Poems in this topic
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Rudyard Kipling
Mary, Pity Women!
Mary, Pity Women!
You call yourself a man,
For all you used to swear,
An' leave me, as you can,
My certain shame to bear?
I 'ear! You do not care --
You done the worst you know.
I 'ate you, grinnin' there. . . .
Ah, Gawd, I love you so!
Nice while it lasted, an' now it is over --
Tear out your 'eart an' good-bye to your lover!
What's the use o' grievin', when the mother that bore you
(Mary, pity women!) knew it all before you?
It aren't no false alarm,
The finish to your fun;
You -- you 'ave brung the 'arm,
An' I'm the ruined one;
An' now you'll off an' run
With some new fool in tow.
Your 'eart? You 'aven't none. . . .
Ah, Gawd, I love you so!
When a man is tired there is naught will bind 'im;
All 'e solemn promised 'e will shove be'ind 'im.
What's the good o' prayin' for The Wrath to strike 'im
(Mary, pity women!), when the rest are like 'im?
What 'ope for me or -- it?
What's left for us to do?
I've walked with men a bit,
But this -- but this is you.
So 'elp me Christ, it's true!
Where can I 'ide or go?
You coward through and through! . . .
Ah, Gawd, I love you so!
All the more you give 'em the less are they for givin' --
Love lies dead, an' you cannot kiss 'im livin'.
Down the road 'e led you there is no returnin'
(Mary, pity women!), but you're late in learnin'!
You'd like to treat me fair?
You can't, because we're pore?
We'd starve? What do I care!
We might, but ~this~ is shore!
I want the name -- no more --
The name, an' lines to show,
An' not to be an 'ore. . . .
Ah, Gawd, I love you so!
What's the good o' pleadin', when the mother that bore you
(Mary, pity women!) knew it all before you?
Sleep on 'is promises an' wake to your sorrow
(Mary, pity women!), for we sail to-morrow!
You call yourself a man,
For all you used to swear,
An' leave me, as you can,
My certain shame to bear?
I 'ear! You do not care --
You done the worst you know.
I 'ate you, grinnin' there. . . .
Ah, Gawd, I love you so!
Nice while it lasted, an' now it is over --
Tear out your 'eart an' good-bye to your lover!
What's the use o' grievin', when the mother that bore you
(Mary, pity women!) knew it all before you?
It aren't no false alarm,
The finish to your fun;
You -- you 'ave brung the 'arm,
An' I'm the ruined one;
An' now you'll off an' run
With some new fool in tow.
Your 'eart? You 'aven't none. . . .
Ah, Gawd, I love you so!
When a man is tired there is naught will bind 'im;
All 'e solemn promised 'e will shove be'ind 'im.
What's the good o' prayin' for The Wrath to strike 'im
(Mary, pity women!), when the rest are like 'im?
What 'ope for me or -- it?
What's left for us to do?
I've walked with men a bit,
But this -- but this is you.
So 'elp me Christ, it's true!
Where can I 'ide or go?
You coward through and through! . . .
Ah, Gawd, I love you so!
All the more you give 'em the less are they for givin' --
Love lies dead, an' you cannot kiss 'im livin'.
Down the road 'e led you there is no returnin'
(Mary, pity women!), but you're late in learnin'!
You'd like to treat me fair?
You can't, because we're pore?
We'd starve? What do I care!
We might, but ~this~ is shore!
I want the name -- no more --
The name, an' lines to show,
An' not to be an 'ore. . . .
Ah, Gawd, I love you so!
What's the good o' pleadin', when the mother that bore you
(Mary, pity women!) knew it all before you?
Sleep on 'is promises an' wake to your sorrow
(Mary, pity women!), for we sail to-morrow!
484
Rudyard Kipling
M'Andrew's Hymn
M'Andrew's Hymn
Lord, Thou hast made this world below the shadow of a dream,
An', taught by time, I tak' it so -- exceptin' always Steam.
From coupler-flange to spindle-guide I see Thy Hand, O God --
Predestination in the stride o' yon connectin'-rod.
John Calvin might ha' forged the same -- enorrmous, certain, slow --
Ay, wrought it in the furnace-flame -- ~my~ "Institutio".
I cannot get my sleep to-night; old bones are hard to please;
I'll stand the middle watch up here -- alone wi' God an' these
My engines, after ninety days o' race an' rack an' strain
Through all the seas of all Thy world, slam-bangin' home again.
Slam-bang too much -- they knock a wee -- the crosshead-gibs are loose;
But thirty thousand mile o' sea has gied them fair excuse. . . .
Fine, clear an' dark -- a full-draught breeze, wi' Ushant out o' sight,
An' Ferguson relievin' Hay. Old girl, ye'll walk to-night!
His wife's at Plymouth. . . . Seventy --
One -- Two -- Three since he began --
Three turns for Mistress Ferguson. . .and who's to blame the man?
There's none at any port for me, by drivin' fast or slow,
Since Elsie Campbell went to Thee, Lord, thirty years ago.
(The year the ~Sarah Sands~ was burned. Oh roads we used to tread,
Fra' Maryhill to Pollokshaws -- fra' Govan to Parkhead!)
Not but they're ceevil on the Board. Ye'll hear Sir Kenneth say:
"Good-morrn, M'Andrew! Back again? An' how's your bilge to-day?"
Miscallin' technicalities but handin' me my chair
To drink Madeira wi' three Earls -- the auld Fleet Engineer,
That started as a boiler-whelp -- when steam and he were low.
I mind the time we used to serve a broken pipe wi' tow.
Ten pound was all the pressure then -- Eh! Eh! -- a man wad drive;
An' here, our workin' gauges give one hunder fifty-five!
We're creepin' on wi' each new rig -- less weight an' larger power:
There'll be the loco-boiler next an' thirty knots an hour!
Thirty an' more. What I ha' seen since ocean-steam began
Leaves me no doot for the machine: but what about the man?
The man that counts, wi' all his runs, one million mile o' sea:
Four time the span from earth to moon. . . . How far, O Lord, from Thee?
That wast beside him night an' day. Ye mind my first typhoon?
It scoughed the skipper on his way to jock wi' the saloon.
Three feet were on the stokehold-floor -- just slappin' to an' fro --
An' cast me on a furnace-door. I have the marks to show.
Marks! I ha' marks o' more than burns -- deep in my soul an' black,
An' times like this, when things go smooth, my wickudness comes back.
The sins o' four and forty years, all up an' down the seas,
Clack an' repeat like valves half-fed. . . . Forgie's our trespasses.
Nights when I'd come on deck to mark, wi' envy in my gaze,
The couples kittlin' in the dark between the funnel stays;
Years when I raked the ports wi' pride to fill my cup o' wrong --
Judge not, O Lord, my steps aside at Gay Street in Hong-Kong!
Blot out the wastrel hours of mine in sin when I abode --
Jane Harrigan's an' Number Nine, The Reddick an' Grant Road!
An' waur than all -- my crownin' sin -- rank blasphemy an' wild.
I was not four and twenty then -- Ye wadna judge a child?
I'd seen the Tropics first that run -- new fruit, new smells, new air --
How could I tell -- blind-fou wi' sun -- the Deil was lurkin' there?
By day like playhouse-scenes the shore slid past our sleepy eyes;
By night those soft, lasceevious stars leered from those velvet skies,
In port (we used no cargo-steam) I'd daunder down the streets --
An ijjit grinnin' in a dream -- for shells an' parrakeets,
An' walkin'-sticks o' carved bamboo an' blowfish stuffed an' dried --
Fillin' my bunk wi' rubbishry the Chief put overside.
Till, off Sambawa Head, Ye mind, I heard a land-breeze ca',
Milk-warm wi' breath o' spice an' bloom: "M'Andrew, come awa'!"
Firm, clear an' low -- no haste, no hate -- the ghostly whisper went,
Just statin' eevidential facts beyon' all argument:
"Your mither's God's a graspin' deil, the shadow o' yoursel',
Got out o' books by meenisters clean daft on Heaven an' Hell.
They mak' Him in the Broomielaw, o' Glasgie cold an' dirt,
A jealous, pridefu' fetich, lad, that's only strong to hurt,
Ye'll not go back to Him again an' kiss His red-hot rod,
But come wi' Us" (Now, who were ~They~?) "an' know the Leevin' God,
That does not kipper souls for sport or break a life in jest,
But swells the ripenin' cocoanuts an' ripes the woman's breast."
An' there it stopped: cut off: no more; that quiet, certain voice --
For me, six months o' twenty-four, to leave or take at choice.
'Twas on me like a thunderclap -- it racked me through an' through --
Temptation past the show o' speech, unnameable an' new --
The Sin against the Holy Ghost? . . . An' under all, our screw.
That storm blew by but left behind her anchor-shiftin' swell,
Thou knowest all my heart an' mind, Thou knowest, Lord, I fell.
Third on the ~Mary Gloster~ then, and first that night in Hell!
Yet was Thy hand beneath my head, about my feet Thy care --
Fra' Deli clear to Torres Strait, the trial o' despair,
But when we touched the Barrier Reef Thy answer to my prayer!
We dared not run that sea by night but lay an' held our fire,
An' I was drowsin' on the hatch -- sick -- sick wi' doubt an' tire:
"~Better the sight of eyes that see than wanderin' o' desire!~"
Ye mind that word? Clear as our gongs -- again, an' once again,
When rippin' down through coral-trash ran out our moorin'-chain;
An' by Thy Grace I had the Light to see my duty plain.
Light on the engine-room -- no more -- bright as our carbons burn.
I've lost it since a thousand times, but never past return.
Obsairve. Per annum we'll have here two thousand souls aboard --
Think not I dare to justify myself before the Lord,
But -- average fifteen hunder souls safe-borne fra' port to port --
I ~am~ o' service to my kind. Ye wadna blame the thought?
