Others

Apollo Belvedere

A-sitttin' on a cracker box an' spittin' in the stove,
I took a sudden notion that I'd kindo' like to rove;
An' so I bought a ticket, jest as easy as could be,
From Pumpkinville in Idaho to Rome in Italy;
An' found myself in seven days of mostly atmosphere
A-starin' at a statoo called Appoller Belvydeer.


Now I'm a rum-soaked sinner, an' religion ain't my plan,
Yet, I was flabbergasted by that gol-darned Vattyican;
An' when I seed Saint Peter's dome, all I could do was swear,
The which I reckon after all may be a form o' prayer;
Abut as I sought amid them sights bewildered to steer,
The king-pin was the one they called Appoller Belvydeer.


Say, I ain't got no culture an' I don't know any art,
But that there statoo got me, standin' in its room apart,
In an alcove draped wi' velvet, lookin' everlastin' bright,
Like the vision o' a poet, full o' beauty, grace an' light;
An' though I know them kind o' words sound sissy in the ear,
It's jest how I was struck by that Appoller Belvydeer.


I've gazed at them depictions in the glossy magazines,
Uv modern Art an' darned if I can make out what it means:
Will any jerk to-day outstand a thousand years of test?
Why, them old Pagans make us look like pikers at the best.
An' maybe, too, their minds was jest as luminous and clear
As that immortal statoo o' Appoller Belvydeer.


An' all yer march o' progress an' machinery as' such,
I wonder if, when all is said, they add up to so much?
An' were not these old fellers in their sweet an' simple way
Serener souled an' happier than we poor mugs to-day?
They have us licked, I thought, an' stood wi' mingled gloom an' cheer
Before that starry statoo o' Appoller Belvydeer.


So I'll go back to Pumpkinville an' to my humble home,
An' dream o' all the sights I saw in everlastin' Rome;
But I will never speak a word o' that enchanted land
That taks you bang into the Past - folks wouldn't understand;
An' midmost in my memories I'll cherish close an' dear
That bit o' frozen music, that Appoller Belvydeer.

Apollo Belvedere

A-sitttin' on a cracker box an' spittin' in the stove,
I took a sudden notion that I'd kindo' like to rove;
An' so I bought a ticket, jest as easy as could be,
From Pumpkinville in Idaho to Rome in Italy;
An' found myself in seven days of mostly atmosphere
A-starin' at a statoo called Appoller Belvydeer.


Now I'm a rum-soaked sinner, an' religion ain't my plan,
Yet, I was flabbergasted by that gol-darned Vattyican;
An' when I seed Saint Peter's dome, all I could do was swear,
The which I reckon after all may be a form o' prayer;
Abut as I sought amid them sights bewildered to steer,
The king-pin was the one they called Appoller Belvydeer.


Say, I ain't got no culture an' I don't know any art,
But that there statoo got me, standin' in its room apart,
In an alcove draped wi' velvet, lookin' everlastin' bright,
Like the vision o' a poet, full o' beauty, grace an' light;
An' though I know them kind o' words sound sissy in the ear,
It's jest how I was struck by that Appoller Belvydeer.


I've gazed at them depictions in the glossy magazines,
Uv modern Art an' darned if I can make out what it means:
Will any jerk to-day outstand a thousand years of test?
Why, them old Pagans make us look like pikers at the best.
An' maybe, too, their minds was jest as luminous and clear
As that immortal statoo o' Appoller Belvydeer.


An' all yer march o' progress an' machinery as' such,
I wonder if, when all is said, they add up to so much?
An' were not these old fellers in their sweet an' simple way
Serener souled an' happier than we poor mugs to-day?
They have us licked, I thought, an' stood wi' mingled gloom an' cheer
Before that starry statoo o' Appoller Belvydeer.


So I'll go back to Pumpkinville an' to my humble home,
An' dream o' all the sights I saw in everlastin' Rome;
But I will never speak a word o' that enchanted land
That taks you bang into the Past - folks wouldn't understand;
An' midmost in my memories I'll cherish close an' dear
That bit o' frozen music, that Appoller Belvydeer.

