Romantic Love

Sonnet 147: My love is as a fever, longing still

My love is as a fever, longing still
For that which longer nurseth the disease,
Feeding on that which doth preserve the ill,
Th' uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve
Desire is death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest;
My thoughts and my discourse as mad men's are,
At random from the truth vainly expressed.


For I have sworn thee fair, and thought thee bright,
Who art as black as hell, as dark as night.

Sonnet 143: Lo, as a careful huswife runs to catch

Lo, as a careful huswife runs to catch
One of her feathered creatures broke away,
Sets down her babe and makes all swift dispatch
In pursuit of the thing she would have stay,
Whilst her neglected child holds her in chase,
Cries to catch her whose busy care is bent
To follow that which flies before her face,
Not prizing her poor infant's discontent:
So runn'st thou after that which flies from thee,
Whilst I, thy babe, chase thee afar behind;
But if thou catch thy hope turn back to me,
And play the mother's part: kiss me, be kind.


So will I pray that thou mayst have thy Will,
If thou turn back and my loud crying still.

Sonnet 145:

Those lips that Love's own hand did make
Breath'd forth the sound that said I hate
To me that languish'd for her sake:
But when she saw my woeful state,
Straight in her heart did mercy come.
Chiding that tongue, that ever sweet
Was used in giving gentle doom:
And taught it thus anew to greet:
'I hate' she alter'd with an end
That follow'd it as gentle day
Doth follow night, who like a fiend
From heaven to hell is flown away.
'I hate' from hate away she threw,
And sav'd my life, saying 'not you'

Sonnet 137: Thou blind fool, Love, what dost thou to mine eyes

Thou blind fool, Love, what dost thou to mine eyes
That they behold and see not what they see?
They know what beauty is, see where it lies,
Yet what the best is, take the worst to be.
If eyes corrupt by overpartial looks,
Be anchored in the bay where all men ride,
Why of eyes' falsehood hast thou forgèd hooks,
Whereto the judgment of my heart is tied?
Why should my heart think that a several plot
Which my heart knows the wide world's common place?
Or mine eyes seeing this, say this is not
To put fair truth upon so foul a face?


In things right true my heart and eyes have erred,
And to this false plague are they now transferred.

Sonnet 135: Whoever hath her wish, thou hast thy will

Whoever hath her wish, thou hast thy will,
And Will to boot, and Will in overplus;
More than enough am I that vex thee still,
To thy sweet will making addition thus.
Wilt thou, whose will is large and spacious,
Not once vouchsafe to hide my will in thine?
Shall will in others seem right gracious,
And in my will no fair acceptance shine?
The sea, all water, yet receives rain still,
And in abundance addeth to his store;
So thou being rich in will add to thy will
One will of mine to make thy large will more.


Let no unkind, no fair beseechers kill,
Think all but one, and me in that one Will.

Sonnet 133: Beshrew that heart that makes my heart to groan

Beshrew that heart that makes my heart to groan
For that deep wound it gives my friend and me!
Is't not enough to torture me alone,
But slave to slavery my sweet'st friend must be?
Me from my self thy cruel eye hath taken,
And my next self thou harder hast engrossed.
Of him, myself, and thee I am forsaken—
A torment thrice threefold thus to be crossed.
Prison my heart in thy steel bosom's ward,
But then my friend's heart let my poor heart bail;
Whoe'er keeps me, let my heart be his guard,
Thou canst not then use rigour in my jail.


And yet thou wilt; for I, being pent in thee,
Perforce am thine, and all that is in me.

Sonnet 131: Thou art as tyrannous, so as thou art

Thou art as tyrannous, so as thou art,
As those whose beauties proudly make them cruel;
For well thou know'st to my dear doting heart
Thou art the fairest and most precious jewel.
Yet, in good faith, some say that thee behold
Thy face hath not the power to make love groan;
To say they err I dare not be so bold,
Although I swear it to myself alone.
And to be sure that is not false I swear,
A thousand groans but thinking on thy face,
One on another's neck do witness bear
Thy black is fairest in my judgment's place.


In nothing art thou black save in thy deeds,
And thence this slander, as I think, proceeds.

Sonnet 128: How oft, when thou, my music, music play'st

How oft, when thou, my music, music play'st,

Upon that blessèd wood whose motion sounds

With thy sweet fingers when thou gently sway'st

The wiry concord that mine ear confounds,

Do I envy those jacks that nimble leap

To kiss the tender inward of thy hand,

Whilst my poor lips, which should that harvest reap,

At the wood's boldness by thee blushing stand!