Maybe they steam from grace to wrath -- to sin by folly led, --
It isna mine to judge their path -- their lives are on my head.
Mine at the last -- when all is done it all comes back to me,
The fault that leaves six thousand ton a log upon the sea.
We'll tak' one stretch -- three weeks an' odd by any road ye steer --
Fra' Cape Town east to Wellington -- ye need an engineer.
Fail there -- ye've time to weld your shaft -- ay, eat it, ere ye're spoke;
Or make Kerguelen under sail -- three jiggers burned wi' smoke!
An' home again, the Rio run: it's no child's play to go
Steamin' to bell for fourteen days o' snow an' floe an' blow --
The bergs like kelpies overside that girn an' turn an' shift
Whaur, grindin' like the Mills o' God, goes by the big South drift.
(Hail, snow an' ice that praise the Lord: I've met them at their work,
An' wished we had anither route or they anither kirk.)
Yon's strain, hard strain, o' head an' hand, for though Thy Power brings
All skill to naught, Ye'll understand a man must think o' things.
Then, at the last, we'll get to port an' hoist their baggage clear --
The passengers, wi' gloves an' canes -- an' this is what I'll hear:
"Well, thank ye for a pleasant voyage. The tender's comin' now."
While I go testin' follower-bolts an' watch the skipper bow.
They've words for every one but me -- shake hands wi' half the crew,
Except the dour Scots engineer, the man they never knew.
An' yet I like the wark for all we've dam' few pickin's here --
No pension, an' the most we earn's four hunder pound a year.
Better myself abroad? Maybe. ~I'd~ sooner starve than sail
Wi' such as call a snifter-rod ~ross~. . .French for nightingale.
Commeesion on my stores? Some do; but I can not afford
To lie like stewards wi' patty-pans --. I'm older than the Board.
A bonus on the coal I save? Ou ay, the Scots are close,
But when I grudge the strength Ye gave I'll grudge their food to ~those~.
(There's bricks that I might recommend -- an' clink the fire-bars cruel.
No! Welsh -- Wangarti at the worst -- an' damn all patent fuel!)
Inventions? Ye must stay in port to mak' a patent pay.
My Deeferential Valve-Gear taught me how that business lay,
I blame no chaps wi' clearer head for aught they make or sell.
~I~ found that I could not invent an' look to these -- as well.
So, wrestled wi' Apollyon -- Nah! -- fretted like a bairn --
But burned the workin'-plans last run wi' all I hoped to earn.
Ye know how hard an Idol dies, an' what that meant to me --
E'en tak' it for a sacrifice acceptable to Thee. . . .
~Below there! Oiler! What's your wark? Ye find it runnin' hard?
Ye needn't swill the cap wi' oil -- this isn't the Cunard!
Ye thought? Ye are not paid to think. Go, sweat that off again!~
Tck! Tck! It's deeficult to sweer nor tak' The Name in vain!
Men, ay an' women, call me stern. Wi' these to oversee
Ye'll note I've little time to burn on social repartee.
The bairns see what their elders miss; they'll hunt me to an' fro,
Till for the sake of -- well, a kiss -- I tak' 'em down below.
That minds me of our Viscount loon -- Sir Kenneth's kin -- the chap
Wi' Russia leather tennis-shoon an' spar-decked yachtin'-cap.
I showed him round last week, o'er all -- an' at the last says he:
"Mister M'Andrew, don't you think steam spoils romance at sea?"
Damned ijjit! I'd been doon that morn to see what ailed the throws,
Manholin', on my back -- the cranks three inches off my nose.
Romance! Those first-class passengers they like it very well,
Printed an' bound in little books; but why don't poets tell?
I'm sick of all their quirks an' turns -- the loves an' doves they dream --
Lord, send a man like Robbie Burns to sing the Song o' Steam!
To match wi' Scotia's noblest speech yon orchestra sublime
Whaurto -- uplifted like the Just -- the tail-rods mark the time.
The crank-throws give the double-bass, the feed-pump sobs an' heaves,
An' now the main eccentrics start their quarrel on the sheaves:
Her time, her own appointed time, the rocking link-head bides,
Till -- hear that note? -- the rod's return
whings glimmerin' through the guides.
They're all awa'! True beat, full power, the clangin' chorus goes
Clear to the tunnel where they sit, my purrin' dynamos.
Interdependence absolute, foreseen, ordained, decreed,
To work, Ye'll note, at any tilt an' every rate o' speed.
Fra' skylight-lift to furnace-bars, backed, bolted, braced an' stayed,
An' singin' like the Mornin' Stars for joy that they are made;
While, out o' touch o' vanity, the sweatin' thrust-block says:
"Not unto us the praise, or man -- not unto us the praise!"
Now, a' together, hear them lift their lesson -- theirs an' mine:
"Law, Orrder, Duty an' Restraint, Obedience, Discipline!"
Mill, forge an' try-pit taught them that when roarin' they arose,
An' whiles I wonder if a soul was gied them wi' the blows.
Oh for a man to weld it then, in one trip-hammer strain,
Till even first-class passengers could tell the meanin' plain!
But no one cares except mysel' that serve an' understand
My seven thousand horse-power here.
Eh, Lord! They're grand -- they're grand!
Uplift am I? When first in store the new-made beasties stood,
Were Ye cast down that breathed the Word declarin' all things good?
Not so! O' that warld-liftin' joy no after-fall could vex,
Ye've left a glimmer still to cheer the Man -- the Arrtifex!
~That~ holds, in spite o' knock and scale, o' friction, waste an' slip,
An' by that light -- now, mark my word -- we'll build the Perfect Ship.
I'll never last to judge her lines or take her curve -- not I.
But I ha' lived an' I ha' worked. 'Be thanks to Thee, Most High!
An' I ha' done what I ha' done -- judge Thou if ill or well --
Always Thy Grace preventin' me. . . .
Losh! Yon's the "Stand by" bell.
Pilot so soon? His flare it is. The mornin'-watch is set.
Well, God be thanked, as I was sayin', I'm no Pelagian yet.
Now I'll tak' on. . . .
~'Morrn, Ferguson. Man, have ye ever thought
What your good leddy costs in coal? . . . I'll burn 'em down to port.
Lord, Thou hast made this world below the shadow of a dream,
An', taught by time, I tak' it so -- exceptin' always Steam.
From coupler-flange to spindle-guide I see Thy Hand, O God --
Predestination in the stride o' yon connectin'-rod.
John Calvin might ha' forged the same -- enorrmous, certain, slow --
Ay, wrought it in the furnace-flame -- ~my~ "Institutio".
I cannot get my sleep to-night; old bones are hard to please;
I'll stand the middle watch up here -- alone wi' God an' these
My engines, after ninety days o' race an' rack an' strain
Through all the seas of all Thy world, slam-bangin' home again.
Slam-bang too much -- they knock a wee -- the crosshead-gibs are loose;
But thirty thousand mile o' sea has gied them fair excuse. . . .
Fine, clear an' dark -- a full-draught breeze, wi' Ushant out o' sight,
An' Ferguson relievin' Hay. Old girl, ye'll walk to-night!
His wife's at Plymouth. . . . Seventy --
One -- Two -- Three since he began --
Three turns for Mistress Ferguson. . .and who's to blame the man?
There's none at any port for me, by drivin' fast or slow,
Since Elsie Campbell went to Thee, Lord, thirty years ago.
(The year the ~Sarah Sands~ was burned. Oh roads we used to tread,
Fra' Maryhill to Pollokshaws -- fra' Govan to Parkhead!)
Not but they're ceevil on the Board. Ye'll hear Sir Kenneth say:
"Good-morrn, M'Andrew! Back again? An' how's your bilge to-day?"
Miscallin' technicalities but handin' me my chair
To drink Madeira wi' three Earls -- the auld Fleet Engineer,
That started as a boiler-whelp -- when steam and he were low.
I mind the time we used to serve a broken pipe wi' tow.
Ten pound was all the pressure then -- Eh! Eh! -- a man wad drive;
An' here, our workin' gauges give one hunder fifty-five!
We're creepin' on wi' each new rig -- less weight an' larger power:
There'll be the loco-boiler next an' thirty knots an hour!
Thirty an' more. What I ha' seen since ocean-steam began
Leaves me no doot for the machine: but what about the man?
The man that counts, wi' all his runs, one million mile o' sea:
Four time the span from earth to moon. . . . How far, O Lord, from Thee?
That wast beside him night an' day. Ye mind my first typhoon?
It scoughed the skipper on his way to jock wi' the saloon.
Three feet were on the stokehold-floor -- just slappin' to an' fro --
An' cast me on a furnace-door. I have the marks to show.
Marks! I ha' marks o' more than burns -- deep in my soul an' black,
An' times like this, when things go smooth, my wickudness comes back.
The sins o' four and forty years, all up an' down the seas,
Clack an' repeat like valves half-fed. . . . Forgie's our trespasses.
Nights when I'd come on deck to mark, wi' envy in my gaze,
The couples kittlin' in the dark between the funnel stays;
Years when I raked the ports wi' pride to fill my cup o' wrong --
Judge not, O Lord, my steps aside at Gay Street in Hong-Kong!
Blot out the wastrel hours of mine in sin when I abode --
Jane Harrigan's an' Number Nine, The Reddick an' Grant Road!
An' waur than all -- my crownin' sin -- rank blasphemy an' wild.
I was not four and twenty then -- Ye wadna judge a child?
I'd seen the Tropics first that run -- new fruit, new smells, new air --
How could I tell -- blind-fou wi' sun -- the Deil was lurkin' there?
