Poems in this topic
Relationships and Family
William Butler Yeats
Anashuya And Vijaya
Anashuya And Vijaya
A little Indian temple in the Golden Age. Around it a garden;
around that the forest. Anashuya, the young priestess, kneelinq
within the temple.
Anashuya. Send peace on all the lands and flickering
corn. --
O, may tranquillity walk by his elbow
When wandering in the forest, if he love
No other. -- Hear, and may the indolent flocks
Be plentiful. -- And if he love another,
May panthers end him. -- Hear, and load our king
With wisdom hour by hour. -- May we two stand,
When we are dead, beyond the setting suns,
A little from the other shades apart,
With mingling hair, and play upon one lute.
Vijaya [entering and throwing a lily at her]. Hail! hail, my
Anashuya.
Anashuya. No: be still.
I, priestess of this temple, offer up
prayers for the land.
Vijaya. I will wait here, Amrita.
Anashuya. By mighty Brahma's ever-rustling robe,
Who is Amrita? Sorrow of all sorrows!
Another fills your mind.
Vijaya. My mother's name.
Anashuya [sings, coming out of the temple].
A sad, sad thought went by me slowly:
Sigh, O you little stars.! O sigh and shake your blue
apparel.!
The sad, sad thought has gone from me now wholly:
Sing, O you little stars.! O sing and raise your rapturous
carol
To mighty Brahma, be who made you many as the sands,
And laid you on the gates of evening with his quiet hands.
(Sits down on the steps of the temple.j
Vijaya, I have brought my evening rice;
The sun has laid his chin on the grey wood,
Weary, with all his poppies gathered round him.
Vijaya. The hour when Kama, full of sleepy laughter,
Rises, and showers abroad his fragrant arrows,
Piercing the twilight with their murmuring barbs.
Anashuya. See-how the sacred old flamingoes come.
Painting with shadow all the marble steps:
Aged and wise, they seek their wonted perches
Within the temple, devious walking, made
To wander by their melancholy minds.
Yon tall one eyes my supper; chase him away,
Far, far away. I named him after you.
He is a famous fisher; hour by hour
He ruffles with his bill the minnowed streams.
Ah! there he snaps my rice. I told you so.
Now cuff him off. He's off! A kiss for you,
Because you saved my rice. Have you no thanks?
Vijaya [sings]. Sing you of her, O first few stars,
Whom Brahma, touching with his finger, praises, for you
hold
The van of wandering quiet; ere you be too calm and old,
Sing, turning in your cars,
Sing, till you raise your hands and sigh, and from your carheads
peer,
With all your whirling hair, and drop many an azure tear.
Anashuya. What know the pilots of the stars of tears?
Vijaya. Their faces are all worn, and in their eyes
Flashes the fire of sadness, for they see
The icicles that famish all the North,
Where men lie frozen in the glimmering snow;
And in the flaming forests cower the lion
And lioness, with all their whimpering cubs;
And, ever pacing on the verge of things,
The phantom, Beauty, in a mist of tears;
While we alone have round us woven woods,
And feel the softness of each other's hand,
Amrita, while -- -
Anashuya [going away from him].
Ah me! you love another,
[Bursting into tears.]
And may some sudden dreadful ill befall her!
Vijaya. I loved another; now I love no other.
Among the mouldering of ancient woods
You live, and on the village border she,
With her old father the blind wood-cutter;
I saw her standing in her door but now.
Anashuya. Vijaya, swear to love her never more.
Vijaya. Ay, ay.
Anashuya. Swear by the parents of the gods,
Dread oath, who dwell on sacred Himalay,
On the far Golden peak; enormous shapes,
Who still were old when the great sea was young;
On their vast faces mystery and dreams;
Their hair along the mountains rolled and filled
From year to year by the unnumbered nests
Of aweless birds, and round their stirless feet
The joyous flocks of deer and antelope,
Who never hear the unforgiving hound.
Swear!
Vijaya. By the parents of the gods, I swear.
Anashuya [sings]. I have forgiven, O new star!
Maybe you have not heard of us, you have come forth so
newly,
You hunter of the fields afar!
Ah, you will know my loved one by his hunter's arrows
truly,
Shoot on him shafts of quietness, that he may ever keep
A lonely laughter, and may kiss his hands to me in sleep.
Farewell, Vijaya. Nay, no word, no word;
I, priestess of this temple, offer up
Prayers for the land.
[Vijaya goes.]
O Brahma, guard in sleep
The merry lambs and the complacent kine,
The flies below the leaves, and the young mice
In the tree roots, and all the sacred flocks
Of red flamingoes; and my love, Vijaya;
And may no restless fay with fidget finger
Trouble his sleeping: give him dreams of me.
A little Indian temple in the Golden Age. Around it a garden;
around that the forest. Anashuya, the young priestess, kneelinq
within the temple.
Anashuya. Send peace on all the lands and flickering
corn. --
O, may tranquillity walk by his elbow
When wandering in the forest, if he love
No other. -- Hear, and may the indolent flocks
Be plentiful. -- And if he love another,
May panthers end him. -- Hear, and load our king
With wisdom hour by hour. -- May we two stand,
When we are dead, beyond the setting suns,
A little from the other shades apart,
With mingling hair, and play upon one lute.
Vijaya [entering and throwing a lily at her]. Hail! hail, my
Anashuya.
Anashuya. No: be still.
I, priestess of this temple, offer up
prayers for the land.
Vijaya. I will wait here, Amrita.
Anashuya. By mighty Brahma's ever-rustling robe,
Who is Amrita? Sorrow of all sorrows!
Another fills your mind.
Vijaya. My mother's name.
Anashuya [sings, coming out of the temple].
A sad, sad thought went by me slowly:
Sigh, O you little stars.! O sigh and shake your blue
apparel.!
The sad, sad thought has gone from me now wholly:
Sing, O you little stars.! O sing and raise your rapturous
carol
To mighty Brahma, be who made you many as the sands,
And laid you on the gates of evening with his quiet hands.
(Sits down on the steps of the temple.j
Vijaya, I have brought my evening rice;
The sun has laid his chin on the grey wood,
Weary, with all his poppies gathered round him.
Vijaya. The hour when Kama, full of sleepy laughter,
Rises, and showers abroad his fragrant arrows,
Piercing the twilight with their murmuring barbs.
Anashuya. See-how the sacred old flamingoes come.
