Others

Poet's Path

My garden hath a slender path
With ivy overgrown,
A secret place where once would pace
A pot all alone;
I see him now with fretted brow,
Plunged deep in thought;
And sometimes he would write maybe,
And sometimes he would not.


A verse a day he used to say
Keeps worry from the door;
Without the stink of printer's ink
How life would be a bore!
And so from chime of breakfast time
To supper he would beat
The pathway flat, a mossy mat
For his poetic feet.


He wrote, I'm told, of gods of old
And mythologic men;
Far better he had sung, maybe,
Of plain folks now and then;
With bitterness he would confess
Too lofty was his aim. . . .
And then with woe I saw him throw
His poems to the flame.


He went away one bitter day
When death was in the sky;
No further word I ever heard
Beyond his last goodbye.
Did battle grim take toll of him
In heaven-rocking wrath?
Oh did he write in starry flight
His name in flame on hell-brewed night?


... Well, there's my poet's path.

Picture Dealer

There were twin artists A. and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".


Now although A. (and this is queer)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B. (though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.


Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square . . .
And yet, I thought: It's very queer,
Unbought they linger there.


Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.


Well, maybe A. and B. were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss . . .
These guys believe in what they paint,
Or . . . are they spoofing us?

Picture Dealer

There were twin artists A. and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".


Now although A. (and this is queer)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B. (though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.


Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square . . .
And yet, I thought: It's very queer,
Unbought they linger there.


Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.


Well, maybe A. and B. were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss . . .
These guys believe in what they paint,
Or . . . are they spoofing us?

Picture Dealer

There were twin artists A. and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".


Now although A. (and this is queer)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B. (though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.


Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square . . .
And yet, I thought: It's very queer,
Unbought they linger there.


Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.


Well, maybe A. and B. were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss . . .
These guys believe in what they paint,
Or . . . are they spoofing us?

Pavement Poet

God's truth! these be the bitter times.
In vain I sing my sheaf of rhymes,
And hold my battered hat for dimes.


And then a copper collars me,
Barking: "It's begging that you be;
Come on, dad; you're in custody."


And then the Beak looks down and says:
"Sheer doggerel I deem your lays:
I send you down for seven days."


So for the week I won't disturb
The peace by singing at the curb.
I don't mind that, but oh it's hell
To have my verse called doggerel.

Pantheist


Lolling on a bank of thyme
Drunk with Spring I made this rhyme. . . .


Though peoples perish in defeat,
And races suffer to survive,
The sunshine never was so sweet,
So vast he joy to be alive;
The laughing leaves, the glowing grass
Proclaim how good it is to be;
The pines are lyric as I pass,
The hills hosannas sing to me.


Pink roses ring yon placid palm,
Soft shines the blossom of the peach;
The sapphire sea is satin calm,
With bell-like tinkle on the beach;
A lizard lazes in the sun,
A bee is bumbling to my hand;
Shy breezes whisper: "You are one
With us because you understand."


Yea, I am one with all I see,
With wind and wave, with pine and palm;
Their very elements in me
Are fused to make me what I am.
Through me their common life-stream flows,
And when I yield this human breath,
In leaf and blossom, bud and rose,
Live on I will . . . There is no Death.


Oh, let me flee from woeful things,
And listen to the linnet's song;
To solitude my spirit clings,
To sunny woodlands I belong.
O foolish men! Yourselves destroy.
But I from pain would win surcease. . . .
O Earth, grant me eternal joy!
O Nature - everlasting peace!


Amen.

Pantheist


Lolling on a bank of thyme
Drunk with Spring I made this rhyme. . . .


Though peoples perish in defeat,
And races suffer to survive,
The sunshine never was so sweet,
So vast he joy to be alive;
The laughing leaves, the glowing grass
Proclaim how good it is to be;
The pines are lyric as I pass,
The hills hosannas sing to me.


Pink roses ring yon placid palm,
Soft shines the blossom of the peach;
The sapphire sea is satin calm,
With bell-like tinkle on the beach;
A lizard lazes in the sun,
A bee is bumbling to my hand;
Shy breezes whisper: "You are one
With us because you understand."


