Poems in this theme
Pain and Despair
William Carlos Williams
The Last Words of My English Grandmother
The Last Words of My English Grandmother
There were some dirty plates
and a glass of milk
beside her on a small table
near the rank, disheveled bed--
Wrinkled and nearly blind
she lay and snored
rousing with anger in her tones
to cry for food,
Gimme something to eat--
They're starving me--
I'm all right--I won't go
to the hospital.No, no, no
Give me something to eat!
Let me take you
to the hospital, I said
and after you are well
you can do as you please.
She smiled, Yes
you do what you please first
then I can do what I please--
Oh, oh, oh! she cried
as the ambulance men lifted
her to the stretcher--
Is this what you call
making me comfortable?
By now her mind was clear--
Oh you think you're smart
you young people,
she said, but I'll tell you
you don't know anything.
Then we started.
On the way
we passed a long row
of elms. She looked at them
awhile out of
the ambulance window and said,
What are all those
fuzzy looking things out there?
Trees?Well, I'm tired
of them and rolled her head away.
There were some dirty plates
and a glass of milk
beside her on a small table
near the rank, disheveled bed--
Wrinkled and nearly blind
she lay and snored
rousing with anger in her tones
to cry for food,
Gimme something to eat--
They're starving me--
I'm all right--I won't go
to the hospital.No, no, no
Give me something to eat!
Let me take you
to the hospital, I said
and after you are well
you can do as you please.
She smiled, Yes
you do what you please first
then I can do what I please--
Oh, oh, oh! she cried
as the ambulance men lifted
her to the stretcher--
Is this what you call
making me comfortable?
By now her mind was clear--
Oh you think you're smart
you young people,
she said, but I'll tell you
you don't know anything.
Then we started.
On the way
we passed a long row
of elms. She looked at them
awhile out of
the ambulance window and said,
What are all those
fuzzy looking things out there?
Trees?Well, I'm tired
of them and rolled her head away.
679
William Carlos Williams
Memory of April
Memory of April
You say love is this, love is that:
Poplar tassels, willow tendrils
the wind and the rain comb,
tinkle and drip, tinkle and drip--
branches drifting apart. Hagh!
Love has not even visited this country.
You say love is this, love is that:
Poplar tassels, willow tendrils
the wind and the rain comb,
tinkle and drip, tinkle and drip--
branches drifting apart. Hagh!
Love has not even visited this country.
325
William Carlos Williams
Complaint
Complaint
They call me and I go.
It is a frozen road
past midnight, a dust
of snow caught
in the rigid wheeltracks.
The door opens.
I smile, enter and
shake off the cold.
Here is a great woman
on her side in the bed.
She is sick,
perhaps vomiting,
perhaps laboring
to give birth to
a tenth child. Joy! Joy!
Night is a room
darkened for lovers,
through the jalousies the sun
has sent one golden needle!
I pick the hair from her eyes
and watch her misery
with compassion.
They call me and I go.
It is a frozen road
past midnight, a dust
of snow caught
in the rigid wheeltracks.
The door opens.
I smile, enter and
shake off the cold.
Here is a great woman
on her side in the bed.
She is sick,
perhaps vomiting,
perhaps laboring
to give birth to
a tenth child. Joy! Joy!
Night is a room
darkened for lovers,
through the jalousies the sun
has sent one golden needle!
I pick the hair from her eyes
and watch her misery
with compassion.
422
William Butler Yeats
Words For Music Perhaps
Words For Music Perhaps
I - CRAZY JANE AND THE BISHOP
BRING me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that's dead.
Coxcomb was the least he said:
The solid man and the coxcomb.
Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.
The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron's hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.
Jack had my virginity,
And bids me to the oak, for he
(all find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.
II - CRAZY JANE REPROVED
I CARE not what the sailors say:
All those dreadful thunder-stones,
All that storm that blots the day
Can but show that Heaven yawns;
Great Europa played the fool
That changed a lover for a bull.
Fol de rol, fol de rol.
To round that shell's elaborate whorl,
Adorning every secret track
With the delicate mother-of-pearl,
Made the joints of Heaven crack:
So never hang your heart upon
A roaring, ranting journeyman.
Fol de rol, fol de rol.
III - CRAZY JANE ON THE DAY OF JUDGMENT
'LOVE is all
Unsatisfied
That cannot take the whole
Body and soul';
And that is what Jane said.
'Take the sour
If you take me
I can scoff and lour
And scold for an hour.'
'That's certainly the case,' said he.
'Naked I lay,
The grass my bed;
Naked and hidden away,
That black day';
And that is what Jane said.
'What can be shown?
What true love be?
All could be known or shown
If Time were but gone.'
'That's certainly the case,' said he.
IV - CRAZY JANE AND JACK THE JOURNEYMAN
I KNOW, although when looks meet
I tremble to the bone,
The more I leave the door unlatched
The sooner love is gone,
For love is but a skein unwound
Between the dark and dawn.
A lonely ghost the ghost is
That to God shall come;
I -- love's skein upon the ground,
My body in the tomb --
Shall leap into the light lost
In my mother's womb.
But were I left to lie alone
In an empty bed,
The skein so bound us ghost to ghost
When he turned his head
passing on the road that night,
Mine must walk when dead.
V - CRAZY JANE ON GOD
THAT lover of a night
Came when he would,
Went in the dawning light
Whether I would or no;
Men come, men go;
All things remain in God.
Banners choke the sky;
Men-at-arms tread;
Armoured horses neigh
In the narrow pass:
All things remain in God.
Before their eyes a house
That from childhood stood
Uninhabited, ruinous,
Suddenly lit up
From door to top:
All things remain in God.
I had wild Jack for a lover;
Though like a road
That men pass over
My body makes no moan
But sings on:
All things remain in God.
VI - CRAZY JANE TALKS WITH THE BISHOP
I MET the Bishop on the road
And much said he and I.
'Those breasts are flat and fallen now,
Those veins must soon be dry;
Live in a heavenly mansion,
Not in some foul sty.'
'Fair and foul are near of kin,
And fair needs foul,' I cried.
'My friends are gone, but that's a truth
Nor grave nor bed denied,
Learned in bodily lowliness
And in the heart's pride.
'A woman can be proud and stiff
When on love intent;
But Love has pitched his mansion in
The place of excrement;
For nothing can be sole or whole
That has not been rent.'
VII - CRAZY JANE GROWN OLD LOOKS AT THE DANCERS
I FOUND that ivory image there
Dancing with her chosen youth,
But when he wound her coal-black hair
As though to strangle her, no scream
Or bodily movement did I dare,
Eyes under eyelids did so gleam;
Love is like the lion's tooth.
