Emotions and Feelings

The Wreck Of The `Derry Castle'

Day of ending for beginnings!
Ocean hath another innings,

Ocean hath another score;
And the surges sing his winnings,
And the surges shout his winnings,
And the surges shriek his winnings,

All along the sullen shore.

Sing another dirge in wailing,
For another vessel sailing

With the shadow-ships at sea;
Shadow-ships for ever sinking -Shadow-
ships whose pumps are clinking,
And whose thirsty holds are drinking

Pledges to Eternity.

Pray for souls of ghastly, sodden
Corpses, floating round untrodden

Cliffs, where nought but sea-drift strays;
Souls of dead men, in whose faces
Of humanity no trace is --
Not a mark to show their races -


Floating round for days and days.

. . . . .

Ocean's salty tongues are licking
Round the faces of the drowned,
And a cruel blade seems sticking


Through my heart and turning round.

Heaven! shall HIS ghastly, sodden
Corpse float round for days and days?
Shall it dash 'neath cliffs untrodden,
Rocks where nought but sea-drift strays?

God in heaven! hide the floating,
Falling, rising, face from me;
God in heaven! stay the gloating,
Mocking singing of the sea!

The Women of the Town

It is up from out the alleys, from the alleys dark and vile—
It is up from out the alleys I have struggled for a while—
Just to breathe the breath of Heaven ere my devil drags me down,
And to sing a song of pity for the women of the town.


Johnnies in the private bar room, weak and silly, vain and blind—
Even they would shrink and shudder if they knew the hell behind,
And the meanest wouldn’t grumble when he’s bilked of half-a-crown
If he knew as much as I do of the women of the town.


For I see the end too plainly of the golden-headed star
Who is smiling like an angel in the gilded private bar—
Drifting to the third-rate houses, drifting, sinking lower down
Till she raves in some foul parlour with the women of the town.


To the dingy beer-stained parlour all day long the outcasts come—
Draggled, dirty, bleared, repulsive, shameless, aye, and rotten some—
They have sold their bodies and would sell their souls for drink to drown
Memories of wrong that haunt them—haunt the women of the town.


I have seen the haunting terror of the ‘horrors’ in their eyes,
Heard them cry to Christ to help them as the mansoul never cries,
While the smirking landlord listened with a grin or with a frown.
Oh, they suffer hell in drinking, do the women of the town.


I have known too well, God help me! to what depths a man can sink,
Sacrificing wife and children, fame and honour, all for drink.
Deeper, deeper sink the women, for the veriest drunken clown
Has his feet upon the shoulders of the women of the town.


There’s a heavy cloud that’s lying on my spirit like a pall—
’Tis the horror and injustice and the hopelessness of all—
There’s the love of one for ever that no sea of sin can drown,
And she loves a brute, God help her! does the woman of the town.


O my sisters, O my sisters, I am powerless to aid;
’Tis a world of prostitution, it is business, it is trade,
And they profit from the brewer and the smirking landlord down
To the bully and the bludger, on the women of the town.


Oh, the heart of one great poet* called to heaven in a line—
Crying, ‘Mary, pity women!’—You have whiter souls than mine.
And if in the grand Hereafter there is one shall wear a crown—
For the hell that men made for her—’tis the Woman of the Town.

The Women of the Town

It is up from out the alleys, from the alleys dark and vile—
It is up from out the alleys I have struggled for a while—
Just to breathe the breath of Heaven ere my devil drags me down,
And to sing a song of pity for the women of the town.


Johnnies in the private bar room, weak and silly, vain and blind—
Even they would shrink and shudder if they knew the hell behind,
And the meanest wouldn’t grumble when he’s bilked of half-a-crown
If he knew as much as I do of the women of the town.


For I see the end too plainly of the golden-headed star
Who is smiling like an angel in the gilded private bar—
Drifting to the third-rate houses, drifting, sinking lower down
Till she raves in some foul parlour with the women of the town.


To the dingy beer-stained parlour all day long the outcasts come—
Draggled, dirty, bleared, repulsive, shameless, aye, and rotten some—
They have sold their bodies and would sell their souls for drink to drown
Memories of wrong that haunt them—haunt the women of the town.


