Nature and Elements

For An Autumn festival

The Persian's flowery gifts, the shrine
Of fruitful Ceres, charm no more;
The woven wreaths of oak and pine
Are dust along the Isthmian shore.


But beauty hath its homage still,
And nature holds us still in debt;
And woman's grace and household skill,
And manhood's toil, are honored yet.


And we, to-day, amidst our flowers
And fruits, have come to own again
The blessings of the summer hours,
The early and the latter rain;


To see our Father's hand once more
Reverse for us the plenteous horn
Of autumn, filled and running o'er
With fruit, and flower, and golden corn!


Once more the liberal year laughs out
O'er richer stores than gems or gold;
Once more with harvest-song and shout
Is Nature's bloodless triumph told.


Our common mother rests and sings,
Like Ruth, among her garnered sheaves;
Her lap is full of goodly things,
Her brow is bright with autumn leaves.


Oh, favors every year made new!
Oh, gifts with rain and sunshine sent
The bounty overruns our due,
The fulness shames our discontent.


We shut our eyes, the flowers bloom on;
We murmur, but the corn-ears fill,
We choose the shadow, but the sun
That casts it shines behind us still.


God gives us with our rugged soil
The power to make it Eden-fair,
And richer fruits to crown our toil
Than summer-wedded islands bear.


Who murmurs at his lot to-day?
Who scorns his native fruit and bloom?
Or sighs for dainties far away,
Beside the bounteous board of home?


Thank Heaven, instead, that Freedom's arm
Can change a rocky soil to gold,-



That brave and generous lives can warm
A clime with northern ices cold.


And let these altars, wreathed with flowers
And piled with fruits, awake again
Thanksgivings for the golden hours,
The early and the latter rain!

Birchbrook Mill

A NOTELESS stream, the Birchbrook runs
Beneath its leaning trees;
That low, soft ripple is its own,
That dull roar is the sea's.


Of human signs it sees alone
The distant church spire's tip,
And, ghost-like, on a blank of gray,
The white sail of a ship.


No more a toiler at the wheel,
It wanders at its will;
Nor dam nor pond is left to tell
Where once was Birchbrook mill.


The timbers of that mill have fed
Long since a farmer's fires;
His doorsteps are the stones that ground
The harvest of his sires.


Man trespassed here; but Nature lost
No right of her domain;
She waited, and she brought the old
Wild beauty back again.


By day the sunlight through the leaves
Falls on its moist, green sod,
And wakes the violet bloom of spring
And autumn's golden-rod.


Its birches whisper to the wind,
The swallow dips her wings
In the cool spray, and on its banks
The gray song-sparrow sings.


But from it, when the dark night falls,
The school-girl shrinks with dread;
The farmer, home-bound from his fields,
Goes by with quickened tread.


They dare not pause to hear the grind
Of shadowy stone on stone;
The plashing of a water-wheel
Where wheel there now is none.


Has not a cry of pain been heard
Above the clattering mill?
The pawing of an unseen horse,
Who waits his mistress still?


Yet never to the listener's eye
Has sight confirmed the sound;



A wavering birch line marks alone
The vacant pasture ground.


No ghostly arms fling up to heaven
The agony of prayer;
No spectral steed impatient shakes
His white mane on the air.


The meaning of that common dread
No tongue has fitly told;
The secret of the dark surmise
The brook and birches hold.


What nameless horror of the past
Broods here forevermore?
What ghost his unforgiven sin
Is grinding o'er and o'er?


Does, then, immortal memory play
The actor's tragic part,
Rehearsals of a mortal life
And unveiled human heart?


God's pity spare a guilty soul
That drama of its ill,
And let the scenic curtain fall
On Birchbrook's haunted mill

April


'T is the noon of the spring-time, yet never a bird
In the wind-shaken elm or the maple is heard;
For green meadow-grasses wide levels of snow,
And blowing of drifts where the crocus should blow;
Where wind-flower and violet, amber and white,
On south-sloping brooksides should smile in the light,
O'er the cold winter-beds of their late-waking roots
The frosty flake eddies, the ice-crystal shoots;
And, longing for light, under wind-driven heaps,
Round the boles of the pine-wood the ground-laurel creeps,
Unkissed of the sunshine, unbaptized of showers,
With buds scarcely swelled, which should burst into flowers
We wait for thy coming, sweet wind of the south!
For the touch of thy light wings, the kiss of thy mouth;
For the yearly evangel thou bearest from God,
Resurrection and life to the graves of the sod!
Up our long river-valley, for days, have not ceased
The wail and the shriek of the bitter northeast,
Raw and chill, as if winnowed through ices and snow,
All the way from the land of the wild Esquimau,
Until all our dreams of the land of the blest,
Like that red hunter's, turn to the sunny southwest.
O soul of the spring-time, its light and its breath,
Bring warmth to this coldness, bring life to this death;
Renew the great miracle; let us behold
The stone from the mouth of the sepulchre rolled,
And Nature, like Lazarus, rise, as of old!
Let our faith, which in darkness and coldness has lain,
Revive with the warmth and the brightness again,
And in blooming of flower and budding of tree
The symbols and types of our destiny see;
The life of the spring-time, the life of the whole,
And, as sun to the sleeping earth, love to the soul!

Andrew Rykman’s Prayer

Andrew Rykman's dead and gone;
You can see his leaning slate
In the graveyard, and thereon
Read his name and date.


Trust is truer than our fears
Runs the legend through the moss,
Gain is not in added years,
Nor in death is loss


Still the feet that thither trod,
All the friendly eyes are dim;
Only Nature, now, and God
Have a care for him.


There the dews of quiet fall,
Singing birds and soft winds stray:
Shall the tender Heart of all
Be less kind than they?


What he was and what he is
They who ask may haply find,
If they read this prayer of his
Which he left behind.


. . . .


Pardon, Lord, the lips that dare
Shape in words a mortal's prayer!
Prayer, that, when my day is done,
And I see its setting sun,
Shorn and beamless, cold and dim,
Sink beneath the horizon's rim,-When
this ball of rock and clay
Crumbles from my feet away,
And the solid shores of sense
Melt into the vague immense,
Father! I may come to Thee
Even with the beggar's plea,
As the poorest of Thy poor,
With my needs, and nothing more.


Not as one who seeks his home
With a step assured I come;
Still behind the tread I hear
Of my life-companion, Fear;
Still a shadow deep and vast
From my westering feet is cast,
Wavering, doubtful, undefined,
Never shapen nor outlined
From myself the fear has grown,



And the shadow is my own.


Yet, O Lord, through all a sense
Of Thy tender providence
Stays my failing heart on Thee,
And confirms the feeble knee;
And, at times, my worn feet press
Spaces of cool quietness,
Lilied whiteness shone upon
Not by light of moon or sun.
Hours there be of inmost calm,
Broken but by grateful psalm,
When I love Thee more than fear Thee,
And Thy blessed Christ seems near me,
With forgiving look, as when
He beheld the Magdalen.
Well I know that all things move
To the spheral rhythm of love,-That
to Thee, O Lord of all!
Nothing can of chance befall
Child and seraph, mote and star,
Well Thou knowest what we are
Through Thy vast creative plan
Looking, from the worm to man,
There is pity in Thine eyes,
But no hatred nor surprise.
Not in blind caprice of will,
Not in cunning sleight of skill,
Not for show of power, was wrought
Nature's marvel in Thy thought.
Never careless hand and vain
Smites these chords of joy and pain;
No immortal selfishness
Plays the game of curse and bless
Heaven and earth are witnesses
That Thy glory goodness is.


Not for sport of mind and force
Hast Thou made Thy universe,
But as atmosphere and zone
Of Thy loving heart alone.
Man, who walketh in a show,
Sees before him, to and fro,
Shadow and illusion go;
All things flow and fluctuate,
Now contract and now dilate.
In the welter of this sea,
Nothing stable is but Thee;
In this whirl of swooning trance,
Thou alone art permanence;
All without Thee only seems,
All beside is choice of dreams.



Never yet in darkest mood
Doubted I that Thou wast good,
Nor mistook my will for fate,
Pain of sin for heavenly hate,-Never
dreamed the gates of pearl
Rise from out the burning marl,
Or that good can only live
Of the bad conservative,
And through counterpoise of hell
Heaven alone be possible.


For myself alone I doubt;
All is well, I know, without;
I alone the beauty mar,
I alone the music jar.
Yet, with hands by evil stained,
And an ear by discord pained,
I am groping for the keys
Of the heavenly harmonies;
Still within my heart I bear
Love for all things good and fair.
Hands of want or souls in pain
Have not sought my door in vain;
I have kept my fealty good
To the human brotherhood;
Scarcely have I asked in prayer
That which others might not share.
I, who hear with secret shame
Praise that paineth more than blame,
Rich alone in favors lent,
Virtuous by accident,
Doubtful where I fain would rest,
Frailest where I seem the best,
Only strong for lack of test,-What
am I, that I should press
Special pleas of selfishness,
Coolly mounting into heaven
On my neighbor unforgiven?
Ne'er to me, howe'er disguised,
Comes a saint unrecognized;
Never fails my heart to greet
Noble deed with warmer beat;
Halt and maimed, I own not less
All the grace of holiness;
Nor, through shame or self-distrust,
Less I love the pure and just.
Lord, forgive these words of mine
What have I that is not Thine?
Whatsoe'er I fain would boast
Needs Thy pitying pardon most.
Thou, O Elder Brother! who
In Thy flesh our trial knew,



Thou, who hast been touched by these
Our most sad infirmities,
Thou alone the gulf canst span
In the dual heart of man,
And between the soul and sense
Reconcile all difference,
Change the dream of me and mine
For the truth of Thee and Thine,
And, through chaos, doubt, and strife,
Interfuse Thy calm of life.
Haply, thus by Thee renewed,
In Thy borrowed goodness good,
Some sweet morning yet in God's
Dim, veonian periods,
Joyful I shall wake to see
Those I love who rest in Thee,
And to them in Thee allied
Shall my soul be satisfied.


