of consciousness, and catching every air-borne particle in its tissue.

Partial Portraits (1888) ‘The Art of Fiction’

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Henry James
Henry James

We work in the dark—we do what we can—we give what we have. Our doubt is our passion and our passion is our task. The rest is the madness of art.

‘The Middle Years’ (short story, 1893)

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