Poems in this topic
Emotions and Feelings
Johann Wolfgang von Goethe
Table Song
Table Song
O'ER me--how I cannot say,-
Heav'nly rapture's growing.
Will it help to guide my way
To yon stars all-glowing?
Yet that here I'd sooner be,
To assert I'm able,
Where, with wine and harmony,
I may thump the table.
Wonder not, my dearest friends,
What 'tis gives me pleasure;
For of all that earth e'er lends,
'Tis the sweetest treasure.
Therefore solemnly I swear,
With no reservation,
That maliciously I'll ne'er
Leave my present station.
Now that here we're gather'd round,
Chasing cares and slumbers,
Let, methought, the goblet sound
To the bard's glad numbers!
Many a hundred mile away,
Go those we love dearly;
Therefore let us here to-day
Make the glass ring clearly!
Here's His health, through Whom we live!
I that faith inherit.
To our king the next toast give,
Honour is his merit,
'Gainst each in-- and outward foe
He's our rock and tower.
Of his maintenance thinks he though,
More that grows his power.
Next to her good health I drink,
Who has stirr'd my passion;
Of his mistress let each think,
Think in knightly fashion.
If the beauteous maid but see
Whom 'tis I now call so,
Let her smiling nod to me:
"Here's my love's health also!"
To those friends,--the two or three,--
Be our next toast given,
In whose presence revel we,
In the silent even,--
Who the gloomy mist so cold
Scatter gently, lightly;
To those friends, then, new or old,
Let the toast ring brightly.
Broader now the stream rolls on,
With its waves more swelling,
While in higher, nobler tone,
Comrades, we are dwelling,--
We who with collected might,
Bravely cling together,
Both in fortune's sunshine bright,
And in stormy weather.
Just as we are gather'd thus,
Others are collected;
On them, therefore, as on us,
Be Fate's smile directed!
From the springhead to the sea,
Many a mill's revolving,
And the world's prosperity
Is the task I'm solving.
O'ER me--how I cannot say,-
Heav'nly rapture's growing.
Will it help to guide my way
To yon stars all-glowing?
Yet that here I'd sooner be,
To assert I'm able,
Where, with wine and harmony,
I may thump the table.
Wonder not, my dearest friends,
What 'tis gives me pleasure;
For of all that earth e'er lends,
'Tis the sweetest treasure.
Therefore solemnly I swear,
With no reservation,
That maliciously I'll ne'er
Leave my present station.
Now that here we're gather'd round,
Chasing cares and slumbers,
Let, methought, the goblet sound
To the bard's glad numbers!
Many a hundred mile away,
Go those we love dearly;
Therefore let us here to-day
Make the glass ring clearly!
Here's His health, through Whom we live!
I that faith inherit.
To our king the next toast give,
Honour is his merit,
'Gainst each in-- and outward foe
He's our rock and tower.
Of his maintenance thinks he though,
More that grows his power.
Next to her good health I drink,
Who has stirr'd my passion;
Of his mistress let each think,
Think in knightly fashion.
If the beauteous maid but see
Whom 'tis I now call so,
Let her smiling nod to me:
"Here's my love's health also!"
To those friends,--the two or three,--
Be our next toast given,
In whose presence revel we,
In the silent even,--
Who the gloomy mist so cold
Scatter gently, lightly;
To those friends, then, new or old,
Let the toast ring brightly.
Broader now the stream rolls on,
With its waves more swelling,
While in higher, nobler tone,
Comrades, we are dwelling,--
We who with collected might,
Bravely cling together,
Both in fortune's sunshine bright,
And in stormy weather.
Just as we are gather'd thus,
Others are collected;
On them, therefore, as on us,
Be Fate's smile directed!
From the springhead to the sea,
Many a mill's revolving,
And the world's prosperity
Is the task I'm solving.
371
Johann Wolfgang von Goethe
The Beauteous Flower - Son Of The Imprisioned Count
The Beauteous Flower - Son Of The Imprisioned Count
COUNT.
I KNOW a flower of beauty rare,
Ah, how I hold it dear!
To seek it I would fain repair,
Were I not prison'd here.
My sorrow sore oppresses me,
For when I was at liberty,
I had it close beside me.
Though from this castle's walls so steep
I cast mine eyes around,
And gaze oft from the lofty keep,
The flower can not be found.
Whoe'er would bring it to my sight,
Whether a vassal he, or knight,
My dearest friend I'd deem him.
THE ROSE.
I blossom fair,--thy tale of woes
I hear from 'neath thy grate.
Thou doubtless meanest me, the rose.
Poor knight of high estate!
Thou hast in truth a lofty mind;
The queen of flowers is then enshrin'd,
I doubt not, in thy bosom.
COUNT.
Thy red, in dress of green array'd,
As worth all praise I hold;
And so thou'rt treasured by each maid
Like precious stones or gold.
Thy wreath adorns the fairest face
But still thou'rt not the flower whose grace
I honour here in silence.
THE LILY.
The rose is wont with pride to swell,
And ever seeks to rise;
But gentle sweethearts love full well
The lily's charms to prize,
The heart that fills a bosom true,
That is, like me, unsullied too,
My merit values duly.
COUNT.
In truth, I hope myself unstain'd,
And free from grievous crime;
Yet I am here a prisoner chain'd,
And pass in grief my time,
To me thou art an image sure
Of many a maiden, mild and pure,
And yet I know a dearer.
THE PINK.
That must be me, the pink, who scent
The warder's garden here;
Or wherefore is he so intent
My charms with care to rear?
My petals stand in beauteous ring,
Sweet incense all around I fling,
And boast a thousand colours.
COUNT.
The pink in truth we should not slight,
It is the gardener's pride
It now must stand exposed to light,
Now in the shade abide.
Yet what can make the Count's heart glow
Is no mere pomp of outward show;
It is a silent flower.
THE VIOLET.
Here stand I, modestly half hid,
And fain would silence keep;
Yet since to speak I now am bid,
I'll break my silence deep.
If, worthy Knight, I am that flower,
It grieves me that I have not power
To breathe forth all my sweetness.
COUNT.
The violet's charms I prize indeed,
So modest 'tis, and fair,
And smells so sweet; yet more I need
To ease my heavy care.
The truth I'll whisper in thine ear:
Upon these rocky heights so drear,
I cannot find the loved one.
