Poems in this topic
Emotions and Feelings
James Joyce
When the Shy Star Goes Forth in Heaven
When the Shy Star Goes Forth in Heaven
When the shy star goes forth in heaven
All maidenly, disconsolate,
Hear you amid the drowsy even
One who is singing by your gate.
His song is softer than the dew
And he is come to visit you.
O bend no more in revery
When he at eventide is calling.
Nor muse: Who may this singer be
Whose song about my heart is falling?
Know you by this, the lover's chant,
'Tis I that am your visitant.
When the shy star goes forth in heaven
All maidenly, disconsolate,
Hear you amid the drowsy even
One who is singing by your gate.
His song is softer than the dew
And he is come to visit you.
O bend no more in revery
When he at eventide is calling.
Nor muse: Who may this singer be
Whose song about my heart is falling?
Know you by this, the lover's chant,
'Tis I that am your visitant.
211
James Joyce
Winds of May
Winds of May
Winds of May, that dance on the sea,
Dancing a ring-around in glee
From furrow to furrow, while overhead
The foam flies up to be garlanded,
In silvery arches spanning the air,
Saw you my true love anywhere?
Welladay! Welladay!
For the winds of May!
Love is unhappy when love is away!
Winds of May, that dance on the sea,
Dancing a ring-around in glee
From furrow to furrow, while overhead
The foam flies up to be garlanded,
In silvery arches spanning the air,
Saw you my true love anywhere?
Welladay! Welladay!
For the winds of May!
Love is unhappy when love is away!
241
James Joyce
Tilly
Tilly
He travels after a winter sun,
Urging the cattle along a cold red road,
Calling to them, a voice they know,
He drives his beasts above Cabra.
The voice tells them home is warm.
They moo and make brute music with their hoofs.
He drives them with a flowering branch before him,
Smoke pluming their foreheads.
Boor, bond of the herd,
Tonight stretch full by the fire!
I bleed by the black stream
For my torn bough!
He travels after a winter sun,
Urging the cattle along a cold red road,
Calling to them, a voice they know,
He drives his beasts above Cabra.
The voice tells them home is warm.
They moo and make brute music with their hoofs.
He drives them with a flowering branch before him,
Smoke pluming their foreheads.
Boor, bond of the herd,
Tonight stretch full by the fire!
I bleed by the black stream
For my torn bough!
232
James Joyce
Tilly
Tilly
He travels after a winter sun,
Urging the cattle along a cold red road,
Calling to them, a voice they know,
He drives his beasts above Cabra.
The voice tells them home is warm.
They moo and make brute music with their hoofs.
He drives them with a flowering branch before him,
Smoke pluming their foreheads.
Boor, bond of the herd,
Tonight stretch full by the fire!
I bleed by the black stream
For my torn bough!
He travels after a winter sun,
Urging the cattle along a cold red road,
Calling to them, a voice they know,
He drives his beasts above Cabra.
The voice tells them home is warm.
They moo and make brute music with their hoofs.
He drives them with a flowering branch before him,
Smoke pluming their foreheads.
Boor, bond of the herd,
Tonight stretch full by the fire!
I bleed by the black stream
For my torn bough!
232
James Joyce
Watching the Needleboats at San Sabba
Watching the Needleboats at San Sabba
I heard their young hearts crying
Loveward above the glancing oar
And heard the prairie grasses sighing:
No more, return no more!
O hearts, O sighing grasses,
Vainly your loveblown bannerets mourn!
No more will the wild wind that passes
Return, no more return.
I heard their young hearts crying
Loveward above the glancing oar
And heard the prairie grasses sighing:
No more, return no more!
O hearts, O sighing grasses,
Vainly your loveblown bannerets mourn!
No more will the wild wind that passes
Return, no more return.
179
James Joyce
Watching the Needleboats at San Sabba
Watching the Needleboats at San Sabba
I heard their young hearts crying
Loveward above the glancing oar
And heard the prairie grasses sighing:
No more, return no more!
O hearts, O sighing grasses,
Vainly your loveblown bannerets mourn!
No more will the wild wind that passes
Return, no more return.
I heard their young hearts crying
Loveward above the glancing oar
And heard the prairie grasses sighing:
No more, return no more!
O hearts, O sighing grasses,
Vainly your loveblown bannerets mourn!