Painting with shadow all the marble steps:
Aged and wise, they seek their wonted perches
Within the temple, devious walking, made
To wander by their melancholy minds.
Yon tall one eyes my supper; chase him away,
Far, far away. I named him after you.
He is a famous fisher; hour by hour
He ruffles with his bill the minnowed streams.
Ah! there he snaps my rice. I told you so.
Now cuff him off. He's off! A kiss for you,
Because you saved my rice. Have you no thanks?
Vijaya [sings]. Sing you of her, O first few stars,
Whom Brahma, touching with his finger, praises, for you
hold
The van of wandering quiet; ere you be too calm and old,
Sing, turning in your cars,
Sing, till you raise your hands and sigh, and from your carheads
peer,
With all your whirling hair, and drop many an azure tear.
Anashuya. What know the pilots of the stars of tears?
Vijaya. Their faces are all worn, and in their eyes
Flashes the fire of sadness, for they see
The icicles that famish all the North,
Where men lie frozen in the glimmering snow;
And in the flaming forests cower the lion
And lioness, with all their whimpering cubs;
And, ever pacing on the verge of things,
The phantom, Beauty, in a mist of tears;
While we alone have round us woven woods,
And feel the softness of each other's hand,
Amrita, while -- -
Anashuya [going away from him].
Ah me! you love another,
[Bursting into tears.]
And may some sudden dreadful ill befall her!
Vijaya. I loved another; now I love no other.
Among the mouldering of ancient woods
You live, and on the village border she,
With her old father the blind wood-cutter;
I saw her standing in her door but now.
Anashuya. Vijaya, swear to love her never more.
Vijaya. Ay, ay.
Anashuya. Swear by the parents of the gods,
Dread oath, who dwell on sacred Himalay,
On the far Golden peak; enormous shapes,
Who still were old when the great sea was young;
On their vast faces mystery and dreams;
Their hair along the mountains rolled and filled
From year to year by the unnumbered nests
Of aweless birds, and round their stirless feet
The joyous flocks of deer and antelope,
Who never hear the unforgiving hound.
Swear!
Vijaya. By the parents of the gods, I swear.
Anashuya [sings]. I have forgiven, O new star!
Maybe you have not heard of us, you have come forth so
newly,
You hunter of the fields afar!
Ah, you will know my loved one by his hunter's arrows
truly,
Shoot on him shafts of quietness, that he may ever keep
A lonely laughter, and may kiss his hands to me in sleep.
Farewell, Vijaya. Nay, no word, no word;
I, priestess of this temple, offer up
Prayers for the land.
[Vijaya goes.]
O Brahma, guard in sleep
The merry lambs and the complacent kine,
The flies below the leaves, and the young mice
In the tree roots, and all the sacred flocks
Of red flamingoes; and my love, Vijaya;
And may no restless fay with fidget finger
Trouble his sleeping: give him dreams of me.
401
William Butler Yeats
After Long Silence
After Long Silence
Speech after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.
Speech after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.
329
William Butler Yeats
Adam's Curse
Adam's Curse
WE sat together at one summer's end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, 'A line will take us hours maybe;
Yet if it does not seem a moment's thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world.'
And thereupon
That beautiful mild woman for whose sake
There's many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, 'To be born woman is to know --
Although they do not talk of it at school --
That we must labour to be beautiful.'
I said, 'It's certain there is no fine thing
Since Adam's fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
precedents out of beautiful old books;
Yet now it seems an idle trade enough.'
We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by time's waters as they rose and fell
About the stars and broke in days and years.
I had a thought for no one's but your ears:
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet we'd grown
As weary-hearted as that hollow moon.
WE sat together at one summer's end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, 'A line will take us hours maybe;
Yet if it does not seem a moment's thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world.'
And thereupon
That beautiful mild woman for whose sake
There's many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, 'To be born woman is to know --
Although they do not talk of it at school --
That we must labour to be beautiful.'
I said, 'It's certain there is no fine thing
Since Adam's fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
precedents out of beautiful old books;
Yet now it seems an idle trade enough.'
We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by time's waters as they rose and fell
About the stars and broke in days and years.
I had a thought for no one's but your ears:
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet we'd grown
As weary-hearted as that hollow moon.
424
William Butler Yeats
Aedh Tells of a Valley Full of Lovers
Aedh Tells of a Valley Full of Lovers
I dreamed that I stood in a valley, and amid sighs,
For happy lovers passed two by two where I stood;
And I dreamed my lost love came stealthily out of the wood
With her cloud-pale eyelids falling on dream-dimmed eyes:
I cried in my dream ‘O women bid the young men lay
‘Their heads on your knees, and drown their eyes with your hair,
‘Or remembering hers they will find no other face fair
‘Till all the valleys of the world have been withered away.’
I dreamed that I stood in a valley, and amid sighs,
For happy lovers passed two by two where I stood;
And I dreamed my lost love came stealthily out of the wood
With her cloud-pale eyelids falling on dream-dimmed eyes:
I cried in my dream ‘O women bid the young men lay
‘Their heads on your knees, and drown their eyes with your hair,
‘Or remembering hers they will find no other face fair
‘Till all the valleys of the world have been withered away.’
407
William Butler Yeats
A Prayer On Going Into My House
A Prayer On Going Into My House
GOD grant a blessing on this tower and cottage
And on my heirs, if all remain unspoiled,
No table or chair or stool not simple enough
For shepherd lads in Galilee; and grant
That I myself for portions of the year
May handle nothing and set eyes on nothing
But what the great and passionate have used
Throughout so many varying centuries
We take it for the norm; yet should I dream
Sinbad the sailor's brought a painted chest,
Or image, from beyond the Loadstone Mountain,
That dream is a norm; and should some limb of the Devil
Destroy the view by cutting down an ash
That shades the road, or setting up a cottage
Planned in a government office, shorten his life,
Manacle his soul upon the Red Sea bottom.
GOD grant a blessing on this tower and cottage
And on my heirs, if all remain unspoiled,
No table or chair or stool not simple enough
For shepherd lads in Galilee; and grant
That I myself for portions of the year
May handle nothing and set eyes on nothing
But what the great and passionate have used
Throughout so many varying centuries
We take it for the norm; yet should I dream
Sinbad the sailor's brought a painted chest,
Or image, from beyond the Loadstone Mountain,
That dream is a norm; and should some limb of the Devil
Destroy the view by cutting down an ash
That shades the road, or setting up a cottage
Planned in a government office, shorten his life,
Manacle his soul upon the Red Sea bottom.
