Relationships and Family

The Free-Selector's Daughter

I met her on the Lachlan Side -A
darling girl I thought her,

And ere I left I swore I'd win
The free-selector's daughter.

I milked her father's cows a month,
I brought the wood and water,

I mended all the broken fence,
Before I won the daughter.

I listened to her father's yarns,
I did just what I `oughter',

And what you'll have to do to win
A free-selector's daughter.

I broke my pipe and burnt my twist,
And washed my mouth with water;

I had a shave before I kissed
The free-selector's daughter.

Then, rising in the frosty morn,
I brought the cows for Mary,

And when I'd milked a bucketful
I took it to the dairy.

I poured the milk into the dish
While Mary held the strainer,

I summoned heart to speak my wish,
And, oh! her blush grew plainer.

I told her I must leave the place,
I said that I would miss her;

At first she turned away her face,
And then she let me kiss her.

I put the bucket on the ground,
And in my arms I caught her:
I'd give the world to hold again
That free-selector's daughter!

The Free-Selector's Daughter

I met her on the Lachlan Side -A
darling girl I thought her,

And ere I left I swore I'd win
The free-selector's daughter.

I milked her father's cows a month,
I brought the wood and water,

I mended all the broken fence,
Before I won the daughter.

I listened to her father's yarns,
I did just what I `oughter',

And what you'll have to do to win
A free-selector's daughter.

I broke my pipe and burnt my twist,
And washed my mouth with water;

I had a shave before I kissed
The free-selector's daughter.

Then, rising in the frosty morn,
I brought the cows for Mary,

And when I'd milked a bucketful
I took it to the dairy.

I poured the milk into the dish
While Mary held the strainer,

I summoned heart to speak my wish,
And, oh! her blush grew plainer.

I told her I must leave the place,
I said that I would miss her;

At first she turned away her face,
And then she let me kiss her.

I put the bucket on the ground,
And in my arms I caught her:
I'd give the world to hold again
That free-selector's daughter!

The Flour Bin

By Lawson's Hill, near Mudgee,
On old Eurunderee –
The place they called "New Pipeclay",
Where the diggers used to be –
On a dreary old selection,
Where times were dry and thin,
In a slab and shingle kitchen
There stood a flour bin.


'Twas "ploorer" with the cattle,
'Twas rust and smut in wheat,
'Twas blight in eyes and orchards,
And coarse salt-beef to eat.
Oh, how our mothers struggled
Till eyes and brain were dull –
Oh, how our fathers slaved and toiled
To keep those flour bins full!


We've been in many countries,
We've sailed on many seas;
We've travelled in the steerage
And lived on land at ease.
We've seen the world together
Through laughter and through tears –
And not been far from baker's bread
These five and thirty years.


The flats are green as ever,
The creeks go rippling through;
The Mudgee Hills are showing
Their deepest shades of blue;
Those mountains in the distance
That ever held a charm
Are fairer than a picture
As seen from Cox's farm.


On a German farm by Mudgee,
That took long years to win,
On the wide bricked back verandah
There stands a flour bin;
And the dear old German lady –
Though the bakers' carts run out –
Still keeps a "fifty" in it
Against a time of drought.


It was my father made it,
It stands as good as new,
And of the others like it
There still remain a few.
God grant, when drought shall strike us,
The young will "take a pull",
And the old folk their strength anew



To keep those flour bins full.

The Flour Bin

By Lawson's Hill, near Mudgee,
On old Eurunderee –
The place they called "New Pipeclay",
Where the diggers used to be –
On a dreary old selection,
Where times were dry and thin,
In a slab and shingle kitchen
There stood a flour bin.


'Twas "ploorer" with the cattle,
'Twas rust and smut in wheat,
'Twas blight in eyes and orchards,
And coarse salt-beef to eat.
Oh, how our mothers struggled
Till eyes and brain were dull –
Oh, how our fathers slaved and toiled
To keep those flour bins full!


We've been in many countries,
We've sailed on many seas;
We've travelled in the steerage
And lived on land at ease.
We've seen the world together
Through laughter and through tears –
And not been far from baker's bread
These five and thirty years.


The flats are green as ever,
The creeks go rippling through;
The Mudgee Hills are showing
Their deepest shades of blue;
Those mountains in the distance
That ever held a charm
Are fairer than a picture
As seen from Cox's farm.


On a German farm by Mudgee,
That took long years to win,
On the wide bricked back verandah
There stands a flour bin;
And the dear old German lady –
Though the bakers' carts run out –
Still keeps a "fifty" in it
Against a time of drought.


It was my father made it,
It stands as good as new,
And of the others like it
There still remain a few.
God grant, when drought shall strike us,
The young will "take a pull",
And the old folk their strength anew



To keep those flour bins full.

The Empty Glass

THERE ARE three lank bards in a borrowed room—
Ah! The number is one too few—
They have deemed their home and the bars unfit
For the thing that they have to do.
Three glasses they fill with the Land’s own wine,
And the bread of life they pass.
Their glasses they take, which they slowly raise—
And they drink to an empty glass.


(There’s a greater glare in the street to-night,
And a louder rush and roar,
There’s a mad crowd yelling the winner’s name,
And howling the cricket score:
Oh! The bright moonlight on the angels white,
And the tombs and the monuments grand—
And down by the water at Waverley
There’s a little lone mound of sand.)