Apollo Belvedere

A-sitttin' on a cracker box an' spittin' in the stove,
I took a sudden notion that I'd kindo' like to rove;
An' so I bought a ticket, jest as easy as could be,
From Pumpkinville in Idaho to Rome in Italy;
An' found myself in seven days of mostly atmosphere
A-starin' at a statoo called Appoller Belvydeer.


Now I'm a rum-soaked sinner, an' religion ain't my plan,
Yet, I was flabbergasted by that gol-darned Vattyican;
An' when I seed Saint Peter's dome, all I could do was swear,
The which I reckon after all may be a form o' prayer;
Abut as I sought amid them sights bewildered to steer,
The king-pin was the one they called Appoller Belvydeer.


Say, I ain't got no culture an' I don't know any art,
But that there statoo got me, standin' in its room apart,
In an alcove draped wi' velvet, lookin' everlastin' bright,
Like the vision o' a poet, full o' beauty, grace an' light;
An' though I know them kind o' words sound sissy in the ear,
It's jest how I was struck by that Appoller Belvydeer.


I've gazed at them depictions in the glossy magazines,
Uv modern Art an' darned if I can make out what it means:
Will any jerk to-day outstand a thousand years of test?
Why, them old Pagans make us look like pikers at the best.
An' maybe, too, their minds was jest as luminous and clear
As that immortal statoo o' Appoller Belvydeer.


An' all yer march o' progress an' machinery as' such,
I wonder if, when all is said, they add up to so much?
An' were not these old fellers in their sweet an' simple way
Serener souled an' happier than we poor mugs to-day?
They have us licked, I thought, an' stood wi' mingled gloom an' cheer
Before that starry statoo o' Appoller Belvydeer.


So I'll go back to Pumpkinville an' to my humble home,
An' dream o' all the sights I saw in everlastin' Rome;
But I will never speak a word o' that enchanted land
That taks you bang into the Past - folks wouldn't understand;
An' midmost in my memories I'll cherish close an' dear
That bit o' frozen music, that Appoller Belvydeer.

An Olive Fire

An olive fire's a lovely thing;
Somehow it makes me think of Spring
As in my grate it over-spills
With dancing flames like daffodils.
They flirt and frolic, twist and twine,
The brassy fire-irons wink and shine. . . .
Leap gold, you flamelets! Laugh and sing:
An olive fire's a lovely thing.


An olive fire's a household shrine:
A crusty loaf, a jug of wine,
An apple and a chunk of cheese -
Oh I could be content with these.
But if my curse of oil is there,
To fry a fresh-caught fish, I swear
I do not envy any king,
As sitting by my hearth I sing:
An olive fire's a lovely thing.


When old and worn, of life I tire,
I'll sit before an olive fire,
And watch the feather ash like snow
As softly as a rose heart glow;
The tawny roots will loose their hoard
Of sunbeams centuries have stored,
And flames like yellow chicken's cheep,
Till in my heart Peace is so deep:
With hands prayer-clasped I sleep . . . and sleep.

Amateur Poet

You see that sheaf of slender books
Upon the topmost shelf,
At which no browser ever looks,
Because they're by . . . myself;
They're neatly bound in navy blue,
But no one ever heeds;
Their print is clear and candid too,
Yet no one ever reads.


Poor wistful books! How much they cost
To me in time and gold!
I count them now as labour lost,
For none I ever sold;
No copy could I give away,
For all my friends would shrink,
And look at me as if to say:
"What waste of printer's ink!"


And as I gaze at them on high,
Although my eyes are sad,
I cannot help but breathe a sigh
To think what joy I had -
What ecstasy as I would seek
To make my rhyme come right,
And find at last the phrase unique
Flash fulgent in my sight.


Maybe that rapture was my gain
Far more than cheap success;
So I'll forget my striving vain,
And blot out bitterness.
Oh records of my radiant youth,
No broken heart I'll rue,
For all my best of love and truth
Is there, alive in you.

