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Leonardo da Vinci
The divisions of Perspective are 3, as used in drawing; of these, the first includes the diminution in size of opaque objects; the second treats of the diminution and loss of outline in such opaque objects; the third, of the diminution and loss of color at long distances.
21
Leonardo da Vinci
The lover is moved by the beloved object as the senses are by sensual objects; and they unite and become one and the same thing. The work is the first thing born of this union; if the thing loved is base the lover becomes base.
18
Leonardo da Vinci
If on your own or by the criticism of others you discover error in your work, correct it then and there; otherwise in exposing your work to the public, you will expose your error also.
9
Leonardo da Vinci
The variety of color in objects cannot be discerned at a great distance, excepting in those parts which are directly lighted up by the solar rays.
12
Leonardo da Vinci
A single and distinct luminous body causes stronger relief in the objects than a diffused light; as may be seen by comparing one side of a landscape illuminated by the sun, and one overshadowed by clouds, and illuminated only by the diffused light of the atmosphere.
10
Leonardo da Vinci
Men and words are ready made, and you, O Painter, if you do not know how to make your figures move, are like an orator who knows not how to use his words.
10
Leonardo da Vinci
Men and words are ready made, and you, O Painter, if you do not know how to make your figures move, are like an orator who knows not how to use his words.
10
Leonardo da Vinci
The vivacity and brightness of colors in a landscape will never bear any comparison with a landscape in nature when it is illumined by the sun, unless the painting is placed in such a position that it will receive the same light from the sun as does the landscape.
8
Leonardo da Vinci
Sculptured figures which appear in motion, will, in their standing position, actually look as if they were falling forward.
10
Leonardo da Vinci
Many will be busied in taking away from a thing, which will grow in proportion as it is diminished.
11
Leonardo da Vinci
The painter who draws by practice and judgment of the eye without the use of reason is like the mirror which reproduces within itself all the objects which are set opposite to it without knowledge of the same.
11
Leonardo da Vinci
Those who become enamored of the art, without having previously applied to the diligent study of the scientific part of it, may be compared to mariners who put to the sea in a ship without rudder or compass and therefore cannot be certain of arriving at the wished for port.
12
Leonardo da Vinci
Painting is concerned with the ten things you can see: these are darkness and brightness, substance and color, form and place, remoteness and near ness, movement and rest.
10