Topics
Poems in this topic

Emotions and Feelings

John Greenleaf Whittier

John Greenleaf Whittier

A Sea Dream

A Sea Dream

We saw the slow tides go and come,
The curving surf-lines lightly drawn,
The gray rocks touched with tender bloom
Beneath the fresh-blown rose of dawn.


We saw in richer sunsets lost
The sombre pomp of showery noons;
And signalled spectral sails that crossed
The weird, low light of rising moons.


On stormy eves from cliff and head
We saw the white spray tossed and spurned;
While over all, in gold and red,
Its face of fire the lighthouse turned.


The rail-car brought its daily crowds,
Half curious, half indifferent,
Like passing sails or floating clouds,
We saw them as they came and went.


But, one calm morning, as we lay
And watched the mirage-lifted wall
Of coast, across the dreamy bay,
And heard afar the curlew call,


And nearer voices, wild or tame,
Of airy flock and childish throng,
Up from the water's edge there came
Faint snatches of familiar song.


Careless we heard the singer's choice
Of old and common airs; at last
The tender pathos of his voice
In one low chanson held us fast.


A song that mingled joy and pain,
And memories old and sadly sweet;
While, timing to its minor strain,
The waves in lapsing cadence beat.


. . . . .


The waves are glad in breeze and sun;
The rocks are fringed with foam;
I walk once more a haunted shore,
A stranger, yet at home,
A land of dreams I roam.


Is this the wind, the soft sea wind
That stirred thy locks of brown?
Are these the rocks whose mosses knew
The trail of thy light gown,



Where boy and girl sat down?


I see the gray fort's broken wall,
The boats that rock below;
And, out at sea, the passing sails
We saw so long ago
Rose-red in morning's glow.


The freshness of the early time
On every breeze is blown;
As glad the sea, as blue the sky,-The
change is ours alone;
The saddest is my own.


A stranger now, a world-worn man,
Is he who bears my name;
But thou, methinks, whose mortal life
Immortal youth became,
Art evermore the same.


Thou art not here, thou art not there,
Thy place I cannot see;
I only know that where thou art
The blessed angels be,
And heaven is glad for thee.


Forgive me if the evil years
Have left on me their sign;
Wash out, O soul so beautiful,
The many stains of mine
In tears of love divine!


I could not look on thee and live,
If thou wert by my side;
The vision of a shining one,
The white and heavenly bride,
Is well to me denied.


But turn to me thy dear girl-face
Without the angel's crown,
The wedded roses of thy lips,
Thy loose hair rippling down
In waves of golden brown.


Look forth once more through space and time,
And let thy sweet shade fall
In tenderest grace of soul and form
On memory's frescoed wall,
A shadow, and yet all!


Draw near, more near, forever dear!
Where'er I rest or roam,



Or in the city's crowded streets,
Or by the blown sea foam,
The thought of thee is home!


. . . . .


At breakfast hour the singer read
The city news, with comment wise,
Like one who felt the pulse of trade
Beneath his finger fall and rise.


His look, his air, his curt speech, told
The man of action, not of books,
To whom the corners made in gold
And stocks were more than seaside nooks.


Of life beneath the life confessed
His song had hinted unawares;
Of flowers in traffic's ledgers pressed,
Of human hearts in bulls and bears.


But eyes in vain were turned to watch
That face so hard and shrewd and strong;
And ears in vain grew sharp to catch
The meaning of that morning song.


In vain some sweet-voiced querist sought
To sound him, leaving as she came;
Her baited album only caught
A common, unromantic name.


No word betrayed the mystery fine,
That trembled on the singer's tongue;
He came and went, and left no sign
Behind him save the song he sung.
324
John Greenleaf Whittier

John Greenleaf Whittier

A Sea Dream

A Sea Dream

We saw the slow tides go and come,
The curving surf-lines lightly drawn,
The gray rocks touched with tender bloom
Beneath the fresh-blown rose of dawn.


