Poems in this topic
Emotions and Feelings
Paul Laurence Dunbar
If I Could But Forget
If I Could But Forget
If I could but forget
The fullness of those first sweet days,
When you burst sun-like thro' the haze
Of unacquaintance, on my sight,
And made the wet, gray day seem bright
While clouds themselves grew fair to see.
And since, no day is gray or wet
But all the scene comes back to me,
If I could but forget.
If I could but forget
How your dusk eyes look into mine,
And how I thrilled as with strong wine
Beneath your touch; while sped amain
The quickened stream thro' ev'ry vein;
How near my breath fell to a gasp,
When for a space our fingers met
In one electric vibrant clasp,
If I could but forget.
If I could but forget
The months of passion and of pain,
And all that followed in their train--
Rebellious thoughts that would arise,
Rebellious tears that dimmed mine eyes,
The prayers that I might set love's fire
Aflame within your bosom yet--
The death at last of that desire--
If I could but forget.
If I could but forget
The fullness of those first sweet days,
When you burst sun-like thro' the haze
Of unacquaintance, on my sight,
And made the wet, gray day seem bright
While clouds themselves grew fair to see.
And since, no day is gray or wet
But all the scene comes back to me,
If I could but forget.
If I could but forget
How your dusk eyes look into mine,
And how I thrilled as with strong wine
Beneath your touch; while sped amain
The quickened stream thro' ev'ry vein;
How near my breath fell to a gasp,
When for a space our fingers met
In one electric vibrant clasp,
If I could but forget.
If I could but forget
The months of passion and of pain,
And all that followed in their train--
Rebellious thoughts that would arise,
Rebellious tears that dimmed mine eyes,
The prayers that I might set love's fire
Aflame within your bosom yet--
The death at last of that desire--
If I could but forget.
630
Paul Laurence Dunbar
Common Things
Common Things
I like to hear of wealth and gold,
And El Doradoes in their glory;
I like for silks and satins bold
To sweep and rustle through a story.
The nightingale is sweet of song;
The rare exotic smells divinely;
And knightly men who stride along,
The role heroic carry finely.
But then, upon the other hand,
Our minds have got a way of running
To things that aren't quite so grand,
Which, maybe, we are best in shunning.
For some of us still like to see
The poor man in his dwelling narrow,
The hollyhock, the bumblebee,
The meadow lark, and chirping sparrow.
We like the man who soars and sings
With high and lofty inspiration;
But he who sings of common things
Shall always share our admiration.
I like to hear of wealth and gold,
And El Doradoes in their glory;
I like for silks and satins bold
To sweep and rustle through a story.
The nightingale is sweet of song;
The rare exotic smells divinely;
And knightly men who stride along,
The role heroic carry finely.
But then, upon the other hand,
Our minds have got a way of running
To things that aren't quite so grand,
Which, maybe, we are best in shunning.
For some of us still like to see
The poor man in his dwelling narrow,
The hollyhock, the bumblebee,
The meadow lark, and chirping sparrow.
We like the man who soars and sings
With high and lofty inspiration;
But he who sings of common things
Shall always share our admiration.
527
Paul Laurence Dunbar
Distinction
Distinction
"I am but clay," the sinner plead,
Who fed each vain desire.
"Not only clay," another said,
"But worse, for thou art mire."
"I am but clay," the sinner plead,
Who fed each vain desire.
"Not only clay," another said,
"But worse, for thou art mire."
379
Paul Laurence Dunbar
A Golden Day
A Golden Day
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
508
Paul Laurence Dunbar
A Golden Day
A Golden Day
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
508
Paul Laurence Dunbar
A Golden Day
A Golden Day
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
508
Paul Éluard
The Nakedness of Truth (I know it well)
The Nakedness of Truth (I know it well)
Despair has no wings,
Nor has love,
No countenance:
They do not speak.
I do not stir,
I do not behold them,
I do not speak to them,
But I am as real as my love and my despair.
Despair has no wings,
Nor has love,
No countenance:
They do not speak.
I do not stir,
I do not behold them,
I do not speak to them,
But I am as real as my love and my despair.
296
Paul Éluard
The Nakedness of Truth (I know it well)
The Nakedness of Truth (I know it well)
Despair has no wings,
Nor has love,
No countenance:
They do not speak.
I do not stir,
I do not behold them,
I do not speak to them,
But I am as real as my love and my despair.
Despair has no wings,
Nor has love,
No countenance:
They do not speak.
I do not stir,
I do not behold them,
I do not speak to them,
But I am as real as my love and my despair.
296
Paul Éluard
The Deaf and Blind
The Deaf and Blind
Do we reach the sea with clocks
In our pockets, with the noise of the sea
In the sea, or are we the carriers
Of a purer and more silent water?
The water rubbing against our hands sharpens knives.