569
William Butler Yeats
A Song From The Player Queen
A Song From "The Player Queen"
MY mother dandled me and sang,
"How young it is, how young!'
And made a golden cradle
That on a willow swung.
"He went away,' my mother sang,
"When I was brought to bed,'
And all the while her needle pulled
The gold and silver thread.
She pulled the thread and bit the thread
And made a golden gown,
And wept because she had dreamt that I
Was born to wear a crown.
"When she was got,' my mother sang,
I heard a sea-mew cry,
And saw a flake of the yellow foam
That dropped upon my thigh."
How therefore could she help but braid
The gold into my hair,
And dream that I should carry
The golden top of care?
MY mother dandled me and sang,
"How young it is, how young!'
And made a golden cradle
That on a willow swung.
"He went away,' my mother sang,
"When I was brought to bed,'
And all the while her needle pulled
The gold and silver thread.
She pulled the thread and bit the thread
And made a golden gown,
And wept because she had dreamt that I
Was born to wear a crown.
"When she was got,' my mother sang,
I heard a sea-mew cry,
And saw a flake of the yellow foam
That dropped upon my thigh."
How therefore could she help but braid
The gold into my hair,
And dream that I should carry
The golden top of care?
411
William Butler Yeats
A Poet To His Beloved
A Poet To His Beloved
I BRING you with reverent hands
The books of my numberless dreams,
White woman that passion has worn
As the tide wears the dove-grey sands,
And with heart more old than the horn
That is brimmed from the pale fire of time:
White woman with numberless dreams,
I bring you my passionate rhyme.
I BRING you with reverent hands
The books of my numberless dreams,
White woman that passion has worn
As the tide wears the dove-grey sands,
And with heart more old than the horn
That is brimmed from the pale fire of time:
White woman with numberless dreams,
I bring you my passionate rhyme.
416
William Butler Yeats
A Man Young And Old
A Man Young And Old
I
First Love
THOUGH nurtured like the sailing moon
In beauty's murderous brood,
She walked awhile and blushed awhile
And on my pathway stood
Until I thought her body bore
A heart of flesh and blood.
But since I laid a hand thereon
And found a heart of stone
I have attempted many things
And not a thing is done,
For every hand is lunatic
That travels on the moon.
She smiled and that transfigured me
And left me but a lout,
Maundering here, and maundering there,
Emptier of thought
Than the heavenly circuit of its stars
When the moon sails out.
II
Human Dignity
Like the moon her kindness is,
If kindness I may call
What has no comprehension in't,
But is the same for all
As though my sorrow were a scene
Upon a painted wall.
So like a bit of stone I lie
Under a broken tree.
I could recover if I shrieked
My heart's agony
To passing bird, but I am dumb
From human dignity.
III
The Mermaid
A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.
IV
The Death of the Hare
I have pointed out the yelling pack,
The hare leap to the wood,
And when I pass a compliment
Rejoice as lover should
At the drooping of an eye,
At the mantling of the blood.
Then' suddenly my heart is wrung
By her distracted air
And I remember wildness lost
And after, swept from there,
Am set down standing in the wood
At the death of the hare.
V
The Empty Cup
A crazy man that found a cup,
When all but dead of thirst,
Hardly dared to wet his mouth
Imagining, moon-accursed,
That another mouthful
And his beating heart would burst.
October last I found it too
But found it dry as bone,
And for that reason am I crazed
And my sleep is gone.
VI
His Memories
We should be hidden from their eyes,
Being but holy shows
And bodies broken like a thorn
Whereon the bleak north blows,
To think of buried Hector
And that none living knows.
The women take so little stock
In what I do or say
They'd sooner leave their cosseting
To hear a jackass bray;
My arms are like the twisted thorn
And yet there beauty lay;
The first of all the tribe lay there
And did such pleasure take --
She who had brought great Hector down
And put all Troy to wreck --
That she cried into this ear,
'Strike me if I shriek.'
VII
The Friends of his Youth
Laughter not time destroyed my voice
And put that crack in it,
And when the moon's pot-bellied
I get a laughing fit,
For that old Madge comes down the lane,
A stone upon her breast,
And a cloak wrapped about the stone,
And she can get no rest
With singing hush and hush-a-bye;
She that has been wild
And barren as a breaking wave
Thinks that the stone's a child.
And Peter that had great affairs
And was a pushing man
Shrieks, 'I am King of the Peacocks,'
And perches on a stone;
And then I laugh till tears run down
And the heart thumps at my side,
Remembering that her shriek was love
And that he shrieks from pride.
VIII
Summer and Spring
We sat under an old thorn-tree
And talked away the night,
Told all that had been said or done
Since first we saw the light,
And when we talked of growing up
Knew that we'd halved a soul
And fell the one in t'other's arms
That we might make it whole;
Then peter had a murdering look,
For it seemed that he and she
Had spoken of their childish days
Under that very tree.
O what a bursting out there was,
And what a blossoming,
When we had all the summer-time
And she had all the spring!
IX
The Secrets of the Old
I have old women's sectets now
That had those of the young;
Madge tells me what I dared not think
When my blood was strong,
And what had drowned a lover once
Sounds like an old song.
Though Margery is stricken dumb
If thrown in Madge's way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say:
How such a man pleased women most
Of all that are gone,
How such a pair loved many years
And such a pair but one,
Stories of the bed of straw
Or the bed of down.
X
His Wildness
O bid me mount and sail up there
Amid the cloudy wrack,
For peg and Meg and Paris' love
That had so straight a back,
Are gone away, and some that stay
Have changed their silk for sack.
Were I but there and none to hear
I'd have a peacock cry,
For that is natural to a man
That lives in memory,
Being all alone I'd nurse a stone
And sing it lullaby.
XI
From 'Oedipus at Colonus'
Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.
Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.
In the long echoing street the laughing dancers throng,
The bride is catried to the bridegroom's chamber
through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.
Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have
looked into the eye of day;
The second best's a gay goodnight and quickly turn away.
I
First Love
THOUGH nurtured like the sailing moon
In beauty's murderous brood,
She walked awhile and blushed awhile
And on my pathway stood
Until I thought her body bore
A heart of flesh and blood.
But since I laid a hand thereon
And found a heart of stone
I have attempted many things
And not a thing is done,
For every hand is lunatic
That travels on the moon.