We saw in richer sunsets lost
The sombre pomp of showery noons;
And signalled spectral sails that crossed
The weird, low light of rising moons.


On stormy eves from cliff and head
We saw the white spray tossed and spurned;
While over all, in gold and red,
Its face of fire the lighthouse turned.


The rail-car brought its daily crowds,
Half curious, half indifferent,
Like passing sails or floating clouds,
We saw them as they came and went.


But, one calm morning, as we lay
And watched the mirage-lifted wall
Of coast, across the dreamy bay,
And heard afar the curlew call,


And nearer voices, wild or tame,
Of airy flock and childish throng,
Up from the water's edge there came
Faint snatches of familiar song.


Careless we heard the singer's choice
Of old and common airs; at last
The tender pathos of his voice
In one low chanson held us fast.


A song that mingled joy and pain,
And memories old and sadly sweet;
While, timing to its minor strain,
The waves in lapsing cadence beat.


. . . . .


The waves are glad in breeze and sun;
The rocks are fringed with foam;
I walk once more a haunted shore,
A stranger, yet at home,
A land of dreams I roam.


Is this the wind, the soft sea wind
That stirred thy locks of brown?
Are these the rocks whose mosses knew
The trail of thy light gown,



Where boy and girl sat down?


I see the gray fort's broken wall,
The boats that rock below;
And, out at sea, the passing sails
We saw so long ago
Rose-red in morning's glow.


The freshness of the early time
On every breeze is blown;
As glad the sea, as blue the sky,-The
change is ours alone;
The saddest is my own.


A stranger now, a world-worn man,
Is he who bears my name;
But thou, methinks, whose mortal life
Immortal youth became,
Art evermore the same.


Thou art not here, thou art not there,
Thy place I cannot see;
I only know that where thou art
The blessed angels be,
And heaven is glad for thee.


Forgive me if the evil years
Have left on me their sign;
Wash out, O soul so beautiful,
The many stains of mine
In tears of love divine!


I could not look on thee and live,
If thou wert by my side;
The vision of a shining one,
The white and heavenly bride,
Is well to me denied.


But turn to me thy dear girl-face
Without the angel's crown,
The wedded roses of thy lips,
Thy loose hair rippling down
In waves of golden brown.


Look forth once more through space and time,
And let thy sweet shade fall
In tenderest grace of soul and form
On memory's frescoed wall,
A shadow, and yet all!


Draw near, more near, forever dear!
Where'er I rest or roam,



Or in the city's crowded streets,
Or by the blown sea foam,
The thought of thee is home!


. . . . .


At breakfast hour the singer read
The city news, with comment wise,
Like one who felt the pulse of trade
Beneath his finger fall and rise.


His look, his air, his curt speech, told
The man of action, not of books,
To whom the corners made in gold
And stocks were more than seaside nooks.


Of life beneath the life confessed
His song had hinted unawares;
Of flowers in traffic's ledgers pressed,
Of human hearts in bulls and bears.


But eyes in vain were turned to watch
That face so hard and shrewd and strong;
And ears in vain grew sharp to catch
The meaning of that morning song.


In vain some sweet-voiced querist sought
To sound him, leaving as she came;
Her baited album only caught
A common, unromantic name.


No word betrayed the mystery fine,
That trembled on the singer's tongue;
He came and went, and left no sign
Behind him save the song he sung.
324
John Greenleaf Whittier

