Emotions and Feelings

My Garret

Here is my Garret up five flights of stairs;
Here's where I deal in dreams and ply in fancies,
Here is the wonder-shop of all my wares,
My sounding sonnets and my red romances.
Here's where I challenge Fate and ring my rhymes,
And grope at glory -- aye, and starve at times.


Here is my Stronghold: stout of heart am I,
Greeting each dawn as songful as a linnet;
And when at night on yon poor bed I lie
(Blessing the world and every soul that's in it),
Here's where I thank the Lord no shadow bars
My skylight's vision of the valiant stars.


Here is my Palace tapestried with dreams.
Ah! though to-night ten sous are all my treasure,
While in my gaze immortal beauty gleams,
Am I not dowered with wealth beyond all measure?
Though in my ragged coat my songs I sing,
King of my soul, I envy not the king.


Here is my Haven: it's so quiet here;
Only the scratch of pen, the candle's flutter;
Shabby and bare and small, but O how dear!
Mark you -- my table with my work a-clutter,
My shelf of tattered books along the wall,
My bed, my broken chair -- that's nearly all.


Only four faded walls, yet mine, all mine.
Oh, you fine folks, a pauper scorns your pity.
Look, where above me stars of rapture shine;
See, where below me gleams the siren city . . .
Am I not rich? -- a millionaire no less,
If wealth be told in terms of Happiness.

My Foe

A Belgian Priest-Soldier Speaks;

GURR! You cochon! Stand and fight!
Show your mettle! Snarl and bite!
Spawn of an accursed race,
Turn and meet me face to face!
Here amid the wreck and rout
Let us grip and have it out!
Here where ruins rock and reel
Let us settle, steel to steel!
Look! Our houses, how they spit
Sparks from brands your friends have lit.
See! Our gutters running red,
Bright with blood your friends have shed.
Hark! Amid your drunken brawl
How our maidens shriek and call.
Why have you come here alone,
To this hearth's blood-spattered stone?
Come to ravish, come to loot,
Come to play the ghoulish brute.
Ah, indeed! We well are met,
Bayonet to bayonet.
God! I never killed a man:
Now I'll do the best I can.
Rip you to the evil heart,
Laugh to see the life-blood start.
Bah! You swine! I hate you so.
Show you mercy? No! . . . and no! . . .


There! I've done it. See! He lies
Death a-staring from his eyes;
Glazing eyeballs, panting breath,
How it's horrible, is Death!
Plucking at his bloody lips
With his trembling finger-tips;
Choking in a dreadful way
As if he would something say
In that uncouth tongue of his. . . .
Oh, how horrible Death is!


How I wish that he would die!
So unnerved, unmanned am I.
See! His twitching face is white!
See! His bubbling blood is bright.
Why do I not shout with glee?
What strange spell is over me?
There he lies; the fight was fair;
Let me toss my cap in air.
Why am I so silent? Why
Do I pray for him to die?
Where is all my vengeful joy?
Ugh! My foe is but a boy.



I'd a brother of his age
Perished in the war's red rage;
Perished in the Ypres hell:
Oh, I loved my brother well.
And though I be hard and grim,
How it makes me think of him!
He had just such flaxen hair
As the lad that's lying there.
Just such frank blue eyes were his. . . .
God! How horrible war is!


I have reason to be gay:
There is one less foe to slay.
I have reason to be glad:
Yet -- my foe is such a lad.
So I watch in dull amaze,
See his dying eyes a-glaze,
See his face grow glorified,
See his hands outstretched and wide
To that bit of ruined wall
Where the flames have ceased to crawl,
Where amid the crumbling bricks
Hangs a blackebed crucifix.


Now, oh now I understand.
Quick I press it in his hand,
Close his feeble finger-tips,
Hold it to his faltering lips.
As I watch his welling blood
I would stem it if I could.
God of Pity, let him live!
God of Love, forgive, forgive.


* * * *

His face looked strangely, as he died,
Like that of One they crucified.
And in the pocket of his coat
I found a letter; thus he wrote:
The things I've seen! Oh, mother dear,
I'm wondering can God be here?
To-night amid the drunken brawl
I saw a Cross hung on a wall;
I'll seek it now, and there alone
Perhaps I may atone, atone. . . .


Ah no! 'Tis I who must atone.
No other saw but God alone;
Yet how can I forget the sight
Of that face so woeful white!
Dead I kissed him as he lay,



Knelt by him and tried to pray;
Left him lying there at rest,
Crucifix upon his breast.


