Poems in this topic
Emotions and Feelings
Rupert Brooke
Day That I Have Loved
Day That I Have Loved
Tenderly, day that I have loved, I close your eyes,
And smooth your quiet brow, and fold your thin dead hands.
The grey veils of the half-light deepen; colour dies.
I bear you, a light burden, to the shrouded sands,
Where lies your waiting boat, by wreaths of the sea's making
Mist-garlanded, with all grey weeds of the water crowned.
There you'll be laid, past fear of sleep or hope of waking;
And over the unmoving sea, without a sound,
Faint hands will row you outward, out beyond our sight,
Us with stretched arms and empty eyes on the far-gleaming
And marble sand. . . .
Beyond the shifting cold twilight,
Further than laughter goes, or tears, further than dreaming,
There'll be no port, no dawn-lit islands! But the drear
Waste darkening, and, at length, flame ultimate on the deep.
Oh, the last fire -- and you, unkissed, unfriended there!
Oh, the lone way's red ending, and we not there to weep!
(We found you pale and quiet, and strangely crowned with flowers,
Lovely and secret as a child. You came with us,
Came happily, hand in hand with the young dancing hours,
High on the downs at dawn!) Void now and tenebrous,
The grey sands curve before me. . . .
From the inland meadows,
Fragrant of June and clover, floats the dark, and fills
The hollow sea's dead face with little creeping shadows,
And the white silence brims the hollow of the hills.
Close in the nest is folded every weary wing,
Hushed all the joyful voices; and we, who held you dear,
Eastward we turn and homeward, alone, remembering . . .
Day that I loved, day that I loved, the Night is here!
Tenderly, day that I have loved, I close your eyes,
And smooth your quiet brow, and fold your thin dead hands.
The grey veils of the half-light deepen; colour dies.
I bear you, a light burden, to the shrouded sands,
Where lies your waiting boat, by wreaths of the sea's making
Mist-garlanded, with all grey weeds of the water crowned.
There you'll be laid, past fear of sleep or hope of waking;
And over the unmoving sea, without a sound,
Faint hands will row you outward, out beyond our sight,
Us with stretched arms and empty eyes on the far-gleaming
And marble sand. . . .
Beyond the shifting cold twilight,
Further than laughter goes, or tears, further than dreaming,
There'll be no port, no dawn-lit islands! But the drear
Waste darkening, and, at length, flame ultimate on the deep.
Oh, the last fire -- and you, unkissed, unfriended there!
Oh, the lone way's red ending, and we not there to weep!
(We found you pale and quiet, and strangely crowned with flowers,
Lovely and secret as a child. You came with us,
Came happily, hand in hand with the young dancing hours,
High on the downs at dawn!) Void now and tenebrous,
The grey sands curve before me. . . .
From the inland meadows,
Fragrant of June and clover, floats the dark, and fills
The hollow sea's dead face with little creeping shadows,
And the white silence brims the hollow of the hills.
Close in the nest is folded every weary wing,
Hushed all the joyful voices; and we, who held you dear,
Eastward we turn and homeward, alone, remembering . . .
Day that I loved, day that I loved, the Night is here!
172
Rupert Brooke
Choriambics II
Choriambics II
Here the flame that was ash, shrine that was void,
lost in the haunted wood,
I have tended and loved, year upon year, I in the solitude
Waiting, quiet and glad-eyed in the dark, knowing that once a gleam
Glowed and went through the wood. Still I abode strong in a golden dream,
Unrecaptured.
For I, I that had faith, knew that a face would glance
One day, white in the dim woods, and a voice call, and a radiance
Fill the grove, and the fire suddenly leap . . . and, in the heart of it,
End of labouring, you! Therefore I kept ready the altar, lit
The flame, burning apart.
Face of my dreams vainly in vision white
Gleaming down to me, lo! hopeless I rise now. For about midnight
Whispers grew through the wood suddenly, strange cries in the boughs above
Grated, cries like a laugh. Silent and black then through the sacred grove
Great birds flew, as a dream, troubling the leaves, passing at length.
I knew
Long expected and long loved, that afar, God of the dim wood, you
Somewhere lay, as a child sleeping, a child suddenly reft from mirth,
White and wonderful yet, white in your youth, stretched upon foreign earth,
God, immortal and dead!
Therefore I go; never to rest, or win
Peace, and worship of you more, and the dumb wood and the shrine therein.
Here the flame that was ash, shrine that was void,
lost in the haunted wood,
I have tended and loved, year upon year, I in the solitude
Waiting, quiet and glad-eyed in the dark, knowing that once a gleam
Glowed and went through the wood. Still I abode strong in a golden dream,
Unrecaptured.
For I, I that had faith, knew that a face would glance
One day, white in the dim woods, and a voice call, and a radiance
Fill the grove, and the fire suddenly leap . . . and, in the heart of it,
End of labouring, you! Therefore I kept ready the altar, lit
The flame, burning apart.
Face of my dreams vainly in vision white
Gleaming down to me, lo! hopeless I rise now. For about midnight
Whispers grew through the wood suddenly, strange cries in the boughs above
Grated, cries like a laugh. Silent and black then through the sacred grove
Great birds flew, as a dream, troubling the leaves, passing at length.
I knew
Long expected and long loved, that afar, God of the dim wood, you
Somewhere lay, as a child sleeping, a child suddenly reft from mirth,
White and wonderful yet, white in your youth, stretched upon foreign earth,
God, immortal and dead!
Therefore I go; never to rest, or win
Peace, and worship of you more, and the dumb wood and the shrine therein.
208
Rupert Brooke
Choriambics II
Choriambics II
Here the flame that was ash, shrine that was void,
lost in the haunted wood,
I have tended and loved, year upon year, I in the solitude
Waiting, quiet and glad-eyed in the dark, knowing that once a gleam
Glowed and went through the wood. Still I abode strong in a golden dream,
Unrecaptured.