The truest maiden 'neath the sky
Roams near the stream below,
And breathes forth many a gentle sigh,
Till I from hence can go.
And when she plucks a flow'ret blue,
And says "Forget-me-not!"--I, too,
Though far away, can feel it.
Ay, distance only swells love's might,
When fondly love a pair;
Though prison'd in the dungeon's night,
In life I linger there
And when my heart is breaking nigh,
"Forget-me-not!" is all I cry,
And straightway life returneth.
COUNT.
I KNOW a flower of beauty rare,
Ah, how I hold it dear!
To seek it I would fain repair,
Were I not prison'd here.
My sorrow sore oppresses me,
For when I was at liberty,
I had it close beside me.
Though from this castle's walls so steep
I cast mine eyes around,
And gaze oft from the lofty keep,
The flower can not be found.
Whoe'er would bring it to my sight,
Whether a vassal he, or knight,
My dearest friend I'd deem him.
THE ROSE.
I blossom fair,--thy tale of woes
I hear from 'neath thy grate.
Thou doubtless meanest me, the rose.
Poor knight of high estate!
Thou hast in truth a lofty mind;
The queen of flowers is then enshrin'd,
I doubt not, in thy bosom.
COUNT.
Thy red, in dress of green array'd,
As worth all praise I hold;
And so thou'rt treasured by each maid
Like precious stones or gold.
Thy wreath adorns the fairest face
But still thou'rt not the flower whose grace
I honour here in silence.
THE LILY.
The rose is wont with pride to swell,
And ever seeks to rise;
But gentle sweethearts love full well
The lily's charms to prize,
The heart that fills a bosom true,
That is, like me, unsullied too,
My merit values duly.
COUNT.
In truth, I hope myself unstain'd,
And free from grievous crime;
Yet I am here a prisoner chain'd,
And pass in grief my time,
To me thou art an image sure
Of many a maiden, mild and pure,
And yet I know a dearer.
THE PINK.
That must be me, the pink, who scent
The warder's garden here;
Or wherefore is he so intent
My charms with care to rear?
My petals stand in beauteous ring,
Sweet incense all around I fling,
And boast a thousand colours.
COUNT.
The pink in truth we should not slight,
It is the gardener's pride
It now must stand exposed to light,
Now in the shade abide.
Yet what can make the Count's heart glow
Is no mere pomp of outward show;
It is a silent flower.
THE VIOLET.
Here stand I, modestly half hid,
And fain would silence keep;
Yet since to speak I now am bid,
I'll break my silence deep.
If, worthy Knight, I am that flower,
It grieves me that I have not power
To breathe forth all my sweetness.
COUNT.
The violet's charms I prize indeed,
So modest 'tis, and fair,
And smells so sweet; yet more I need
To ease my heavy care.
The truth I'll whisper in thine ear:
Upon these rocky heights so drear,
I cannot find the loved one.
The truest maiden 'neath the sky
Roams near the stream below,
And breathes forth many a gentle sigh,
Till I from hence can go.
And when she plucks a flow'ret blue,
And says "Forget-me-not!"--I, too,
Though far away, can feel it.
Ay, distance only swells love's might,
When fondly love a pair;
Though prison'd in the dungeon's night,
In life I linger there
And when my heart is breaking nigh,
"Forget-me-not!" is all I cry,
And straightway life returneth.
332
Johann Wolfgang von Goethe
Solitude
Solitude
OH ye kindly nymphs, who dwell 'mongst the rocks and the thickets,
Grant unto each whatsoe'er he may in silence desire!
Comfort impart to the mourner, and give to the doubter instruction,
And let the lover rejoice, finding the bliss that he craves.
For from the gods ye received what they ever denied unto mortals,
Power to comfort and aid all who in you may confide.
OH ye kindly nymphs, who dwell 'mongst the rocks and the thickets,
Grant unto each whatsoe'er he may in silence desire!
Comfort impart to the mourner, and give to the doubter instruction,
And let the lover rejoice, finding the bliss that he craves.
For from the gods ye received what they ever denied unto mortals,
Power to comfort and aid all who in you may confide.
405
Johann Wolfgang von Goethe
She Cannot End
She Cannot End
WHEN unto thee I sent the page all white,
Instead of first thereon inscribing aught,
The space thou doubtless filledst up in sport.
And sent it me, to make my joy grow bright.
As soon as the blue cover met my sight,
As well becomes a woman, quick as thought
I tore it open, leaving hidden nought,
And read the well-known words of pure delight:
MY ONLY BEING! DEAREST HEART! SWEET CHILD!
How kindly thou my yearning then didst still
With gentle words, enthralling me to thee.
In truth methought I read thy whispers mild
Wherewith thou lovingly my soul didst fill,
E'en to myself for aye ennobling me.
WHEN unto thee I sent the page all white,
Instead of first thereon inscribing aught,
The space thou doubtless filledst up in sport.
And sent it me, to make my joy grow bright.
As soon as the blue cover met my sight,
As well becomes a woman, quick as thought
I tore it open, leaving hidden nought,
And read the well-known words of pure delight:
MY ONLY BEING! DEAREST HEART! SWEET CHILD!
How kindly thou my yearning then didst still
With gentle words, enthralling me to thee.
In truth methought I read thy whispers mild
Wherewith thou lovingly my soul didst fill,
E'en to myself for aye ennobling me.
323
Johann Wolfgang von Goethe
Sicilian Song
Sicilian Song
YE black and roguish eyes,
If ye command.
Each house in ruins lies,
No town can stand.
And shall my bosom's chain,--
This plaster wall,
To think one moment, deign,--
Shall I not fall?
YE black and roguish eyes,
If ye command.
Each house in ruins lies,
No town can stand.
And shall my bosom's chain,--
This plaster wall,
To think one moment, deign,--
Shall I not fall?
320
Johann Wolfgang von Goethe
River Lilies
River Lilies
Saw a boy three lilies white,
Lilies in the river,
Half heart-open to the light,
Full of golden arrows bright,
Each a silver quiver.
Lilies, lilies, lilies white,
Lilies in the river.
Said the boy, “I’ll pluck you there,
Lilies in the river!”
Said the lilies, “If you dare
You shall drown, or homeward fare
Dripping and a-shiver!”