Not for him the pity be.
Ye who pity, pity me,
Crawling now the ways I trod,
Blood-guilty in sight of God.

My Foe

A Belgian Priest-Soldier Speaks;

GURR! You cochon! Stand and fight!
Show your mettle! Snarl and bite!
Spawn of an accursed race,
Turn and meet me face to face!
Here amid the wreck and rout
Let us grip and have it out!
Here where ruins rock and reel
Let us settle, steel to steel!
Look! Our houses, how they spit
Sparks from brands your friends have lit.
See! Our gutters running red,
Bright with blood your friends have shed.
Hark! Amid your drunken brawl
How our maidens shriek and call.
Why have you come here alone,
To this hearth's blood-spattered stone?
Come to ravish, come to loot,
Come to play the ghoulish brute.
Ah, indeed! We well are met,
Bayonet to bayonet.
God! I never killed a man:
Now I'll do the best I can.
Rip you to the evil heart,
Laugh to see the life-blood start.
Bah! You swine! I hate you so.
Show you mercy? No! . . . and no! . . .


There! I've done it. See! He lies
Death a-staring from his eyes;
Glazing eyeballs, panting breath,
How it's horrible, is Death!
Plucking at his bloody lips
With his trembling finger-tips;
Choking in a dreadful way
As if he would something say
In that uncouth tongue of his. . . .
Oh, how horrible Death is!


How I wish that he would die!
So unnerved, unmanned am I.
See! His twitching face is white!
See! His bubbling blood is bright.
Why do I not shout with glee?
What strange spell is over me?
There he lies; the fight was fair;
Let me toss my cap in air.
Why am I so silent? Why
Do I pray for him to die?
Where is all my vengeful joy?
Ugh! My foe is but a boy.



I'd a brother of his age
Perished in the war's red rage;
Perished in the Ypres hell:
Oh, I loved my brother well.
And though I be hard and grim,
How it makes me think of him!
He had just such flaxen hair
As the lad that's lying there.
Just such frank blue eyes were his. . . .
God! How horrible war is!


I have reason to be gay:
There is one less foe to slay.
I have reason to be glad:
Yet -- my foe is such a lad.
So I watch in dull amaze,
See his dying eyes a-glaze,
See his face grow glorified,
See his hands outstretched and wide
To that bit of ruined wall
Where the flames have ceased to crawl,
Where amid the crumbling bricks
Hangs a blackebed crucifix.


Now, oh now I understand.
Quick I press it in his hand,
Close his feeble finger-tips,
Hold it to his faltering lips.
As I watch his welling blood
I would stem it if I could.
God of Pity, let him live!
God of Love, forgive, forgive.


* * * *

His face looked strangely, as he died,
Like that of One they crucified.
And in the pocket of his coat
I found a letter; thus he wrote:
The things I've seen! Oh, mother dear,
I'm wondering can God be here?
To-night amid the drunken brawl
I saw a Cross hung on a wall;
I'll seek it now, and there alone
Perhaps I may atone, atone. . . .


Ah no! 'Tis I who must atone.
No other saw but God alone;
Yet how can I forget the sight
Of that face so woeful white!
Dead I kissed him as he lay,



Knelt by him and tried to pray;
Left him lying there at rest,
Crucifix upon his breast.


Not for him the pity be.
Ye who pity, pity me,
Crawling now the ways I trod,
Blood-guilty in sight of God.

My Foe

A Belgian Priest-Soldier Speaks;

GURR! You cochon! Stand and fight!
Show your mettle! Snarl and bite!
Spawn of an accursed race,
Turn and meet me face to face!
Here amid the wreck and rout
Let us grip and have it out!
Here where ruins rock and reel
Let us settle, steel to steel!
Look! Our houses, how they spit
Sparks from brands your friends have lit.
See! Our gutters running red,
Bright with blood your friends have shed.
Hark! Amid your drunken brawl
How our maidens shriek and call.
Why have you come here alone,
To this hearth's blood-spattered stone?
Come to ravish, come to loot,
Come to play the ghoulish brute.
Ah, indeed! We well are met,
Bayonet to bayonet.
God! I never killed a man:
Now I'll do the best I can.
Rip you to the evil heart,
Laugh to see the life-blood start.
Bah! You swine! I hate you so.
Show you mercy? No! . . . and no! . . .


There! I've done it. See! He lies
Death a-staring from his eyes;
Glazing eyeballs, panting breath,
How it's horrible, is Death!
Plucking at his bloody lips
With his trembling finger-tips;
Choking in a dreadful way
As if he would something say
In that uncouth tongue of his. . . .
Oh, how horrible Death is!