She smiled and that transfigured me
And left me but a lout,
Maundering here, and maundering there,
Emptier of thought
Than the heavenly circuit of its stars
When the moon sails out.
II
Human Dignity
Like the moon her kindness is,
If kindness I may call
What has no comprehension in't,
But is the same for all
As though my sorrow were a scene
Upon a painted wall.
So like a bit of stone I lie
Under a broken tree.
I could recover if I shrieked
My heart's agony
To passing bird, but I am dumb
From human dignity.
III
The Mermaid
A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.
IV
The Death of the Hare
I have pointed out the yelling pack,
The hare leap to the wood,
And when I pass a compliment
Rejoice as lover should
At the drooping of an eye,
At the mantling of the blood.
Then' suddenly my heart is wrung
By her distracted air
And I remember wildness lost
And after, swept from there,
Am set down standing in the wood
At the death of the hare.
V
The Empty Cup
A crazy man that found a cup,
When all but dead of thirst,
Hardly dared to wet his mouth
Imagining, moon-accursed,
That another mouthful
And his beating heart would burst.
October last I found it too
But found it dry as bone,
And for that reason am I crazed
And my sleep is gone.
VI
His Memories
We should be hidden from their eyes,
Being but holy shows
And bodies broken like a thorn
Whereon the bleak north blows,
To think of buried Hector
And that none living knows.
The women take so little stock
In what I do or say
They'd sooner leave their cosseting
To hear a jackass bray;
My arms are like the twisted thorn
And yet there beauty lay;
The first of all the tribe lay there
And did such pleasure take --
She who had brought great Hector down
And put all Troy to wreck --
That she cried into this ear,
'Strike me if I shriek.'
VII
The Friends of his Youth
Laughter not time destroyed my voice
And put that crack in it,
And when the moon's pot-bellied
I get a laughing fit,
For that old Madge comes down the lane,
A stone upon her breast,
And a cloak wrapped about the stone,
And she can get no rest
With singing hush and hush-a-bye;
She that has been wild
And barren as a breaking wave
Thinks that the stone's a child.
And Peter that had great affairs
And was a pushing man
Shrieks, 'I am King of the Peacocks,'
And perches on a stone;
And then I laugh till tears run down
And the heart thumps at my side,
Remembering that her shriek was love
And that he shrieks from pride.
VIII
Summer and Spring
We sat under an old thorn-tree
And talked away the night,
Told all that had been said or done
Since first we saw the light,
And when we talked of growing up
Knew that we'd halved a soul
And fell the one in t'other's arms
That we might make it whole;
Then peter had a murdering look,
For it seemed that he and she
Had spoken of their childish days
Under that very tree.
O what a bursting out there was,
And what a blossoming,
When we had all the summer-time
And she had all the spring!
IX
The Secrets of the Old
I have old women's sectets now
That had those of the young;
Madge tells me what I dared not think
When my blood was strong,
And what had drowned a lover once
Sounds like an old song.
Though Margery is stricken dumb
If thrown in Madge's way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say:
How such a man pleased women most
Of all that are gone,
How such a pair loved many years
And such a pair but one,
Stories of the bed of straw
Or the bed of down.
X
His Wildness
O bid me mount and sail up there
Amid the cloudy wrack,
For peg and Meg and Paris' love
That had so straight a back,
Are gone away, and some that stay
Have changed their silk for sack.
Were I but there and none to hear
I'd have a peacock cry,
For that is natural to a man
That lives in memory,
Being all alone I'd nurse a stone
And sing it lullaby.
XI
From 'Oedipus at Colonus'
Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.
Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.
In the long echoing street the laughing dancers throng,
The bride is catried to the bridegroom's chamber
through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.
Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have
looked into the eye of day;
The second best's a gay goodnight and quickly turn away.
547
William Butler Yeats
A Man Young And Old
A Man Young And Old
I
First Love
THOUGH nurtured like the sailing moon
In beauty's murderous brood,
She walked awhile and blushed awhile
And on my pathway stood
Until I thought her body bore
A heart of flesh and blood.
But since I laid a hand thereon
And found a heart of stone
I have attempted many things
And not a thing is done,
For every hand is lunatic
That travels on the moon.
She smiled and that transfigured me
And left me but a lout,
Maundering here, and maundering there,
Emptier of thought
Than the heavenly circuit of its stars
When the moon sails out.
II
Human Dignity
Like the moon her kindness is,
If kindness I may call
What has no comprehension in't,
But is the same for all
As though my sorrow were a scene
Upon a painted wall.
So like a bit of stone I lie
Under a broken tree.
I could recover if I shrieked
My heart's agony
To passing bird, but I am dumb
From human dignity.
III
The Mermaid
A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.
IV
The Death of the Hare
I have pointed out the yelling pack,
The hare leap to the wood,
And when I pass a compliment
Rejoice as lover should
At the drooping of an eye,
At the mantling of the blood.
Then' suddenly my heart is wrung
By her distracted air
And I remember wildness lost
And after, swept from there,
Am set down standing in the wood
At the death of the hare.
V
The Empty Cup
A crazy man that found a cup,
When all but dead of thirst,
Hardly dared to wet his mouth
Imagining, moon-accursed,
That another mouthful
And his beating heart would burst.
October last I found it too
But found it dry as bone,
And for that reason am I crazed
And my sleep is gone.
VI
His Memories
We should be hidden from their eyes,
Being but holy shows
And bodies broken like a thorn
Whereon the bleak north blows,
To think of buried Hector
And that none living knows.
The women take so little stock
In what I do or say
They'd sooner leave their cosseting
To hear a jackass bray;
My arms are like the twisted thorn
And yet there beauty lay;
The first of all the tribe lay there
And did such pleasure take --
She who had brought great Hector down
And put all Troy to wreck --
That she cried into this ear,
'Strike me if I shriek.'
VII
The Friends of his Youth
Laughter not time destroyed my voice
And put that crack in it,
And when the moon's pot-bellied
I get a laughing fit,
For that old Madge comes down the lane,
A stone upon her breast,
And a cloak wrapped about the stone,
And she can get no rest
With singing hush and hush-a-bye;
She that has been wild
And barren as a breaking wave
Thinks that the stone's a child.
And Peter that had great affairs
And was a pushing man
Shrieks, 'I am King of the Peacocks,'
And perches on a stone;
And then I laugh till tears run down
And the heart thumps at my side,
Remembering that her shriek was love
And that he shrieks from pride.