Oh, the drinkers would deem them drunk or mad,
And the barmaid stare and frown—
Each lays a hand on the empty glass
Ere they turn it upside down.
There’s a name they know, in a hand they know,
Was scratched with a diamond there—
And they place it in sight—turn on more light—
And they fill their glasses fair.


There’s a widow that weeps by the Hornsby line,
And she stood by him long and true—
But the widow should think by the Hornsby line
That others have loved him too,
’Twas a peaceful end, and his work was done,
When called with the year away;
And the greatest lady in all the land
Is working for her to-day.


If the widow should fear for her children’s fate,
Or brood on a future lot,
In a frivolous land with her widowed state
In a short twelve months forgot.
She can lay her down for a peaceful rest
And forget her grief in sleep,
For his brothers have taken an oath to-night,
An oath that their hearts can keep.


They have taken an oath to his memory,
A pledge they cannot recall,
To stand by the woman that stood by him,
Through poverty, illness and all.
They are young men yet, or the prime of life,
And as each lays down his trust,
May the world be kind to the left behind,



And their native land be just.


(Silence of death in town to-night,
And the streets seem strangely clear—
Have the pitiful slaves of the gambling curse
Fled home for a strange new fear?
Oh, the soft moonlight on the angels white,
Where the beautiful marbles stand—
And down by the rollers at Waverley
There’s a mound of the golden sand.)

The Day Before I Die

There's such a lot of work to do, for such a troubled head!
I’m scribbling this against a book, with foolscap round, in bed.
It strikes me that I’ll scribble much in this way by and by,
And write my last lines so perchance the day before I die.


There’s lots of things to come and go, and I, in careless rhyme,
And drink and love (it wastes the most) have wasted lots of time.
There’s so much good work to be done it makes me sure that I
Will be the sorriest for my death, the day before I die.


But, lift me dear, for I am tired, and let me taste the wine—
And lay your cheek a little while on this lined cheek of mine.
I want to say I love you so—your patient love is why
I’ll have such little time, you know, the day before I die.

The Cab Lamps

The crescent moon and clock tower are fair above the wall
Across the smothered lanes of ’Loo, the stifled vice and all,
And in the shadow yonder—like cats that wait for scraps—
The crowding cabs seem waiting—for you and me, perhaps.


The cab lamps are watching as they watched for you and me,
The cab lamps are a-watching and they watch unblinkingly.
The sea breeze in Macleay Street and star-angels over all,
But the slinking cabs of darkness keep their watch beside the wall.


Oh! the years we slipped like months—and the months like a day—
When our cabs slid from the stand—touched the kerb and sped away—
Oh! the cloak on girlish shoulders—Oh! the theatres and light!
And the private rooms and supper that were all in a night!


Oh! the rickshaw in Colombo! And the flat that no one knew,
Where the cab lamps watched Haymarket—London cabs for me and you.
Oh! the gay run “Home” by Paris when the world was ours to play
And the wild run back by Frisco that seems all in a day.


Oh! the cab lamps and rose curtains, when the lie called love seemed true,
While an honest wife and husband suffered by the lanes of ’Loo.
Oh! the health and strength and beauty and the money with its power—
And those two good lives we ruined that was all in an hour.


But the night policeman’s coming with a sharp suspicious eye,
And he’d shift us “quick and lively” to the sweet by and by.
So we’ll seek our frowsy bedroom, if the old hag lets us through—
Where our folks died broken-hearted in the cruel lanes of ’Loo.


The cab lamps are watching as they watched across the sea,
The cab lamps are watching, and they watch for you and me.
For you and me they waited, when the thing called love seemed true,
But the bull’s-eye of our midnight must not flash on me—and you.

The Cab Lamps

The crescent moon and clock tower are fair above the wall
Across the smothered lanes of ’Loo, the stifled vice and all,
And in the shadow yonder—like cats that wait for scraps—
The crowding cabs seem waiting—for you and me, perhaps.


The cab lamps are watching as they watched for you and me,
The cab lamps are a-watching and they watch unblinkingly.
The sea breeze in Macleay Street and star-angels over all,
But the slinking cabs of darkness keep their watch beside the wall.


Oh! the years we slipped like months—and the months like a day—
When our cabs slid from the stand—touched the kerb and sped away—
Oh! the cloak on girlish shoulders—Oh! the theatres and light!
And the private rooms and supper that were all in a night!


Oh! the rickshaw in Colombo! And the flat that no one knew,
Where the cab lamps watched Haymarket—London cabs for me and you.
Oh! the gay run “Home” by Paris when the world was ours to play
And the wild run back by Frisco that seems all in a day.


Oh! the cab lamps and rose curtains, when the lie called love seemed true,
While an honest wife and husband suffered by the lanes of ’Loo.
Oh! the health and strength and beauty and the money with its power—
And those two good lives we ruined that was all in an hour.


But the night policeman’s coming with a sharp suspicious eye,
And he’d shift us “quick and lively” to the sweet by and by.
So we’ll seek our frowsy bedroom, if the old hag lets us through—
Where our folks died broken-hearted in the cruel lanes of ’Loo.


The cab lamps are watching as they watched across the sea,
The cab lamps are watching, and they watch for you and me.
For you and me they waited, when the thing called love seemed true,
But the bull’s-eye of our midnight must not flash on me—and you.

