Poems in this topic
Pain and Despair
Alfred Lord Tennyson
Mariana
Mariana
WITH BLACKEST moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
And ever when the moon was low,
And the shrill winds were up and away
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors,
Old footsteps trod the upper floors,
Old voices call'd her from without.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loath'd the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then, said she, "I am very dreary,
He will not come," she said;
She wept, "I am aweary, aweary,
O God, that I were dead!"
.
WITH BLACKEST moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
And ever when the moon was low,
And the shrill winds were up and away
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors,
Old footsteps trod the upper floors,
Old voices call'd her from without.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loath'd the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then, said she, "I am very dreary,
He will not come," she said;
She wept, "I am aweary, aweary,
O God, that I were dead!"
.
556
Alfred Lord Tennyson
In Memoriam A. H. H.: 72. Risest thou thus, dim dawn, again
In Memoriam A. H. H.: 72. Risest thou thus, dim dawn, again
Risest thou thus, dim dawn, again,
And howlest, issuing out of night,
With blasts that blow the poplar white,
And lash with storm the streaming pane?
Day, when my crown'd estate begun
To pine in that reverse of doom,
Which sicken'd every living bloom,
And blurr'd the splendour of the sun;
Who usherest in the dolorous hour
With thy quick tears that make the rose
Pull sideways, and the daisy close
Her crimson fringes to the shower;
Who might'st have heaved a windless flame
Up the deep East, or, whispering, play'd
A chequer-work of beam and shade
Along the hills, yet look'd the same.
As wan, as chill, as wild as now;
Day, mark'd as with some hideous crime,
When the dark hand struck down thro' time,
And cancell'd nature's best: but thou,
Lift as thou may'st thy burthen'd brows
Thro' clouds that drench the morning star,
And whirl the ungarner'd sheaf afar,
And sow the sky with flying boughs,
And up thy vault with roaring sound
Climb thy thick noon, disastrous day;
Touch thy dull goal of joyless gray,
And hide thy shame beneath the ground.
Risest thou thus, dim dawn, again,
And howlest, issuing out of night,
With blasts that blow the poplar white,
And lash with storm the streaming pane?
Day, when my crown'd estate begun
To pine in that reverse of doom,
Which sicken'd every living bloom,
And blurr'd the splendour of the sun;
Who usherest in the dolorous hour
With thy quick tears that make the rose
Pull sideways, and the daisy close
Her crimson fringes to the shower;
Who might'st have heaved a windless flame
Up the deep East, or, whispering, play'd
A chequer-work of beam and shade
Along the hills, yet look'd the same.
As wan, as chill, as wild as now;
Day, mark'd as with some hideous crime,
When the dark hand struck down thro' time,
And cancell'd nature's best: but thou,
Lift as thou may'st thy burthen'd brows
Thro' clouds that drench the morning star,
And whirl the ungarner'd sheaf afar,
And sow the sky with flying boughs,
And up thy vault with roaring sound
Climb thy thick noon, disastrous day;
Touch thy dull goal of joyless gray,
And hide thy shame beneath the ground.
454
Alfred Lord Tennyson
In Memoriam A. H. H.: 56. So careful of the type? but no
In Memoriam A. H. H.: 56. So careful of the type? but no
"So careful of the type?" but no.
From scarped cliff and quarried stone
She cries, "A thousand types are gone:
I care for nothing, all shall go.
"Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more." And he, shall he,
Man, her last work, who seem'd so fair,
Such splendid purpose in his eyes,
Who roll'd the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation's final law-Tho'
Nature, red in tooth and claw
With ravine, shriek'd against his creed-
Who loved, who suffer'd countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal'd within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music match'd with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
"So careful of the type?" but no.
From scarped cliff and quarried stone
She cries, "A thousand types are gone:
I care for nothing, all shall go.
"Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more." And he, shall he,
Man, her last work, who seem'd so fair,
Such splendid purpose in his eyes,
Who roll'd the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation's final law-Tho'
Nature, red in tooth and claw
With ravine, shriek'd against his creed-
Who loved, who suffer'd countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal'd within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music match'd with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
438
Alfred Lord Tennyson
In Memoriam A. H. H. Obiit MDCCCXXXIII: 3. O Sorrow, cruel
In Memoriam A. H. H. Obiit MDCCCXXXIII: 3. O Sorrow, cruel
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
"The stars," she whispers, "blindly run;
A web is wov'n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
"And all the phantom, Nature, stands-With
all the music in her tone,
A hollow echo of my own,-
A hollow form with empty hands."