How I wish that he would die!
So unnerved, unmanned am I.
See! His twitching face is white!
See! His bubbling blood is bright.
Why do I not shout with glee?
What strange spell is over me?
There he lies; the fight was fair;
Let me toss my cap in air.
Why am I so silent? Why
Do I pray for him to die?
Where is all my vengeful joy?
Ugh! My foe is but a boy.



I'd a brother of his age
Perished in the war's red rage;
Perished in the Ypres hell:
Oh, I loved my brother well.
And though I be hard and grim,
How it makes me think of him!
He had just such flaxen hair
As the lad that's lying there.
Just such frank blue eyes were his. . . .
God! How horrible war is!


I have reason to be gay:
There is one less foe to slay.
I have reason to be glad:
Yet -- my foe is such a lad.
So I watch in dull amaze,
See his dying eyes a-glaze,
See his face grow glorified,
See his hands outstretched and wide
To that bit of ruined wall
Where the flames have ceased to crawl,
Where amid the crumbling bricks
Hangs a blackebed crucifix.


Now, oh now I understand.
Quick I press it in his hand,
Close his feeble finger-tips,
Hold it to his faltering lips.
As I watch his welling blood
I would stem it if I could.
God of Pity, let him live!
God of Love, forgive, forgive.


* * * *

His face looked strangely, as he died,
Like that of One they crucified.
And in the pocket of his coat
I found a letter; thus he wrote:
The things I've seen! Oh, mother dear,
I'm wondering can God be here?
To-night amid the drunken brawl
I saw a Cross hung on a wall;
I'll seek it now, and there alone
Perhaps I may atone, atone. . . .


Ah no! 'Tis I who must atone.
No other saw but God alone;
Yet how can I forget the sight
Of that face so woeful white!
Dead I kissed him as he lay,



Knelt by him and tried to pray;
Left him lying there at rest,
Crucifix upon his breast.


Not for him the pity be.
Ye who pity, pity me,
Crawling now the ways I trod,
Blood-guilty in sight of God.

My Favourite Fan

Being a writer I receive
Sweet screeds from folk of every land;
Some are so weird you'd scarce believe,
And some quite hard to understand:
But as a conscientious man
I type my thanks to all I can.


So when I got a foreign scrawl
That spider-webbed across the page,
Said I: "This is the worst of all;
No doubt a child of tender age
Has written it, so I'll be kind,
And send an answer to her mind.


Promptly I typed a nice reply
And thought that it would be the end,
But in due course confused was I
To get a letter signed: Your Friend;
And with it, full of girlish grace,
A snapshot of a winsome face.


"I am afraid," she wrote to me,
"That you must have bees sure surprised
At my poor penmanship . . . You see,
My arms and legs are paralyzed:
With pen held in a sort of sheath
I do my writing with my teeth."


Though sadness followed my amaze,
And pity too, I must confess
The look that lit her laughing gaze
Was one of sunny happiness. . . .
Oh spirit of a heroine!
Your smile so tender, so divine,
I pray, may never cease to shine.

My Favourite Fan

Being a writer I receive
Sweet screeds from folk of every land;
Some are so weird you'd scarce believe,
And some quite hard to understand:
But as a conscientious man
I type my thanks to all I can.


So when I got a foreign scrawl
That spider-webbed across the page,
Said I: "This is the worst of all;
No doubt a child of tender age
Has written it, so I'll be kind,
And send an answer to her mind.


Promptly I typed a nice reply
And thought that it would be the end,
But in due course confused was I
To get a letter signed: Your Friend;
And with it, full of girlish grace,
A snapshot of a winsome face.


"I am afraid," she wrote to me,
"That you must have bees sure surprised
At my poor penmanship . . . You see,
My arms and legs are paralyzed:
With pen held in a sort of sheath
I do my writing with my teeth."


Though sadness followed my amaze,
And pity too, I must confess
The look that lit her laughing gaze
Was one of sunny happiness. . . .
Oh spirit of a heroine!
Your smile so tender, so divine,
I pray, may never cease to shine.

My Favourite Fan

Being a writer I receive
Sweet screeds from folk of every land;
Some are so weird you'd scarce believe,
And some quite hard to understand:
But as a conscientious man
I type my thanks to all I can.


So when I got a foreign scrawl
That spider-webbed across the page,
Said I: "This is the worst of all;
No doubt a child of tender age
Has written it, so I'll be kind,
And send an answer to her mind.