The Ballad of the Elder Son

A son of elder sons I am,
Whose boyhood days were cramped and scant,
Through ages of domestic sham
And family lies and family cant.
Come, elder brothers mine, and bring
Dull loads of care that you have won,
And gather round me while I sing
The ballad of the elder son.


’Twas Christ who spake in parables—
To picture man was his intent;
A simple tale He simply tells,
And He Himself makes no comment.
A morbid sympathy is felt
For prodigals—the selfish ones—
The crooked world has ever dealt
Unjustly by the elder sons.


The elder son on barren soil,
Where life is crude and lands are new,
Must share the father’s hardest toil,
And share the father’s troubles too.
With no child-thoughts to meet his own
His childhood is a lonely one:
The youth his father might have known
Is seldom for the eldest son.


It seems so strange, but fate is grim,
And Heaven’s ways are hard to track,
Though ten young scamps come after him
The rod falls heaviest on his back.
And, well I’ll say it might be caused
By a half-sense of injustice done—
That vague resentment parents feel
So oft towards the eldest son.


He, too, must bear the father’s name,
He loves his younger brother, too,
And feels the younger brother’s shame
As keenly as his parents do.
The mother’s prayers, the father’s curse,
The sister’s tears have all been done—
We seldom see in prose or verse
The prayers of the elder son.


But let me to the parable
With eyes on facts but fancy free;
And don’t belie me if I tell
The story as it seems to me—
For, mind, I do not mean to sneer
(I was religious when a child),
I wouldn’t be surprised to hear



That Christ himself had sometimes smiled.


A certain squatter had two sons
Up Canaan way some years ago.
The graft was hard on those old runs,
And it was hot and life was slow.
The younger brother coolly claimed
The portion that he hadn’t earned,
And sought the ‘life’ for which untamed
And high young spirits always yearned.


A year or so he knocked about,
And spent his cheques on girls and wine,
And, getting stony in the drought,
He took a job at herding swine,
And though he is a hog that swigs
And fools with girls till all is blue—
’Twas rather rough to shepherd pigs
And have to eat their tucker too.


“When he came to himself,” he said
(I take my Bible from the shelf:
There’s nothing like a feed of husks
To bring a young man to himself.
And when you’re done with wine and girls—
Right here a moral seems to shine—
And are hard up, you’ll find no pearls
Are cast by friends before your swine)—


When he came to himself, he said—
He reckoned pretty shrewdly, too—
‘The rousers in my father’s shed
‘Have got more grub than they can chew;
‘I’ve been a fool, but such is fate—
‘I guess I’ll talk the guv’nor round:
‘“I’ve acted cronk,” I’ll tell him straight;
‘(He’s had his time too, I’ll be bound).


‘I’ll tell him straight I’ve had my fling,
‘I’ll tell him “I’ve been on the beer,
‘“But put me on at anything,
‘“I’ll graft with any bounder here.”’
He rolled his swag and struck for home—
He was by this time pretty slim
And, when the old man saw him come—
Well, you know how he welcomed him.


They’ve brought the best robe in the house,
The ring, and killed the fatted calf,
And now they hold a grand carouse,
And eat and drink and dance and laugh:
And from the field the elder son—



Whose character is not admired—
Comes plodding home when work is done,
And very hot and very tired.


He asked the meaning of the sound
Of such unwonted revelry,
They said his brother had been ‘found’
(He’d found himself it seemed to me);
’Twas natural in the elder son
To take the thing a little hard
And brood on what was past and done
While standing outside in the yard.


Now he was hungry and knocked out
And would, if they had let him be,
Have rested and cooled down, no doubt,
And hugged his brother after tea,
And welcomed him and hugged his dad
And filled the wine cup to the brim—
But, just when he was feeling bad
The old man came and tackled him.


He well might say with bitter tears
While music swelled and flowed the wine—
‘Lo, I have served thee many years
‘Nor caused thee one grey hair of thine.
‘Whate’er thou bad’st me do I did
‘And for my brother made amends;
‘Thou never gavest me a kid
‘That I might make merry with my friends.’


(He was no honest clod and glum
Who could not trespass, sing nor dance—
He could be merry with a chum,
It seemed, if he had half a chance;
Perhaps, if further light we seek,
He knew—and herein lay the sting—
His brother would clear out next week
And promptly pop the robe and ring).


The father said, ‘The wandering one,
‘The lost is found, this son of mine,
‘But thou art always with me, son—
‘Thou knowest all I have is thine.’
(It seemed the best robe and the ring,
The love and fatted calf were not;
But this was just a little thing
The old man in his joy forgot.)


The father’s blindness in the house,
The mother’s fond and foolish way
Have caused no end of ancient rows



Right back to Cain and Abel’s day.
The world will blame the eldest born—
But—well, when all is said and done,
No coat has ever yet been worn
That had no colour more than one.


Oh! if I had the power to teach—
The strength for which my spirit craves—
The cant of parents I would preach
Who slave and make their children slaves.
For greed of gain, and that alone
Their youth they steal, their hearts they break
And then, the wretched misers moan—
‘We did it for our children’s sake.’


‘And all I have’—the paltry bribe
That he might slave contented yet
While envied by his selfish tribe
The birthright he might never get:
The worked-out farm and endless graft,
The mortgaged home, the barren run—
The heavy, hopeless overdraft—
The portion of the elder son.


He keeps his parents when they’re old,
He keeps a sister in distress,
His wife must work and care for them
And bear with all their pettishness.
The mother’s moan is ever heard,
And, whining for the worthless one,
She seldom has a kindly word
To say about her eldest son.