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
"The stars," she whispers, "blindly run;
A web is wov'n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
"And all the phantom, Nature, stands-With
all the music in her tone,
A hollow echo of my own,-
A hollow form with empty hands."
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
405
Alfred Lord Tennyson
In Memoriam 3: O Sorrow, Cruel Fellowship
In Memoriam 3: O Sorrow, Cruel Fellowship
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
"The stars," she whispers, "blindly run;
A web is wov'n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
"And all the phantom, Nature, stands--
With all the music in her tone,
A hollow echo of my own,--
A hollow form with empty hands."
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
"The stars," she whispers, "blindly run;
A web is wov'n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
"And all the phantom, Nature, stands--
With all the music in her tone,
A hollow echo of my own,--
A hollow form with empty hands."
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
378
Alfred Lord Tennyson
Come not when I am dead
Come not when I am dead
Come not, when I am dead,
To drop thy foolish tears upon my grave,
To trample round my fallen head,
And vex the unhappy dust thou wouldst not save.
There let the wind sweep and the plover cry;
But thou, go by.
Child, if it were thine error or thy crime
I care no longer, being all unblest:
Wed whom thou wilt, but I am sick of Time,
And I desire to rest.
Pass on, weak heart, and leave to where I lie:
Go by, go by.
Come not, when I am dead,
To drop thy foolish tears upon my grave,
To trample round my fallen head,
And vex the unhappy dust thou wouldst not save.
There let the wind sweep and the plover cry;
But thou, go by.
Child, if it were thine error or thy crime
I care no longer, being all unblest:
Wed whom thou wilt, but I am sick of Time,
And I desire to rest.
Pass on, weak heart, and leave to where I lie:
Go by, go by.
443
Alfred Edward Housman
The True Lover
The True Lover
The lad came to the door at night,
When lovers crown their vows,
And whistled soft and out of sight
In shadow of the boughs.
"I shall not vex you with my face
Henceforth, my love, for aye;
So take me in your arms a space
Before the cast is grey.
"When I from hence away am past
I shall not find a bride,
And you shall be the first and last
I ever lay beside."
She heard and went and knew not why;
Her heart to his she laid;
Light was the air beneath the sky
But dark under the shade.
"Oh do you breathe, lad, that your breast
Seems not to rise and fall,
And here upon my bosom prest
There beats no heart at all?"
"Oh loud, my girl, it once would knock,
You should have felt it then;
But since for you I stopped the clock
It never goes again."
"Oh lad, what is it, lad, that drips
Wet from your neck on mine?
What is it falling on my lips,
My lad, that tastes of brine?"
"Oh like enough 'tis blood, my dear,
For when the knife was slit,
The throat across from ear to ear
'Twill bleed because of it."
Under the stars the air was light
But dark below the boughs,
The still air of the speechless night,
When lovers crown their vows.
The lad came to the door at night,
When lovers crown their vows,
And whistled soft and out of sight
In shadow of the boughs.
"I shall not vex you with my face
Henceforth, my love, for aye;
So take me in your arms a space
Before the cast is grey.
"When I from hence away am past
I shall not find a bride,
And you shall be the first and last
I ever lay beside."
She heard and went and knew not why;
Her heart to his she laid;
Light was the air beneath the sky
But dark under the shade.
"Oh do you breathe, lad, that your breast
Seems not to rise and fall,
And here upon my bosom prest
There beats no heart at all?"
"Oh loud, my girl, it once would knock,
You should have felt it then;
But since for you I stopped the clock
It never goes again."
"Oh lad, what is it, lad, that drips
Wet from your neck on mine?
What is it falling on my lips,
My lad, that tastes of brine?"
"Oh like enough 'tis blood, my dear,
For when the knife was slit,
The throat across from ear to ear
'Twill bleed because of it."
Under the stars the air was light
But dark below the boughs,
The still air of the speechless night,
When lovers crown their vows.
473
Alfred Edward Housman
The rainy Pleiads wester
The rainy Pleiads wester
The rainy Pleiads wester,
Orion plunges prone,
The stroke of midnight ceases
And I lie down alone.
The rainy Pleiads wester,
And seek beyond the sea
The head that I shall dream of
That will not dream of me.
The rainy Pleiads wester,
Orion plunges prone,
The stroke of midnight ceases
And I lie down alone.
The rainy Pleiads wester,
And seek beyond the sea
The head that I shall dream of
That will not dream of me.