Lilies, lilies, lilies white,
Lilies in the river.
Wilful still the boy would clasp
Lilies in the river;
Tumbled in ere he could grasp,
Scrambled out with puff and gasp,
Plucked no lilies ever.
Lilies, lilies, lilies white,
Lilies in the river.
Saw a boy three lilies white,
Lilies in the river,
Half heart-open to the light,
Full of golden arrows bright,
Each a silver quiver.
Lilies, lilies, lilies white,
Lilies in the river.
Said the boy, “I’ll pluck you there,
Lilies in the river!”
Said the lilies, “If you dare
You shall drown, or homeward fare
Dripping and a-shiver!”
Lilies, lilies, lilies white,
Lilies in the river.
Wilful still the boy would clasp
Lilies in the river;
Tumbled in ere he could grasp,
Scrambled out with puff and gasp,
Plucked no lilies ever.
Lilies, lilies, lilies white,
Lilies in the river.
344
Johann Wolfgang von Goethe
Roman Elegies I
Roman Elegies I
Tell me you stones, O speak, you towering palaces!
Streets, say a word! Spirit of this place, are you dumb?
All things are alive in your sacred walls
eternal Rome, only for me all’s still.
Who will whisper to me, at what window
will I see the sweet thing who will kindle me, and quicken?
Already I guess the ways, walking to her and from her,
ever and always I’ll go, while sweet time slips by.
I’m gazing at church and palace, ruin and column,
like a serious man making sensible use of a journey,
but soon it will happen, and all will be one vast temple,
Love’s temple, receiving its new initiate.
Though you are a whole world, Rome, still, without Love,
the world’s not the world, Rome cannot be Rome.
Tell me you stones, O speak, you towering palaces!
Streets, say a word! Spirit of this place, are you dumb?
All things are alive in your sacred walls
eternal Rome, only for me all’s still.
Who will whisper to me, at what window
will I see the sweet thing who will kindle me, and quicken?
Already I guess the ways, walking to her and from her,
ever and always I’ll go, while sweet time slips by.
I’m gazing at church and palace, ruin and column,
like a serious man making sensible use of a journey,
but soon it will happen, and all will be one vast temple,
Love’s temple, receiving its new initiate.
Though you are a whole world, Rome, still, without Love,
the world’s not the world, Rome cannot be Rome.
430
Johann Wolfgang von Goethe
Proximity Of The Beloved One
Proximity Of The Beloved One
I THINK of thee, whene'er the sun his beams
O'er ocean flings;
I think of thee, whene'er the moonlight gleams
In silv'ry springs.
I see thee, when upon the distant ridge
The dust awakes;
At midnight's hour, when on the fragile bridge
The wanderer quakes.
I hear thee, when yon billows rise on high,
With murmur deep.
To tread the silent grove oft wander I,
When all's asleep.
I'm near thee, though thou far away mayst be-Thou,
too, art near!
The sun then sets, the stars soon lighten me.
Would thou wert here!
I THINK of thee, whene'er the sun his beams
O'er ocean flings;
I think of thee, whene'er the moonlight gleams
In silv'ry springs.
I see thee, when upon the distant ridge
The dust awakes;
At midnight's hour, when on the fragile bridge
The wanderer quakes.
I hear thee, when yon billows rise on high,
With murmur deep.
To tread the silent grove oft wander I,
When all's asleep.
I'm near thee, though thou far away mayst be-Thou,
too, art near!
The sun then sets, the stars soon lighten me.
Would thou wert here!
381
Johann Wolfgang von Goethe
Phoebus And Hermes
Phoebus And Hermes
DELOS' stately ruler, and Maia's son, the adroit one,
Warmly were striving, for both sought the great prize to obtain.
Hermes the lyre demanded, the lyre was claim'd by Apollo,
Yet were the hearts of the foes fruitlessly nourish'd by hope.
For on a sudden Ares burst in, with fury decisive,
Dashing in twain the gold toy, brandishing wildly his sword.
Hermes, malicious one, laughed beyond measure; yet deep-seated sorrow
Seized upon Phoebus's heart, seized on the heart of each Muse.
DELOS' stately ruler, and Maia's son, the adroit one,
Warmly were striving, for both sought the great prize to obtain.
Hermes the lyre demanded, the lyre was claim'd by Apollo,
Yet were the hearts of the foes fruitlessly nourish'd by hope.
For on a sudden Ares burst in, with fury decisive,
Dashing in twain the gold toy, brandishing wildly his sword.
Hermes, malicious one, laughed beyond measure; yet deep-seated sorrow
Seized upon Phoebus's heart, seized on the heart of each Muse.
383
Johann Wolfgang von Goethe
Phoebus And Hermes
Phoebus And Hermes
DELOS' stately ruler, and Maia's son, the adroit one,
Warmly were striving, for both sought the great prize to obtain.
Hermes the lyre demanded, the lyre was claim'd by Apollo,
Yet were the hearts of the foes fruitlessly nourish'd by hope.
For on a sudden Ares burst in, with fury decisive,
Dashing in twain the gold toy, brandishing wildly his sword.
Hermes, malicious one, laughed beyond measure; yet deep-seated sorrow
Seized upon Phoebus's heart, seized on the heart of each Muse.
DELOS' stately ruler, and Maia's son, the adroit one,
Warmly were striving, for both sought the great prize to obtain.
Hermes the lyre demanded, the lyre was claim'd by Apollo,
Yet were the hearts of the foes fruitlessly nourish'd by hope.
For on a sudden Ares burst in, with fury decisive,
Dashing in twain the gold toy, brandishing wildly his sword.
Hermes, malicious one, laughed beyond measure; yet deep-seated sorrow
Seized upon Phoebus's heart, seized on the heart of each Muse.
383
Johann Wolfgang von Goethe
Phoebus And Hermes
Phoebus And Hermes
DELOS' stately ruler, and Maia's son, the adroit one,
Warmly were striving, for both sought the great prize to obtain.
Hermes the lyre demanded, the lyre was claim'd by Apollo,
Yet were the hearts of the foes fruitlessly nourish'd by hope.
For on a sudden Ares burst in, with fury decisive,
Dashing in twain the gold toy, brandishing wildly his sword.
Hermes, malicious one, laughed beyond measure; yet deep-seated sorrow
Seized upon Phoebus's heart, seized on the heart of each Muse.
