Life and Existence

My Tails

I haven't worn my evening dress
For nearly twenty years;
Oh I'm unsocial, I confess,
A hermit, it appears.
So much moth-balled it's but away,
And though wee wifie wails,
Never unto my dimmest day
I'll don my tails.

How slim and trim I looked in them,
Though I was sixty old;
And now their sleekness I condemn
To lie in rigid fold.
I have a portrait of myself
Proud-printed in the Press,
In garb now doomed to wardrobe shelf,-My
evening dress.

So let this be my last request,
That when I come to die,
In tails I may be deftly drest,
With white waistcoat and tie.
No, not for me a vulgar shroud
My carcass to caress;--
Oh let me do my coffin proud
In evening dress!

My Rocking-Chair

When I am old and worse for wear
I want to buy a rocking-chair,
And set it on a porch where shine
The stars of morning-glory vine;
With just beyond, a gleam of grass,
A shady street where people pass;
And some who come with time to spare,
To yarn beside my rocking-chair.
Then I will light my corn-cob pipe
And dose and dream and rarely gripe.
My morning paper on my knee
I won't allow to worry me.
For if I know the latest news
Is bad,--to read it I'll refuse,
Since I have always tried to see
The side of life that clicks with glee.


And looking back with days nigh done,
I feel I've had a heap of fun.
Of course I guess that more or less
It's you yourself make happiness
And if your needs are small and few,
Like me you may be happy too:
And end up with a hope, a prayer,
A chuckle in a rocking-chair.

My Mate

I've been sittin' starin', starin' at 'is muddy pair of boots,
And tryin' to convince meself it's 'im.
(Look out there, lad! That sniper -- 'e's a dysey when 'e shoots;
'E'll be layin' of you out the same as Jim.)
Jim as lies there in the dug-out wiv 'is blanket round 'is 'ead,
To keep 'is brains from mixin' wiv the mud;
And 'is face as white as putty, and 'is overcoat all red,
Like 'e's spilt a bloomin' paint-pot -- but it's blood.

And I'm tryin' to remember of a time we wasn't pals.
'Ow often we've played 'ookey, 'im and me;
And sometimes it was music-'alls, and sometimes it was gals,
And even there we 'ad no disagree.
For when 'e copped Mariar Jones, the one I liked the best,
I shook 'is 'and and loaned 'im 'arf a quid;
I saw 'im through the parson's job, I 'elped 'im make 'is nest,
I even stood god-farther to the kid.

So when the war broke out, sez 'e: "Well, wot abaht it, Joe?"
"Well, wot abaht it, lad?" sez I to 'im.
'Is missis made a awful fuss, but 'e was mad to go,
('E always was 'igh-sperrited was Jim).
Well, none of it's been 'eaven, and the most of it's been 'ell,
But we've shared our baccy, and we've 'alved our bread.
We'd all the luck at Wipers, and we shaved through Noove Chapelle,
And . . . that snipin' barstard gits 'im on the 'ead.

Now wot I wants to know is, why it wasn't me was took?
I've only got meself, 'e stands for three.
I'm plainer than a louse, while 'e was 'andsome as a dook;
'E always WAS a better man than me.
'E was goin' 'ome next Toosday; 'e was 'appy as a lark,
And 'e'd just received a letter from 'is kid;
And 'e struck a match to show me, as we stood there in the dark,
When . . . that bleedin' bullet got 'im on the lid.

'E was killed so awful sudden that 'e 'adn't time to die.
'E sorto jumped, and came down wiv a thud.
Them corpsy-lookin' star-shells kept a-streamin' in the sky,
And there 'e lay like nothin' in the mud.
And there 'e lay so quiet wiv no mansard to 'is 'ead,
And I'm sick, and blamed if I can understand:
The pots of 'alf and 'alf we've 'ad, and ZIP! like that -- 'e's dead,
Wiv the letter of 'is nipper in 'is 'and.

There's some as fights for freedom and there's some as fights for fun,
But me, my lad, I fights for bleedin' 'ate.
You can blame the war and blast it, but I 'opes it won't be done
Till I gets the bloomin' blood-price for me mate.
It'll take a bit o' bayonet to level up for Jim;
Then if I'm spared I think I'll 'ave a bid,
Wiv 'er that was Mariar Jones to take the place of 'im,


To sorter be a farther to 'is kid.