Yea, I am one with all I see,
With wind and wave, with pine and palm;
Their very elements in me
Are fused to make me what I am.
Through me their common life-stream flows,
And when I yield this human breath,
In leaf and blossom, bud and rose,
Live on I will . . . There is no Death.


Oh, let me flee from woeful things,
And listen to the linnet's song;
To solitude my spirit clings,
To sunny woodlands I belong.
O foolish men! Yourselves destroy.
But I from pain would win surcease. . . .
O Earth, grant me eternal joy!
O Nature - everlasting peace!


Amen.

Old Trouper

I was Mojeska's leading man
And famous parts I used to play,
But now I do the best I can
To earn my bread from day to day;
Here in this Burg of Breaking Hears,
Where one wins as a thousand fail,
I play a score of scurvy parts
Till Time writes Finis to my tale.


My wife is dead, my daughter wed,
With heaps of trouble of their own;
And though I hold aloft my head
I'm humble, scared and all alone . . .
To-night I burn each photograph,
Each record of my former fame,
And oh, how bitterly I laugh
And feed them to the hungry flame!


Behold how handsome I was then -
What glowing eye, what noble mien;
I towered above my fellow men,
And proudly strode the painted scene.
Ah, Vanity! What fools are we,
With empty ends and foolish aims . . .
There now, I fling with savage glee
My David Garrick to the flames.


"Is this a dagger that I see":
Oh, how I used to love that speech;
We were old-fashioned - "hams" maybe,
Yet we Young Arrogance could teach.
"Out, out brief candle!" There are gone
My Lear, my Hamlet and MacBeth;
And now by ashes cold and wan
I wait my cue, my prompter Death.


This life of ours is just a play;
Its end is fashioned from the start;
Fate writes each word we have to say,
And puppet-like we strut our part.
Once I wore laurels on my brow,
But now I wait, a sorry clown,
To make my furtive, farewell bow . . .
Haste Time! Oh, ring the Curtain down.

Old Trouper

I was Mojeska's leading man
And famous parts I used to play,
But now I do the best I can
To earn my bread from day to day;
Here in this Burg of Breaking Hears,
Where one wins as a thousand fail,
I play a score of scurvy parts
Till Time writes Finis to my tale.


My wife is dead, my daughter wed,
With heaps of trouble of their own;
And though I hold aloft my head
I'm humble, scared and all alone . . .
To-night I burn each photograph,
Each record of my former fame,
And oh, how bitterly I laugh
And feed them to the hungry flame!


Behold how handsome I was then -
What glowing eye, what noble mien;
I towered above my fellow men,
And proudly strode the painted scene.
Ah, Vanity! What fools are we,
With empty ends and foolish aims . . .
There now, I fling with savage glee
My David Garrick to the flames.


"Is this a dagger that I see":
Oh, how I used to love that speech;
We were old-fashioned - "hams" maybe,
Yet we Young Arrogance could teach.
"Out, out brief candle!" There are gone
My Lear, my Hamlet and MacBeth;
And now by ashes cold and wan
I wait my cue, my prompter Death.


This life of ours is just a play;
Its end is fashioned from the start;
Fate writes each word we have to say,
And puppet-like we strut our part.
Once I wore laurels on my brow,
But now I wait, a sorry clown,
To make my furtive, farewell bow . . .
Haste Time! Oh, ring the Curtain down.

On The Boulevard

Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard;
Oh, it's jolly, is it not? --
Sitting on the Boulevard.


More amusing than a book,
If a chap has eyes to see;
For, no matter where I look,
Stories, stories jump at me.
Moving tales my pen might write;
Poems plain on every face;
Monologues you could recite
With inimitable grace.


(Ah! Imagination's power)
See yon demi-mondaine there,
Idly toying with a flower,
Smiling with a pensive air . . .
Well, her smile is but a mask,
For I saw within her muff
Such a wicked little flask:
Vitriol -- ugh! the beastly stuff.


Now look back beside the bar.
See yon curled and scented beau,
Puffing at a fine cigar --
Sale espèce de maquereau.
Well (of course, it's all surmise),
It's for him she holds her place;
When he passes she will rise,
Dash the vitriol in his face.


Quick they'll carry him away,
Pack him in a Red Cross car;
Her they'll hurry, so they say,
To the cells of St. Lazare.
What will happen then, you ask?
What will all the sequel be?
Ah! Imagination's task
Isn't easy . . . let me see . . .