Promptly I typed a nice reply
And thought that it would be the end,
But in due course confused was I
To get a letter signed: Your Friend;
And with it, full of girlish grace,
A snapshot of a winsome face.


"I am afraid," she wrote to me,
"That you must have bees sure surprised
At my poor penmanship . . . You see,
My arms and legs are paralyzed:
With pen held in a sort of sheath
I do my writing with my teeth."


Though sadness followed my amaze,
And pity too, I must confess
The look that lit her laughing gaze
Was one of sunny happiness. . . .
Oh spirit of a heroine!
Your smile so tender, so divine,
I pray, may never cease to shine.

My Dentist

Sitting in the dentist's chair,
Wishing that I wasn't there,
To forget and pass the time
I have made this bit of rhyme.


I had a rendez-vous at ten;
I rushed to get in line,
But found a lot of dames and men
Had waited there since nine;
I stared at them, then in an hour
Was blandly ushered in;
But though my face was grim and sour
He met me with a grin.


He told me of his horse of blood,
And how it "also ran",
He plans to own a racing stud (
He seems a wealthy man.)
And then he left me there until
I growled: "At any rate,
I hope he'll not charge in his bill
For all the time I wait."


His wife has sables on her back,
With jewels she's ablaze;
She drives a stately Cadillac,
And I'm the mug who pays:
At least I'm one of those who peer
With pessimistic gloom
At magazines of yester-year
In his damn waiting room.


I am a Christian Scientist;
I don't believe in pain;
My dentist had a powerful wrist,
He tries and tries in vain
To make me grunt or groan or squeal
With probe or rasp or drill. . . .
But oh, what agony I feel
When HE PRESENTS HIS BILL!


Sitting in the dental chair,
Don't you wish you weren't there:
Well, your cup of woe to fill,
Just think of his infernal bill.

My Dentist

Sitting in the dentist's chair,
Wishing that I wasn't there,
To forget and pass the time
I have made this bit of rhyme.


I had a rendez-vous at ten;
I rushed to get in line,
But found a lot of dames and men
Had waited there since nine;
I stared at them, then in an hour
Was blandly ushered in;
But though my face was grim and sour
He met me with a grin.


He told me of his horse of blood,
And how it "also ran",
He plans to own a racing stud (
He seems a wealthy man.)
And then he left me there until
I growled: "At any rate,
I hope he'll not charge in his bill
For all the time I wait."


His wife has sables on her back,
With jewels she's ablaze;
She drives a stately Cadillac,
And I'm the mug who pays:
At least I'm one of those who peer
With pessimistic gloom
At magazines of yester-year
In his damn waiting room.


I am a Christian Scientist;
I don't believe in pain;
My dentist had a powerful wrist,
He tries and tries in vain
To make me grunt or groan or squeal
With probe or rasp or drill. . . .
But oh, what agony I feel
When HE PRESENTS HIS BILL!


Sitting in the dental chair,
Don't you wish you weren't there:
Well, your cup of woe to fill,
Just think of his infernal bill.

My Dog's My Boss

Each day when it's anighing three
Old Dick looks at the clock,
Then proudly brings my stick to me
To mind me of our walk.
And in his doggy rapture he
Does everything but talk.

But since I lack his zip and zest
My old bones often tire;
And so I ventured to suggest
Today we hug the fire.
But with what wailing he expressed
The death of his desire!

He gazed at me with eyes of woe
As if to say: 'Old boy,
You mustn't lose your grip, you know,
Let us with laughing joy,
On heath and hill six miles or so
Our legs and lungs employ.'

And then his bark was stilled to a sigh
He flopped upon the floor;
But such a soft old mug am I
I threw awide the door;
So gaily, though the wind was high
We hiked across the moor.

My Dog's My Boss

Each day when it's anighing three
Old Dick looks at the clock,
Then proudly brings my stick to me
To mind me of our walk.
And in his doggy rapture he
Does everything but talk.

But since I lack his zip and zest
My old bones often tire;
And so I ventured to suggest
Today we hug the fire.
But with what wailing he expressed
The death of his desire!

He gazed at me with eyes of woe
As if to say: 'Old boy,
You mustn't lose your grip, you know,
Let us with laughing joy,
On heath and hill six miles or so
Our legs and lungs employ.'

And then his bark was stilled to a sigh
He flopped upon the floor;
But such a soft old mug am I
I threw awide the door;
So gaily, though the wind was high
We hiked across the moor.

My Dog's My Boss

Each day when it's anighing three
Old Dick looks at the clock,
Then proudly brings my stick to me
To mind me of our walk.
And in his doggy rapture he
Does everything but talk.

