Poems in this topic
Relationships and Family
Robert Louis Stevenson
Know You The River NEar To Grez
Know You The River NEar To Grez
KNOW you the river near to Grez,
A river deep and clear?
Among the lilies all the way,
That ancient river runs to-day
From snowy weir to weir.
Old as the Rhine of great renown,
She hurries clear and fast,
She runs amain by field and town
From south to north, from up to down,
To present on from past.
The love I hold was borne by her;
And now, though far away,
My lonely spirit hears the stir
Of water round the starling spur
Beside the bridge at Grez.
So may that love forever hold
In life an equal pace;
So may that love grow never old,
But, clear and pure and fountain-cold,
Go on from grace to grace.
KNOW you the river near to Grez,
A river deep and clear?
Among the lilies all the way,
That ancient river runs to-day
From snowy weir to weir.
Old as the Rhine of great renown,
She hurries clear and fast,
She runs amain by field and town
From south to north, from up to down,
To present on from past.
The love I hold was borne by her;
And now, though far away,
My lonely spirit hears the stir
Of water round the starling spur
Beside the bridge at Grez.
So may that love forever hold
In life an equal pace;
So may that love grow never old,
But, clear and pure and fountain-cold,
Go on from grace to grace.
371
Robert Louis Stevenson
In Port
In Port
Last, to the chamber where I lie
My fearful footsteps patter nigh,
And come out from the cold and gloom
Into my warm and cheerful room.
There, safe arrived, we turn about
To keep the coming shadows out,
And close the happy door at last
On all the perils that we past.
Then, when mamma goes by to bed,
She shall come in with tip-toe tread,
And see me lying warm and fast
And in the land of Nod at last.
Last, to the chamber where I lie
My fearful footsteps patter nigh,
And come out from the cold and gloom
Into my warm and cheerful room.
There, safe arrived, we turn about
To keep the coming shadows out,
And close the happy door at last
On all the perils that we past.
Then, when mamma goes by to bed,
She shall come in with tip-toe tread,
And see me lying warm and fast
And in the land of Nod at last.
327
Robert Louis Stevenson
In Port
In Port
Last, to the chamber where I lie
My fearful footsteps patter nigh,
And come out from the cold and gloom
Into my warm and cheerful room.
There, safe arrived, we turn about
To keep the coming shadows out,
And close the happy door at last
On all the perils that we past.
Then, when mamma goes by to bed,
She shall come in with tip-toe tread,
And see me lying warm and fast
And in the land of Nod at last.
Last, to the chamber where I lie
My fearful footsteps patter nigh,
And come out from the cold and gloom
Into my warm and cheerful room.
There, safe arrived, we turn about
To keep the coming shadows out,
And close the happy door at last
On all the perils that we past.
Then, when mamma goes by to bed,
She shall come in with tip-toe tread,
And see me lying warm and fast
And in the land of Nod at last.
327
Robert Louis Stevenson
I WHo All The Winter Through
I WHo All The Winter Through
I WHO all the winter through
Cherished other loves than you,
And kept hands with hoary policy in marriage-bed and pew;
Now I know the false and true,
For the earnest sun looks through,
And my old love comes to meet me in the dawning and the dew.
Now the hedged meads renew
Rustic odour, smiling hue,
And the clean air shines and tinkles as the world goes wheeling through;
And my heart springs up anew,
Bright and confident and true,
And my old love comes to meet me in the dawning and the dew.
I WHO all the winter through
Cherished other loves than you,
And kept hands with hoary policy in marriage-bed and pew;
Now I know the false and true,
For the earnest sun looks through,
And my old love comes to meet me in the dawning and the dew.
Now the hedged meads renew
Rustic odour, smiling hue,
And the clean air shines and tinkles as the world goes wheeling through;
And my heart springs up anew,
Bright and confident and true,
And my old love comes to meet me in the dawning and the dew.
311
Robert Louis Stevenson
I Love To Be Warm By The Red Fireside
I Love To Be Warm By The Red Fireside
I LOVE to be warm by the red fireside,
I love to be wet with rain:
I love to be welcome at lamplit doors,
And leave the doors again.