No more will the wild wind that passes
Return, no more return.
179
James Joyce
The Twilight Turns
The Twilight Turns
The twilight turns from amethyst
To deep and deeper blue,
The lamp fills with a pale green glow
The trees of the avenue.
The old piano plays an air,
Sedate and slow and gay;
She bends upon the yellow keys,
Her head inclines this way.
Shy thought and grave wide eyes and hands
That wander as they list -- -
The twilight turns to darker blue
With lights of amethyst.
The twilight turns from amethyst
To deep and deeper blue,
The lamp fills with a pale green glow
The trees of the avenue.
The old piano plays an air,
Sedate and slow and gay;
She bends upon the yellow keys,
Her head inclines this way.
Shy thought and grave wide eyes and hands
That wander as they list -- -
The twilight turns to darker blue
With lights of amethyst.
201
James Joyce
Strings in the Earth and Air
Strings in the Earth and Air
Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.
There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.
All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.
Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.
There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.
All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.
232
James Joyce
Silently She's Combing
Silently She's Combing
Silently she's combing,
Combing her long hair
Silently and graciously,
With many a pretty air.
The sun is in the willow leaves
And on the dappled grass,
And still she's combing her long hair
Before the looking-glass.
I pray you, cease to comb out,
Comb out your long hair,
For I have heard of witchery
Under a pretty air,
That makes as one thing to the lover
Staying and going hence,
All fair, with many a pretty air
And many a negligence.
Silently she's combing,
Combing her long hair
Silently and graciously,
With many a pretty air.
The sun is in the willow leaves
And on the dappled grass,
And still she's combing her long hair
Before the looking-glass.
I pray you, cease to comb out,
Comb out your long hair,
For I have heard of witchery
Under a pretty air,
That makes as one thing to the lover
Staying and going hence,
All fair, with many a pretty air
And many a negligence.
325
James Joyce
Rain Has Fallen All the Day
Rain Has Fallen All the Day
Rain has fallen all the day.
O come among the laden trees:
The leaves lie thick upon the way
Of memories.
Staying a little by the way
Of memories shall we depart.
Come, my beloved, where I may
Speak to your heart.
Rain has fallen all the day.
O come among the laden trees:
The leaves lie thick upon the way
Of memories.
Staying a little by the way
Of memories shall we depart.
Come, my beloved, where I may
Speak to your heart.
193
James Joyce
Of That So Sweet Imprisonment
Of That So Sweet Imprisonment
Of that so sweet imprisonment
My soul, dearest, is fain -- -
Soft arms that woo me to relent
And woo me to detain.
Ah, could they ever hold me there
Gladly were I a prisoner!
Dearest, through interwoven arms
By love made tremulous,
That night allures me where alarms
Nowise may trouble us;
But lseep to dreamier sleep be wed
Where soul with soul lies prisoned.
Of that so sweet imprisonment
My soul, dearest, is fain -- -
Soft arms that woo me to relent
And woo me to detain.
Ah, could they ever hold me there
Gladly were I a prisoner!
Dearest, through interwoven arms
By love made tremulous,
That night allures me where alarms
Nowise may trouble us;
But lseep to dreamier sleep be wed
Where soul with soul lies prisoned.
352
James Joyce
O Sweetheart, Hear You
O Sweetheart, Hear You
O Sweetheart, hear you
Your lover's tale;
A man shall have sorrow
When friends him fail.
For he shall know then
Friends be untrue
And a little ashes
Their words come to.
But one unto him
Will softly move
And softly woo him
In ways of love.
His hand is under
Her smooth round breast;
So he who has sorrow
Shall have rest.
O Sweetheart, hear you
Your lover's tale;
A man shall have sorrow
When friends him fail.
For he shall know then
Friends be untrue
And a little ashes
Their words come to.
But one unto him
Will softly move
And softly woo him
In ways of love.
His hand is under
Her smooth round breast;
So he who has sorrow
Shall have rest.
162
James Joyce
Now, O Now in This Brown Land
Now, O Now in This Brown Land
Now, O now, in this brown land
Where Love did so sweet music make
We two shall wander, hand in hand,
Forbearing for old friendship' sake,
Nor grieve because our love was gay
Which now is ended in this way.