The warriors have found their weapons in the waves
And the sound of their blows is like
The rocks that smash the boats at night.
It is the storm and the thunder. Why not the silence
Of the flood, for we have dreamt within us
Space for the greatest silence and we breathe
Like the wind over terrible seas, like the wind
That creeps slowly over every horizon.
Do we reach the sea with clocks
In our pockets, with the noise of the sea
In the sea, or are we the carriers
Of a purer and more silent water?
The water rubbing against our hands sharpens knives.
The warriors have found their weapons in the waves
And the sound of their blows is like
The rocks that smash the boats at night.
It is the storm and the thunder. Why not the silence
Of the flood, for we have dreamt within us
Space for the greatest silence and we breathe
Like the wind over terrible seas, like the wind
That creeps slowly over every horizon.
356
Paul Éluard
Other Children
Other Children
"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves
And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).
"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves
And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).
299
Paul Éluard
Other Children
Other Children
"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves
And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).
"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves
And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).
299
Paul Éluard
I Cannot be Known
I Cannot be Known
I cannot be known
Better than you know me
Your eyes in which we sleep
We together
Have made for my man's gleam
A better fate than for the common nights
Your eyes in which I travel
Have given to signs along the roads
A meaning alien to the earth
In your eyes who reveal to us
Our endless solitude
Are no longer what they thought themselves to be
You cannot be known
Better than I know you.
I cannot be known
Better than you know me
Your eyes in which we sleep
We together
Have made for my man's gleam
A better fate than for the common nights
Your eyes in which I travel
Have given to signs along the roads
A meaning alien to the earth
In your eyes who reveal to us
Our endless solitude
Are no longer what they thought themselves to be
You cannot be known
Better than I know you.
385
Paul Éluard
I Cannot be Known
I Cannot be Known
I cannot be known
Better than you know me
Your eyes in which we sleep
We together
Have made for my man's gleam
A better fate than for the common nights
Your eyes in which I travel
Have given to signs along the roads
A meaning alien to the earth
In your eyes who reveal to us
Our endless solitude
Are no longer what they thought themselves to be
You cannot be known
Better than I know you.
I cannot be known
Better than you know me
Your eyes in which we sleep
We together
Have made for my man's gleam
A better fate than for the common nights
Your eyes in which I travel
Have given to signs along the roads
A meaning alien to the earth
In your eyes who reveal to us
Our endless solitude
Are no longer what they thought themselves to be
You cannot be known
Better than I know you.
385
Paul Éluard
Curfew
Curfew
What else could we do, for the doors were guarded,
What else could we do, for they had imprisoned us,
What else could we do, for the streets were forbidden us,
What else could we do, for the town was asleep?
What else could we do, for she hungered and thirsted,
What else could we do, for we were defenceless,
What else could we do, for night had descended,
What else could we do, for we were in love?
What else could we do, for the doors were guarded,
What else could we do, for they had imprisoned us,
What else could we do, for the streets were forbidden us,
What else could we do, for the town was asleep?
What else could we do, for she hungered and thirsted,
What else could we do, for we were defenceless,
What else could we do, for night had descended,
What else could we do, for we were in love?
416
Paul Éluard
Head Against The Walls
Head Against The Walls
There were only a few of them
In all the earth
Each one thought he was alone
They sang, they were right
To sing
But they sang the way you sack a city
The way you kill yourself.
Frayed moist night
Shall we endure you
Longer
Shall we not shake
Your cloacal evidence
We shall not wait for a morning
Made to measure
We wanted to see in other people's eyes
Their nights of love exhausted
They dream only of dying
Their lovely flesh forgotten
Bees caught in their honey
They are ignorant of life
And we suffer everywhere
Red roofs dissolve under the tongue
Dog days in the full beds
Come, empty your sacks of fresh blood
There is still a shadow here
A shred of imbecile there
In the wind their masks, their cast-offs
In lead their traps, their chains
And their prudent blind-men's gestures
There is fire under rocks
If you put out the fire
Be careful we have
Despite the night it breeds
More strength than the belly
Of your wives and sisters
And we will reproduce
Without them but by ax strokes
In your prisons
Torrents of stone labors of foam
Where eyes float without rancor
Just eyes without hope
That know you
And that you should have put out
Rather than ignore
With a safety pin quicker than your gibbets
We shall take our booty where we want it to be
There were only a few of them
In all the earth
Each one thought he was alone
They sang, they were right
To sing
But they sang the way you sack a city
The way you kill yourself.