For I, I that had faith, knew that a face would glance
One day, white in the dim woods, and a voice call, and a radiance
Fill the grove, and the fire suddenly leap . . . and, in the heart of it,
End of labouring, you! Therefore I kept ready the altar, lit
The flame, burning apart.
Face of my dreams vainly in vision white
Gleaming down to me, lo! hopeless I rise now. For about midnight
Whispers grew through the wood suddenly, strange cries in the boughs above
Grated, cries like a laugh. Silent and black then through the sacred grove
Great birds flew, as a dream, troubling the leaves, passing at length.
I knew
Long expected and long loved, that afar, God of the dim wood, you
Somewhere lay, as a child sleeping, a child suddenly reft from mirth,
White and wonderful yet, white in your youth, stretched upon foreign earth,
God, immortal and dead!
Therefore I go; never to rest, or win
Peace, and worship of you more, and the dumb wood and the shrine therein.
Here the flame that was ash, shrine that was void,
lost in the haunted wood,
I have tended and loved, year upon year, I in the solitude
Waiting, quiet and glad-eyed in the dark, knowing that once a gleam
Glowed and went through the wood. Still I abode strong in a golden dream,
Unrecaptured.
For I, I that had faith, knew that a face would glance
One day, white in the dim woods, and a voice call, and a radiance
Fill the grove, and the fire suddenly leap . . . and, in the heart of it,
End of labouring, you! Therefore I kept ready the altar, lit
The flame, burning apart.
Face of my dreams vainly in vision white
Gleaming down to me, lo! hopeless I rise now. For about midnight
Whispers grew through the wood suddenly, strange cries in the boughs above
Grated, cries like a laugh. Silent and black then through the sacred grove
Great birds flew, as a dream, troubling the leaves, passing at length.
I knew
Long expected and long loved, that afar, God of the dim wood, you
Somewhere lay, as a child sleeping, a child suddenly reft from mirth,
White and wonderful yet, white in your youth, stretched upon foreign earth,
God, immortal and dead!
Therefore I go; never to rest, or win
Peace, and worship of you more, and the dumb wood and the shrine therein.
208
Rupert Brooke
Choriambics -- II
Choriambics -- II
Here the flame that was ash, shrine that was void,
lost in the haunted wood,
I have tended and loved, year upon year, I in the solitude
Waiting, quiet and glad-eyed in the dark, knowing that once a gleam
Glowed and went through the wood. Still I abode strong in a golden dream,
Unrecaptured.
For I, I that had faith, knew that a face would glance
One day, white in the dim woods, and a voice call, and a radiance
Fill the grove, and the fire suddenly leap . . . and, in the heart of it,
End of labouring, you! Therefore I kept ready the altar, lit
The flame, burning apart.
Face of my dreams vainly in vision white
Gleaming down to me, lo! hopeless I rise now. For about midnight
Whispers grew through the wood suddenly, strange cries in the boughs above
Grated, cries like a laugh. Silent and black then through the sacred grove
Great birds flew, as a dream, troubling the leaves, passing at length.
I knew
Long expected and long loved, that afar, God of the dim wood, you
Somewhere lay, as a child sleeping, a child suddenly reft from mirth,
White and wonderful yet, white in your youth, stretched upon foreign earth,
God, immortal and dead!
Therefore I go; never to rest, or win
Peace, and worship of you more, and the dumb wood and the shrine therein.
Here the flame that was ash, shrine that was void,
lost in the haunted wood,
I have tended and loved, year upon year, I in the solitude
Waiting, quiet and glad-eyed in the dark, knowing that once a gleam
Glowed and went through the wood. Still I abode strong in a golden dream,
Unrecaptured.
For I, I that had faith, knew that a face would glance
One day, white in the dim woods, and a voice call, and a radiance
Fill the grove, and the fire suddenly leap . . . and, in the heart of it,
End of labouring, you! Therefore I kept ready the altar, lit
The flame, burning apart.
Face of my dreams vainly in vision white
Gleaming down to me, lo! hopeless I rise now. For about midnight
Whispers grew through the wood suddenly, strange cries in the boughs above
Grated, cries like a laugh. Silent and black then through the sacred grove
Great birds flew, as a dream, troubling the leaves, passing at length.
I knew
Long expected and long loved, that afar, God of the dim wood, you
Somewhere lay, as a child sleeping, a child suddenly reft from mirth,
White and wonderful yet, white in your youth, stretched upon foreign earth,
God, immortal and dead!
Therefore I go; never to rest, or win
Peace, and worship of you more, and the dumb wood and the shrine therein.
158
Rupert Brooke
Chilterns, The
Chilterns, The
Your hands, my dear, adorable,
Your lips of tenderness
-- Oh, I've loved you faithfully and well,
Three years, or a bit less.
It wasn't a success.
Thank God, that's done! and I'll take the road,
Quit of my youth and you,
The Roman road to Wendover
By Tring and Lilley Hoo,
As a free man may do.
For youth goes over, the joys that fly,
The tears that follow fast;
And the dirtiest things we do must lie
Forgotten at the last;
Even Love goes past.
What's left behind I shall not find,
The splendour and the pain;
The splash of sun, the shouting wind,
And the brave sting of rain,
I may not meet again.
But the years, that take the best away,
Give something in the end;
And a better friend than love have they,
For none to mar or mend,
That have themselves to friend.
I shall desire and I shall find
The best of my desires;
The autumn road, the mellow wind
That soothes the darkening shires.
And laughter, and inn-fires.
White mist about the black hedgerows,
The slumbering Midland plain,
The silence where the clover grows,
And the dead leaves in the lane,
Certainly, these remain.