VIII
Summer and Spring
We sat under an old thorn-tree
And talked away the night,
Told all that had been said or done
Since first we saw the light,
And when we talked of growing up
Knew that we'd halved a soul
And fell the one in t'other's arms
That we might make it whole;
Then peter had a murdering look,
For it seemed that he and she
Had spoken of their childish days
Under that very tree.
O what a bursting out there was,
And what a blossoming,
When we had all the summer-time
And she had all the spring!
IX
The Secrets of the Old
I have old women's sectets now
That had those of the young;
Madge tells me what I dared not think
When my blood was strong,
And what had drowned a lover once
Sounds like an old song.
Though Margery is stricken dumb
If thrown in Madge's way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say:
How such a man pleased women most
Of all that are gone,
How such a pair loved many years
And such a pair but one,
Stories of the bed of straw
Or the bed of down.
X
His Wildness
O bid me mount and sail up there
Amid the cloudy wrack,
For peg and Meg and Paris' love
That had so straight a back,
Are gone away, and some that stay
Have changed their silk for sack.
Were I but there and none to hear
I'd have a peacock cry,
For that is natural to a man
That lives in memory,
Being all alone I'd nurse a stone
And sing it lullaby.
XI
From 'Oedipus at Colonus'
Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.
Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.
In the long echoing street the laughing dancers throng,
The bride is catried to the bridegroom's chamber
through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.
Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have
looked into the eye of day;
The second best's a gay goodnight and quickly turn away.
I
First Love
THOUGH nurtured like the sailing moon
In beauty's murderous brood,
She walked awhile and blushed awhile
And on my pathway stood
Until I thought her body bore
A heart of flesh and blood.
But since I laid a hand thereon
And found a heart of stone
I have attempted many things
And not a thing is done,
For every hand is lunatic
That travels on the moon.
She smiled and that transfigured me
And left me but a lout,
Maundering here, and maundering there,
Emptier of thought
Than the heavenly circuit of its stars
When the moon sails out.
II
Human Dignity
Like the moon her kindness is,
If kindness I may call
What has no comprehension in't,
But is the same for all
As though my sorrow were a scene
Upon a painted wall.
So like a bit of stone I lie
Under a broken tree.
I could recover if I shrieked
My heart's agony
To passing bird, but I am dumb
From human dignity.
III
The Mermaid
A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.
IV
The Death of the Hare
I have pointed out the yelling pack,
The hare leap to the wood,
And when I pass a compliment
Rejoice as lover should
At the drooping of an eye,
At the mantling of the blood.
Then' suddenly my heart is wrung
By her distracted air
And I remember wildness lost
And after, swept from there,
Am set down standing in the wood
At the death of the hare.
V
The Empty Cup
A crazy man that found a cup,
When all but dead of thirst,
Hardly dared to wet his mouth
Imagining, moon-accursed,
That another mouthful
And his beating heart would burst.
October last I found it too
But found it dry as bone,
And for that reason am I crazed
And my sleep is gone.
VI
His Memories
We should be hidden from their eyes,
Being but holy shows
And bodies broken like a thorn
Whereon the bleak north blows,
To think of buried Hector
And that none living knows.
The women take so little stock
In what I do or say
They'd sooner leave their cosseting
To hear a jackass bray;
My arms are like the twisted thorn
And yet there beauty lay;
The first of all the tribe lay there
And did such pleasure take --
She who had brought great Hector down
And put all Troy to wreck --
That she cried into this ear,
'Strike me if I shriek.'
VII
The Friends of his Youth
Laughter not time destroyed my voice
And put that crack in it,
And when the moon's pot-bellied
I get a laughing fit,
For that old Madge comes down the lane,
A stone upon her breast,
And a cloak wrapped about the stone,
And she can get no rest
With singing hush and hush-a-bye;
She that has been wild
And barren as a breaking wave
Thinks that the stone's a child.
And Peter that had great affairs
And was a pushing man
Shrieks, 'I am King of the Peacocks,'
And perches on a stone;
And then I laugh till tears run down
And the heart thumps at my side,
Remembering that her shriek was love
And that he shrieks from pride.
VIII
Summer and Spring
We sat under an old thorn-tree
And talked away the night,
Told all that had been said or done
Since first we saw the light,
And when we talked of growing up
Knew that we'd halved a soul
And fell the one in t'other's arms
That we might make it whole;
Then peter had a murdering look,
For it seemed that he and she
Had spoken of their childish days
Under that very tree.
O what a bursting out there was,
And what a blossoming,
When we had all the summer-time
And she had all the spring!
IX
The Secrets of the Old
I have old women's sectets now
That had those of the young;
Madge tells me what I dared not think
When my blood was strong,
And what had drowned a lover once
Sounds like an old song.
Though Margery is stricken dumb
If thrown in Madge's way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say:
How such a man pleased women most
Of all that are gone,
How such a pair loved many years
And such a pair but one,
Stories of the bed of straw
Or the bed of down.
X
His Wildness
O bid me mount and sail up there
Amid the cloudy wrack,
For peg and Meg and Paris' love
That had so straight a back,
Are gone away, and some that stay
Have changed their silk for sack.
Were I but there and none to hear
I'd have a peacock cry,
For that is natural to a man
That lives in memory,
Being all alone I'd nurse a stone
And sing it lullaby.
XI
From 'Oedipus at Colonus'
Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.
Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.
In the long echoing street the laughing dancers throng,
The bride is catried to the bridegroom's chamber
through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.
Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have
looked into the eye of day;
The second best's a gay goodnight and quickly turn away.
547
William Blake
Why Was Cupid a Boy
Why Was Cupid a Boy
Why was Cupid a boy,
And why a boy was he?
He should have been a girl,
For aught that I can see.
For he shoots with his bow,
And the girl shoots with her eye,
And they both are merry and glad,
And laugh when we do cry.
And to make Cupid a boy
Was the Cupid girl's mocking plan;
For a boy can't interpret the thing
Till he is become a man.
And then he's so pierc'd with cares,
And wounded with arrowy smarts,
That the whole business of his life
Is to pick out the heads of the darts.
'Twas the Greeks' love of war
Turn'd Love into a boy,
And woman into a statue of stone--
And away fled every joy.
Why was Cupid a boy,
And why a boy was he?
He should have been a girl,
For aught that I can see.
For he shoots with his bow,
And the girl shoots with her eye,
And they both are merry and glad,
And laugh when we do cry.
