Poems in this topic
Emotions and Feelings
Pablo Neruda
Walking Around
Walking Around
It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.
Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.
I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.
I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.
That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
night.
And it pushes me into certain corners, into some moist
houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.
There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
cords.
I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic
shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.
Translated by Robert Bly
It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.
Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.
I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.
I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.
That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
night.
And it pushes me into certain corners, into some moist
houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.
There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
cords.
I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic
shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.
Translated by Robert Bly
1,052
Pablo Neruda
Walking Around
Walking Around
It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.
Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.
I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.
I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.
That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
night.
And it pushes me into certain corners, into some moist
houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.
There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
cords.
I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic
shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.
Translated by Robert Bly
It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.
Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.
I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.
I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.
That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
night.
And it pushes me into certain corners, into some moist
houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.
There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
cords.
I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic
shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.
Translated by Robert Bly
1,052
Pablo Neruda
Walking Around
Walking Around
It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.
Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.
I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.
I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.
That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
night.
And it pushes me into certain corners, into some moist
houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.
There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
cords.
I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic
shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.
Translated by Robert Bly
It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.
Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.
I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.
I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.
That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the
night.
And it pushes me into certain corners, into some moist
houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.
There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical
cords.
I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic
shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling.
Translated by Robert Bly
1,052
Pablo Neruda
Waltz
Waltz
I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.
I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.
My mouth is full of night and water.
The abiding moon determines
what I do not have.
What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.
There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.
I live suddenly and other times I follow.
I touch a face suddenly and it murders me.
I have no time.
Do not look for me when drawing
the usual wild thread or the
bleeding net.
Do not call me: that is my occupation.
Do not ask my name or my condition.
Leave me in the middle of my own moon
in my wounded ground.
I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.
I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.
My mouth is full of night and water.
The abiding moon determines
what I do not have.
What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.
There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.
I live suddenly and other times I follow.
I touch a face suddenly and it murders me.
I have no time.
Do not look for me when drawing
the usual wild thread or the
bleeding net.
Do not call me: that is my occupation.
Do not ask my name or my condition.
Leave me in the middle of my own moon
in my wounded ground.
632
Pablo Neruda
Waltz
Waltz
I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.
I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.
My mouth is full of night and water.
The abiding moon determines
what I do not have.
What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.
There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.
I live suddenly and other times I follow.
I touch a face suddenly and it murders me.
I have no time.
Do not look for me when drawing
the usual wild thread or the
bleeding net.
Do not call me: that is my occupation.
Do not ask my name or my condition.
Leave me in the middle of my own moon
in my wounded ground.
I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.
I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.
My mouth is full of night and water.
The abiding moon determines
what I do not have.
What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.
There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.
I live suddenly and other times I follow.
I touch a face suddenly and it murders me.
I have no time.
Do not look for me when drawing
the usual wild thread or the
bleeding net.
Do not call me: that is my occupation.
Do not ask my name or my condition.
Leave me in the middle of my own moon
in my wounded ground.
632
Pablo Neruda
Waltz
Waltz
I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.
I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.
My mouth is full of night and water.
The abiding moon determines
what I do not have.
What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.
There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.
I live suddenly and other times I follow.
I touch a face suddenly and it murders me.
I have no time.
Do not look for me when drawing
the usual wild thread or the
bleeding net.
Do not call me: that is my occupation.
Do not ask my name or my condition.
Leave me in the middle of my own moon
in my wounded ground.
I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.
I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.
My mouth is full of night and water.
The abiding moon determines
what I do not have.
What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.
There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.
I live suddenly and other times I follow.
I touch a face suddenly and it murders me.
I have no time.
Do not look for me when drawing
the usual wild thread or the
bleeding net.
Do not call me: that is my occupation.
Do not ask my name or my condition.
Leave me in the middle of my own moon
in my wounded ground.
632
Pablo Neruda
Waltz
Waltz
I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.
I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.