And I shall find some girl perhaps,
And a better one than you,
With eyes as wise, but kindlier,
And lips as soft, but true.
And I daresay she will do.
Your hands, my dear, adorable,
Your lips of tenderness
-- Oh, I've loved you faithfully and well,
Three years, or a bit less.
It wasn't a success.
Thank God, that's done! and I'll take the road,
Quit of my youth and you,
The Roman road to Wendover
By Tring and Lilley Hoo,
As a free man may do.
For youth goes over, the joys that fly,
The tears that follow fast;
And the dirtiest things we do must lie
Forgotten at the last;
Even Love goes past.
What's left behind I shall not find,
The splendour and the pain;
The splash of sun, the shouting wind,
And the brave sting of rain,
I may not meet again.
But the years, that take the best away,
Give something in the end;
And a better friend than love have they,
For none to mar or mend,
That have themselves to friend.
I shall desire and I shall find
The best of my desires;
The autumn road, the mellow wind
That soothes the darkening shires.
And laughter, and inn-fires.
White mist about the black hedgerows,
The slumbering Midland plain,
The silence where the clover grows,
And the dead leaves in the lane,
Certainly, these remain.
And I shall find some girl perhaps,
And a better one than you,
With eyes as wise, but kindlier,
And lips as soft, but true.
And I daresay she will do.
219
Rupert Brooke
Chilterns, The
Chilterns, The
Your hands, my dear, adorable,
Your lips of tenderness
-- Oh, I've loved you faithfully and well,
Three years, or a bit less.
It wasn't a success.
Thank God, that's done! and I'll take the road,
Quit of my youth and you,
The Roman road to Wendover
By Tring and Lilley Hoo,
As a free man may do.
For youth goes over, the joys that fly,
The tears that follow fast;
And the dirtiest things we do must lie
Forgotten at the last;
Even Love goes past.
What's left behind I shall not find,
The splendour and the pain;
The splash of sun, the shouting wind,
And the brave sting of rain,
I may not meet again.
But the years, that take the best away,
Give something in the end;
And a better friend than love have they,
For none to mar or mend,
That have themselves to friend.
I shall desire and I shall find
The best of my desires;
The autumn road, the mellow wind
That soothes the darkening shires.
And laughter, and inn-fires.
White mist about the black hedgerows,
The slumbering Midland plain,
The silence where the clover grows,
And the dead leaves in the lane,
Certainly, these remain.
And I shall find some girl perhaps,
And a better one than you,
With eyes as wise, but kindlier,
And lips as soft, but true.
And I daresay she will do.
Your hands, my dear, adorable,
Your lips of tenderness
-- Oh, I've loved you faithfully and well,
Three years, or a bit less.
It wasn't a success.
Thank God, that's done! and I'll take the road,
Quit of my youth and you,
The Roman road to Wendover
By Tring and Lilley Hoo,
As a free man may do.
For youth goes over, the joys that fly,
The tears that follow fast;
And the dirtiest things we do must lie
Forgotten at the last;
Even Love goes past.
What's left behind I shall not find,
The splendour and the pain;
The splash of sun, the shouting wind,
And the brave sting of rain,
I may not meet again.
But the years, that take the best away,
Give something in the end;
And a better friend than love have they,
For none to mar or mend,
That have themselves to friend.
I shall desire and I shall find
The best of my desires;
The autumn road, the mellow wind
That soothes the darkening shires.
And laughter, and inn-fires.
White mist about the black hedgerows,
The slumbering Midland plain,
The silence where the clover grows,
And the dead leaves in the lane,
Certainly, these remain.
And I shall find some girl perhaps,
And a better one than you,
With eyes as wise, but kindlier,
And lips as soft, but true.
And I daresay she will do.
219
Rupert Brooke
Call, The
Call, The
Out of the nothingness of sleep,
The slow dreams of Eternity,
There was a thunder on the deep:
I came, because you called to me.
I broke the Night's primeval bars,
I dared the old abysmal curse,
And flashed through ranks of frightened stars
Suddenly on the universe!
The eternal silences were broken;
Hell became Heaven as I passed. --
What shall I give you as a token,
A sign that we have met, at last?
I'll break and forge the stars anew,
Shatter the heavens with a song;
Immortal in my love for you,
Because I love you, very strong.
Your mouth shall mock the old and wise,
Your laugh shall fill the world with flame,
I'll write upon the shrinking skies
The scarlet splendour of your name,
Till Heaven cracks, and Hell thereunder
Dies in her ultimate mad fire,
And darkness falls, with scornful thunder,
On dreams of men and men's desire.
Then only in the empty spaces,
Death, walking very silently,
Shall fear the glory of our faces
Through all the dark infinity.
So, clothed about with perfect love,
The eternal end shall find us one,
Alone above the Night, above
The dust of the dead gods, alone.
Out of the nothingness of sleep,
The slow dreams of Eternity,
There was a thunder on the deep:
I came, because you called to me.
I broke the Night's primeval bars,
I dared the old abysmal curse,
And flashed through ranks of frightened stars
Suddenly on the universe!
The eternal silences were broken;
Hell became Heaven as I passed. --
What shall I give you as a token,
A sign that we have met, at last?
I'll break and forge the stars anew,
Shatter the heavens with a song;
Immortal in my love for you,
Because I love you, very strong.
Your mouth shall mock the old and wise,
Your laugh shall fill the world with flame,
I'll write upon the shrinking skies
The scarlet splendour of your name,
Till Heaven cracks, and Hell thereunder
Dies in her ultimate mad fire,
And darkness falls, with scornful thunder,
On dreams of men and men's desire.
Then only in the empty spaces,
Death, walking very silently,
Shall fear the glory of our faces
Through all the dark infinity.
