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Robert Frost

Robert Frost

Out, out--

Out, out--
The buzz-saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.
And from there those that lifted eyes could count
Five mountain ranges one behind the other
Under the sunset far into Vermont.
And the saw snarled and rattled, snarled and rattled,
As it ran light, or had to bear a load.
And nothing happened: day was all but done.
Call it a day, I wish they might have said
To please the boy by giving him the half hour
That a boy counts so much when saved from work.
His sister stood beside them in her apron
To tell them "Supper." At the word, the saw,
As if to prove saws knew what supper meant,
Leaped out at the boy's hand, or seemed to leap--
He must have given the hand. However it was,
Neither refused the meeting. But the hand!
The boy's first outcry was a rueful laugh,
As he swung toward them holding up the hand
Half in appeal, but half as if to keep
The life from spilling. Then the boy saw all--
Since he was old enough to know, big boy
Doing a man's work, though a child at heart--
He saw all spoiled. "Don't let him cut my hand off--
The doctor, when he comes. Don't let him, sister!"
So. But the hand was gone already.
The doctor put him in the dark of ether.
He lay and puffed his lips out with his breath.
And then--the watcher at his pulse took fright.
No one believed. They listened at his heart.
Little--less--nothing!--and that ended it.
No more to build on there. And they, since they
Were not the one dead, turned to their affairs.
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Robert Frost

Robert Frost

Home Burial

Home Burial
He saw her from the bottom of the stairs
Before she saw him. She was starting down,
Looking back over her shoulder at some fear.
She took a doubtful step and then undid it
To raise herself and look again. He spoke
Advancing toward her: "What is it you see
From up there always? -- for I want to know."
She turned and sank upon her skirts at that,
And her face changed from terrified to dull.
He said to gain time: "What is it you see?"
Mounting until she cowered under him.
"I will find out now -- you must tell me, dear."
She, in her place, refused him any help,
With the least stiffening of her neck and silence.
She let him look, sure that he wouldn't see,
Blind creature; and a while he didn't see.
But at last he murmured, "Oh" and again, "Oh."
"What is it -- what?" she said.
"Just that I see."
"You don't," she challenged. "Tell me what it is."
"The wonder is I didn't see at once.
I never noticed it from here before.
I must be wonted to it -- that's the reason.
The little graveyard where my people are!
So small the window frames the whole of it.
Not so much larger than a bedroom, is it?
There are three stones of slate and one of marble,
Broad-shouldered little slabs there in the sunlight
On the sidehill. We haven't to mind those.
But I understand: it is not the stones,
But the child's mound ----"
"Don't, don't, don't,
don't," she cried.
She withdrew, shrinking from beneath his arm
That rested on the banister, and slid downstairs;
And turned on him with such a daunting look,
He said twice over before he knew himself:
"Can't a man speak of his own child he's lost?"
"Not you! -- Oh, where's my hat? Oh, I don't need it!
I must get out of here. I must get air.--
I don't know rightly whether any man can."
"Amy! Don't go to someone else this time.
Listen to me. I won't come down the stairs."
He sat and fixed his chin between his fists.


"There's something I should like to ask you, dear."
"You don't know how to ask it."
"Help me, then."
Her fingers moved the latch for all reply.
"My words are nearly always an offense.
I don't know how to speak of anything
So as to please you. But I might be taught,
I should suppose. I can't say I see how.
A man must partly give up being a man
With womenfolk. We could have some arrangement
By which I'd bind myself to keep hands off
Anything special you're a-mind to name.
Though I don't like such things 'twixt those that love.
Two that don't love can't live together without them.
But two that do can't live together with them."
She moved the latch a little. "Don't -- don't go.
Don't carry it to someone else this time.
Tell me about it if it's something human.
Let me into your grief. I'm not so much
Unlike other folks as your standing there
Apart would make me out. Give me my chance.
I do think, though, you overdo it a little.
What was it brought you up to think it the thing
To take your mother-loss of a first child
So inconsolably -- in the face of love.
You'd think his memory might be satisfied ----"
"There you go sneering now!"
"I'm not, I'm not!
You make me angry. I'll come down to you.
God, what a woman! And it's come to this,
A man can't speak of his own child that's dead."
"You can't because you don't know how to speak.
If you had any feelings, you that dug
With your own hand -- how could you? -- his little grave;
I saw you from that very window there,
Making the gravel leap and leap in air,
Leap up, like that, like that, and land so lightly
And roll back down the mound beside the hole.
I thought, Who is that man? I didn't know you.
And I crept down the stairs and up the stairs
To look again, and still your spade kept lifting.
Then you came in. I heard your rumbling voice
Out in the kitchen, and I don't know why,
But I went near to see with my own eyes.
You could sit there with the stains on your shoes
Of the fresh earth from your own baby's grave