I have seen the haunting terror of the ‘horrors’ in their eyes,
Heard them cry to Christ to help them as the mansoul never cries,
While the smirking landlord listened with a grin or with a frown.
Oh, they suffer hell in drinking, do the women of the town.


I have known too well, God help me! to what depths a man can sink,
Sacrificing wife and children, fame and honour, all for drink.
Deeper, deeper sink the women, for the veriest drunken clown
Has his feet upon the shoulders of the women of the town.


There’s a heavy cloud that’s lying on my spirit like a pall—
’Tis the horror and injustice and the hopelessness of all—
There’s the love of one for ever that no sea of sin can drown,
And she loves a brute, God help her! does the woman of the town.


O my sisters, O my sisters, I am powerless to aid;
’Tis a world of prostitution, it is business, it is trade,
And they profit from the brewer and the smirking landlord down
To the bully and the bludger, on the women of the town.


Oh, the heart of one great poet* called to heaven in a line—
Crying, ‘Mary, pity women!’—You have whiter souls than mine.
And if in the grand Hereafter there is one shall wear a crown—
For the hell that men made for her—’tis the Woman of the Town.

The Waving of the Red

It is a sad and cruel fate the country’s coming to,
And there’s no use in striking, ‘so what are we to do?’
“I know what we could do, but then, there might be traitors near,
And things are running in my head that only mates should hear!”
The world cannot go on like this, in spite of all that’s said,
And millions now are waiting for – the Waving of the Red.


“Last night as I lay slipping out a vision came to me;
A girl with face as fair and grand as ever man might see –
Her form was like the statues raised to Liberty in France,
And in her hand a blood-red flag was wrapped around a lance.
She shook the grand old colour loose, she smiled at me and said;
“Go bid your brothers gather for the Waving of the Red.”

The Way of the World

When fairer faces turn from me,
And gayer friends grow cold,
And I have lost through poverty
The friendship bought with gold;
When I have served the selfish turn
Of some all-worldly few,
And Folly’s lamps have ceased to burn,
Then I’ll come back to you.
When my admirers find I’m not
The rising star they thought,
And praise or blame is all forgot
My early promise brought;
When brighter rivals lead a host
Where once I led a few,
And kinder times reward their boast,
Then I’ll come back to you.


You loved me, not for what I had
Or what I might have been,
You saw the good, but not the bad,
Was kind, for that between.
I know that you’ll forgive again—
That you will judge me true;
I’ll be too tired to explain
When I come back to you.

The Way of the World

When fairer faces turn from me,
And gayer friends grow cold,
And I have lost through poverty
The friendship bought with gold;
When I have served the selfish turn
Of some all-worldly few,
And Folly’s lamps have ceased to burn,
Then I’ll come back to you.
When my admirers find I’m not
The rising star they thought,
And praise or blame is all forgot
My early promise brought;
When brighter rivals lead a host
Where once I led a few,
And kinder times reward their boast,
Then I’ll come back to you.


You loved me, not for what I had
Or what I might have been,
You saw the good, but not the bad,
Was kind, for that between.
I know that you’ll forgive again—
That you will judge me true;
I’ll be too tired to explain
When I come back to you.

The Way of the World

When fairer faces turn from me,
And gayer friends grow cold,
And I have lost through poverty
The friendship bought with gold;
When I have served the selfish turn
Of some all-worldly few,
And Folly’s lamps have ceased to burn,
Then I’ll come back to you.
When my admirers find I’m not
The rising star they thought,
And praise or blame is all forgot
My early promise brought;
When brighter rivals lead a host
Where once I led a few,
And kinder times reward their boast,
Then I’ll come back to you.


You loved me, not for what I had
Or what I might have been,
You saw the good, but not the bad,
Was kind, for that between.
I know that you’ll forgive again—
That you will judge me true;
I’ll be too tired to explain
When I come back to you.

The Watch on the Kerb

Night-Lights are falling;
Girl of the street,
Go to your calling
If you would eat.
Lamplight and starlight
And moonlight superb,
Bright hope is a farlight,
So watch on the kerb.
Watch on the kerb,
Watch on the kerb;
Hope is a farlight;
Then watch on the kerb.


Comes a man: call him —
Gone! he is vext;
Curses befall him,
Wait for the next!
Fair world and bright world,
Life still is sweet —
Girl of the night-world,
Watch on the street.