DELOS' stately ruler, and Maia's son, the adroit one,
Warmly were striving, for both sought the great prize to obtain.
Hermes the lyre demanded, the lyre was claim'd by Apollo,
Yet were the hearts of the foes fruitlessly nourish'd by hope.
For on a sudden Ares burst in, with fury decisive,
Dashing in twain the gold toy, brandishing wildly his sword.
Hermes, malicious one, laughed beyond measure; yet deep-seated sorrow
Seized upon Phoebus's heart, seized on the heart of each Muse.
383
Johann Wolfgang von Goethe
On The New Year
On The New Year
FATE now allows us,
'Twixt the departing
And the upstarting,
Happy to be;
And at the call of
Memory cherish'd,
Future and perish'd
Moments we see.
Seasons of anguish,--
Ah, they must ever
Truth from woe sever,
Love and joy part;
Days still more worthy
Soon will unite us,
Fairer songs light us,
Strength'ning the heart.
We, thus united,
Think of, with gladness,
Rapture and sadness,
Sorrow now flies.
Oh, how mysterious
Fortune's direction!
Old the connection,
New-born the prize!
Thank, for this, Fortune,
Wavering blindly!
Thank all that kindly
Fate may bestow!
Revel in change's
Impulses clearer,
Love far sincerer,
More heartfelt glow!
Over the old one,
Wrinkles collected,
Sad and dejected,
Others may view;
But, on us gently
Shineth a true one,
And to the new one
We, too, are new.
As a fond couple
'Midst the dance veering,
First disappearing,
Then reappear,
So let affection
Guide thro' life's mazy
Pathways so hazy
Into the year!
FATE now allows us,
'Twixt the departing
And the upstarting,
Happy to be;
And at the call of
Memory cherish'd,
Future and perish'd
Moments we see.
Seasons of anguish,--
Ah, they must ever
Truth from woe sever,
Love and joy part;
Days still more worthy
Soon will unite us,
Fairer songs light us,
Strength'ning the heart.
We, thus united,
Think of, with gladness,
Rapture and sadness,
Sorrow now flies.
Oh, how mysterious
Fortune's direction!
Old the connection,
New-born the prize!
Thank, for this, Fortune,
Wavering blindly!
Thank all that kindly
Fate may bestow!
Revel in change's
Impulses clearer,
Love far sincerer,
More heartfelt glow!
Over the old one,
Wrinkles collected,
Sad and dejected,
Others may view;
But, on us gently
Shineth a true one,
And to the new one
We, too, are new.
As a fond couple
'Midst the dance veering,
First disappearing,
Then reappear,
So let affection
Guide thro' life's mazy
Pathways so hazy
Into the year!
410
Johann Wolfgang von Goethe
Paulo Post Futuri
Paulo Post Futuri
WEEP ye not, ye children dear,
That as yet ye are unborn:
For each sorrow and each tear
Makes the father's heart to mourn.
Patient be a short time to it,
Unproduced, and known to none;
If your father cannot do it,
By your mother 'twill be done.
WEEP ye not, ye children dear,
That as yet ye are unborn:
For each sorrow and each tear
Makes the father's heart to mourn.
Patient be a short time to it,
Unproduced, and known to none;
If your father cannot do it,
By your mother 'twill be done.
317
Johann Wolfgang von Goethe
New Love, New Life
New Love, New Life
HEART! my heart! what means this feeling?
What oppresseth thee so sore?
What strange life is o'er me stealing!
I acknowledge thee no more.
Fled is all that gave thee gladness,
Fled the cause of all thy sadness,
Fled thy peace, thine industry-
Ah, why suffer it to be?
Say, do beauty's graces youthful,
Does this form so fair and bright,
Does this gaze, so kind, so truthful,
Chain thee with unceasing might?
Would I tear me from her boldly,
Courage take, and fly her coldly,
Back to her. I'm forthwith led
By the path I seek to tread.
By a thread I ne'er can sever,
For 'tis 'twined with magic skill,
Doth the cruel maid for ever
Hold me fast against my will.
While those magic chains confine me,
To her will I must resign me.
Ah, the change in truth is great!
Love! kind love! release me straight!
HEART! my heart! what means this feeling?
What oppresseth thee so sore?
What strange life is o'er me stealing!
I acknowledge thee no more.
Fled is all that gave thee gladness,
Fled the cause of all thy sadness,
Fled thy peace, thine industry-
Ah, why suffer it to be?
Say, do beauty's graces youthful,
Does this form so fair and bright,
Does this gaze, so kind, so truthful,
Chain thee with unceasing might?
Would I tear me from her boldly,
Courage take, and fly her coldly,
Back to her. I'm forthwith led
By the path I seek to tread.
By a thread I ne'er can sever,
For 'tis 'twined with magic skill,
Doth the cruel maid for ever
Hold me fast against my will.
While those magic chains confine me,
To her will I must resign me.
Ah, the change in truth is great!
Love! kind love! release me straight!
417
Johann Wolfgang von Goethe
New Love, New Life
New Love, New Life
HEART! my heart! what means this feeling?
What oppresseth thee so sore?
What strange life is o'er me stealing!
I acknowledge thee no more.
Fled is all that gave thee gladness,
Fled the cause of all thy sadness,
Fled thy peace, thine industry-
Ah, why suffer it to be?
Say, do beauty's graces youthful,
Does this form so fair and bright,
Does this gaze, so kind, so truthful,
Chain thee with unceasing might?
Would I tear me from her boldly,
Courage take, and fly her coldly,
Back to her. I'm forthwith led
By the path I seek to tread.
By a thread I ne'er can sever,
For 'tis 'twined with magic skill,
Doth the cruel maid for ever
Hold me fast against my will.
While those magic chains confine me,
To her will I must resign me.
Ah, the change in truth is great!
Love! kind love! release me straight!
HEART! my heart! what means this feeling?
What oppresseth thee so sore?
What strange life is o'er me stealing!
I acknowledge thee no more.
Fled is all that gave thee gladness,
Fled the cause of all thy sadness,
Fled thy peace, thine industry-
Ah, why suffer it to be?
Say, do beauty's graces youthful,
Does this form so fair and bright,
Does this gaze, so kind, so truthful,
Chain thee with unceasing might?