My Inner Life

'Tis true my garments threadbare are,
And sorry poor I seem;
But inly I am richer far
Than any poet's dream.
For I've a hidden life no one
Can ever hope to see;
A sacred sanctuary none
May share with me.

Aloof I stand from out the strife,
Within my heart a song;
By virtue of my inner life
I to myself belong.
Against man-ruling I rebel,
Yet do not fear defeat,
For to my secret citadel
I may retreat.

Oh you who have an inner life
Beyond this dismal day
With wars and evil rumours rife,
Go blessedly your way.
Your refuge hold inviolate;
Unto yourself be true,
And shield serene from sordid fate
The Real You.

My Library

Like prim Professor of a College
I primed my shelves with books of knowledge;
And now I stand before them dumb,
Just like a child that sucks its thumb,
And stares forlorn and turns away,
With dolls or painted bricks to play.


They glour at me, my tomes of learning.
"You dolt!" they jibe; "you undiscerning
Moronic oaf, you make a fuss,
With highbrow swank selecting us;
Saying: "I'll read you all some day' -
And now you yawn and turn away.


"Unwanted wait we with our store
Of facts and philosophic lore;
The scholarship of all the ages
Snug packed within our uncut pages;
The mystery of all mankind
In part revealed - but you are blind.


"You have no time to read, you tell us;
Oh, do not think that we are jealous
Of all the trash that wins your favour,
The flimsy fiction that you savour:
We only beg that sometimes you
Will spare us just an hour or two.


"For all the minds that went to make us
Are dust if folk like you forsake us,
And they can only live again
By virtue of your kindling brain;
In magice print they packed their best:
Come - try their wisdom to digest. . . ."


Said I: "Alas! I am not able;
I lay my cards upon the table,
And with deep shame and blame avow
I am too old to read you now;
So I will lock you in glass cases
And shun your sad, reproachful faces."


* * * * * * * * *

My library is noble planned,
Yet in it desolate I stand;
And though my thousand books I prize,
Feeling a witling in their eyes,
I turn from them in weariness
To wallow in the Daily Press.


For, oh, I never, never will



The noble field of knowledge till:
I pattern words with artful tricks,
As children play with painted bricks,
And realize with futile woe,
Nothing I know - nor want to know.


My library has windowed nooks;
And so I turn from arid books
To vastitude of sea and sky,
And like a child content am I
With peak and plain and brook and tree,
Crying: "Behold! the books for me:
Nature, be thou my Library!"

My Future

"Let's make him a sailor," said Father,
"And he will adventure the sea."
"A soldier," said Mother, "is rather
What I would prefer him to be."
"A lawyer," said Father, "would please me,
For then he could draw up my will."
"A doctor," said Mother, "would ease me;
Maybe he could give me a pill."


Said Father: "Lt's make him a curate,
A Bishop in gaiters to be."
Said Mother: "I couldn't endure it
To have Willie preaching to me."
Said Father: ""Let him be a poet;
So often he's gathering wool."
Said Mother with temper: "Oh stow it!
You know it, a poet's a fool."


Said Farther: "Your son is a duffer,
A stupid and mischievous elf."
Said Mother, who's rather a huffer:
"That's right - he takes after yourself."
Controlling parental emotion
They turned to me, seeking a cue,
And sudden conceived the bright notion
To ask what I wanted to do.


Said I: "my ambition is modest:
A clown in a circus I'd be,
And turn somersaults in the sawdust
With audience laughing at me."
. . . Poor parents! they're dead and decaying,
But I am a clown as you see;
And though in no circus I'm playing,
How people are laughing at me!

My Future

"Let's make him a sailor," said Father,
"And he will adventure the sea."
"A soldier," said Mother, "is rather
What I would prefer him to be."
"A lawyer," said Father, "would please me,
For then he could draw up my will."
"A doctor," said Mother, "would ease me;
Maybe he could give me a pill."


Said Father: "Lt's make him a curate,
A Bishop in gaiters to be."
Said Mother: "I couldn't endure it
To have Willie preaching to me."
Said Father: ""Let him be a poet;
So often he's gathering wool."
Said Mother with temper: "Oh stow it!
You know it, a poet's a fool."


Said Farther: "Your son is a duffer,
A stupid and mischievous elf."
Said Mother, who's rather a huffer:
"That's right - he takes after yourself."
Controlling parental emotion
They turned to me, seeking a cue,
And sudden conceived the bright notion
To ask what I wanted to do.