When She, and though some said she played
I said that she had danced heart's truth,
Drew a knife to strike him dead,
I could but leave him to his fate;
For no matter what is said
They had all that had their hate;
Love is like the lion's tooth.
Did he die or did she die?
Seemed to die or died they both?
God be with the times when I
Cared not a thraneen for what chanced
So that I had the limbs to try
Such a dance as there was danced --
Love is like the lion's tooth.
VIII - GIRL'S SONG
I WENT out alone
To sing a song or two,
My fancy on a man,
And you know who.
Another came in sight
That on a stick relied
To hold himself upright;
I sat and cried.
And that was all my song --
When everything is told,
Saw I an old man young
Or young man old?
IX - YOUNG MAN'S SONG
'SHE will change,' I cried.
'Into a withered crone.'
The heart in my side,
That so still had lain,
In noble rage replied
And beat upon the bone:
'Uplift those eyes and throw
Those glances unafraid:
She would as bravely show
Did all the fabric fade;
No withered crone I saw
Before the world was made.'
Abashed by that report,
For the heart cannot lie,
I knelt in the dirt.
And all shall bend the knee
To my offended heart
Until it pardon me.
X - HER ANXIETY
EARTH in beauty dressed
Awaits returning spring.
All true love must die,
Alter at the best
Into some lesser thing.
Prove that I lie.
Such body lovers have,
Such exacting breath,
That they touch or sigh.
Every touch they give,
Love is nearer death.
Prove that I lie.
XI - HIS CONFIDENCE
UNDYING love to buy
I wrote upon
The corners of this eye
All wrongs done.
What payment were enough
For undying love?
I broke my heart in two
So hard I struck.
What matter? for I know
That out of rock,
Out of a desolate source,
Love leaps upon its course.
XII - LOVE'S LONELINESS
OLD fathers, great-grandfathers,
Rise as kindred should.
If ever lover's loneliness
Came where you stood,
Pray that Heaven protect us
That protect your blood.
The mountain throws a shadow,
Thin is the moon's horn;
What did we remember
Under the ragged thorn?
Dread has followed longing,
And our hearts are torn.
XIII - HER DREAM
I DREAMED as in my bed I lay,
All night's fathomless wisdom come,
That I had shorn my locks away
And laid them on Love's lettered tomb:
But something bore them out of sight
In a great tumult of the air,
And after nailed upon the night
Berenice's burning hair.
XIV - HIS BARGAIN
WHO talks of Plato's spindle;
What set it whirling round?
Eternity may dwindle,
Time is unwound,
Dan and Jerry Lout
Change their loves about.
However they may take it,
Before the thread began
I made, and may not break it
When the last thread has run,
A bargain with that hair
And all the windings there.
XV - THREE THINGS
'O CRUEL Death, give three things back,'
Sang a bone upon the shore;
'A child found all a child can lack,
Whether of pleasure or of rest,
Upon the abundance of my breast':
A bone wave-whitened and dried in the wind.
'Three dear things that women know,'
Sang a bhone upon the shore;
'A man if I but held him so
When my body was alive
Found all the pleasure that life gave':
A bone wave-whitened and dried in the wind.
'The third thing that I think of yet,'
Sang a bone upon the shore,
'Is that morning when I met
Face to face my rightful man
And did after stretch and yawn':
A bone wave-whitened and dried in the wind.
XVI - LULLABY
BELOVED, may your sleep be sound
That have found it where you fed.
What were all the world's alarms
To mighty paris when he found
Sleep upon a golden bed
That first dawn in Helen's arms?
Sleep, beloved, such a sleep
As did that wild Tristram know
When, the potion's work being done,
Roe could run or doe could leap
Under oak and beechen bough,
Roe could leap or doe could run;
Such a sleep and sound as fell
Upon Eurotas' grassy bank
When the holy bird, that there
Accomplished his predestined will,
From the limbs of Leda sank
But not from her protecting care.
XVII - AFTER LONG SILENCE
SPEECH after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.
XVIII - MAD AS THE MIST AND SNOW
BOLT and bar the shutter,
For the foul winds blow:
Our minds are at their best this night,
And I seem to know
That everything outside us is
Mad as the mist and snow.
Horace there by Homer stands,
Plato stands below,
And here is Tully's open page.
How many years ago
Were you and I unlettered lads
Mad as the mist and snow?
You ask what makes me sigh, old friend,
What makes me shudder so?
I shudder and I sigh to think
That even Cicero
And many-minded Homer were
Mad as the mist and snow.
XIX - THOSE DANCING DAYS ARE GONE
COME, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.
Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.
I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.
XX - 'I AM OF IRELAND'
AM of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity,
Come dance with me in Ireland.'
One man, one man alone
In that outlandish gear,
One solitary man
Of all that rambled there
Had turned his stately head.
That is a long way off,
And time runs on,' he said,
'And the night grows rough.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'
The fiddlers are all thumbs,
Or the fiddle-string accursed,
The drums and the kettledrums
And the trumpets all are burst,
And the trombone,' cried he,
'The trumpet and trombone,'
And cocked a malicious eye,
'But time runs on, runs on.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'
XXI - THE DANCER AT CRUACHAN AND CRO-PATRICK
I, PROCLAIMING that there is
Among birds or beasts or men
One that is perfect or at peace.
Danced on Cruachan's windy plain,
Upon Cro-patrick sang aloud;
All that could run or leap or swim
Whether in wood, water or cloud,
Acclaiming, proclaiming, declaiming Him.
XXII - TOM THE LUNATIC
SANG old Tom the lunatic
That sleeps under the canopy:
'What change has put my thoughts astray
And eyes that had s-o keen a sight?
What has turned to smoking wick
Nature's pure unchanging light?
'Huddon and Duddon and Daniel O'Leary.
Holy Joe, the beggar-man,
Wenching, drinking, still remain
Or sing a penance on the road;
Something made these eyeballs weary
That blinked and saw them in a shroud.
'Whatever stands in field or flood,
Bird, beast, fish or man,
Mare or stallion, cock or hen,
Stands in God's unchanging eye
In all the vigour of its blood;
In that faith I live or die.'
XXIII - TOM AT CRUACHAN
ON Cruachan's plain slept he
That must sing in a rhyme
What most could shake his soul:
'The stallion Eternit
Mounted the mare of Time,
'Gat the foal of the world.'