Would I tear me from her boldly,
Courage take, and fly her coldly,
Back to her. I'm forthwith led
By the path I seek to tread.
By a thread I ne'er can sever,
For 'tis 'twined with magic skill,
Doth the cruel maid for ever
Hold me fast against my will.
While those magic chains confine me,
To her will I must resign me.
Ah, the change in truth is great!
Love! kind love! release me straight!
417
Johann Wolfgang von Goethe
Neither This Nor That
Neither This Nor That
IF thou to be a slave shouldst will,
Thou'lt get no pity, but fare ill;
And if a master thou wouldst be,
The world will view it angrily;
And if in status quo thou stay,
That thou art but a fool, they'll say.
IF thou to be a slave shouldst will,
Thou'lt get no pity, but fare ill;
And if a master thou wouldst be,
The world will view it angrily;
And if in status quo thou stay,
That thou art but a fool, they'll say.
396
Johann Wolfgang von Goethe
My Goddess
My Goddess
SAY, which Immortal
Merits the highest reward?
With none contend I,
But I will give it
To the aye-changing,
Ever-moving
Wondrous daughter of Jove.
His best-beloved offspring.
Sweet Phantasy.
For unto her
Hath he granted
All the fancies which erst
To none allow'd he
Saving himself;
Now he takes his pleasure
In the mad one.
She may, crowned with roses,
With staff twined round with lilies,
Roam thro' flow'ry valleys,
Rule the butterfly-people,
And soft-nourishing dew
With bee-like lips
Drink from the blossom:
Or else she may
With fluttering hair
And gloomy looks
Sigh in the wind
Round rocky cliffs,
And thousand-hued.
Like morn and even.
Ever changing,
Like moonbeam's light,
To mortals appear.
Let us all, then,
Adore the Father!
The old, the mighty,
Who such a beauteous
Ne'er-fading spouse
Deigns to accord
To perishing mortals!
To us alone
Doth he unite her,
With heavenly bonds,
While he commands her,
in joy and sorrow,
As a true spouse
Never to fly us.
All the remaining
Races so poor
Of life-teeming earth.
In children so rich.
Wander and feed
In vacant enjoyment,
And 'mid the dark sorrows
Of evanescent
Restricted life,Bow'd
by the heavy
Yoke of Necessity.
But unto us he
Hath his most versatile,
Most cherished daughter
Granted,-what joy!
Lovingly greet her
As a beloved one!
Give her the woman's
Place in our home!
And oh, may the aged
Stepmother Wisdom
Her gentle spirit
Ne'er seek to harm!
Yet know I her sister,
The older, sedater,
Mine own silent friend;
Oh, may she never,
Till life's lamp is quench'd,
Turn away from me,-
That noble inciter,
Comforter,-Hope!
SAY, which Immortal
Merits the highest reward?
With none contend I,
But I will give it
To the aye-changing,
Ever-moving
Wondrous daughter of Jove.
His best-beloved offspring.
Sweet Phantasy.
For unto her
Hath he granted
All the fancies which erst
To none allow'd he
Saving himself;
Now he takes his pleasure
In the mad one.
She may, crowned with roses,
With staff twined round with lilies,
Roam thro' flow'ry valleys,
Rule the butterfly-people,
And soft-nourishing dew
With bee-like lips
Drink from the blossom:
Or else she may
With fluttering hair
And gloomy looks
Sigh in the wind
Round rocky cliffs,
And thousand-hued.
Like morn and even.
Ever changing,
Like moonbeam's light,
To mortals appear.
Let us all, then,
Adore the Father!
The old, the mighty,
Who such a beauteous
Ne'er-fading spouse
Deigns to accord
To perishing mortals!
To us alone
Doth he unite her,
With heavenly bonds,
While he commands her,
in joy and sorrow,
As a true spouse
Never to fly us.
All the remaining
Races so poor
Of life-teeming earth.
In children so rich.
Wander and feed
In vacant enjoyment,
And 'mid the dark sorrows
Of evanescent
Restricted life,Bow'd
by the heavy
Yoke of Necessity.
But unto us he
Hath his most versatile,
Most cherished daughter
Granted,-what joy!
Lovingly greet her
As a beloved one!
Give her the woman's
Place in our home!
And oh, may the aged
Stepmother Wisdom
Her gentle spirit
Ne'er seek to harm!
Yet know I her sister,
The older, sedater,
Mine own silent friend;
Oh, may she never,
Till life's lamp is quench'd,
Turn away from me,-
That noble inciter,
Comforter,-Hope!
380
Johann Wolfgang von Goethe
Morning Lament
Morning Lament
OH thou cruel deadly-lovely maiden,
Tell me what great sin have I committed,
That thou keep'st me to the rack thus fasten'd,
That thou hast thy solemn promise broken?
'Twas but yestere'en that thou with fondness
Press'd my hand, and these sweet accents murmured:
"Yes, I'll come, I'll come when morn approacheth,
Come, my friend, full surely to thy chamber."
On the latch I left my doors, unfasten'd,
Having first with care tried all the hinges,
And rejoic'd right well to find they creak'd not.
What a night of expectation pass'd I!
For I watch'd, and ev'ry chime I number'd;
If perchance I slept a few short moments,
Still my heart remain'd awake forever,
And awoke me from my gentle slumbers.
Yes, then bless'd I night's o'erhanging darkness,
That so calmly cover'd all things round me;
I enjoy'd the universal silence,
While I listen'd ever in the silence,
If perchance the slightest sounds were stirring.
"Had she only thoughts, my thoughts resembling,
Had she only feelings, like my feelings,
She would not await the dawn of morning.
But, ere this, would surely have been with me."
Skipp'd a kitten on the floor above me,
Scratch'd a mouse a panel in the corner,
Was there in the house the slightest motion,
Ever hoped I that I heard thy footstep,
Ever thought I that I heard thee coming.
And so lay I long, and ever longer,
And already was the daylight dawning,
And both here and there were signs of movement.
"Is it yon door? Were it my door only!"
In my bed I lean'd upon my elbow,
Looking tow'rd the door, now half-apparent,
If perchance it might not be in motion.
Both the wings upon the latch continued,
On the quiet hinges calmly hanging.