I LOVE to be warm by the red fireside,
I love to be wet with rain:
I love to be welcome at lamplit doors,
And leave the doors again.
240
Robert Louis Stevenson
I Dreamed Of Forest Alleys fair
I Dreamed Of Forest Alleys fair
I.
I DREAMED of forest alleys fair
And fields of gray-flowered grass,
Where by the yellow summer moon
My Jenny seemed to pass.
I dreamed the yellow summer moon,
Behind a cedar wood,
Lay white on fields of rippling grass
Where I and Jenny stood.
I dreamed - but fallen through my dream,
In a rainy land I lie
Where wan wet morning crowns the hills
Of grim reality.
II.
I am as one that keeps awake
All night in the month of June,
That lies awake in bed to watch
The trees and great white moon.
For memories of love are more
Than the white moon there above,
And dearer than quiet moonshine
Are the thoughts of her I love.
III.
Last night I lingered long without
My last of loves to see.
Alas! the moon-white window-panes
Stared blindly back on me.
To-day I hold her very hand,
Her very waist embrace -
Like clouds across a pool, I read
Her thoughts upon her face.
And yet, as now, through her clear eyes
I seek the inner shrine -
I stoop to read her virgin heart
In doubt if it be mine -
O looking long and fondly thus,
What vision should I see?
No vision, but my own white face
That grins and mimics me.
IV.
Once more upon the same old seat
In the same sunshiny weather,
The elm-trees' shadows at their feet
And foliage move together.
The shadows shift upon the grass,
The dial point creeps on;
The clear sun shines, the loiterers pass,
As then they passed and shone.
But now deep sleep is on my heart,
Deep sleep and perfect rest.
Hope's flutterings now disturb no more
The quiet of my breast.
I.
I DREAMED of forest alleys fair
And fields of gray-flowered grass,
Where by the yellow summer moon
My Jenny seemed to pass.
I dreamed the yellow summer moon,
Behind a cedar wood,
Lay white on fields of rippling grass
Where I and Jenny stood.
I dreamed - but fallen through my dream,
In a rainy land I lie
Where wan wet morning crowns the hills
Of grim reality.
II.
I am as one that keeps awake
All night in the month of June,
That lies awake in bed to watch
The trees and great white moon.
For memories of love are more
Than the white moon there above,
And dearer than quiet moonshine
Are the thoughts of her I love.
III.
Last night I lingered long without
My last of loves to see.
Alas! the moon-white window-panes
Stared blindly back on me.
To-day I hold her very hand,
Her very waist embrace -
Like clouds across a pool, I read
Her thoughts upon her face.
And yet, as now, through her clear eyes
I seek the inner shrine -
I stoop to read her virgin heart
In doubt if it be mine -
O looking long and fondly thus,
What vision should I see?
No vision, but my own white face
That grins and mimics me.
IV.
Once more upon the same old seat
In the same sunshiny weather,
The elm-trees' shadows at their feet
And foliage move together.
The shadows shift upon the grass,
The dial point creeps on;
The clear sun shines, the loiterers pass,
As then they passed and shone.
But now deep sleep is on my heart,
Deep sleep and perfect rest.
Hope's flutterings now disturb no more
The quiet of my breast.
342
Robert Louis Stevenson
I Am Like One That For Long Days Had Sate
I Am Like One That For Long Days Had Sate
I AM like one that for long days had sate,
With seaward eyes set keen against the gale,
On some lone foreland, watching sail by sail,
The portbound ships for one ship that was late;
And sail by sail, his heart burned up with joy,
And cruelly was quenched, until at last
One ship, the looked-for pennant at its mast,
Bore gaily, and dropt safely past the buoy;
And lo! the loved one was not there - was dead.
Then would he watch no more; no more the sea
With myriad vessels, sail by sail, perplex
His eyes and mock his longing. Weary head,
Take now thy rest; eyes, close; for no more me
Shall hopes untried elate, or ruined vex.