So, clothed about with perfect love,
The eternal end shall find us one,
Alone above the Night, above
The dust of the dead gods, alone.
223
Rupert Brooke
Call, The
Call, The
Out of the nothingness of sleep,
The slow dreams of Eternity,
There was a thunder on the deep:
I came, because you called to me.
I broke the Night's primeval bars,
I dared the old abysmal curse,
And flashed through ranks of frightened stars
Suddenly on the universe!
The eternal silences were broken;
Hell became Heaven as I passed. --
What shall I give you as a token,
A sign that we have met, at last?
I'll break and forge the stars anew,
Shatter the heavens with a song;
Immortal in my love for you,
Because I love you, very strong.
Your mouth shall mock the old and wise,
Your laugh shall fill the world with flame,
I'll write upon the shrinking skies
The scarlet splendour of your name,
Till Heaven cracks, and Hell thereunder
Dies in her ultimate mad fire,
And darkness falls, with scornful thunder,
On dreams of men and men's desire.
Then only in the empty spaces,
Death, walking very silently,
Shall fear the glory of our faces
Through all the dark infinity.
So, clothed about with perfect love,
The eternal end shall find us one,
Alone above the Night, above
The dust of the dead gods, alone.
Out of the nothingness of sleep,
The slow dreams of Eternity,
There was a thunder on the deep:
I came, because you called to me.
I broke the Night's primeval bars,
I dared the old abysmal curse,
And flashed through ranks of frightened stars
Suddenly on the universe!
The eternal silences were broken;
Hell became Heaven as I passed. --
What shall I give you as a token,
A sign that we have met, at last?
I'll break and forge the stars anew,
Shatter the heavens with a song;
Immortal in my love for you,
Because I love you, very strong.
Your mouth shall mock the old and wise,
Your laugh shall fill the world with flame,
I'll write upon the shrinking skies
The scarlet splendour of your name,
Till Heaven cracks, and Hell thereunder
Dies in her ultimate mad fire,
And darkness falls, with scornful thunder,
On dreams of men and men's desire.
Then only in the empty spaces,
Death, walking very silently,
Shall fear the glory of our faces
Through all the dark infinity.
So, clothed about with perfect love,
The eternal end shall find us one,
Alone above the Night, above
The dust of the dead gods, alone.
223
Rupert Brooke
Blue Evening
Blue Evening
My restless blood now lies a-quiver,
Knowing that always, exquisitely,
This April twilight on the river
Stirs anguish in the heart of me.
For the fast world in that rare glimmer
Puts on the witchery of a dream,
The straight grey buildings, richly dimmer,
The fiery windows, and the stream
With willows leaning quietly over,
The still ecstatic fading skies . . .
And all these, like a waiting lover,
Murmur and gleam, lift lustrous eyes,
Drift close to me, and sideways bending
Whisper delicious words.
But I
Stretch terrible hands, uncomprehending,
Shaken with love; and laugh; and cry.
My agony made the willows quiver;
I heard the knocking of my heart
Die loudly down the windless river,
I heard the pale skies fall apart,
And the shrill stars' unmeaning laughter,
And my voice with the vocal trees
Weeping. And Hatred followed after,
Shrilling madly down the breeze.
In peace from the wild heart of clamour,
A flower in moonlight, she was there,
Was rippling down white ways of glamour
Quietly laid on wave and air.
Her passing left no leaf a-quiver.
Pale flowers wreathed her white, white brows.
Her feet were silence on the river;
And 'Hush!' she said, between the boughs.
My restless blood now lies a-quiver,
Knowing that always, exquisitely,
This April twilight on the river
Stirs anguish in the heart of me.
For the fast world in that rare glimmer
Puts on the witchery of a dream,
The straight grey buildings, richly dimmer,
The fiery windows, and the stream
With willows leaning quietly over,
The still ecstatic fading skies . . .
And all these, like a waiting lover,
Murmur and gleam, lift lustrous eyes,
Drift close to me, and sideways bending
Whisper delicious words.
But I
Stretch terrible hands, uncomprehending,
Shaken with love; and laugh; and cry.
My agony made the willows quiver;
I heard the knocking of my heart
Die loudly down the windless river,
I heard the pale skies fall apart,
And the shrill stars' unmeaning laughter,
And my voice with the vocal trees
Weeping. And Hatred followed after,
Shrilling madly down the breeze.
In peace from the wild heart of clamour,
A flower in moonlight, she was there,
Was rippling down white ways of glamour
Quietly laid on wave and air.
Her passing left no leaf a-quiver.
Pale flowers wreathed her white, white brows.
Her feet were silence on the river;
And 'Hush!' she said, between the boughs.
220
Rupert Brooke
Blue Evening
Blue Evening
My restless blood now lies a-quiver,
Knowing that always, exquisitely,
This April twilight on the river
Stirs anguish in the heart of me.
For the fast world in that rare glimmer
Puts on the witchery of a dream,
The straight grey buildings, richly dimmer,
The fiery windows, and the stream
With willows leaning quietly over,
The still ecstatic fading skies . . .
And all these, like a waiting lover,
Murmur and gleam, lift lustrous eyes,
Drift close to me, and sideways bending
Whisper delicious words.
But I
Stretch terrible hands, uncomprehending,
Shaken with love; and laugh; and cry.
My agony made the willows quiver;
I heard the knocking of my heart
Die loudly down the windless river,
I heard the pale skies fall apart,
And the shrill stars' unmeaning laughter,
And my voice with the vocal trees
Weeping. And Hatred followed after,
Shrilling madly down the breeze.
In peace from the wild heart of clamour,
A flower in moonlight, she was there,
Was rippling down white ways of glamour
Quietly laid on wave and air.