A rogue in red and yellow dress
Is knocking, knocking at the tree;
And all around our loneliness
The wind is whistling merrily.
The leaves -- - they do not sigh at all
When the year takes them in the fall.
Now, O now, we hear no more
The vilanelle and roundelay!
Yet will we kiss, sweetheart, before
We take sad leave at close of day.
Grieve not, sweetheart, for anything -- -
The year, the year is gathering.
Now, O now, in this brown land
Where Love did so sweet music make
We two shall wander, hand in hand,
Forbearing for old friendship' sake,
Nor grieve because our love was gay
Which now is ended in this way.
A rogue in red and yellow dress
Is knocking, knocking at the tree;
And all around our loneliness
The wind is whistling merrily.
The leaves -- - they do not sigh at all
When the year takes them in the fall.
Now, O now, we hear no more
The vilanelle and roundelay!
Yet will we kiss, sweetheart, before
We take sad leave at close of day.
Grieve not, sweetheart, for anything -- -
The year, the year is gathering.
181
James Joyce
Now, O Now in This Brown Land
Now, O Now in This Brown Land
Now, O now, in this brown land
Where Love did so sweet music make
We two shall wander, hand in hand,
Forbearing for old friendship' sake,
Nor grieve because our love was gay
Which now is ended in this way.
A rogue in red and yellow dress
Is knocking, knocking at the tree;
And all around our loneliness
The wind is whistling merrily.
The leaves -- - they do not sigh at all
When the year takes them in the fall.
Now, O now, we hear no more
The vilanelle and roundelay!
Yet will we kiss, sweetheart, before
We take sad leave at close of day.
Grieve not, sweetheart, for anything -- -
The year, the year is gathering.
Now, O now, in this brown land
Where Love did so sweet music make
We two shall wander, hand in hand,
Forbearing for old friendship' sake,
Nor grieve because our love was gay
Which now is ended in this way.
A rogue in red and yellow dress
Is knocking, knocking at the tree;
And all around our loneliness
The wind is whistling merrily.
The leaves -- - they do not sigh at all
When the year takes them in the fall.
Now, O now, we hear no more
The vilanelle and roundelay!
Yet will we kiss, sweetheart, before
We take sad leave at close of day.
Grieve not, sweetheart, for anything -- -
The year, the year is gathering.
181
James Joyce
Love Came to Us
Love Came to Us
Love came to us in time gone by
When one at twilight shyly played
And one in fear was standing nigh -- -
For Love at first is all afraid.
We were grave lovers. Love is past
That had his sweet hours many a one;
Welcome to us now at the last
The ways that we shall go upon.
Love came to us in time gone by
When one at twilight shyly played
And one in fear was standing nigh -- -
For Love at first is all afraid.
We were grave lovers. Love is past
That had his sweet hours many a one;
Welcome to us now at the last
The ways that we shall go upon.
191
James Joyce
Lean Out of the Window
Lean Out of the Window
Lean out of the window,
Goldenhair,
I hear you singing
A merry air.
My book was closed,
I read no more,
Watching the fire dance
On the floor.
I have left my book,
I have left my room,
For I heard you singing
Through the gloom.
Singing and singing
A merry air,
Lean out of the window,
Goldenhair.
Lean out of the window,
Goldenhair,
I hear you singing
A merry air.
My book was closed,
I read no more,
Watching the fire dance
On the floor.
I have left my book,
I have left my room,
For I heard you singing
Through the gloom.
Singing and singing
A merry air,
Lean out of the window,
Goldenhair.
179
James Joyce
I Would in That Sweet Bosom Be
I Would in That Sweet Bosom Be
I would in that sweet bosom be
(O sweet it is and fair it is!)
Where no rude wind might visit me.
Because of sad austerities
I would in that sweet bosom be.
I would be ever in that heart
(O soft I knock and soft entreat her!)
Where only peace might be my part.
Austerities were all the sweeter
So I were ever in that heart.
I would in that sweet bosom be
(O sweet it is and fair it is!)
Where no rude wind might visit me.
Because of sad austerities
I would in that sweet bosom be.
I would be ever in that heart
(O soft I knock and soft entreat her!)
Where only peace might be my part.
Austerities were all the sweeter
So I were ever in that heart.