But since I lack his zip and zest
My old bones often tire;
And so I ventured to suggest
Today we hug the fire.
But with what wailing he expressed
The death of his desire!

He gazed at me with eyes of woe
As if to say: 'Old boy,
You mustn't lose your grip, you know,
Let us with laughing joy,
On heath and hill six miles or so
Our legs and lungs employ.'

And then his bark was stilled to a sigh
He flopped upon the floor;
But such a soft old mug am I
I threw awide the door;
So gaily, though the wind was high
We hiked across the moor.

My Coffin

Deeming that I was due to die
I framed myself a coffin;
So full of graveyard zeal was I,
I set the folks a-laughing.
I made it snugly to my fit,
My joinering was honest;
And sometimes in it I would sit,
And fancy I was non est.


I stored it on my cabin shelf
Forever to remind me,
When I was tickled with myself,
That Death was close behind me.
Let's be prepared, I used to say,
E're in the Dark we launch us:
And so with boding day by day
I kept me coffin-conscious.


Then came that winter dark as doom,
No firing wood had I;
My shack was icy as a tomb
And I was set to die.
But e'er the losing of my wits
I saw that coffin there,
S smashing the damned thing to bits
I made a gorgeous flare.


I never saw a flame so bright,
So goldenly divine,
As starred the blackness of the night
That boneyard box of mine.
And now I go forth coffin-shy,
With no more carnal fears,
For radiantly sure am I
I'll stack a hundred years.

My Cancer Cure

"A year to live," the Doctor said;
"There is no cure," and shook his head.
Ah me! I felt as good as dead.
Yet quite resigned to fate was I,
Thinking: "Well, since I have to die
'Twill be beneath the open sky."


And so I sought a wildsome wood
Wherein a lonely cabin stood,
And doomed myself to solitude,
And there was no one I would see:
Each morn a farmer brought to me
My food and hung it on a tree.


Six eggs he brought, and milk a quart,
Enough for wretches of my sort
Whose life is fated to be short.
At night I laid me on the round,
In robe of buffalo wrapped round . . .
'Twas strange that I should sleep so sound.


The farmer man I seldom saw;
I pierced my eggs and sucked them raw;
Sweet mil refreshed my ravaged maw.
So slowly days and weeks went by,
And always I would wonder why
I did not die. . . I did not die.


Thus brooding on my grievous lot
The world of men I fast forgot.
And in the wildwood friends I sought.
The brook bright melodies would sing,
The groves with feathered rapture ring,
And bring me strange, sweet comforting. . . .


Then all at once I knew that I
Miraculously would not die:
When doctors fail let Nature try.

My Chapel

In idle dream with pipe in hand
I looked across the Square,

And saw the little chapel stand
In eloquent despair.

A ruin of the War it was,
A dreary, dingy mess:

It worried me a lot because
My hobby's happiness.

The shabby Priest said: 'You are kind.
Time leaves us on the lurch,

And there are very few who mind
Their duty to the Church.

But with this precious sum you give,
I'll make it like a gem;

Poor folks will come, our altar live
To comfort them.'

So now my chapel of despair
Is full of joy and song;

I watch the humble go to prayer
Although I don't belong.

An artist and agnostic I
Possess but little pelf;

But oh what blessings it can buy
Them--and myself!

My Brothers

While I make rhymes my brother John
Makes shiny shoes which dames try on,
And finding to their fit and stance
They buy and wear with elegance;
But mine is quite another tale,-


For song there is no sale.

My brother Tom a tailor shop
Is owner of, and ladies stop
To try the models he has planned,
And richly pay, I understand:
Yet not even a dingy dime
Can I make with my rhyme.


My brother Jim sells stuff to eat
Like trotters, tripe and sausage meat.
I dare not by his window stop,
Lest he should offer me a chop;
For though a starving bard I be,
To hell, say I, with charity!


My brothers all are proud of purse,
But though my poverty I curse,
I would not for a diadem
Exchange my lowly lot with them:
A garret and a crust for me,
And reams and dreams of Poetry.

Music In The Bush

O'er the dark pines she sees the silver moon,
And in the west, all tremulous, a star;
And soothing sweet she hears the mellow tune
Of cow-bells jangled in the fields afar.

Quite listless, for her daily stent is done,
She stands, sad exile, at her rose-wreathed door,
And sends her love eternal with the sun
That goes to gild the land she'll see no more.

The grave, gaunt pines imprison her sad gaze,
All still the sky and darkling drearily;
She feels the chilly breath of dear, dead days
Come sifting through the alders eerily.