For thus on love I waited; thus for love
Strained all my senses eagerly and long;
Thus for her coming ever trimmed my song;
Till in the far skies coloured as a dove,
A bird gold-coloured flickered far and fled
Over the pathless waterwaste for me;
And with spread hands I watched the bright bird flee
And waited, till before me she dropped dead.
O golden bird in these dove-coloured skies
How long I sought, how long with wearied eyes
I sought, O bird, the promise of thy flight!
And now the morn has dawned, the morn has died,
The day has come and gone; and once more night
About my lone life settles, wild and wide.
I AM like one that for long days had sate,
With seaward eyes set keen against the gale,
On some lone foreland, watching sail by sail,
The portbound ships for one ship that was late;
And sail by sail, his heart burned up with joy,
And cruelly was quenched, until at last
One ship, the looked-for pennant at its mast,
Bore gaily, and dropt safely past the buoy;
And lo! the loved one was not there - was dead.
Then would he watch no more; no more the sea
With myriad vessels, sail by sail, perplex
His eyes and mock his longing. Weary head,
Take now thy rest; eyes, close; for no more me
Shall hopes untried elate, or ruined vex.
For thus on love I waited; thus for love
Strained all my senses eagerly and long;
Thus for her coming ever trimmed my song;
Till in the far skies coloured as a dove,
A bird gold-coloured flickered far and fled
Over the pathless waterwaste for me;
And with spread hands I watched the bright bird flee
And waited, till before me she dropped dead.
O golden bird in these dove-coloured skies
How long I sought, how long with wearied eyes
I sought, O bird, the promise of thy flight!
And now the morn has dawned, the morn has died,
The day has come and gone; and once more night
About my lone life settles, wild and wide.
343
Robert Louis Stevenson
Good-Night
Good-Night
Then the bright lamp is carried in,
The sunless hours again begin;
O'er all without, in field and lane,
The haunted night returns again.
Now we behold the embers flee
About the firelit hearth; and see
Our faces painted as we pass,
Like pictures, on the window glass.
Must we to bed indeed? Well then,
Let us arise and go like men,
And face with an undaunted tread
The long black passage up to bed.
Farewell, O brother, sister, sire!
O pleasant party round the fire!
The songs you sing, the tales you tell,
Till far to-morrow, fare you well!
Then the bright lamp is carried in,
The sunless hours again begin;
O'er all without, in field and lane,
The haunted night returns again.
Now we behold the embers flee
About the firelit hearth; and see
Our faces painted as we pass,
Like pictures, on the window glass.
Must we to bed indeed? Well then,
Let us arise and go like men,
And face with an undaunted tread
The long black passage up to bed.
Farewell, O brother, sister, sire!
O pleasant party round the fire!
The songs you sing, the tales you tell,
Till far to-morrow, fare you well!
386
Robert Louis Stevenson
Good-Night
Good-Night
Then the bright lamp is carried in,
The sunless hours again begin;
O'er all without, in field and lane,
The haunted night returns again.
Now we behold the embers flee
About the firelit hearth; and see
Our faces painted as we pass,
Like pictures, on the window glass.
Must we to bed indeed? Well then,
Let us arise and go like men,
And face with an undaunted tread
The long black passage up to bed.
Farewell, O brother, sister, sire!
O pleasant party round the fire!
The songs you sing, the tales you tell,
Till far to-morrow, fare you well!
Then the bright lamp is carried in,
The sunless hours again begin;
O'er all without, in field and lane,
The haunted night returns again.
Now we behold the embers flee
About the firelit hearth; and see
Our faces painted as we pass,
Like pictures, on the window glass.
Must we to bed indeed? Well then,
Let us arise and go like men,
And face with an undaunted tread
The long black passage up to bed.
Farewell, O brother, sister, sire!
O pleasant party round the fire!
The songs you sing, the tales you tell,
Till far to-morrow, fare you well!