Scarcely Hope hath shaped for me
What the future life may be.
Other lips may well be bold;
Like the publican of old,
I can only urge the plea,
'Lord, be merciful to me!'
Nothing of desert I claim,
Unto me belongeth shame.
Not for me the, crowns of gold,
Palms, and harpings manifold;
Not for erring eye and feet
Jasper wall and golden street.
What thou wilt, O Father, give I
All is gain that I receive.


If my voice I may not raise
In the elders' song of praise,
If I may not, sin-defiled,
Claim my birthright as a child,
Suffer it that I to Thee
As an hired servant be;
Let the lowliest task be mine,
Grateful, so the work be Thine;
Let me find the humblest place
In the shadow of Thy grace
Blest to me were any spot
Where temptation whispers not.
If there be some weaker one,
Give me strength to help him on
If a blinder soul there be,
Let me guide him nearer Thee.
Make my mortal dreams come true
With the work I fain would do;



Clothe with life the weak intent,
Let me be the thing I meant;
Let me find in Thy employ
Peace that dearer is than joy;
Out of self to love be led
And to heaven acclimated,
Until all things sweet and good
Seem my natural habitude.


. . . .


So we read the prayer of him
Who, with John of Labadie,
Trod, of old, the oozy rim
Of the Zuyder Zee.


Thus did Andrew Rykman pray.
Are we wiser, better grown,
That we may not, in our day,
Make his prayer our own?

Among the Hills

PRELUDE
ALONG the roadside, like the flowers of gold
That tawny Incas for their gardens wrought,
Heavy with sunshine droops the golden-rod,
And the red pennons of the cardinal-flowers
Hang motionless upon their upright staves.
The sky is hot and hazy, and the wind,
Vying-weary with its long flight from the south,
Unfelt; yet, closely scanned, yon maple leaf
With faintest motion, as one stirs in dreams,
Confesses it. The locust by the wall
Stabs the noon-silence with his sharp alarm.
A single hay-cart down the dusty road
Creaks slowly, with its driver fast asleep
On the load’s top. Against the neighboring hill,
Huddled along the stone wall’s shady side,
The sheep show white, as if a snowdrift still
Defied the dog-star. Through the open door
A drowsy smell of flowers-gray heliotrope,
And white sweet clover, and shy mignonette—
Comes faintly in, and silent chorus lends
To the pervading symphony of peace.
No time is this for hands long over-worn
To task their strength; and (unto Him be praise
Who giveth quietness!) the stress and strain
Of years that did the work of centuries
Have ceased, and we can draw our breath once more
Freely and full. So, as yon harvesters
Make glad their nooning underneath the elms
With tale and riddle and old snatch of song,
I lay aside grave themes, and idly turn
The leaves of memory’s sketch-book, dreaming o’er
Old summer pictures of the quiet hills,
And human life, as quiet, at their feet.

And yet not idly all. A farmer’s son,
Proud of field-lore and harvest craft, and feeling
All their fine possibilities, how rich
And restful even poverty and toil
Become when beauty, harmony, and love
Sit at their humble hearth as angels sat
At evening in the patriarch’s tent, when man
Makes labor noble, and his farmer’s frock
The symbol of a Christian chivalry
Tender and just and generous to her
Who clothes with grace all duty; still, I know
Too well the picture has another side,—
How wearily the grind of toil goes on
Where love is wanting, how the eye and ear
And heart are starved amidst the plenitude
Of nature, and how hard and colorless
Is life without an atmosphere. I look


Across the lapse of half a century,
And call to mind old homesteads, where no flower
Told that the spring had come, but evil weeds,
Nightshade and rough-leaved burdock in the place
Of the sweet doorway greeting of the rose
And honeysuckle, where the house walls seemed
Blistering in sun, without a tree or vine
To cast the tremulous shadow of its leaves
Across the curtainless windows, from whose panes
Fluttered the signal rags of shiftlessness.
Within, the cluttered kitchen-floor, unwashed
(Broom-clean I think they called it); the best room
Stifling with cellar damp, shut from the air
In hot midsummer, bookless, pictureless,
Save the inevitable sampler hung
Over the fireplace, or a mourning piece,
A green-haired woman, peony-cheeked, beneath
Impossible willows; the wide-throated hearth
Bristling with faded pine-boughs half concealing
The piled-up rubbish at the chimney’s back;
And, in sad keeping with all things about them,
Shrill, querulous-women, sour and sullen men,
Untidy, loveless, old before their time,
With scarce a human interest save their own
Monotonous round of small economies,
Or the poor scandal of the neighborhood;
Blind to the beauty everywhere revealed,
Treading the May-flowers with regardless feet;
For them the song-sparrow and the bobolink
Sang not, nor winds made music in the leaves;
For them in vain October’s holocaust
Burned, gold and crimson, over all the hills,
The sacramental mystery of the woods.
Church-goers, fearful of the unseen Powers,
But grumbling over pulpit-tax and pew-rent,
Saving, as shrewd economists, their souls
And winter pork with the least possible outlay
Of salt and sanctity; in daily life
Showing as little actual comprehension
Of Christian charity and love and duty,
As if the Sermon on the Mount had been
Outdated like a last year’s almanac
Rich in broad woodlands and in half-tilled fields,
And yet so pinched and bare and comfortless,
The veriest straggler limping on his rounds,
The sun and air his sole inheritance,
Laughed at a poverty that paid its taxes,
And hugged his rags in self-complacency!


Not such should be the homesteads of a land
Where whoso wisely wills and acts may dwell
As king and lawgiver, in broad-acred state,



With beauty, art, taste, culture, books, to make
His hour of leisure richer than a life
Of fourscore to the barons of old time,
Our yeoman should be equal to his home
Set in the fair, green valleys, purple walled,
A man to match his mountains, not to creep
Dwarfed and abased below them. I would fain
In this light way (of which I needs must own
With the knife-grinder of whom Canning sings,
“Story, God bless you! I have none to tell you!”)
Invite the eye to see and heart to feel
The beauty and the joy within their reach,—
Home, and home loves, and the beatitudes
Of nature free to all. Haply in years
That wait to take the places of our own,
Heard where some breezy balcony looks down
On happy homes, or where the lake in the moon
Sleeps dreaming of the mountains, fair as Ruth,
In the old Hebrew pastoral, at the feet
Of Boaz, even this simple lay of mine
May seem the burden of a prophecy,
Finding its late fulfilment in a change
Slow as the oak’s growth, lifting manhood up
Through broader culture, finer manners, love,
And reverence, to the level of the hills.

O Golden Age, whose light is of the dawn,
And not of sunset, forward, not behind,
Flood the new heavens and earth, and with thee bring
All the old virtues, whatsoever things
Are pure and honest and of good repute,
But add thereto whatever bard has sung
Or seer has told of when in trance and dream
They saw the Happy Isles of prophecy
Let Justice hold her scale, and Truth divide
Between the right and wrong; but give the heart
The freedom of its fair inheritance;
Let the poor prisoner, cramped and starved so long,
At Nature’s table feast his ear and eye
With joy and wonder; let all harmonies
Of sound, form, color, motion, wait upon
The princely guest, whether in soft attire
Of leisure clad, or the coarse frock of toil,
And, lending life to the dead form of faith,
Give human nature reverence for the sake
Of One who bore it, making it divine
With the ineffable tenderness of God;
Let common need, the brotherhood of prayer,
The heirship of an unknown destiny,
The unsolved mystery round about us, make
A man more precious than the gold of Ophir.
Sacred, inviolate, unto whom all things


Should minister, as outward types and signs
Of the eternal beauty which fulfils
The one great purpose of creation, Love,
The sole necessity of Earth and Heaven!


. . . . .
For weeks the clouds had raked the hills
And vexed the vales with raining,
And all the woods were sad with mist,
And all the brooks complaining.
At last, a sudden night-storm tore
The mountain veils asunder,
And swept the valleys clean before
The bosom of the thunder.


Through Sandwich notch the west-wind sang
Good morrow to the cotter;
And once again Chocorua’s horn
Of shadow pierced the water.


Above his broad lake Ossipee,
Once more the sunshine wearing,
Stooped, tracing on that silver shield
His grim armorial bearing.


Clear drawn against the hard blue sky,
The peaks had winter’s keenness;
And, close on autumn’s frost, the vales
Had more than June’s fresh greenness.