Said I: "my ambition is modest:
A clown in a circus I'd be,
And turn somersaults in the sawdust
With audience laughing at me."
. . . Poor parents! they're dead and decaying,
But I am a clown as you see;
And though in no circus I'm playing,
How people are laughing at me!

My Coffin

Deeming that I was due to die
I framed myself a coffin;
So full of graveyard zeal was I,
I set the folks a-laughing.
I made it snugly to my fit,
My joinering was honest;
And sometimes in it I would sit,
And fancy I was non est.


I stored it on my cabin shelf
Forever to remind me,
When I was tickled with myself,
That Death was close behind me.
Let's be prepared, I used to say,
E're in the Dark we launch us:
And so with boding day by day
I kept me coffin-conscious.


Then came that winter dark as doom,
No firing wood had I;
My shack was icy as a tomb
And I was set to die.
But e'er the losing of my wits
I saw that coffin there,
S smashing the damned thing to bits
I made a gorgeous flare.


I never saw a flame so bright,
So goldenly divine,
As starred the blackness of the night
That boneyard box of mine.
And now I go forth coffin-shy,
With no more carnal fears,
For radiantly sure am I
I'll stack a hundred years.

My Coffin

Deeming that I was due to die
I framed myself a coffin;
So full of graveyard zeal was I,
I set the folks a-laughing.
I made it snugly to my fit,
My joinering was honest;
And sometimes in it I would sit,
And fancy I was non est.


I stored it on my cabin shelf
Forever to remind me,
When I was tickled with myself,
That Death was close behind me.
Let's be prepared, I used to say,
E're in the Dark we launch us:
And so with boding day by day
I kept me coffin-conscious.


Then came that winter dark as doom,
No firing wood had I;
My shack was icy as a tomb
And I was set to die.
But e'er the losing of my wits
I saw that coffin there,
S smashing the damned thing to bits
I made a gorgeous flare.


I never saw a flame so bright,
So goldenly divine,
As starred the blackness of the night
That boneyard box of mine.
And now I go forth coffin-shy,
With no more carnal fears,
For radiantly sure am I
I'll stack a hundred years.

My Chapel

In idle dream with pipe in hand
I looked across the Square,

And saw the little chapel stand
In eloquent despair.

A ruin of the War it was,
A dreary, dingy mess:

It worried me a lot because
My hobby's happiness.

The shabby Priest said: 'You are kind.
Time leaves us on the lurch,

And there are very few who mind
Their duty to the Church.

But with this precious sum you give,
I'll make it like a gem;

Poor folks will come, our altar live
To comfort them.'

So now my chapel of despair
Is full of joy and song;

I watch the humble go to prayer
Although I don't belong.

An artist and agnostic I
Possess but little pelf;

But oh what blessings it can buy
Them--and myself!

My Cancer Cure

"A year to live," the Doctor said;
"There is no cure," and shook his head.
Ah me! I felt as good as dead.
Yet quite resigned to fate was I,
Thinking: "Well, since I have to die
'Twill be beneath the open sky."


And so I sought a wildsome wood
Wherein a lonely cabin stood,
And doomed myself to solitude,
And there was no one I would see:
Each morn a farmer brought to me
My food and hung it on a tree.


Six eggs he brought, and milk a quart,
Enough for wretches of my sort
Whose life is fated to be short.
At night I laid me on the round,
In robe of buffalo wrapped round . . .
'Twas strange that I should sleep so sound.


The farmer man I seldom saw;
I pierced my eggs and sucked them raw;
Sweet mil refreshed my ravaged maw.
So slowly days and weeks went by,
And always I would wonder why
I did not die. . . I did not die.


Thus brooding on my grievous lot
The world of men I fast forgot.
And in the wildwood friends I sought.
The brook bright melodies would sing,
The groves with feathered rapture ring,
And bring me strange, sweet comforting. . . .


Then all at once I knew that I
Miraculously would not die:
When doctors fail let Nature try.

My Book

Before I drink myself to death,
God, let me finish up my Book!
At night, I fear, I fight for breath,
And wake up whiter than a spook;
And crawl off to a bistro near,
And drink until my brain is clear.