386
Robert Louis Stevenson
From a Railway Carriage
From a Railway Carriage
Faster than fairies, faster than witches,
Bridges and houses, hedges and ditches;
And charging along like troops in a battle
All through the meadows the horses and cattle:
All of the sights of the hill and the plain
Fly as thick as driving rain;
And ever again, in the wink of an eye,
Painted stations whistle by.
Here is a child who clambers and scrambles,
All by himself and gathering brambles;
Here is a tramp who stands and gazes;
And here is the green for stringing the daisies!
Here is a cart runaway in the road
Lumping along with man and load;
And here is a mill, and there is a river:
Each a glimpse and gone forever!
Faster than fairies, faster than witches,
Bridges and houses, hedges and ditches;
And charging along like troops in a battle
All through the meadows the horses and cattle:
All of the sights of the hill and the plain
Fly as thick as driving rain;
And ever again, in the wink of an eye,
Painted stations whistle by.
Here is a child who clambers and scrambles,
All by himself and gathering brambles;
Here is a tramp who stands and gazes;
And here is the green for stringing the daisies!
Here is a cart runaway in the road
Lumping along with man and load;
And here is a mill, and there is a river:
Each a glimpse and gone forever!
390
Robert Louis Stevenson
God Gave To Me A Child In Part
God Gave To Me A Child In Part
GOD gave to me a child in part,
Yet wholly gave the father's heart:
Child of my soul, O whither now,
Unborn, unmothered, goest thou?
You came, you went, and no man wist;
Hapless, my child, no breast you kist;
On no dear knees, a privileged babbler, clomb,
Nor knew the kindly feel of home.
My voice may reach you, O my dear-
A father's voice perhaps the child may hear;
And, pitying, you may turn your view
On that poor father whom you never knew.
Alas! alone he sits, who then,
Immortal among mortal men,
Sat hand in hand with love, and all day through
With your dear mother wondered over you.
GOD gave to me a child in part,
Yet wholly gave the father's heart:
Child of my soul, O whither now,
Unborn, unmothered, goest thou?
You came, you went, and no man wist;
Hapless, my child, no breast you kist;
On no dear knees, a privileged babbler, clomb,
Nor knew the kindly feel of home.
My voice may reach you, O my dear-
A father's voice perhaps the child may hear;
And, pitying, you may turn your view
On that poor father whom you never knew.
Alas! alone he sits, who then,
Immortal among mortal men,
Sat hand in hand with love, and all day through
With your dear mother wondered over you.
317
Robert Louis Stevenson
frag
frag
Tall as a guardsman, pale as the east at dawn,
Who strides in strange apparel on the lawn?
Rails for his breakfast? routs his vassals out
(Like boys escaped from school) with song and shout?
Kind and unkind, his Maker's final freak,
Part we deride the child, part dread the antique!
See where his gang, like frogs, among the dew
Crouch at their duty, an unquiet crew;
Adjust their staring kilts; and their swift eyes
Turn still to him who sits to supervise.
He in the midst, perched on a fallen tree,
Eyes them at labour; and, guitar on knee,
Now ministers alarm, now scatters joy,
Now twangs a halting chord, now tweaks a boy.
Thorough in all, my resolute vizier
Plays both the despot and the volunteer,
Exacts with fines obedience to my laws,
And for his music, too, exacts applause.
Tall as a guardsman, pale as the east at dawn,
Who strides in strange apparel on the lawn?
Rails for his breakfast? routs his vassals out
(Like boys escaped from school) with song and shout?
Kind and unkind, his Maker's final freak,
Part we deride the child, part dread the antique!
See where his gang, like frogs, among the dew
Crouch at their duty, an unquiet crew;
Adjust their staring kilts; and their swift eyes
Turn still to him who sits to supervise.
He in the midst, perched on a fallen tree,
Eyes them at labour; and, guitar on knee,
Now ministers alarm, now scatters joy,
Now twangs a halting chord, now tweaks a boy.
Thorough in all, my resolute vizier
Plays both the despot and the volunteer,
Exacts with fines obedience to my laws,
And for his music, too, exacts applause.
