Quotes

Quotes

Quotes to inspire and reflect

Wallace Stevens
Wallace Stevens

We say God and the imagination are one… How high that highest candle lights the dark. 1

Final Soliloquy of the Interior Paramour, st. 5

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Wallace Stevens
Wallace Stevens

Light the first light of evening, as in a room In which we rest and, for small reason, think The world imagined is the ultimate good.

Final Soliloquy of the Interior Paramour [1950], st. 1

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Wallace Stevens
Wallace Stevens

Total grandeur of a total edifice, Chosen by an inquisitor of structures For himself. He stops upon this threshold As if the design of all his words takes form And frame from thinking and is realized.

To an Old Philosopher in Rome [1950], st. 16

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Wallace Stevens
Wallace Stevens

And one trembles to be so understood and, at last, To understand, as if to know became The fatality of seeing things too well.

The Novel [1950], st. 16

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Wallace Stevens
Wallace Stevens

We keep coming back and coming back To the real: to the hotel instead of the hymns That fall upon it out of the wind.

An Ordinary Evening in New Haven [1950], pt. IX

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Wallace Stevens
Wallace Stevens

The man-hero is not the exceptional monster, But he that of repetition is most master.

Notes Toward a Supreme Fiction. It Must Give Pleasure, IX

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Wallace Stevens
Wallace Stevens

They will get it straight one day at the Sorbonne.

Notes Toward a Supreme Fiction. It Must Give Pleasure, X

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Wallace Stevens
Wallace Stevens

That in each other are included, the whole, The complicate, the amassing harmony.

Notes Toward a Supreme Fiction. It Must Give Pleasure, VI

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Wallace Stevens
Wallace Stevens

These external regions, what do we fill them with Except reflections, the escapades of death, Cinderella fulfilling herself beneath the roof.

Notes Toward a Supreme Fiction. It Must Give Pleasure, VIII

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Wallace Stevens
Wallace Stevens

The President ordains the bee to be Immortal.

Notes Toward a Supreme Fiction. It Must Change, II

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Wallace Stevens
Wallace Stevens

Booming and booming of the new-come bee.

Notes Toward a Supreme Fiction. It Must Change, II

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Wallace Stevens
Wallace Stevens

We are the mimics. Clouds are pedagogues.

Notes Toward a Supreme Fiction. It Must Be Abstract, IV

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Wallace Stevens
Wallace Stevens

And still the grossest iridescence of ocean Howls hoo and rises and howls hoo and falls.

Notes Toward a Supreme Fiction. It Must Be Abstract, III

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Wallace Stevens
Wallace Stevens

The death of one god is the death of all.

Notes Toward a Supreme Fiction. It Must Be Abstract, I

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Wallace Stevens
Wallace Stevens

It is the celestial ennui of apartments That sends us back to the first idea.

Notes Toward a Supreme Fiction. It Must Be Abstract, II

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Wallace Stevens
Wallace Stevens

The inconceivable idea of the sun. You must become an ignorant man again And see the sun again with an ignorant eye And see it clearly in the idea of it.

Notes Toward a Supreme Fiction [1947]. It Must Be Abstract, pt. I

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Wallace Stevens
Wallace Stevens

By the terrible incantations of defeats And by the fear that defeats and dreams The whole race is a poet that writes down The eccentric propositions of its fate.

Men Made out of Words [1947]

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Wallace Stevens
Wallace Stevens

The greatest poverty is not to live In a physical world, to feel that one’s desire Is too difficult to tell from despair.

Esthétique du Mal, XV

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Wallace Stevens
Wallace Stevens

Thus the theory of description matters most. It is the theory of the word for those For whom the word is the making of the world, The buzzing world and lisping firmament. It is a world of words to the end of it, In which nothing solid is its solid self.

Description Without Place [1947], pt. VII

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Wallace Stevens
Wallace Stevens

And, capable, created in his mind, Eventual victor, out of the martyrs’ bones The ultimate elegance: the imagined land.

Mrs. Alfred Uruguay [1942], st. 4

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Wallace Stevens
Wallace Stevens

It was the last nostalgia: that he Should understand.

Esthétique du Mal [1944], pt. X

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Wallace Stevens
Wallace Stevens

He is like a man In the body of a violent beast. Its muscles are his own… The lion sleeps in the sun. Its nose is on its paws. It can kill a man.

Poetry Is a Destructive Force [1942], st. 4, 5

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Wallace Stevens
Wallace Stevens

One’s grand flights, one’s Sunday baths, One’s tootings at the weddings of the soul Occur as they occur.