456
Alfred Edward Housman
The Grizzly Bear
The Grizzly Bear
The Grizzly Bear is huge and wild
It has devoured the little child.
The little child is unaware
It has been eaten by the bear.
The Grizzly Bear is huge and wild
It has devoured the little child.
The little child is unaware
It has been eaten by the bear.
382
Alfred Edward Housman
The Carpenter's Son
The Carpenter's Son
"Here the hangman stops his cart:
Now the best of friends must part.
Fare you well, for ill fare I:
Live, lads, and I will die.
"Oh, at home had I but stayed
'Prenticed to my father's trade,
Had I stuck to plane and adze,
I had not been lost, my lads.
"Then I might have built perhaps
Gallows-trees for other chaps,
Never dangled on my own,
Had I left but ill alone.
"Now, you see, they hang me high,
And the people passing by
Stop to shake their fists and curse;
So 'tis come from ill to worse.
"Here hang I, and right and left
Two poor fellows hang for theft:
All the same's the luck we prove,
Though the midmost hangs for love.
"Comrades all, that stand and gaze,
Walk henceforth in other ways;
See my neck and save your own:
Comrades all, leave ill alone.
"Make some day a decent end,
Shrewder fellows than your friend.
Fare you well, for ill fare I:
Live lads, and I will die."
"Here the hangman stops his cart:
Now the best of friends must part.
Fare you well, for ill fare I:
Live, lads, and I will die.
"Oh, at home had I but stayed
'Prenticed to my father's trade,
Had I stuck to plane and adze,
I had not been lost, my lads.
"Then I might have built perhaps
Gallows-trees for other chaps,
Never dangled on my own,
Had I left but ill alone.
"Now, you see, they hang me high,
And the people passing by
Stop to shake their fists and curse;
So 'tis come from ill to worse.
"Here hang I, and right and left
Two poor fellows hang for theft:
All the same's the luck we prove,
Though the midmost hangs for love.
"Comrades all, that stand and gaze,
Walk henceforth in other ways;
See my neck and save your own:
Comrades all, leave ill alone.
"Make some day a decent end,
Shrewder fellows than your friend.
Fare you well, for ill fare I:
Live lads, and I will die."
479
Alfred Edward Housman
Shot? So Quick, So Clean an Ending?
Shot? So Quick, So Clean an Ending?
Shot? so quick, so clean an ending?
Oh that was right, lad, that was brave:
Yours was not an ill for mending,
'Twas best to take it to the grave.
Oh you had forethought, you could reason,
And saw your road and where it led,
And early wise and brave in season
Put the pistol to your head.
Oh soon, and better so than later
After long disgrace and scorn,
You shot dead the household traitor,
The soul that should not have been born.
Right you guessed the rising morrow
And scorned to tread the mire you must:
Dust's your wages, son of sorrow,
But men may come to worse than dust.
Souls undone, undoing others,--
Long time since the tale began.
You would not live to wrong your brothers:
Oh lad, you died as fits a man.
Now to your grave shall friend and stranger
With ruth and some with envy come:
Undishonoured, clear of danger,
Clean of guilt, pass hence and home.
Turn safe to rest, no dreams, no waking;
And here, man, here's the wreath I've made:
'Tis not a gift that's worth the taking,
But wear it and it will not fade.
Shot? so quick, so clean an ending?
Oh that was right, lad, that was brave:
Yours was not an ill for mending,
'Twas best to take it to the grave.
Oh you had forethought, you could reason,
And saw your road and where it led,
And early wise and brave in season
Put the pistol to your head.
Oh soon, and better so than later
After long disgrace and scorn,
You shot dead the household traitor,
The soul that should not have been born.
Right you guessed the rising morrow
And scorned to tread the mire you must:
Dust's your wages, son of sorrow,
But men may come to worse than dust.
Souls undone, undoing others,--
Long time since the tale began.
You would not live to wrong your brothers:
Oh lad, you died as fits a man.
Now to your grave shall friend and stranger
With ruth and some with envy come:
Undishonoured, clear of danger,
Clean of guilt, pass hence and home.
Turn safe to rest, no dreams, no waking;
And here, man, here's the wreath I've made:
'Tis not a gift that's worth the taking,
But wear it and it will not fade.
456
Alfred Edward Housman
Be Still, My Soul, Be Still
Be Still, My Soul, Be Still
Be still, my soul, be still; the arms you bear are brittle,
Earth and high heaven are fixt of old and founded strong.
Think rather,-- call to thought, if now you grieve a little,
The days when we had rest, O soul, for they were long.