Amateur Poet

You see that sheaf of slender books
Upon the topmost shelf,
At which no browser ever looks,
Because they're by . . . myself;
They're neatly bound in navy blue,
But no one ever heeds;
Their print is clear and candid too,
Yet no one ever reads.


Poor wistful books! How much they cost
To me in time and gold!
I count them now as labour lost,
For none I ever sold;
No copy could I give away,
For all my friends would shrink,
And look at me as if to say:
"What waste of printer's ink!"


And as I gaze at them on high,
Although my eyes are sad,
I cannot help but breathe a sigh
To think what joy I had -
What ecstasy as I would seek
To make my rhyme come right,
And find at last the phrase unique
Flash fulgent in my sight.


Maybe that rapture was my gain
Far more than cheap success;
So I'll forget my striving vain,
And blot out bitterness.
Oh records of my radiant youth,
No broken heart I'll rue,
For all my best of love and truth
Is there, alive in you.

Amateur Poet

You see that sheaf of slender books
Upon the topmost shelf,
At which no browser ever looks,
Because they're by . . . myself;
They're neatly bound in navy blue,
But no one ever heeds;
Their print is clear and candid too,
Yet no one ever reads.


Poor wistful books! How much they cost
To me in time and gold!
I count them now as labour lost,
For none I ever sold;
No copy could I give away,
For all my friends would shrink,
And look at me as if to say:
"What waste of printer's ink!"


And as I gaze at them on high,
Although my eyes are sad,
I cannot help but breathe a sigh
To think what joy I had -
What ecstasy as I would seek
To make my rhyme come right,
And find at last the phrase unique
Flash fulgent in my sight.


Maybe that rapture was my gain
Far more than cheap success;
So I'll forget my striving vain,
And blot out bitterness.
Oh records of my radiant youth,
No broken heart I'll rue,
For all my best of love and truth
Is there, alive in you.

Agnostic Apology

I am a stout materialist;
With abstract terms I can't agree,
And so I've made a little list
Of words that don't make sense to me.
To fool my reason I refuse,
For honest thinking is my goal;
And that is why I rarely use


Vague words like Soul.

In terms of matter I am sure
This world of our can be defined;
And so with theories obscure
I will not mystify my mind;
And though I use it more or less,
Describing alcoholic scenes,
I do not know, I must confess,


What Spirit means.

When I survey this cosmic scene,
The term "Creator" seems absurd;
The Universe has always been,
Creation never has occurred.
But in my Lexicon of Doubt
It strikes me definitely odd,
One word I never dare to flout,
One syllable the mountains shout,
Three letters that the stars spell out:


GOD.

A Verseman's Apology

Alas! I am only a rhymer,
I don't know the meaning of Art;
But I learned in my little school primer
To love Eugene Field and Bret Harte.
I hailed Hoosier Ryley with pleasure,
To John Hay I took off my hat;
These fellows were right to my measure,
And I've never gone higher than that.


The Classics! Well, most of them bore me,
The Moderns I don't understand;
But I keep Burns, my kinsman before me,
And Kipling, my friend, is at hand.
They taught me my trade as I know it,
Yet though at their feet I have sat,
For God-sake don't call me a poet,
For I've never been guilty of that.


A rhyme-rustler, rugged and shameless,
A Bab Balladeer on the loose;
Of saccarine sonnets I'm blameless,
My model has been - Mother Goose.
And I fancy my grave-digger griping
As he gives my last lodging a pat:
"This guy wrote McGrew;
'Twas the best he could do" . . .
So I'll go to my maker with that.

A Verseman's Apology

Alas! I am only a rhymer,
I don't know the meaning of Art;
But I learned in my little school primer
To love Eugene Field and Bret Harte.
I hailed Hoosier Ryley with pleasure,
To John Hay I took off my hat;
These fellows were right to my measure,
And I've never gone higher than that.