400
Robert Louis Stevenson
Fairy Bread
Fairy Bread
Come up here, O dusty feet!
Here is fairy ready to eat.
Here in my retiring room,
Children ,you may dine
On the golden smell of broom
And the shade of pine;
And when you have eaten well,
Fairy stories hear and tell.
Come up here, O dusty feet!
Here is fairy ready to eat.
Here in my retiring room,
Children ,you may dine
On the golden smell of broom
And the shade of pine;
And when you have eaten well,
Fairy stories hear and tell.
437
Robert Louis Stevenson
Farewell to the Farm
Farewell to the Farm
The coach is at the door at last;
The eager children, mounting fast
And kissing hands, in chorus sing:
Good-bye, good-bye, to everything!
To house and garden, field and lawn,
The meadow-gates we swang upon,
To pump and stable, tree and swing,
Good-bye, good-bye, to everything!
And fare you well for evermore,
O ladder at the hayloft door,
O hayloft where the cobwebs cling,
Good-bye, good-bye, to everything!
Crack goes the whip, and off we go;
The trees and houses smaller grow;
Last, round the woody turn we sing:
Good-bye, good-bye, to everything!
The coach is at the door at last;
The eager children, mounting fast
And kissing hands, in chorus sing:
Good-bye, good-bye, to everything!
To house and garden, field and lawn,
The meadow-gates we swang upon,
To pump and stable, tree and swing,
Good-bye, good-bye, to everything!
And fare you well for evermore,
O ladder at the hayloft door,
O hayloft where the cobwebs cling,
Good-bye, good-bye, to everything!
Crack goes the whip, and off we go;
The trees and houses smaller grow;
Last, round the woody turn we sing:
Good-bye, good-bye, to everything!
383
Robert Louis Stevenson
Escape at Bedtime
Escape at Bedtime
The lights from the parlour and kitchen shone out
Through the blinds and the windows and bars;
And high overhead and all moving about,
There were thousands of millions of stars.
There ne'er were such thousands of leaves on a tree,
Nor of people in church or the Park,
As the crowds of the stars that looked down upon me,
And that glittered and winked in the dark.
The Dog, and the Plough, and the Hunter, and all,
And the star of the sailor, and Mars,
These shown in the sky, and the pail by the wall
Would be half full of water and stars.
They saw me at last, and they chased me with cries,
And they soon had me packed into bed;
But the glory kept shining and bright in my eyes,
And the stars going round in my head.
The lights from the parlour and kitchen shone out
Through the blinds and the windows and bars;
And high overhead and all moving about,
There were thousands of millions of stars.
There ne'er were such thousands of leaves on a tree,
Nor of people in church or the Park,
As the crowds of the stars that looked down upon me,
And that glittered and winked in the dark.
The Dog, and the Plough, and the Hunter, and all,
And the star of the sailor, and Mars,
These shown in the sky, and the pail by the wall
Would be half full of water and stars.
They saw me at last, and they chased me with cries,
And they soon had me packed into bed;
But the glory kept shining and bright in my eyes,
And the stars going round in my head.
481
Robert Louis Stevenson
Dedication
Dedication
MY first gift and my last, to you
I dedicate this fascicle of songs -
The only wealth I have:
Just as they are, to you.
I speak the truth in soberness, and say
I had rather bring a light to your clear eyes,
Had rather hear you praise
This bosomful of songs
Than that the whole, hard world with one consent,
In one continuous chorus of applause
Poured forth for me and mine
The homage of ripe praise.
I write the finis here against my love,
This is my love's last epitaph and tomb.
Here the road forks, and I
Go my way, far from yours.
MY first gift and my last, to you
I dedicate this fascicle of songs -
The only wealth I have:
Just as they are, to you.
I speak the truth in soberness, and say
I had rather bring a light to your clear eyes,
Had rather hear you praise
This bosomful of songs
Than that the whole, hard world with one consent,
In one continuous chorus of applause
Poured forth for me and mine
The homage of ripe praise.