Frayed moist night
Shall we endure you
Longer
Shall we not shake
Your cloacal evidence
We shall not wait for a morning
Made to measure
We wanted to see in other people's eyes
Their nights of love exhausted
They dream only of dying
Their lovely flesh forgotten
Bees caught in their honey
They are ignorant of life
And we suffer everywhere
Red roofs dissolve under the tongue
Dog days in the full beds
Come, empty your sacks of fresh blood
There is still a shadow here
A shred of imbecile there
In the wind their masks, their cast-offs
In lead their traps, their chains
And their prudent blind-men's gestures
There is fire under rocks
If you put out the fire
Be careful we have
Despite the night it breeds
More strength than the belly
Of your wives and sisters
And we will reproduce
Without them but by ax strokes
In your prisons
Torrents of stone labors of foam
Where eyes float without rancor
Just eyes without hope
That know you
And that you should have put out
Rather than ignore
With a safety pin quicker than your gibbets
We shall take our booty where we want it to be
424
Paul Éluard
Head Against The Walls
Head Against The Walls
There were only a few of them
In all the earth
Each one thought he was alone
They sang, they were right
To sing
But they sang the way you sack a city
The way you kill yourself.
Frayed moist night
Shall we endure you
Longer
Shall we not shake
Your cloacal evidence
We shall not wait for a morning
Made to measure
We wanted to see in other people's eyes
Their nights of love exhausted
They dream only of dying
Their lovely flesh forgotten
Bees caught in their honey
They are ignorant of life
And we suffer everywhere
Red roofs dissolve under the tongue
Dog days in the full beds
Come, empty your sacks of fresh blood
There is still a shadow here
A shred of imbecile there
In the wind their masks, their cast-offs
In lead their traps, their chains
And their prudent blind-men's gestures
There is fire under rocks
If you put out the fire
Be careful we have
Despite the night it breeds
More strength than the belly
Of your wives and sisters
And we will reproduce
Without them but by ax strokes
In your prisons
Torrents of stone labors of foam
Where eyes float without rancor
Just eyes without hope
That know you
And that you should have put out
Rather than ignore
With a safety pin quicker than your gibbets
We shall take our booty where we want it to be
There were only a few of them
In all the earth
Each one thought he was alone
They sang, they were right
To sing
But they sang the way you sack a city
The way you kill yourself.
Frayed moist night
Shall we endure you
Longer
Shall we not shake
Your cloacal evidence
We shall not wait for a morning
Made to measure
We wanted to see in other people's eyes
Their nights of love exhausted
They dream only of dying
Their lovely flesh forgotten
Bees caught in their honey
They are ignorant of life
And we suffer everywhere
Red roofs dissolve under the tongue
Dog days in the full beds
Come, empty your sacks of fresh blood
There is still a shadow here
A shred of imbecile there
In the wind their masks, their cast-offs
In lead their traps, their chains
And their prudent blind-men's gestures
There is fire under rocks
If you put out the fire
Be careful we have
Despite the night it breeds
More strength than the belly
Of your wives and sisters
And we will reproduce
Without them but by ax strokes
In your prisons
Torrents of stone labors of foam
Where eyes float without rancor
Just eyes without hope
That know you
And that you should have put out
Rather than ignore
With a safety pin quicker than your gibbets
We shall take our booty where we want it to be
424
Paul Celan
Your Hand
Your Hand
Your hand full of hours, you came to me – and I said:
‘Your hair is not brown.’
You lifted it, lightly,
on to the balance of grief,
it was heavier than I.
They come to you on their ships, and make it their load,
then put it on sale in the markets of lust.
You smile at me from the deep.
I weep at you from the scale that’s still light.
I weep: Your hair is not brown.
They offer salt-waves of the sea,
and you give them spume.
You whisper: ‘They’re filling the world with me now,
and for you I’m still a hollow way in the heart!
You say: ‘Lay the leaf-work of years by you, it’s time,
that you came here and kissed me.
The leaf-work of years is brown, your hair is not brown.
Your hand full of hours, you came to me – and I said:
‘Your hair is not brown.’
You lifted it, lightly,
on to the balance of grief,
it was heavier than I.
They come to you on their ships, and make it their load,
then put it on sale in the markets of lust.
You smile at me from the deep.
I weep at you from the scale that’s still light.
I weep: Your hair is not brown.
They offer salt-waves of the sea,
and you give them spume.
You whisper: ‘They’re filling the world with me now,
and for you I’m still a hollow way in the heart!
You say: ‘Lay the leaf-work of years by you, it’s time,
that you came here and kissed me.
The leaf-work of years is brown, your hair is not brown.
411
Paul Celan
Your Hand
Your Hand
Your hand full of hours, you came to me – and I said:
‘Your hair is not brown.’
You lifted it, lightly,
on to the balance of grief,
it was heavier than I.
They come to you on their ships, and make it their load,
then put it on sale in the markets of lust.
You smile at me from the deep.
I weep at you from the scale that’s still light.
I weep: Your hair is not brown.
They offer salt-waves of the sea,
and you give them spume.
You whisper: ‘They’re filling the world with me now,
and for you I’m still a hollow way in the heart!