By day like playhouse-scenes the shore slid past our sleepy eyes;
By night those soft, lasceevious stars leered from those velvet skies,
In port (we used no cargo-steam) I'd daunder down the streets --
An ijjit grinnin' in a dream -- for shells an' parrakeets,
An' walkin'-sticks o' carved bamboo an' blowfish stuffed an' dried --
Fillin' my bunk wi' rubbishry the Chief put overside.
Till, off Sambawa Head, Ye mind, I heard a land-breeze ca',
Milk-warm wi' breath o' spice an' bloom: "M'Andrew, come awa'!"
Firm, clear an' low -- no haste, no hate -- the ghostly whisper went,
Just statin' eevidential facts beyon' all argument:
"Your mither's God's a graspin' deil, the shadow o' yoursel',
Got out o' books by meenisters clean daft on Heaven an' Hell.
They mak' Him in the Broomielaw, o' Glasgie cold an' dirt,
A jealous, pridefu' fetich, lad, that's only strong to hurt,
Ye'll not go back to Him again an' kiss His red-hot rod,
But come wi' Us" (Now, who were ~They~?) "an' know the Leevin' God,
That does not kipper souls for sport or break a life in jest,
But swells the ripenin' cocoanuts an' ripes the woman's breast."
An' there it stopped: cut off: no more; that quiet, certain voice --
For me, six months o' twenty-four, to leave or take at choice.
'Twas on me like a thunderclap -- it racked me through an' through --
Temptation past the show o' speech, unnameable an' new --
The Sin against the Holy Ghost? . . . An' under all, our screw.
That storm blew by but left behind her anchor-shiftin' swell,
Thou knowest all my heart an' mind, Thou knowest, Lord, I fell.
Third on the ~Mary Gloster~ then, and first that night in Hell!
Yet was Thy hand beneath my head, about my feet Thy care --
Fra' Deli clear to Torres Strait, the trial o' despair,
But when we touched the Barrier Reef Thy answer to my prayer!
We dared not run that sea by night but lay an' held our fire,
An' I was drowsin' on the hatch -- sick -- sick wi' doubt an' tire:
"~Better the sight of eyes that see than wanderin' o' desire!~"
Ye mind that word? Clear as our gongs -- again, an' once again,
When rippin' down through coral-trash ran out our moorin'-chain;
An' by Thy Grace I had the Light to see my duty plain.
Light on the engine-room -- no more -- bright as our carbons burn.
I've lost it since a thousand times, but never past return.
Obsairve. Per annum we'll have here two thousand souls aboard --
Think not I dare to justify myself before the Lord,
But -- average fifteen hunder souls safe-borne fra' port to port --
I ~am~ o' service to my kind. Ye wadna blame the thought?
Maybe they steam from grace to wrath -- to sin by folly led, --
It isna mine to judge their path -- their lives are on my head.
Mine at the last -- when all is done it all comes back to me,
The fault that leaves six thousand ton a log upon the sea.
We'll tak' one stretch -- three weeks an' odd by any road ye steer --
Fra' Cape Town east to Wellington -- ye need an engineer.
Fail there -- ye've time to weld your shaft -- ay, eat it, ere ye're spoke;
Or make Kerguelen under sail -- three jiggers burned wi' smoke!
An' home again, the Rio run: it's no child's play to go
Steamin' to bell for fourteen days o' snow an' floe an' blow --
The bergs like kelpies overside that girn an' turn an' shift
Whaur, grindin' like the Mills o' God, goes by the big South drift.
(Hail, snow an' ice that praise the Lord: I've met them at their work,
An' wished we had anither route or they anither kirk.)
Yon's strain, hard strain, o' head an' hand, for though Thy Power brings
All skill to naught, Ye'll understand a man must think o' things.
Then, at the last, we'll get to port an' hoist their baggage clear --
The passengers, wi' gloves an' canes -- an' this is what I'll hear:
"Well, thank ye for a pleasant voyage. The tender's comin' now."
While I go testin' follower-bolts an' watch the skipper bow.
They've words for every one but me -- shake hands wi' half the crew,
Except the dour Scots engineer, the man they never knew.
An' yet I like the wark for all we've dam' few pickin's here --
No pension, an' the most we earn's four hunder pound a year.
Better myself abroad? Maybe. ~I'd~ sooner starve than sail
Wi' such as call a snifter-rod ~ross~. . .French for nightingale.
Commeesion on my stores? Some do; but I can not afford
To lie like stewards wi' patty-pans --. I'm older than the Board.
A bonus on the coal I save? Ou ay, the Scots are close,
But when I grudge the strength Ye gave I'll grudge their food to ~those~.
(There's bricks that I might recommend -- an' clink the fire-bars cruel.
No! Welsh -- Wangarti at the worst -- an' damn all patent fuel!)
Inventions? Ye must stay in port to mak' a patent pay.
My Deeferential Valve-Gear taught me how that business lay,
I blame no chaps wi' clearer head for aught they make or sell.
~I~ found that I could not invent an' look to these -- as well.
So, wrestled wi' Apollyon -- Nah! -- fretted like a bairn --
But burned the workin'-plans last run wi' all I hoped to earn.
Ye know how hard an Idol dies, an' what that meant to me --
E'en tak' it for a sacrifice acceptable to Thee. . . .
~Below there! Oiler! What's your wark? Ye find it runnin' hard?
Ye needn't swill the cap wi' oil -- this isn't the Cunard!
Ye thought? Ye are not paid to think. Go, sweat that off again!~
Tck! Tck! It's deeficult to sweer nor tak' The Name in vain!
Men, ay an' women, call me stern. Wi' these to oversee
Ye'll note I've little time to burn on social repartee.
The bairns see what their elders miss; they'll hunt me to an' fro,
Till for the sake of -- well, a kiss -- I tak' 'em down below.
That minds me of our Viscount loon -- Sir Kenneth's kin -- the chap
Wi' Russia leather tennis-shoon an' spar-decked yachtin'-cap.
I showed him round last week, o'er all -- an' at the last says he:
"Mister M'Andrew, don't you think steam spoils romance at sea?"
Damned ijjit! I'd been doon that morn to see what ailed the throws,
Manholin', on my back -- the cranks three inches off my nose.
Romance! Those first-class passengers they like it very well,
Printed an' bound in little books; but why don't poets tell?
I'm sick of all their quirks an' turns -- the loves an' doves they dream --
Lord, send a man like Robbie Burns to sing the Song o' Steam!
To match wi' Scotia's noblest speech yon orchestra sublime
Whaurto -- uplifted like the Just -- the tail-rods mark the time.
The crank-throws give the double-bass, the feed-pump sobs an' heaves,
An' now the main eccentrics start their quarrel on the sheaves:
Her time, her own appointed time, the rocking link-head bides,
Till -- hear that note? -- the rod's return
whings glimmerin' through the guides.
They're all awa'! True beat, full power, the clangin' chorus goes
Clear to the tunnel where they sit, my purrin' dynamos.
Interdependence absolute, foreseen, ordained, decreed,
To work, Ye'll note, at any tilt an' every rate o' speed.
Fra' skylight-lift to furnace-bars, backed, bolted, braced an' stayed,
An' singin' like the Mornin' Stars for joy that they are made;
While, out o' touch o' vanity, the sweatin' thrust-block says:
"Not unto us the praise, or man -- not unto us the praise!"
Now, a' together, hear them lift their lesson -- theirs an' mine:
"Law, Orrder, Duty an' Restraint, Obedience, Discipline!"
Mill, forge an' try-pit taught them that when roarin' they arose,
An' whiles I wonder if a soul was gied them wi' the blows.
Oh for a man to weld it then, in one trip-hammer strain,
Till even first-class passengers could tell the meanin' plain!
But no one cares except mysel' that serve an' understand
My seven thousand horse-power here.
Eh, Lord! They're grand -- they're grand!
Uplift am I? When first in store the new-made beasties stood,
Were Ye cast down that breathed the Word declarin' all things good?
Not so! O' that warld-liftin' joy no after-fall could vex,
Ye've left a glimmer still to cheer the Man -- the Arrtifex!
~That~ holds, in spite o' knock and scale, o' friction, waste an' slip,
An' by that light -- now, mark my word -- we'll build the Perfect Ship.
I'll never last to judge her lines or take her curve -- not I.
But I ha' lived an' I ha' worked. 'Be thanks to Thee, Most High!
An' I ha' done what I ha' done -- judge Thou if ill or well --
Always Thy Grace preventin' me. . . .
Losh! Yon's the "Stand by" bell.
Pilot so soon? His flare it is. The mornin'-watch is set.
Well, God be thanked, as I was sayin', I'm no Pelagian yet.
Now I'll tak' on. . . .
~'Morrn, Ferguson. Man, have ye ever thought
What your good leddy costs in coal? . . . I'll burn 'em down to port.
444
Rudyard Kipling
Lispeth
Lispeth
Look, you have cast out Love! What Gods are these
You bid me please?
The Three in One, the One in Three? Not so!
To my own Gods I go.
It may be they shall give me greater ease
Than your cold Christ and tangled Trinities.
Look, you have cast out Love! What Gods are these
You bid me please?
The Three in One, the One in Three? Not so!
To my own Gods I go.
It may be they shall give me greater ease
Than your cold Christ and tangled Trinities.
480
Rudyard Kipling
Late Came the God
Late Came the God
Late came the God, having sent his forerunners who were
not regarded--
Late, but in wrath;
Saying: "The wrong shall be paid, the contempt be rewarded
On all that she hath."
He poisoned the blade and struck home, the full bosom receiving
The wound and the venom in one, past cure or relieving.
He made treaty with Time to stand still that the grief might
be fresh--
Daily renewed and nightly pursued through her soul to her
flesh--
Mornings of memory, noontides of agony, midnights unslaked
for her,
Till the stones of the streets of her Hells and her Paradise ached
for her.