I write the finis here against my love,
This is my love's last epitaph and tomb.
Here the road forks, and I
Go my way, far from yours.
419
Robert Louis Stevenson
Duddingstone
Duddingstone
WITH caws and chirrupings, the woods
In this thin sun rejoice.
The Psalm seems but the little kirk
That sings with its own voice.
The cloud-rifts share their amber light
With the surface of the mere -
I think the very stones are glad
To feel each other near.
Once more my whole heart leaps and swells
And gushes o'er with glee;
The fingers of the sun and shade
Touch music stops in me.
Now fancy paints that bygone day
When you were here, my fair -
The whole lake rang with rapid skates
In the windless winter air.
You leaned to me, I leaned to you,
Our course was smooth as flight -
We steered - a heel-touch to the left,
A heel-touch to the right.
We swung our way through flying men,
Your hand lay fast in mine:
We saw the shifting crowd dispart,
The level ice-reach shine.
I swear by yon swan-travelled lake,
By yon calm hill above,
I swear had we been drowned that day
We had been drowned in love.
WITH caws and chirrupings, the woods
In this thin sun rejoice.
The Psalm seems but the little kirk
That sings with its own voice.
The cloud-rifts share their amber light
With the surface of the mere -
I think the very stones are glad
To feel each other near.
Once more my whole heart leaps and swells
And gushes o'er with glee;
The fingers of the sun and shade
Touch music stops in me.
Now fancy paints that bygone day
When you were here, my fair -
The whole lake rang with rapid skates
In the windless winter air.
You leaned to me, I leaned to you,
Our course was smooth as flight -
We steered - a heel-touch to the left,
A heel-touch to the right.
We swung our way through flying men,
Your hand lay fast in mine:
We saw the shifting crowd dispart,
The level ice-reach shine.
I swear by yon swan-travelled lake,
By yon calm hill above,
I swear had we been drowned that day
We had been drowned in love.
336
Robert Louis Stevenson
De Hortis Julii Martialis
De Hortis Julii Martialis
MY Martial owns a garden, famed to please,
Beyond the glades of the Hesperides;
Along Janiculum lies the chosen block
Where the cool grottos trench the hanging rock.
The moderate summit, something plain and bare,
Tastes overhead of a serener air;
And while the clouds besiege the vales below,
Keeps the clear heaven and doth with sunshine glow.
To the June stars that circle in the skies
The dainty roofs of that tall villa rise.
Hence do the seven imperial hills appear;
And you may view the whole of Rome from here;
Beyond, the Alban and the Tuscan hills;
And the cool groves and the cool falling rills,
Rubre Fidenae, and with virgin blood
Anointed once Perenna's orchard wood.
Thence the Flaminian, the Salarian way,
Stretch far broad below the dome of day;
And lo! the traveller toiling towards his home;
And all unheard, the chariot speeds to Rome!
For here no whisper of the wheels; and tho'
The Mulvian Bridge, above the Tiber's flow,
Hangs all in sight, and down the sacred stream
The sliding barges vanish like a dream,
The seaman's shrilling pipe not enters here,
Nor the rude cries of porters on the pier.
And if so rare the house, how rarer far
The welcome and the weal that therein are!
So free the access, the doors so widely thrown,
You half imagine all to be your own.
MY Martial owns a garden, famed to please,
Beyond the glades of the Hesperides;
Along Janiculum lies the chosen block
Where the cool grottos trench the hanging rock.
The moderate summit, something plain and bare,
Tastes overhead of a serener air;
And while the clouds besiege the vales below,
Keeps the clear heaven and doth with sunshine glow.
To the June stars that circle in the skies
The dainty roofs of that tall villa rise.
Hence do the seven imperial hills appear;
And you may view the whole of Rome from here;
Beyond, the Alban and the Tuscan hills;
And the cool groves and the cool falling rills,
Rubre Fidenae, and with virgin blood
Anointed once Perenna's orchard wood.