The Classics! Well, most of them bore me,
The Moderns I don't understand;
But I keep Burns, my kinsman before me,
And Kipling, my friend, is at hand.
They taught me my trade as I know it,
Yet though at their feet I have sat,
For God-sake don't call me a poet,
For I've never been guilty of that.


A rhyme-rustler, rugged and shameless,
A Bab Balladeer on the loose;
Of saccarine sonnets I'm blameless,
My model has been - Mother Goose.
And I fancy my grave-digger griping
As he gives my last lodging a pat:
"This guy wrote McGrew;
'Twas the best he could do" . . .
So I'll go to my maker with that.

A Rolling Stone

There's sunshine in the heart of me,
My blood sings in the breeze;
The mountains are a part of me,
I'm fellow to the trees.
My golden youth I'm squandering,
Sun-libertine am I;
A-wandering, a-wandering,
Until the day I die.


I was once, I declare, a Stone-Age man,
And I roomed in the cool of a cave;
I have known, I will swear, in a new life-span,
The fret and the sweat of a slave:
For far over all that folks hold worth,
There lives and there leaps in me
A love of the lowly things of earth,
And a passion to be free.

To pitch my tent with no prosy plan,
To range and to change at will;
To mock at the mastership of man,
To seek Adventure's thrill.
Carefree to be, as a bird that sings;
To go my own sweet way;
To reck not at all what may befall,
But to live and to love each day.

To make my body a temple pure
Wherein I dwell serene;
To care for the things that shall endure,
The simple, sweet and clean.
To oust out envy and hate and rage,
To breathe with no alarm;
For Nature shall be my anchorage,
And none shall do me harm.

To shun all lures that debauch the soul,
The orgied rites of the rich;
To eat my crust as a rover must
With the rough-neck down in the ditch.
To trudge by his side whate'er betide;
To share his fire at night;
To call him friend to the long trail-end,
And to read his heart aright.

To scorn all strife, and to view all life
With the curious eyes of a child;
From the plangent sea to the prairie,
From the slum to the heart of the Wild.
From the red-rimmed star to the speck of sand,
From the vast to the greatly small;
For I know that the whole for good is planned,


And I want to see it all.

To see it all, the wide world-way,
From the fig-leaf belt to the Pole;
With never a one to say me nay,
And none to cramp my soul.
In belly-pinch I will pay the price,
But God! let me be free;
For once I know in the long ago,
They made a slave of me.

In a flannel shirt from earth's clean dirt,
Here, pal, is my calloused hand!
Oh, I love each day as a rover may,
Nor seek to understand.
To enjoy is good enough for me;

The gipsy of God am I;
Then here's a hail to each flaring dawn!
And here's a cheer to the night that's gone!
And may I go a-roaming on

Until the day I die!

Then every star shall sing to me
Its song of liberty;
And every morn shall bring to me
Its mandate to be free.
In every throbbing vein of me
I'll feel the vast Earth-call;
O body, heart and brain of me
Praise Him who made it all!

A Hero

Three times I had the lust to kill,
To clutch a throat so young and fair,
And squeeze with all my might until
No breath of being lingered there.
Three times I drove the demon out,
Though on my brow was evil sweat. . . .
And yet I know beyond a doubt
He'll get me yet, he'll get me yet.


I know I'm mad, I ought to tell
The doctors, let them care for me,
Confine me in a padded cell
And never, never set me free;
But Oh how cruel that would be!
For I am young - and comely too . . .
Yet dim my demon I can see,
And there is but one thing to do.


Three times I beat the foul fiend back;
The fourth, I know he will prevail,
And so I'll seek the railway track
And lay my head upon the rail,
And sight the dark and distant train,
And hear its thunder louder roll,
Coming to crush my cursed brain . . .
Oh God, have mercy on my soul!

A Cabbage Patch

Folk ask if I'm alive,
Most think I'm not;
Yet gaily I contrive
To till my plot.
The world its way can go,
I little heed,
So long as I can grow
The grub I need.