John Greenleaf Whittier

A Letter

A Letter

'TIS over, Moses! All is lost!
I hear the bells a-ringing;
Of Pharaoh and his Red Sea host
I hear the Free-Wills singing.*
We're routed, Moses, horse and foot,
If there be truth in figures,
With Federal Whigs in hot pursuit,
And Hale, and all the 'niggers.'
Alack! alas! this month or more
We've felt a sad foreboding;
Our very dreams the burden bore
Of central cliques exploding;
Before our eyes a furnace shone,
Where heads of dough were roasting,
And one we took to be your own
The traitor Hale was toasting!
Our Belknap brother* heard with awe
The Congo minstrels playing;
At Pittsfield Reuben Leavitt* saw
The ghost of Storrs a-praying;
And Carroll's woods were sad to see,
With black-winged crows a-darting;
And Black Snout looked on Ossipee,
New-glossed with Day and Martin.
We thought the 'Old Man of the Notch'
His face seemed changing wholly —
His lips seemed thick; his nose seemed flat;
His misty hair looked woolly;
And Coös teamsters, shrieking, fled
From the metamorphosed figure.
'Look there!' they said, 'the Old Stone Head
Himself is turning nigger!'
The schoolhouse* out of Canaan hauled
Seemed turning on its track again,
And like a great swamp-turtle crawled
To Canaan village back again,
Shook off the mud and settled flat
Upon its underpinning;
A nigger on its ridge-pole sat,
From ear to ear a-grinning.
Gray H—d heard o' nights the sound
Of rail-cars onward faring;
Right over Democratic ground
The iron horse came tearing.
A flag waved o'er that spectral train,
As high as Pittsfield steeple;
Its emblem was a broken chain;
Its motto: 'To the people!'
I dreamed that Charley took his bed,
With Hale for his physician;
His daily dose an old 'unread
And unreferred' petition.*



There Hayes and Tuck as nurses sat,
As near as near could be, man;
They leeched him with the 'Democrat;'
They blistered with the 'Freeman.'
Ah! grisly portents! What avail
Your terrors of forewarning?
We wake to find the nightmare Hale
Astride our breasts at morning!
From Portsmouth lights to Indian stream
Our foes their throats are trying;
The very factory-spindles seem
To mock us while they're flying.
The hills have bonfires; in our streets
Flags flout us in our faces;
The newsboys, peddling off their sheets,
Are hoarse with our disgraces.
In vain we turn, for gibing wit
And shoutings follow after,
As if old Kearsarge had split
His granite sides with laughter!
What boots it that we pelted out
The anti-slavery women,9
And bravely strewed their hall about
With tattered lace and trimming?
Was it for such a sad reverse
Our mobs became peacemakers,
And kept their tar and wooden horse
For Englishmen and Quakers?
For this did shifty Atherton
Make gag rules for the Great House?
Wiped we for this our feet upon
Petitions in our State House?
Plied we for this our axe of doom,
No stubborn traitor sparing,
Who scoffed at our opinion loom,
And took to homespun wearing?
Ah, Moses! hard it is to scan
These crooked providences,
Deducing from the wisest plan
The saddest consequences!
Strange that, in trampling as was meet
The nigger-men's petition,
We sprung a mine beneath our feet
Which opened up perdition.
How goodly, Moses, was the game
In which we've long been actors,
Supplying freedom with the name
And slavery with the practice!
Our smooth words fed the people's mouth,
Their ears our party rattle;
We kept them headed to the South,
As drovers do their cattle.



But now our game of politics
The world at large is learning;
And men grown gray in all our tricks
State's evidence are turning.
Votes and preambles subtly spun
They cram with meanings louder,
And load the Democratic gun
With abolition powder.
The ides of June! Woe worth the day
When, turning all things over,
The traitor Hale shall make his hay
From Democratic clover!
Who then shall take him in the law,
Who punish crime so flagrant?
Whose hand shall serve, whose pen shall draw,
A writ against that 'vagrant'?
Alas! no hope is left us here,
And one can only pine for
The envied place of overseer
Of slaves in Carolina!
Pray, Moses, give Calhoun the wink,
And see what pay he's giving!
We're practised long enough, we think,
To know the art of driving.
And for the faithful rank and file,
Who know their proper stations,
Perhaps it may be worth their while
To try the rice plantations.
Let Hale exult, let Wilson scoff,
To see us southward scamper;
The slaves, we know, are 'better off
Than laborers in New Hampshire!'
279
John Greenleaf Whittier