Men loved unkindness then, but lightless in the quarry
I slept and saw not; tears fell down, I did not mourn;
Sweat ran and blood sprang out and I was never sorry:
Then it was well with me, in days ere I was born.
Now, and I muse for why and never find the reason,
I pace the earth, and drink the air, and feel the sun.
Be still, be still, my soul; it is but for a season:
Let us endure an hour and see injustice done.
Ay, look: high heaven and earth ail from the prime foundation;
All thoughts to rive the heart are here, and all are vain:
Horror and scorn and hate and fear and indignation--
Oh why did I awake? when shall I sleep again?
Be still, my soul, be still; the arms you bear are brittle,
Earth and high heaven are fixt of old and founded strong.
Think rather,-- call to thought, if now you grieve a little,
The days when we had rest, O soul, for they were long.
Men loved unkindness then, but lightless in the quarry
I slept and saw not; tears fell down, I did not mourn;
Sweat ran and blood sprang out and I was never sorry:
Then it was well with me, in days ere I was born.
Now, and I muse for why and never find the reason,
I pace the earth, and drink the air, and feel the sun.
Be still, be still, my soul; it is but for a season:
Let us endure an hour and see injustice done.
Ay, look: high heaven and earth ail from the prime foundation;
All thoughts to rive the heart are here, and all are vain:
Horror and scorn and hate and fear and indignation--
Oh why did I awake? when shall I sleep again?
433
Alexander Pope
Weeping
Weeping
While Celia's Tears make sorrow bright,
Proud Grief sits swelling in her eyes;
The Sun, next those the fairest light,
Thus from the Ocean first did rise:
And thus thro' Mists we see the Sun,
Which else we durst not gaze upon.
These silver drops, like morning dew,
Foretell the fervour of the day:
So from one Cloud soft show'rs we view,
And blasting lightnings burst away.
The Stars that fall from Celia's eye
Declare our Doom in drawing nigh.
The Baby in that sunny Sphere
So like a Phaeton appears,
That Heav'n, the threaten'd World to spare,
Thought fit to drown him in her tears;
Else might th' ambitious Nymph aspire,
To set, like him, Heav'n too on fire.
While Celia's Tears make sorrow bright,
Proud Grief sits swelling in her eyes;
The Sun, next those the fairest light,
Thus from the Ocean first did rise:
And thus thro' Mists we see the Sun,
Which else we durst not gaze upon.
These silver drops, like morning dew,
Foretell the fervour of the day:
So from one Cloud soft show'rs we view,
And blasting lightnings burst away.
The Stars that fall from Celia's eye
Declare our Doom in drawing nigh.
The Baby in that sunny Sphere
So like a Phaeton appears,
That Heav'n, the threaten'd World to spare,
Thought fit to drown him in her tears;
Else might th' ambitious Nymph aspire,
To set, like him, Heav'n too on fire.
389
Alexander Pope
The Dying Christian to His Soul
The Dying Christian to His Soul
Vital spark of heav’nly flame!
Quit, O quit this mortal frame:
Trembling, hoping, ling’ring, flying,
O the pain, the bliss of dying!
Cease, fond Nature, cease thy strife,
And let me languish into life.
Hark! they whisper; angels say,
Sister Spirit, come away!
What is this absorbs me quite?
Steals my senses, shuts my sight,
Drowns my spirits, draws my breath?
Tell me, my soul, can this be death?
The world recedes; it disappears!
Heav’n opens on my eyes! my ears
With sounds seraphic ring!
Lend, lend your wings! I mount! I fly!
O Grave! where is thy victory?
O Death! where is thy sting?
Vital spark of heav’nly flame!
Quit, O quit this mortal frame:
Trembling, hoping, ling’ring, flying,
O the pain, the bliss of dying!
Cease, fond Nature, cease thy strife,
And let me languish into life.
Hark! they whisper; angels say,
Sister Spirit, come away!
What is this absorbs me quite?
Steals my senses, shuts my sight,
Drowns my spirits, draws my breath?
Tell me, my soul, can this be death?
The world recedes; it disappears!
Heav’n opens on my eyes! my ears
With sounds seraphic ring!
Lend, lend your wings! I mount! I fly!
O Grave! where is thy victory?
O Death! where is thy sting?
333
Alexander Pope
Prayer of St. Francis Xavier
Prayer of St. Francis Xavier
Thou art my God, sole object of my love;
Not for the hope of endless joys above;
Nor for the fear of endless pains below,
Which they who love thee not must undergo.