Again the sodden forest floors
With golden lights were checkered,
Once more rejoicing leaves in wind
And sunshine danced and flickered.


It was as if the summer’s late
Atoning for it’s sadness
Had borrowed every season’s charm
To end its days in gladness.


I call to mind those banded vales
Of shadow and of shining,
Through which, my hostess at my side,
I drove in day’s declining.


We held our sideling way above
The river’s whitening shallows,
By homesteads old, with wide-flung barns
Swept through and through by swallows,—


By maple orchards, belts of pine
And larches climbing darkly



The mountain slopes, and, over all,
The great peaks rising starkly.


You should have seen that long hill-range
With gaps of brightness riven,—
How through each pass and hollow streamed
The purpling lights of heaven,—


Rivers of gold-mist flowing down
From far celestial fountains,—
The great sun flaming through the rifts
Beyond the wall of mountains.


We paused at last where home-bound cows
Brought down the pasture’s treasure,
And in the barn the rhythmic flails
Beat out a harvest measure.


We heard the night-hawk’s sullen plunge,
The crow his tree-mates calling:
The shadows lengthening down the slopes
About our feet were falling.


And through them smote the level sun
In broken lines of splendor,
Touched the gray rocks and made the green
Of the shorn grass more tender.


The maples bending o’er the gate,
Their arch of leaves just tinted
With yellow warmth, the golden glow
Of coming autumn hinted.


Keen white between the farm-house showed,
And smiled on porch and trellis,
The fair democracy of flowers
That equals cot and palace.


And weaving garlands for her dog,
’Twixt chidings and caresses,
A human flower of childhood shook
The sunshine from her tresses.


On either hand we saw the signs
Of fancy and of shrewdness,
Where taste had wound its arms of vines
Round thrift’s uncomely rudeness.


The sun-brown farmer in his frock
Shook hands, and called to Mary
Bare-armed, as Juno might, she came,
White-aproned from her dairy.



Her air, her smile, her motions, told
Of womanly completeness;
A music as of household songs
Was in her voice of sweetness.


Not fair alone in curve and line,
But something more and better,
The secret charm eluding art,
Its spirit, not its letter;—


An inborn grace that nothing lacked
Of culture or appliance,
The warmth of genial courtesy,
The calm of self-reliance.


Before her queenly womanhood
How dared our hostess utter
The paltry errand of her need
To buy her fresh-churned butter?


She led the way with housewife pride,
Her goodly store disclosing,
Full tenderly the golden balls
With practised hands disposing.


Then, while along the western hills
We watched the changeful glory
Of sunset, on our homeward way,
I heard her simple story.


The early crickets sang; the stream
Plashed through my friend’s narration:
Her rustic patois of the hills
Lost in my free-translation.


“More wise,” she said, “than those who swarm
Our hills in middle summer,
She came, when June’s first roses blow,
To greet the early comer.


“From school and ball and rout she came,
The city’s fair, pale daughter,
To drink the wine of mountain air
Beside the Bearcamp Water.


“Her step grew firmer on the hills
That watch our homesteads over;
On cheek and lip, from summer fields,
She caught the bloom of clover.


“For health comes sparkling in the streams



From cool Chocorua stealing:
There’s iron in our Northern winds;
Our pines are trees of healing.


“She sat beneath the broad-armed elms
That skirt the mowing-meadow,
And watched the gentle west-wind weave
The grass with shine and shadow.


“Beside her, from the summer heat
To share her grateful screening,
With forehead bared, the farmer stood,
Upon his pitchfork leaning.


“Framed in its damp, dark locks, his face
Had nothing mean or common,—
Strong, manly, true, the tenderness
And pride beloved of woman.


“She looked up, glowing with the health
The country air had brought her,
And, laughing, said: ‘You lack a wife,
Your mother lacks a daughter.


“‘To mend your frock and bake your bread
You do not need a lady:
Be sure among these brown old homes
Is some one waiting ready,—


“‘Some fair, sweet girl with skilful hand
And cheerful heart for treasure,
Who never played with ivory keys,
Or danced the polka’s measure.’


“He bent his black brows to a frown,
He set his white teeth tightly.
‘’T is well,’ he said, ‘for one like you
To choose for me so lightly.


“You think, because my life is rude
I take no note of sweetness:
I tell you love has naught to do
With meetness or unmeetness.


“‘Itself its best excuse, it asks
No leave of pride or fashion
When silken zone or homespun frock
It stirs with throbs of passion.


“‘You think me deaf and blind: you bring
Your winning graces hither
As free as if from cradle-time



We two had played together.


“‘You tempt me with your laughing eyes,
Your cheek of sundown’s blushes,
A motion as of waving grain,
A music as of thrushes.


“‘The plaything of your summer sport,
The spells you weave around me
You cannot at your will undo,
Nor leave me as you found me.


“‘You go as lightly as you came,
Your life is well without me;
What care you that these hills will close
Like prison-walls about me?


“‘No mood is mine to seek a wife,
Or daughter for my mother
Who loves you loses in that love
All power to love another!


“‘I dare your pity or your scorn,
With pride your own exceeding;
I fling my heart into your lap
Without a word of pleading.’


“She looked up in his face of pain
So archly, yet so tender
‘And if I lend you mine,’ she said,
‘Will you forgive the lender?


“‘Nor frock nor tan can hide the man;
And see you not, my farmer,
How weak and fond a woman waits
Behind this silken armor?


“‘I love you: on that love alone,
And not my worth, presuming,
Will you not trust for summer fruit
The tree in May-day blooming?’


“Alone the hangbird overhead,
His hair-swung cradle straining,
Looked down to see love’s miracle,—
The giving that is gaining.


“And so the farmer found a wife,
His mother found a daughter
There looks no happier home than hers
On pleasant Bearcamp Water.



“Flowers spring to blossom where she walks
The careful ways of duty;
Our hard, stiff lines of life with her
Are flowing curves of beauty.


“Our homes are cheerier for her sake,
Our door-yards brighter blooming,
And all about the social air
Is sweeter for her coming.


“Unspoken homilies of peace
Her daily life is preaching;
The still refreshment of the dew
Is her unconscious teaching.


“And never tenderer hand than hers
Unknits the brow of ailing;
Her garments to the sick man’s ear
Have music in their trailing.


“And when, in pleasant harvest moons,
The youthful huskers gather,
Or sleigh-drives on the mountain ways
Defy the winter weather,—


“In sugar-camps, when south and warm
The winds of March are blowing,
And sweetly from its thawing veins
The maple’s blood is flowing,—


“In summer, where some lilied pond
Its virgin zone is baring,
Or where the ruddy autumn fire
Lights up the apple-paring,—


“The coarseness of a ruder time
Her finer mirth displaces,
A subtler sense of pleasure fills
Each rustic sport she graces.


“Her presence lends its warmth and health
To all who come before it.
If woman lost us Eden, such
As she alone restore it.


“For larger life and wiser aims
The farmer is her debtor;
Who holds to his another’s heart
Must needs be worse or better.


“Through her his civic service shows
A purer-toned ambition;



No double consciousness divides
The man and politician.


“In party’s doubtful ways he trusts
Her instincts to determine;
At the loud polls, the thought of her
Recalls Christ’s Mountain Sermon.


“He owns her logic of the heart,
And wisdom of unreason,
Supplying, while he doubts and weighs,
The needed word in season.


“He sees with pride her richer thought,
Her fancy’s freer ranges;
And love thus deepened to respect
Is proof against all changes.


“And if she walks at ease in ways
His feet are slow to travel,
And if she reads with cultured eyes
What his may scarce unravel,


“Still clearer, for her keener sight
Of beauty and of wonder,
He learns the meaning of the hills
He dwelt from childhood under.


“And higher, warmed with summer lights,
Or winter-crowned and hoary,
The ridged horizon lifts for him
Its inner veils of glory.


“He has his own free, bookless lore,
The lessons nature taught him,
The wisdom which the woods and hills
And toiling men have brought him:


“The steady force of will whereby
Her flexile grace seems sweeter;
The sturdy counterpoise which makes
Her woman’s life completer.


“A latent fire of soul which lacks
No breath of love to fan it;
And wit, that, like his native brooks,
Plays over solid granite.


“How dwarfed against his manliness
She sees the poor pretension,
The wants, the aims, the follies, born
Of fashion and convention.



“How life behind its accidents
Stands strong and self-sustaining,
The human fact transcending all
The losing and the gaining.


“And so in grateful interchange
Of teacher and of hearer,
Their lives their true distinctness keep
While daily drawing nearer.


“And if the husband or the wife
In home’s strong light discovers
Such slight defaults as failed to meet
The blinded eyes of lovers,


“Why need we care to ask?—who dreams
Without their thorns of roses,
Or wonders that the truest steel
The readiest spark discloses?


“For still in mutual sufferance lies
The secret of true living;
Love scarce is love that never knows
The sweetness of forgiving.


“We send the Squire to General Court,
He takes his young wife thither;
No prouder man election day
Rides through the sweet June weather.


“He sees with eyes of manly trust
All hearts to her inclining;
Not less for him his household light
That others share its shining.”