My mouth is full of night and water.
The abiding moon determines
what I do not have.
What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.
There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.
I live suddenly and other times I follow.
I touch a face suddenly and it murders me.
I have no time.
Do not look for me when drawing
the usual wild thread or the
bleeding net.
Do not call me: that is my occupation.
Do not ask my name or my condition.
Leave me in the middle of my own moon
in my wounded ground.
I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.
I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.
My mouth is full of night and water.
The abiding moon determines
what I do not have.
What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.
There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.
I live suddenly and other times I follow.
I touch a face suddenly and it murders me.
I have no time.
Do not look for me when drawing
the usual wild thread or the
bleeding net.
Do not call me: that is my occupation.
Do not ask my name or my condition.
Leave me in the middle of my own moon
in my wounded ground.
632
Pablo Neruda
Tower Of Light
Tower Of Light
O tower of light, sad beauty
that magnified necklaces and statues in the sea,
calcareous eye, insignia of the vast waters, cry
of the mourning petrel, tooth of the sea, wife
of the Oceanian wind, O separate rose
from the long stem of the trampled bush
that the depths, converted into archipelago,
O natural star, green diadem,
alone in your lonesome dynasty,
still unattainable, elusive, desolate
like one drop, like one grape, like the sea.
O tower of light, sad beauty
that magnified necklaces and statues in the sea,
calcareous eye, insignia of the vast waters, cry
of the mourning petrel, tooth of the sea, wife
of the Oceanian wind, O separate rose
from the long stem of the trampled bush
that the depths, converted into archipelago,
O natural star, green diadem,
alone in your lonesome dynasty,
still unattainable, elusive, desolate
like one drop, like one grape, like the sea.
609
Pablo Neruda
Tonight I Can Write
Tonight I Can Write
Tonight I can write the saddest lines.
Write, for example, 'The night is starry
and the stars are blue and shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.
Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her.
The night is starry and she is not with me.
This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.
My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. As she was before my kisses.
Her voice, her bright body. Her infinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.
Though this be the last pain that she makes me suffer
and these the last verses that I write for her.
translated by W.S. Merwin
Tonight I can write the saddest lines.
Write, for example, 'The night is starry
and the stars are blue and shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.
Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her.
The night is starry and she is not with me.
This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.
My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. As she was before my kisses.
Her voice, her bright body. Her infinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.
Though this be the last pain that she makes me suffer
and these the last verses that I write for her.
translated by W.S. Merwin
898
Pablo Neruda
Tonight I Can Write
Tonight I Can Write
Tonight I can write the saddest lines.
Write, for example, 'The night is starry
and the stars are blue and shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.
Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her.
The night is starry and she is not with me.
This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.
My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. As she was before my kisses.
Her voice, her bright body. Her infinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.
Though this be the last pain that she makes me suffer
and these the last verses that I write for her.
translated by W.S. Merwin
Tonight I can write the saddest lines.
Write, for example, 'The night is starry
and the stars are blue and shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.
Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her.
The night is starry and she is not with me.
This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.
My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. As she was before my kisses.
Her voice, her bright body. Her infinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.
Though this be the last pain that she makes me suffer
and these the last verses that I write for her.
translated by W.S. Merwin
898
Pablo Neruda
The Weary One
The Weary One
The weary one, orphan
of the masses, the self,
the crushed one, the one made of concrete,
the one without a country in crowded restaurants,
he who wanted to go far away, always farther away,
didn't know what to do there, whether he wanted
or didn't want to leave or remain on the island,
the hesitant one, the hybrid, entangled in himself,
had no place here: the straight-angled stone,
the infinite look of the granite prism,
the circular solitude all banished him:
he went somewhere else with his sorrows,
he returned to the agony of his native land,
to his indecisions, of winter and summer.