XXIV - OLD TOM AGAIN
THINGS out of perfection sail,
And all their swelling canvas wear,
Nor shall the self-begotten fail
Though fantastic men suppose
Building-yard and stormy shore,
Winding-sheet and swaddling -- clothes.
XXV - THE DELPHIC ORACLE UPON PLOTINUS
BEHOLD that great Plotinus swim,
Buffeted by such seas;
Bland Rhadamanthus beckons him,
But the Golden Race looks dim,
Salt blood blocks his eyes.
Scattered on the level grass
Or winding through the grove
plato there and Minos pass,
There stately Pythagoras
And all the choir of Love.
I - CRAZY JANE AND THE BISHOP
BRING me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that's dead.
Coxcomb was the least he said:
The solid man and the coxcomb.
Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.
The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron's hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.
Jack had my virginity,
And bids me to the oak, for he
(all find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.
II - CRAZY JANE REPROVED
I CARE not what the sailors say:
All those dreadful thunder-stones,
All that storm that blots the day
Can but show that Heaven yawns;
Great Europa played the fool
That changed a lover for a bull.
Fol de rol, fol de rol.
To round that shell's elaborate whorl,
Adorning every secret track
With the delicate mother-of-pearl,
Made the joints of Heaven crack:
So never hang your heart upon
A roaring, ranting journeyman.
Fol de rol, fol de rol.
III - CRAZY JANE ON THE DAY OF JUDGMENT
'LOVE is all
Unsatisfied
That cannot take the whole
Body and soul';
And that is what Jane said.
'Take the sour
If you take me
I can scoff and lour
And scold for an hour.'
'That's certainly the case,' said he.
'Naked I lay,
The grass my bed;
Naked and hidden away,
That black day';
And that is what Jane said.
'What can be shown?
What true love be?
All could be known or shown
If Time were but gone.'
'That's certainly the case,' said he.
IV - CRAZY JANE AND JACK THE JOURNEYMAN
I KNOW, although when looks meet
I tremble to the bone,
The more I leave the door unlatched
The sooner love is gone,
For love is but a skein unwound
Between the dark and dawn.
A lonely ghost the ghost is
That to God shall come;
I -- love's skein upon the ground,
My body in the tomb --
Shall leap into the light lost
In my mother's womb.
But were I left to lie alone
In an empty bed,
The skein so bound us ghost to ghost
When he turned his head
passing on the road that night,
Mine must walk when dead.
V - CRAZY JANE ON GOD
THAT lover of a night
Came when he would,
Went in the dawning light
Whether I would or no;
Men come, men go;
All things remain in God.
Banners choke the sky;
Men-at-arms tread;
Armoured horses neigh
In the narrow pass:
All things remain in God.
Before their eyes a house
That from childhood stood
Uninhabited, ruinous,
Suddenly lit up
From door to top:
All things remain in God.
I had wild Jack for a lover;
Though like a road
That men pass over
My body makes no moan
But sings on:
All things remain in God.
VI - CRAZY JANE TALKS WITH THE BISHOP
I MET the Bishop on the road
And much said he and I.
'Those breasts are flat and fallen now,
Those veins must soon be dry;
Live in a heavenly mansion,
Not in some foul sty.'
'Fair and foul are near of kin,
And fair needs foul,' I cried.
'My friends are gone, but that's a truth
Nor grave nor bed denied,
Learned in bodily lowliness
And in the heart's pride.
'A woman can be proud and stiff
When on love intent;
But Love has pitched his mansion in
The place of excrement;
For nothing can be sole or whole
That has not been rent.'
VII - CRAZY JANE GROWN OLD LOOKS AT THE DANCERS
I FOUND that ivory image there
Dancing with her chosen youth,
But when he wound her coal-black hair
As though to strangle her, no scream
Or bodily movement did I dare,
Eyes under eyelids did so gleam;
Love is like the lion's tooth.
When She, and though some said she played
I said that she had danced heart's truth,
Drew a knife to strike him dead,
I could but leave him to his fate;
For no matter what is said
They had all that had their hate;
Love is like the lion's tooth.
Did he die or did she die?
Seemed to die or died they both?
God be with the times when I
Cared not a thraneen for what chanced
So that I had the limbs to try
Such a dance as there was danced --
Love is like the lion's tooth.
VIII - GIRL'S SONG
I WENT out alone
To sing a song or two,
My fancy on a man,
And you know who.
Another came in sight
That on a stick relied
To hold himself upright;
I sat and cried.
And that was all my song --
When everything is told,
Saw I an old man young
Or young man old?
IX - YOUNG MAN'S SONG
'SHE will change,' I cried.
'Into a withered crone.'
The heart in my side,
That so still had lain,
In noble rage replied
And beat upon the bone:
'Uplift those eyes and throw
Those glances unafraid:
She would as bravely show
Did all the fabric fade;
No withered crone I saw
Before the world was made.'
Abashed by that report,
For the heart cannot lie,
I knelt in the dirt.
And all shall bend the knee
To my offended heart
Until it pardon me.
X - HER ANXIETY
EARTH in beauty dressed
Awaits returning spring.
All true love must die,
Alter at the best
Into some lesser thing.
Prove that I lie.
Such body lovers have,
Such exacting breath,
That they touch or sigh.
Every touch they give,
Love is nearer death.
Prove that I lie.
XI - HIS CONFIDENCE
UNDYING love to buy
I wrote upon
The corners of this eye
All wrongs done.
What payment were enough
For undying love?
I broke my heart in two
So hard I struck.
What matter? for I know
That out of rock,
Out of a desolate source,
Love leaps upon its course.
XII - LOVE'S LONELINESS
OLD fathers, great-grandfathers,
Rise as kindred should.
If ever lover's loneliness
Came where you stood,
Pray that Heaven protect us
That protect your blood.
The mountain throws a shadow,
Thin is the moon's horn;
What did we remember
Under the ragged thorn?
Dread has followed longing,
And our hearts are torn.
XIII - HER DREAM
I DREAMED as in my bed I lay,
All night's fathomless wisdom come,
That I had shorn my locks away
And laid them on Love's lettered tomb:
But something bore them out of sight
In a great tumult of the air,
And after nailed upon the night
Berenice's burning hair.
XIV - HIS BARGAIN
WHO talks of Plato's spindle;
What set it whirling round?
Eternity may dwindle,
Time is unwound,
Dan and Jerry Lout
Change their loves about.
However they may take it,
Before the thread began
I made, and may not break it
When the last thread has run,
A bargain with that hair
And all the windings there.
XV - THREE THINGS
'O CRUEL Death, give three things back,'
Sang a bone upon the shore;
'A child found all a child can lack,
Whether of pleasure or of rest,
Upon the abundance of my breast':
A bone wave-whitened and dried in the wind.
