Quotes

Quotes

Quotes to inspire and reflect

T. S. Eliot
T. S. Eliot

Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose garden.

Four Quartets. Burnt Norton, I

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T. S. Eliot
T. S. Eliot

The last temptation is the greatest treason: To do the right deed for the wrong reason.

Murder in the Cathedral, I

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T. S. Eliot
T. S. Eliot

Human kind cannot bear very much reality. 6

Murder in the Cathedral, II

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T. S. Eliot
T. S. Eliot

They know and do not know, what it is to act or suffer. They know and do not know, that acting is suffering.

Murder in the Cathedral, I

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T. S. Eliot
T. S. Eliot

Saint and Martyr rule from the tomb.

Murder in the Cathedral, I

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T. S. Eliot
T. S. Eliot

Stone, bronze, stone, steel, stone, oakleaves, horses’ heels Over the paving.

Coriolan [1931]. pt. I, Triumphal March

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T. S. Eliot
T. S. Eliot

Yet we have gone on living, Living and partly living.

Murder in the Cathedral [1935], pt. I

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T. S. Eliot
T. S. Eliot

The white sails still fly seaward, seaward flying Unbroken wings. And the lost heart stiffens and rejoices In the lost lilac and the lost sea voices And the weak spirit quickens to rebel For the bent goldenrod and the lost sea smell.

Ash-Wednesday, VI

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T. S. Eliot
T. S. Eliot

What seas what shores what gray rocks and what islands What water lapping the bow And scent of pine and the woodthrush singing through the fog What images return O my daughter.

Marina [1930]

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T. S. Eliot
T. S. Eliot

Wavering between the profit and the loss In this brief transit where the dreams cross The dreamcrossed twilight between birth and dying.

Ash-Wednesday, VI

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T. S. Eliot
T. S. Eliot

Against the Word the unstilled world still whirled About the center of the silent Word.

Ash-Wednesday, V

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T. S. Eliot
T. S. Eliot

Blown hair is sweet, brown hair over the mouth blown, Lilac and brown hair; Distraction, music of the flute, stops and steps of the mind over the third stair, Fading, fading; strength beyond hope and despair Climbing the third stair.

Ash-Wednesday, III

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T. S. Eliot
T. S. Eliot

The time. Redeem The unread vision in the higher dream While jeweled unicorns draw by the gilded hearse.

Ash-Wednesday, IV

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T. S. Eliot
T. S. Eliot

Terminate torment Of love unsatisfied The greater torment Of love satisfied.

Ash-Wednesday, II

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T. S. Eliot
T. S. Eliot

Because these wings are no longer wings to fly But merely vans to beat the air The air which is now thoroughly small and dry Smaller and dryer than the will Teach us to care and not to care Teach us to sit still.

Ash-Wednesday, I

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T. S. Eliot
T. S. Eliot

But if you understand or if you don’t

Sweeney Agonistes

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T. S. Eliot
T. S. Eliot

Because I do not hope to turn again 5 Because I do not hope Because I do not hope to turn.

Ash-Wednesday [1930], I

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T. S. Eliot
T. S. Eliot

Two live as one One live as two Two live as three Under the bam Under the boo Under the bamboo tree.

Sweeney Agonistes

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T. S. Eliot
T. S. Eliot

Birth, and copulation, and death. That’s all the facts when you come to brass tacks.

Sweeney Agonistes

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T. S. Eliot
T. S. Eliot

This is the way the world ends Not with a bang but a whimper.

The Hollow Men, V

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T. S. Eliot
T. S. Eliot

Into a stew. A nice little, white little, missionary stew!

Sweeney Agonistes [1926]

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T. S. Eliot
T. S. Eliot

Between the idea And the reality Between the motion And the act Falls the Shadow.

The Hollow Men, V

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T. S. Eliot
T. S. Eliot

Shape without form, shade without color, Paralyzed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men.

The Hollow Men, I

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T. S. Eliot
T. S. Eliot

These fragments I have shored against my ruins.

The Waste Land. V, What the Thunder Said

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T. S. Eliot
T. S. Eliot

We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas!

