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Derek Walcott

Derek Walcott

Egypt, Tobago

Egypt, Tobago

There is a shattered palm
on this fierce shore,
its plumes the rusting helmet
of a dead warrior.


Numb Antony, in the torpor
stretching her inert
sex near him like a sleeping cat,
knows his heart is the real desert.


Over the dunes
of her heaving,
to his heart's drumming
fades the mirage of the legions,


across love-tousled sheets,
the triremes fading.
Ar the carved door of her temple
a fly wrings its message.


He brushes a damp hair
away from an ear
as perfect as a sleeping child's.
He stares, inert, the fallen column.


He lies like a copper palm
tree at three in the afternoon
by a hot sea
and a river, in Egypt, Tobago


Her salt marsh dries in the heat
where he foundered
without armor.
He exchanged an empire for her beads of sweat,


the uproar of arenas,
the changing surf
of senators, for
this silent ceiling over silent sand


this grizzled bear, whose fur,
moulting, is silvered for
this quick fox with her
sweet stench. By sleep dismembered,


his head
is in Egypt, his feet
in Rome, his groin a desert
trench with its dead soldier.


He drifts a finger
through her stiff hair



crisp as a mare's fountaining tail.
Shadows creep up the palace tile.


He is too tired to move;
a groan would waken
trumpets, one more gesture
war. His glare,


a shield
reflecting fires,
a brass brow that cannot frown
at carnage, sweats the sun's force.


It is not the turmoil
of autumnal lust,
its treacheries, that drove
him, fired and grimed with dust,


this far, not even love,
but a great rage without
clamor, that grew great
because its depth is quiet;


it hears the river
of her young brown blood,
it feels the whole sky quiver
with her blue eyelid.


She sleeps with the soft engine of a child,


that sleep which scythes
the stalks of lances, fells the
harvest of legions
with nothing for its knives,
that makes Caesars,


sputtering at flies,
slapping their foreheads
with the laurel's imprint,
drunkards, comedians.


All-humbling sleep, whose peace
is sweet as death,
whose silence has
all the sea's weight and volubility,


who swings this globe by a hair's trembling breath.


Shattered and wild and
palm-crowned Antony,
rusting in Egypt,
ready to lose the world,



to Actium and sand,

everything else
is vanity, but this tenderness
for a woman not his mistress
but his sleeping child.

The sky is cloudless. The afternoon is mild.
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Alexander Pope

Alexander Pope

With sweeter notes each rising temple rung;

With sweeter notes each rising temple rung;
A Raphael painted and a Vida sung;
Immortal Vida! on whose honour'd brow
The poet's bays and critics ivy grow:
Cremona now shall ever boast they name,
As next in place to Mantua, next in fame!

But soon by impious arms from Latium chased,
Their ancient bounds the banish'd Muses pass'd;
Thence arts o'er all the northern world advance,
But critic learning flourish'd most in France;
The rules a nation born to serve obeys,
And Boileau still in right of Horace sways.
But we, brave Britons, foreign laws despised,
And kept unconquer'd and uncivilized;
Fierce for the liberties of wit, and bold,
We still defied the Romans, as of old.
Yet some there were, among the sounder few
Of those who less presumed and better knew,
Who durst assert the juster ancient cause,
And here restor'd WIt's fundamental laws.
Such was the Muse whose rules and practice tell
``Nature's chief masterpiece is writing well.''
Such was Roscommon, not more learn'd than good,
With manners gen'rous as his noble blood;
To him the wit of Greece and Rome was known,
And every author's merit but his own.
Such late was Walsh--the Muse's judge and friend,
Who justly knew to blame or to commend;
To failings mild but zealous for desert,
The clearest head, and the sincerest heart.
This humble praise, lamented Shade! receive;
This praise at least a grateful Muse may give:
The Muse whose early voice you taught to sing,
Prescribed her heights, and pruned her tender wing,
(Her guide now lost), no more attempts to rise,
But in low numbers short excursions tries;
Content if hence th'unlearn'd their wants may view,
The learn'd reflect on what before they knew;
Careless of censure, nor too fond of fame;
Still pleas'd to praise, yet not afraid to blame;
Averse alike to flatter or offend;
Not free from faults, nor yet too vain to mend.
724 1
Alexander Pope

Alexander Pope

With sweeter notes each rising temple rung;

With sweeter notes each rising temple rung;
A Raphael painted and a Vida sung;
Immortal Vida! on whose honour'd brow
The poet's bays and critics ivy grow:
Cremona now shall ever boast they name,
As next in place to Mantua, next in fame!

But soon by impious arms from Latium chased,
Their ancient bounds the banish'd Muses pass'd;
Thence arts o'er all the northern world advance,
But critic learning flourish'd most in France;
The rules a nation born to serve obeys,
And Boileau still in right of Horace sways.
But we, brave Britons, foreign laws despised,
And kept unconquer'd and uncivilized;
Fierce for the liberties of wit, and bold,
We still defied the Romans, as of old.
Yet some there were, among the sounder few
Of those who less presumed and better knew,
Who durst assert the juster ancient cause,
And here restor'd WIt's fundamental laws.
Such was the Muse whose rules and practice tell
``Nature's chief masterpiece is writing well.''
Such was Roscommon, not more learn'd than good,
With manners gen'rous as his noble blood;
To him the wit of Greece and Rome was known,
And every author's merit but his own.
Such late was Walsh--the Muse's judge and friend,
Who justly knew to blame or to commend;
To failings mild but zealous for desert,
The clearest head, and the sincerest heart.
This humble praise, lamented Shade! receive;
This praise at least a grateful Muse may give:
The Muse whose early voice you taught to sing,
Prescribed her heights, and pruned her tender wing,
(Her guide now lost), no more attempts to rise,
But in low numbers short excursions tries;
Content if hence th'unlearn'd their wants may view,
The learn'd reflect on what before they knew;
Careless of censure, nor too fond of fame;
Still pleas'd to praise, yet not afraid to blame;
Averse alike to flatter or offend;
Not free from faults, nor yet too vain to mend.
724 1