John Greenleaf Whittier

A Greeting

A Greeting

Thrice welcome from the Land of Flowers
And golden-fruited orange bowers
To this sweet, green-turfed June of ours!
To her who, in our evil time,
Dragged into light the nation's crime
With strength beyond the strength of men,
And, mightier than their swords, her pen!
To her who world-wide entrance gave
To the log-cabin of the slave;
Made all his wrongs and sorrows known,
And all earth's languages his own,-North,
South, and East and West, made all
The common air electrical,
Until the o'ercharged bolts of heaven
Blazed down, and every chain was riven!


Welcome from each and all to her
Whose Wooing of the Minister
Revealed the warm heart of the man
Beneath the creed-bound Puritan,
And taught the kinship of the love
Of man below and God above;
To her whose vigorous pencil-strokes
Sketched into life her Oldtown Folks;
Whose fireside stories, grave or gay,
In quaint Sam Lawson's vagrant way,
With old New England's flavor rife,
Waifs from her rude idyllic life,
Are racy as the legends old
By Chaucer or Boccaccio told;
To her who keeps, through change of place
And time, her native strength and grace,
Alike where warm Sorrento smiles,
Or where, by birchen-shaded isles,
Whose summer winds have shivered o'er
The icy drift of Labrador,
She lifts to light the priceless Pearl
Of Harpswell's angel-beckoned girl!
To her at threescore years and ten
Be tributes of the tongue and pen;
Be honor, praise, and heart-thanks given,
The loves of earth, the hopes of heaven!


Ah, dearer than the praise that stirs
The air to-day, our love is hers!
She needs no guaranty of fame
Whose own is linked with Freedom's name.
Long ages after ours shall keep
Her memory living while we sleep;
The waves that wash our gray coast lines,
The winds that rock the Southern pines,
Shall sing of her; the unending years



Shall tell her tale in unborn ears.
And when, with sins and follies past,
Are numbered color-hate and caste,
White, black, and red shall own as one
The noblest work by woman done.
311
John Donne

John Donne

To The Countess Of Bedford I

To The Countess Of Bedford I

MADAM—
Reason is our soul's left hand, faith her right ;
By these we reach divinity, that's you ;
Their loves, who have the blessing of your light,
Grew from their reason ; mine from fair faith grew.
But as, although a squint left-handedness
Be ungracious, yet we cannot want that hand ;
So would I—not to increase, but to express
My faith—as I believe, so understand.


Therefore I study you first in your saints,
Those friends whom your election glorifies ;
Then in your deeds, accesses and restraints,
And what you read, and what yourself devise.


But soon the reasons why you're loved by all,
Grow infinite, and so pass reason's reach ;
Then back again to implicit faith I fall,
And rest on that the Catholic voice doth teach—


That you are good ; and not one heretic
Denies it ; if he did, yet you are so ;
For rocks, which high to sense deep-rooted stick,
Waves wash, not undermine, nor overthrow.


In everything there naturally grows
A balsamum to keep it fresh and new,
If 'twere not inured by extrinsic blows ;
Your birth and beauty are this balm in you.


But you, of learning, and religion,
And virtue, and such ingredients, have made
A mithridate, whose operation
Keeps off, or cures, what can be done or said.


Yet this is not your physic, but your food,
A diet fit for you ; for you are here
The first good angel, since the world's frame stood,
That ever did in woman's shape appear.