The weary one, orphan
of the masses, the self,
the crushed one, the one made of concrete,
the one without a country in crowded restaurants,
he who wanted to go far away, always farther away,
didn't know what to do there, whether he wanted
or didn't want to leave or remain on the island,
the hesitant one, the hybrid, entangled in himself,
had no place here: the straight-angled stone,
the infinite look of the granite prism,
the circular solitude all banished him:
he went somewhere else with his sorrows,
he returned to the agony of his native land,
to his indecisions, of winter and summer.
653
Pablo Neruda
The Weary One
The Weary One
The weary one, orphan
of the masses, the self,
the crushed one, the one made of concrete,
the one without a country in crowded restaurants,
he who wanted to go far away, always farther away,
didn't know what to do there, whether he wanted
or didn't want to leave or remain on the island,
the hesitant one, the hybrid, entangled in himself,
had no place here: the straight-angled stone,
the infinite look of the granite prism,
the circular solitude all banished him:
he went somewhere else with his sorrows,
he returned to the agony of his native land,
to his indecisions, of winter and summer.
The weary one, orphan
of the masses, the self,
the crushed one, the one made of concrete,
the one without a country in crowded restaurants,
he who wanted to go far away, always farther away,
didn't know what to do there, whether he wanted
or didn't want to leave or remain on the island,
the hesitant one, the hybrid, entangled in himself,
had no place here: the straight-angled stone,
the infinite look of the granite prism,
the circular solitude all banished him:
he went somewhere else with his sorrows,
he returned to the agony of his native land,
to his indecisions, of winter and summer.
653
Pablo Neruda
The Weary One
The Weary One
The weary one, orphan
of the masses, the self,
the crushed one, the one made of concrete,
the one without a country in crowded restaurants,
he who wanted to go far away, always farther away,
didn't know what to do there, whether he wanted
or didn't want to leave or remain on the island,
the hesitant one, the hybrid, entangled in himself,
had no place here: the straight-angled stone,
the infinite look of the granite prism,
the circular solitude all banished him:
he went somewhere else with his sorrows,
he returned to the agony of his native land,
to his indecisions, of winter and summer.
The weary one, orphan
of the masses, the self,
the crushed one, the one made of concrete,
the one without a country in crowded restaurants,
he who wanted to go far away, always farther away,
didn't know what to do there, whether he wanted
or didn't want to leave or remain on the island,
the hesitant one, the hybrid, entangled in himself,
had no place here: the straight-angled stone,
the infinite look of the granite prism,
the circular solitude all banished him:
he went somewhere else with his sorrows,
he returned to the agony of his native land,
to his indecisions, of winter and summer.
653
Pablo Neruda
The Saddest Poem
The Saddest Poem
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
760
Pablo Neruda
The Saddest Poem
The Saddest Poem
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
760
Pablo Neruda
The Light Wraps You
The Light Wraps You
The light wraps you in its mortal flame.
Abstracted pale mourner, standing that way
against the old propellers of the twighlight
that revolves around you.
Speechless, my friend,
alone in the loneliness of this hour of the dead
and filled with the lives of fire,
pure heir of the ruined day.
A bough of fruit falls from the sun on your dark garment.
The great roots of night
grow suddenly from your soul,
and the things that hide in you come out again
so that a blue and palled people
your newly born, takes nourishment.
Oh magnificent and fecund and magnetic slave
of the circle that moves in turn through black and gold:
rise, lead and possess a creation
so rich in life that its flowers perish
and it is full of sadness.
The light wraps you in its mortal flame.
Abstracted pale mourner, standing that way
against the old propellers of the twighlight
that revolves around you.
Speechless, my friend,
alone in the loneliness of this hour of the dead
and filled with the lives of fire,
pure heir of the ruined day.
A bough of fruit falls from the sun on your dark garment.
The great roots of night
grow suddenly from your soul,
and the things that hide in you come out again
so that a blue and palled people
your newly born, takes nourishment.
Oh magnificent and fecund and magnetic slave
of the circle that moves in turn through black and gold:
rise, lead and possess a creation
so rich in life that its flowers perish
and it is full of sadness.