So she lived while her body corrupted upon her.
And she called on the Night for a sign, and a Sign was allowed,
And she builded an Altar and served by the light of her Vision--
Alone, without hope of regard or reward, but uncowed,
Resolute, selfless, divine.
These things she did in Love's honour...
What is a God beside Woman? Dust and derision!
Late came the God, having sent his forerunners who were
not regarded--
Late, but in wrath;
Saying: "The wrong shall be paid, the contempt be rewarded
On all that she hath."
He poisoned the blade and struck home, the full bosom receiving
The wound and the venom in one, past cure or relieving.
He made treaty with Time to stand still that the grief might
be fresh--
Daily renewed and nightly pursued through her soul to her
flesh--
Mornings of memory, noontides of agony, midnights unslaked
for her,
Till the stones of the streets of her Hells and her Paradise ached
for her.
So she lived while her body corrupted upon her.
And she called on the Night for a sign, and a Sign was allowed,
And she builded an Altar and served by the light of her Vision--
Alone, without hope of regard or reward, but uncowed,
Resolute, selfless, divine.
These things she did in Love's honour...
What is a God beside Woman? Dust and derision!
486
Rudyard Kipling
If -
If -
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or, being hated, don't give way to hating,
And yet don't look too good, nor talk too wise;
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with triumph and disaster
And treat those two imposters just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build 'em up with wornout tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on";
If you can talk with crowds and keep your virtue,
Or walk with kings - nor lose the common touch;
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run -
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man my son!
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or, being hated, don't give way to hating,
And yet don't look too good, nor talk too wise;
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with triumph and disaster
And treat those two imposters just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build 'em up with wornout tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on";
If you can talk with crowds and keep your virtue,
Or walk with kings - nor lose the common touch;
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run -
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man my son!
537
Rudyard Kipling
If
If
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;
If you can dream---and not make dreams your master;
If you can think---and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build'em up with worn-out tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with Kings---nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And---which is more---you'll be a Man, my son!
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;
If you can dream---and not make dreams your master;
If you can think---and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build'em up with worn-out tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with Kings---nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And---which is more---you'll be a Man, my son!
684
Rudyard Kipling
Hymn to Physical Pain
Hymn to Physical Pain
Dread Mother of Forgetfulness
Who, when Thy reign begins,
Wipest away the Soul's distress,
And memory of her sins.
The trusty Worm that dieth not--
The steadfast Fire also,
By Thy contrivance are forgot
In a completer woe.
Thine are the lidless eyes of night
That stare upon our tears,
Through certain hours which in our sight
Exceed a thousand years:
Thine is the thickness of the Dark
That presses in our pain,
As Thine the Dawn that bids us mark
Life's grinning face again.
Thine is the weariness outworn
No promise shall relieve,
That says at eve, "Would God 'twere morn"
At morn, "Would God 'twere eve!"
And when Thy tender mercies cease
And life unvexed is due,
Instant upon the false release
The Worm and Fire renew.
Wherefore we praise Thee in the deep,
And on our beds we pray
For Thy return that Thou may'st keep
The Pains of Hell at bay!
Dread Mother of Forgetfulness
Who, when Thy reign begins,
Wipest away the Soul's distress,
And memory of her sins.
The trusty Worm that dieth not--
The steadfast Fire also,
By Thy contrivance are forgot
In a completer woe.
Thine are the lidless eyes of night
That stare upon our tears,
Through certain hours which in our sight
Exceed a thousand years:
Thine is the thickness of the Dark
That presses in our pain,
As Thine the Dawn that bids us mark
Life's grinning face again.
Thine is the weariness outworn
No promise shall relieve,
That says at eve, "Would God 'twere morn"
At morn, "Would God 'twere eve!"
And when Thy tender mercies cease
And life unvexed is due,
Instant upon the false release
The Worm and Fire renew.
Wherefore we praise Thee in the deep,
And on our beds we pray
For Thy return that Thou may'st keep
The Pains of Hell at bay!
454
Rudyard Kipling
Heriot's Ford
Heriot's Ford
"What's that that hirples at my side?"
The foe that you must fight, my lord.
"That rides as fast as I can ride?"
The shadow of your might, my lord.
"Then wheel my horse against the foe!"
He's down and overpast, my lord.
You war against the sunset-glow,
The judgment follows fast, my lord!
"Oh, who will stay the sun's descent?"
King Joshua he is dead, my lord.
"I need an hour to repent!"
'Tis what our sister said, my lord.
"Oh, do not slay me in my sins!"
You're safe awhile with us, my lord.
"Nay, kill me ere my fear begins!"
We would not serve you thus, my lord.
"Where is the doom that I must face?"
Three little leagues away, my lord.
"Then mend the horses' laggard pace!"
We need them for next day, my lord.
"Next day--next day! Unloose my cords!"
Our sister needed none, my lord.
You had no mind to face our swords,
And--where can cowards run, my lord?
"You would not kill the soul alive?"
'Twas thus our sister cried, my lord.
"I dare not die with none to shrive."
But so our sister died, my lord.
"Then wipe the sweat from brow and cheek."
It runnels forth afresh, my lord.
"Uphold me--for the flesh is weak."
You've finished with the Flesh, my lord!
"What's that that hirples at my side?"
The foe that you must fight, my lord.
"That rides as fast as I can ride?"
The shadow of your might, my lord.
"Then wheel my horse against the foe!"
He's down and overpast, my lord.
You war against the sunset-glow,
The judgment follows fast, my lord!
"Oh, who will stay the sun's descent?"
King Joshua he is dead, my lord.
"I need an hour to repent!"
'Tis what our sister said, my lord.
"Oh, do not slay me in my sins!"
You're safe awhile with us, my lord.
"Nay, kill me ere my fear begins!"
We would not serve you thus, my lord.
"Where is the doom that I must face?"
Three little leagues away, my lord.
"Then mend the horses' laggard pace!"
We need them for next day, my lord.
"Next day--next day! Unloose my cords!"
Our sister needed none, my lord.
You had no mind to face our swords,
And--where can cowards run, my lord?
"You would not kill the soul alive?"
'Twas thus our sister cried, my lord.
"I dare not die with none to shrive."
But so our sister died, my lord.
"Then wipe the sweat from brow and cheek."
It runnels forth afresh, my lord.
"Uphold me--for the flesh is weak."
You've finished with the Flesh, my lord!
461
Rudyard Kipling
Hadramauti
Hadramauti
Who knows the heart of the Christian? How does he reason?
What are his measures and balances? Which is his season
For laughter, forbearance or bloodshed, and what devils move him
When he arises to smite us? I do not love him.
He invites the derision of strangers—he enters all places.
Booted, bareheaded he enters. With shouts and embraces
He asks of us news of the household whom we reckon nameless.
Certainly Allah created him forty-fold shameless!
So it is not in the Desert. One came to me weeping—
The Avenger of Blood on his track—I took him in keeping.
Demanding not whom he had slain, I refreshed him, I fed him
As he were even a brother. But Eblis had bred him.
He was the son of an ape, ill at ease in his clothing.
He talked with his head, hands and feet. I endured him with loathing.
Whatever his spirit conceived his countenance showed it
As a frog shows in a mud-puddle. Yet I abode it!
I fingered my beard and was dumb, in silence confronting him.
His soul was too shallow for silence, e'en with Death hunting him.
I said: "'Tis his weariness speaks," but, when he had rested,
He chirped in my face like some sparrow, and, presently, jested!
Wherefore slew I that stranger? He brought me dishonour.
I saddled my mare, Bijli, I set him upon her.
I gave him rice and goat's flesh. He bared me to laughter.
When he was gone from my tent, swift I followed after,
Taking my sword in my hand. The hot wine had filled him.
Under the stars he mocked me—therefore I killed him!
Who knows the heart of the Christian? How does he reason?
What are his measures and balances? Which is his season
For laughter, forbearance or bloodshed, and what devils move him
When he arises to smite us? I do not love him.
He invites the derision of strangers—he enters all places.
Booted, bareheaded he enters. With shouts and embraces
He asks of us news of the household whom we reckon nameless.
Certainly Allah created him forty-fold shameless!
So it is not in the Desert. One came to me weeping—
The Avenger of Blood on his track—I took him in keeping.
Demanding not whom he had slain, I refreshed him, I fed him
As he were even a brother. But Eblis had bred him.
He was the son of an ape, ill at ease in his clothing.
He talked with his head, hands and feet. I endured him with loathing.
Whatever his spirit conceived his countenance showed it
As a frog shows in a mud-puddle. Yet I abode it!
I fingered my beard and was dumb, in silence confronting him.
His soul was too shallow for silence, e'en with Death hunting him.
I said: "'Tis his weariness speaks," but, when he had rested,
He chirped in my face like some sparrow, and, presently, jested!
Wherefore slew I that stranger? He brought me dishonour.
I saddled my mare, Bijli, I set him upon her.
I gave him rice and goat's flesh. He bared me to laughter.
When he was gone from my tent, swift I followed after,
Taking my sword in my hand. The hot wine had filled him.
Under the stars he mocked me—therefore I killed him!
455
Rudyard Kipling
Gehazi
Gehazi
Whence comest thou, Gehazi,
So reverend to behold,
In scarlet and in ermines
And chain of England's gold?"
"From following after Naaman
To tell him all is well,
Whereby my zeal hath made me
A Judge in Israel."
Well done; well done, Gehazi!
Stretch forth thy ready hand,
Thou barely 'scaped from judgment,
Take oath to judge the land
Unswayed by gift of money
Or privy bribe, more base,
Of knowledge which is profit
In any market-place.