’Tis he, in spite of sneer and jibe,
Who stands the friend when others fail:
He bears the burdens of his tribe
And keeps his brother out of jail.
He lends the quid and pays the fine,
And for the family pride he smarts—
For reasons I cannot divine
They hate him in their heart of hearts.


A satire on this world of sin—
Where parents seldom understand—
That night the angels gathered in
The firstborn of that ancient land.
Perhaps they thought, in those old camps,
While suffering for the blow that fell,
They might have better spared the scamps
And Josephs that they loved so well.


Sometimes the Eldest takes the track



When things at home have got too bad—
He comes not crawling, canting back
To seek the blind side of his dad.
He always finds a knife and fork
And meat between on which to dine,
And, though he sometimes deals in pork,
You’ll never catch him herding swine.


The happy home, the overdraft,
His birthright and his prospects gay,
And likewise his share of the graft,
He leaves the rest to grab. And they—
Who’d always do the thing by halves,
If anything for him was done—
Would kill a score of fatted calves
To welcome home the eldest son.

The Babies of Walloon

He was lengthsman on the railway, and his station scarce deserved
That “pre-eminence in sorrow” of the Majesty he served,
But as dear to him and precious were the gifts reclaimed so soon—
Were the workman’s little daughters who were buried near Walloon.


Speak their names in tones that linger, just as though you held them dear;
There are eyes to which the mention of those names will bring a tear.
Little Kate and Bridget, straying in an autumn afternoon,
Were attracted by the lilies in the water of Walloon.


All is dark to us. The angels sing perhaps in Paradise
Of the younger sister’s danger, and the elder’s sacrifice;
But the facts were hidden from us, when the soft light from the moon
Glistened on the water-lilies o’er the Babies at Walloon.


Ah! the children love the lilies, while we elders are inclined
To the flowers that have poison for the body and the mind.
Better for the “strongly human” to have done with life as soon,
Better perish for a lily like the Babies of Walloon.


For they gather flowers early on the river far away,
Where the everlasting lilies keep their purity for aye,
And while summer brings our lilies to the run and the lagoon
May our children keep the legend of the Babies of Walloon.

Sweethearts Wait on Every Shore

SHE SITS beside the tinted tide,
That’s reddened by the tortured sand;
And through the East, to ocean wide,
A vessel sails from sight of land.


But she will wait and watch in vain,
For it is said in Cupid’s lore,
“That he who loved will love again,
And sweethearts wait on every shore.”

Song of the Old Bullock-Driver

Far back in the days when the blacks used to ramble
In long single file ’neath the evergreen tree,
The wool-teams in season came down from Coonamble,
And journeyed for weeks on their way to the sea,
’Twas then that our hearts and our sinews were stronger,
For those were the days when the bushman was bred.
We journeyed on roads that were rougher and longer
Than roads where the feet of our grandchildren tread.
With mates who have gone to the great Never-Never,
And mates whom I’ve not seen for many a day,
I camped on the banks of the Cudgegong River
And yarned at the fire by the old bullock-dray.
I would summon them back from the far Riverina,
From days that shall be from all others distinct,
And sing to the sound of an old concertina
Their rugged old songs where strange fancies were linked.


We never were lonely, for, camping together,
We yarned and we smoked the long evenings away,
And little I cared for the signs of the weather
When snug in my hammock slung under the dray.
We rose with the dawn, were it ever so chilly,
When yokes and tarpaulins were covered with frost,
And toasted the bacon and boiled the black billy,
Where high on the camp-fire the branches were tossed.


On flats where the air was suggestive of ’possums,
And homesteads and fences were hinting of change,
We saw the faint glimmer of appletree blossoms
And far in the distance the blue of the range;
And here in the rain, there was small use in flogging
The poor, tortured bullocks that tugged at the load,
When down to the axles the waggons were bogging
And traffic was making a marsh of the road.


’Twas hard on the beasts on the terrible pinches,
Where two teams of bullocks were yoked to a load,
And tugging and slipping, and moving by inches,
Half-way to the summit they clung to the road.
And then, when the last of the pinches was bested,
(You’ll surely not say that a glass was a sin?)
The bullocks lay down ’neath the gum trees and rested —
The bullockies steered for the bar of the inn.


Then slowly we crawled by the trees that kept tally
Of miles that were passed on the long journey down.
We saw the wild beauty of Capertee Valley,
As slowly we rounded the base of the Crown.
But, ah! the poor bullocks were cruelly goaded
While climbing the hills from the flats and the vales;
’Twas here that the teams were so often unloaded
That all knew the meaning of ‘counting your bales.’



And, oh! but the best-paying load that I carried
Was one to the run where my sweetheart was nurse.
We courted awhile, and agreed to get married,
And couple our futures for better or worse.
And as my old feet grew too weary to drag on
The miles of rough metal they met by the way,
My eldest grew up and I gave him the waggon —
He’s plodding along by the bullocks to-day.

Somewhere Up In Queensland

He's somewhere up in Queensland,
The old folks used to say;
He’s somewhere up in Queensland,
The people say to-day.
But Somewhere (up in Queensland)
That uncle used to know—
That filled our hearts with wonder,
Seems vanished long ago.
He’s gone to Queensland, droving,
The old folks used to say;
He’s gone to Queensland, droving,
The people say to-day.
But “gone to Queensland, droving,”
Might mean, in language plain,
He follows stock in buggies,
And gets supplies by train.