'Three dear things that women know,'
Sang a bhone upon the shore;
'A man if I but held him so
When my body was alive
Found all the pleasure that life gave':
A bone wave-whitened and dried in the wind.
'The third thing that I think of yet,'
Sang a bone upon the shore,
'Is that morning when I met
Face to face my rightful man
And did after stretch and yawn':
A bone wave-whitened and dried in the wind.
XVI - LULLABY
BELOVED, may your sleep be sound
That have found it where you fed.
What were all the world's alarms
To mighty paris when he found
Sleep upon a golden bed
That first dawn in Helen's arms?
Sleep, beloved, such a sleep
As did that wild Tristram know
When, the potion's work being done,
Roe could run or doe could leap
Under oak and beechen bough,
Roe could leap or doe could run;
Such a sleep and sound as fell
Upon Eurotas' grassy bank
When the holy bird, that there
Accomplished his predestined will,
From the limbs of Leda sank
But not from her protecting care.
XVII - AFTER LONG SILENCE
SPEECH after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.
XVIII - MAD AS THE MIST AND SNOW
BOLT and bar the shutter,
For the foul winds blow:
Our minds are at their best this night,
And I seem to know
That everything outside us is
Mad as the mist and snow.
Horace there by Homer stands,
Plato stands below,
And here is Tully's open page.
How many years ago
Were you and I unlettered lads
Mad as the mist and snow?
You ask what makes me sigh, old friend,
What makes me shudder so?
I shudder and I sigh to think
That even Cicero
And many-minded Homer were
Mad as the mist and snow.
XIX - THOSE DANCING DAYS ARE GONE
COME, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.
Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.
I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.
XX - 'I AM OF IRELAND'
AM of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity,
Come dance with me in Ireland.'
One man, one man alone
In that outlandish gear,
One solitary man
Of all that rambled there
Had turned his stately head.
That is a long way off,
And time runs on,' he said,
'And the night grows rough.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'
The fiddlers are all thumbs,
Or the fiddle-string accursed,
The drums and the kettledrums
And the trumpets all are burst,
And the trombone,' cried he,
'The trumpet and trombone,'
And cocked a malicious eye,
'But time runs on, runs on.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'
XXI - THE DANCER AT CRUACHAN AND CRO-PATRICK
I, PROCLAIMING that there is
Among birds or beasts or men
One that is perfect or at peace.
Danced on Cruachan's windy plain,
Upon Cro-patrick sang aloud;
All that could run or leap or swim
Whether in wood, water or cloud,
Acclaiming, proclaiming, declaiming Him.
XXII - TOM THE LUNATIC
SANG old Tom the lunatic
That sleeps under the canopy:
'What change has put my thoughts astray
And eyes that had s-o keen a sight?
What has turned to smoking wick
Nature's pure unchanging light?
'Huddon and Duddon and Daniel O'Leary.
Holy Joe, the beggar-man,
Wenching, drinking, still remain
Or sing a penance on the road;
Something made these eyeballs weary
That blinked and saw them in a shroud.
'Whatever stands in field or flood,
Bird, beast, fish or man,
Mare or stallion, cock or hen,
Stands in God's unchanging eye
In all the vigour of its blood;
In that faith I live or die.'
XXIII - TOM AT CRUACHAN
ON Cruachan's plain slept he
That must sing in a rhyme
What most could shake his soul:
'The stallion Eternit
Mounted the mare of Time,
'Gat the foal of the world.'
XXIV - OLD TOM AGAIN
THINGS out of perfection sail,
And all their swelling canvas wear,
Nor shall the self-begotten fail
Though fantastic men suppose
Building-yard and stormy shore,
Winding-sheet and swaddling -- clothes.
XXV - THE DELPHIC ORACLE UPON PLOTINUS
BEHOLD that great Plotinus swim,
Buffeted by such seas;
Bland Rhadamanthus beckons him,
But the Golden Race looks dim,
Salt blood blocks his eyes.
Scattered on the level grass
Or winding through the grove
plato there and Minos pass,
There stately Pythagoras
And all the choir of Love.
333
William Butler Yeats
Two Years Later
Two Years Later
HAS no one said those daring
Kind eyes should be more learn'd?
Or warned you how despairing
The moths are when they are burned?
I could have warned you; but you are young,
So we speak a different tongue.
O you will take whatever's offered
And dream that all the world's a friend,
Suffer as your mother suffered,
Be as broken in the end.
But I am old and you are young,
And I speak a barbarous tongue.
HAS no one said those daring
Kind eyes should be more learn'd?
Or warned you how despairing
The moths are when they are burned?
I could have warned you; but you are young,
So we speak a different tongue.
O you will take whatever's offered
And dream that all the world's a friend,
Suffer as your mother suffered,
Be as broken in the end.
But I am old and you are young,
And I speak a barbarous tongue.
414
William Butler Yeats
The Withering Of The Boughs
The Withering Of The Boughs
I CRIED when the moon was mutmuring to the birds:
'Let peewit call and curlew cry where they will,
I long for your merry and tender and pitiful words,
For the roads are unending, and there is no place to my mind.'
The honey-pale moon lay low on the sleepy hill,
And I fell asleep upon lonely Echtge of streams.
No boughs have withered because of the wintry wind;
The boughs have withered because I have told them my dreams.
I know of the leafy paths that the witches take
Who come with their crowns of pearl and their spindles of wool,
And their secret smile, out of the depths of the lake;
I know where a dim moon drifts, where the Danaan kind
Wind and unwind their dances when the light grows cool
On the island lawns, their feet where the pale foam gleams.
No boughs have withered because of the wintry wind;
The boughs have withered because I have told them my dreams.
I know of the sleepy country, where swans fly round
Coupled with golden chains, and sing as they fly.
A king and a queen are wandering there, and the sound
Has made them so happy and hopeless, so deaf and so blind
With wisdom, they wander till all the years have gone by;
I know, and the curlew and peewit on Echtge of streams.
No boughs have withered because of the wintry wind;
The boughs have withered because I have told them my dreams.
I CRIED when the moon was mutmuring to the birds:
'Let peewit call and curlew cry where they will,
I long for your merry and tender and pitiful words,
For the roads are unending, and there is no place to my mind.'
The honey-pale moon lay low on the sleepy hill,
And I fell asleep upon lonely Echtge of streams.
No boughs have withered because of the wintry wind;
The boughs have withered because I have told them my dreams.