To be so tickled, they would change their state

And situation with those dancing chips

O'er whom thy fingers walk with gentle gait,

Making dead wood more blest than living lips.
Since saucy jacks so happy are in this,
Give them thy fingers, me thy lips to kiss.

Sonnet 113: Since I left you, mine eye is in my mind

Since I left you, mine eye is in my mind,

And that which governs me to go about

Doth part his function, and is partly blind,

Seems seeing, but effectually is out;

For it no form delivers to the heart

Of bird, of flower, or shape which it doth latch;

Of his quick objects hath the mind no part,

Nor his own vision holds what it doth catch;

For if it see the rud'st or gentlest sight,

The most sweet-favour or deformed'st creature,

The mountain or the sea, the day or night,

The crow or dove, it shapes them to your feature.
Incapable of more, replete with you,
My most true mind thus maketh mine untrue.

Sonnet 115: Those lines that I before have writ do lie

Those lines that I before have writ do lie,

Even those that said I could not love you dearer;

Yet then my judgment knew no reason why

My most full flame should afterwards burn clearer,

But reckoning Time, whose millioned accidents

Creep in 'twixt vows, and change decrees of kings,

Tan sacred beauty, blunt the sharp'st intents,

Divert strong minds to the course of alt'ring things—

Alas, why, fearing of Time's tyranny,

Might I not then say, "Now I love you best,"

When I was certain o'er incertainty,

Crowning the present, doubting of the rest?
Love is a babe; then might I not say so,
To give full growth to that which still doth grow.

Sonnet 107:

Not mine own fears, nor the prophetic soul
Of the wide world dreaming on things to come,
Can yet the lease of my true love control,
Suppos'd as forfeit to a confin'd doom.
The mortal moon hath her eclipse endur'd
And the sad augurs mock their own presage;
Incertainties now crown themselves assur'd
And peace proclaims olives of endless age.
Now with the drops of this most balmy time
My love looks fresh, and Death to me subscribes,
Since, spite of him, I'll live in this poor rhyme,
While he insults o'er dull and speechless tribes;
And thou in this shalt find thy monument,
When tyrants' crests and tombs of brass are spent.

Sonnet 108: What's in the brain that ink may character

What's in the brain that ink may character

Which hath not figured to thee my true spirit?

What's new to speak, what now to register,

That may express my love, or thy dear merit?

Nothing, sweet boy, but yet, like prayers divine,

I must each day say o'er the very same,

Counting no old thing old—thou mine, I thine—

Even as when first I hallowed thy fair name.

So that eternal love in love's fresh case

Weighs not the dust and injury of age,

Nor gives to necessary wrinkles place,

But makes antiquity for aye his page,
Finding the first conceit of love there bred
Where time and outward form would show it dead.

Sonnet 105: Let not my love be called idolatry

Let not my love be called idolatry,

Nor my belovèd as an idol show,

Since all alike my songs and praises be

To one, of one, still such, and ever so.

Kind is my love today, tomorrow kind,

Still constant in a wondrous excellence;

Therefore my verse to constancy confined,

One thing expressing, leaves out difference.

"Fair, kind, and true" is all my argument,

"Fair, kind, and true" varying to other words;

And in this change is my invention spent,

Three themes in one, which wondrous scope affords.
Fair, kind, and true, have often lived alone.
Which three till now never kept seat in one.

Love


TELL me where is Fancy bred,
Or in the heart or in the head?
How begot, how nourished?

Reply, reply.
It is engender'd in the eyes,
With gazing fed; and Fancy dies
In the cradle where it lies.

Let us all ring Fancy's knell:
I'll begin it,--Ding, dong, bell.
All. Ding, dong, bell.

It was a Lover and his Lass

IT was a lover and his lass,

With a hey, and a ho, and a hey nonino,
That o'er the green corn-field did pass,

In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.

Between the acres of the rye,

With a hey, and a ho, and a hey nonino,
These pretty country folks would lie,

In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.

This carol they began that hour,

With a hey, and a ho, and a hey nonino,
How that life was but a flower

In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.

And, therefore, take the present time

With a hey, and a ho, and a hey nonino,
For love is crown`d with the prime
In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.

From you have I been absent in the spring... (Sonnet 98)

From you have I been absent in the spring,

When proud-pied April, dressed in all his trim,

Hath put a spirit of youth in everything,

That heavy Saturn laughed and leaped with him,

Yet nor the lays of birds, nor the sweet smell

Of different flowers in odor and in hue,

Could make me any summer's story tell,

Or from their proud lap pluck them where they grew.

Nor did I wonder at the lily's white,

Nor praise the deep vermilion in the rose;

They were but sweet, but figures of delight,

Drawn after you, you pattern of all those.
Yet seemed it winter still, and, you away,
As with your shadow I with these did play.