He’s knocking round in Queensland,
The old folks used to say;
He’s gone to Queensland, roving,
His sweetheart says to-day.
But “gone to Queensland, roving”
By mighty plain and scrub,
Might mean he drives a motor-car
For Missus Moneygrub.


He’s looking for new country,
The old folks used to say;
Our boy has gone exploring,
Fond parents say to-day.
“Exploring” out in Queensland
Might only mean to some
He’s salesman in “the drapery”
Of a bush emporium.


To somewhere up in Queensland
Went Tom and Ted and Jack;
From somewhere up in Queensland
The dusty cheques come back:
From somewhere up in Queensland
Brown drovers used to come,
And someone up in Queensland
Kept many a southern home.


Somewhere up in Queensland,
How many black sheep roam,
Who never write a letter,
And never think of home.
For someone up in Queensland
How many a mother spoke;
For someone up in Queensland
How many a girl’s heart broke.

Reedy River

Ten miles down Reedy River
A pool of water lies,
And all the year it mirrors
The changes in the skies,
And in that pool's broad bosom
Is room for all the stars;
Its bed of sand has drifted
O'er countless rocky bars.


Around the lower edges
There waves a bed of reeds,
Where water rats are hidden
And where the wild duck breeds;
And grassy slopes rise gently
To ridges long and low,
Where groves of wattle flourish
And native bluebells grow.


Beneath the granite ridges
The eye may just discern
Where Rocky Creek emerges
From deep green banks of fern;
And standing tall between them,
The grassy she-oaks cool
The hard, blue-tinted waters
Before they reach the pool.


Ten miles down Reedy River
One Sunday afternoon,
I rode with Mary Campbell
To that broad, bright lagoon;
We left our horses grazing
Till shadows climbed the peak,
And strolled beneath the she-oaks
On the banks of Rocky Creek.


Then home along the river
That night we rode a race,
And the moonlight lent a glory
To Mary Campbell's face;
And I pleaded for our future
All through that moonlight ride,
Until our weary horses
Drew closer side by side.


Ten miles from Ryan's Crossing
And five miles below the peak,
I built a little homestead
On the banks of Rocky Creek;
I cleared the land and fenced it
And ploughed the rich, red loam,
And my first crop was golden



When I brought my Mary home.


Now still down Reedy River
The grassy she-oaks sigh,
And the water-holes still mirror
The pictures in the sky;
And over all for ever
Go sun and moon and stars,
While the golden sand is drifting
Across the rocky bars


But of the hut I builded
There are no traces now.
And many rains have levelled
The furrows of the plough;
And my bright days are olden,
For the twisted branches wave
And the wattle blossoms golden
On the hill by Mary's grave.

Peter Anderson And Co.

He had offices in Sydney, not so many years ago,
And his shingle bore the legend `Peter Anderson and Co.',
But his real name was Careless, as the fellows understood --
And his relatives decided that he wasn't any good.
'Twas their gentle tongues that blasted any `character' he had --
He was fond of beer and leisure -- and the Co. was just as bad.
It was limited in number to a unit, was the Co. -'
Twas a bosom chum of Peter and his Christian name was Joe.


'Tis a class of men belonging to these soul-forsaken years:
Third-rate canvassers, collectors, journalists and auctioneers.
They are never very shabby, they are never very spruce --
Going cheerfully and carelessly and smoothly to the deuce.
Some are wanderers by profession, `turning up' and gone as soon,
Travelling second-class, or steerage (when it's cheap they go saloon);
Free from `ists' and `isms', troubled little by belief or doubt --
Lazy, purposeless, and useless -- knocking round and hanging out.
They will take what they can get, and they will give what they can give,
God alone knows how they manage -- God alone knows how they live!
They are nearly always hard-up, but are cheerful all the while --
Men whose energy and trousers wear out sooner than their smile!
They, no doubt, like us, are haunted by the boresome `if' or `might',
But their ghosts are ghosts of daylight -- they are men who live at night!


Peter met you with the comic smile of one who knows you well,
And is mighty glad to see you, and has got a joke to tell;
He could laugh when all was gloomy, he could grin when all was blue,
Sing a comic song and act it, and appreciate it, too.
Only cynical in cases where his own self was the jest,
And the humour of his good yarns made atonement for the rest.
Seldom serious -- doing business just as 'twere a friendly game --
Cards or billiards -- nothing graver. And the Co. was much the same.


They tried everything and nothing 'twixt the shovel and the press,
And were more or less successful in their ventures -- mostly less.
Once they ran a country paper till the plant was seized for debt,
And the local sinners chuckle over dingy copies yet.


They'd been through it all and knew it in the land of Bills and Jims --
Using Peter's own expression, they had been in `various swims'.
Now and then they'd take an office, as they called it, -- make a dash
Into business life as `agents' -- something not requiring cash.
(You can always furnish cheaply, when your cash or credit fails,
With a packing-case, a hammer, and a pound of two-inch nails --
And, maybe, a drop of varnish and sienna, too, for tints,
And a scrap or two of oilcloth, and a yard or two of chintz).
They would pull themselves together, pay a week's rent in advance,
But it never lasted longer than a month by any chance.