Her passing left no leaf a-quiver.
Pale flowers wreathed her white, white brows.
Her feet were silence on the river;
And 'Hush!' she said, between the boughs.
My restless blood now lies a-quiver,
Knowing that always, exquisitely,
This April twilight on the river
Stirs anguish in the heart of me.
For the fast world in that rare glimmer
Puts on the witchery of a dream,
The straight grey buildings, richly dimmer,
The fiery windows, and the stream
With willows leaning quietly over,
The still ecstatic fading skies . . .
And all these, like a waiting lover,
Murmur and gleam, lift lustrous eyes,
Drift close to me, and sideways bending
Whisper delicious words.
But I
Stretch terrible hands, uncomprehending,
Shaken with love; and laugh; and cry.
My agony made the willows quiver;
I heard the knocking of my heart
Die loudly down the windless river,
I heard the pale skies fall apart,
And the shrill stars' unmeaning laughter,
And my voice with the vocal trees
Weeping. And Hatred followed after,
Shrilling madly down the breeze.
In peace from the wild heart of clamour,
A flower in moonlight, she was there,
Was rippling down white ways of glamour
Quietly laid on wave and air.
Her passing left no leaf a-quiver.
Pale flowers wreathed her white, white brows.
Her feet were silence on the river;
And 'Hush!' she said, between the boughs.
220
Rupert Brooke
Beauty and Beauty
Beauty and Beauty
When Beauty and Beauty meet
All naked, fair to fair,
The earth is crying-sweet,
And scattering-bright the air,
Eddying, dizzying, closing round,
With soft and drunken laughter;
Veiling all that may befall
After -- after --
Where Beauty and Beauty met,
Earth's still a-tremble there,
And winds are scented yet,
And memory-soft the air,
Bosoming, folding glints of light,
And shreds of shadowy laughter;
Not the tears that fill the years
After -- after --
When Beauty and Beauty meet
All naked, fair to fair,
The earth is crying-sweet,
And scattering-bright the air,
Eddying, dizzying, closing round,
With soft and drunken laughter;
Veiling all that may befall
After -- after --
Where Beauty and Beauty met,
Earth's still a-tremble there,
And winds are scented yet,
And memory-soft the air,
Bosoming, folding glints of light,
And shreds of shadowy laughter;
Not the tears that fill the years
After -- after --
202
Rupert Brooke
A Channel Passage
A Channel Passage
The damned ship lurched and slithered. Quiet and quick
My cold gorge rose; the long sea rolled; I knew
I must think hard of something, or be sick;
And could think hard of only one thing -- YOU!
You, you alone could hold my fancy ever!
And with you memories come, sharp pain, and dole.
Now there's a choice -- heartache or tortured liver!
A sea-sick body, or a you-sick soul!
Do I forget you? Retchings twist and tie me,
Old meat, good meals, brown gobbets, up I throw.
Do I remember? Acrid return and slimy,
The sobs and slobber of a last years woe.
And still the sick ship rolls. 'Tis hard, I tell ye,
To choose 'twixt love and nausea, heart and belly.
The damned ship lurched and slithered. Quiet and quick
My cold gorge rose; the long sea rolled; I knew
I must think hard of something, or be sick;
And could think hard of only one thing -- YOU!
You, you alone could hold my fancy ever!
And with you memories come, sharp pain, and dole.
Now there's a choice -- heartache or tortured liver!
A sea-sick body, or a you-sick soul!
Do I forget you? Retchings twist and tie me,
Old meat, good meals, brown gobbets, up I throw.
Do I remember? Acrid return and slimy,
The sobs and slobber of a last years woe.
And still the sick ship rolls. 'Tis hard, I tell ye,
To choose 'twixt love and nausea, heart and belly.
271
Rupert Brooke
A Channel Passage
A Channel Passage
The damned ship lurched and slithered. Quiet and quick
My cold gorge rose; the long sea rolled; I knew
I must think hard of something, or be sick;
And could think hard of only one thing -- YOU!
You, you alone could hold my fancy ever!
And with you memories come, sharp pain, and dole.
Now there's a choice -- heartache or tortured liver!
A sea-sick body, or a you-sick soul!
Do I forget you? Retchings twist and tie me,
Old meat, good meals, brown gobbets, up I throw.
Do I remember? Acrid return and slimy,
The sobs and slobber of a last years woe.
And still the sick ship rolls. 'Tis hard, I tell ye,
To choose 'twixt love and nausea, heart and belly.
The damned ship lurched and slithered. Quiet and quick
My cold gorge rose; the long sea rolled; I knew
I must think hard of something, or be sick;
And could think hard of only one thing -- YOU!
You, you alone could hold my fancy ever!
And with you memories come, sharp pain, and dole.
Now there's a choice -- heartache or tortured liver!
A sea-sick body, or a you-sick soul!
Do I forget you? Retchings twist and tie me,
Old meat, good meals, brown gobbets, up I throw.
Do I remember? Acrid return and slimy,
The sobs and slobber of a last years woe.
And still the sick ship rolls. 'Tis hard, I tell ye,
To choose 'twixt love and nausea, heart and belly.
271
Rupert Brooke
A Memory
A Memory
(From a sonnet-sequence)
Somewhile before the dawn I rose, and stept
Softly along the dim way to your room,
And found you sleeping in the quiet gloom,
And holiness about you as you slept.
I knelt there; till your waking fingers crept
About my head, and held it. I had rest
Unhoped this side of Heaven, beneath your breast.
I knelt a long time, still; nor even wept.
It was great wrong you did me; and for gain
Of that poor moment’s kindliness, and ease,
And sleepy mother-comfort!
Child, you know
How easily love leaps out to dreams like these,
Who has seen them true. And love that’s wakened so
Takes all too long to lay asleep again.