Thus, while my hostess spake, there grew
Before me, warmer tinted
And outlined with a tenderer grace,
The picture that she hinted.


The sunset smouldered as we drove
Beneath the deep hill-shadows.
Below us wreaths of white fog walked
Like ghosts the haunted meadows.


Sounding the summer night, the stars
Dropped down their golden plummets;
The pale arc of the Northern lights
Rose o’er the mountain summits,—


Until, at last, beneath its bridge,



We heard the Bearcamp flowing,
And saw across the mapled lawn
The welcome home lights glowing;—


And, musing on the tale I heard,
’T were well, thought I, if often
To rugged farm-life came the gift
To harmonize and soften;—


If more and more we found the troth
Of fact and fancy plighted,
And culture’s charm and labor’s strength
In rural homes united,—


The simple life, the homely hearth,
With beauty’s sphere surrounding,
And blessing toil where toil abounds
With graces more abounding.

Among the Hills

PRELUDE
ALONG the roadside, like the flowers of gold
That tawny Incas for their gardens wrought,
Heavy with sunshine droops the golden-rod,
And the red pennons of the cardinal-flowers
Hang motionless upon their upright staves.
The sky is hot and hazy, and the wind,
Vying-weary with its long flight from the south,
Unfelt; yet, closely scanned, yon maple leaf
With faintest motion, as one stirs in dreams,
Confesses it. The locust by the wall
Stabs the noon-silence with his sharp alarm.
A single hay-cart down the dusty road
Creaks slowly, with its driver fast asleep
On the load’s top. Against the neighboring hill,
Huddled along the stone wall’s shady side,
The sheep show white, as if a snowdrift still
Defied the dog-star. Through the open door
A drowsy smell of flowers-gray heliotrope,
And white sweet clover, and shy mignonette—
Comes faintly in, and silent chorus lends
To the pervading symphony of peace.
No time is this for hands long over-worn
To task their strength; and (unto Him be praise
Who giveth quietness!) the stress and strain
Of years that did the work of centuries
Have ceased, and we can draw our breath once more
Freely and full. So, as yon harvesters
Make glad their nooning underneath the elms
With tale and riddle and old snatch of song,
I lay aside grave themes, and idly turn
The leaves of memory’s sketch-book, dreaming o’er
Old summer pictures of the quiet hills,
And human life, as quiet, at their feet.

And yet not idly all. A farmer’s son,
Proud of field-lore and harvest craft, and feeling
All their fine possibilities, how rich
And restful even poverty and toil
Become when beauty, harmony, and love
Sit at their humble hearth as angels sat
At evening in the patriarch’s tent, when man
Makes labor noble, and his farmer’s frock
The symbol of a Christian chivalry
Tender and just and generous to her
Who clothes with grace all duty; still, I know
Too well the picture has another side,—
How wearily the grind of toil goes on
Where love is wanting, how the eye and ear
And heart are starved amidst the plenitude
Of nature, and how hard and colorless
Is life without an atmosphere. I look


Across the lapse of half a century,
And call to mind old homesteads, where no flower
Told that the spring had come, but evil weeds,
Nightshade and rough-leaved burdock in the place
Of the sweet doorway greeting of the rose
And honeysuckle, where the house walls seemed
Blistering in sun, without a tree or vine
To cast the tremulous shadow of its leaves
Across the curtainless windows, from whose panes
Fluttered the signal rags of shiftlessness.
Within, the cluttered kitchen-floor, unwashed
(Broom-clean I think they called it); the best room
Stifling with cellar damp, shut from the air
In hot midsummer, bookless, pictureless,
Save the inevitable sampler hung
Over the fireplace, or a mourning piece,
A green-haired woman, peony-cheeked, beneath
Impossible willows; the wide-throated hearth
Bristling with faded pine-boughs half concealing
The piled-up rubbish at the chimney’s back;
And, in sad keeping with all things about them,
Shrill, querulous-women, sour and sullen men,
Untidy, loveless, old before their time,
With scarce a human interest save their own
Monotonous round of small economies,
Or the poor scandal of the neighborhood;
Blind to the beauty everywhere revealed,
Treading the May-flowers with regardless feet;
For them the song-sparrow and the bobolink
Sang not, nor winds made music in the leaves;
For them in vain October’s holocaust
Burned, gold and crimson, over all the hills,
The sacramental mystery of the woods.
Church-goers, fearful of the unseen Powers,
But grumbling over pulpit-tax and pew-rent,
Saving, as shrewd economists, their souls
And winter pork with the least possible outlay
Of salt and sanctity; in daily life
Showing as little actual comprehension
Of Christian charity and love and duty,
As if the Sermon on the Mount had been
Outdated like a last year’s almanac
Rich in broad woodlands and in half-tilled fields,
And yet so pinched and bare and comfortless,
The veriest straggler limping on his rounds,
The sun and air his sole inheritance,
Laughed at a poverty that paid its taxes,
And hugged his rags in self-complacency!


Not such should be the homesteads of a land
Where whoso wisely wills and acts may dwell
As king and lawgiver, in broad-acred state,



With beauty, art, taste, culture, books, to make
His hour of leisure richer than a life
Of fourscore to the barons of old time,
Our yeoman should be equal to his home
Set in the fair, green valleys, purple walled,
A man to match his mountains, not to creep
Dwarfed and abased below them. I would fain
In this light way (of which I needs must own
With the knife-grinder of whom Canning sings,
“Story, God bless you! I have none to tell you!”)
Invite the eye to see and heart to feel
The beauty and the joy within their reach,—
Home, and home loves, and the beatitudes
Of nature free to all. Haply in years
That wait to take the places of our own,
Heard where some breezy balcony looks down
On happy homes, or where the lake in the moon
Sleeps dreaming of the mountains, fair as Ruth,
In the old Hebrew pastoral, at the feet
Of Boaz, even this simple lay of mine
May seem the burden of a prophecy,
Finding its late fulfilment in a change
Slow as the oak’s growth, lifting manhood up
Through broader culture, finer manners, love,
And reverence, to the level of the hills.

O Golden Age, whose light is of the dawn,
And not of sunset, forward, not behind,
Flood the new heavens and earth, and with thee bring
All the old virtues, whatsoever things
Are pure and honest and of good repute,
But add thereto whatever bard has sung
Or seer has told of when in trance and dream
They saw the Happy Isles of prophecy
Let Justice hold her scale, and Truth divide
Between the right and wrong; but give the heart
The freedom of its fair inheritance;
Let the poor prisoner, cramped and starved so long,
At Nature’s table feast his ear and eye
With joy and wonder; let all harmonies
Of sound, form, color, motion, wait upon
The princely guest, whether in soft attire
Of leisure clad, or the coarse frock of toil,
And, lending life to the dead form of faith,
Give human nature reverence for the sake
Of One who bore it, making it divine
With the ineffable tenderness of God;
Let common need, the brotherhood of prayer,
The heirship of an unknown destiny,
The unsolved mystery round about us, make
A man more precious than the gold of Ophir.
Sacred, inviolate, unto whom all things


Should minister, as outward types and signs
Of the eternal beauty which fulfils
The one great purpose of creation, Love,
The sole necessity of Earth and Heaven!


. . . . .
For weeks the clouds had raked the hills
And vexed the vales with raining,
And all the woods were sad with mist,
And all the brooks complaining.
At last, a sudden night-storm tore
The mountain veils asunder,
And swept the valleys clean before
The bosom of the thunder.


Through Sandwich notch the west-wind sang
Good morrow to the cotter;
And once again Chocorua’s horn
Of shadow pierced the water.


Above his broad lake Ossipee,
Once more the sunshine wearing,
Stooped, tracing on that silver shield
His grim armorial bearing.


Clear drawn against the hard blue sky,
The peaks had winter’s keenness;
And, close on autumn’s frost, the vales
Had more than June’s fresh greenness.


Again the sodden forest floors
With golden lights were checkered,
Once more rejoicing leaves in wind
And sunshine danced and flickered.


It was as if the summer’s late
Atoning for it’s sadness
Had borrowed every season’s charm
To end its days in gladness.


I call to mind those banded vales
Of shadow and of shining,
Through which, my hostess at my side,
I drove in day’s declining.


We held our sideling way above
The river’s whitening shallows,
By homesteads old, with wide-flung barns
Swept through and through by swallows,—


By maple orchards, belts of pine
And larches climbing darkly



The mountain slopes, and, over all,
The great peaks rising starkly.


You should have seen that long hill-range
With gaps of brightness riven,—
How through each pass and hollow streamed
The purpling lights of heaven,—


Rivers of gold-mist flowing down
From far celestial fountains,—
The great sun flaming through the rifts
Beyond the wall of mountains.


We paused at last where home-bound cows
Brought down the pasture’s treasure,
And in the barn the rhythmic flails
Beat out a harvest measure.


We heard the night-hawk’s sullen plunge,
The crow his tree-mates calling:
The shadows lengthening down the slopes
About our feet were falling.


And through them smote the level sun
In broken lines of splendor,
Touched the gray rocks and made the green
Of the shorn grass more tender.


The maples bending o’er the gate,
Their arch of leaves just tinted
With yellow warmth, the golden glow
Of coming autumn hinted.