234
James Joyce
Gentle Lady, Do Not Sing
Gentle Lady, Do Not Sing
Gentle lady, do not sing
Sad songs about the end of love;
Lay aside sadness and sing
How love that passes is enough.
Sing about the long deep sleep
Of lovers that are dead, and how
In the grave all love shall sleep:
Love is aweary now.
Gentle lady, do not sing
Sad songs about the end of love;
Lay aside sadness and sing
How love that passes is enough.
Sing about the long deep sleep
Of lovers that are dead, and how
In the grave all love shall sleep:
Love is aweary now.
190
James Joyce
Flood
Flood
Goldbrown upon the sated flood
The rockvine clusters lift and sway;
Vast wings above the lambent waters brood
Of sullen day.
A waste of waters ruthlessly
Sways and uplifts its weedy mane
Where brooding day stares down upon the sea
In dull disdain.
Uplift and sway, O golden vine,
Your clustered fruits to love's full flood,
Lambent and vast and ruthless as is thine
Incertitude!
Goldbrown upon the sated flood
The rockvine clusters lift and sway;
Vast wings above the lambent waters brood
Of sullen day.
A waste of waters ruthlessly
Sways and uplifts its weedy mane
Where brooding day stares down upon the sea
In dull disdain.
Uplift and sway, O golden vine,
Your clustered fruits to love's full flood,
Lambent and vast and ruthless as is thine
Incertitude!
197
James Joyce
Dear Heart, Why Will You Use Me So?
Dear Heart, Why Will You Use Me So?
Dear heart, why will you use me so?
Dear eyes that gently me upbraid,
Still are you beautiful -- - but O,
How is your beauty raimented!
Through the clear mirror of your eyes,
Through the soft sigh of kiss to kiss,
Desolate winds assail with cries
The shadowy garden where love is.
And soon shall love dissolved be
When over us the wild winds blow -- -
But you, dear love, too dear to me,
Alas! why will you use me so?
Dear heart, why will you use me so?
Dear eyes that gently me upbraid,
Still are you beautiful -- - but O,
How is your beauty raimented!
Through the clear mirror of your eyes,
Through the soft sigh of kiss to kiss,
Desolate winds assail with cries
The shadowy garden where love is.
And soon shall love dissolved be
When over us the wild winds blow -- -
But you, dear love, too dear to me,
Alas! why will you use me so?
216
James Joyce
Dear Heart, Why Will You Use Me So?
Dear Heart, Why Will You Use Me So?
Dear heart, why will you use me so?
Dear eyes that gently me upbraid,
Still are you beautiful -- - but O,
How is your beauty raimented!
Through the clear mirror of your eyes,
Through the soft sigh of kiss to kiss,
Desolate winds assail with cries
The shadowy garden where love is.
And soon shall love dissolved be
When over us the wild winds blow -- -
But you, dear love, too dear to me,
Alas! why will you use me so?
Dear heart, why will you use me so?
Dear eyes that gently me upbraid,
Still are you beautiful -- - but O,
How is your beauty raimented!
Through the clear mirror of your eyes,
Through the soft sigh of kiss to kiss,
Desolate winds assail with cries
The shadowy garden where love is.
And soon shall love dissolved be
When over us the wild winds blow -- -
But you, dear love, too dear to me,
Alas! why will you use me so?
216
James Joyce
At That Hour
At That Hour
At that hour when all things have repose,
O lonely watcher of the skies,
Do you hear the night wind and the sighs
Of harps playing unto Love to unclose
The pale gates of sunrise?
When all things repose, do you alone
Awake to hear the sweet harps play
To Love before him on his way,
And the night wind answering in antiphon
Till night is overgone?
Play on, invisible harps, unto Love,
Whose way in heaven is aglow
At that hour when soft lights come and go,
Soft sweet music in the air above
And in the earth below.
At that hour when all things have repose,
O lonely watcher of the skies,
Do you hear the night wind and the sighs
Of harps playing unto Love to unclose
The pale gates of sunrise?
When all things repose, do you alone
Awake to hear the sweet harps play
To Love before him on his way,
And the night wind answering in antiphon
Till night is overgone?
Play on, invisible harps, unto Love,
Whose way in heaven is aglow
At that hour when soft lights come and go,
Soft sweet music in the air above
And in the earth below.
240