Rare Absinthe! Oh, it gives me strength
To write and write; and so I spend
Day after day, until at length
With joy and pain I'll write The End:
Then let this carcase rot; I give
The world my Book -- my Book will live.


For every line is tense with truth,
There's hope and joy on every page;
A cheer, a clarion call to Youth,
A hymn, a comforter to Age:
All's there that I was meant to be,
My part divine, the God in me.


It's of my life the golden sum;
Ah! who that reads this Book of mine,
In stormy centuries to come,
Will dream I rooted with the swine?
Behold! I give mankind my best:
What does it matter, all the rest?


It's this that makes sublime my day;
It's this that makes me struggle on.
Oh, let them mock my mortal clay,
My spirit's deathless as the dawn;
Oh, let them shudder as they look . . .
I'll be immortal in my Book.


And so beside the sullen Seine
I fight with dogs for filthy food,
Yet know that from my sin and pain
Will soar serene a Something Good;
Exultantly from shame and wrong
A Right, a Glory and a Song.

My Book

Before I drink myself to death,
God, let me finish up my Book!
At night, I fear, I fight for breath,
And wake up whiter than a spook;
And crawl off to a bistro near,
And drink until my brain is clear.


Rare Absinthe! Oh, it gives me strength
To write and write; and so I spend
Day after day, until at length
With joy and pain I'll write The End:
Then let this carcase rot; I give
The world my Book -- my Book will live.


For every line is tense with truth,
There's hope and joy on every page;
A cheer, a clarion call to Youth,
A hymn, a comforter to Age:
All's there that I was meant to be,
My part divine, the God in me.


It's of my life the golden sum;
Ah! who that reads this Book of mine,
In stormy centuries to come,
Will dream I rooted with the swine?
Behold! I give mankind my best:
What does it matter, all the rest?


It's this that makes sublime my day;
It's this that makes me struggle on.
Oh, let them mock my mortal clay,
My spirit's deathless as the dawn;
Oh, let them shudder as they look . . .
I'll be immortal in my Book.


And so beside the sullen Seine
I fight with dogs for filthy food,
Yet know that from my sin and pain
Will soar serene a Something Good;
Exultantly from shame and wrong
A Right, a Glory and a Song.

Moon-Lover


I

The Moon is like a ping-pong ball;
I lean against the orchard wall,
And see it soar into the void,
A silky sphere of celluloid.


Then fairy fire enkindles it,
Like gossamer by taper lit,
Until it glows above the trees
As mellow as a Cheddar cheese.


And up and up I watch it press
Into appalling loneliness;
Like realms of ice without a stain,
A corpse Moon come to life again.


Ruthless it drowns a sturdy star
That seeks its regal way to bar;
Seeming with conscious power to grow,
And sweeter, purer, gladder glow.


Dreaming serenely up the sky
Until exultantly on high,
It shimmers with superb delight,
The silver navel of the night.


II


I have a compact to commune
A monthly midnight with the Moon;
Into its face I stare and stare,
And find sweet understanding there.


As quiet as a toad I sit
And tell my tale of days to it;
The tessellated yarn I've spun
In thirty spells of star and sun.


And the Moon listens pensively,
As placid as a lamb to me;
Until I think there's just us two
In silver world of mist and dew.


In all of spangled space, but I
To stare moon-struck into the sky;
Of billion beings I alone
To praise the Moon as still as stone.


And seal a bond between us two,
Closer than mortal ever knew;



For as mute masses I intone
The Moon is mine and mine alone.


III


To know the Moon as few men may,
One must be just a little fey;
And for our friendship's sake I'm glad
That I am just a trifle mad.


And one with all the wild, wise things,
The furtive folk of fur and wings,
That hold the Moon within their eyes,
And make it nightly sacrifice.


O I will watch the maiden Moon
Dance on the sea with silver shoon;
But with the Queen Moon I will keep
My tryst when all the world's asleep.


As I have kept by land and sea
That tryst for half a century;
Entranced in sibylline suspense
Beyond a world of common-sense.


Until one night the Moon alone
Will look upon a graven stone. . . .
I wonder will it miss me then,
Its lover more than other men?


Or will my wistful ghost be there,
Down ages dim to stare and stare,
On silver nights without a stir--
The Moon's Eternal Worshipper?