The office was their haven, for they lived there when hard-up --
A `daily' for a table cloth -- a jam tin for a cup;



And if the landlord's bailiff happened round in times like these
And seized the office-fittings -- well, there wasn't much to seize --
They would leave him in possession. But at other times they shot
The moon, and took an office where the landlord knew them not.
And when morning brought the bailiff there'd be nothing to be seen
Save a piece of bevelled cedar where the tenant's plate had been;
There would be no sign of Peter -- there would be no sign of Joe
Till another portal boasted `Peter Anderson and Co.'

And when times were locomotive, billiard-rooms and private bars --
Spicy parties at the cafe -- long cab-drives beneath the stars;
Private picnics down the Harbour -- shady campings-out, you know --
No one would have dreamed 'twas Peter -


no one would have thought 'twas Joe!
Free-and-easies in their `diggings', when the funds began to fail,
Bosom chums, cigars, tobacco, and a case of English ale --
Gloriously drunk and happy, till they heard the roosters crow --
And the landlady and neighbours made complaints about the Co.
But that life! it might be likened to a reckless drinking-song,
For it can't go on for ever, and it never lasted long.

. . . . .

Debt-collecting ruined Peter -- people talked him round too oft,
For his heart was soft as butter (and the Co.'s was just as soft);
He would cheer the haggard missus, and he'd tell her not to fret,
And he'd ask the worried debtor round with him to have a wet;
He would ask him round the corner, and it seemed to him and her,
After each of Peter's visits, things were brighter than they were.
But, of course, it wasn't business -- only Peter's careless way;
And perhaps it pays in heaven, but on earth it doesn't pay.
They got harder up than ever, and, to make it worse, the Co.
Went more often round the corner than was good for him to go.


`I might live,' he said to Peter, `but I haven't got the nerve --
I am going, Peter, going -- going, going -- no reserve.
Eat and drink and love they tell us, for to-morrow we may die,
Buy experience -- and we bought it -- we're experienced, you and I.'
Then, with a weary movement of his hand across his brow:
`The death of such philosophy's the death I'm dying now.
Pull yourself together, Peter; 'tis the dying wish of Joe
That the business world shall honour Peter Anderson and Co.


`When you feel your life is sinking in a dull and useless course,
And begin to find in drinking keener pleasure and remorse --
When you feel the love of leisure on your careless heart take holt,
Break away from friends and pleasure, though it give your heart a jolt.
Shun the poison breath of cities -- billiard-rooms and private bars,
Go where you can breathe God's air and see the grandeur of the stars!
Find again and follow up the old ambitions that you had --
See if you can raise a drink, old man, I'm feelin' mighty bad --
Hot and sweetened, nip o' butter -- squeeze o' lemon, Pete,' he sighed.



And, while Peter went to fetch it, Joseph went to sleep -- and died
With a smile -- anticipation, maybe, of the peace to come,
Or a joke to try on Peter -- or, perhaps, it was the rum.


. . . . .

Peter staggered, gripped the table, swerved as some old drunkard swerves --
At a gulp he drank the toddy, just to brace his shattered nerves.
It was awful, if you like. But then he hadn't time to think --
All is nothing! Nothing matters! Fill your glasses -- dead man's drink.


. . . . .

Yet, to show his heart was not of human decency bereft,
Peter paid the undertaker. He got drunk on what was left;
Then he shed some tears, half-maudlin, on the grave where lay the Co.,
And he drifted to a township where the city failures go.
Where, though haunted by the man he was, the wreck he yet might be,
Or the man he might have been, or by each spectre of the three,
And the dying words of Joseph, ringing through his own despair,
Peter `pulled himself together' and he started business there.


But his life was very lonely, and his heart was very sad,
And no help to reformation was the company he had --
Men who might have been, who had been, but who were not in the swim -'
Twas a town of wrecks and failures -- they appreciated him.
They would ask him who the Co. was -- that queer company he kept --
And he'd always answer vaguely -- he would say his partner slept;
That he had a `sleeping partner' -- jesting while his spirit broke --
And they grinned above their glasses, for they took it as a joke.
He would shout while he had money, he would joke while he had breath --
No one seemed to care or notice how he drank himself to death;
Till at last there came a morning when his smile was seen no more --
He was gone from out the office, and his shingle from the door,
And a boundary-rider jogging out across the neighb'ring run
Was attracted by a something that was blazing in the sun;
And he found that it was Peter, lying peacefully at rest,
With a bottle close beside him and the shingle on his breast.
Well, they analysed the liquor, and it would appear that he
Qualified his drink with something good for setting spirits free.
Though 'twas plainly self-destruction -- `'twas his own affair,' they said;
And the jury viewed him sadly, and they found -- that he was dead.

O Cupid, Cupid; Get Your Bow!

Arming down along the stream,
Along the sparkling water,
And past the pool where lilies gleam,
There comes the squatter’s daughter.


Her eyes are kind; her lips are warm;
And like a flower her face is;
The habit shows her bonny form
As graceful as a Grace’s.


O I’ll be mad of love, I know;
My head she’ll surely addle;
O Cupid, Cupid; get your bow;
And shoot her from the saddle!


For, like a bird on breezes waft,
She quickly, quickly passes;
O Cupid, Cupid, draw your shaft;
And bring her to the grasses!


O she is worthy game for you;
And there is none to match her.
So, Cupid, send your arrow true;
And I’ll be there to catch her!