Oh, how the roses riot in their bloom!
The curtains stir as with an ancient pain;
Her old piano gleams from out the gloom
And waits and waits her tender touch in vain.

But now her hands like moonlight brush the keys
With velvet grace -- melodious delight;
And now a sad refrain from over seas
Goes sobbing on the bosom of the night;

And now she sings. (O! singer in the gloom,
Voicing a sorrow we can ne'er express,
Here in the Farness where we few have room
Unshamed to show our love and tenderness,

Our hearts will echo, till they beat no more,
That song of sadness and of motherland;
And, stretched in deathless love to England's shore,
Some day she'll hearken and she'll understand.)

A prima-donna in the shining past,
But now a mother growing old and gray,
She thinks of how she held a people fast
In thrall, and gleaned the triumphs of a day.

She sees a sea of faces like a dream;
She sees herself a queen of song once more;
She sees lips part in rapture, eyes agleam;
She sings as never once she sang before.

She sings a wild, sweet song that throbs with pain,
The added pain of life that transcends art --
A song of home, a deep, celestial strain,
The glorious swan-song of a dying heart.

A lame tramp comes along the railway track,
A grizzled dog whose day is nearly done;


He passes, pauses, then comes slowly back
And listens there -- an audience of one.

She sings -- her golden voice is passion-fraught,
As when she charmed a thousand eager ears;
He listens trembling, and she knows it not,
And down his hollow cheeks roll bitter tears.

She ceases and is still, as if to pray;
There is no sound, the stars are all alight --
Only a wretch who stumbles on his way,
Only a vagrant sobbing in the night.

Music In The Bush

O'er the dark pines she sees the silver moon,
And in the west, all tremulous, a star;
And soothing sweet she hears the mellow tune
Of cow-bells jangled in the fields afar.

Quite listless, for her daily stent is done,
She stands, sad exile, at her rose-wreathed door,
And sends her love eternal with the sun
That goes to gild the land she'll see no more.

The grave, gaunt pines imprison her sad gaze,
All still the sky and darkling drearily;
She feels the chilly breath of dear, dead days
Come sifting through the alders eerily.

Oh, how the roses riot in their bloom!
The curtains stir as with an ancient pain;
Her old piano gleams from out the gloom
And waits and waits her tender touch in vain.

But now her hands like moonlight brush the keys
With velvet grace -- melodious delight;
And now a sad refrain from over seas
Goes sobbing on the bosom of the night;

And now she sings. (O! singer in the gloom,
Voicing a sorrow we can ne'er express,
Here in the Farness where we few have room
Unshamed to show our love and tenderness,

Our hearts will echo, till they beat no more,
That song of sadness and of motherland;
And, stretched in deathless love to England's shore,
Some day she'll hearken and she'll understand.)

A prima-donna in the shining past,
But now a mother growing old and gray,
She thinks of how she held a people fast
In thrall, and gleaned the triumphs of a day.

She sees a sea of faces like a dream;
She sees herself a queen of song once more;
She sees lips part in rapture, eyes agleam;
She sings as never once she sang before.

She sings a wild, sweet song that throbs with pain,
The added pain of life that transcends art --
A song of home, a deep, celestial strain,
The glorious swan-song of a dying heart.

A lame tramp comes along the railway track,
A grizzled dog whose day is nearly done;


He passes, pauses, then comes slowly back
And listens there -- an audience of one.

She sings -- her golden voice is passion-fraught,
As when she charmed a thousand eager ears;
He listens trembling, and she knows it not,
And down his hollow cheeks roll bitter tears.

She ceases and is still, as if to pray;
There is no sound, the stars are all alight --
Only a wretch who stumbles on his way,
Only a vagrant sobbing in the night.

Music In The Bush

O'er the dark pines she sees the silver moon,
And in the west, all tremulous, a star;
And soothing sweet she hears the mellow tune
Of cow-bells jangled in the fields afar.

Quite listless, for her daily stent is done,
She stands, sad exile, at her rose-wreathed door,
And sends her love eternal with the sun
That goes to gild the land she'll see no more.

The grave, gaunt pines imprison her sad gaze,
All still the sky and darkling drearily;
She feels the chilly breath of dear, dead days
Come sifting through the alders eerily.

Oh, how the roses riot in their bloom!
The curtains stir as with an ancient pain;
Her old piano gleams from out the gloom
And waits and waits her tender touch in vain.