Keen white between the farm-house showed,
And smiled on porch and trellis,
The fair democracy of flowers
That equals cot and palace.


And weaving garlands for her dog,
’Twixt chidings and caresses,
A human flower of childhood shook
The sunshine from her tresses.


On either hand we saw the signs
Of fancy and of shrewdness,
Where taste had wound its arms of vines
Round thrift’s uncomely rudeness.


The sun-brown farmer in his frock
Shook hands, and called to Mary
Bare-armed, as Juno might, she came,
White-aproned from her dairy.



Her air, her smile, her motions, told
Of womanly completeness;
A music as of household songs
Was in her voice of sweetness.


Not fair alone in curve and line,
But something more and better,
The secret charm eluding art,
Its spirit, not its letter;—


An inborn grace that nothing lacked
Of culture or appliance,
The warmth of genial courtesy,
The calm of self-reliance.


Before her queenly womanhood
How dared our hostess utter
The paltry errand of her need
To buy her fresh-churned butter?


She led the way with housewife pride,
Her goodly store disclosing,
Full tenderly the golden balls
With practised hands disposing.


Then, while along the western hills
We watched the changeful glory
Of sunset, on our homeward way,
I heard her simple story.


The early crickets sang; the stream
Plashed through my friend’s narration:
Her rustic patois of the hills
Lost in my free-translation.


“More wise,” she said, “than those who swarm
Our hills in middle summer,
She came, when June’s first roses blow,
To greet the early comer.


“From school and ball and rout she came,
The city’s fair, pale daughter,
To drink the wine of mountain air
Beside the Bearcamp Water.


“Her step grew firmer on the hills
That watch our homesteads over;
On cheek and lip, from summer fields,
She caught the bloom of clover.


“For health comes sparkling in the streams



From cool Chocorua stealing:
There’s iron in our Northern winds;
Our pines are trees of healing.


“She sat beneath the broad-armed elms
That skirt the mowing-meadow,
And watched the gentle west-wind weave
The grass with shine and shadow.


“Beside her, from the summer heat
To share her grateful screening,
With forehead bared, the farmer stood,
Upon his pitchfork leaning.


“Framed in its damp, dark locks, his face
Had nothing mean or common,—
Strong, manly, true, the tenderness
And pride beloved of woman.


“She looked up, glowing with the health
The country air had brought her,
And, laughing, said: ‘You lack a wife,
Your mother lacks a daughter.


“‘To mend your frock and bake your bread
You do not need a lady:
Be sure among these brown old homes
Is some one waiting ready,—


“‘Some fair, sweet girl with skilful hand
And cheerful heart for treasure,
Who never played with ivory keys,
Or danced the polka’s measure.’


“He bent his black brows to a frown,
He set his white teeth tightly.
‘’T is well,’ he said, ‘for one like you
To choose for me so lightly.


“You think, because my life is rude
I take no note of sweetness:
I tell you love has naught to do
With meetness or unmeetness.


“‘Itself its best excuse, it asks
No leave of pride or fashion
When silken zone or homespun frock
It stirs with throbs of passion.


“‘You think me deaf and blind: you bring
Your winning graces hither
As free as if from cradle-time



We two had played together.


“‘You tempt me with your laughing eyes,
Your cheek of sundown’s blushes,
A motion as of waving grain,
A music as of thrushes.


“‘The plaything of your summer sport,
The spells you weave around me
You cannot at your will undo,
Nor leave me as you found me.


“‘You go as lightly as you came,
Your life is well without me;
What care you that these hills will close
Like prison-walls about me?


“‘No mood is mine to seek a wife,
Or daughter for my mother
Who loves you loses in that love
All power to love another!


“‘I dare your pity or your scorn,
With pride your own exceeding;
I fling my heart into your lap
Without a word of pleading.’


“She looked up in his face of pain
So archly, yet so tender
‘And if I lend you mine,’ she said,
‘Will you forgive the lender?


“‘Nor frock nor tan can hide the man;
And see you not, my farmer,
How weak and fond a woman waits
Behind this silken armor?


“‘I love you: on that love alone,
And not my worth, presuming,
Will you not trust for summer fruit
The tree in May-day blooming?’


“Alone the hangbird overhead,
His hair-swung cradle straining,
Looked down to see love’s miracle,—
The giving that is gaining.


“And so the farmer found a wife,
His mother found a daughter
There looks no happier home than hers
On pleasant Bearcamp Water.



“Flowers spring to blossom where she walks
The careful ways of duty;
Our hard, stiff lines of life with her
Are flowing curves of beauty.


“Our homes are cheerier for her sake,
Our door-yards brighter blooming,
And all about the social air
Is sweeter for her coming.


“Unspoken homilies of peace
Her daily life is preaching;
The still refreshment of the dew
Is her unconscious teaching.


“And never tenderer hand than hers
Unknits the brow of ailing;
Her garments to the sick man’s ear
Have music in their trailing.


“And when, in pleasant harvest moons,
The youthful huskers gather,
Or sleigh-drives on the mountain ways
Defy the winter weather,—


“In sugar-camps, when south and warm
The winds of March are blowing,
And sweetly from its thawing veins
The maple’s blood is flowing,—


“In summer, where some lilied pond
Its virgin zone is baring,
Or where the ruddy autumn fire
Lights up the apple-paring,—


“The coarseness of a ruder time
Her finer mirth displaces,
A subtler sense of pleasure fills
Each rustic sport she graces.


“Her presence lends its warmth and health
To all who come before it.
If woman lost us Eden, such
As she alone restore it.


“For larger life and wiser aims
The farmer is her debtor;
Who holds to his another’s heart
Must needs be worse or better.


“Through her his civic service shows
A purer-toned ambition;



No double consciousness divides
The man and politician.


“In party’s doubtful ways he trusts
Her instincts to determine;
At the loud polls, the thought of her
Recalls Christ’s Mountain Sermon.


“He owns her logic of the heart,
And wisdom of unreason,
Supplying, while he doubts and weighs,
The needed word in season.


“He sees with pride her richer thought,
Her fancy’s freer ranges;
And love thus deepened to respect
Is proof against all changes.


“And if she walks at ease in ways
His feet are slow to travel,
And if she reads with cultured eyes
What his may scarce unravel,


“Still clearer, for her keener sight
Of beauty and of wonder,
He learns the meaning of the hills
He dwelt from childhood under.


“And higher, warmed with summer lights,
Or winter-crowned and hoary,
The ridged horizon lifts for him
Its inner veils of glory.


“He has his own free, bookless lore,
The lessons nature taught him,
The wisdom which the woods and hills
And toiling men have brought him:


“The steady force of will whereby
Her flexile grace seems sweeter;
The sturdy counterpoise which makes
Her woman’s life completer.


“A latent fire of soul which lacks
No breath of love to fan it;
And wit, that, like his native brooks,
Plays over solid granite.


“How dwarfed against his manliness
She sees the poor pretension,
The wants, the aims, the follies, born
Of fashion and convention.



“How life behind its accidents
Stands strong and self-sustaining,
The human fact transcending all
The losing and the gaining.


“And so in grateful interchange
Of teacher and of hearer,
Their lives their true distinctness keep
While daily drawing nearer.


“And if the husband or the wife
In home’s strong light discovers
Such slight defaults as failed to meet
The blinded eyes of lovers,


“Why need we care to ask?—who dreams
Without their thorns of roses,
Or wonders that the truest steel
The readiest spark discloses?


“For still in mutual sufferance lies
The secret of true living;
Love scarce is love that never knows
The sweetness of forgiving.


“We send the Squire to General Court,
He takes his young wife thither;
No prouder man election day
Rides through the sweet June weather.


“He sees with eyes of manly trust
All hearts to her inclining;
Not less for him his household light
That others share its shining.”


Thus, while my hostess spake, there grew
Before me, warmer tinted
And outlined with a tenderer grace,
The picture that she hinted.


The sunset smouldered as we drove
Beneath the deep hill-shadows.
Below us wreaths of white fog walked
Like ghosts the haunted meadows.


Sounding the summer night, the stars
Dropped down their golden plummets;
The pale arc of the Northern lights
Rose o’er the mountain summits,—


Until, at last, beneath its bridge,



We heard the Bearcamp flowing,
And saw across the mapled lawn
The welcome home lights glowing;—


And, musing on the tale I heard,
’T were well, thought I, if often
To rugged farm-life came the gift
To harmonize and soften;—


If more and more we found the troth
Of fact and fancy plighted,
And culture’s charm and labor’s strength
In rural homes united,—


The simple life, the homely hearth,
With beauty’s sphere surrounding,
And blessing toil where toil abounds
With graces more abounding.

A Summer Pilgrimage

To kneel before some saintly shrine,
To breathe the health of airs divine,
Or bathe where sacred rivers flow,
The cowled and turbaned pilgrims go.
I too, a palmer, take, as they
With staff and scallop-shell, my way
To feel, from burdening cares and ills,
The strong uplifting of the hills.


The years are many since, at first,
For dreamed-of wonders all athirst,
I saw on Winnipesaukee fall
The shadow of the mountain wall.
Ah! where are they who sailed with me
The beautiful island-studded sea?
And am I he whose keen surprise
Flashed out from such unclouded eyes?