Missis Moriarty's Boy

Missis Moriarty called last week, and says she to me, says she:
"Sure the heart of me's broken entirely now -- it's the fortunate woman you are;
You've still got your Dinnis to cheer up your home, but me Patsy boy where is he?
Lyin' alone, cold as a stone, kilt in the weariful wahr.
Oh, I'm seein' him now as I looked on him last, wid his hair all curly and bright,
And the wonderful, tenderful heart he had, and his eyes as he wint away,
Shinin' and lookin' down on me from the pride of his proper height:
Sure I'll remember me boy like that if I live to me dyin' day."

And just as she spoke them very same words me Dinnis came in at the door,
Came in from McGonigle's ould shebeen, came in from drinkin' his pay;
And Missis Moriarty looked at him, and she didn't say anny more,
And she wrapped her head in her ould black shawl, and she quietly wint away.
And what was I thinkin', I ask ye now, as I put me Dinnis to bed,
Wid him ravin' and cursin' one half of the night, as cold by his side I sat;
Was I thinkin' the poor ould woman she was wid her Patsy slaughtered and dead?
Was I weepin' for Missis Moriarty? I'm not so sure about that.

Missis Moriarty goes about wid a shinin' look on her face;
Wid her grey hair under her ould black shawl, and the eyes of her mother-mild;
Some say she's a little bit off her head; but annyway it's the case,
Her timper's so swate that you nivver would tell she'd be losin' her only child.
And I think, as I wait up ivery night for me Dinnis to come home blind,
And I'm hearin' his stumblin' foot on the stair along about half-past three:
Sure there's many a way of breakin' a heart, and I haven't made up me mind -Would
I be Missis Moriarty, or Missis Moriarty me?

Maids In May

Three maids there were in meadow bright,
The eldest less then seven;
Their eyes were dancing with delight,
And innocent as Heaven.


Wild flowers they wound with tender glee,
Their cheeks with rapture rosy;
All radiant they smiled at me,
When I besought a posy.


She gave me a columbine,
And one a poppy brought me;
The tiniest, with eyes ashine,
A simple daisy sought me.


And as I went my sober way,
I heard their careless laughter;
Their hearts too happy with to-day
To care for what comes after.


. . . . . . .

That's long ago; they're gone, all three,
To walk amid the shadows;
Forgotten is their lyric glee
In still and sunny meadows.


For Columbine loved life too well,
And went adventure fairing;
And sank into the pit of hell,
And passed but little caring.
While Poppy was a poor man's wife,
And children had a-plenty;
And went, worn out with toil and strife
When she was five-and-twenty.


And Daisy died while yet a child,
As fragile blossoms perish,
When Winter winds are harsh and wild,
With none to shield and cherish.


Ah me! How fate is dark and dour
To little Children of the Poor.

Maids In May

Three maids there were in meadow bright,
The eldest less then seven;
Their eyes were dancing with delight,
And innocent as Heaven.


Wild flowers they wound with tender glee,
Their cheeks with rapture rosy;
All radiant they smiled at me,
When I besought a posy.


She gave me a columbine,
And one a poppy brought me;
The tiniest, with eyes ashine,
A simple daisy sought me.


And as I went my sober way,
I heard their careless laughter;
Their hearts too happy with to-day
To care for what comes after.


. . . . . . .

That's long ago; they're gone, all three,
To walk amid the shadows;
Forgotten is their lyric glee
In still and sunny meadows.


For Columbine loved life too well,
And went adventure fairing;
And sank into the pit of hell,
And passed but little caring.
While Poppy was a poor man's wife,
And children had a-plenty;
And went, worn out with toil and strife
When she was five-and-twenty.


And Daisy died while yet a child,
As fragile blossoms perish,
When Winter winds are harsh and wild,
With none to shield and cherish.


Ah me! How fate is dark and dour
To little Children of the Poor.

Mad Maria

Mad Maria in the Square
Sits upon a wicker chair.
When the keeper asks the price
Mad Maria counts her lice.
No pesito can she pay,
So he shrugs and goes away;
Hopes she'll pay him with her prayers,
Shabby keeper of the chairs.


Mad Maria counts her lice,
Cracks them once and cracks them twice,
Combs them from her sunny hair;
People stop to turn and stare.
Innocent in thought and deed
Mad Maria pays no heed,
And the Cross upon her breast
Proves her blessed of the blest.