Thence the Flaminian, the Salarian way,
Stretch far broad below the dome of day;
And lo! the traveller toiling towards his home;
And all unheard, the chariot speeds to Rome!
For here no whisper of the wheels; and tho'
The Mulvian Bridge, above the Tiber's flow,
Hangs all in sight, and down the sacred stream
The sliding barges vanish like a dream,
The seaman's shrilling pipe not enters here,
Nor the rude cries of porters on the pier.
And if so rare the house, how rarer far
The welcome and the weal that therein are!
So free the access, the doors so widely thrown,
You half imagine all to be your own.
436
Robert Louis Stevenson
Before This Little Gift Was Come
Before This Little Gift Was Come
BEFORE this little gift was come
The little owner had made haste for home;
And from the door of where the eternal dwell,
Looked back on human things and smiled farewell.
O may this grief remain the only one!
O may our house be still a garrison
Of smiling children, and for evermore
The tune of little feet be heard along the floor!
BEFORE this little gift was come
The little owner had made haste for home;
And from the door of where the eternal dwell,
Looked back on human things and smiled farewell.
O may this grief remain the only one!
O may our house be still a garrison
Of smiling children, and for evermore
The tune of little feet be heard along the floor!
278
Robert Louis Stevenson
Before This Little Gift Was Come
Before This Little Gift Was Come
BEFORE this little gift was come
The little owner had made haste for home;
And from the door of where the eternal dwell,
Looked back on human things and smiled farewell.
O may this grief remain the only one!
O may our house be still a garrison
Of smiling children, and for evermore
The tune of little feet be heard along the floor!
BEFORE this little gift was come
The little owner had made haste for home;
And from the door of where the eternal dwell,
Looked back on human things and smiled farewell.
O may this grief remain the only one!
O may our house be still a garrison
Of smiling children, and for evermore
The tune of little feet be heard along the floor!
278
Robert Louis Stevenson
Block City
Block City
What are you able to build with your blocks?
Castles and palaces, temples and docks.
Rain may keep raining, and others go roam,
But I can be happy and building at home.
Let the sofa be mountains, the carpet be sea,
There I'll establish a city for me:
A kirk and a mill and a palace beside,
And a harbor as well where my vessels may ride.
Great is the palace with pillar and wall,
A sort of a tower on top of it all,
And steps coming down in an orderly way
To where my toy vessels lie safe in the bay.
This one is sailing and that one is moored:
Hark to the song of the sailors on board!
And see on the steps of my palace, the kings
Coming and going with presents and things!
What are you able to build with your blocks?
Castles and palaces, temples and docks.
Rain may keep raining, and others go roam,
But I can be happy and building at home.
Let the sofa be mountains, the carpet be sea,
There I'll establish a city for me:
A kirk and a mill and a palace beside,
And a harbor as well where my vessels may ride.
Great is the palace with pillar and wall,
A sort of a tower on top of it all,
And steps coming down in an orderly way
To where my toy vessels lie safe in the bay.
This one is sailing and that one is moored:
Hark to the song of the sailors on board!
And see on the steps of my palace, the kings
Coming and going with presents and things!
670
Robert Louis Stevenson
Block City
Block City
What are you able to build with your blocks?
Castles and palaces, temples and docks.
Rain may keep raining, and others go roam,
But I can be happy and building at home.
Let the sofa be mountains, the carpet be sea,
There I'll establish a city for me:
A kirk and a mill and a palace beside,
And a harbor as well where my vessels may ride.
Great is the palace with pillar and wall,
A sort of a tower on top of it all,
And steps coming down in an orderly way
To where my toy vessels lie safe in the bay.
This one is sailing and that one is moored:
Hark to the song of the sailors on board!
And see on the steps of my palace, the kings
Coming and going with presents and things!
What are you able to build with your blocks?
Castles and palaces, temples and docks.
Rain may keep raining, and others go roam,
But I can be happy and building at home.
Let the sofa be mountains, the carpet be sea,
There I'll establish a city for me:
A kirk and a mill and a palace beside,
And a harbor as well where my vessels may ride.