She will go to jail, no doubt,
For a year, or maybe two;
Then as soon as she gets out
Start her bawdy life anew.
He will lie within a ward,
Harmless as a man can be,
With his face grotesquely scarred,



And his eyes that cannot see.


Then amid the city's din
He will stand against a wall,
With around his neck a tin
Into which the pennies fall.
She will pass (I see it plain,
Like a cinematograph),
She will halt and turn again,
Look and look, and maybe laugh.


Well, I'm not so sure of that --
Whether she will laugh or cry.
He will hold a battered hat
To the lady passing by.
He will smile a cringing smile,
And into his grimy hold,
With a laugh (or sob) the while,
She will drop a piece of gold.


"Bless you, lady," he will say,
And get grandly drunk that night.
She will come and come each day,
Fascinated by the sight.
Then somehow he'll get to know
(Maybe by some kindly friend)
Who she is, and so . . . and so
Bring my story to an end.


How his heart will burst with hate!
He will curse and he will cry.
He will wait and wait and wait,
Till again she passes by.
Then like tiger from its lair
He will leap from out his place,
Down her, clutch her by the hair,
Smear the vitriol on her face.


(Ah! Imagination rare)
See . . . he takes his hat to go;
Now he's level with her chair;
Now she rises up to throw. . . .
God! and she has done it too . . .
Oh, those screams; those hideous screams!
I imagined and . . . it's true:
How his face will haunt my dreams!


What a sight! It makes me sick.
Seems I am to blame somehow.
Garcon, fetch a brandy quick . . .
There! I'm feeling better now.
Let's collaborate, we two,



You the Mummer, I the Bard;
Oh, what ripping stuff we'll do,
Sitting on the Boulevard!

Old Engine Driver

For five and twenty years I've run
A famous train;

But now my spell of speed is done,
No more I'll strain

My sight along the treadless tracks,
The gleamy rails:

My hand upon the throttle slacks,
My vision fails.

No more I'll urge my steed of steel
Through hostile nights;

No more the mastery I'll feel
Of monster might.

I'll miss the hiss of giant steam,
The clank, the roar;

The agony of brakes that scream
I'll hear no more.

Oh I have held within my hand
A million lives;

And now my son takes command
And proudly drives;

While from my cottage wistfully
I watch his train,

And wave and wave and seem to see
Myself again.

Old David Smail

He dreamed away his hours in school;
He sat with such an absent air,
The master reckoned him a fool,
And gave him up in dull despair.


When other lads were making hay
You'd find him loafing by the stream;
He'd take a book and slip away,
And just pretend to fish . . . and dream.


His brothers passed him in the race;
They climbed the hill and clutched the prize.
He did not seem to heed, his face
Was tranquil as the evening skies.


He lived apart, he spoke with few;
Abstractedly through life he went;
Oh, what he dreamed of no one knew,
And yet he seemed to be content.


I see him now, so old and gray,
His eyes with inward vision dim;
And though he faltered on the way,
Somehow I almost envied him.


At last beside his bed I stood:
"And is Life done so soon?" he sighed;
"It's been so rich, so full, so good,
I've loved it all . . ." -- and so he died.

Old David Smail

He dreamed away his hours in school;
He sat with such an absent air,
The master reckoned him a fool,
And gave him up in dull despair.


When other lads were making hay
You'd find him loafing by the stream;
He'd take a book and slip away,
And just pretend to fish . . . and dream.


His brothers passed him in the race;
They climbed the hill and clutched the prize.
He did not seem to heed, his face
Was tranquil as the evening skies.


He lived apart, he spoke with few;
Abstractedly through life he went;
Oh, what he dreamed of no one knew,
And yet he seemed to be content.


I see him now, so old and gray,
His eyes with inward vision dim;
And though he faltered on the way,
Somehow I almost envied him.


At last beside his bed I stood:
"And is Life done so soon?" he sighed;
"It's been so rich, so full, so good,
I've loved it all . . ." -- and so he died.

Old Codger

Of garden truck he made his fare,
As his bright eyes bore witness;
Health was his habit and his care,
His hobby human fitness.
He sang the praise of open sky,
The gladth of Nature's giving;
And when at last he came to die
It was of too long living.