Since you are then God's masterpiece, and so
His factor for our loves, do as you do ;
Make your return home gracious, and bestow
This life on that ; so make one life of two.
For, so God help me, I would not miss you there,
For all the good which you can do me here.
341
John Donne

John Donne

To Sir Henry Wotton At His Going Ambassador To Venice

To Sir Henry Wotton At His Going Ambassador To Venice

AFTER those reverend papers, whose soul is
Our good and great king's loved hand and fear'd name ;
By which to you he derives much of his,
And, how he may, makes you almost the same,


A taper of his torch, a copy writ
From his oiginal, and a fair beam
Of the same warm and dazzling sun, though it
Must in another sphere his virtue stream ;


After those learned papers which your hand
Hath stored with notes of use and pleasures too,
From which rich treasury you may command
Fit matter whether you will write or do ;


After those loving papers where friends send,
With glad grief to your sea-ward steps, farewell,
Which thicken on you now, as prayers ascend
To heaven in troops, at a good man's passing-bell ;


Admit this honest paper, and allow
It such an audience as yourself would ask ;
What you must say at Venice, this means now,
And hath for nature, what you have for task.


To swear much love, not to be changed before
Honour, alone will to your fortune fit ;
Nor shall I then honour your fortune, more
Than I have done your honour, wanting it.


But 'tis an easier load, though both oppress,
To want, than govern greatness, for we are
In that, our own and only business,
In this, we must for others' vices care.


'Tis therefore well your spirits now are placed
In their last furnace, in activity ;
Which fits them—schools and courts and wars o'erpast—
To touch and test in any best degree.


For me—if there be such a thing as I—
Fortune—if there be such a thing as she—
Spies that I bear so well her tyranny,
That she thinks nothing else so fit for me.


But, though she part us, to hear my oft prayers
For your increase, God is as near me here ;
And to send you what I shall beg, His stairs
In length and ease are alike everywhere.
335
John Donne

John Donne

To Sir Henry Wotton At His Going Ambassador To Venice

To Sir Henry Wotton At His Going Ambassador To Venice

AFTER those reverend papers, whose soul is
Our good and great king's loved hand and fear'd name ;
By which to you he derives much of his,
And, how he may, makes you almost the same,


A taper of his torch, a copy writ
From his oiginal, and a fair beam
Of the same warm and dazzling sun, though it
Must in another sphere his virtue stream ;


After those learned papers which your hand
Hath stored with notes of use and pleasures too,
From which rich treasury you may command
Fit matter whether you will write or do ;


After those loving papers where friends send,
With glad grief to your sea-ward steps, farewell,
Which thicken on you now, as prayers ascend
To heaven in troops, at a good man's passing-bell ;


Admit this honest paper, and allow
It such an audience as yourself would ask ;
What you must say at Venice, this means now,
And hath for nature, what you have for task.


To swear much love, not to be changed before
Honour, alone will to your fortune fit ;
Nor shall I then honour your fortune, more
Than I have done your honour, wanting it.


But 'tis an easier load, though both oppress,
To want, than govern greatness, for we are
In that, our own and only business,
In this, we must for others' vices care.


'Tis therefore well your spirits now are placed
In their last furnace, in activity ;
Which fits them—schools and courts and wars o'erpast—
To touch and test in any best degree.


For me—if there be such a thing as I—
Fortune—if there be such a thing as she—
Spies that I bear so well her tyranny,
That she thinks nothing else so fit for me.


But, though she part us, to hear my oft prayers
For your increase, God is as near me here ;
And to send you what I shall beg, His stairs
In length and ease are alike everywhere.
335
John Donne

John Donne

The Will

The Will

Before I sigh my last gasp, let me breathe,
Great Love, some legacies ; I here bequeath
Mine eyes to Argus, if mine eyes can see ;
If they be blind, then, Love, I give them thee ;
My tongue to Fame ; to ambassadors mine ears ;
To women, or the sea, my tears ;
Thou, Love, hast taught me heretofore
By making me serve her who had twenty more,
That I should give to none, but such as had too much before.