You say: ‘Lay the leaf-work of years by you, it’s time,
that you came here and kissed me.
The leaf-work of years is brown, your hair is not brown.
Your hand full of hours, you came to me – and I said:
‘Your hair is not brown.’
You lifted it, lightly,
on to the balance of grief,
it was heavier than I.
They come to you on their ships, and make it their load,
then put it on sale in the markets of lust.
You smile at me from the deep.
I weep at you from the scale that’s still light.
I weep: Your hair is not brown.
They offer salt-waves of the sea,
and you give them spume.
You whisper: ‘They’re filling the world with me now,
and for you I’m still a hollow way in the heart!
You say: ‘Lay the leaf-work of years by you, it’s time,
that you came here and kissed me.
The leaf-work of years is brown, your hair is not brown.
411
Paul Celan
Your Hand
Your Hand
Your hand full of hours, you came to me – and I said:
‘Your hair is not brown.’
You lifted it, lightly,
on to the balance of grief,
it was heavier than I.
They come to you on their ships, and make it their load,
then put it on sale in the markets of lust.
You smile at me from the deep.
I weep at you from the scale that’s still light.
I weep: Your hair is not brown.
They offer salt-waves of the sea,
and you give them spume.
You whisper: ‘They’re filling the world with me now,
and for you I’m still a hollow way in the heart!
You say: ‘Lay the leaf-work of years by you, it’s time,
that you came here and kissed me.
The leaf-work of years is brown, your hair is not brown.
Your hand full of hours, you came to me – and I said:
‘Your hair is not brown.’
You lifted it, lightly,
on to the balance of grief,
it was heavier than I.
They come to you on their ships, and make it their load,
then put it on sale in the markets of lust.
You smile at me from the deep.
I weep at you from the scale that’s still light.
I weep: Your hair is not brown.
They offer salt-waves of the sea,
and you give them spume.
You whisper: ‘They’re filling the world with me now,
and for you I’m still a hollow way in the heart!
You say: ‘Lay the leaf-work of years by you, it’s time,
that you came here and kissed me.
The leaf-work of years is brown, your hair is not brown.
411
Paul Éluard
At the Window
At the Window
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
387
Paul Éluard
At the Window
At the Window
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
387
Paul Éluard
At the Window
At the Window
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
387
Paul Celan
When You Lie
When You Lie
When you lie
in the Bed of lost Flag-Cloth,
with blue-black Syllables, in Snow-Eyelash-Shadow,
the Crane through Thoughtshowers,
comes gliding, steelyyou
open for him.
His beak ticks the Hour for you
at every Mouth – at every
bell-stroke, with red-hot Rope, a Silent-
Millennium,
Un-Pulse and Pulse
mint each other to death,
the Dollars, the Cents,
rain hard through your Pores,
in
Second-Shapes
you fly there and bar
the Doors Yesterday and Tomorrow – phosphorescent,
Forever-Teeth,
buds the one, and buds the
other breast,
towards the Grasping, under
the Thrusts –: so thick,
so deeply
strewn
the starry
Crane-
Seed.
When you lie
in the Bed of lost Flag-Cloth,
with blue-black Syllables, in Snow-Eyelash-Shadow,
the Crane through Thoughtshowers,
comes gliding, steelyyou
open for him.
His beak ticks the Hour for you
at every Mouth – at every
bell-stroke, with red-hot Rope, a Silent-
Millennium,
Un-Pulse and Pulse
mint each other to death,
the Dollars, the Cents,
rain hard through your Pores,
in
Second-Shapes
you fly there and bar
the Doors Yesterday and Tomorrow – phosphorescent,
Forever-Teeth,
buds the one, and buds the
other breast,
towards the Grasping, under
the Thrusts –: so thick,
so deeply
strewn
the starry
Crane-
Seed.
423
Paul Celan
With Every Thought
With Every Thought
With every Thought I went
out of the World: there you were,
you my Gentle One, you my Open One, and –
you received us.
Who
says that for us everything died,
that for us there the Eye broke?
Everything woke, all things began.
Vast, a Sun came swimming by, bright
a Soul and a Soul engaged, clear,
masterfully made a silence for it
a path ahead.
Lightly
you opened your Lap, quiet
rose a Breath in the Aether,
and what became cloud, was it not,
was it not Form, and for us then,
was it not
as good as a Name?
With every Thought I went
out of the World: there you were,
you my Gentle One, you my Open One, and –
you received us.
Who
says that for us everything died,
that for us there the Eye broke?
Everything woke, all things began.
Vast, a Sun came swimming by, bright
a Soul and a Soul engaged, clear,
masterfully made a silence for it
a path ahead.
Lightly
you opened your Lap, quiet
rose a Breath in the Aether,
and what became cloud, was it not,
was it not Form, and for us then,
was it not
as good as a Name?
464