Search out and probe, Gehazi,
As thou of all carist try,
The truthful, well-weighed answer
That tells the blacker lie --
The loud, uneasy virtue
The anger feigned at will,
To overbear a witness
And make the Court keep still.
Take order now, Gehazi,
That no man talk aside
In secret with his judges
The while his case is tried.
Lest he should show them -- reason
To keep a matter hid,
And subtly lead the questions
Away from what he did.
Thou mirror of uprightness,
What ails thee at thy vows?
What means the risen whiteness
Of the skin between thy brows?
The boils that shine and burrow,
The sores that slough and bleed --
The leprosy of Naaman
On thee and all thy seed?
Stand up, stand up, Gehazi,
Draw close thy robe and go,
Gehazi, Judge in Israel,
A leper white as snow!
Whence comest thou, Gehazi,
So reverend to behold,
In scarlet and in ermines
And chain of England's gold?"
"From following after Naaman
To tell him all is well,
Whereby my zeal hath made me
A Judge in Israel."
Well done; well done, Gehazi!
Stretch forth thy ready hand,
Thou barely 'scaped from judgment,
Take oath to judge the land
Unswayed by gift of money
Or privy bribe, more base,
Of knowledge which is profit
In any market-place.
Search out and probe, Gehazi,
As thou of all carist try,
The truthful, well-weighed answer
That tells the blacker lie --
The loud, uneasy virtue
The anger feigned at will,
To overbear a witness
And make the Court keep still.
Take order now, Gehazi,
That no man talk aside
In secret with his judges
The while his case is tried.
Lest he should show them -- reason
To keep a matter hid,
And subtly lead the questions
Away from what he did.
Thou mirror of uprightness,
What ails thee at thy vows?
What means the risen whiteness
Of the skin between thy brows?
The boils that shine and burrow,
The sores that slough and bleed --
The leprosy of Naaman
On thee and all thy seed?
Stand up, stand up, Gehazi,
Draw close thy robe and go,
Gehazi, Judge in Israel,
A leper white as snow!
476
Rudyard Kipling
Evarra And His Gods
Evarra And His Gods
~Read here:
This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because the city gave him of her gold,
Because the caravans brought turquoises,
Because his life was sheltered by the King,
So that no man should maim him, none should steal,
Or break his rest with babble in the streets
When he was weary after toil, he made
An image of his God in gold and pearl,
With turquoise diadem and human eyes,
A wonder in the sunshine, known afar,
And worshipped by the King; but, drunk with pride,
Because the city bowed to him for God,
He wrote above the shrine: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the city praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because the city had no wealth to give,
Because the caravans were spoiled afar,
Because his life was threatened by the King,
So that all men despised him in the streets,
He hewed the living rock, with sweat and tears,
And reared a God against the morning-gold,
A terror in the sunshine, seen afar,
And worshipped by the King; but, drunk with pride,
Because the city fawned to bring him back,
He carved upon the plinth: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the people praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because he lived among a simple folk,
Because his village was between the hills,
Because he smeared his cheeks with blood of ewes,
He cut an idol from a fallen pine,
Smeared blood upon its cheeks, and wedged a shell
Above its brows for eyes, and gave it hair
Of trailing moss, and plaited straw for crown.
And all the village praised him for this craft,
And brought him butter, honey, milk, and curds.
Wherefore, because the shoutings drove him mad,
He scratched upon that log: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the people praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because his God decreed one clot of blood
Should swerve one hair's-breadth from the pulse's path,
And chafe his brain, Evarra mowed alone,
Rag-wrapped, among the cattle in the fields,
Counting his fingers, jesting with the trees,
And mocking at the mist, until his God
Drove him to labour. Out of dung and horns
Dropped in the mire he made a monstrous God,
Abhorrent, shapeless, crowned with plantain tufts,
And when the cattle lowed at twilight-time,
He dreamed it was the clamour of lost crowds,
And howled among the beasts: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
Thereat the cattle bellowed. . . . Then he died.
Yet at the last he came to Paradise,
And found his own four Gods, and that he wrote;
And marvelled, being very near to God,
What oaf on earth had made his toil God's law,
Till God said mocking: "Mock not. These be thine."
Then cried Evarra: "I have sinned!" -- "Not so.
If thou hadst written otherwise, thy Gods
Had rested in the mountain and the mine,
And I were poorer by four wondrous Gods,
And thy more wondrous law, Evarra. Thine,
Servant of shouting crowds and lowing kine."
Thereat, with laughing mouth, but tear-wet eyes,
Evarra cast his Gods from Paradise.
~This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
~Read here:
This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because the city gave him of her gold,
Because the caravans brought turquoises,
Because his life was sheltered by the King,
So that no man should maim him, none should steal,
Or break his rest with babble in the streets
When he was weary after toil, he made
An image of his God in gold and pearl,
With turquoise diadem and human eyes,
A wonder in the sunshine, known afar,
And worshipped by the King; but, drunk with pride,
Because the city bowed to him for God,
He wrote above the shrine: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the city praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because the city had no wealth to give,
Because the caravans were spoiled afar,
Because his life was threatened by the King,
So that all men despised him in the streets,
He hewed the living rock, with sweat and tears,
And reared a God against the morning-gold,
A terror in the sunshine, seen afar,
And worshipped by the King; but, drunk with pride,
Because the city fawned to bring him back,
He carved upon the plinth: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the people praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because he lived among a simple folk,
Because his village was between the hills,
Because he smeared his cheeks with blood of ewes,
He cut an idol from a fallen pine,
Smeared blood upon its cheeks, and wedged a shell
Above its brows for eyes, and gave it hair
Of trailing moss, and plaited straw for crown.
And all the village praised him for this craft,
And brought him butter, honey, milk, and curds.
Wherefore, because the shoutings drove him mad,
He scratched upon that log: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the people praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because his God decreed one clot of blood
Should swerve one hair's-breadth from the pulse's path,
And chafe his brain, Evarra mowed alone,
Rag-wrapped, among the cattle in the fields,
Counting his fingers, jesting with the trees,
And mocking at the mist, until his God
Drove him to labour. Out of dung and horns
Dropped in the mire he made a monstrous God,
Abhorrent, shapeless, crowned with plantain tufts,
And when the cattle lowed at twilight-time,
He dreamed it was the clamour of lost crowds,
And howled among the beasts: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
Thereat the cattle bellowed. . . . Then he died.
Yet at the last he came to Paradise,
And found his own four Gods, and that he wrote;
And marvelled, being very near to God,
What oaf on earth had made his toil God's law,
Till God said mocking: "Mock not. These be thine."
Then cried Evarra: "I have sinned!" -- "Not so.
If thou hadst written otherwise, thy Gods
Had rested in the mountain and the mine,
And I were poorer by four wondrous Gods,
And thy more wondrous law, Evarra. Thine,
Servant of shouting crowds and lowing kine."
Thereat, with laughing mouth, but tear-wet eyes,
Evarra cast his Gods from Paradise.
~This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
585
Rudyard Kipling
Divided Destinies
Divided Destinies
It was an artless Bandar, and he danced upon a pine,
And much I wondered how he lived, and where the beast might dine,
And many, many other things, till, o'er my morning smoke,
I slept the sleep of idleness and dreamt that Bandar spoke.
He said: "O man of many clothes! Sad crawler on the Hills!
Observe, I know not Ranken's shop, nor Ranken's monthly bills;
I take no heed to trousers or the coats that you call dress;
Nor am I plagued with little cards for little drinks at Mess.
"I steal the bunnia's grain at morn, at noon and eventide,
(For he is fat and I am spare), I roam the mountain side,
I follow no man's carriage, and no, never in my life
Have I flirted at Peliti's with another Bandar's wife.
"O man of futile fopperies -- unnecessary wraps;
I own no ponies in the hills, I drive no tall-wheeled traps;
I buy me not twelve-button gloves, 'short-sixes' eke, or rings,
Nor do I waste at Hamilton's my wealth on 'pretty things.'
"I quarrel with my wife at home, we never fight abroad;
But Mrs. B. has grasped the fact I am her only lord.
I never heard of fever -- dumps nor debts depress my soul;
And I pity and despise you!" Here he pouched my breakfast-roll.
His hide was very mangy, and his face was very red,
And ever and anon he scratched with energy his head.
His manners were not always nice, but how my spirit cried
To be an artless Bandar loose upon the mountain side!
So I answered: "Gentle Bandar, and inscrutable Decree
Makes thee a gleesome fleasome Thou, and me a wretched Me.
Go! Depart in peace, my brother, to thy home amid the pine;
Yet forget not once a mortal wished to change his lot for thine."
It was an artless Bandar, and he danced upon a pine,
And much I wondered how he lived, and where the beast might dine,
And many, many other things, till, o'er my morning smoke,
I slept the sleep of idleness and dreamt that Bandar spoke.
He said: "O man of many clothes! Sad crawler on the Hills!
Observe, I know not Ranken's shop, nor Ranken's monthly bills;
I take no heed to trousers or the coats that you call dress;
Nor am I plagued with little cards for little drinks at Mess.
"I steal the bunnia's grain at morn, at noon and eventide,
(For he is fat and I am spare), I roam the mountain side,
I follow no man's carriage, and no, never in my life
Have I flirted at Peliti's with another Bandar's wife.
"O man of futile fopperies -- unnecessary wraps;
I own no ponies in the hills, I drive no tall-wheeled traps;
I buy me not twelve-button gloves, 'short-sixes' eke, or rings,
Nor do I waste at Hamilton's my wealth on 'pretty things.'
"I quarrel with my wife at home, we never fight abroad;
But Mrs. B. has grasped the fact I am her only lord.
I never heard of fever -- dumps nor debts depress my soul;
And I pity and despise you!" Here he pouched my breakfast-roll.