And to make Cupid a boy
Was the Cupid girl's mocking plan;
For a boy can't interpret the thing
Till he is become a man.
And then he's so pierc'd with cares,
And wounded with arrowy smarts,
That the whole business of his life
Is to pick out the heads of the darts.
'Twas the Greeks' love of war
Turn'd Love into a boy,
And woman into a statue of stone--
And away fled every joy.
465
William Blake
Why Was Cupid a Boy
Why Was Cupid a Boy
Why was Cupid a boy,
And why a boy was he?
He should have been a girl,
For aught that I can see.
For he shoots with his bow,
And the girl shoots with her eye,
And they both are merry and glad,
And laugh when we do cry.
And to make Cupid a boy
Was the Cupid girl's mocking plan;
For a boy can't interpret the thing
Till he is become a man.
And then he's so pierc'd with cares,
And wounded with arrowy smarts,
That the whole business of his life
Is to pick out the heads of the darts.
'Twas the Greeks' love of war
Turn'd Love into a boy,
And woman into a statue of stone--
And away fled every joy.
Why was Cupid a boy,
And why a boy was he?
He should have been a girl,
For aught that I can see.
For he shoots with his bow,
And the girl shoots with her eye,
And they both are merry and glad,
And laugh when we do cry.
And to make Cupid a boy
Was the Cupid girl's mocking plan;
For a boy can't interpret the thing
Till he is become a man.
And then he's so pierc'd with cares,
And wounded with arrowy smarts,
That the whole business of his life
Is to pick out the heads of the darts.
'Twas the Greeks' love of war
Turn'd Love into a boy,
And woman into a statue of stone--
And away fled every joy.
465
William Blake
The Sick Rose
The Sick Rose
O Rose, thou art sick!
The invisible worm
That flies in the night,
In the howling storm,
Has found out thy bed
Of crimson joy:
And his dark secret love
Does thy life destroy.
O Rose, thou art sick!
The invisible worm
That flies in the night,
In the howling storm,
Has found out thy bed
Of crimson joy:
And his dark secret love
Does thy life destroy.
448
William Blake
The Question Answered
The Question Answered
What is it men in women do require?
The lineaments of gratified Desire.
What is it women do in men require?
The lineaments of gratified Desire
What is it men in women do require?
The lineaments of gratified Desire.
What is it women do in men require?
The lineaments of gratified Desire
386
William Blake
The Little Girl Found
The Little Girl Found
All the night in woe,
Lyca's parents go:
Over vallies deep.
While the desarts weep.
Tired and woe-begone.
Hoarse with making moan:
Arm in arm seven days.
They trac'd the desert ways.
Seven nights they sleep.
Among shadows deep:
And dream they see their child
Starvdd in desart wild.
Pale thro' pathless ways
The fancied image strays.
Famish'd, weeping, weak
With hollow piteous shriek
Rising from unrest,
The trembling woman prest,
With feet of weary woe;
She could no further go.
In his arms he bore.
Her arm'd with sorrow sore:
Till before their way
A couching lion lay.
Turning back was vain,
Soon his heavy mane.
Bore them to the ground;
Then he stalk'd around.
Smelling to his prey,
But their fears allay,
When he licks their hands:
And silent by them stands.
They look upon his eyes
Fill'd with deep surprise:
And wondering behold.
A spirit arm'd in gold.
On his head a crown
On his shoulders down,
Flow'd his golden hair.
Gone was all their care.
Follow me he said,
Weep not for the maid;
In my palace deep.
Lyca lies asleep.
Then they followed,
Where the vision led;
And saw their sleeping child,
Among tygers wild.
To this day they dwell
In a lonely dell
Nor fear the wolvish howl,
Nor the lion's growl.
All the night in woe,
Lyca's parents go:
Over vallies deep.
While the desarts weep.
Tired and woe-begone.
Hoarse with making moan:
Arm in arm seven days.
They trac'd the desert ways.
Seven nights they sleep.
Among shadows deep:
And dream they see their child
Starvdd in desart wild.
Pale thro' pathless ways
The fancied image strays.
Famish'd, weeping, weak
With hollow piteous shriek
Rising from unrest,
The trembling woman prest,
With feet of weary woe;
She could no further go.
In his arms he bore.
Her arm'd with sorrow sore:
Till before their way
A couching lion lay.
Turning back was vain,
Soon his heavy mane.
Bore them to the ground;
Then he stalk'd around.
Smelling to his prey,
But their fears allay,
When he licks their hands:
And silent by them stands.
They look upon his eyes
Fill'd with deep surprise:
And wondering behold.
A spirit arm'd in gold.
On his head a crown
On his shoulders down,
Flow'd his golden hair.
Gone was all their care.
Follow me he said,
Weep not for the maid;
In my palace deep.
Lyca lies asleep.
Then they followed,
Where the vision led;
And saw their sleeping child,
Among tygers wild.
To this day they dwell
In a lonely dell
Nor fear the wolvish howl,
Nor the lion's growl.
550
William Blake
The Little Boy Found
The Little Boy Found
The little boy lost in the lonely fen,
Led by the wandering light,
Began to cry, but God, ever nigh,
Appeared like his father, in white.
He kissed the child, and by the hand led,
And to his mother brought,
Who in sorrow pale, through the lonely dale,
The little boy weeping sought.
The little boy lost in the lonely fen,
Led by the wandering light,
Began to cry, but God, ever nigh,
Appeared like his father, in white.
He kissed the child, and by the hand led,
And to his mother brought,
Who in sorrow pale, through the lonely dale,
The little boy weeping sought.
407
William Blake
The Lily
The Lily
The modest Rose puts forth a thorn,
The humble sheep a threat'ning horn:
While the Lily white shall in love delight,
Nor a thorn nor a threat stain her beauty bright.
The modest Rose puts forth a thorn,
The humble sheep a threat'ning horn:
While the Lily white shall in love delight,
Nor a thorn nor a threat stain her beauty bright.
490
William Blake
The Land of Dreams
The Land of Dreams
Awake, awake, my little boy!
Thou wast thy mother's only joy;
Why dost thou weep in thy gentle sleep?
Awake! thy father does thee keep.
'O, what land is the Land of Dreams?
What are its mountains, and what are its streams?
O father! I saw my mother there,
Among the lilies by waters fair.
'Among the lambs, cloth?d in white,
She walk'd with her Thomas in sweet delight.
I wept for joy, like a dove I mourn;
O! when shall I again return?'