I know of the leafy paths that the witches take
Who come with their crowns of pearl and their spindles of wool,
And their secret smile, out of the depths of the lake;
I know where a dim moon drifts, where the Danaan kind
Wind and unwind their dances when the light grows cool
On the island lawns, their feet where the pale foam gleams.
No boughs have withered because of the wintry wind;
The boughs have withered because I have told them my dreams.
I know of the sleepy country, where swans fly round
Coupled with golden chains, and sing as they fly.
A king and a queen are wandering there, and the sound
Has made them so happy and hopeless, so deaf and so blind
With wisdom, they wander till all the years have gone by;
I know, and the curlew and peewit on Echtge of streams.
No boughs have withered because of the wintry wind;
The boughs have withered because I have told them my dreams.
396
William Butler Yeats
The Travail Of Passion
The Travail Of Passion
WHEN the flaming lute-thronged angelic door is wide;
When an immortal passion breathes in mortal clay;
Our hearts endure the scourge, the plaited thorns, the way
Crowded with bitter faces, the wounds in palm and side,
The vinegar-heavy sponge, the flowers by Kedron stream;
We will bend down and loosen our hair over you,
That it may drop faint perfume, and be heavy with dew,
Lilies of death-pale hope, roses of passionate dream.
WHEN the flaming lute-thronged angelic door is wide;
When an immortal passion breathes in mortal clay;
Our hearts endure the scourge, the plaited thorns, the way
Crowded with bitter faces, the wounds in palm and side,
The vinegar-heavy sponge, the flowers by Kedron stream;
We will bend down and loosen our hair over you,
That it may drop faint perfume, and be heavy with dew,
Lilies of death-pale hope, roses of passionate dream.
339
William Butler Yeats
The Spirit Medium
The Spirit Medium
POETRY, music, I have loved, and yet
Because of those new dead
That come into my soul and escape
Confusion of the bed,
Or those begotten or unbegotten
Perning in a band,
I bend my body to the spade
Or grope with a dirty hand.
Or those begotten or unbegotten,
For I would not recall
Some that being unbegotten
Are not individual,
But copy some one action,
Moulding it of dust or sand,
I bend my body to the spade
Or grope with a dirty hand.
An old ghost's thoughts are lightning,
To follow is to die;
Poetry and music I have banished,
But the stupidity
Of root, shoot, blossom or clay
Makes no demand.
I bend my body to the spade
Or grope with a dirty hand.
POETRY, music, I have loved, and yet
Because of those new dead
That come into my soul and escape
Confusion of the bed,
Or those begotten or unbegotten
Perning in a band,
I bend my body to the spade
Or grope with a dirty hand.
Or those begotten or unbegotten,
For I would not recall
Some that being unbegotten
Are not individual,
But copy some one action,
Moulding it of dust or sand,
I bend my body to the spade
Or grope with a dirty hand.
An old ghost's thoughts are lightning,
To follow is to die;
Poetry and music I have banished,
But the stupidity
Of root, shoot, blossom or clay
Makes no demand.
I bend my body to the spade
Or grope with a dirty hand.
335
William Butler Yeats
The Secret Rose
The Secret Rose
FAR-OFF, most secret, and inviolate Rose,
Enfold me in my hour of hours; where those
Who sought thee in the Holy Sepulchre,
Or in the wine-vat, dwell beyond the stir
And tumult of defeated dreams; and deep
Among pale eyelids, heavy with the sleep
Men have named beauty. Thy great leaves enfold
The ancient beards, the helms of ruby and gold
Of the crowned Magi; and the king whose eyes
Saw the pierced Hands and Rood of elder rise
In Druid vapour and make the torches dim;
Till vain frenzy awoke and he died; and him
Who met Fand walking among flaming dew
By a grey shore where the wind never blew,
And lost the world and Emer for a kiss;
And him who drove the gods out of their liss,
And till a hundred moms had flowered red
Feasted, and wept the barrows of his dead;
And the proud dreaming king who flung the crown
And sorrow away, and calling bard and clown
Dwelt among wine-stained wanderers in deep woods:
And him who sold tillage, and house, and goods,
And sought through lands and islands numberless years,
Until he found, with laughter and with tears,
A woman of so shining loveliness
That men threshed corn at midnight by a tress,
A little stolen tress. I, too, await
The hour of thy great wind of love and hate.
When shall the stars be blown about the sky,
Like the sparks blown out of a smithy, and die?
Surely thine hour has come, thy great wind blows,
Far-off, most secret, and inviolate Rose?
FAR-OFF, most secret, and inviolate Rose,
Enfold me in my hour of hours; where those
Who sought thee in the Holy Sepulchre,
Or in the wine-vat, dwell beyond the stir
And tumult of defeated dreams; and deep
Among pale eyelids, heavy with the sleep
Men have named beauty. Thy great leaves enfold
The ancient beards, the helms of ruby and gold
Of the crowned Magi; and the king whose eyes
Saw the pierced Hands and Rood of elder rise
In Druid vapour and make the torches dim;
Till vain frenzy awoke and he died; and him
Who met Fand walking among flaming dew
By a grey shore where the wind never blew,
And lost the world and Emer for a kiss;
And him who drove the gods out of their liss,
And till a hundred moms had flowered red
Feasted, and wept the barrows of his dead;
And the proud dreaming king who flung the crown
And sorrow away, and calling bard and clown
Dwelt among wine-stained wanderers in deep woods:
And him who sold tillage, and house, and goods,
And sought through lands and islands numberless years,
Until he found, with laughter and with tears,
A woman of so shining loveliness
That men threshed corn at midnight by a tress,
A little stolen tress. I, too, await
The hour of thy great wind of love and hate.
When shall the stars be blown about the sky,
Like the sparks blown out of a smithy, and die?
Surely thine hour has come, thy great wind blows,
Far-off, most secret, and inviolate Rose?
364
William Butler Yeats
The Sad Shepherd
The Sad Shepherd
THERE was a man whom Sorrow named his Friend,
And he, of his high comrade Sorrow dreaming,
Went walking with slow steps along the gleaming
And humming Sands, where windy surges wend:
And he called loudly to the stars to bend
From their pale thrones and comfort him, but they
Among themselves laugh on and sing alway:
And then the man whom Sorrow named his friend
Cried out, Dim sea, hear my most piteous story.!
The sea Swept on and cried her old cry still,
Rolling along in dreams from hill to hill.
He fled the persecution of her glory
And, in a far-off, gentle valley stopping,
Cried all his story to the dewdrops glistening.
But naught they heard, for they are always listening,
The dewdrops, for the sound of their own dropping.