He held aloof from hate and strife,
Drank peace in dreamful doses;
He never voted in his life,
Loved children, dogs and roses.
Let tyrants romp in gory glee,
And revolutions roister,
He passed his days as peacefully
As friar in a cloister.

So fellow sinners, should you choose
Of doom to be a dodger,
At eighty be a bland recluse
Like this serene old codger,
Who turned his back on fear and fret,
And died nigh eighty-seven . . .
His name was--Robert Service: let
Us hope he went to Heaven

Old Bob

I guess folks think I'm mighty dumb
Since Jack and Jim and Joe
Have hit the trail to Kingdom Come
And left me here below:
Since Death, the bastard, bowled them out,
And left me faced with--Doubt.

My pals have all passed out on me
And I am by my lone;
Old Bill was last, and now I see
His name cut on a stone;
A marble slab, but not as fine
As I have picked for mine.

I nurse and curse rheumatic pain
As on the porch I sit;
With nothing special in my brain
I rock and smoke and spit:
When one is nearing to the end
One sorely needs a friend.

My Pals have gone,--in God's good earth
I guess they're packed up snug,
And since I have no guts for mirth
I zipper to my mug:
The question that I ponder on
Is--where the heck they've gone?

Obesity


With belly like a poisoned pup
Said I: 'I must give bacon up:
And also, I profanely fear,
I must abandon bread and beer
That make for portliness they say;
Yet of them copiously today
I ate with an increasingly sense
Of grievous corpulence.

I like a lot of thinks I like.
Too bad that I must go on strike
Against pork sausages and mash,
Spaghetti and fried corn-beef hash.
I deem he is a lucky soul
Who has no need of girth control;
For in the old of age: 'Il faut
Souffrir pour etre bean.'

Yet let me not be unconsoled:
So many greybeards I behold,
Distinguished in affairs of state,
In culture counted with the Great,
Have tummies with a shameless bulge,
And so I think I'll still indulge
In eats I like without a qualm,
And damn my diaphragm!'

Noctambule


Zut! it's two o'clock.
See! the lights are jumping.
Finish up your bock,
Time we all were humping.
Waiters stack the chairs,
Pile them on the tables;
Let us to our lairs
Underneath the gables.


Up the old Boul' Mich'
Climb with steps erratic.
Steady . . . how I wish
I was in my attic!
Full am I with cheer;
In my heart the joy stirs;
Couldn't be the beer,
Must have been the oysters.


In obscene array
Garbage cans spill over;
How I wish that they
Smelled as sweet as clover!
Charing women wait;
Cafes drop their shutters;
Rats perambulate
Up and down the gutters.


Down the darkened street
Market carts are creeping;
Horse with wary feet,
Red-faced driver sleeping.
Loads of vivid greens,
Carrots, leeks, potatoes,
Cabbages and beans,
Turnips and tomatoes.


Pair of dapper chaps,
Cigarettes and sashes,
Stare at me, perhaps
Desperate Apachès.


"Needn't bother me,
Jolly well you know it;
Parceque je suis
Quartier Latin poet.


"Give you villanelles,
Madrigals and lyrics;
Ballades and rondels,
Odes and panegyrics.
Poet pinched and poor,
Pricked by cold and hunger;



Trouble's troubadour,
Misery's balladmonger."


Think how queer it is!
Every move I'm making,
Cosmic gravity's
Center I am shaking;
Oh, how droll to feel
(As I now am feeling),
Even as I reel,
All the world is reeling.


Reeling too the stars,
Neptune and Uranus,
Jupiter and Mars,
Mercury and Venus;
Suns and moons with me,
As I'm homeward straying,
All in sympathy
Swaying, swaying, swaying.


Lord! I've got a head.
Well, it's not surprising.
I must gain my bed
Ere the sun be rising;
When the merry lark
In the sky is soaring,
I'll refuse to hark,
I'll be snoring, snoring.


Strike a sulphur match . . .
Ha! at last my garret.
Fumble at the latch,
Close the door and bar it.
Bed, you graciously
Wait, despite my scorning . . .
So, bibaciously
Mad old world, good morning.