Never, Never Land

By hut, homestead and shearing shed,
By railroad, coach and track-
By lonely graves where rest the dead,
Up-Country and Out-Back:
To where beneath the clustered stars
The dreamy plains expand-


My home lies wide a thousand miles
In Never-Never Land.
It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the skyline sweeps the waving grass,
Or whirls the scorching sand-
A phantom land, a mystic realm!
The Never-Never Land.


Where lone Mount Desolation lies
Mounts Dreadful and Despair'
Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor-west by No-Man's Land
Where clouds are seldom seen
To where the cattle stations lie
Three hundred miles between.


The drovers of the Great Stock Routes
The strange Gulf country Know
Where, travelling from the southern droughts,
The big lean bullocks go;
And camped by night where plains lie wide,
Like some old ocean's bed,
The watchmen in the starlight ride
Round fifteen hundred head.


Lest in the city I forget
True mateship after all,
My water-bag and billy yet
Are hanging on the wall;
And I, to save my soul again,
Would tramp to sunsets grand
With sad-eyed mates across the plain
In Never-Never Land.

My Father-in-Law and I

MY father-in-law is a careworn man,
And a silent man is he;
But he summons a smile as well as he can
Whenever he meets with me.
The sign we make with a silent shake
That speaks of the days gone by—
Like men who meet at a funeral—
My father-in-law and I.


My father-in-law is a sober man
(And a virtuous man, I think);
But we spare a shilling whenever we can,
And we both drop in for a drink.
Our pints they fill, and we say, “Ah, well!”
With the sound of the world-old sigh—
Like the drink that comes after a funeral—
My father-in-law and I.


My father-in-law is a kindly man—
A domestic man is he.
He tries to look cheerful as well as he can
Whenever he meets with me.
But we stand and think till the second drink
In a silence that might imply
That we’d both get over a funeral,
My father-in-law and I.

Mount Bukaroo

Only one old post is standing -Solid
yet, but only one --
Where the milking, and the branding,
And the slaughtering were done.
Later years have brought dejection,
Care, and sorrow; but we knew
Happy days on that selection
Underneath old Bukaroo.

Then the light of day commencing
Found us at the gully's head,
Splitting timber for the fencing,
Stripping bark to roof the shed.
Hands and hearts the labour strengthened;
Weariness we never knew,
Even when the shadows lengthened
Round the base of Bukaroo.

There for days below the paddock
How the wilderness would yield
To the spade, and pick, and mattock,
While we toiled to win the field.

Bronzed hands we used to sully
Till they were of darkest hue,
`Burning off' down in the gully

At the back of Bukaroo.

When we came the baby brother
Left in haste his broken toys,
Shouted to the busy mother:
`Here is dadda and the boys!'
Strange it seems that she was able
For the work that she would do;
How she'd bustle round the table
In the hut 'neath Bukaroo!

When the cows were safely yarded,
And the calves were in the pen,
All the cares of day discarded,
Closed we round the hut-fire then.
Rang the roof with boyish laughter
While the flames o'er-topped the flue;
Happy days remembered after -Far
away from Bukaroo.

But the years were full of changes,
And a sorrow found us there;
For our home amid the ranges
Was not safe from searching Care.
On he came, a silent creeper;
And another mountain threw


O'er our lives a shadow deeper
Than the shade of Bukaroo.

All the farm is disappearing;
For the home has vanished now,
Mountain scrub has choked the clearing,
Hid the furrows of the plough.
Nearer still the scrub is creeping
Where the little garden grew;
And the old folks now are sleeping
At the foot of Bukaroo.

Mount Bukaroo

Only one old post is standing -Solid
yet, but only one --
Where the milking, and the branding,
And the slaughtering were done.
Later years have brought dejection,
Care, and sorrow; but we knew
Happy days on that selection
Underneath old Bukaroo.

Then the light of day commencing
Found us at the gully's head,
Splitting timber for the fencing,
Stripping bark to roof the shed.
Hands and hearts the labour strengthened;
Weariness we never knew,
Even when the shadows lengthened
Round the base of Bukaroo.

There for days below the paddock
How the wilderness would yield
To the spade, and pick, and mattock,
While we toiled to win the field.

Bronzed hands we used to sully
Till they were of darkest hue,
`Burning off' down in the gully

At the back of Bukaroo.

When we came the baby brother
Left in haste his broken toys,
Shouted to the busy mother:
`Here is dadda and the boys!'
Strange it seems that she was able
For the work that she would do;
How she'd bustle round the table
In the hut 'neath Bukaroo!

When the cows were safely yarded,
And the calves were in the pen,
All the cares of day discarded,
Closed we round the hut-fire then.
Rang the roof with boyish laughter
While the flames o'er-topped the flue;
Happy days remembered after -Far
away from Bukaroo.

But the years were full of changes,
And a sorrow found us there;
For our home amid the ranges
Was not safe from searching Care.
On he came, a silent creeper;
And another mountain threw


O'er our lives a shadow deeper
Than the shade of Bukaroo.

All the farm is disappearing;
For the home has vanished now,
Mountain scrub has choked the clearing,
Hid the furrows of the plough.
Nearer still the scrub is creeping
Where the little garden grew;
And the old folks now are sleeping
At the foot of Bukaroo.

Mary Called Him 'Mister'

They'd parted but a year before—she never thought he’d come,
She stammer’d, blushed, held out her hand, and called him ‘Mister Gum.’
How could he know that all the while she longed to murmur ‘John.’
He called her ‘Miss le Brook,’ and asked how she was getting on.