Dear child, I also by pleasant streams
Have wander'd all night in the Land of Dreams;
But tho' calm and warm the waters wide,
I could not get to the other side.
'Father, O father! what do we here
In this land of unbelief and fear?
The Land of Dreams is better far
Above the light of the morning star.'
Awake, awake, my little boy!
Thou wast thy mother's only joy;
Why dost thou weep in thy gentle sleep?
Awake! thy father does thee keep.
'O, what land is the Land of Dreams?
What are its mountains, and what are its streams?
O father! I saw my mother there,
Among the lilies by waters fair.
'Among the lambs, cloth?d in white,
She walk'd with her Thomas in sweet delight.
I wept for joy, like a dove I mourn;
O! when shall I again return?'
Dear child, I also by pleasant streams
Have wander'd all night in the Land of Dreams;
But tho' calm and warm the waters wide,
I could not get to the other side.
'Father, O father! what do we here
In this land of unbelief and fear?
The Land of Dreams is better far
Above the light of the morning star.'
473
William Blake
The Clod & The Pebble
The Clod & The Pebble
Love seeketh not Itself to please.
Nor for itself hath any care;
But for another gives its ease.
And builds a Heaven in Hells despair.
So sung a little Clod of Clay,
Trodden with the cattle's feet;
But a Pebble of the brook.
Warbled out these metres meet.
Love seeketh only Self to please,
To bind another to Its delight;
Joys in anothers loss of ease.
And builds a Hell in Heavens despite.
Love seeketh not Itself to please.
Nor for itself hath any care;
But for another gives its ease.
And builds a Heaven in Hells despair.
So sung a little Clod of Clay,
Trodden with the cattle's feet;
But a Pebble of the brook.
Warbled out these metres meet.
Love seeketh only Self to please,
To bind another to Its delight;
Joys in anothers loss of ease.
And builds a Hell in Heavens despite.
337
William Blake
The Chimney-Sweeper
The Chimney-Sweeper
When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry 'Weep! weep! weep! weep!'
So your chimneys I sweep, and in soot I sleep.
There's little Tom Dacre, who cried when his head,
That curled like a lamb's back, was shaved; so I said,
'Hush, Tom! never mind it, for, when your head's bare,
You know that the soot cannot spoil your white hair.'
And so he was quiet, and that very night,
As Tom was a-sleeping, he had such a sight! --
That thousands of sweepers, Dick, Joe, Ned, and Jack,
Were all of them locked up in coffins of black.
And by came an angel, who had a bright key,
And he opened the coffins, and let them all free;
Then down a green plain, leaping, laughing, they run,
And wash in a river, and shine in the sun.
Then naked and white, all their bags left behind,
They rise upon clouds, and sport in the wind;
And the Angel told Tom, if he'd be a good boy,
He'd have God for his father, and never want joy.
And so Tom awoke, and we rose in the dark,
And got with our bags and our brushes to work.
Though the morning was cold, Tom was happy and warm:
So, if all do their duty, they need not fear harm.
When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry 'Weep! weep! weep! weep!'
So your chimneys I sweep, and in soot I sleep.
There's little Tom Dacre, who cried when his head,
That curled like a lamb's back, was shaved; so I said,
'Hush, Tom! never mind it, for, when your head's bare,
You know that the soot cannot spoil your white hair.'
And so he was quiet, and that very night,
As Tom was a-sleeping, he had such a sight! --
That thousands of sweepers, Dick, Joe, Ned, and Jack,
Were all of them locked up in coffins of black.
And by came an angel, who had a bright key,
And he opened the coffins, and let them all free;
Then down a green plain, leaping, laughing, they run,
And wash in a river, and shine in the sun.
Then naked and white, all their bags left behind,
They rise upon clouds, and sport in the wind;
And the Angel told Tom, if he'd be a good boy,
He'd have God for his father, and never want joy.
And so Tom awoke, and we rose in the dark,
And got with our bags and our brushes to work.
Though the morning was cold, Tom was happy and warm:
So, if all do their duty, they need not fear harm.
713
William Blake
The Book of Urizen: Chapter VI
The Book of Urizen: Chapter VI
. But Los saw the Female & pitied
He embrac'd her, she wept, she refus'd
In perverse and cruel delight
She fled from his arms, yet he followd
. Eternity shudder'd when they saw,
Man begetting his likeness,
On his own divided image.
. A time passed over, the Eternals
Began to erect the tent;
When Enitharmon sick,
Felt a Worm within her womb.
. Yet helpless it lay like a Worm
In the trembling womb
To be moulded into existence
. All day the worm lay on her bosom
All night within her womb
The worm lay till it grew to a serpent
With dolorous hissings & poisons
Round Enitharmons loins folding,
. Coild within Enitharmons womb
The serpent grew casting its scales,
With sharp pangs the hissings began
To change to a grating cry,
Many sorrows and dismal throes,
Many forms of fish, bird & beast,
Brought forth an Infant form
Where was a worm before.
. The Eternals their tent finished
Alarm'd with these gloomy visions
When Enitharmon groaning
Produc'd a man Child to the light.
. A shriek ran thro' Eternity:
And a paralytic stroke;
At the birth of the Human shadow.
. Delving earth in his resistless way;
Howling, the Child with fierce flames
Issu'd from Enitharmon.
. The Eternals, closed the tent
They beat down the stakes the cords
Stretch'd for a work of eternity;
No more Los beheld Eternity.
. In his hands he seiz'd the infant
He bathed him in springs of sorrow
He gave him to Enitharmon.
. But Los saw the Female & pitied
He embrac'd her, she wept, she refus'd
In perverse and cruel delight
She fled from his arms, yet he followd
. Eternity shudder'd when they saw,
Man begetting his likeness,
On his own divided image.
. A time passed over, the Eternals
Began to erect the tent;
When Enitharmon sick,
Felt a Worm within her womb.
. Yet helpless it lay like a Worm
In the trembling womb
To be moulded into existence
. All day the worm lay on her bosom
All night within her womb
The worm lay till it grew to a serpent
With dolorous hissings & poisons
Round Enitharmons loins folding,
. Coild within Enitharmons womb
The serpent grew casting its scales,
With sharp pangs the hissings began
To change to a grating cry,
Many sorrows and dismal throes,
Many forms of fish, bird & beast,
Brought forth an Infant form
Where was a worm before.