And talk about your everyday concerns.
You had stood the spade up against the wall
Outside there in the entry, for I saw it."
"I shall laugh the worst laugh I ever laughed.
I'm cursed. God, if I don't believe I'm cursed."
"I can repeat the very words you were saying:
'Three foggy mornings and one rainy day
Will rot the best birch fence a man can build.'
Think of it, talk like that at such a time!
What had how long it takes a birch to rot
To do with what was in the darkened parlour?
You couldn't care! The nearest friends can go
With anyone to death, comes so far short
They might as well not try to go at all.
No, from the time when one is sick to death,
One is alone, and he dies more alone.
Friends make pretense of following to the grave,
But before one is in it, their minds are turned
And making the best of their way back to life
And living people, and things they understand.
But the world's evil. I won't have grief so
If I can change it. Oh, I won't, I won't!"
"There, you have said it all and you feel better.
You won't go now. You're crying. Close the door.
The heart's gone out of it: why keep it up?
Amyl There's someone coming down the road!"
"You -- oh, you think the talk is all. I must go --
Somewhere out of this house. How can I make you ----"
"If -- you -- do!" She was opening the door wider.
"Where do you mean to go? First tell me that.
I'll follow and bring you back by force. I will! --"
584
Robert Burns

Robert Burns

To a Mountain Daisy

To a Mountain Daisy
Wee, modest, crimson-tippèd flow'r,
Thou's met me in an evil hour;
For I maun crush amang the stoure
Thy slender stem:
To spare thee now is past my pow'r,
Thou bonie gem.
Alas! it's no thy neibor sweet,
The bonie lark, companion meet,
Bending thee 'mang the dewy weet
Wi' spreck'd breast,
When upward-springing, blythe, to greet
The purpling east.
Cauld blew the bitter-biting north
Upon thy early, humble birth;
Yet cheerfully thou glinted forth
Amid the storm,
Scarce rear'd above the parent-earth
Thy tender form.
The flaunting flowers our gardens yield
High shelt'ring woods an' wa's maun shield:
But thou, beneath the random bield
O' clod or stane,
Adorns the histie stibble-field
Unseen, alane.
There, in thy scanty mantle clad,
Thy snawie-bosom sun-ward spread,
Thou lifts thy unassuming head
In humble guise;
But now the share uptears thy bed,
And low thou lies!
Such is the fate of artless maid,
Sweet flow'ret of the rural shade!
By love's simplicity betray'd
And guileless trust;
Till she, like thee, all soil'd, is laid
Low i' the dust.
Such is the fate of simple bard,
On life's rough ocean luckless starr'd!
Unskilful he to note the card
Of prudent lore,
Till billows rage and gales blow hard,
And whelm him o'er!
Such fate to suffering Worth is giv'n,
Who long with wants and woes has striv'n,
By human pride or cunning driv'n


To mis'ry's brink;
Till, wrench'd of ev'ry stay but Heav'n,
He ruin'd sink!
Ev'n thou who mourn'st the Daisy's fate,
That fate is thine--no distant date;
Stern Ruin's ploughshare drives elate,
Full on thy bloom,
Till crush'd beneath the furrow's weight
Shall be thy doom.
305
Robert Burns