But now her hands like moonlight brush the keys
With velvet grace -- melodious delight;
And now a sad refrain from over seas
Goes sobbing on the bosom of the night;

And now she sings. (O! singer in the gloom,
Voicing a sorrow we can ne'er express,
Here in the Farness where we few have room
Unshamed to show our love and tenderness,

Our hearts will echo, till they beat no more,
That song of sadness and of motherland;
And, stretched in deathless love to England's shore,
Some day she'll hearken and she'll understand.)

A prima-donna in the shining past,
But now a mother growing old and gray,
She thinks of how she held a people fast
In thrall, and gleaned the triumphs of a day.

She sees a sea of faces like a dream;
She sees herself a queen of song once more;
She sees lips part in rapture, eyes agleam;
She sings as never once she sang before.

She sings a wild, sweet song that throbs with pain,
The added pain of life that transcends art --
A song of home, a deep, celestial strain,
The glorious swan-song of a dying heart.

A lame tramp comes along the railway track,
A grizzled dog whose day is nearly done;


He passes, pauses, then comes slowly back
And listens there -- an audience of one.

She sings -- her golden voice is passion-fraught,
As when she charmed a thousand eager ears;
He listens trembling, and she knows it not,
And down his hollow cheeks roll bitter tears.

She ceases and is still, as if to pray;
There is no sound, the stars are all alight --
Only a wretch who stumbles on his way,
Only a vagrant sobbing in the night.

Munition Maker

I am the Cannon King, behold!
I perish on a throne of gold.
With forest far and turret high,
Renowned and rajah-rich am I.
My father was, and his before,
With wealth we owe to war on war;
But let no potentate be proud . . .
There are no pockets in a shroud.


By nature I am mild and kind,
To gentleness and ruth inclined;
And though the pheasants over-run
My woods I will not touch a gun.
Yet while each monster that I forge
Thunders destruction form its gorge.
Death's whisper is, I vow, more loud . . .
There are no pockets in a shroud.


My time is short, my ships at sea
Already seem like ghosts to me;
My millions mock me I am poor
As any beggar at my door.
My vast dominion I resign,
Six feet of earth to claim is mine,
Brooding with shoulders bitter-bowed . . .
There are no pockets in a shroud.


Dear God, let me purge my heart,
And be of heaven's hope a part!
Flinging my fortune's foul increase
To fight for pity, love and peace.
Oh that I could with healing fare,
And pledged to poverty and prayer
Cry high above the cringing crowd:
"Ye fools! Be not Mammon cowed . . .
There are no pockets in a shroud."

Munition Maker

I am the Cannon King, behold!
I perish on a throne of gold.
With forest far and turret high,
Renowned and rajah-rich am I.
My father was, and his before,
With wealth we owe to war on war;
But let no potentate be proud . . .
There are no pockets in a shroud.


By nature I am mild and kind,
To gentleness and ruth inclined;
And though the pheasants over-run
My woods I will not touch a gun.
Yet while each monster that I forge
Thunders destruction form its gorge.
Death's whisper is, I vow, more loud . . .
There are no pockets in a shroud.


My time is short, my ships at sea
Already seem like ghosts to me;
My millions mock me I am poor
As any beggar at my door.
My vast dominion I resign,
Six feet of earth to claim is mine,
Brooding with shoulders bitter-bowed . . .
There are no pockets in a shroud.


Dear God, let me purge my heart,
And be of heaven's hope a part!
Flinging my fortune's foul increase
To fight for pity, love and peace.
Oh that I could with healing fare,
And pledged to poverty and prayer
Cry high above the cringing crowd:
"Ye fools! Be not Mammon cowed . . .
There are no pockets in a shroud."

Moon-Lover


I

The Moon is like a ping-pong ball;
I lean against the orchard wall,
And see it soar into the void,
A silky sphere of celluloid.


Then fairy fire enkindles it,
Like gossamer by taper lit,
Until it glows above the trees
As mellow as a Cheddar cheese.


And up and up I watch it press
Into appalling loneliness;
Like realms of ice without a stain,
A corpse Moon come to life again.


Ruthless it drowns a sturdy star
That seeks its regal way to bar;
Seeming with conscious power to grow,
And sweeter, purer, gladder glow.


Dreaming serenely up the sky
Until exultantly on high,
It shimmers with superb delight,
The silver navel of the night.


II


I have a compact to commune
A monthly midnight with the Moon;
Into its face I stare and stare,
And find sweet understanding there.


As quiet as a toad I sit
And tell my tale of days to it;
The tessellated yarn I've spun
In thirty spells of star and sun.