. The Eternals their tent finished
Alarm'd with these gloomy visions
When Enitharmon groaning
Produc'd a man Child to the light.
. A shriek ran thro' Eternity:
And a paralytic stroke;
At the birth of the Human shadow.
. Delving earth in his resistless way;
Howling, the Child with fierce flames
Issu'd from Enitharmon.
. The Eternals, closed the tent
They beat down the stakes the cords
Stretch'd for a work of eternity;
No more Los beheld Eternity.
. In his hands he seiz'd the infant
He bathed him in springs of sorrow
He gave him to Enitharmon.
480
William Blake
The Birds
The Birds
He. Where thou dwellest, in what grove,
Tell me Fair One, tell me Love;
Where thou thy charming nest dost build,
O thou pride of every field!
She. Yonder stands a lonely tree,
There I live and mourn for thee;
Morning drinks my silent tear,
And evening winds my sorrow bear.
He. O thou summer's harmony,
I have liv'd and mourn'd for thee;
Each day I mourn along the wood,
And night hath heard my sorrows loud.
She. Dost thou truly long for me?
And am I thus sweet to thee?
Sorrow now is at an end,
O my Lover and my Friend!
He. Come, on wings of joy we'll fly
To where my bower hangs on high;
Come, and make thy calm retreat
Among green leaves and blossoms sweet.
He. Where thou dwellest, in what grove,
Tell me Fair One, tell me Love;
Where thou thy charming nest dost build,
O thou pride of every field!
She. Yonder stands a lonely tree,
There I live and mourn for thee;
Morning drinks my silent tear,
And evening winds my sorrow bear.
He. O thou summer's harmony,
I have liv'd and mourn'd for thee;
Each day I mourn along the wood,
And night hath heard my sorrows loud.
She. Dost thou truly long for me?
And am I thus sweet to thee?
Sorrow now is at an end,
O my Lover and my Friend!
He. Come, on wings of joy we'll fly
To where my bower hangs on high;
Come, and make thy calm retreat
Among green leaves and blossoms sweet.
538
William Blake
Songs Of Innocence: Introduction
Songs Of Innocence: Introduction
Piping down the valleys wild
Piping songs of pleasant glee
On a cloud I saw a child.
And he laughing said to me.
Pipe a song about a Lamb:
So I piped with merry chear,
Piper, pipe that song again--
So I piped, he wept to hear.
Drop thy pipe thy happy pipe
Sing thy songs of happy chear,
So I sung the same again
While he wept with joy to hear
Piper sit thee down and write
In a book that all may read--
So he vanished from my sight
And I pluck'd a hollow reed.
And I made a rural pen,
And I stained the water clear,
And I wrote my happy songs,
Every child may joy to hear.
Piping down the valleys wild
Piping songs of pleasant glee
On a cloud I saw a child.
And he laughing said to me.
Pipe a song about a Lamb:
So I piped with merry chear,
Piper, pipe that song again--
So I piped, he wept to hear.
Drop thy pipe thy happy pipe
Sing thy songs of happy chear,
So I sung the same again
While he wept with joy to hear
Piper sit thee down and write
In a book that all may read--
So he vanished from my sight
And I pluck'd a hollow reed.
And I made a rural pen,
And I stained the water clear,
And I wrote my happy songs,
Every child may joy to hear.
465
William Blake
Sleep! Sleep! Beauty Bright
Sleep! Sleep! Beauty Bright
Sleep! sleep! beauty bright,
Dreaming o'er the joys of night;
Sleep! sleep! in thy sleep
Little sorrows sit and weep.
Sweet Babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.
As thy softest limbs I feel,
Smiles as of the morning steal
O'er thy cheek, and o'er thy breast
Where thy little heart does rest.
O! the cunning wiles that creep
In thy little heart asleep.
When thy little heart does wake
Then the dreadful lightnings break,
From thy cheek and from thy eye,
O'er the youthful harvests nigh.
Infant wiles and infant smiles
Heaven and Earth of peace beguiles.
Sleep! sleep! beauty bright,
Dreaming o'er the joys of night;
Sleep! sleep! in thy sleep
Little sorrows sit and weep.
Sweet Babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.
As thy softest limbs I feel,
Smiles as of the morning steal
O'er thy cheek, and o'er thy breast
Where thy little heart does rest.
O! the cunning wiles that creep
In thy little heart asleep.
When thy little heart does wake
Then the dreadful lightnings break,
From thy cheek and from thy eye,
O'er the youthful harvests nigh.
Infant wiles and infant smiles
Heaven and Earth of peace beguiles.
528
William Blake
Schoolboy, The
Schoolboy, The
I love to rise in a summer morn
When the birds sing on every tree;
The distant huntsman winds his horn,
And the skylark sings with me.
O! what sweet company!
But to go to school on a summer morn,
O! it drives all joy away;
Under a cruel eye outworn,
The little ones spend the day
In sighing and dismay.
Ah! then at times I drooping sit,
And spend many an anxious hour,
Nor in my book can I take delight,
Nor sit in learning's bower,
Worn thro' with the dreary shower.
How can the bird that is born for joy
Sit in a cage and sing?
How can a child, when fears annoy,
But droop his tender wing,
And forget his youthful spring?
O! father and mother, if buds are nipped
And blossoms blown away,
And if the tender plants are stripped
Of their joy in the springing day,
By sorrow and care's dismay,
How shall the summer arise in joy,
Or the summer's fruits appear?
Or how shall we gather what griefs destroy,
Or bless the mellowing year,
When the blasts of winter appear?
I love to rise in a summer morn
When the birds sing on every tree;
The distant huntsman winds his horn,
And the skylark sings with me.
O! what sweet company!
But to go to school on a summer morn,
O! it drives all joy away;
Under a cruel eye outworn,
The little ones spend the day
In sighing and dismay.
Ah! then at times I drooping sit,
And spend many an anxious hour,
Nor in my book can I take delight,
Nor sit in learning's bower,
Worn thro' with the dreary shower.
How can the bird that is born for joy
Sit in a cage and sing?
How can a child, when fears annoy,
But droop his tender wing,
And forget his youthful spring?
O! father and mother, if buds are nipped
And blossoms blown away,
And if the tender plants are stripped
Of their joy in the springing day,
By sorrow and care's dismay,
How shall the summer arise in joy,
Or the summer's fruits appear?
Or how shall we gather what griefs destroy,
Or bless the mellowing year,
When the blasts of winter appear?
485