And the day grew bright and brighter ever;
And I heard my neighbour's door unbolted,
As he went to earn his daily wages,
And ere long I heard the waggons rumbling,
And the city gates were also open'd,
While the market-place, in ev'ry corner,
Teem'd with life and bustle and confusion.
In the house was going now and coming
Up and down the stairs, and doors were creaking
Backwards now, now forwards,--footsteps clatter'd
Yet, as though it were a thing all-living,
From my cherish'd hope I could not tear me.
When at length the sun, in hated splendour.
Fell upon my walls, upon my windows,
Up I sprang, and hasten'd to the garden,
There to blend my breath, so hot and yearning,
With the cool refreshing morning breezes,
And, it might be, even there to meet thee:
But I cannot find thee in the arbour,
Or the avenue of lofty lindens.
OH thou cruel deadly-lovely maiden,
Tell me what great sin have I committed,
That thou keep'st me to the rack thus fasten'd,
That thou hast thy solemn promise broken?
'Twas but yestere'en that thou with fondness
Press'd my hand, and these sweet accents murmured:
"Yes, I'll come, I'll come when morn approacheth,
Come, my friend, full surely to thy chamber."
On the latch I left my doors, unfasten'd,
Having first with care tried all the hinges,
And rejoic'd right well to find they creak'd not.
What a night of expectation pass'd I!
For I watch'd, and ev'ry chime I number'd;
If perchance I slept a few short moments,
Still my heart remain'd awake forever,
And awoke me from my gentle slumbers.
Yes, then bless'd I night's o'erhanging darkness,
That so calmly cover'd all things round me;
I enjoy'd the universal silence,
While I listen'd ever in the silence,
If perchance the slightest sounds were stirring.
"Had she only thoughts, my thoughts resembling,
Had she only feelings, like my feelings,
She would not await the dawn of morning.
But, ere this, would surely have been with me."
Skipp'd a kitten on the floor above me,
Scratch'd a mouse a panel in the corner,
Was there in the house the slightest motion,
Ever hoped I that I heard thy footstep,
Ever thought I that I heard thee coming.
And so lay I long, and ever longer,
And already was the daylight dawning,
And both here and there were signs of movement.
"Is it yon door? Were it my door only!"
In my bed I lean'd upon my elbow,
Looking tow'rd the door, now half-apparent,
If perchance it might not be in motion.
Both the wings upon the latch continued,
On the quiet hinges calmly hanging.
And the day grew bright and brighter ever;
And I heard my neighbour's door unbolted,
As he went to earn his daily wages,
And ere long I heard the waggons rumbling,
And the city gates were also open'd,
While the market-place, in ev'ry corner,
Teem'd with life and bustle and confusion.
In the house was going now and coming
Up and down the stairs, and doors were creaking
Backwards now, now forwards,--footsteps clatter'd
Yet, as though it were a thing all-living,
From my cherish'd hope I could not tear me.
When at length the sun, in hated splendour.
Fell upon my walls, upon my windows,
Up I sprang, and hasten'd to the garden,
There to blend my breath, so hot and yearning,
With the cool refreshing morning breezes,
And, it might be, even there to meet thee:
But I cannot find thee in the arbour,
Or the avenue of lofty lindens.
379
Johann Wolfgang von Goethe
Morning Lament
Morning Lament
OH thou cruel deadly-lovely maiden,
Tell me what great sin have I committed,
That thou keep'st me to the rack thus fasten'd,
That thou hast thy solemn promise broken?
'Twas but yestere'en that thou with fondness
Press'd my hand, and these sweet accents murmured:
"Yes, I'll come, I'll come when morn approacheth,
Come, my friend, full surely to thy chamber."
On the latch I left my doors, unfasten'd,
Having first with care tried all the hinges,
And rejoic'd right well to find they creak'd not.
What a night of expectation pass'd I!
For I watch'd, and ev'ry chime I number'd;
If perchance I slept a few short moments,
Still my heart remain'd awake forever,
And awoke me from my gentle slumbers.
Yes, then bless'd I night's o'erhanging darkness,
That so calmly cover'd all things round me;
I enjoy'd the universal silence,
While I listen'd ever in the silence,
If perchance the slightest sounds were stirring.
"Had she only thoughts, my thoughts resembling,
Had she only feelings, like my feelings,
She would not await the dawn of morning.
But, ere this, would surely have been with me."
Skipp'd a kitten on the floor above me,
Scratch'd a mouse a panel in the corner,
Was there in the house the slightest motion,
Ever hoped I that I heard thy footstep,
Ever thought I that I heard thee coming.
And so lay I long, and ever longer,
And already was the daylight dawning,
And both here and there were signs of movement.
"Is it yon door? Were it my door only!"
In my bed I lean'd upon my elbow,
Looking tow'rd the door, now half-apparent,
If perchance it might not be in motion.
Both the wings upon the latch continued,
On the quiet hinges calmly hanging.
And the day grew bright and brighter ever;
And I heard my neighbour's door unbolted,
As he went to earn his daily wages,
And ere long I heard the waggons rumbling,
And the city gates were also open'd,
While the market-place, in ev'ry corner,
Teem'd with life and bustle and confusion.
In the house was going now and coming
Up and down the stairs, and doors were creaking
Backwards now, now forwards,--footsteps clatter'd
Yet, as though it were a thing all-living,
From my cherish'd hope I could not tear me.
When at length the sun, in hated splendour.
Fell upon my walls, upon my windows,
Up I sprang, and hasten'd to the garden,
There to blend my breath, so hot and yearning,
With the cool refreshing morning breezes,
And, it might be, even there to meet thee:
But I cannot find thee in the arbour,
Or the avenue of lofty lindens.
OH thou cruel deadly-lovely maiden,
Tell me what great sin have I committed,
That thou keep'st me to the rack thus fasten'd,
That thou hast thy solemn promise broken?
'Twas but yestere'en that thou with fondness
Press'd my hand, and these sweet accents murmured:
"Yes, I'll come, I'll come when morn approacheth,
Come, my friend, full surely to thy chamber."
On the latch I left my doors, unfasten'd,
Having first with care tried all the hinges,
And rejoic'd right well to find they creak'd not.
What a night of expectation pass'd I!
For I watch'd, and ev'ry chime I number'd;
If perchance I slept a few short moments,
Still my heart remain'd awake forever,
And awoke me from my gentle slumbers.