His hide was very mangy, and his face was very red,
And ever and anon he scratched with energy his head.
His manners were not always nice, but how my spirit cried
To be an artless Bandar loose upon the mountain side!
So I answered: "Gentle Bandar, and inscrutable Decree
Makes thee a gleesome fleasome Thou, and me a wretched Me.
Go! Depart in peace, my brother, to thy home amid the pine;
Yet forget not once a mortal wished to change his lot for thine."
387
Rudyard Kipling
By the Hoof of the Wild Goat
By the Hoof of the Wild Goat
By the Hoof of the Wild Goat uptossed
From the cliff where she lay in the Sun
Fell the Stone
To the Tarn where the daylight is lost,
So she fell from the light of the Sun
And alone!
Now the fall was ordained from the first
With the Goat and the Cliff and the Tarn,
But the Stone
Knows only her life is accursed
As she sinks from the light of the Sun
And alone!
Oh Thou Who hast builded the World,
Oh Thou Who hast lighted the Sun,
Oh Thou Who hast darkened the Tarn,
Judge Thou
The sin of the Stone that was hurled
By the goat from the light of the Sun,
As she sinks in the mire of the Tarn,
Even now--even now--even now!
By the Hoof of the Wild Goat uptossed
From the cliff where she lay in the Sun
Fell the Stone
To the Tarn where the daylight is lost,
So she fell from the light of the Sun
And alone!
Now the fall was ordained from the first
With the Goat and the Cliff and the Tarn,
But the Stone
Knows only her life is accursed
As she sinks from the light of the Sun
And alone!
Oh Thou Who hast builded the World,
Oh Thou Who hast lighted the Sun,
Oh Thou Who hast darkened the Tarn,
Judge Thou
The sin of the Stone that was hurled
By the goat from the light of the Sun,
As she sinks in the mire of the Tarn,
Even now--even now--even now!
509
Rudyard Kipling
Buddha at Kamakura
Buddha at Kamakura
Oye who treated the Narrow Way
By Tophet-flare to Judgment Day,
Be gentle when "the heathen" pray
To Buddha at Kamakura!
To him the Way, the Law, apart,
Whom Maya held beneath her heart,
Ananda's Lord, the Bodhisat,
The Buddha of Kamakura.
For though he neither burns nor sees,
Nor hears ye thank your Deities,
Ye have not sinned with such as these,
His children at Kamakura,
Yet spare us still the Western joke
When joss-sticks turn to scented smoke
The little sins of little folk
That worship at Kamakura --
The grey-robed, gay-sashed butterflies
That flit beneath the Master's eyes.
He is beyond the Mysteries
But loves them at Kamakura.
And whoso will, from Pride released,
Contemning neither creed nor priest,
May feel the Soul of all the East
About him at Kamakura.
Yea, every tale Ananda heard,
Of birth as fish or beast or bird,
While yet in lives the Master stirred,
The warm wind brings Kamakura.
Till drowsy eyelids seem to see
A-flower 'neath her golden htee
The Shwe-Dagon flare easterly
From Burmah to Kamakura,
And down the loaded air there comes
The thunder of Thibetan drums,
And droned -- "Om mane padme hums" --
A world's-width from Kamakura.
Yet Brahmans rule Benares still,
Buddh-Gaya's ruins pit the hill,
And beef-fed zealots threaten ill
To Buddha and Kamakura.
A tourist-show, a legend told,
A rusting bulk of bronze and gold,
So much, and scarce so much, ye hold
The meaning of Kamakura?
But when the morning prayer is prayed,
Think, ere ye pass to strife and trade,
Is God in human image made
No nearer than Kamakura?
Oye who treated the Narrow Way
By Tophet-flare to Judgment Day,
Be gentle when "the heathen" pray
To Buddha at Kamakura!
To him the Way, the Law, apart,
Whom Maya held beneath her heart,
Ananda's Lord, the Bodhisat,
The Buddha of Kamakura.
For though he neither burns nor sees,
Nor hears ye thank your Deities,
Ye have not sinned with such as these,
His children at Kamakura,
Yet spare us still the Western joke
When joss-sticks turn to scented smoke
The little sins of little folk
That worship at Kamakura --
The grey-robed, gay-sashed butterflies
That flit beneath the Master's eyes.
He is beyond the Mysteries
But loves them at Kamakura.
And whoso will, from Pride released,
Contemning neither creed nor priest,
May feel the Soul of all the East
About him at Kamakura.
Yea, every tale Ananda heard,
Of birth as fish or beast or bird,
While yet in lives the Master stirred,
The warm wind brings Kamakura.
Till drowsy eyelids seem to see
A-flower 'neath her golden htee
The Shwe-Dagon flare easterly
From Burmah to Kamakura,
And down the loaded air there comes
The thunder of Thibetan drums,
And droned -- "Om mane padme hums" --
A world's-width from Kamakura.
Yet Brahmans rule Benares still,
Buddh-Gaya's ruins pit the hill,
And beef-fed zealots threaten ill
To Buddha and Kamakura.
A tourist-show, a legend told,
A rusting bulk of bronze and gold,
So much, and scarce so much, ye hold
The meaning of Kamakura?
But when the morning prayer is prayed,
Think, ere ye pass to strife and trade,
Is God in human image made
No nearer than Kamakura?
496
Rudyard Kipling
Buddha at Kamakura
Buddha at Kamakura
Oye who treated the Narrow Way
By Tophet-flare to Judgment Day,
Be gentle when "the heathen" pray
To Buddha at Kamakura!
To him the Way, the Law, apart,
Whom Maya held beneath her heart,
Ananda's Lord, the Bodhisat,
The Buddha of Kamakura.
For though he neither burns nor sees,
Nor hears ye thank your Deities,
Ye have not sinned with such as these,
His children at Kamakura,
Yet spare us still the Western joke
When joss-sticks turn to scented smoke
The little sins of little folk
That worship at Kamakura --
The grey-robed, gay-sashed butterflies
That flit beneath the Master's eyes.
He is beyond the Mysteries
But loves them at Kamakura.
And whoso will, from Pride released,
Contemning neither creed nor priest,
May feel the Soul of all the East
About him at Kamakura.
Yea, every tale Ananda heard,
Of birth as fish or beast or bird,
While yet in lives the Master stirred,
The warm wind brings Kamakura.
Till drowsy eyelids seem to see
A-flower 'neath her golden htee
The Shwe-Dagon flare easterly
From Burmah to Kamakura,
And down the loaded air there comes
The thunder of Thibetan drums,
And droned -- "Om mane padme hums" --
A world's-width from Kamakura.
Yet Brahmans rule Benares still,
Buddh-Gaya's ruins pit the hill,
And beef-fed zealots threaten ill
To Buddha and Kamakura.
A tourist-show, a legend told,
A rusting bulk of bronze and gold,
So much, and scarce so much, ye hold
The meaning of Kamakura?
But when the morning prayer is prayed,
Think, ere ye pass to strife and trade,
Is God in human image made
No nearer than Kamakura?
Oye who treated the Narrow Way
By Tophet-flare to Judgment Day,
Be gentle when "the heathen" pray
To Buddha at Kamakura!
To him the Way, the Law, apart,
Whom Maya held beneath her heart,
Ananda's Lord, the Bodhisat,
The Buddha of Kamakura.
For though he neither burns nor sees,
Nor hears ye thank your Deities,
Ye have not sinned with such as these,
His children at Kamakura,
Yet spare us still the Western joke
When joss-sticks turn to scented smoke
The little sins of little folk
That worship at Kamakura --
The grey-robed, gay-sashed butterflies
That flit beneath the Master's eyes.
He is beyond the Mysteries
But loves them at Kamakura.
And whoso will, from Pride released,
Contemning neither creed nor priest,
May feel the Soul of all the East
About him at Kamakura.
Yea, every tale Ananda heard,
Of birth as fish or beast or bird,
While yet in lives the Master stirred,
The warm wind brings Kamakura.
Till drowsy eyelids seem to see
A-flower 'neath her golden htee
The Shwe-Dagon flare easterly
From Burmah to Kamakura,
And down the loaded air there comes
The thunder of Thibetan drums,
And droned -- "Om mane padme hums" --
A world's-width from Kamakura.
Yet Brahmans rule Benares still,
Buddh-Gaya's ruins pit the hill,
And beef-fed zealots threaten ill
To Buddha and Kamakura.
A tourist-show, a legend told,
A rusting bulk of bronze and gold,
So much, and scarce so much, ye hold
The meaning of Kamakura?
But when the morning prayer is prayed,
Think, ere ye pass to strife and trade,
Is God in human image made
No nearer than Kamakura?
496
Rudyard Kipling
An American
An American
The American Spirit speaks:
"If the Led Striker call it a strike,
Or the papers call it a war,
They know not much what I am like,
Nor what he is, my Avatar."
Through many roads, by me possessed,
He shambles forth in cosmic guise;
He is the Jester and the Jest,
And he the Text himself applies.
The Celt is in his heart and hand,
The Gaul is in his brain and nerve;
Where, cosmopolitanly planned,
He guards the Redskin's dry reserve.
His easy unswept hearth he lends
From Labrador to Guadeloupe;
Till, elbowed out by sloven friends,
He camps, at sufferance, on the stoop.
Calm-eyed he scoffs at sword and crown,
Or panic-blinded stabs and slays:
Blatant he bids the world bow down,
Or cringing begs a crust of praise;
Or, sombre-drunk, at mine and mart,
He dubs his dreary brethren Kings.
His hands are black with blood -- his heart
Leaps, as a babe's, at little things.