So she sings her little song,
Happy as the day is long,
hunting in her camisole
Shy partakers of her dole;
thinking: Heaven please forgive -
Even lice have leave to live;
(But sweet Reader, do not blame,
For she kills them just the same.)


Mad Maria goes unchid,
Mildest maid in all Madrid;


While around in serried ranks
Rear the bold facades of Banks;
But when wrath of Heaven smites
Hosts of Mammon's parasites,
Mad Maria will not fall,
Being oh so very small.


Pariahs to God belong,
to be weak is to be strong;
Fools are richer than the wise,
And who see with shining eyes
Angels in the sordid street
Deem their happiness complete. . . .
Mad Maria counts her beads,
Cracks her lice and - Heaven heeds.

Lost Shepherd

Ah me! How hard is destiny!
If we could only know. . . .
I bought my son from Sicily
A score of years ago;
I haled him from our sunny vale
To streets of din and squalor,
And left it to professors pale
To make of him a scholar.


Had he remained a peasant lad,
A shepherd on the hill,
like golden faun in goatskin clad
He might be singing still;
He would have made the flock his care
And lept with gay reliance
On thymy heights, unwitting there
Was such a thing as science.


He would have crooned to his guitar,
Draughts of chianti drinking;
A better destiny by far
Than reading, writing, thinking.
So bent above his books was he,
His thirst for knowledge slaking,
He did not realize that we
Are worm-food in the making.


Ambition got him in its grip
And inched him to his doom;
Fate granted him a fellowship,
Then graved for him a tomb.
"Beneath my feet I can't allow
The grass to grow," he said;
And toiled so tirelessly that now
It grows above his head.


His honour scrolls shall feed the flame,
They mean no more to me;
His ashes I with bitter blame
Will take to Sicily.
And there I'll weep with heart bereft,
By groves and sunny rills,
And wish my laughing boy I'd left
A shepherd on the hills.

Longevity


I watched one day a parrot grey - 'twas in a barber shop.
"Cuckold!" he cried, until I sighed: "You feathered devil, stop!"
Then balefully he looked at me, and slid along his perch,
With sneering eye that seemed to pry me very soul to search.
So fierce, so bold, so grim, so cold, so agate was his stare:
And then that bird I thought I heard this sentiment declare:


"As it appears, a hundred years a parrot may survive,
When you are gone I'll sit upon this perch and be alive.
In this same spot I'll drop my crot, and crack my sunflower seeds,
And cackle loud when in a shroud you rot beneath the weeds.
I'll carry on when carrion you lie beneath the yew;
With claw and beak my grub I'll seek when grubs are seeking you."


"Foul fowl! said I, "don't prophesy, I'll jolly well contrive
That when I rot in bone-yard lot you cease to be alive."
So I bespoke that barber bloke: "Joe, here's a five pound note.
It's crisp and new, and yours if you will slice that parrot's throat."
"In part," says he, "I must agree, for poor I be in pelf,
With right good will I'll take your bill, but - cut his throat yourself."


So it occurred I took that bird to my ancestral hall,
And there he sat and sniggered at the portraits on the wall.
I sought to cut his wind-pipe but he gave me such a peck,
So cross was I, I swore I'd try to wring his blasted neck;
When shrill he cried: "It's parrotcide what you propose to do;
For every time you make a rhyme you're just a parrot too."


Said I: "It's true. I bow to you. Poor parrots are we all."
And now I sense with reverence the wisdom of his poll.
For every time I want a rhyme he seems to find the word;
In any doubt he helps me out - a most amazing bird.
This line that lies before your eyes he helped me to indite;
I sling the ink but often think it's he who ought to write.
It's he who should in mystic mood concoct poetic screeds,
And I who ought to drop my crot and crackle sunflower seeds.


A parrot nears a hundred years (or so the legend goes),
So were I he this century I might see to its close.
Then I might swing within my ring while revolutions roar,
And watch a world to ruin hurled - and find it all a bore.
As upside-down I cling and clown, I might with parrot eyes
Blink blandly when excited men are moulding Paradise.
New Christs might die, while grimly I would croak and carry on,
Till gnarled and old I should behold the year TWO THOUSAND dawn.


But what a fate! How I should hate upon my perch to sit,
And nothing do to make anew a world for angels fit.
No, better far, though feeble are my lyric notes and flat,
Be dead and done than anyone who lives a life like that.
Though critic-scarred a humble bard I feel I'd rather be,
Than flap and flit and shriek and spit through all a century.