For though long overdue,
The years to me,
Have taught a lesson true,
--Humility.
Such better men than I
I've seen pass on;
Their pay-off when they die;
--Oblivion.

And so I mock at fame,
With books unread;
No monument I claim
When I am dead;
Contented as I see
My cottage thatch
That my last goal should be
--A cabbage patch.

Variant Form Of The Preceding Poem
COME to me, all ye that labour; I will give your spirits rest;
Here apart in starry quiet I will give you rest.
Come to me, ye heavy laden, sin defiled and care opprest,
In your father's quiet mansions, soon to prove a welcome guest.
But an hour you bear your trial, sin and suffer, bleed and die;
But an hour you toil and combat here in day's inspiring eye.
See the feet of your deliverer; lo, the hour of freedom nigh.

What Man May Learn, What Man May Do
WHAT man may learn, what man may do,
Of right or wrong of false or true,
While, skipper-like, his course he steers
Through nine and twenty mingled years,
Half misconceived and half forgot,
So much I know and practise not.
Old are the words of wisdom, old
The counsels of the wise and bold:
To close the ears, to check the tongue,
To keep the pining spirit young;
To act the right, to say the true,
And to be kind whate'er you do.
Thus we across the modern stage
Follow the wise of every age;
And, as oaks grow and rivers run
Unchanged in the unchanging sun,
So the eternal march of man
Goes forth on an eternal plan.

To the Muse
Resign the rhapsody, the dream,
To men of larger reach;
Be ours the quest of a plain theme,
The piety of speech.
As monkish scribes from morning break
Toiled till the close of light,
Nor thought a day too long to make
One line or letter bright:
We also with an ardent mind,
Time, wealth, and fame forgot,
Our glory in our patience find
And skim, and skim the pot:
Till last, when round the house we hear
The evensong of birds,
One corner of blue heaven appear
In our clear well of words.
Leave, leave it then, muse of my heart!
Sans finish and sans frame,
Leave unadorned by needless art
The picture as it came.

To the Muse
Resign the rhapsody, the dream,
To men of larger reach;
Be ours the quest of a plain theme,
The piety of speech.
As monkish scribes from morning break
Toiled till the close of light,
Nor thought a day too long to make
One line or letter bright:
We also with an ardent mind,
Time, wealth, and fame forgot,
Our glory in our patience find
And skim, and skim the pot:
Till last, when round the house we hear
The evensong of birds,
One corner of blue heaven appear
In our clear well of words.
Leave, leave it then, muse of my heart!
Sans finish and sans frame,
Leave unadorned by needless art
The picture as it came.

To the Muse
Resign the rhapsody, the dream,
To men of larger reach;
Be ours the quest of a plain theme,
The piety of speech.
As monkish scribes from morning break
Toiled till the close of light,
Nor thought a day too long to make
One line or letter bright:
We also with an ardent mind,
Time, wealth, and fame forgot,
Our glory in our patience find
And skim, and skim the pot:
Till last, when round the house we hear
The evensong of birds,
One corner of blue heaven appear
In our clear well of words.
Leave, leave it then, muse of my heart!
Sans finish and sans frame,
Leave unadorned by needless art
The picture as it came.

To Sydney
NOT thine where marble-still and white
Old statues share the tempered light
And mock the uneven modern flight,
But in the stream
Of daily sorrow and delight
To seek a theme.
I too, O friend, have steeled my heart
Boldly to choose the better part,
To leave the beaten ways of art,
And wholly free
To dare, beyond the scanty chart,
The deeper sea.
All vain restrictions left behind,
Frail bark! I loose my anchored mind
And large, before the prosperous wind
Desert the strand -
A new Columbus sworn to find
The morning land.
Nor too ambitious, friend. To thee
I own my weakness. Not for me
To sing the enfranchised nations' glee,
Or count the cost
Of warships foundered far at sea
And battles lost.
High on the far-seen, sunny hills,
Morning-content my bosom fills;
Well-pleased, I trace the wandering rills
And learn their birth.
Far off, the clash of sovereign wills
May shake the earth.
The nimble circuit of the wheel,
The uncertain poise of merchant weal,
Heaven of famine, fire and steel
When nations fall;
These, heedful, from afar I feel -
I mark them all.
But not, my friend, not these I sing,
My voice shall fill a narrower ring.
Tired souls, that flag upon the wing,
I seek to cheer:
Brave wines to strengthen hope I bring,
Life's cantineer!
Some song that shall be suppling oil
To weary muscles strained with toil,
Shall hearten for the daily moil,