But, through the shift of mood and mood,
Mine ancient humour saves him whole --
The cynic devil in his blood
That bids him mock his hurrying soul;
That bids him flout the Law he makes,
That bids him make the Law he flouts,
Till, dazed by many doubts, he wakes
The drumming guns that -- have no doubts;
That checks him foolish -- hot and fond,
That chuckles through his deepest ire,
That gilds the slough of his despond
But dims the goal of his desire;
Inopportune, shrill-accented,
The acrid Asiatic mirth
That leaves him, careless 'mid his dead,
The scandal of the elder earth.
How shall he clear himself, how reach
Your bar or weighed defence prefer?
A brother hedged with alien speech
And lacking all interpreter.
Which knowledge vexes him a space;
But while Reproof around him rings,
He turns a keen untroubled face
Home, to the instant need of things.
Enslaved, illogical, elate,
He greets th' embarrassed Gods, nor fears
To shake the iron hand of Fate
Or match with Destiny for beers.
Lo, imperturbable he rules,
Unkempt, disreputable, vast --
And, in the teeth of all the schools,
I -- I shall save him at the last!
The American Spirit speaks:
"If the Led Striker call it a strike,
Or the papers call it a war,
They know not much what I am like,
Nor what he is, my Avatar."
Through many roads, by me possessed,
He shambles forth in cosmic guise;
He is the Jester and the Jest,
And he the Text himself applies.
The Celt is in his heart and hand,
The Gaul is in his brain and nerve;
Where, cosmopolitanly planned,
He guards the Redskin's dry reserve.
His easy unswept hearth he lends
From Labrador to Guadeloupe;
Till, elbowed out by sloven friends,
He camps, at sufferance, on the stoop.
Calm-eyed he scoffs at sword and crown,
Or panic-blinded stabs and slays:
Blatant he bids the world bow down,
Or cringing begs a crust of praise;
Or, sombre-drunk, at mine and mart,
He dubs his dreary brethren Kings.
His hands are black with blood -- his heart
Leaps, as a babe's, at little things.
But, through the shift of mood and mood,
Mine ancient humour saves him whole --
The cynic devil in his blood
That bids him mock his hurrying soul;
That bids him flout the Law he makes,
That bids him make the Law he flouts,
Till, dazed by many doubts, he wakes
The drumming guns that -- have no doubts;
That checks him foolish -- hot and fond,
That chuckles through his deepest ire,
That gilds the slough of his despond
But dims the goal of his desire;
Inopportune, shrill-accented,
The acrid Asiatic mirth
That leaves him, careless 'mid his dead,
The scandal of the elder earth.
How shall he clear himself, how reach
Your bar or weighed defence prefer?
A brother hedged with alien speech
And lacking all interpreter.
Which knowledge vexes him a space;
But while Reproof around him rings,
He turns a keen untroubled face
Home, to the instant need of things.
Enslaved, illogical, elate,
He greets th' embarrassed Gods, nor fears
To shake the iron hand of Fate
Or match with Destiny for beers.
Lo, imperturbable he rules,
Unkempt, disreputable, vast --
And, in the teeth of all the schools,
I -- I shall save him at the last!
498
Rudyard Kipling
A Song of Kabir
A Song of Kabir
Oh, light was the world that he weighed in his hands!
Oh, heavy the tale of his fiefs and his lands!
He has gone from the guddee and put on the shroud,
And departed in guise of bairagi avowed!
Now the white road to Delhi is mat for his feet.
The sal and the kikar must guard him from heat.
His home is the camp, and waste, and the crowd --
He is seeking the Way as bairagi avowed!
He has looked upon Man, and his eyeballs are clear --
(There was One; there is One, and but One, saith Kabir);
The Red Mist of Doing has thinned to a cloud --
He has taken the Path for bairagi avowed!
To learn and discern of his brother the clod,
Of his brother the brute, and his brother the God,
He has gone from the council and put on the shroud
("Can ye hear?" saith Kabir), a bairagi avowed!
Oh, light was the world that he weighed in his hands!
Oh, heavy the tale of his fiefs and his lands!
He has gone from the guddee and put on the shroud,
And departed in guise of bairagi avowed!
Now the white road to Delhi is mat for his feet.
The sal and the kikar must guard him from heat.
His home is the camp, and waste, and the crowd --
He is seeking the Way as bairagi avowed!
He has looked upon Man, and his eyeballs are clear --
(There was One; there is One, and but One, saith Kabir);
The Red Mist of Doing has thinned to a cloud --
He has taken the Path for bairagi avowed!
To learn and discern of his brother the clod,
Of his brother the brute, and his brother the God,
He has gone from the council and put on the shroud
("Can ye hear?" saith Kabir), a bairagi avowed!
467
Rudyard Kipling
A Recantation
A Recantation
What boots it on the Gods to call?
Since, answered or unheard,
We perish with the Gods and all
Things made--except the Word.
Ere certain Fate had touched a heart
By fifty years made cold,
I judged thee, Lyde, and thy art
O'erblown and over-bold.
But he--but he, of whom bereft
I suffer vacant days--
He on his shield not meanly left
He cherished all thy lays.
Witness the magic coffer stocked
With convoluted runes
Wherein thy very voice was locked
And linked to circling tunes.
Witness thy portrait, smoke-defiled,
That decked his shelter-place.
Life seemed more present, wrote the child,
Beneath thy well-known face.
And when the grudging days restored
Him for a breath to home,
He, with fresh crowds of youth, adored
Thee making mirth in Rome.
Therefore, I humble, join the hosts,
Loyal and loud, who bow
To thee as Queen of Song--and ghosts,
For I remember how
Never more rampant rose the Hall
At thy audacious line
Than when the news came in from Gaul
Thy son had--followed mine.
But thou didst hide it in thy breast
And, capering, took the brunt
Of blaze and blare, and launched the jest
That swept next week the front.
Singer to children! Ours possessed
Sleep before noon--but thee,
Wakeful each midnight for the rest,
No holocaust shall free!
Yet they who use the Word assigned,
To hearten and make whole,
Not less than Gods have served mankind,
Though vultures rend their soul.
What boots it on the Gods to call?
Since, answered or unheard,
We perish with the Gods and all
Things made--except the Word.
Ere certain Fate had touched a heart
By fifty years made cold,
I judged thee, Lyde, and thy art
O'erblown and over-bold.
But he--but he, of whom bereft
I suffer vacant days--
He on his shield not meanly left
He cherished all thy lays.
Witness the magic coffer stocked
With convoluted runes
Wherein thy very voice was locked
And linked to circling tunes.
Witness thy portrait, smoke-defiled,
That decked his shelter-place.
Life seemed more present, wrote the child,
Beneath thy well-known face.
And when the grudging days restored
Him for a breath to home,
He, with fresh crowds of youth, adored
Thee making mirth in Rome.
Therefore, I humble, join the hosts,
Loyal and loud, who bow
To thee as Queen of Song--and ghosts,
For I remember how
Never more rampant rose the Hall
At thy audacious line
Than when the news came in from Gaul
Thy son had--followed mine.
But thou didst hide it in thy breast
And, capering, took the brunt
Of blaze and blare, and launched the jest
That swept next week the front.
Singer to children! Ours possessed
Sleep before noon--but thee,
Wakeful each midnight for the rest,
No holocaust shall free!
Yet they who use the Word assigned,
To hearten and make whole,
Not less than Gods have served mankind,
Though vultures rend their soul.
550
Rudyard Kipling
A Recantation
A Recantation
What boots it on the Gods to call?
Since, answered or unheard,
We perish with the Gods and all
Things made--except the Word.
Ere certain Fate had touched a heart
By fifty years made cold,
I judged thee, Lyde, and thy art
O'erblown and over-bold.
But he--but he, of whom bereft
I suffer vacant days--
He on his shield not meanly left
He cherished all thy lays.
Witness the magic coffer stocked
With convoluted runes
Wherein thy very voice was locked
And linked to circling tunes.
Witness thy portrait, smoke-defiled,
That decked his shelter-place.
Life seemed more present, wrote the child,
Beneath thy well-known face.
And when the grudging days restored
Him for a breath to home,
He, with fresh crowds of youth, adored
Thee making mirth in Rome.
Therefore, I humble, join the hosts,
Loyal and loud, who bow
To thee as Queen of Song--and ghosts,
For I remember how
Never more rampant rose the Hall
At thy audacious line
Than when the news came in from Gaul
Thy son had--followed mine.
But thou didst hide it in thy breast
And, capering, took the brunt
Of blaze and blare, and launched the jest
That swept next week the front.
Singer to children! Ours possessed
Sleep before noon--but thee,
Wakeful each midnight for the rest,
No holocaust shall free!
Yet they who use the Word assigned,
To hearten and make whole,
Not less than Gods have served mankind,
Though vultures rend their soul.
What boots it on the Gods to call?
Since, answered or unheard,
We perish with the Gods and all
Things made--except the Word.
Ere certain Fate had touched a heart
By fifty years made cold,
I judged thee, Lyde, and thy art
O'erblown and over-bold.
But he--but he, of whom bereft
I suffer vacant days--
He on his shield not meanly left
He cherished all thy lays.
Witness the magic coffer stocked
With convoluted runes
Wherein thy very voice was locked
And linked to circling tunes.
Witness thy portrait, smoke-defiled,
That decked his shelter-place.
Life seemed more present, wrote the child,
Beneath thy well-known face.
And when the grudging days restored
Him for a breath to home,
He, with fresh crowds of youth, adored
Thee making mirth in Rome.
Therefore, I humble, join the hosts,
Loyal and loud, who bow
To thee as Queen of Song--and ghosts,
For I remember how
Never more rampant rose the Hall
At thy audacious line
Than when the news came in from Gaul
Thy son had--followed mine.
But thou didst hide it in thy breast
And, capering, took the brunt
Of blaze and blare, and launched the jest
That swept next week the front.
