Quotes in this theme
Art
Píndaro
Great deeds give choice of many tales. Choose a slight tale, enrich it large, and then let wise men listen.
7
Aristóteles
A tragedy is a representation of an action that is whole and complete and of a certain magnitude. A whole is what has a beginning and middle and end.
8
Aristóteles
The aim of art is to represent not the outward appearance of things, but their inward significance.
9
Mark Twain
A photograph is a most important document, and there is nothing more damning to go down to posterity than a silly, foolish smile caught and fixed forever.
10
Mark Twain
It is a gratification to me to know that I am ignorant of art... Because people who understand art find nothing in pictures but blemishes.
7
Mark Twain
The easy part of being an artist is figuring out the message that everyone else is ready to hear. The hard part is waiting for the proper lull to make the announcement.
12
Mark Twain
To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.
10
Leonardo da Vinci
When you are painting you should take a flat mirror and often look at your work within it, and it will then be seen in reverse, and will appear to be by the hand of some other master, and you will be better able to judge of its faults than in any other way.
17
Leonardo da Vinci
Of several bodies all equally larger and distant, that most brightly illuminated will appear to the eye nearest and largest.
19
Leonardo da Vinci
I would venture to affirm that a man cannot attain excellence if he satisfy the ignorant and not those of his own craft, and if he be not ‘singular’ or ‘distant,’ or whatever you like to call him.
20
Leonardo da Vinci
The divisions of Perspective are 3, as used in drawing; of these, the first includes the diminution in size of opaque objects; the second treats of the diminution and loss of outline in such opaque objects; the third, of the diminution and loss of color at long distances.
21
Leonardo da Vinci
The lover is moved by the beloved object as the senses are by sensual objects; and they unite and become one and the same thing. The work is the first thing born of this union; if the thing loved is base the lover becomes base.
18