New Year's Eve

It's cruel cold on the water-front, silent and dark and drear;
Only the black tide weltering, only the hissing snow;
And I, alone, like a storm-tossed wreck, on this night of the glad New Year,
Shuffling along in the icy wind, ghastly and gaunt and slow.

They're playing a tune in McGuffy's saloon, and it's cheery and bright in there
(God! but I'm weak -- since the bitter dawn, and never a bite of food);
I'll just go over and slip inside -- I mustn't give way to despair -Perhaps
I can bum a little booze if the boys are feeling good.

They'll jeer at me, and they'll sneer at me, and they'll call me a whiskey soak;
("Have a drink? Well, thankee kindly, sir, I don't mind if I do.")
A drivelling, dirty, gin-joint fiend, the butt of the bar-room joke;
Sunk and sodden and hopeless -- "Another? Well, here's to you!"

McGuffy is showing a bunch of the boys how Bob Fitzsimmons hit;
The barman is talking of Tammany Hall, and why the ward boss got fired.
I'll just sneak into a corner and they'll let me alone a bit;
The room is reeling round and round . . .O God! but I'm tired, I'm tired. . . .

* * * * *

Roses she wore on her breast that night. Oh, but their scent was sweet!
Alone we sat on the balcony, and the fan-palms arched above;
The witching strain of a waltz by Strauss came up to our cool retreat,
And I prisoned her little hand in mine, and I whispered my plea of love.

Then sudden the laughter died on her lips, and lowly she bent her head;
And oh, there came in the deep, dark eyes a look that was heaven to see;
And the moments went, and I waited there, and never a word was said,
And she plucked from her bosom a rose of red and shyly gave it to me.

Then the music swelled to a crash of joy, and the lights blazed up like day,
And I held her fast to my throbbing heart, and I kissed her bonny brow.
"She is mine, she is mine for evermore!" the violins seemed to say,
And the bells were ringing the New Year in -- O God! I can hear them now.

Don't you remember that long, last waltz, with its sobbing, sad refrain?
Don't you remember that last good-by, and the dear eyes dim with tears?
Don't you remember that golden dream, with never a hint of pain,
Of lives that would blend like an angel-song in the bliss of the coming years?

Oh, what have I lost! What have I lost! Ethel, forgive, forgive!
The red, red rose is faded now, and it's fifty years ago.
'Twere better to die a thousand deaths than live each day as I live!
I have sinned, I have sunk to the lowest depths -- but oh, I have suffered so!

Hark! Oh, hark! I can hear the bells! . . . Look! I can see her there,
Fair as a dream . . . but it fades . . . And now -- I can hear the dreadful hum
Of the crowded court . . . See! the Judge looks down . . .
NOT GUILTY, my Lord, I swear . . .
The bells -- I can hear the bells again! . . . Ethel, I come, I come! . . .


* * * * *

"Rouse up, old man, it's twelve o'clock. You can't sleep here, you know.
Say! ain't you got no sentiment? Lift up your muddled head;
Have a drink to the glad New Year, a drop before you go -You
darned old dirty hobo . . . My God! Here, boys! He's DEAD!"

No More Music

The Porch was blazoned with geranium bloom;
Myrtle and jasmine meadows lit the lea;
With rose and violet the vale's perfume
Languished to where the hyacinthine sea
Dreamed tenderly . . . "And I must go," said he.


He spoke in that dim, ghostly voice of his:
"I was a singer; then the Was . . . and GAS."
(I had to lean to him, no word to miss.)
"We bought this little café nigh to Grasse;
With sun and flowers my last few days will pass.


"And music too. I have my mandolin:
Say! Maybe you can strum on your guitar . . .
Come on - we two will make melodious din,
While Madame sings to us behind the bar:
You'll see how sweet Italian folk-songs are."


So he would play and I would thrum the while;
I used to there every lovely day;
His wife would listen with a sunny smile,
And when I left: "Please come again," she'd say.
"He seems quite sad when you have one away."


Alas! I had to leave without good-bye,
And lived in sooty cities for ayear.
Oh, how my heart ached for that happy sky!
Then, then one day my café I drew near -
God! it was strange how I was gripped with fear.


So still it was; I saw no mandolin,
No gay guitar with ribbons blue and red;
Then all in black, stone-faced the wife came in . . .
I did not ask; I looked, she shook her head:
"La musique est fini," was all she said.