546
Pablo Neruda
The Light Wraps You
The Light Wraps You
The light wraps you in its mortal flame.
Abstracted pale mourner, standing that way
against the old propellers of the twighlight
that revolves around you.
Speechless, my friend,
alone in the loneliness of this hour of the dead
and filled with the lives of fire,
pure heir of the ruined day.
A bough of fruit falls from the sun on your dark garment.
The great roots of night
grow suddenly from your soul,
and the things that hide in you come out again
so that a blue and palled people
your newly born, takes nourishment.
Oh magnificent and fecund and magnetic slave
of the circle that moves in turn through black and gold:
rise, lead and possess a creation
so rich in life that its flowers perish
and it is full of sadness.
The light wraps you in its mortal flame.
Abstracted pale mourner, standing that way
against the old propellers of the twighlight
that revolves around you.
Speechless, my friend,
alone in the loneliness of this hour of the dead
and filled with the lives of fire,
pure heir of the ruined day.
A bough of fruit falls from the sun on your dark garment.
The great roots of night
grow suddenly from your soul,
and the things that hide in you come out again
so that a blue and palled people
your newly born, takes nourishment.
Oh magnificent and fecund and magnetic slave
of the circle that moves in turn through black and gold:
rise, lead and possess a creation
so rich in life that its flowers perish
and it is full of sadness.
546
Pablo Neruda
The Fear
The Fear
They all ask me to jump
to invigorate and to play soccer,
to run, to swim and to fly.
Very well.
They all advise me rest,
they all send me to the doctor,
looking at me a certain way.
What happens?
They all advise me to travel,
to come and to leave, to stay,
to die and not to die.
It does not matter.
They all see the difficulties
of my surprised bowels
by awful X-rayed portraits.
I do not agree.
They all sting my poetry
with relentless forks
seeking, without doubt, a fly,
I Am afraid.
I am afraid of everyone,
of the cold water, of the death.
I am like all the mortals,
unavoidable.
And for that, in these short days
I am not going to pay attention to them,
I am going to open myself up and shut myself in
with my more perfidious enemy,
Pablo Neruda.
They all ask me to jump
to invigorate and to play soccer,
to run, to swim and to fly.
Very well.
They all advise me rest,
they all send me to the doctor,
looking at me a certain way.
What happens?
They all advise me to travel,
to come and to leave, to stay,
to die and not to die.
It does not matter.
They all see the difficulties
of my surprised bowels
by awful X-rayed portraits.
I do not agree.
They all sting my poetry
with relentless forks
seeking, without doubt, a fly,
I Am afraid.
I am afraid of everyone,
of the cold water, of the death.
I am like all the mortals,
unavoidable.
And for that, in these short days
I am not going to pay attention to them,
I am going to open myself up and shut myself in
with my more perfidious enemy,
Pablo Neruda.
545
Pablo Neruda
The Fear
The Fear
They all ask me to jump
to invigorate and to play soccer,
to run, to swim and to fly.
Very well.
They all advise me rest,
they all send me to the doctor,
looking at me a certain way.
What happens?
They all advise me to travel,
to come and to leave, to stay,
to die and not to die.
It does not matter.
They all see the difficulties
of my surprised bowels
by awful X-rayed portraits.
I do not agree.
They all sting my poetry
with relentless forks
seeking, without doubt, a fly,
I Am afraid.
I am afraid of everyone,
of the cold water, of the death.
I am like all the mortals,
unavoidable.
And for that, in these short days
I am not going to pay attention to them,
I am going to open myself up and shut myself in
with my more perfidious enemy,
Pablo Neruda.
They all ask me to jump
to invigorate and to play soccer,
to run, to swim and to fly.
Very well.
They all advise me rest,
they all send me to the doctor,
looking at me a certain way.
What happens?
They all advise me to travel,
to come and to leave, to stay,
to die and not to die.
It does not matter.
They all see the difficulties
of my surprised bowels
by awful X-rayed portraits.