Still, when the sun of summer burns,
My longing for the hills returns;
And northward, leaving at my back
The warm vale of the Merrimac,
I go to meet the winds of morn,
Blown down the hill-gaps, mountain-born,
Breathe scent of pines, and satisfy
The hunger of a lowland eye.


Again I see the day decline
Along a ridged horizon line;
Touching the hill-tops, as a nun
Her beaded rosary, sinks the sun.
One lake lies golden, which shall soon
Be silver in the rising moon;
And one, the crimson of the skies
And mountain purple multiplies.


With the untroubled quiet blends
The distance-softened voice of friends;
The girl's light laugh no discord brings
To the low song the pine-tree sings;
And, not unwelcome, comes the hail
Of boyhood from his nearing sail.
The human presence breaks no spell,
And sunset still is miracle!


Calm as the hour, methinks I feel
A sense of worship o'er me steal;
Not that of satyr-charming Pan,
No cult of Nature shaming man,
Not Beauty's self, but that which lives
And shines through all the veils it weaves,-Soul
of the mountain, lake, and wood,



Their witness to the Eternal Good!


And if, by fond illusion, here
The earth to heaven seems drawing near,
And yon outlying range invites
To other and serener heights,
Scarce hid behind its topmost swell,
The shining Mounts Delectable
A dream may hint of truth no less
Than the sharp light of wakefulness.


As through her vale of incense smoke.
Of old the spell-rapt priestess spoke,
More than her heathen oracle,
May not this trance of sunset tell
That Nature's forms of loveliness
Their heavenly archetypes confess,
Fashioned like Israel's ark alone
From patterns in the Mount made known?


A holier beauty overbroods
These fair and faint similitudes;
Yet not unblest is he who sees
Shadows of God's realities,
And knows beyond this masquerade
Of shape and color, light and shade,
And dawn and set, and wax and wane,
Eternal verities remain.


O gems of sapphire, granite set!
O hills that charmed horizons fret
I know how fair your morns can break,
In rosy light on isle and lake;
How over wooded slopes can run
The noonday play of cloud and sun,
And evening droop her oriflamme
Of gold and red in still Asquam.


The summer moons may round again,
And careless feet these hills profane;
These sunsets waste on vacant eyes
The lavish splendor of the skies;
Fashion and folly, misplaced here,
Sigh for their natural atmosphere,
And travelled pride the outlook scorn
Of lesser heights than Matterhorn.


But let me dream that hill and sky
Of unseen beauty prophesy;
And in these tinted lakes behold
The trailing of the raiment fold
Of that which, still eluding gaze,



Allures to upward-tending ways,
Whose footprints make, wherever found,
Our common earth a holy ground.

A Sea Dream

We saw the slow tides go and come,
The curving surf-lines lightly drawn,
The gray rocks touched with tender bloom
Beneath the fresh-blown rose of dawn.


We saw in richer sunsets lost
The sombre pomp of showery noons;
And signalled spectral sails that crossed
The weird, low light of rising moons.


On stormy eves from cliff and head
We saw the white spray tossed and spurned;
While over all, in gold and red,
Its face of fire the lighthouse turned.


The rail-car brought its daily crowds,
Half curious, half indifferent,
Like passing sails or floating clouds,
We saw them as they came and went.


But, one calm morning, as we lay
And watched the mirage-lifted wall
Of coast, across the dreamy bay,
And heard afar the curlew call,


And nearer voices, wild or tame,
Of airy flock and childish throng,
Up from the water's edge there came
Faint snatches of familiar song.


Careless we heard the singer's choice
Of old and common airs; at last
The tender pathos of his voice
In one low chanson held us fast.


A song that mingled joy and pain,
And memories old and sadly sweet;
While, timing to its minor strain,
The waves in lapsing cadence beat.


. . . . .


The waves are glad in breeze and sun;
The rocks are fringed with foam;
I walk once more a haunted shore,
A stranger, yet at home,
A land of dreams I roam.


Is this the wind, the soft sea wind
That stirred thy locks of brown?
Are these the rocks whose mosses knew
The trail of thy light gown,



Where boy and girl sat down?


I see the gray fort's broken wall,
The boats that rock below;
And, out at sea, the passing sails
We saw so long ago
Rose-red in morning's glow.


The freshness of the early time
On every breeze is blown;
As glad the sea, as blue the sky,-The
change is ours alone;
The saddest is my own.


A stranger now, a world-worn man,
Is he who bears my name;
But thou, methinks, whose mortal life
Immortal youth became,
Art evermore the same.


Thou art not here, thou art not there,
Thy place I cannot see;
I only know that where thou art
The blessed angels be,
And heaven is glad for thee.


Forgive me if the evil years
Have left on me their sign;
Wash out, O soul so beautiful,
The many stains of mine
In tears of love divine!


I could not look on thee and live,
If thou wert by my side;
The vision of a shining one,
The white and heavenly bride,
Is well to me denied.


But turn to me thy dear girl-face
Without the angel's crown,
The wedded roses of thy lips,
Thy loose hair rippling down
In waves of golden brown.


Look forth once more through space and time,
And let thy sweet shade fall
In tenderest grace of soul and form
On memory's frescoed wall,
A shadow, and yet all!


Draw near, more near, forever dear!
Where'er I rest or roam,



Or in the city's crowded streets,
Or by the blown sea foam,
The thought of thee is home!


. . . . .


At breakfast hour the singer read
The city news, with comment wise,
Like one who felt the pulse of trade
Beneath his finger fall and rise.


His look, his air, his curt speech, told
The man of action, not of books,
To whom the corners made in gold
And stocks were more than seaside nooks.


Of life beneath the life confessed
His song had hinted unawares;
Of flowers in traffic's ledgers pressed,
Of human hearts in bulls and bears.


But eyes in vain were turned to watch
That face so hard and shrewd and strong;
And ears in vain grew sharp to catch
The meaning of that morning song.


In vain some sweet-voiced querist sought
To sound him, leaving as she came;
Her baited album only caught
A common, unromantic name.


No word betrayed the mystery fine,
That trembled on the singer's tongue;
He came and went, and left no sign
Behind him save the song he sung.

A Day

Talk not of sad November, when a day
Of warm, glad sunshine fills the sky of noon,
And a wind, borrowed from some morn of June,
Stirs the brown grasses and the leafless spray.


On the unfrosted pool the pillared pines
Lay their long shafts of shadow: the small rill,
Singing a pleasant song of summer still,
A line of silver, down the hill-slope shines.


Hushed the bird-voices and the hum of bees,
In the thin grass the crickets pipe no more;
But still the squirrel hoards his winter store,
And drops his nut-shells from the shag-bark trees.


Softly the dark green hemlocks whisper: high
Above, the spires of yellowing larches show,
Where the woodpecker and home-loving crow
And jay and nut-hatch winter’s threat defy.


O gracious beauty, ever new and old!
O sights and sounds of nature, doubly dear
When the low sunshine warns the closing year
Of snow-blown fields and waves of Arctic cold!


Close to my heart I fold each lovely thing
The sweet day yields; and, not disconsolate,
With the calm patience of the woods I wait
For leaf and blossom when God gives us Spring!

A Day

Talk not of sad November, when a day
Of warm, glad sunshine fills the sky of noon,
And a wind, borrowed from some morn of June,
Stirs the brown grasses and the leafless spray.


On the unfrosted pool the pillared pines
Lay their long shafts of shadow: the small rill,
Singing a pleasant song of summer still,
A line of silver, down the hill-slope shines.


Hushed the bird-voices and the hum of bees,
In the thin grass the crickets pipe no more;
But still the squirrel hoards his winter store,
And drops his nut-shells from the shag-bark trees.


Softly the dark green hemlocks whisper: high
Above, the spires of yellowing larches show,
Where the woodpecker and home-loving crow
And jay and nut-hatch winter’s threat defy.


O gracious beauty, ever new and old!
O sights and sounds of nature, doubly dear
When the low sunshine warns the closing year
Of snow-blown fields and waves of Arctic cold!


Close to my heart I fold each lovely thing
The sweet day yields; and, not disconsolate,
With the calm patience of the woods I wait
For leaf and blossom when God gives us Spring!

The Sun Rising

Busy old fool, unruly Sun,
Why dost thou thus,
Through windows, and through curtains, call on
us?

Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late schoolboys, and sour prentices,

Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices,
Love, all alike, no season knows, nor clime,
Nor hours, days, months, which are the rags of
time.

Thy beams, so reverend and strong

Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long:


If her eyes have not blinded thine,

Look, and tomorrow late, tell me
Whether both the'Indias of spice and mine
Be where thou leftst them, or lie here with me.

Ask for those kings whom thou saw'st yesterday,
And thou shalt hear: 'All here in one bed lay.'

She'is all states, and all princes I,

Nothing else is.
Princes do but play us; compar'd to this,
All honour's mimic, all wealth alchemy.


Thou, sun, art half as happy'as we,

In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.

Shine here to us, and thou art everywhere;
This bed thy centre is, these walls, thy sphere.