Robert Burns

The Lass That Made the Bed to Me

The Lass That Made the Bed to Me
When Januar' wind was blawing cauld,
As to the north I took my way,
The mirksome night did me enfauld,
I knew na whare to lodge till day:
By my gude luck a maid I met,
Just in the middle o' my care,
And Kindly she did me invite
To walk into a chamber fair.
I bow'd fu' low unto this maid,
And thank'd her for her courtesie;
I bow'd fu' low unto this maid,
An bade her make a bed to me;
She made the bed baith large and wide,
Wi' twa white hands she spread it doun;
She put the cup to her rosy lips,
And drank - "Young man, now sleep ye soun'."
Chorus - The bonie lass made the bed to me,
The braw lass made the bed to me,
I'll ne'er forget till the day I die,
The lass that made the bed to me.
She snatch'd the candle in her hand,
And frae my chamber went wi' speed;
But I call'd her quickly back again,
To lay some mair below my head:
A cod she laid below my head,
And served me with due respect,
And, to salute her wi' a kis,
I put my arms about her neck.
Chorus: -...
"Haud aff your hands, young man! she said,
"And dinna sae uncivil be;
Gif ye hae ony luve for me,
O wrang ma my virginitie."
Her hair was like the links o' gowd,
Her teeth were like the ivorie,
Her cheeks like lilies dipt in wine,
The lass that made the bed to me.
Chorus: -...
Her bosom was the driven snaw,
Twa drifted heaps sae fair to see;
Her limbs the polish'd marble stane,
The lass that made the bed to me.
I kiss'd her o'er and o'er again,
And aye she wist na what to say:
I laid her 'tween me and the wa';


The lassie thocht na lang till day.
Chorus: -...
Upon the morrow when we raise,
I thank'd her for her courtesie;
But aye she blush'd and aye she sigh'd,
And said, "Alas, ye've ruin'd me."
I clasp'd her waist, and kiss'd her syne,
While the tear stood twinklin' in her e'e;
I said, "My lassie, dinna cry,
For ye aye shall make the bed to me."
Chorus: - ...
She took her mither's holland sheets,
An' made them a' in sarks to me;
Blythe and merry may she be,
The lass that made the bed to me.
Chorus: -...
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Robert Burns

Robert Burns

The Death and Dying Words of Poor Mailie

The Death and Dying Words of Poor Mailie
The Author's Only Pet Yowe
An Unco Mournfu' Tale
As Mailie, an' her lambs thegither,
Was ae day nibbling on the tether,
Upon her cloot she coost a hitch,
An owre she warsl'd in the ditch:
There, groaning, dying, she did lie,
When Hughoc he cam doytin by.
Wi' glowrin een, and lifted han's
Poor Hughoc like a statue stan's;
He saw her days were near-hand ended,
But, wae's my heart! he could na mend it!
He gaped wide, but naething spak,
At length poor Mailie silence brak.
"O thou, whase lamentable face
Appears to mourn my woefu' case!
My dying words attentive hear,
An' bear them to my Master dear.
"Tell him, if e'er again he keep
As muckle gear as buy a sheep -
O, bid him never tie them mair,
Wi' wicked strings o' hemp or hair!
But ca' them out to park or hill,
An' let them wander at their will:
So may his flock increase, an' grow
To scores o' lambs, an' packs o' woo'!
"Tell him, he was a Master kin',
An' aye was guid to me an' mine;
An now my dying charge I gie him,
My helpless lambs, I trust them wi' him.
"O, bid him save their harmless lives,
Frae dogs, an' tods, an' butchers' knives!
But gie them guid cow-milk their fill,
Till they be fit to fend themsel';
An' tent them duly, e'en an' morn,
Wi' taets o' hay an' ripps o' corn.
"An' may they never learn the gates,
Of ither vile, wanrestfu' pets -
To slink thro' slaps, an' reave an' steal
At stacks o' pease, or stocks o' kail!
So may they, like their great forbears,
For mony a year come thro' the shears:
So wives will gie them bits o' bread,
An bairns greet for them when they're dead.