I do not agree.
They all sting my poetry
with relentless forks
seeking, without doubt, a fly,
I Am afraid.
I am afraid of everyone,
of the cold water, of the death.
I am like all the mortals,
unavoidable.
And for that, in these short days
I am not going to pay attention to them,
I am going to open myself up and shut myself in
with my more perfidious enemy,
Pablo Neruda.
545
Pablo Neruda
The Dictators
The Dictators
An odor has remained among the sugarcane:
a mixture of blood and body, a penetrating
petal that brings nausea.
Between the coconut palms the graves are full
of ruined bones, of speechless death-rattles.
The delicate dictator is talking
with top hats, gold braid, and collars.
The tiny palace gleams like a watch
and the rapid laughs with gloves on
cross the corridors at times
and join the dead voices
and the blue mouths freshly buried.
The weeping cannot be seen, like a plant
whose seeds fall endlessly on the earth,
whose large blind leaves grow even without light.
Hatred has grown scale on scale,
blow on blow, in the ghastly water of the swamp,
with a snout full of ooze and silence
An odor has remained among the sugarcane:
a mixture of blood and body, a penetrating
petal that brings nausea.
Between the coconut palms the graves are full
of ruined bones, of speechless death-rattles.
The delicate dictator is talking
with top hats, gold braid, and collars.
The tiny palace gleams like a watch
and the rapid laughs with gloves on
cross the corridors at times
and join the dead voices
and the blue mouths freshly buried.
The weeping cannot be seen, like a plant
whose seeds fall endlessly on the earth,
whose large blind leaves grow even without light.
Hatred has grown scale on scale,
blow on blow, in the ghastly water of the swamp,
with a snout full of ooze and silence
819
Pablo Neruda
Tell Me, Is The Rose Naked?
Tell Me, Is The Rose Naked?
Tell me, is the rose naked
Or is that her only dress?
Why do trees conceal
The splendor of their roots?
Who hears the regrets
Of the thieving automobile?
Is there anything in the world sadder
Than a train standing in the rain?
Tell me, is the rose naked
Or is that her only dress?
Why do trees conceal
The splendor of their roots?
Who hears the regrets
Of the thieving automobile?
Is there anything in the world sadder
Than a train standing in the rain?
513
Pablo Neruda
Tell Me, Is The Rose Naked?
Tell Me, Is The Rose Naked?
Tell me, is the rose naked
Or is that her only dress?
Why do trees conceal
The splendor of their roots?
Who hears the regrets
Of the thieving automobile?
Is there anything in the world sadder
Than a train standing in the rain?
Tell me, is the rose naked
Or is that her only dress?
Why do trees conceal
The splendor of their roots?
Who hears the regrets
Of the thieving automobile?
Is there anything in the world sadder
Than a train standing in the rain?
513
Pablo Neruda
Sonnet XXV
Sonnet XXV
Before I loved you, love, nothing was my own:
I wavered through the streets, among
Objects:
Nothing mattered or had a name:
The world was made of air, which waited.
I knew rooms full of ashes,
Tunnels where the moon lived,
Rough warehouses that growled 'get lost',
Questions that insisted in the sand.
Everything was empty, dead, mute,
Fallen abandoned, and decayed:
Inconceivably alien, it all
Belonged to someone else - to no one:
Till your beauty and your poverty
Filled the autumn plentiful with gifts.
Before I loved you, love, nothing was my own:
I wavered through the streets, among
Objects:
Nothing mattered or had a name:
The world was made of air, which waited.
I knew rooms full of ashes,
Tunnels where the moon lived,
Rough warehouses that growled 'get lost',
Questions that insisted in the sand.
Everything was empty, dead, mute,
Fallen abandoned, and decayed:
Inconceivably alien, it all
Belonged to someone else - to no one:
Till your beauty and your poverty
Filled the autumn plentiful with gifts.
600
Pablo Neruda
Sonnet XVII
Sonnet XVII
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
816