(From a sonnet-sequence)
Somewhile before the dawn I rose, and stept
Softly along the dim way to your room,
And found you sleeping in the quiet gloom,
And holiness about you as you slept.
I knelt there; till your waking fingers crept
About my head, and held it. I had rest
Unhoped this side of Heaven, beneath your breast.
I knelt a long time, still; nor even wept.
It was great wrong you did me; and for gain
Of that poor moment’s kindliness, and ease,
And sleepy mother-comfort!
Child, you know
How easily love leaps out to dreams like these,
Who has seen them true. And love that’s wakened so
Takes all too long to lay asleep again.
240
Rupert Brooke
A Memory
A Memory
(From a sonnet-sequence)
Somewhile before the dawn I rose, and stept
Softly along the dim way to your room,
And found you sleeping in the quiet gloom,
And holiness about you as you slept.
I knelt there; till your waking fingers crept
About my head, and held it. I had rest
Unhoped this side of Heaven, beneath your breast.
I knelt a long time, still; nor even wept.
It was great wrong you did me; and for gain
Of that poor moment’s kindliness, and ease,
And sleepy mother-comfort!
Child, you know
How easily love leaps out to dreams like these,
Who has seen them true. And love that’s wakened so
Takes all too long to lay asleep again.
(From a sonnet-sequence)
Somewhile before the dawn I rose, and stept
Softly along the dim way to your room,
And found you sleeping in the quiet gloom,
And holiness about you as you slept.
I knelt there; till your waking fingers crept
About my head, and held it. I had rest
Unhoped this side of Heaven, beneath your breast.
I knelt a long time, still; nor even wept.
It was great wrong you did me; and for gain
Of that poor moment’s kindliness, and ease,
And sleepy mother-comfort!
Child, you know
How easily love leaps out to dreams like these,
Who has seen them true. And love that’s wakened so
Takes all too long to lay asleep again.
240
Rupert Brooke
II: Safety
II: Safety
Dear! of all happy in the hour, most blest
He who has found our hid security,
Assured in the dark tides of the world that rest,
And heard our word, 'Who is so safe as we?'
We have found safety with all things undying,
The winds, and morning, tears of men and mirth,
The deep night, and birds singing, and clouds flying,
And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time's throwing.
We have gained a peace unshaken by pain for ever.
War knows no power. Safe shall be my going,
Secretly armed against all death's endeavour;
Safe though all safety's lost; safe where men fall;
And if these poor limbs die, safest of all.
Dear! of all happy in the hour, most blest
He who has found our hid security,
Assured in the dark tides of the world that rest,
And heard our word, 'Who is so safe as we?'
We have found safety with all things undying,
The winds, and morning, tears of men and mirth,
The deep night, and birds singing, and clouds flying,
And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time's throwing.
We have gained a peace unshaken by pain for ever.
War knows no power. Safe shall be my going,
Secretly armed against all death's endeavour;
Safe though all safety's lost; safe where men fall;
And if these poor limbs die, safest of all.
195
Rupert Brooke
II: Safety
II: Safety
Dear! of all happy in the hour, most blest
He who has found our hid security,
Assured in the dark tides of the world that rest,
And heard our word, 'Who is so safe as we?'
We have found safety with all things undying,
The winds, and morning, tears of men and mirth,
The deep night, and birds singing, and clouds flying,
And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time's throwing.
We have gained a peace unshaken by pain for ever.
War knows no power. Safe shall be my going,
Secretly armed against all death's endeavour;
Safe though all safety's lost; safe where men fall;
And if these poor limbs die, safest of all.
Dear! of all happy in the hour, most blest
He who has found our hid security,
Assured in the dark tides of the world that rest,
And heard our word, 'Who is so safe as we?'
We have found safety with all things undying,
The winds, and morning, tears of men and mirth,
The deep night, and birds singing, and clouds flying,
And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time's throwing.
We have gained a peace unshaken by pain for ever.
War knows no power. Safe shall be my going,
Secretly armed against all death's endeavour;
Safe though all safety's lost; safe where men fall;
And if these poor limbs die, safest of all.
195
Rupert Brooke
I: Peace
I: Peace
Now, God be thanked Who has watched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!
Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,
Naught broken save this body, lost but breath;
Nothing to shake the laughing heart's long peace there
But only agony, and that has ending;
And the worst friend and enemy is but Death.
Now, God be thanked Who has watched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!
Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,
Naught broken save this body, lost but breath;
Nothing to shake the laughing heart's long peace there
But only agony, and that has ending;
And the worst friend and enemy is but Death.
189
Rupert Brooke
I: Peace
I: Peace
Now, God be thanked Who has watched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!
Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,
Naught broken save this body, lost but breath;
Nothing to shake the laughing heart's long peace there
But only agony, and that has ending;
And the worst friend and enemy is but Death.
Now, God be thanked Who has watched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!
Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,
Naught broken save this body, lost but breath;
Nothing to shake the laughing heart's long peace there
But only agony, and that has ending;
And the worst friend and enemy is but Death.
189
Rudyard Kipling
Wilful Missing
Wilful Missing
(Deserters)
There is a world outside the one you know,
To which for curiousness 'Ell can't compare--
It is the place where "wilful-missings" go,
As we can testify, for we are there.
You may 'ave read a bullet laid us low,
That we was gathered in "with reverent care"
And buried proper. But it was not so,
As we can testify --for we are there!
They can't be certain--faces alter so
After the old aasvogel 'ad 'is share.
The uniform's the mark by which they go--
And--ain't it odd?--the one we best can spare.
We might 'ave seen our chance to cut the show--
Name, number, record, an 'begin elsewhere--
Leaven'' some not too late-lamented foe
One funeral-private-British-for 'is share.