Yes, then bless'd I night's o'erhanging darkness,
That so calmly cover'd all things round me;
I enjoy'd the universal silence,
While I listen'd ever in the silence,
If perchance the slightest sounds were stirring.
"Had she only thoughts, my thoughts resembling,
Had she only feelings, like my feelings,
She would not await the dawn of morning.
But, ere this, would surely have been with me."
Skipp'd a kitten on the floor above me,
Scratch'd a mouse a panel in the corner,
Was there in the house the slightest motion,
Ever hoped I that I heard thy footstep,
Ever thought I that I heard thee coming.
And so lay I long, and ever longer,
And already was the daylight dawning,
And both here and there were signs of movement.
"Is it yon door? Were it my door only!"
In my bed I lean'd upon my elbow,
Looking tow'rd the door, now half-apparent,
If perchance it might not be in motion.
Both the wings upon the latch continued,
On the quiet hinges calmly hanging.
And the day grew bright and brighter ever;
And I heard my neighbour's door unbolted,
As he went to earn his daily wages,
And ere long I heard the waggons rumbling,
And the city gates were also open'd,
While the market-place, in ev'ry corner,
Teem'd with life and bustle and confusion.
In the house was going now and coming
Up and down the stairs, and doors were creaking
Backwards now, now forwards,--footsteps clatter'd
Yet, as though it were a thing all-living,
From my cherish'd hope I could not tear me.
When at length the sun, in hated splendour.
Fell upon my walls, upon my windows,
Up I sprang, and hasten'd to the garden,
There to blend my breath, so hot and yearning,
With the cool refreshing morning breezes,
And, it might be, even there to meet thee:
But I cannot find thee in the arbour,
Or the avenue of lofty lindens.
379
Johann Wolfgang von Goethe
May Song II
May Song II
BETWEEN wheatfield and corn,
Between hedgerow and thorn,
Between pasture and tree,
Where's my sweetheart
Tell it me!
Sweetheart caught I
Not at home;
She's then, thought I.
Gone to roam.
Fair and loving
Blooms sweet May;
Sweetheart's roving,
Free and gay.
By the rock near the wave,
Where her first kiss she gave,
On the greensward, to me,--
Something I see!
Is it she?
BETWEEN wheatfield and corn,
Between hedgerow and thorn,
Between pasture and tree,
Where's my sweetheart
Tell it me!
Sweetheart caught I
Not at home;
She's then, thought I.
Gone to roam.
Fair and loving
Blooms sweet May;
Sweetheart's roving,
Free and gay.
By the rock near the wave,
Where her first kiss she gave,
On the greensward, to me,--
Something I see!
Is it she?
510
Johann Wolfgang von Goethe
May
May
LIGHT and silv'ry cloudlets hover
In the air, as yet scarce warm;
Mild, with glimmer soft tinged over,
Peeps the sun through fragrant balm.
Gently rolls and heaves the ocean
As its waves the bank o'erflow.
And with ever restless motion
Moves the verdure to and fro,
Mirror'd brightly far below.
What is now the foliage moving?
Air is still, and hush'd the breeze,
Sultriness, this fullness loving,
Through the thicket, from the trees.
Now the eye at once gleams brightly,
See! the infant band with mirth
Moves and dances nimbly, lightly,
As the morning gave it birth,
Flutt'ring two and two o'er earth.
LIGHT and silv'ry cloudlets hover
In the air, as yet scarce warm;
Mild, with glimmer soft tinged over,
Peeps the sun through fragrant balm.
Gently rolls and heaves the ocean
As its waves the bank o'erflow.
And with ever restless motion
Moves the verdure to and fro,
Mirror'd brightly far below.
What is now the foliage moving?
Air is still, and hush'd the breeze,
Sultriness, this fullness loving,
Through the thicket, from the trees.
Now the eye at once gleams brightly,
See! the infant band with mirth
Moves and dances nimbly, lightly,
As the morning gave it birth,
Flutt'ring two and two o'er earth.
319
Johann Wolfgang von Goethe
Love As A Landscape Painter
Love As A Landscape Painter
ON a rocky peak once sat I early,
Gazing on the mist with eyes unmoving;
Stretch'd out like a pall of greyish texture,
All things round, and all above it cover'd.
Suddenly a boy appear'd beside me,
Saying "Friend, what meanest thou by gazing
On the vacant pall with such composure?
Hast thou lost for evermore all pleasure
Both in painting cunningly, and forming?"
On the child I gazed, and thought in secret:
"Would the boy pretend to be a master?"
"Wouldst thou be for ever dull and idle,"
Said the boy, "no wisdom thou'lt attain to;
See, I'll straightway paint for thee a figure,--
How to paint a beauteous figure, show thee."
And he then extended his fore-finger,-(
Ruddy was it as a youthful rosebud)
Tow'rd the broad and far outstretching carpet,
And began to draw there with his finger.
First on high a radiant sun he painted,
Which upon mine eyes with splendour glisten'd,
And he made the clouds with golden border,
Through the clouds he let the sunbeams enter;
Painted then the soft and feathery summits
Of the fresh and quicken'd trees, behind them
One by one with freedom drew the mountains;
Underneath he left no lack of water,
But the river painted so like Nature,
That it seem'd to glitter in the sunbeams,
That it seem'd against its banks to murmur.
Ah, there blossom'd flowers beside the river,
And bright colours gleam'd upon the meadow,
Gold, and green, and purple, and enamell'd,
All like carbuncles and emeralds seeming!
Bright and clear he added then the heavens,
And the blue-tinged mountains far and farther,
So that I, as though newborn, enraptured
Gazed on, now the painter, now the picture.
Then spake he: "Although I have convinced thee
That this art I understand full surely,
Yet the hardest still is left to show thee."
Thereupon he traced, with pointed finger,
And with anxious care, upon the forest,
At the utmost verge, where the strong sunbeams
From the shining ground appear'd reflected,
Traced the figure of a lovely maiden,
Fair in form, and clad in graceful fashion,
Fresh the cheeks beneath her brown locks' ambush,
And the cheeks possess'd the selfsame colour
As the finger that had served to paint them.
"Oh thou boy!" exclaim'd I then, "what master
In his school received thee as his pupil,
Teaching thee so truthfully and quickly
Wisely to begin, and well to finish?"