So feathered friend, until the end you may divide my den,
And make a mess, which (more or less) I clean up now and then.
But I prefer the doom to share of dead and gone compeers,
Than parrot be, and live to see ten times a hundred years.

Longevity


I watched one day a parrot grey - 'twas in a barber shop.
"Cuckold!" he cried, until I sighed: "You feathered devil, stop!"
Then balefully he looked at me, and slid along his perch,
With sneering eye that seemed to pry me very soul to search.
So fierce, so bold, so grim, so cold, so agate was his stare:
And then that bird I thought I heard this sentiment declare:


"As it appears, a hundred years a parrot may survive,
When you are gone I'll sit upon this perch and be alive.
In this same spot I'll drop my crot, and crack my sunflower seeds,
And cackle loud when in a shroud you rot beneath the weeds.
I'll carry on when carrion you lie beneath the yew;
With claw and beak my grub I'll seek when grubs are seeking you."


"Foul fowl! said I, "don't prophesy, I'll jolly well contrive
That when I rot in bone-yard lot you cease to be alive."
So I bespoke that barber bloke: "Joe, here's a five pound note.
It's crisp and new, and yours if you will slice that parrot's throat."
"In part," says he, "I must agree, for poor I be in pelf,
With right good will I'll take your bill, but - cut his throat yourself."


So it occurred I took that bird to my ancestral hall,
And there he sat and sniggered at the portraits on the wall.
I sought to cut his wind-pipe but he gave me such a peck,
So cross was I, I swore I'd try to wring his blasted neck;
When shrill he cried: "It's parrotcide what you propose to do;
For every time you make a rhyme you're just a parrot too."


Said I: "It's true. I bow to you. Poor parrots are we all."
And now I sense with reverence the wisdom of his poll.
For every time I want a rhyme he seems to find the word;
In any doubt he helps me out - a most amazing bird.
This line that lies before your eyes he helped me to indite;
I sling the ink but often think it's he who ought to write.
It's he who should in mystic mood concoct poetic screeds,
And I who ought to drop my crot and crackle sunflower seeds.


A parrot nears a hundred years (or so the legend goes),
So were I he this century I might see to its close.
Then I might swing within my ring while revolutions roar,
And watch a world to ruin hurled - and find it all a bore.
As upside-down I cling and clown, I might with parrot eyes
Blink blandly when excited men are moulding Paradise.
New Christs might die, while grimly I would croak and carry on,
Till gnarled and old I should behold the year TWO THOUSAND dawn.


But what a fate! How I should hate upon my perch to sit,
And nothing do to make anew a world for angels fit.
No, better far, though feeble are my lyric notes and flat,
Be dead and done than anyone who lives a life like that.
Though critic-scarred a humble bard I feel I'd rather be,
Than flap and flit and shriek and spit through all a century.



So feathered friend, until the end you may divide my den,
And make a mess, which (more or less) I clean up now and then.
But I prefer the doom to share of dead and gone compeers,
Than parrot be, and live to see ten times a hundred years.

Longevity


I watched one day a parrot grey - 'twas in a barber shop.
"Cuckold!" he cried, until I sighed: "You feathered devil, stop!"
Then balefully he looked at me, and slid along his perch,
With sneering eye that seemed to pry me very soul to search.
So fierce, so bold, so grim, so cold, so agate was his stare:
And then that bird I thought I heard this sentiment declare:


"As it appears, a hundred years a parrot may survive,
When you are gone I'll sit upon this perch and be alive.
In this same spot I'll drop my crot, and crack my sunflower seeds,
And cackle loud when in a shroud you rot beneath the weeds.
I'll carry on when carrion you lie beneath the yew;
With claw and beak my grub I'll seek when grubs are seeking you."


"Foul fowl! said I, "don't prophesy, I'll jolly well contrive
That when I rot in bone-yard lot you cease to be alive."
So I bespoke that barber bloke: "Joe, here's a five pound note.
It's crisp and new, and yours if you will slice that parrot's throat."
"In part," says he, "I must agree, for poor I be in pelf,
With right good will I'll take your bill, but - cut his throat yourself."