Nature's Way

To tribulations of mankind
Dame Nature is indifferent;
To human sorrow she is blind,
And deaf to human discontent.
Mid fear and fratricidal fray,
Mid woe and tyranny of toil,
She goes her unregarding way


Of sky and sun and soil.

In leaf and blade, in bud and bloom
Exultantly her gladness glows,
And careless of Man's dreary doom
Around the palm she wreathes the rose;
Creating beauty everywhere,
With happy bird in holy song . . .
Please God, let us be unaware


Like her of wrath and wrong.

Let us too be indifferent,
And in her hands our fate resign;
Aye, though the world with rage is rent
Let us be placid as the pine.
For if we turn from greed and guile
Maybe Dame Nature will relent,
And bless us with her lovely smile


Of comfort and content.

My Vineyard

To me at night the stars are vocal.
They say: 'Your planet's oh so local!
A speck of dust in heaven's ceiling;
Your faith divine a foolish feeling.
What odds if you are chaos hurled,
Yours is a silly little world.'


For their derision, haply true,
I hate the stars, as wouldn't you?
But whether earth be great or little,
I do not care a fishwife's spittle;
I do not fret its where or why,-Today's
a day and I am I.


Serene, afar from woe and worry
I tend my vines and do not hurry.
I buss the lass and tip the bottle,
Fill up the glass and rinse my throttle.
Tomorrow though the earth should perish,
The lust of life today I cherish.


Ah no, the stars I will not curse:
Though things are bad they might be worse.
So when vast constellations shine
I drink to them in ruby wine;
For they themselves,--although it odd is,
Somehow give me a sense that God is.


Because we trust and realise
His love he steers us in the skies.
For faith however foolish can
Be mighty helpful to a man:
And as I tend my vines so He
With tenderness looks after me.

My Picture

I made a picture; all my heart
I put in it, and all I knew
Of canvas-cunning and of Art,
Of tenderness and passion true.
A worshipped Master came to see;
Oh he was kind and gentle, too.
He studied it with sympathy,
And sensed what I had sought to do.


Said he: "Your paint is fresh and fair,
And I can praise it without cease;
And yet a touch just here and there
Would make of it a masterpiece."
He took the brush from out my hand;
He touched it here, he touched it there.
So well he seemed to understand,
And momently it grew more fair.


Oh there was nothing I could say,
And there was nothing I could do.
I thanked him, and he went his way,
And then - I slashed my picture through.
For though his brush with soft caress
Had made my daub a thing divine,
Oh God! I wept with bitterness,
. . . It wasn't mine, it wasn't mine.

My Picture

I made a picture; all my heart
I put in it, and all I knew
Of canvas-cunning and of Art,
Of tenderness and passion true.
A worshipped Master came to see;
Oh he was kind and gentle, too.
He studied it with sympathy,
And sensed what I had sought to do.


Said he: "Your paint is fresh and fair,
And I can praise it without cease;
And yet a touch just here and there
Would make of it a masterpiece."
He took the brush from out my hand;
He touched it here, he touched it there.
So well he seemed to understand,
And momently it grew more fair.


Oh there was nothing I could say,
And there was nothing I could do.
I thanked him, and he went his way,
And then - I slashed my picture through.
For though his brush with soft caress
Had made my daub a thing divine,
Oh God! I wept with bitterness,
. . . It wasn't mine, it wasn't mine.

My Picture

I made a picture; all my heart
I put in it, and all I knew
Of canvas-cunning and of Art,
Of tenderness and passion true.
A worshipped Master came to see;
Oh he was kind and gentle, too.
He studied it with sympathy,
And sensed what I had sought to do.


Said he: "Your paint is fresh and fair,
And I can praise it without cease;
And yet a touch just here and there
Would make of it a masterpiece."
He took the brush from out my hand;
He touched it here, he touched it there.
So well he seemed to understand,
And momently it grew more fair.


Oh there was nothing I could say,
And there was nothing I could do.
I thanked him, and he went his way,
And then - I slashed my picture through.
For though his brush with soft caress
Had made my daub a thing divine,
Oh God! I wept with bitterness,
. . . It wasn't mine, it wasn't mine.