They’d parted but a year before; they’d loved each other well,
But he’d been to the city, and he came back such a swell.
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister,’ and the idiot called her ‘Miss.’


He stood and lean’d against the door—a stupid chap was he—
And, when she asked if he’d come in and have a cup of tea,
He looked to left, he looked to right, and then he glanced behind,
And slowly doffed his cabbage-tree, and said he ‘didn’t mind.’


She made a shy apology because the meat was tough,
And then she asked if he was sure his tea was sweet enough;
He stirred the tea and sipped it twice, and answer’d ‘plenty, quite;’
And cut the smallest piece of beef and said that it was ‘right.’


She glanced at him at times and cough’d an awkward little cough;
He stared at anything but her and said, ‘I must be off.’
That evening he went riding north—a sad and lonely ride—
She locked herself inside her room, and there sat down and cried.


They’d parted but a year before, they loved each other well—
But she was such a country girl and he was such a swell ;
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister’ and the idiot called her ‘Miss.

Mary Called Him 'Mister'

They'd parted but a year before—she never thought he’d come,
She stammer’d, blushed, held out her hand, and called him ‘Mister Gum.’
How could he know that all the while she longed to murmur ‘John.’
He called her ‘Miss le Brook,’ and asked how she was getting on.


They’d parted but a year before; they’d loved each other well,
But he’d been to the city, and he came back such a swell.
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister,’ and the idiot called her ‘Miss.’


He stood and lean’d against the door—a stupid chap was he—
And, when she asked if he’d come in and have a cup of tea,
He looked to left, he looked to right, and then he glanced behind,
And slowly doffed his cabbage-tree, and said he ‘didn’t mind.’


She made a shy apology because the meat was tough,
And then she asked if he was sure his tea was sweet enough;
He stirred the tea and sipped it twice, and answer’d ‘plenty, quite;’
And cut the smallest piece of beef and said that it was ‘right.’


She glanced at him at times and cough’d an awkward little cough;
He stared at anything but her and said, ‘I must be off.’
That evening he went riding north—a sad and lonely ride—
She locked herself inside her room, and there sat down and cried.


They’d parted but a year before, they loved each other well—
But she was such a country girl and he was such a swell ;
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister’ and the idiot called her ‘Miss.

Lachlan Side

REGION of damper and junk and tea,
Region of pastures wide!
The fairest spots in the world to me
Are out on the Lachlan Side.


CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.


My heart was hardened against advice
And reason I would not see,
For by the ocean a paradise
The city appeared to me.


CHORUS:
I’m off to the Lachlan Side, etc.


“Not I for a bumpkin’s fate,” I cried,
“I’ll not be a country clown!
A life’s too slow on the Lachlan Side;
I’ll go to the shining town!”


CHORUS:
I’m off to the Lachlan Side, etc.


I’ve lost the battle, I strike the flag,
The town may sink in the tide;
A wiser head and a lighter swag
I take to the Lachlan Side.


CHORUS:
I’m off to the Lachlan Side, etc.


When crops of wool on the plains shall grow,
Shall flourish in drought or rain,
And when the shearers begin to mow
I’ll come to the town again.


CHORUS:
I’m off to the Lachlan Side, etc.


But now I go to a kinder fate,
If her love still conquers pride;
Her heart was true when she sobbed, “I’ll wait
For you on the Lachlan Side.”


CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;



I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.

Keeping His First Wife Now

IT’S OH! for a rivet in marriage bonds,
And a splice in the knot untied—
The sanctity of the marriage tie
Is growing more sanctified!
They’re getting mixed up in society,
There’s an awful family row,
For Reginald Jones of “The Fernery”
Is “keeping” his first wife now!


Oh! she belonged to the smart, smart set
(Where reasons are far to seek)—
And the wedding and “crush” are remembered yet
As the “smart” things of the week.
Never an atom of love had she,
But they had a child somehow—
And Reginald Jones of “The Fernery”
Has the love of his first wife now.


Mad for “notice” and “talk” was she—
A butterfly blind as a bat—
She would flaunt for a season a divorcee,
Or divorce him, failing that.
He played his part and she held his heart
As light as her marriage vow—
But Reginald Jones of “The Fernery”
Has a hold on his first wife now.


She swore in Court what the world knew false,
With never a thought of shame—
She was free to flaunt to her heart’s content,
But she found it mighty tame:
The talk of the “town” for a week or two—
The gush, the smirk and the bow—
But Reginald Jones of “The Fernery”
Is the God of his first wife now!


Her soul grew sick of the smart, smart set,
Or her conscience drove her wild—
Or she craved for “notice” and “talk” once more—
Or perhaps because of the child;
But they met at last and they met again—
No matter the where or how—
And Reginald Jones of “The Fernery”
Is in love with his first wife now.


’Tis a “terrible life” for the second young wife,
But she married him too for “place”;
And she mustn’t forget that a smarting set
Belongs to the human race.
They say it’s fixed up in camera,
And, if that is the case, I’ll vow,
That Reginald Jones of “The Fernery”



Will marry his first wife now.


And there is a song of the English world
And a song for the English race:
The second husband and second wife
Must ever take second place.
So cherish the best that you find in the first,
And a margin of width allow:
The future looks after itself too well!
Look after the first ones now.