The Hollow Men [1925], sec. I

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T. S. Eliot
T. S. Eliot

Who is the third who walks always beside you?

The Waste Land. V, What the Thunder Said

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T. S. Eliot
T. S. Eliot

Dayadhvam: I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison.

The Waste Land. V, What the Thunder Said

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T. S. Eliot
T. S. Eliot

Phlebas the Phoenician, a fortnight dead, Forgot the cry of gulls, and the deep sea swell And the profit and loss.

The Waste Land. IV, Death by Water

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T. S. Eliot
T. S. Eliot

Here is no water but only rock.

The Waste Land. V, What the Thunder Said

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T. S. Eliot
T. S. Eliot

When lovely woman stoops to folly 4 and Paces about her room again, alone, She smooths her hair with automatic hand, And puts a record on the gramophone.

The Waste Land. III, The Fire Sermon

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T. S. Eliot
T. S. Eliot

Turn upward from the desk, when the human engine waits Like a taxi throbbing waiting, I Tiresias, though blind, throbbing between two lives.

The Waste Land. III, The Fire Sermon

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T. S. Eliot
T. S. Eliot

Hurry up please its time.

The Waste Land. II, A Game of Chess

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T. S. Eliot
T. S. Eliot

But at my back from time to time I hear 3 The sound of horns and motors, which shall bring Sweeney to Mrs. Porter in the spring. O the moon shone bright on Mrs. Porter And on her daughter They wash their feet in soda water.

The Waste Land. III, The Fire Sermon

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T. S. Eliot
T. S. Eliot

O O O O that Shakespeherian Rag— It’s so elegant So intelligent.

The Waste Land. II, A Game of Chess

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T. S. Eliot
T. S. Eliot

I think we are in rats’ alley Where the dead men lost their bones.

The Waste Land. II, A Game of Chess

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T. S. Eliot
T. S. Eliot

I had not thought death had undone so many. 1 Sighs, short and infrequent, were exhaled. 2

The Waste Land. I, The Burial of the Dead

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T. S. Eliot
T. S. Eliot

A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.

The Waste Land. I, The Burial of the Dead

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T. S. Eliot
T. S. Eliot

April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain.

The Waste Land [1922]. pt. I, The Burial of the Dead

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T. S. Eliot
T. S. Eliot

The nightingales are singing near The Convent of the Sacred Heart, And sang within the bloody wood When Agamemnon cried aloud, And let their liquid siftings fall To stain the stiff dishonored shroud.

Sweeney Among the Nightingales [1920], st. 9, 10

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T. S. Eliot
T. S. Eliot

Uncorseted, her friendly bust Gives promise of pneumatic bliss.

Whispers of Immortality, st. 5

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T. S. Eliot
T. S. Eliot

He knew the anguish of the marrow The ague of the skeleton; No contact possible to flesh Allayed the fever of the bone.

Whispers of Immortality, st. 4 [of Donne]

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T. S. Eliot
T. S. Eliot

Webster was much possessed by death And saw the skull beneath the skin.

Whispers of Immortality [1920], st. 1

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T. S. Eliot
T. S. Eliot

The hippopotamus’s day Is passed in sleep; at night he hunts; God works in a mysterious way— The Church can sleep and feed at once.

The Hippopotamus [1920], st. 6

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T. S. Eliot
T. S. Eliot

After such knowledge, what forgiveness? Think now History has many cunning passages, contrived corridors And issues, deceives with whispering ambitions, Guides us by vanities.

Gerontion

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T. S. Eliot
T. S. Eliot

Neither fear nor courage saves us. Unnatural vices Are fathered by our heroism. Virtues Are forced upon us by our impudent crimes. These tears are shaken from the wrath-bearing tree.

Gerontion

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T. S. Eliot
T. S. Eliot

Here I am, an old man in a dry month, Being read to by a boy, waiting for rain.

Gerontion [1920]

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T. S. Eliot
T. S. Eliot

He had a mind so fine that no idea could violate it.

In Memory of Henry James [1918]

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T. S. Eliot
T. S. Eliot

Simple and faithless as a smile and shake of the hand.

La Figlia Che Piange, st. 2

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