And then the man whom Sorrow named his friend
Sought once again the shore, and found a shell,
And thought, I will my heavy story tell
Till my own words, re-echoing, shall send
Their sadness through a hollow, pearly heart;
And my own talc again for me shall sing,
And my own whispering words be comforting,
And lo! my ancient burden may depart.
Then he sang softly nigh the pearly rim;
But the sad dweller by the sea-ways lone
Changed all he sang to inarticulate moan
Among her wildering whirls, forgetting him.
THERE was a man whom Sorrow named his Friend,
And he, of his high comrade Sorrow dreaming,
Went walking with slow steps along the gleaming
And humming Sands, where windy surges wend:
And he called loudly to the stars to bend
From their pale thrones and comfort him, but they
Among themselves laugh on and sing alway:
And then the man whom Sorrow named his friend
Cried out, Dim sea, hear my most piteous story.!
The sea Swept on and cried her old cry still,
Rolling along in dreams from hill to hill.
He fled the persecution of her glory
And, in a far-off, gentle valley stopping,
Cried all his story to the dewdrops glistening.
But naught they heard, for they are always listening,
The dewdrops, for the sound of their own dropping.
And then the man whom Sorrow named his friend
Sought once again the shore, and found a shell,
And thought, I will my heavy story tell
Till my own words, re-echoing, shall send
Their sadness through a hollow, pearly heart;
And my own talc again for me shall sing,
And my own whispering words be comforting,
And lo! my ancient burden may depart.
Then he sang softly nigh the pearly rim;
But the sad dweller by the sea-ways lone
Changed all he sang to inarticulate moan
Among her wildering whirls, forgetting him.
369
William Butler Yeats
The Mother Of God
The Mother Of God
THE threefold terror of love; a fallen flare
Through the hollow of an ear;
Wings beating about the room;
The terror of all terrors that I bore
The Heavens in my womb.
Had I not found content among the shows
Every common woman knows,
Chimney corner, garden walk,
Or rocky cistern where we tread the clothes
And gather all the talk?
What is this flesh I purchased with my pains,
This fallen star my milk sustains,
This love that makes my heart's blood stop
Or strikes a Sudden chill into my bones
And bids my hair stand up?
THE threefold terror of love; a fallen flare
Through the hollow of an ear;
Wings beating about the room;
The terror of all terrors that I bore
The Heavens in my womb.
Had I not found content among the shows
Every common woman knows,
Chimney corner, garden walk,
Or rocky cistern where we tread the clothes
And gather all the talk?
What is this flesh I purchased with my pains,
This fallen star my milk sustains,
This love that makes my heart's blood stop
Or strikes a Sudden chill into my bones
And bids my hair stand up?
281
William Butler Yeats
The Man Who Dreamed Of Faeryland
The Man Who Dreamed Of Faeryland
HE stood among a crowd at Dromahair;
His heart hung all upon a silken dress,
And he had known at last some tenderness,
Before earth took him to her stony care;
But when a man poured fish into a pile,
It Seemed they raised their little silver heads,
And sang what gold morning or evening sheds
Upon a woven world-forgotten isle
Where people love beside the ravelled seas;
That Time can never mar a lover's vows
Under that woven changeless roof of boughs:
The singing shook him out of his new ease.
He wandered by the sands of Lissadell;
His mind ran all on money cares and fears,
And he had known at last some prudent years
Before they heaped his grave under the hill;
But while he passed before a plashy place,
A lug-worm with its grey and muddy mouth
Sang that somewhere to north or west or south
There dwelt a gay, exulting, gentle race
Under the golden or the silver skies;
That if a dancer stayed his hungry foot
It seemed the sun and moon were in the fruit:
And at that singing he was no more wise.
He mused beside the well of Scanavin,
He mused upon his mockers: without fail
His sudden vengeance were a country tale,
When earthy night had drunk his body in;
But one small knot-grass growing by the pool
Sang where -- unnecessary cruel voice --
Old silence bids its chosen race rejoice,
Whatever ravelled waters rise and fall
Or stormy silver fret the gold of day,
And midnight there enfold them like a fleece
And lover there by lover be at peace.
The tale drove his fine angry mood away.
He slept under the hill of Lugnagall;
And might have known at last unhaunted sleep
Under that cold and vapour-turbaned steep,
Now that the earth had taken man and all:
Did not the worms that spired about his bones
proclaim with that unwearied, reedy cry
That God has laid His fingers on the sky,
That from those fingers glittering summer runs
Upon the dancer by the dreamless wave.
Why should those lovers that no lovers miss
Dream, until God burn Nature with a kiss?
The man has found no comfort in the grave.
HE stood among a crowd at Dromahair;
His heart hung all upon a silken dress,
And he had known at last some tenderness,
Before earth took him to her stony care;
But when a man poured fish into a pile,
It Seemed they raised their little silver heads,
And sang what gold morning or evening sheds
Upon a woven world-forgotten isle
Where people love beside the ravelled seas;
That Time can never mar a lover's vows
Under that woven changeless roof of boughs:
The singing shook him out of his new ease.
He wandered by the sands of Lissadell;
His mind ran all on money cares and fears,
And he had known at last some prudent years
Before they heaped his grave under the hill;
But while he passed before a plashy place,
A lug-worm with its grey and muddy mouth
Sang that somewhere to north or west or south
There dwelt a gay, exulting, gentle race
Under the golden or the silver skies;
That if a dancer stayed his hungry foot
It seemed the sun and moon were in the fruit:
And at that singing he was no more wise.
He mused beside the well of Scanavin,
He mused upon his mockers: without fail
His sudden vengeance were a country tale,
When earthy night had drunk his body in;
But one small knot-grass growing by the pool
Sang where -- unnecessary cruel voice --
Old silence bids its chosen race rejoice,
Whatever ravelled waters rise and fall
Or stormy silver fret the gold of day,
And midnight there enfold them like a fleece
And lover there by lover be at peace.
The tale drove his fine angry mood away.
He slept under the hill of Lugnagall;
And might have known at last unhaunted sleep
Under that cold and vapour-turbaned steep,
Now that the earth had taken man and all:
Did not the worms that spired about his bones
proclaim with that unwearied, reedy cry
That God has laid His fingers on the sky,
That from those fingers glittering summer runs
Upon the dancer by the dreamless wave.
Why should those lovers that no lovers miss
Dream, until God burn Nature with a kiss?
The man has found no comfort in the grave.