My constancy I to the planets give ;
My truth to them who at the court do live ;
My ingenuity and openness,
To Jesuits ; to buffoons my pensiveness ;
My silence to any, who abroad hath been ;
My money to a Capuchin :
Thou, Love, taught'st me, by appointing me
To love there, where no love received can be,
Only to give to such as have an incapacity.


My faith I give to Roman Catholics ;
All my good works unto the Schismatics
Of Amsterdam ; my best civility
And courtship to an University ;
My modesty I give to soldiers bare ;
My patience let gamesters share :
Thou, Love, taught'st me, by making me
Love her that holds my love disparity,
Only to give to those that count my gifts indignity.


I give my reputation to those
Which were my friends ; mine industry to foes ;
To schoolmen I bequeath my doubtfulness ;
My sickness to physicians, or excess ;
To nature all that I in rhyme have writ ;
And to my company my wit :
Thou, Love, by making me adore
Her, who begot this love in me before,
Taught'st me to make, as though I gave, when I do but restore.


To him for whom the passing-bell next tolls,
I give my physic books ; my written rolls
Of moral counsels I to Bedlam give ;
My brazen medals unto them which live
In want of bread ; to them which pass among
All foreigners, mine English tongue :
Though, Love, by making me love one
Who thinks her friendship a fit portion
For younger lovers, dost my gifts thus disproportion.


Therefore I'll give no more, but I'll undo
The world by dying, because love dies too.



Then all your beauties will be no more worth
Than gold in mines, where none doth draw it forth ;
And all your graces no more use shall have,
Than a sun-dial in a grave :
Thou, Love, taught'st me by making me
Love her who doth neglect both me and thee,
To invent, and practise this one way, to annihilate all three.
315
John Donne

John Donne

The Will

The Will

Before I sigh my last gasp, let me breathe,
Great Love, some legacies ; I here bequeath
Mine eyes to Argus, if mine eyes can see ;
If they be blind, then, Love, I give them thee ;
My tongue to Fame ; to ambassadors mine ears ;
To women, or the sea, my tears ;
Thou, Love, hast taught me heretofore
By making me serve her who had twenty more,
That I should give to none, but such as had too much before.


My constancy I to the planets give ;
My truth to them who at the court do live ;
My ingenuity and openness,
To Jesuits ; to buffoons my pensiveness ;
My silence to any, who abroad hath been ;
My money to a Capuchin :
Thou, Love, taught'st me, by appointing me
To love there, where no love received can be,
Only to give to such as have an incapacity.


My faith I give to Roman Catholics ;
All my good works unto the Schismatics
Of Amsterdam ; my best civility
And courtship to an University ;
My modesty I give to soldiers bare ;
My patience let gamesters share :
Thou, Love, taught'st me, by making me
Love her that holds my love disparity,
Only to give to those that count my gifts indignity.


I give my reputation to those
Which were my friends ; mine industry to foes ;
To schoolmen I bequeath my doubtfulness ;
My sickness to physicians, or excess ;
To nature all that I in rhyme have writ ;
And to my company my wit :
Thou, Love, by making me adore
Her, who begot this love in me before,
Taught'st me to make, as though I gave, when I do but restore.


To him for whom the passing-bell next tolls,
I give my physic books ; my written rolls
Of moral counsels I to Bedlam give ;
My brazen medals unto them which live
In want of bread ; to them which pass among
All foreigners, mine English tongue :
Though, Love, by making me love one
Who thinks her friendship a fit portion
For younger lovers, dost my gifts thus disproportion.


Therefore I'll give no more, but I'll undo
The world by dying, because love dies too.