"My poor toop-lamb, my son an' heir,
O, bid him breed him up wi' care!
An' if he live to be a beast,
To pit some havins in his breast!
An' warn him - what I winna name -
To stay content wi' yowes at hame;
An' no to rin an' wear his cloots,
Like ither meseless, graceless brutes.
"An' neist, my yowie, silly thing,
Gude keep thee frae a tether string!
O, may thou ne'er forgather up,
Wi' ony blastit, moorland toop;
But aye keep mind to moop an' mell,
Wi' sheep o' credit like thysel'!
"And now, my bairns, wi' my last breath,
I lea'e my blessin wi' you baith:
An' when you think upo' your mither,
Mind to be kind to ane anither.
"Now, honest Hughoc, dinna fail,
To tell my master a' my tale;
An' bid him burn this cursed tether,
An' for thy pains thou'se get my blather."
This said, poor Mailie turn'd her head,
An' closed her een amang the dead!
268
Robert Burns

Robert Burns

Peggy

Peggy
Now westlin winds and slaught'ring guns
Bring autumn's pleasant weather;
And the moorcock springs, on whirring wings,
Amang the blooming heather;
Now waving grain, wide o'er the plain,
Delights the weary farmer;
And the moon shines bright, when I rove at night.
To muse upou my charmer.
The partridge loves the fruitful fells;
The plover loves the mountains;
The woodcock haunts tbe lonely dell;
The soaring hern the fountains:
Thro' lofty groves the cushat roves,
The path of man to shun it;
The hazel bush o'erhangs the thrush,
The spreading thorn the linnet.
Thus ev'ry kind their pleasure find,
The savage and the tender;
Some social join, and leagues combine
Some solitary wander:
Avaunt, away, the cruel sway!
Tyrannic man's dominion;
The sportsman's joy, the murd'ring cry,
The flutt'ring, gory pinion!
But Peggy dear, the evening's clear,
Thick flies the skimming swallow;
The sky is blue, the fields in view,
All fading-green and yellow:
Come let us stray our gladsome way,
And view the charms of nature;
The rustling corn, the fruited thorn,
And every happy creature.
We'll gently walk, and sweetly talk,
Till the silent moon shine clearly;
I'll grasp thy waist, and, fondly prest,
Swear how I love thee dearly:
Not vernal show'rs to budding flow'rs,
Not autumn to the farmer,
So dear can be as thou to me,
My fair, my lovely charmer!
My Love is Like a Red, Red Rose
O, my luve is like a red, red rose,
That's newly sprung in June.
O, my love is like a melodie,
That's sweetly play'd in tune.


As fair thou art, my bonnie lass,
So deep in luve am I,
And I will luve thee still, my dear,
Till a' the seas gang dry.
Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun!
And I will luve thee still, my dear,
While the sands of life shall run.
And fare the weel, my only luve!
And fare the well awhile!
And I will come again, my love.
Tho' it were ten thousand mile!
353
Robert Burns

Robert Burns

O Tibbie, I Hae Seen The Day

O Tibbie, I Hae Seen The Day
Tune - "Invercauld's Reel, or Strathspey."
Choir. - O Tibbie, I hae seen the day,
Ye wadna been sae shy;
For laik o' gear ye lightly me,
But, trowth, I care na by.
Yestreen I met you on the moor,
Ye spak na, but gaed by like stour;
Ye geck at me because I'm poor,
But fient a hair care I.
O Tibbie, I hae seen the day, &c.
When coming hame on Sunday last,
Upon the road as I cam past,
Ye snufft and ga'e your head a cast-
But trowth I care't na by.
O Tibbie, I hae seen the day, &c.
I doubt na, lass, but ye may think,
Because ye hae the name o' clink,
That ye can please me at a wink,
Whene'er ye like to try.
O Tibbie, I hae seen the day, &c.
But sorrow tak' him that's sae mean,
Altho' his pouch o' coin were clean,
Wha follows ony saucy quean,
That looks sae proud and high.
O Tibbie, I hae seen the day, &c.
Altho' a lad were e'er sae smart,
If that he want the yellow dirt,
Ye'll cast your head anither airt,
And answer him fu' dry.
O Tibbie, I hae seen the day, &c.
But, if he hae the name o' gear,
Ye'll fasten to him like a brier,
Tho' hardly he, for sense or lear,
Be better than the kye.
O Tibbie, I hae seen the day, &c.
But, Tibbie, lass, tak' my advice:
Your daddie's gear maks you sae nice;
The deil a ane wad speir your price,
Were ye as poor as I.
O Tibbie, I hae seen the day, &c.
There lives a lass beside yon park,
I'd rather hae her in her sark,
Than you wi' a' your thousand mark;


That gars you look sae high.
O Tibbie, I hae seen the day, &c.
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