Wood Rides

Who hath not felt the influence that so calms
The weary mind in summers sultry hours
When wandering thickest woods beneath the arms
Of ancient oaks and brushing nameless flowers
That verge the little ride who hath not made
A minutes waste of time and sat him down
Upon a pleasant swell to gaze awhile
On crowding ferns bluebells and hazel leaves
And showers of lady smocks so called by toil
When boys sprote gathering sit on stulps and weave
Garlands while barkmen pill the fallen tree

-Then mid the green variety to start
Who hath (not) met that mood from turmoil free
And felt a placid joy refreshed at heart

Wood Rides

Who hath not felt the influence that so calms
The weary mind in summers sultry hours
When wandering thickest woods beneath the arms
Of ancient oaks and brushing nameless flowers
That verge the little ride who hath not made
A minutes waste of time and sat him down
Upon a pleasant swell to gaze awhile
On crowding ferns bluebells and hazel leaves
And showers of lady smocks so called by toil
When boys sprote gathering sit on stulps and weave
Garlands while barkmen pill the fallen tree

-Then mid the green variety to start
Who hath (not) met that mood from turmoil free
And felt a placid joy refreshed at heart

Young Lambs

The spring is coming by a many signs;
The trays are up, the hedges broken down,
That fenced the haystack, and the remnant shines
Like some old antique fragment weathered brown.
And where suns peep, in every sheltered place,
The little early buttercups unfold
A glittering star or two--till many trace
The edges of the blackthorn clumps in gold.
And then a little lamb bolts up behind
The hill and wags his tail to meet the yoe,
And then another, sheltered from the wind,
Lies all his length as dead--and lets me go
Close bye and never stirs but baking lies,
With legs stretched out as though he could not rise.

Young Lambs

The spring is coming by a many signs;
The trays are up, the hedges broken down,
That fenced the haystack, and the remnant shines
Like some old antique fragment weathered brown.
And where suns peep, in every sheltered place,
The little early buttercups unfold
A glittering star or two--till many trace
The edges of the blackthorn clumps in gold.
And then a little lamb bolts up behind
The hill and wags his tail to meet the yoe,
And then another, sheltered from the wind,
Lies all his length as dead--and lets me go
Close bye and never stirs but baking lies,
With legs stretched out as though he could not rise.

Wild Bees

These children of the sun which summer brings
As pastoral minstrels in her merry train
Pipe rustic ballads upon busy wings
And glad the cotters' quiet toils again.
The white-nosed bee that bores its little hole
In mortared walls and pipes its symphonies,
And never absent couzen, black as coal,
That Indian-like bepaints its little thighs,
With white and red bedight for holiday,
Right earlily a-morn do pipe and play
And with their legs stroke slumber from their eyes.
And aye so fond they of their singing seem
That in their holes abed at close of day
They still keep piping in their honey dreams,
And larger ones that thrum on ruder pipe
Round the sweet smelling closen and rich woods
Where tawny white and red flush clover buds
Shine bonnily and bean fields blossom ripe,
Shed dainty perfumes and give honey food
To these sweet poets of the summer fields;
Me much delighting as I stroll along
The narrow path that hay laid meadow yields,
Catching the windings of their wandering song.
The black and yellow bumble first on wing
To buzz among the sallow's early flowers,
Hiding its nest in holes from fickle spring
Who stints his rambles with her frequent showers;
And one that may for wiser piper pass,
In livery dress half sables and half red,
Who laps a moss ball in the meadow grass
And hoards her stores when April showers have fled;
And russet commoner who knows the face
Of every blossom that the meadow brings,
Starting the traveller to a quicker pace
By threatening round his head in many rings:
These sweeten summer in their happy glee
By giving for her honey melody.

Wild Bees

These children of the sun which summer brings
As pastoral minstrels in her merry train
Pipe rustic ballads upon busy wings
And glad the cotters' quiet toils again.
The white-nosed bee that bores its little hole
In mortared walls and pipes its symphonies,
And never absent couzen, black as coal,
That Indian-like bepaints its little thighs,
With white and red bedight for holiday,
Right earlily a-morn do pipe and play
And with their legs stroke slumber from their eyes.
And aye so fond they of their singing seem
That in their holes abed at close of day
They still keep piping in their honey dreams,
And larger ones that thrum on ruder pipe
Round the sweet smelling closen and rich woods
Where tawny white and red flush clover buds
Shine bonnily and bean fields blossom ripe,
Shed dainty perfumes and give honey food
To these sweet poets of the summer fields;
Me much delighting as I stroll along
The narrow path that hay laid meadow yields,
Catching the windings of their wandering song.
The black and yellow bumble first on wing
To buzz among the sallow's early flowers,
Hiding its nest in holes from fickle spring
Who stints his rambles with her frequent showers;
And one that may for wiser piper pass,
In livery dress half sables and half red,
Who laps a moss ball in the meadow grass
And hoards her stores when April showers have fled;
And russet commoner who knows the face
Of every blossom that the meadow brings,
Starting the traveller to a quicker pace
By threatening round his head in many rings:
These sweeten summer in their happy glee
By giving for her honey melody.

The Winter's Come

Sweet chestnuts brown like soling leather turn;
The larch trees, like the colour of the Sun;
That paled sky in the Autumn seemed to burn,
What a strange scene before us now does run--
Red, brown, and yellow, russet, black, and dun;
White thorn, wild cherry, and the poplar bare;
The sycamore all withered in the sun.
No leaves are now upon the birch tree there:
All now is stript to the cold wintry air.


See, not one tree but what has lost its leaves--
And yet the landscape wears a pleasing hue.
The winter chill on his cold bed receives
Foliage which once hung oer the waters blue.
Naked and bare the leafless trees repose.
Blue-headed titmouse now seeks maggots rare,
Sluggish and dull the leaf-strewn river flows;
That is not green, which was so through the year
Dark chill November draweth to a close.


Tis Winter, and I love to read indoors,
When the Moon hangs her crescent up on high;
While on the window shutters the wind roars,
And storms like furies pass remorseless by.
How pleasant on a feather bed to lie,
Or, sitting by the fire, in fancy soar
With Dante or with Milton to regions high,
Or read fresh volumes we've not seen before,
Or oer old Burton's Melancholy pore.

The Winter's Come

Sweet chestnuts brown like soling leather turn;
The larch trees, like the colour of the Sun;
That paled sky in the Autumn seemed to burn,
What a strange scene before us now does run--
Red, brown, and yellow, russet, black, and dun;
White thorn, wild cherry, and the poplar bare;
The sycamore all withered in the sun.
No leaves are now upon the birch tree there:
All now is stript to the cold wintry air.


See, not one tree but what has lost its leaves--
And yet the landscape wears a pleasing hue.
The winter chill on his cold bed receives
Foliage which once hung oer the waters blue.
Naked and bare the leafless trees repose.
Blue-headed titmouse now seeks maggots rare,
Sluggish and dull the leaf-strewn river flows;
That is not green, which was so through the year
Dark chill November draweth to a close.


Tis Winter, and I love to read indoors,
When the Moon hangs her crescent up on high;
While on the window shutters the wind roars,
And storms like furies pass remorseless by.
How pleasant on a feather bed to lie,
Or, sitting by the fire, in fancy soar
With Dante or with Milton to regions high,
Or read fresh volumes we've not seen before,
Or oer old Burton's Melancholy pore.

The Winter's Come

Sweet chestnuts brown like soling leather turn;
The larch trees, like the colour of the Sun;
That paled sky in the Autumn seemed to burn,
What a strange scene before us now does run--
Red, brown, and yellow, russet, black, and dun;
White thorn, wild cherry, and the poplar bare;
The sycamore all withered in the sun.
No leaves are now upon the birch tree there:
All now is stript to the cold wintry air.


See, not one tree but what has lost its leaves--
And yet the landscape wears a pleasing hue.
The winter chill on his cold bed receives
Foliage which once hung oer the waters blue.
Naked and bare the leafless trees repose.
Blue-headed titmouse now seeks maggots rare,
Sluggish and dull the leaf-strewn river flows;
That is not green, which was so through the year
Dark chill November draweth to a close.


Tis Winter, and I love to read indoors,
When the Moon hangs her crescent up on high;
While on the window shutters the wind roars,
And storms like furies pass remorseless by.
How pleasant on a feather bed to lie,
Or, sitting by the fire, in fancy soar
With Dante or with Milton to regions high,
Or read fresh volumes we've not seen before,
Or oer old Burton's Melancholy pore.

The Thrush's Nest

Within a thick and spreading hawthorn bush
That overhung a molehill large and round,
I heard from morn to morn a merry thrush
Sing hymns to sunrise, and I drank the sound
With joy; and often, an intruding guest,
I watched her secret toil from day to day -
How true she warped the moss to form a nest,
And modelled it within with wood and clay;
And by and by, like heath-bells gilt with dew,
There lay her shining eggs, as bright as flowers,
Ink-spotted over shells of greeny blue;
And there I witnessed, in the sunny hours,
A brood of nature's minstrels chirp and fly,
Glad as the sunshine and the laughing sky.