O Gather Me the Rose
O gather me the rose, the rose,
While yet in flower we find it,
For summer smiles, but summer goes,
And winter waits behind it.
For with the dream foregone, foregone,
The deed foreborn forever,
The worm Regret will canker on,
And time will turn him never.
So were it well to love, my love,
And cheat of any laughter
The fate beneath us, and above,
The dark before and after.
The myrtle and the rose, the rose,
The sunshine and the swallow,
The dream that comes, the wish that goes
The memories that follow!

To a Friend Concerning Several Ladies
You know there is not much
that I desire, a few chrysanthemums
half lying on the grass, yellow
and brown and white, the
talk of a few people, the trees,
an expanse of dried leaves perhaps
with ditches among them.
But there comes
between me and these things
a letter
or even a look--well placed,
you understand,
so that I am confused, twisted
four ways and--left flat,
unable to lift the food to
my own mouth:
Here is what they say: Come!
and come! and come! And if
I do not go I remain stale to
myself and if I go--
I have watched
the city from a distance at night
and wondered why I wrote no poem.
Come! yes,
the city is ablaze for you
and you stand and look at it.
And they are right. There is
no good in the world except out of
a woman and certain women alone
for certain. But what if
I arrive like a turtle,
with my house on my back or
a fish ogling from under water?
It will not do. I must be
steaming with love, colored
like a flamingo. For what?
To have legs and a silly head
and to smell, pah! like a flamingo
that soils its own feathers behind.
Must I go home filled
with a bad poem?
And they say:
Who can answer these things
till he has tried? Your eyes
are half closed, you are a child,
oh, a sweet one, ready to play
but I will make a man of you and
with love on his shoulder--!
And in the marshes


the crickets run
on the sunny dike's top and
make burrows there, the water
reflects the reeds and the reeds
move on their stalks and rattle drily.

Love Song
I lie here thinking of you:---
the stain of love
is upon the world!
Yellow, yellow, yellow
it eats into the leaves,
smears with saffron
the horned branched the lean
heavily
against a smooth purple sky!
There is no light
only a honey-thick stain
that drips from leaf to leaf
and limb to limb
spoiling the colors
of the whole worldyou
far off there under
the wine-red selvage of the west!

Epitaph
An old willow with hollow branches
slowly swayed his few high gright tendrils
and sang:
Love is a young green willow
shimmering at the bare wood's edge.

Complaint
They call me and I go.
It is a frozen road
past midnight, a dust
of snow caught
in the rigid wheeltracks.
The door opens.
I smile, enter and
shake off the cold.
Here is a great woman
on her side in the bed.
She is sick,
perhaps vomiting,
perhaps laboring
to give birth to
a tenth child. Joy! Joy!
Night is a room
darkened for lovers,
through the jalousies the sun
has sent one golden needle!
I pick the hair from her eyes
and watch her misery
with compassion.

Arrival
And yet one arrives somehow,
finds himself loosening the hooks of
her dress
in a strange bedroom--
feels the autumn
dropping its silk and linen leaves
about her ankles.
The tawdry veined body emerges
twisted upon itself
like a winter wind . . . !

Après le Bain
I gotta
buy me a new
girdle.
(I'll buy
you one) O.K.
(I wish
you'd wiggle
that way
for me,
I'd be
a happy man)
I GOTTA
wiggle
for this.
(You pig)

Words For Music Perhaps

I - CRAZY JANE AND THE BISHOP

BRING me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that's dead.
Coxcomb was the least he said:
The solid man and the coxcomb.
Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.
The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron's hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.
Jack had my virginity,
And bids me to the oak, for he
(all find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.


II - CRAZY JANE REPROVED


I CARE not what the sailors say:
All those dreadful thunder-stones,
All that storm that blots the day
Can but show that Heaven yawns;
Great Europa played the fool
That changed a lover for a bull.
Fol de rol, fol de rol.
To round that shell's elaborate whorl,
Adorning every secret track
With the delicate mother-of-pearl,
Made the joints of Heaven crack:
So never hang your heart upon
A roaring, ranting journeyman.
Fol de rol, fol de rol.


III - CRAZY JANE ON THE DAY OF JUDGMENT


'LOVE is all
Unsatisfied



That cannot take the whole
Body and soul';
And that is what Jane said.
'Take the sour
If you take me
I can scoff and lour
And scold for an hour.'
'That's certainly the case,' said he.
'Naked I lay,
The grass my bed;
Naked and hidden away,
That black day';
And that is what Jane said.
'What can be shown?
What true love be?
All could be known or shown
If Time were but gone.'
'That's certainly the case,' said he.