We may 'ave took it yonder in the Low
Bush-veldt that sends men stragglin' 'unaware
Among the Kaffirs, till their columns go,
An 'they are left past call or count or care.
We might 'ave been your lovers long ago,
'Usbands or children--comfort or despair.
Our death (an' burial) settles all we owe,
An' why we done it is our own affair.
Marry again, and we will not say no,
Nor come to barstardise the kids you bear.
Wait on in 'ope--you've all your life below
Before you'll ever 'ear us on the stair.
There is no need to give our reasons, though
Gawd knows we all 'ad reasons which were fair;
But other people might not judge 'em so--
And now it doesn't matter what they were.
What man can weigh or size another's woe:
There are some things too bitter 'ard to bear.
Suffice it we 'ave finished--Domino!
As we can testify, for we are there,
In the side-world where "wilful-missings " go.
(Deserters)
There is a world outside the one you know,
To which for curiousness 'Ell can't compare--
It is the place where "wilful-missings" go,
As we can testify, for we are there.
You may 'ave read a bullet laid us low,
That we was gathered in "with reverent care"
And buried proper. But it was not so,
As we can testify --for we are there!
They can't be certain--faces alter so
After the old aasvogel 'ad 'is share.
The uniform's the mark by which they go--
And--ain't it odd?--the one we best can spare.
We might 'ave seen our chance to cut the show--
Name, number, record, an 'begin elsewhere--
Leaven'' some not too late-lamented foe
One funeral-private-British-for 'is share.
We may 'ave took it yonder in the Low
Bush-veldt that sends men stragglin' 'unaware
Among the Kaffirs, till their columns go,
An 'they are left past call or count or care.
We might 'ave been your lovers long ago,
'Usbands or children--comfort or despair.
Our death (an' burial) settles all we owe,
An' why we done it is our own affair.
Marry again, and we will not say no,
Nor come to barstardise the kids you bear.
Wait on in 'ope--you've all your life below
Before you'll ever 'ear us on the stair.
There is no need to give our reasons, though
Gawd knows we all 'ad reasons which were fair;
But other people might not judge 'em so--
And now it doesn't matter what they were.
What man can weigh or size another's woe:
There are some things too bitter 'ard to bear.
Suffice it we 'ave finished--Domino!
As we can testify, for we are there,
In the side-world where "wilful-missings " go.
445
Rudyard Kipling
Wilful Missing
Wilful Missing
(Deserters)
There is a world outside the one you know,
To which for curiousness 'Ell can't compare--
It is the place where "wilful-missings" go,
As we can testify, for we are there.
You may 'ave read a bullet laid us low,
That we was gathered in "with reverent care"
And buried proper. But it was not so,
As we can testify --for we are there!
They can't be certain--faces alter so
After the old aasvogel 'ad 'is share.
The uniform's the mark by which they go--
And--ain't it odd?--the one we best can spare.
We might 'ave seen our chance to cut the show--
Name, number, record, an 'begin elsewhere--
Leaven'' some not too late-lamented foe
One funeral-private-British-for 'is share.
We may 'ave took it yonder in the Low
Bush-veldt that sends men stragglin' 'unaware
Among the Kaffirs, till their columns go,
An 'they are left past call or count or care.
We might 'ave been your lovers long ago,
'Usbands or children--comfort or despair.
Our death (an' burial) settles all we owe,
An' why we done it is our own affair.
Marry again, and we will not say no,
Nor come to barstardise the kids you bear.
Wait on in 'ope--you've all your life below
Before you'll ever 'ear us on the stair.
There is no need to give our reasons, though
Gawd knows we all 'ad reasons which were fair;
But other people might not judge 'em so--
And now it doesn't matter what they were.
What man can weigh or size another's woe:
There are some things too bitter 'ard to bear.
Suffice it we 'ave finished--Domino!
As we can testify, for we are there,
In the side-world where "wilful-missings " go.
(Deserters)
There is a world outside the one you know,
To which for curiousness 'Ell can't compare--
It is the place where "wilful-missings" go,
As we can testify, for we are there.
You may 'ave read a bullet laid us low,
That we was gathered in "with reverent care"
And buried proper. But it was not so,
As we can testify --for we are there!
They can't be certain--faces alter so
After the old aasvogel 'ad 'is share.
The uniform's the mark by which they go--
And--ain't it odd?--the one we best can spare.
We might 'ave seen our chance to cut the show--
Name, number, record, an 'begin elsewhere--
Leaven'' some not too late-lamented foe
One funeral-private-British-for 'is share.
We may 'ave took it yonder in the Low
Bush-veldt that sends men stragglin' 'unaware
Among the Kaffirs, till their columns go,
An 'they are left past call or count or care.
We might 'ave been your lovers long ago,
'Usbands or children--comfort or despair.
Our death (an' burial) settles all we owe,
An' why we done it is our own affair.
Marry again, and we will not say no,
Nor come to barstardise the kids you bear.
Wait on in 'ope--you've all your life below
Before you'll ever 'ear us on the stair.
There is no need to give our reasons, though
Gawd knows we all 'ad reasons which were fair;
But other people might not judge 'em so--
And now it doesn't matter what they were.
What man can weigh or size another's woe:
There are some things too bitter 'ard to bear.
Suffice it we 'ave finished--Domino!
As we can testify, for we are there,
In the side-world where "wilful-missings " go.
445
Rudyard Kipling
Toomai of the Elephants
Toomai of the Elephants
I will remember what I was. I am sick of rope and chain--
I will remember my old strength and all my forest-affairs.
I will not sell my back to man for a bundle of sugarcane.
I will go out to my own kind, and the wood-folk in their lairs.
I will go out until the day, until the morning break,
Out to the winds 'untainted kiss, the waters' clean caress.