For me, and such as me, thou deign'st to bear
An ignominious cross, the nails, the spear:
A thorny crown transpierc'd thy sacred brow,
While bloody sweats from ev'ry member flow.
For me in tortures thou resignd'st thy breath,
Embrac'd me on the cross, and sav'd me by thy death.
And can these sufferings fail my heart to move?
What but thyself can now deserve my love?
Such as then was, and is, thy love to me,
Such is, and shall be still, my love to thee -
To thee, Redeemer! mercy's sacred spring!
My God, my Father, Maker, and my King!
Thou art my God, sole object of my love;
Not for the hope of endless joys above;
Nor for the fear of endless pains below,
Which they who love thee not must undergo.
For me, and such as me, thou deign'st to bear
An ignominious cross, the nails, the spear:
A thorny crown transpierc'd thy sacred brow,
While bloody sweats from ev'ry member flow.
For me in tortures thou resignd'st thy breath,
Embrac'd me on the cross, and sav'd me by thy death.
And can these sufferings fail my heart to move?
What but thyself can now deserve my love?
Such as then was, and is, thy love to me,
Such is, and shall be still, my love to thee -
To thee, Redeemer! mercy's sacred spring!
My God, my Father, Maker, and my King!
359
Alexander Pope
Ode on St. Cecilia's Day
Ode on St. Cecilia's Day
I.
Descend ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly-pleasing strain
Let the warbling lute complain:
Let the loud trumpet sound,
'Till the roofs all around
The shrill echo's rebound:
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers, soft and clear,
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
'Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.
II.
By Music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouzes from his bed,
Sloth unfolds her arms and wakes,
List'ning Envy drops her snakes;
Intestine war no more our Passions wage,
And giddy Factions hear away their rage.
III.
But when our Country's cause provokes to Arms,
How martial music ev'ry bosom warms!
So when the first bold vessel dar'd the seas,
High on the stern the Thracian rais'd his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demi-gods stood round,
And men grew heroes at the sound,
Enflam'd with glory's charms:
Each chief his sev'nfold shield display'd,
And half unsheath'd the shining blade:
And seas, and rocks, and skies rebound
To arms, to arms, to arms!
IV.
But when thro' all th'infernal bounds
Which flaming Phlegeton surrounds,
Love, strong as Death, the Poet led
To the pale nations of the dead,
What sounds were heard,
What scenes appear'd,
O'er all the dreary coasts!
Dreadful gleams,
Dismal screams,
Fires that glow,
Shrieks of woe,
Sullen moans,
Hollow groans,
And cries of tortur'd ghosts!
But hark! he strikes the golden lyre;
And see! the tortur'd ghosts respire,
See, shady forms advance!
Thy stone, O Sysiphus, stands still,
Ixion rests upon his wheel,
And the pale spectres dance!
The Furies sink upon their iron beds,
And snakes uncurl'd hang list'ning round their heads.
V.
By the streams that ever flow,
By the fragrant winds that blow
O'er th' Elysian flow'rs,
By those happy souls who dwell
In yellow meads of Asphodel,
Or Amaranthine bow'rs,
By the hero's armed shades,
Glitt'ring thro' the gloomy glades,
By the youths that dy'd for love,
Wand'ring in the myrtle grove,
Restore, restore Eurydice to life;
Oh take the husband, or return the wife!
He sung, and hell consented
To hear the Poet's pray'r;
Stern Proserpine relented,
And gave him back the fair.
Thus song could prevail
O'er death and o'er hell,
A conquest how hard and how glorious?
Tho' fate had fast bound her
With Styx nine times round her,
Yet music and love were victorious.
VI.
But soon, too soon, the lover turns his eyes:
Again she falls, again she dies, she dies!
How wilt thou now the fatal sisters move?
No crime was thine, if 'tis no crime to love.
Now under hanging mountains,
Beside the falls of fountains,
Or where Hebrus wanders,
Rolling in Maeanders,
All alone,
Unheard, unknown,
He makes his moan;
And calls her ghost,
For ever, ever, ever lost!
Now with Furies surrounded,
Despairing, confounded,
He trembles, he glows,
Amidst Rhodope's snows:
See, wild as the winds, o'er the desart he flies;
Hark! Haemus resounds with the Bacchanals cries
-Ah see, he dies!
Yet ev'n in death Eurydice he sung,
Eurydice still trembled on his tongue,
Eurydice the woods,
Eurydice the floods,
Eurydice the rocks, and hollow mountains rung.