The Shepherd's Tree

Huge elm, with rifted trunk all notched and scarred,
Like to a warrior's destiny! I love
To stretch me often on thy shadowed sward,
And hear the laugh of summer leaves above;
Or on thy buttressed roots to sit, and lean
In careless attitude, and there reflect
On times and deeds and darings that have been -
Old castaways, now swallowed in neglect, -
While thou art towering in thy strength of heart,
Stirring the soul to vain imaginings
In which life's sordid being hath no part.
The wind of that eternal ditty sings,
Humming of future things, that burn the mind
To leave some fragment of itself behind.

The Shepherd's Calendar - October

Nature now spreads around in dreary hue
A pall to cover all that summer knew
Yet in the poets solitary way
Some pleasing objects for his praise delay
Somthing that makes him pause and turn again
As every trifle will his eye detain
The free horse rustling through the stubble land
And bawling herd boy with his motly band
Of hogs and sheep and cows who feed their fill
Oer cleard fields rambling where so ere they will
The geese flock gabbling in the splashy fields
And quaking ducks in pondweeds half conseald
Or seeking worms along the homclose sward
Right glad of freedom from the prison yard
While every cart rut dribbles its low tide
And every hollow splashing sports provide
The hedger stopping gaps wi pointed bough
Made by intruding horse and blundering cow
The milk maid tripping on her morning way
And fodderers oft tho early cutting hay
Dropping the littering forkfulls from his back
Side where the thorn fence circles round the stack
The cotter journying wi his noisev swine
Along the wood side where the brambles twine
Shaking from dinted cups the acorns brown
And from the hedges red awes dashing down
And nutters rustling in the yellow woods
Scaring from their snug lairs the pheasant broods
And squirrels secret toils oer winter dreams
Picking the brown nuts from the yellow beams
And hunters from the thickets avenue
In scarlet jackets startling on the view
Skiming a moment oer the russet plain
Then hiding in the colord woods again
The ploping guns sharp momentary shock
Which eccho bustles from her cave to mock
The sticking groups in many a ragged set
Brushing the woods their harmless loads to get
And gipseys camps in some snug shelterd nook
Where old lane hedges like the pasture brook
Run crooking as they will by wood and dell
In such lone spots these wild wood roamers dwell
On commons where no farmers claims appear
Nor tyrant justice rides to interfere
Such the abodes neath hedge or spreading oak
And but discovered by its curling smoak
Puffing and peeping up as wills the breeze
Between the branches of the colord trees
Such are the pictures that october yields
To please the poet as he walks the fields
Oft dames in faded cloak of red or grey
Loiters along the mornings dripping way


Wi wicker basket on their witherd arms
Searching the hedges of home close or farms
Where brashy elder trees to autum fade
Each cotters mossy hut and garden shade
Whose glossy berrys picturesquly weaves
Their swathy bunches mid the yellow leaves
Where the pert sparrow stains his little bill
And tutling robin picks his meals at will
Black ripening to the wan suns misty ray
Here the industrious huswives wend their way
Pulling the brittle branches carefull down
And hawking loads of berrys to the town
Wi unpretending skill yet half divine
To press and make their eldern berry wine
That bottld up becomes a rousing charm
To kindle winters icy bosom warm
That wi its merry partner nut brown beer
Makes up the peasants christmass keeping cheer
While nature like fair woman in decay
Which pale consumption hourly wastes away
Upon her waining features pale and chill
Wears dreams of beauty that seem lovely still
Among the heath furze still delights to dwell
Quaking as if with cold the harvest bell
The mushroom buttons each moist morning brings
Like spots of snow in the green tawney rings
And fuzz balls swelld like bladders in the grass
Which oft the merry laughing milking lass
Will stoop to gather in her sportive airs
And slive in mimickd fondness unawares
To smut the brown cheek of the teazing swain
Wi the black powder which their balls contain
Who feigns offence at first that love may speed
Then charms a kiss to recompence the deed
The flying clouds urged on in swiftest pace
Like living things as if they runned a race
The winds that oer each coming tempest broods
Waking like spirits in their startling moods
Fluttering the sear leaves on the blasting lea
That litters under every fading tree
And pausing oft as falls the pattering rain
Then gathering strength and twirling them again
The startld stockdove hurried wizzing bye
As the still hawk hangs oer him in the sky
Crows from the oak trees qawking as they spring
Dashing the acorns down wi beating wing
Waking the woodlands sleep in noises low
Pattring on crimpt brakes withering brown below
While from their hollow nest the squirrels (pop)
Adown the tree to pick them as they drop
The starnel crowds that dim the muddy light
The crows and jackdaws flapping home at night


And puddock circling round its lazy flight
Round the wild sweeing wood in motion slow
Before it perches on the oaks below
And hugh black beetles revelling alone
In the dull evening with their heavy drone
Buzzing from barn door straw and hovel sides
Where fodderd cattle from the night abides
These pictures linger thro the shortning day
And cheer the lone bards mellancholy way
And now and then a solitary boy
Journeying and muttering oer his dreams of joy

The Shepherd's Calendar - October

Nature now spreads around in dreary hue
A pall to cover all that summer knew
Yet in the poets solitary way
Some pleasing objects for his praise delay
Somthing that makes him pause and turn again
As every trifle will his eye detain
The free horse rustling through the stubble land
And bawling herd boy with his motly band
Of hogs and sheep and cows who feed their fill
Oer cleard fields rambling where so ere they will
The geese flock gabbling in the splashy fields
And quaking ducks in pondweeds half conseald
Or seeking worms along the homclose sward
Right glad of freedom from the prison yard
While every cart rut dribbles its low tide
And every hollow splashing sports provide
The hedger stopping gaps wi pointed bough
Made by intruding horse and blundering cow
The milk maid tripping on her morning way
And fodderers oft tho early cutting hay
Dropping the littering forkfulls from his back
Side where the thorn fence circles round the stack
The cotter journying wi his noisev swine
Along the wood side where the brambles twine
Shaking from dinted cups the acorns brown
And from the hedges red awes dashing down
And nutters rustling in the yellow woods
Scaring from their snug lairs the pheasant broods
And squirrels secret toils oer winter dreams
Picking the brown nuts from the yellow beams
And hunters from the thickets avenue
In scarlet jackets startling on the view
Skiming a moment oer the russet plain
Then hiding in the colord woods again
The ploping guns sharp momentary shock
Which eccho bustles from her cave to mock
The sticking groups in many a ragged set
Brushing the woods their harmless loads to get
And gipseys camps in some snug shelterd nook
Where old lane hedges like the pasture brook
Run crooking as they will by wood and dell
In such lone spots these wild wood roamers dwell
On commons where no farmers claims appear
Nor tyrant justice rides to interfere
Such the abodes neath hedge or spreading oak
And but discovered by its curling smoak
Puffing and peeping up as wills the breeze
Between the branches of the colord trees
Such are the pictures that october yields
To please the poet as he walks the fields
Oft dames in faded cloak of red or grey
Loiters along the mornings dripping way


Wi wicker basket on their witherd arms
Searching the hedges of home close or farms
Where brashy elder trees to autum fade
Each cotters mossy hut and garden shade
Whose glossy berrys picturesquly weaves
Their swathy bunches mid the yellow leaves
Where the pert sparrow stains his little bill
And tutling robin picks his meals at will
Black ripening to the wan suns misty ray
Here the industrious huswives wend their way
Pulling the brittle branches carefull down
And hawking loads of berrys to the town
Wi unpretending skill yet half divine
To press and make their eldern berry wine
That bottld up becomes a rousing charm
To kindle winters icy bosom warm
That wi its merry partner nut brown beer
Makes up the peasants christmass keeping cheer
While nature like fair woman in decay
Which pale consumption hourly wastes away
Upon her waining features pale and chill
Wears dreams of beauty that seem lovely still
Among the heath furze still delights to dwell
Quaking as if with cold the harvest bell
The mushroom buttons each moist morning brings
Like spots of snow in the green tawney rings
And fuzz balls swelld like bladders in the grass
Which oft the merry laughing milking lass
Will stoop to gather in her sportive airs
And slive in mimickd fondness unawares
To smut the brown cheek of the teazing swain
Wi the black powder which their balls contain
Who feigns offence at first that love may speed
Then charms a kiss to recompence the deed
The flying clouds urged on in swiftest pace
Like living things as if they runned a race
The winds that oer each coming tempest broods
Waking like spirits in their startling moods
Fluttering the sear leaves on the blasting lea
That litters under every fading tree
And pausing oft as falls the pattering rain
Then gathering strength and twirling them again
The startld stockdove hurried wizzing bye
As the still hawk hangs oer him in the sky
Crows from the oak trees qawking as they spring
Dashing the acorns down wi beating wing
Waking the woodlands sleep in noises low
Pattring on crimpt brakes withering brown below
While from their hollow nest the squirrels (pop)
Adown the tree to pick them as they drop
The starnel crowds that dim the muddy light
The crows and jackdaws flapping home at night


And puddock circling round its lazy flight
Round the wild sweeing wood in motion slow
Before it perches on the oaks below
And hugh black beetles revelling alone
In the dull evening with their heavy drone
Buzzing from barn door straw and hovel sides
Where fodderd cattle from the night abides
These pictures linger thro the shortning day
And cheer the lone bards mellancholy way
And now and then a solitary boy
Journeying and muttering oer his dreams of joy