So it occurred I took that bird to my ancestral hall,
And there he sat and sniggered at the portraits on the wall.
I sought to cut his wind-pipe but he gave me such a peck,
So cross was I, I swore I'd try to wring his blasted neck;
When shrill he cried: "It's parrotcide what you propose to do;
For every time you make a rhyme you're just a parrot too."


Said I: "It's true. I bow to you. Poor parrots are we all."
And now I sense with reverence the wisdom of his poll.
For every time I want a rhyme he seems to find the word;
In any doubt he helps me out - a most amazing bird.
This line that lies before your eyes he helped me to indite;
I sling the ink but often think it's he who ought to write.
It's he who should in mystic mood concoct poetic screeds,
And I who ought to drop my crot and crackle sunflower seeds.


A parrot nears a hundred years (or so the legend goes),
So were I he this century I might see to its close.
Then I might swing within my ring while revolutions roar,
And watch a world to ruin hurled - and find it all a bore.
As upside-down I cling and clown, I might with parrot eyes
Blink blandly when excited men are moulding Paradise.
New Christs might die, while grimly I would croak and carry on,
Till gnarled and old I should behold the year TWO THOUSAND dawn.


But what a fate! How I should hate upon my perch to sit,
And nothing do to make anew a world for angels fit.
No, better far, though feeble are my lyric notes and flat,
Be dead and done than anyone who lives a life like that.
Though critic-scarred a humble bard I feel I'd rather be,
Than flap and flit and shriek and spit through all a century.



So feathered friend, until the end you may divide my den,
And make a mess, which (more or less) I clean up now and then.
But I prefer the doom to share of dead and gone compeers,
Than parrot be, and live to see ten times a hundred years.

Little Moccasins

Come out, O Little Moccasins, and frolic on the snow!
Come out, O tiny beaded feet, and twinkle in the light!
I'll play the old Red River reel, you used to love it so:
Awake, O Little Moccasins, and dance for me to-night!


Your hair was all a gleamy gold, your eyes a corn-flower blue;
Your cheeks were pink as tinted shells, you stepped light as a fawn;
Your mouth was like a coral bud, with seed pearls peeping through;
As gladdening as Spring you were, as radiant as dawn.


Come out, O Little Moccasins! I'll play so soft and low,
The songs you loved, the old heart-songs that in my mem'ry ring;
O child, I want to hear you now beside the campfire glow!
With all your heart a-throbbing in the simple words you sing.


For there was only you and I, and you were all to me;
And round us were the barren lands, but little did we fear;
Of all God's happy, happy folks the happiest were we. . . .
(Oh, call her, poor old fiddle mine, and maybe she will hear!)


Your mother was a half-breed Cree, but you were white all through;
And I, your father was -- but well, that's neither here nor there;
I only know, my little Queen, that all my world was you,
And now that world can end to-night, and I will never care.


For there's a tiny wooden cross that pricks up through the snow:
(Poor Little Moccasins! you're tired, and so you lie at rest.)
And there's a grey-haired, weary man beside the campfire glow:
(O fiddle mine! the tears to-night are drumming on your breast.)

Little Moccasins

Come out, O Little Moccasins, and frolic on the snow!
Come out, O tiny beaded feet, and twinkle in the light!
I'll play the old Red River reel, you used to love it so:
Awake, O Little Moccasins, and dance for me to-night!


Your hair was all a gleamy gold, your eyes a corn-flower blue;
Your cheeks were pink as tinted shells, you stepped light as a fawn;
Your mouth was like a coral bud, with seed pearls peeping through;
As gladdening as Spring you were, as radiant as dawn.


Come out, O Little Moccasins! I'll play so soft and low,
The songs you loved, the old heart-songs that in my mem'ry ring;
O child, I want to hear you now beside the campfire glow!
With all your heart a-throbbing in the simple words you sing.


For there was only you and I, and you were all to me;
And round us were the barren lands, but little did we fear;
Of all God's happy, happy folks the happiest were we. . . .
(Oh, call her, poor old fiddle mine, and maybe she will hear!)


Your mother was a half-breed Cree, but you were white all through;
And I, your father was -- but well, that's neither here nor there;
I only know, my little Queen, that all my world was you,
And now that world can end to-night, and I will never care.


For there's a tiny wooden cross that pricks up through the snow:
(Poor Little Moccasins! you're tired, and so you lie at rest.)
And there's a grey-haired, weary man beside the campfire glow:
(O fiddle mine! the tears to-night are drumming on your breast.)