VII.
Music the fiercest grief can charm,
And fate's severest rage disarm:
Music can soften pain to ease,
And make despair and madness please:
Our joys below it can improve,
And antedate the bliss above.
This the divine Cecilia found,
And to her Maker's praise confin'd the sound.
When the full organ joins the tuneful quire,
Th'immortal pow'rs incline their ear;
Borne on the swelling notes our souls aspire,
While solemn airs improve the sacred fire;
And Angels lean from heav'n to hear.
Of Orpheus now no more let Poets tell,
To bright Cecilia greater pow'r is giv'n;
His numbers rais'd a shade from hell,
Hers lift the soul to heav'n.
I.
Descend ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly-pleasing strain
Let the warbling lute complain:
Let the loud trumpet sound,
'Till the roofs all around
The shrill echo's rebound:
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers, soft and clear,
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
'Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.
II.
By Music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouzes from his bed,
Sloth unfolds her arms and wakes,
List'ning Envy drops her snakes;
Intestine war no more our Passions wage,
And giddy Factions hear away their rage.
III.
But when our Country's cause provokes to Arms,
How martial music ev'ry bosom warms!
So when the first bold vessel dar'd the seas,
High on the stern the Thracian rais'd his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demi-gods stood round,
And men grew heroes at the sound,
Enflam'd with glory's charms:
Each chief his sev'nfold shield display'd,
And half unsheath'd the shining blade:
And seas, and rocks, and skies rebound
To arms, to arms, to arms!
IV.
But when thro' all th'infernal bounds
Which flaming Phlegeton surrounds,
Love, strong as Death, the Poet led
To the pale nations of the dead,
What sounds were heard,
What scenes appear'd,
O'er all the dreary coasts!
Dreadful gleams,
Dismal screams,
Fires that glow,
Shrieks of woe,
Sullen moans,
Hollow groans,
And cries of tortur'd ghosts!
But hark! he strikes the golden lyre;
And see! the tortur'd ghosts respire,
See, shady forms advance!
Thy stone, O Sysiphus, stands still,
Ixion rests upon his wheel,
And the pale spectres dance!
The Furies sink upon their iron beds,
And snakes uncurl'd hang list'ning round their heads.
V.
By the streams that ever flow,
By the fragrant winds that blow
O'er th' Elysian flow'rs,
By those happy souls who dwell
In yellow meads of Asphodel,
Or Amaranthine bow'rs,
By the hero's armed shades,
Glitt'ring thro' the gloomy glades,
By the youths that dy'd for love,
Wand'ring in the myrtle grove,
Restore, restore Eurydice to life;
Oh take the husband, or return the wife!
He sung, and hell consented
To hear the Poet's pray'r;
Stern Proserpine relented,
And gave him back the fair.
Thus song could prevail
O'er death and o'er hell,
A conquest how hard and how glorious?
Tho' fate had fast bound her
With Styx nine times round her,
Yet music and love were victorious.
VI.
But soon, too soon, the lover turns his eyes:
Again she falls, again she dies, she dies!
How wilt thou now the fatal sisters move?
No crime was thine, if 'tis no crime to love.
Now under hanging mountains,
Beside the falls of fountains,
Or where Hebrus wanders,
Rolling in Maeanders,
All alone,
Unheard, unknown,
He makes his moan;
And calls her ghost,
For ever, ever, ever lost!
Now with Furies surrounded,
Despairing, confounded,
He trembles, he glows,
Amidst Rhodope's snows:
See, wild as the winds, o'er the desart he flies;
Hark! Haemus resounds with the Bacchanals cries
-Ah see, he dies!
Yet ev'n in death Eurydice he sung,
Eurydice still trembled on his tongue,
Eurydice the woods,
Eurydice the floods,
Eurydice the rocks, and hollow mountains rung.
VII.
Music the fiercest grief can charm,
And fate's severest rage disarm:
Music can soften pain to ease,
And make despair and madness please:
Our joys below it can improve,
And antedate the bliss above.
This the divine Cecilia found,
And to her Maker's praise confin'd the sound.
When the full organ joins the tuneful quire,
Th'immortal pow'rs incline their ear;
Borne on the swelling notes our souls aspire,
While solemn airs improve the sacred fire;
And Angels lean from heav'n to hear.
Of Orpheus now no more let Poets tell,
To bright Cecilia greater pow'r is giv'n;
His numbers rais'd a shade from hell,
Hers lift the soul to heav'n.
441
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