The Sense of the Sleight-of-Hand Man [1942], st. 1

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Wallace Stevens
Wallace Stevens

A. A violent order is disorder; and B. A great disorder is an order. These Two things are one.

Connoisseur of Chaos [1942], st. 1

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Wallace Stevens
Wallace Stevens

Is the lion that comes down to drink.

The Glass of Water [1942], st. 2

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Wallace Stevens
Wallace Stevens

I am a native in this world And think in it as a native thinks.

The Man with the Blue Guitar, XXVIII

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Wallace Stevens
Wallace Stevens

Poetry is the subject of the poem.

The Man with the Blue Guitar [1937], pt. XXII

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Wallace Stevens
Wallace Stevens

She sang beyond the genius of the sea. The water never formed to mind or voice, Like a body wholly body, fluttering Its empty sleeves; and yet its mimic motion Made constant cry, caused constantly a cry, That was not ours although we understood, Inhuman, of the veritable ocean.

The Idea of Order at Key West [1936], st. 1

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Wallace Stevens
Wallace Stevens

I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just after.

Thirteen Ways of Looking at a Blackbird [1923], st. 5

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Wallace Stevens
Wallace Stevens

Beauty is momentary in the mind— The fitful tracing of a portal; But in the flesh it is immortal. The body dies; the body’s beauty lives.

Peter Quince at the Clavier, IV

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Wallace Stevens
Wallace Stevens

Susanna’s music touched the bawdy strings Of those white elders; but, escaping, Left only Death’s ironic scraping. Now, in its immortality, it plays On the clear viol of her memory, And makes a constant sacrament of praise.

Peter Quince at the Clavier, IV

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Wallace Stevens
Wallace Stevens

Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too.

Peter Quince at the Clavier [1923], pt. I

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Wallace Stevens
Wallace Stevens

I placed a jar in Tennessee, And round it was, upon a hill. It made the slovenly wilderness Surround that hill.

Anecdote of the Jar [1923], st. 1

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Wallace Stevens
Wallace Stevens

Damned universal cock, as if the sun Was blackamoor to bear your blazing tail.

Bantams in Pine Woods, st. 2

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Wallace Stevens
Wallace Stevens

Chieftain Iffucan of Azcan in caftan Of tan with henna hackles, halt!

Bantams in Pine Woods [1923], st. 1

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Wallace Stevens
Wallace Stevens

We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsored, free, Of that wide water, inescapable. Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Ambiguous undulations as they sink, Downward to darkness, on extended wings.

Sunday Morning, st. 8

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Wallace Stevens
Wallace Stevens

She says, “But in contentment I still feel The need of some imperishable bliss.” Death is the mother of beauty; hence from her, Alone, shall come fulfillment to our dreams And our desires.

Sunday Morning, st. 5

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Wallace Stevens
Wallace Stevens

Complacencies of the peignoir, and late Coffee and oranges in a sunny chair.

Sunday Morning [1923], st. 1

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Wallace Stevens
Wallace Stevens

Only, here and there, an old sailor, Drunk and asleep in his boots, Catches tigers In red weather.

Disillusionment of Ten O’Clock [1923]

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Wallace Stevens
Wallace Stevens

Poetry is the supreme fiction, madame.

A High-Toned Old Christian Woman [1923]

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Wallace Stevens
Wallace Stevens

Let be be finale of seem. The only emperor is the emperor of ice-cream.

The Emperor of Ice-Cream [1923]

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Wallace Stevens
Wallace Stevens

Green crammers of the green fruits of the world.

The Comedian as the Letter C, VI, st. 2

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Wallace Stevens
Wallace Stevens

The plum survives its poems.

The Comedian as the Letter C, V, st. 1

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Wallace Stevens
Wallace Stevens

And as he came he saw that it was spring, A time abhorrent to the nihilist Or searcher for the fecund minimum.

The Comedian as the Letter C, III, st. 4

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Wallace Stevens
Wallace Stevens

The natives of the rain are rainy men.

The Comedian as the Letter C, IV, st. 1

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Wallace Stevens
Wallace Stevens

Twenty men crossing a bridge, Into a village, Are twenty men crossing twenty bridges, Into twenty villages, Or one man Crossing a single bridge into a village.

Metaphors of a Magnifico [1923]

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Wallace Stevens
Wallace Stevens

The book of moonlight is not written yet.

The Comedian as the Letter C [1923], pt. III, st. 1

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Carl Sandburg
Carl Sandburg

The people know the salt of the sea and the strength of the winds lashing the corners of the earth. The people take the earth as a tomb of rest and a cradle of hope. Who else speaks for the Family of Man?

The People, Yes

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