Or widely read
Make sweet for him that tills the soil
His daily bread.
Such songs in my flushed hours I dream
(High thought) instead of armour gleam
Or warrior cantos ream by ream
To load the shelves -
Songs with a lilt of words, that seem
To sing themselves.

To Sydney
NOT thine where marble-still and white
Old statues share the tempered light
And mock the uneven modern flight,
But in the stream
Of daily sorrow and delight
To seek a theme.
I too, O friend, have steeled my heart
Boldly to choose the better part,
To leave the beaten ways of art,
And wholly free
To dare, beyond the scanty chart,
The deeper sea.
All vain restrictions left behind,
Frail bark! I loose my anchored mind
And large, before the prosperous wind
Desert the strand -
A new Columbus sworn to find
The morning land.
Nor too ambitious, friend. To thee
I own my weakness. Not for me
To sing the enfranchised nations' glee,
Or count the cost
Of warships foundered far at sea
And battles lost.
High on the far-seen, sunny hills,
Morning-content my bosom fills;
Well-pleased, I trace the wandering rills
And learn their birth.
Far off, the clash of sovereign wills
May shake the earth.
The nimble circuit of the wheel,
The uncertain poise of merchant weal,
Heaven of famine, fire and steel
When nations fall;
These, heedful, from afar I feel -
I mark them all.
But not, my friend, not these I sing,
My voice shall fill a narrower ring.
Tired souls, that flag upon the wing,
I seek to cheer:
Brave wines to strengthen hope I bring,
Life's cantineer!
Some song that shall be suppling oil
To weary muscles strained with toil,
Shall hearten for the daily moil,


Or widely read
Make sweet for him that tills the soil
His daily bread.
Such songs in my flushed hours I dream
(High thought) instead of armour gleam
Or warrior cantos ream by ream
To load the shelves -
Songs with a lilt of words, that seem
To sing themselves.

To Madame Garschine
WHAT is the face, the fairest face, till Care,
Till Care the graver - Care with cunning hand,
Etches content thereon and makes it fair,
Or constancy, and love, and makes it grand?

Thou Strainest Through The Mountain Fern
THOU strainest through the mountain fern,
A most exiguously thin Burn.
For all thy foam, for all thy din,
Thee shall the pallid lake inurn,
With well-a-day for Mr. Swin-Burne!
Take then this quarto in thy fin
And, O thou stoker huge and stern,
The whole affair, outside and in,
Burn!
But save the true poetic kin,
The works of Mr. Robert Burn'
And William Wordsworth upon Tin-Tern!

Thou Strainest Through The Mountain Fern
THOU strainest through the mountain fern,
A most exiguously thin Burn.
For all thy foam, for all thy din,
Thee shall the pallid lake inurn,
With well-a-day for Mr. Swin-Burne!
Take then this quarto in thy fin
And, O thou stoker huge and stern,
The whole affair, outside and in,
Burn!
But save the true poetic kin,
The works of Mr. Robert Burn'
And William Wordsworth upon Tin-Tern!

Thou Strainest Through The Mountain Fern
THOU strainest through the mountain fern,
A most exiguously thin Burn.
For all thy foam, for all thy din,
Thee shall the pallid lake inurn,
With well-a-day for Mr. Swin-Burne!
Take then this quarto in thy fin
And, O thou stoker huge and stern,
The whole affair, outside and in,
Burn!
But save the true poetic kin,
The works of Mr. Robert Burn'
And William Wordsworth upon Tin-Tern!