354
William Butler Yeats
The Lover Mourns For The Loss Of Love
The Lover Mourns For The Loss Of Love
PALE brows, still hands and dim hair,
I had a beautiful friend
And dreamed that the old despair
Would end in love in the end:
She looked in my heart one day
And saw your image was there;
She has gone weeping away.
PALE brows, still hands and dim hair,
I had a beautiful friend
And dreamed that the old despair
Would end in love in the end:
She looked in my heart one day
And saw your image was there;
She has gone weeping away.
417
William Butler Yeats
The Lady's First Song
The Lady's First Song
I TURN round
Like a dumb beast in a show.
Neither know what I am
Nor where I go,
My language beaten
Into one name;
I am in love
And that is my shame.
What hurts the soul
My soul adores,
No better than a beast
Upon all fours.
I TURN round
Like a dumb beast in a show.
Neither know what I am
Nor where I go,
My language beaten
Into one name;
I am in love
And that is my shame.
What hurts the soul
My soul adores,
No better than a beast
Upon all fours.
347
William Butler Yeats
The Crazed Moon
The Crazed Moon
CRAZED through much child-bearing
The moon is staggering in the sky;
Moon-struck by the despairing
Glances of her wandering eye
We grope, and grope in vain,
For children born of her pain.
Children dazed or dead!
When she in all her virginal pride
First trod on the mountain's head
What stir ran through the countryside
Where every foot obeyed her glance!
What manhood led the dance!
Fly-catchers of the moon,
Our hands are blenched, our fingers seem
But slender needles of bone;
Blenched by that malicious dream
They are spread wide that each
May rend what comes in reach.
CRAZED through much child-bearing
The moon is staggering in the sky;
Moon-struck by the despairing
Glances of her wandering eye
We grope, and grope in vain,
For children born of her pain.
Children dazed or dead!
When she in all her virginal pride
First trod on the mountain's head
What stir ran through the countryside
Where every foot obeyed her glance!
What manhood led the dance!
Fly-catchers of the moon,
Our hands are blenched, our fingers seem
But slender needles of bone;
Blenched by that malicious dream
They are spread wide that each
May rend what comes in reach.
333
William Butler Yeats
The Cloak, The Boat And The Shoes
The Cloak, The Boat And The Shoes
'What do you make so fair and bright?'
'I make the cloak of Sorrow:
O lovely to see in all men's sight
Shall be the cloak of Sorrow,
In all men's sight.'
'What do you build with sails for flight?'
'I build a boat for Sorrow:
O swift on the seas all day and night
Saileth the rover Sorrow,
All day and night.'
What do you weave with wool so white?'
'I weave the shoes of Sorrow:
Soundless shall be the footfall light
In all men's ears of Sorrow,
Sudden and light.'
'What do you make so fair and bright?'
'I make the cloak of Sorrow:
O lovely to see in all men's sight
Shall be the cloak of Sorrow,
In all men's sight.'
'What do you build with sails for flight?'
'I build a boat for Sorrow:
O swift on the seas all day and night
Saileth the rover Sorrow,
All day and night.'
What do you weave with wool so white?'
'I weave the shoes of Sorrow:
Soundless shall be the footfall light
In all men's ears of Sorrow,
Sudden and light.'
354
William Butler Yeats
The Cold Heaven
The Cold Heaven
SUDDENLY I saw the cold and rook-delighting heaven
That seemed as though ice burned and was but the more ice,
And thereupon imagination and heart were driven
So wild that every casual thought of that and this
Vanished, and left but memories, that should be out of season
With the hot blood of youth, of love crossed long ago;
And I took all thc blame out of all sense and reason,
Until I cried and trembled and rocked to and fro,
Riddled with light. Ah! when the ghost begins to quicken,
Confusion of the death-bed over, is it sent
Out naked on the roads, as the books say, and stricken
By the injustice of the skies for punishment?
SUDDENLY I saw the cold and rook-delighting heaven
That seemed as though ice burned and was but the more ice,
And thereupon imagination and heart were driven
So wild that every casual thought of that and this
Vanished, and left but memories, that should be out of season
With the hot blood of youth, of love crossed long ago;
And I took all thc blame out of all sense and reason,
Until I cried and trembled and rocked to and fro,
Riddled with light. Ah! when the ghost begins to quicken,
Confusion of the death-bed over, is it sent
Out naked on the roads, as the books say, and stricken
By the injustice of the skies for punishment?
289
William Butler Yeats
The Chambermaid's First Song
The Chambermaid's First Song
HOW came this ranger
Now sunk in rest,
Stranger with strangcr.
On my cold breast?
What's left to Sigh for?
Strange night has come;
God's love has hidden him
Out of all harm,
Pleasure has made him
Weak as a worm.
HOW came this ranger
Now sunk in rest,
Stranger with strangcr.
On my cold breast?
What's left to Sigh for?
Strange night has come;
God's love has hidden him
Out of all harm,
Pleasure has made him
Weak as a worm.
270
William Butler Yeats
Presences
Presences
THIS night has been so strange that it seemed
As if the hair stood up on my head.
From going-down of the sun I have dreamed
That women laughing, or timid or wild,
In rustle of lace or silken stuff,
Climbed up my creaking stair. They had read
All I had rhymed of that monstrous thing
Returned and yet unrequited love.
They stood in the door and stood between
My great wood lectern and the fire
Till I could hear their hearts beating:
One is a harlot, and one a child
That never looked upon man with desire.
And one, it may be, a queen.
THIS night has been so strange that it seemed
As if the hair stood up on my head.
From going-down of the sun I have dreamed
That women laughing, or timid or wild,
In rustle of lace or silken stuff,
Climbed up my creaking stair. They had read
All I had rhymed of that monstrous thing
Returned and yet unrequited love.
They stood in the door and stood between
My great wood lectern and the fire
Till I could hear their hearts beating:
One is a harlot, and one a child
That never looked upon man with desire.
And one, it may be, a queen.
355
William Butler Yeats
On A Political Prisoner
On A Political Prisoner
SHE that but little patience knew,
From childhood on, had now so much
A grey gull lost its fear and flew
Down to her cell and there alit,
And there endured her fingers' touch
And from her fingers ate its bit.
Did she in touching that lone wing
Recall the years before her mind
Became a bitter, an abstract thing,
Her thought some popular enmity:
Blind and leader of the blind
Drinking the foul ditch where they lie?
When long ago I saw her ride
Under Ben Bulben to the meet,
The beauty of her country-side
With all youth's lonely wildness stirred,
She seemed to have grown clean and sweet
Like any rock-bred, sea-borne bird:
Sea-borne, or balanced on the air
When first it sprang out of the nest
Upon some lofty rock to stare
Upon the cloudy canopy,
While under its storm-beaten breast
Cried out the hollows of the sea.