Singer to children! Ours possessed
Sleep before noon--but thee,
Wakeful each midnight for the rest,
No holocaust shall free!
Yet they who use the Word assigned,
To hearten and make whole,
Not less than Gods have served mankind,
Though vultures rend their soul.
550
Rudyard Kipling
A Recantation
A Recantation
What boots it on the Gods to call?
Since, answered or unheard,
We perish with the Gods and all
Things made--except the Word.
Ere certain Fate had touched a heart
By fifty years made cold,
I judged thee, Lyde, and thy art
O'erblown and over-bold.
But he--but he, of whom bereft
I suffer vacant days--
He on his shield not meanly left
He cherished all thy lays.
Witness the magic coffer stocked
With convoluted runes
Wherein thy very voice was locked
And linked to circling tunes.
Witness thy portrait, smoke-defiled,
That decked his shelter-place.
Life seemed more present, wrote the child,
Beneath thy well-known face.
And when the grudging days restored
Him for a breath to home,
He, with fresh crowds of youth, adored
Thee making mirth in Rome.
Therefore, I humble, join the hosts,
Loyal and loud, who bow
To thee as Queen of Song--and ghosts,
For I remember how
Never more rampant rose the Hall
At thy audacious line
Than when the news came in from Gaul
Thy son had--followed mine.
But thou didst hide it in thy breast
And, capering, took the brunt
Of blaze and blare, and launched the jest
That swept next week the front.
Singer to children! Ours possessed
Sleep before noon--but thee,
Wakeful each midnight for the rest,
No holocaust shall free!
Yet they who use the Word assigned,
To hearten and make whole,
Not less than Gods have served mankind,
Though vultures rend their soul.
What boots it on the Gods to call?
Since, answered or unheard,
We perish with the Gods and all
Things made--except the Word.
Ere certain Fate had touched a heart
By fifty years made cold,
I judged thee, Lyde, and thy art
O'erblown and over-bold.
But he--but he, of whom bereft
I suffer vacant days--
He on his shield not meanly left
He cherished all thy lays.
Witness the magic coffer stocked
With convoluted runes
Wherein thy very voice was locked
And linked to circling tunes.
Witness thy portrait, smoke-defiled,
That decked his shelter-place.
Life seemed more present, wrote the child,
Beneath thy well-known face.
And when the grudging days restored
Him for a breath to home,
He, with fresh crowds of youth, adored
Thee making mirth in Rome.
Therefore, I humble, join the hosts,
Loyal and loud, who bow
To thee as Queen of Song--and ghosts,
For I remember how
Never more rampant rose the Hall
At thy audacious line
Than when the news came in from Gaul
Thy son had--followed mine.
But thou didst hide it in thy breast
And, capering, took the brunt
Of blaze and blare, and launched the jest
That swept next week the front.
Singer to children! Ours possessed
Sleep before noon--but thee,
Wakeful each midnight for the rest,
No holocaust shall free!
Yet they who use the Word assigned,
To hearten and make whole,
Not less than Gods have served mankind,
Though vultures rend their soul.
550
Rudyard Kipling
A Pageant of Elizabeth
A Pageant of Elizabeth
Written for "The Pageant of Parliament,"
Like Princes crowned they bore them--
Like Demi-Gods they wrought,
When the New World lay before them
In headlong fact and thought.
Fate and their foemen proved them
Above all meed of praise,
And Gloriana loved them,
And Shakespeare wrote them plays!
. . . . . . .
Now Valour, Youth, and Life's delight break forth
In flames of wondrous deed, and thought sublime---
Lightly to mould new worlds or lightly loose
Words that shall shake and shape all after-time!
Giants with giants, wits with wits engage,
And England-England-England takes the breath
Of morning, body and soul, till the great Age
Fulfills in one great chord:--Elizabeth!
Written for "The Pageant of Parliament,"
Like Princes crowned they bore them--
Like Demi-Gods they wrought,
When the New World lay before them
In headlong fact and thought.
Fate and their foemen proved them
Above all meed of praise,
And Gloriana loved them,
And Shakespeare wrote them plays!
. . . . . . .
Now Valour, Youth, and Life's delight break forth
In flames of wondrous deed, and thought sublime---
Lightly to mould new worlds or lightly loose
Words that shall shake and shape all after-time!
Giants with giants, wits with wits engage,
And England-England-England takes the breath
Of morning, body and soul, till the great Age
Fulfills in one great chord:--Elizabeth!
528
Rudyard Kipling
A General Summary
A General Summary
We are very slightly changed
From the semi-apes who ranged
India's Prehistoric clay;
He that drew the longest bow
Ran his brother down, you know,
As we run men down to-day.
"Dowb," the first of all his race,
Met the Mammoth face to face
On the lake or in the cave:
Stole the steadiest canoe,
Ate the quarry others slew,
Died -- and took the finest grave.
When they scratched the reindeer-bone,
Some one made the sketch his own,
Filched it from the artist -- then,
Even in those early days,
Won a simple Viceroy's praise
Through the toil of other men.
Ere they hewed the Sphinx's visage
Favouritism governed kissage,
Even as it does in this age.
Who shall doubt "the secret hid
Under Cheops' pyramid"
Was that the contractor did
Cheops out of several millions?
Or that Joseph's sudden rise
To comptroller of Supplies
Was a fraud of monstrous size
On King Pharaoh's swart Civilians?
Thus, the artless songs I sing
Do not deal with anything
New or never said before.
As it was in the beginning
Is to-day official sinning,
And shall be for evermore!
We are very slightly changed
From the semi-apes who ranged
India's Prehistoric clay;
He that drew the longest bow
Ran his brother down, you know,
As we run men down to-day.
"Dowb," the first of all his race,
Met the Mammoth face to face
On the lake or in the cave:
Stole the steadiest canoe,
Ate the quarry others slew,
Died -- and took the finest grave.
When they scratched the reindeer-bone,
Some one made the sketch his own,
Filched it from the artist -- then,
Even in those early days,
Won a simple Viceroy's praise
Through the toil of other men.
Ere they hewed the Sphinx's visage
Favouritism governed kissage,
Even as it does in this age.
Who shall doubt "the secret hid
Under Cheops' pyramid"
Was that the contractor did
Cheops out of several millions?
Or that Joseph's sudden rise
To comptroller of Supplies
Was a fraud of monstrous size
On King Pharaoh's swart Civilians?
Thus, the artless songs I sing
Do not deal with anything
New or never said before.
As it was in the beginning
Is to-day official sinning,
And shall be for evermore!
516
Rudyard Kipling
A Dedication
A Dedication
And they were stronger hands than mine
That digged the Ruby from the earth--
More cunning brains that made it worth
The large desire of a king,
And stouter hearts that through the brine
Went down the perfect Pearl to bring.
Lo, I have wrought in common clay
Rude figures of a rough-hewn race,
Since pearls strew not the market-place
In this my town of banishment,
Where with the shifting dust I play,
And eat the bread of discontent.
Yet is there life in that I make.
thou who knowest, turn and see--
As thou hast power over me
So have I power over these,
Because I wrought them for thy sake,
And breathed in them mine agonies.
Small mirth was in the making--now
I lift the cloth that cloaks the clay,
And, wearied, at thy feet I lay
My wares, ere I go forth to sell.
The long bazar will praise, but thou--
Heart of my heart--have I done well?
And they were stronger hands than mine
That digged the Ruby from the earth--
More cunning brains that made it worth
The large desire of a king,
And stouter hearts that through the brine
Went down the perfect Pearl to bring.
Lo, I have wrought in common clay
Rude figures of a rough-hewn race,
Since pearls strew not the market-place
In this my town of banishment,
Where with the shifting dust I play,
And eat the bread of discontent.
Yet is there life in that I make.
thou who knowest, turn and see--
As thou hast power over me
So have I power over these,
Because I wrought them for thy sake,
And breathed in them mine agonies.
Small mirth was in the making--now
I lift the cloth that cloaks the clay,
And, wearied, at thy feet I lay
My wares, ere I go forth to sell.
The long bazar will praise, but thou--
Heart of my heart--have I done well?
513
Rudyard Kipling
A Dedication
A Dedication
And they were stronger hands than mine
That digged the Ruby from the earth--
More cunning brains that made it worth
The large desire of a king,
And stouter hearts that through the brine
Went down the perfect Pearl to bring.
Lo, I have wrought in common clay
Rude figures of a rough-hewn race,
Since pearls strew not the market-place
In this my town of banishment,
Where with the shifting dust I play,
And eat the bread of discontent.
Yet is there life in that I make.
thou who knowest, turn and see--
As thou hast power over me
So have I power over these,
Because I wrought them for thy sake,
And breathed in them mine agonies.
Small mirth was in the making--now
I lift the cloth that cloaks the clay,
And, wearied, at thy feet I lay
My wares, ere I go forth to sell.
The long bazar will praise, but thou--
Heart of my heart--have I done well?
And they were stronger hands than mine
That digged the Ruby from the earth--
More cunning brains that made it worth
The large desire of a king,
And stouter hearts that through the brine
Went down the perfect Pearl to bring.
Lo, I have wrought in common clay
Rude figures of a rough-hewn race,
Since pearls strew not the market-place
In this my town of banishment,
Where with the shifting dust I play,
And eat the bread of discontent.
Yet is there life in that I make.
thou who knowest, turn and see--
As thou hast power over me
So have I power over these,
Because I wrought them for thy sake,
And breathed in them mine agonies.
Small mirth was in the making--now
I lift the cloth that cloaks the clay,
And, wearied, at thy feet I lay
My wares, ere I go forth to sell.
The long bazar will praise, but thou--
Heart of my heart--have I done well?
513