IV - CRAZY JANE AND JACK THE JOURNEYMAN


I KNOW, although when looks meet
I tremble to the bone,
The more I leave the door unlatched
The sooner love is gone,
For love is but a skein unwound
Between the dark and dawn.
A lonely ghost the ghost is
That to God shall come;
I -- love's skein upon the ground,
My body in the tomb --
Shall leap into the light lost
In my mother's womb.
But were I left to lie alone
In an empty bed,
The skein so bound us ghost to ghost
When he turned his head
passing on the road that night,
Mine must walk when dead.


V - CRAZY JANE ON GOD


THAT lover of a night
Came when he would,
Went in the dawning light
Whether I would or no;
Men come, men go;
All things remain in God.
Banners choke the sky;
Men-at-arms tread;
Armoured horses neigh
In the narrow pass:



All things remain in God.
Before their eyes a house
That from childhood stood
Uninhabited, ruinous,
Suddenly lit up
From door to top:
All things remain in God.
I had wild Jack for a lover;
Though like a road
That men pass over
My body makes no moan
But sings on:
All things remain in God.


VI - CRAZY JANE TALKS WITH THE BISHOP


I MET the Bishop on the road
And much said he and I.
'Those breasts are flat and fallen now,
Those veins must soon be dry;
Live in a heavenly mansion,
Not in some foul sty.'
'Fair and foul are near of kin,
And fair needs foul,' I cried.
'My friends are gone, but that's a truth
Nor grave nor bed denied,
Learned in bodily lowliness
And in the heart's pride.
'A woman can be proud and stiff
When on love intent;
But Love has pitched his mansion in
The place of excrement;
For nothing can be sole or whole
That has not been rent.'


VII - CRAZY JANE GROWN OLD LOOKS AT THE DANCERS


I FOUND that ivory image there
Dancing with her chosen youth,
But when he wound her coal-black hair
As though to strangle her, no scream
Or bodily movement did I dare,
Eyes under eyelids did so gleam;
Love is like the lion's tooth.
When She, and though some said she played
I said that she had danced heart's truth,
Drew a knife to strike him dead,
I could but leave him to his fate;
For no matter what is said
They had all that had their hate;
Love is like the lion's tooth.
Did he die or did she die?



Seemed to die or died they both?
God be with the times when I
Cared not a thraneen for what chanced
So that I had the limbs to try
Such a dance as there was danced --
Love is like the lion's tooth.


VIII - GIRL'S SONG


I WENT out alone
To sing a song or two,
My fancy on a man,
And you know who.
Another came in sight
That on a stick relied
To hold himself upright;
I sat and cried.
And that was all my song --
When everything is told,
Saw I an old man young
Or young man old?


IX - YOUNG MAN'S SONG


'SHE will change,' I cried.
'Into a withered crone.'
The heart in my side,
That so still had lain,
In noble rage replied
And beat upon the bone:
'Uplift those eyes and throw
Those glances unafraid:
She would as bravely show
Did all the fabric fade;
No withered crone I saw
Before the world was made.'
Abashed by that report,
For the heart cannot lie,
I knelt in the dirt.
And all shall bend the knee
To my offended heart
Until it pardon me.


X - HER ANXIETY


EARTH in beauty dressed
Awaits returning spring.
All true love must die,
Alter at the best
Into some lesser thing.
Prove that I lie.
Such body lovers have,



Such exacting breath,
That they touch or sigh.
Every touch they give,
Love is nearer death.
Prove that I lie.


XI - HIS CONFIDENCE


UNDYING love to buy
I wrote upon
The corners of this eye
All wrongs done.
What payment were enough
For undying love?
I broke my heart in two
So hard I struck.
What matter? for I know
That out of rock,
Out of a desolate source,
Love leaps upon its course.


XII - LOVE'S LONELINESS


OLD fathers, great-grandfathers,
Rise as kindred should.
If ever lover's loneliness
Came where you stood,
Pray that Heaven protect us
That protect your blood.
The mountain throws a shadow,
Thin is the moon's horn;
What did we remember
Under the ragged thorn?
Dread has followed longing,
And our hearts are torn.


XIII - HER DREAM


I DREAMED as in my bed I lay,
All night's fathomless wisdom come,
That I had shorn my locks away
And laid them on Love's lettered tomb:
But something bore them out of sight
In a great tumult of the air,
And after nailed upon the night
Berenice's burning hair.