Great is the palace with pillar and wall,
A sort of a tower on top of it all,
And steps coming down in an orderly way
To where my toy vessels lie safe in the bay.
This one is sailing and that one is moored:
Hark to the song of the sailors on board!
And see on the steps of my palace, the kings
Coming and going with presents and things!
670
Robert Louis Stevenson
As In Their Flight The Birds Of Song
As In Their Flight The Birds Of Song
AS in their flight the birds of song
Halt here and there in sweet and sunny dales,
But halt not overlong;
The time one rural song to sing
They pause; then following bounteous gales
Steer forward on the wing:
Sun-servers they, from first to last,
Upon the sun they wait
To ride the sailing blast.
So he awhile in our contested state,
Awhile abode, not longer, for his Sun -
Mother we say, no tenderer name we know -
With whose diviner glow
His early days had shone,
Now to withdraw her radiance had begun.
Or lest a wrong I say, not she withdrew,
But the loud stream of men day after day
And great dust columns of the common way
Between them grew and grew:
And he and she for evermore might yearn,
But to the spring the rivulets not return
Nor to the bosom comes the child again.
And he (O may we fancy so!),
He, feeling time forever flow
And flowing bear him forth and far away
From that dear ingle where his life began
And all his treasure lay -
He, waxing into man,
And ever farther, ever closer wound
In this obstreperous world's ignoble round,
From that poor prospect turned his face away.
AS in their flight the birds of song
Halt here and there in sweet and sunny dales,
But halt not overlong;
The time one rural song to sing
They pause; then following bounteous gales
Steer forward on the wing:
Sun-servers they, from first to last,
Upon the sun they wait
To ride the sailing blast.
So he awhile in our contested state,
Awhile abode, not longer, for his Sun -
Mother we say, no tenderer name we know -
With whose diviner glow
His early days had shone,
Now to withdraw her radiance had begun.
Or lest a wrong I say, not she withdrew,
But the loud stream of men day after day
And great dust columns of the common way
Between them grew and grew:
And he and she for evermore might yearn,
But to the spring the rivulets not return
Nor to the bosom comes the child again.
And he (O may we fancy so!),
He, feeling time forever flow
And flowing bear him forth and far away
From that dear ingle where his life began
And all his treasure lay -
He, waxing into man,
And ever farther, ever closer wound
In this obstreperous world's ignoble round,
From that poor prospect turned his face away.
337
Robert Louis Stevenson
Ad Nepotem
Ad Nepotem
O NEPOS, twice my neigh(b)our (since at home
We're door by door, by Flora's temple dome;
And in the country, still conjoined by fate,
Behold our villas standing gate by gate),
Thou hast a daughter, dearer far than life -
Thy image and the image of thy wife.
Thy image and thy wife's, and be it so!
But why for her, { neglect the flowing } can
{ O Nepos, leave the }
And lose the prime of thy Falernian?
Hoard casks of money, if to hoard be thine;
But let thy daughter drink a younger wine!
Let her go rich and wise, in silk and fur;
Lay down a { bin that shall } grow old with her;
{ vintage to }
But thou, meantime, the while the batch is sound,
With pleased companions pass the bowl around;
Nor let the childless only taste delights,
For Fathers also may enjoy their nights.
O NEPOS, twice my neigh(b)our (since at home
We're door by door, by Flora's temple dome;
And in the country, still conjoined by fate,
Behold our villas standing gate by gate),
Thou hast a daughter, dearer far than life -
Thy image and the image of thy wife.
Thy image and thy wife's, and be it so!
But why for her, { neglect the flowing } can
{ O Nepos, leave the }
And lose the prime of thy Falernian?
Hoard casks of money, if to hoard be thine;
But let thy daughter drink a younger wine!
Let her go rich and wise, in silk and fur;
Lay down a { bin that shall } grow old with her;
{ vintage to }
But thou, meantime, the while the batch is sound,
With pleased companions pass the bowl around;
Nor let the childless only taste delights,
For Fathers also may enjoy their nights.
453