Whilst I still was speaking, lo, a zephyr
Softly rose, and set the tree-tops moving,
Curling all the wavelets on the river,
And the perfect maiden's veil, too, fill'd it,
And to make my wonderment still greater,
Soon the maiden set her foot in motion.
On she came, approaching tow'rd the station
Where still sat I with my arch instructor.
As now all, yes, all thus moved together,--
Flowers, river, trees, the veil,--all moving,--
And the gentle foot of that most fair one,
Can ye think that on my rock I linger'd,
Like a rock, as though fast-chain'd and silent?
ON a rocky peak once sat I early,
Gazing on the mist with eyes unmoving;
Stretch'd out like a pall of greyish texture,
All things round, and all above it cover'd.
Suddenly a boy appear'd beside me,
Saying "Friend, what meanest thou by gazing
On the vacant pall with such composure?
Hast thou lost for evermore all pleasure
Both in painting cunningly, and forming?"
On the child I gazed, and thought in secret:
"Would the boy pretend to be a master?"
"Wouldst thou be for ever dull and idle,"
Said the boy, "no wisdom thou'lt attain to;
See, I'll straightway paint for thee a figure,--
How to paint a beauteous figure, show thee."
And he then extended his fore-finger,-(
Ruddy was it as a youthful rosebud)
Tow'rd the broad and far outstretching carpet,
And began to draw there with his finger.
First on high a radiant sun he painted,
Which upon mine eyes with splendour glisten'd,
And he made the clouds with golden border,
Through the clouds he let the sunbeams enter;
Painted then the soft and feathery summits
Of the fresh and quicken'd trees, behind them
One by one with freedom drew the mountains;
Underneath he left no lack of water,
But the river painted so like Nature,
That it seem'd to glitter in the sunbeams,
That it seem'd against its banks to murmur.
Ah, there blossom'd flowers beside the river,
And bright colours gleam'd upon the meadow,
Gold, and green, and purple, and enamell'd,
All like carbuncles and emeralds seeming!
Bright and clear he added then the heavens,
And the blue-tinged mountains far and farther,
So that I, as though newborn, enraptured
Gazed on, now the painter, now the picture.
Then spake he: "Although I have convinced thee
That this art I understand full surely,
Yet the hardest still is left to show thee."
Thereupon he traced, with pointed finger,
And with anxious care, upon the forest,
At the utmost verge, where the strong sunbeams
From the shining ground appear'd reflected,
Traced the figure of a lovely maiden,
Fair in form, and clad in graceful fashion,
Fresh the cheeks beneath her brown locks' ambush,
And the cheeks possess'd the selfsame colour
As the finger that had served to paint them.
"Oh thou boy!" exclaim'd I then, "what master
In his school received thee as his pupil,
Teaching thee so truthfully and quickly
Wisely to begin, and well to finish?"
Whilst I still was speaking, lo, a zephyr
Softly rose, and set the tree-tops moving,
Curling all the wavelets on the river,
And the perfect maiden's veil, too, fill'd it,
And to make my wonderment still greater,
Soon the maiden set her foot in motion.
On she came, approaching tow'rd the station
Where still sat I with my arch instructor.
As now all, yes, all thus moved together,--
Flowers, river, trees, the veil,--all moving,--
And the gentle foot of that most fair one,
Can ye think that on my rock I linger'd,
Like a rock, as though fast-chain'd and silent?
328
Johann Wolfgang von Goethe
Love's Distresses
Love's Distresses
WHO will hear me? Whom shall I lament to?
Who would pity me that heard my sorrows?
Ah, the lip that erst so many raptures
Used to taste, and used to give responsive,
Now is cloven, and it pains me sorely;
And it is not thus severely wounded
By my mistress having caught me fiercely,
And then gently bitten me, intending
To secure her friend more firmly to her:
No, my tender lip is crack'd thus, only
By the winds, o'er rime and frost proceeding,
Pointed, sharp, unloving, having met me.
Now the noble grape's bright juice commingled
With the bee's sweet juice, upon the fire
Of my hearth, shall ease me of my torment.
Ah, what use will all this be, if with it
Love adds not a drop of his own balsam?
WHO will hear me? Whom shall I lament to?
Who would pity me that heard my sorrows?
Ah, the lip that erst so many raptures
Used to taste, and used to give responsive,
Now is cloven, and it pains me sorely;
And it is not thus severely wounded
By my mistress having caught me fiercely,
And then gently bitten me, intending
To secure her friend more firmly to her:
No, my tender lip is crack'd thus, only
By the winds, o'er rime and frost proceeding,
Pointed, sharp, unloving, having met me.
Now the noble grape's bright juice commingled
With the bee's sweet juice, upon the fire
Of my hearth, shall ease me of my torment.
Ah, what use will all this be, if with it
Love adds not a drop of his own balsam?
384
Johann Wolfgang von Goethe
Love's Distresses
Love's Distresses
WHO will hear me? Whom shall I lament to?
Who would pity me that heard my sorrows?
Ah, the lip that erst so many raptures
Used to taste, and used to give responsive,
Now is cloven, and it pains me sorely;
And it is not thus severely wounded
By my mistress having caught me fiercely,
And then gently bitten me, intending
To secure her friend more firmly to her:
No, my tender lip is crack'd thus, only
By the winds, o'er rime and frost proceeding,
Pointed, sharp, unloving, having met me.
Now the noble grape's bright juice commingled
With the bee's sweet juice, upon the fire
Of my hearth, shall ease me of my torment.
Ah, what use will all this be, if with it
Love adds not a drop of his own balsam?
WHO will hear me? Whom shall I lament to?
Who would pity me that heard my sorrows?
Ah, the lip that erst so many raptures
Used to taste, and used to give responsive,
Now is cloven, and it pains me sorely;
And it is not thus severely wounded
By my mistress having caught me fiercely,
And then gently bitten me, intending
To secure her friend more firmly to her:
No, my tender lip is crack'd thus, only
By the winds, o'er rime and frost proceeding,
Pointed, sharp, unloving, having met me.
Now the noble grape's bright juice commingled
With the bee's sweet juice, upon the fire
Of my hearth, shall ease me of my torment.
Ah, what use will all this be, if with it
Love adds not a drop of his own balsam?
384