I will forget my ankle-ring and snap my picket-stake.
I will revisit my lost loves, and playmates masterless!
I will remember what I was. I am sick of rope and chain--
I will remember my old strength and all my forest-affairs.
I will not sell my back to man for a bundle of sugarcane.
I will go out to my own kind, and the wood-folk in their lairs.
I will go out until the day, until the morning break,
Out to the winds 'untainted kiss, the waters' clean caress.
I will forget my ankle-ring and snap my picket-stake.
I will revisit my lost loves, and playmates masterless!
555
Rudyard Kipling
To the Unknown Goddess
To the Unknown Goddess
Will you conquer my heart with your beauty; my sould going out from afar?
Shall I fall to your hand as a victim of crafty and cautions shikar?
Have I met you and passed you already, unknowing, unthinking and blind?
Shall I meet you next session at Simla, O sweetest and best of your kind?
Does the P. and O. bear you to meward, or, clad in short frocks in the West,
Are you growing the charms that shall capture and torture the heart in my breast?
Will you stay in the Plains till September -- my passion as warm as the day?
Will you bring me to book on the Mountains, or where the thermantidotes play?
When the light of your eyes shall make pallid the mean lesser lights I pursue,
And the charm of your presence shall lure me from love of the gay "thirteen-two";
When the peg and the pig-skin shall please not; when I buy me Calcutta-build clothes;
When I quit the Delight of Wild Asses; foreswearing the swearing of oaths ;
As a deer to the hand of the hunter when I turn 'mid the gibes of my friends;
When the days of my freedom are numbered, and the life of the bachelor ends.
Ah, Goddess! child, spinster, or widow -- as of old on Mars Hill whey they raised
To the God that they knew not an altar -- so I, a young Pagan, have praised
The Goddess I know not nor worship; yet, if half that men tell me be true,
You will come in the future, and therefore these verses are written to you.
Will you conquer my heart with your beauty; my sould going out from afar?
Shall I fall to your hand as a victim of crafty and cautions shikar?
Have I met you and passed you already, unknowing, unthinking and blind?
Shall I meet you next session at Simla, O sweetest and best of your kind?
Does the P. and O. bear you to meward, or, clad in short frocks in the West,
Are you growing the charms that shall capture and torture the heart in my breast?
Will you stay in the Plains till September -- my passion as warm as the day?
Will you bring me to book on the Mountains, or where the thermantidotes play?
When the light of your eyes shall make pallid the mean lesser lights I pursue,
And the charm of your presence shall lure me from love of the gay "thirteen-two";
When the peg and the pig-skin shall please not; when I buy me Calcutta-build clothes;
When I quit the Delight of Wild Asses; foreswearing the swearing of oaths ;
As a deer to the hand of the hunter when I turn 'mid the gibes of my friends;
When the days of my freedom are numbered, and the life of the bachelor ends.
Ah, Goddess! child, spinster, or widow -- as of old on Mars Hill whey they raised
To the God that they knew not an altar -- so I, a young Pagan, have praised
The Goddess I know not nor worship; yet, if half that men tell me be true,
You will come in the future, and therefore these verses are written to you.
485
Rudyard Kipling
To the Unknown Goddess
To the Unknown Goddess
Will you conquer my heart with your beauty; my sould going out from afar?
Shall I fall to your hand as a victim of crafty and cautions shikar?
Have I met you and passed you already, unknowing, unthinking and blind?
Shall I meet you next session at Simla, O sweetest and best of your kind?
Does the P. and O. bear you to meward, or, clad in short frocks in the West,
Are you growing the charms that shall capture and torture the heart in my breast?
Will you stay in the Plains till September -- my passion as warm as the day?
Will you bring me to book on the Mountains, or where the thermantidotes play?
When the light of your eyes shall make pallid the mean lesser lights I pursue,
And the charm of your presence shall lure me from love of the gay "thirteen-two";
When the peg and the pig-skin shall please not; when I buy me Calcutta-build clothes;
When I quit the Delight of Wild Asses; foreswearing the swearing of oaths ;
As a deer to the hand of the hunter when I turn 'mid the gibes of my friends;
When the days of my freedom are numbered, and the life of the bachelor ends.
Ah, Goddess! child, spinster, or widow -- as of old on Mars Hill whey they raised
To the God that they knew not an altar -- so I, a young Pagan, have praised
The Goddess I know not nor worship; yet, if half that men tell me be true,
You will come in the future, and therefore these verses are written to you.
Will you conquer my heart with your beauty; my sould going out from afar?
Shall I fall to your hand as a victim of crafty and cautions shikar?
Have I met you and passed you already, unknowing, unthinking and blind?
Shall I meet you next session at Simla, O sweetest and best of your kind?
Does the P. and O. bear you to meward, or, clad in short frocks in the West,
Are you growing the charms that shall capture and torture the heart in my breast?
Will you stay in the Plains till September -- my passion as warm as the day?
Will you bring me to book on the Mountains, or where the thermantidotes play?
When the light of your eyes shall make pallid the mean lesser lights I pursue,
And the charm of your presence shall lure me from love of the gay "thirteen-two";
When the peg and the pig-skin shall please not; when I buy me Calcutta-build clothes;
When I quit the Delight of Wild Asses; foreswearing the swearing of oaths ;
As a deer to the hand of the hunter when I turn 'mid the gibes of my friends;
When the days of my freedom are numbered, and the life of the bachelor ends.
Ah, Goddess! child, spinster, or widow -- as of old on Mars Hill whey they raised
To the God that they knew not an altar -- so I, a young Pagan, have praised
The Goddess I know not nor worship; yet, if half that men tell me be true,
You will come in the future, and therefore these verses are written to you.
485