Then all your beauties will be no more worth
Than gold in mines, where none doth draw it forth ;
And all your graces no more use shall have,
Than a sun-dial in a grave :
Thou, Love, taught'st me by making me
Love her who doth neglect both me and thee,
To invent, and practise this one way, to annihilate all three.
315
John Donne

John Donne

To His Mistress Going to Bed

To His Mistress Going to Bed

Come, Madam, come, all rest my powers defy,
Until I labour, I in labour lie.
The foe oft-times having the foe in sight,
Is tired with standing though they never fight.
Off with that girdle, like heaven's zone glistering,
But a far fairer world encompassing.
Unpin that spangled breastplate which you wear,
That th' eyes of busy fools may be stopped there.
Unlace yourself, for that harmonious chime
Tells me from you, that now 'tis your bed time.
Off with that happy busk, which I envy,
That still can be, and still can stand so nigh.
Your gown going off, such beauteous state reveals,
As when from flowery meads th' hill's shadow steals.
Off with that wiry coronet and show
The hairy diadem which on you doth grow;

Now off with those shoes, and then safely tread
In this love's hallowed temple, this soft bed.
In such white robes heaven's angels used to be
Received by men; thou angel bring'st with thee


A heaven like Mahomet's paradise; and though
Ill spirits walk in white, we easily know
By this these angels from an evil sprite,

Those set our hairs, but these our flesh upright.
License my roving hands, and let them go
Before, behind, between, above, below.
O my America, my new found land,


My kingdom, safeliest when with one man manned,
My mine of precious stones, my empery,
How blessed am I in this discovering thee!
To enter in these bonds, is to be free;
Then where my hand is set, my seal shall be.
Full nakedness, all joys are due to thee

As souls unbodied, bodies unclothed must be,
To taste whole joys. Gems which you women use
Are like Atlanta's balls, cast in men's views,

That when a fool's eye lighteth on a gem,

His earthly soul may covet theirs, not them.
Like pictures, or like books' gay coverings made
For laymen, are all women thus arrayed;


Themselves are mystic books, which only we
Whom their imputed grace will dignify
Must see revealed. Then since I may know,
As liberally, as to a midwife, show
Thyself: cast all, yea, this white linen hence,
Here is no penance, much less innocence.
To teach thee, I am naked first, why then
What needst thou have more covering than a man.
303
John Donne

John Donne

The Harbinger

The Harbinger

to the Progresse.

TWo soules moue here, and mine (a third) must moue
Paces of admiration, and of loue;
Thy soule (Deare Virgin) whose this tribute is,
Mou'd from this mortall sphere to liuely blisse,
And yet moues still, and still aspires to see
The worlds last day, thy glories full degree:
Like as those starres which thou ore-lookest farre,
Are in their place, and yet still moued are
No soule (whiles with the luggage of this clay
It clogged is) can follow thee halfe way;
Or see thy flight; which doth our thoughts outgoe
So fast, that now the lightning moues but slow:
But now thou art as high in heauen flowne
As heau'ns from vs; what soule besides thine owne
Can tell thy ioyes, or say he can relate
Thy glorious Iornals in that blessed state?
I enuie thee (Rich soule) I enuy thee,
Although I cannot yet thy glory see:
And thou (Great spirit) which her's follow'd hast
So fast, as none can follow thine so fast;
So farre as none can follow thine so farre,
(And if this flesh did not the passage barre
Had'st caught her) let me wonder at thy flight
Which long agone had'st lost the vulgar sight
And now mak'st proud the better eyes, that they
Can see thee les'ned in thine aery way;
So while thou mak'st her soule by progresse knowne
Thou mak'st a noble progresse of thine owne.
From this worlds carcasse hauing mounted hie
To that pure life of Immortalitie;
Since thine aspiring thoughts themselues so raise
That more may not beseeme a creatures praise,
Yet still thou vow'st her more; and euery yeare
Mak'st a new Progresse, while thou wandrest here;
Still vpward mount; and let thy makers praise
Honor thy Laura, and adorne thy laies.
And since thy Mus[es] head in heauen shrouds
Oh let her neuer stoope below the clouds:
And if those glorious sainted soules may know
Or what we doe, or what we sing below,
Those acts, those songs shall still content them best
Which praise those awfull powers that make them blest.
350