XIV - HIS BARGAIN


WHO talks of Plato's spindle;
What set it whirling round?
Eternity may dwindle,



Time is unwound,
Dan and Jerry Lout
Change their loves about.
However they may take it,
Before the thread began
I made, and may not break it
When the last thread has run,
A bargain with that hair
And all the windings there.


XV - THREE THINGS


'O CRUEL Death, give three things back,'
Sang a bone upon the shore;
'A child found all a child can lack,
Whether of pleasure or of rest,
Upon the abundance of my breast':
A bone wave-whitened and dried in the wind.
'Three dear things that women know,'
Sang a bhone upon the shore;
'A man if I but held him so
When my body was alive
Found all the pleasure that life gave':
A bone wave-whitened and dried in the wind.
'The third thing that I think of yet,'
Sang a bone upon the shore,
'Is that morning when I met
Face to face my rightful man
And did after stretch and yawn':
A bone wave-whitened and dried in the wind.


XVI - LULLABY


BELOVED, may your sleep be sound
That have found it where you fed.
What were all the world's alarms
To mighty paris when he found
Sleep upon a golden bed
That first dawn in Helen's arms?
Sleep, beloved, such a sleep
As did that wild Tristram know
When, the potion's work being done,
Roe could run or doe could leap
Under oak and beechen bough,
Roe could leap or doe could run;
Such a sleep and sound as fell
Upon Eurotas' grassy bank
When the holy bird, that there
Accomplished his predestined will,
From the limbs of Leda sank
But not from her protecting care.



XVII - AFTER LONG SILENCE


SPEECH after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.


XVIII - MAD AS THE MIST AND SNOW


BOLT and bar the shutter,
For the foul winds blow:
Our minds are at their best this night,
And I seem to know
That everything outside us is
Mad as the mist and snow.
Horace there by Homer stands,
Plato stands below,
And here is Tully's open page.
How many years ago
Were you and I unlettered lads
Mad as the mist and snow?
You ask what makes me sigh, old friend,
What makes me shudder so?
I shudder and I sigh to think
That even Cicero
And many-minded Homer were
Mad as the mist and snow.


XIX - THOSE DANCING DAYS ARE GONE


COME, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.
Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.
I thought it out this very day.
Noon upon the clock,



A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.


XX - 'I AM OF IRELAND'


AM of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity,
Come dance with me in Ireland.'
One man, one man alone
In that outlandish gear,
One solitary man
Of all that rambled there
Had turned his stately head.
That is a long way off,
And time runs on,' he said,
'And the night grows rough.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'
The fiddlers are all thumbs,
Or the fiddle-string accursed,
The drums and the kettledrums
And the trumpets all are burst,
And the trombone,' cried he,
'The trumpet and trombone,'
And cocked a malicious eye,
'But time runs on, runs on.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
'Come out of charity
And dance with me in Ireland.'


XXI - THE DANCER AT CRUACHAN AND CRO-PATRICK


I, PROCLAIMING that there is
Among birds or beasts or men
One that is perfect or at peace.
Danced on Cruachan's windy plain,
Upon Cro-patrick sang aloud;
All that could run or leap or swim
Whether in wood, water or cloud,
Acclaiming, proclaiming, declaiming Him.



XXII - TOM THE LUNATIC


SANG old Tom the lunatic
That sleeps under the canopy:
'What change has put my thoughts astray
And eyes that had s-o keen a sight?
What has turned to smoking wick
Nature's pure unchanging light?
'Huddon and Duddon and Daniel O'Leary.
Holy Joe, the beggar-man,
Wenching, drinking, still remain
Or sing a penance on the road;
Something made these eyeballs weary
That blinked and saw them in a shroud.
'Whatever stands in field or flood,
Bird, beast, fish or man,
Mare or stallion, cock or hen,
Stands in God's unchanging eye
In all the vigour of its blood;
In that faith I live or die.'


XXIII - TOM AT CRUACHAN


ON Cruachan's plain slept he
That must sing in a rhyme
What most could shake his soul:
'The stallion Eternit
Mounted the mare of Time,
'Gat the foal of the world.'


XXIV - OLD TOM AGAIN


THINGS out of perfection sail,
And all their swelling canvas wear,
Nor shall the self-begotten fail
Though fantastic men suppose
Building-yard and stormy shore,
Winding-sheet and swaddling -- clothes.


XXV - THE DELPHIC ORACLE UPON PLOTINUS


BEHOLD that great Plotinus swim,
Buffeted by such seas;
Bland Rhadamanthus beckons him,
But the Golden Race looks dim,
Salt blood blocks his eyes.
Scattered on the level grass
Or winding through the grove
plato there and Minos pass,
There stately Pythagoras
And all the choir of Love.