And the Moon listens pensively,
As placid as a lamb to me;
Until I think there's just us two
In silver world of mist and dew.


In all of spangled space, but I
To stare moon-struck into the sky;
Of billion beings I alone
To praise the Moon as still as stone.


And seal a bond between us two,
Closer than mortal ever knew;



For as mute masses I intone
The Moon is mine and mine alone.


III


To know the Moon as few men may,
One must be just a little fey;
And for our friendship's sake I'm glad
That I am just a trifle mad.


And one with all the wild, wise things,
The furtive folk of fur and wings,
That hold the Moon within their eyes,
And make it nightly sacrifice.


O I will watch the maiden Moon
Dance on the sea with silver shoon;
But with the Queen Moon I will keep
My tryst when all the world's asleep.


As I have kept by land and sea
That tryst for half a century;
Entranced in sibylline suspense
Beyond a world of common-sense.


Until one night the Moon alone
Will look upon a graven stone. . . .
I wonder will it miss me then,
Its lover more than other men?


Or will my wistful ghost be there,
Down ages dim to stare and stare,
On silver nights without a stir--
The Moon's Eternal Worshipper?

Missis Moriarty's Boy

Missis Moriarty called last week, and says she to me, says she:
"Sure the heart of me's broken entirely now -- it's the fortunate woman you are;
You've still got your Dinnis to cheer up your home, but me Patsy boy where is he?
Lyin' alone, cold as a stone, kilt in the weariful wahr.
Oh, I'm seein' him now as I looked on him last, wid his hair all curly and bright,
And the wonderful, tenderful heart he had, and his eyes as he wint away,
Shinin' and lookin' down on me from the pride of his proper height:
Sure I'll remember me boy like that if I live to me dyin' day."

And just as she spoke them very same words me Dinnis came in at the door,
Came in from McGonigle's ould shebeen, came in from drinkin' his pay;
And Missis Moriarty looked at him, and she didn't say anny more,
And she wrapped her head in her ould black shawl, and she quietly wint away.
And what was I thinkin', I ask ye now, as I put me Dinnis to bed,
Wid him ravin' and cursin' one half of the night, as cold by his side I sat;
Was I thinkin' the poor ould woman she was wid her Patsy slaughtered and dead?
Was I weepin' for Missis Moriarty? I'm not so sure about that.

Missis Moriarty goes about wid a shinin' look on her face;
Wid her grey hair under her ould black shawl, and the eyes of her mother-mild;
Some say she's a little bit off her head; but annyway it's the case,
Her timper's so swate that you nivver would tell she'd be losin' her only child.
And I think, as I wait up ivery night for me Dinnis to come home blind,
And I'm hearin' his stumblin' foot on the stair along about half-past three:
Sure there's many a way of breakin' a heart, and I haven't made up me mind -Would
I be Missis Moriarty, or Missis Moriarty me?

Missis Moriarty's Boy

Missis Moriarty called last week, and says she to me, says she:
"Sure the heart of me's broken entirely now -- it's the fortunate woman you are;
You've still got your Dinnis to cheer up your home, but me Patsy boy where is he?
Lyin' alone, cold as a stone, kilt in the weariful wahr.
Oh, I'm seein' him now as I looked on him last, wid his hair all curly and bright,
And the wonderful, tenderful heart he had, and his eyes as he wint away,
Shinin' and lookin' down on me from the pride of his proper height:
Sure I'll remember me boy like that if I live to me dyin' day."

And just as she spoke them very same words me Dinnis came in at the door,
Came in from McGonigle's ould shebeen, came in from drinkin' his pay;
And Missis Moriarty looked at him, and she didn't say anny more,
And she wrapped her head in her ould black shawl, and she quietly wint away.
And what was I thinkin', I ask ye now, as I put me Dinnis to bed,
Wid him ravin' and cursin' one half of the night, as cold by his side I sat;
Was I thinkin' the poor ould woman she was wid her Patsy slaughtered and dead?
Was I weepin' for Missis Moriarty? I'm not so sure about that.

Missis Moriarty goes about wid a shinin' look on her face;
Wid her grey hair under her ould black shawl, and the eyes of her mother-mild;
Some say she's a little bit off her head; but annyway it's the case,
Her timper's so swate that you nivver would tell she'd be losin' her only child.
And I think, as I wait up ivery night for me Dinnis to come home blind,
And I'm hearin' his stumblin' foot on the stair along about half-past three:
Sure there's many a way of breakin' a heart, and I haven't made up me mind -Would
I be Missis Moriarty, or Missis Moriarty me?