SHE that but little patience knew,
From childhood on, had now so much
A grey gull lost its fear and flew
Down to her cell and there alit,
And there endured her fingers' touch
And from her fingers ate its bit.
Did she in touching that lone wing
Recall the years before her mind
Became a bitter, an abstract thing,
Her thought some popular enmity:
Blind and leader of the blind
Drinking the foul ditch where they lie?
When long ago I saw her ride
Under Ben Bulben to the meet,
The beauty of her country-side
With all youth's lonely wildness stirred,
She seemed to have grown clean and sweet
Like any rock-bred, sea-borne bird:
Sea-borne, or balanced on the air
When first it sprang out of the nest
Upon some lofty rock to stare
Upon the cloudy canopy,
While under its storm-beaten breast
Cried out the hollows of the sea.
379
William Butler Yeats
Oil And Blood
Oil And Blood
IN tombs of gold and lapis lazuli
Bodies of holy men and women exude
Miraculous oil, odour of violet.
But under heavy loads of trampled clay
Lie bodies of the vampires full of blood;
Their shrouds are bloody and their lips are wet.
IN tombs of gold and lapis lazuli
Bodies of holy men and women exude
Miraculous oil, odour of violet.
But under heavy loads of trampled clay
Lie bodies of the vampires full of blood;
Their shrouds are bloody and their lips are wet.
285
William Butler Yeats
News For The Delphic Oracle
News For The Delphic Oracle
THERE all the golden codgers lay,
There the silver dew,
And the great water sighed for love,
And the wind sighed too.
Man-picker Niamh leant and sighed
By Oisin on the grass;
There sighed amid his choir of love
Tall pythagoras.
plotinus came and looked about,
The salt-flakes on his breast,
And having stretched and yawned awhile
Lay sighing like the rest.
Straddling each a dolphin's back
And steadied by a fin,
Those Innocents re-live their death,
Their wounds open again.
The ecstatic waters laugh because
Their cries are sweet and strange,
Through their ancestral patterns dance,
And the brute dolphins plunge
Until, in some cliff-sheltered bay
Where wades the choir of love
Proffering its sacred laurel crowns,
They pitch their burdens off.
THERE all the golden codgers lay,
There the silver dew,
And the great water sighed for love,
And the wind sighed too.
Man-picker Niamh leant and sighed
By Oisin on the grass;
There sighed amid his choir of love
Tall pythagoras.
plotinus came and looked about,
The salt-flakes on his breast,
And having stretched and yawned awhile
Lay sighing like the rest.
Straddling each a dolphin's back
And steadied by a fin,
Those Innocents re-live their death,
Their wounds open again.
The ecstatic waters laugh because
Their cries are sweet and strange,
Through their ancestral patterns dance,
And the brute dolphins plunge
Until, in some cliff-sheltered bay
Where wades the choir of love
Proffering its sacred laurel crowns,
They pitch their burdens off.
412
William Butler Yeats
Man And The Echo
Man And The Echo
Man. In a cleft that's christened Alt
Under broken stone I halt
At the bottom of a pit
That broad noon has never lit,
And shout a secret to the stone.
All that I have said and done,
Now that I am old and ill,
Turns into a question till
I lie awake night after night
And never get the answers right.
Did that play of mine send out
Certain men the English shot?
Did words of mine put too great strain
On that woman's reeling brain?
Could my spoken words have checked
That whereby a house lay wrecked?
And all seems evil until I
Sleepless would lie down and die.
Echo. Lie down and die.
Man. That were to shirk
The spiritual intellect's great work,
And shirk it in vain. There is no release
In a bodkin or disease,
Nor can there be work so great
As that which cleans man's dirty slate.
While man can still his body keep
Wine or love drug him to sleep,
Waking he thanks the Lord that he
Has body and its stupidity,
But body gone he sleeps no more,
And till his intellect grows sure
That all's arranged in one clear view,
pursues the thoughts that I pursue,
Then stands in judgment on his soul,
And, all work done, dismisses all
Out of intellect and sight
And sinks at last into the night.
Echo. Into the night.
Man. O Rocky Voice,
Shall we in that great night rejoice?
What do we know but that we face
One another in this place?
But hush, for I have lost the theme,
Its joy or night-seem but a dream;
Up there some hawk or owl has struck,
Dropping out of sky or rock,
A stricken rabbit is crying out,
And its cry distracts my thought.
Man. In a cleft that's christened Alt
Under broken stone I halt
At the bottom of a pit
That broad noon has never lit,
And shout a secret to the stone.
All that I have said and done,
Now that I am old and ill,
Turns into a question till
I lie awake night after night
And never get the answers right.
Did that play of mine send out
Certain men the English shot?
Did words of mine put too great strain
On that woman's reeling brain?
Could my spoken words have checked
That whereby a house lay wrecked?
And all seems evil until I
Sleepless would lie down and die.
Echo. Lie down and die.
Man. That were to shirk
The spiritual intellect's great work,
And shirk it in vain. There is no release
In a bodkin or disease,
Nor can there be work so great
As that which cleans man's dirty slate.
While man can still his body keep
Wine or love drug him to sleep,
Waking he thanks the Lord that he
Has body and its stupidity,
But body gone he sleeps no more,
And till his intellect grows sure
That all's arranged in one clear view,
pursues the thoughts that I pursue,
Then stands in judgment on his soul,
And, all work done, dismisses all
Out of intellect and sight
And sinks at last into the night.
Echo. Into the night.
Man. O Rocky Voice,
Shall we in that great night rejoice?
What do we know but that we face
One another in this place?
But hush, for I have lost the theme,
Its joy or night-seem but a dream;
Up there some hawk or owl has struck,
Dropping out of sky or rock,
A stricken rabbit is crying out,
And its cry distracts my thought.
381
William Butler Yeats
Love's Loneliness
Love's Loneliness
Old fathers, great-grandfathers,
Rise as kindred should.
If ever lover's loneliness
Came where you stood,
Pray that Heaven protect us
That protect your blood.
The mountain throws a shadow,
Thin is the moon's horn;
What did we remember
Under the ragged thorn?
Dread has followed longing,
And our hearts are torn.
Old fathers, great-grandfathers,
Rise as kindred should.
If ever lover's loneliness
Came where you stood,
Pray that Heaven protect us
That protect your blood.
The mountain throws a shadow,
Thin is the moon's horn;
What did we remember
Under the ragged thorn?
Dread has followed longing,
And our hearts are torn.
276