Dreary the watch is:
Moon sinks from sight,
Gas only blotches
Darkness with light;
Never, Oh, never
Let courage go down;
Keep from the river,
Oh, Girl of the Town!

The Watch on the Kerb

Night-Lights are falling;
Girl of the street,
Go to your calling
If you would eat.
Lamplight and starlight
And moonlight superb,
Bright hope is a farlight,
So watch on the kerb.
Watch on the kerb,
Watch on the kerb;
Hope is a farlight;
Then watch on the kerb.


Comes a man: call him —
Gone! he is vext;
Curses befall him,
Wait for the next!
Fair world and bright world,
Life still is sweet —
Girl of the night-world,
Watch on the street.


Dreary the watch is:
Moon sinks from sight,
Gas only blotches
Darkness with light;
Never, Oh, never
Let courage go down;
Keep from the river,
Oh, Girl of the Town!

The Water Lily

A lonely young wife
In her dreaming discerns
A lily-decked pool
With a border of ferns,
And a beautiful child,
With butterfly wings,
Trips down to the edge of the water and sings:
‘Come, mamma! come!
‘Quick! follow me—
‘Step out on the leaves of the water-lily!’
And the lonely young wife,
Her heart beating wild,
Cries, ‘Wait till I come,
‘Till I reach you, my child!’
But the beautiful child
With butterfly wings
Steps out on the leaves of the lily and sings:
‘Come, mamma! come!
‘Quick! follow me!
‘And step on the leaves of the water-lily!


And the wife in her dreaming
Steps out on the stream,
But the lily leaves sink
And she wakes from her dream.
Ah, the waking is sad,
For the tears that it brings,
And she knows ’tis her dead baby’s spirit that sings:
‘Come, mamma! come!
‘Quick! follow me!
‘Step out on the leaves of the water-lily!’

The Water Lily

A lonely young wife
In her dreaming discerns
A lily-decked pool
With a border of ferns,
And a beautiful child,
With butterfly wings,
Trips down to the edge of the water and sings:
‘Come, mamma! come!
‘Quick! follow me—
‘Step out on the leaves of the water-lily!’
And the lonely young wife,
Her heart beating wild,
Cries, ‘Wait till I come,
‘Till I reach you, my child!’
But the beautiful child
With butterfly wings
Steps out on the leaves of the lily and sings:
‘Come, mamma! come!
‘Quick! follow me!
‘And step on the leaves of the water-lily!


And the wife in her dreaming
Steps out on the stream,
But the lily leaves sink
And she wakes from her dream.
Ah, the waking is sad,
For the tears that it brings,
And she knows ’tis her dead baby’s spirit that sings:
‘Come, mamma! come!
‘Quick! follow me!
‘Step out on the leaves of the water-lily!’

The Water Lily

A lonely young wife
In her dreaming discerns
A lily-decked pool
With a border of ferns,
And a beautiful child,
With butterfly wings,
Trips down to the edge of the water and sings:
‘Come, mamma! come!
‘Quick! follow me—
‘Step out on the leaves of the water-lily!’
And the lonely young wife,
Her heart beating wild,
Cries, ‘Wait till I come,
‘Till I reach you, my child!’
But the beautiful child
With butterfly wings
Steps out on the leaves of the lily and sings:
‘Come, mamma! come!
‘Quick! follow me!
‘And step on the leaves of the water-lily!


And the wife in her dreaming
Steps out on the stream,
But the lily leaves sink
And she wakes from her dream.
Ah, the waking is sad,
For the tears that it brings,
And she knows ’tis her dead baby’s spirit that sings:
‘Come, mamma! come!
‘Quick! follow me!
‘Step out on the leaves of the water-lily!’

The Wander-Light

And they heard the tent-poles clatter,
And the fly in twain was torn –
'Tis the soiled rag of a tatter
Of the tent where I was born.
And what matters it, I wonder?
Brick or stone or calico? –
Or a bush you were born under,
When it happened long ago?


And my beds were camp beds and tramp beds and damp beds,
And my beds were dry beds on drought-stricken ground,
Hard beds and soft beds, and wide beds and narrow –
For my beds were strange beds the wide world round.


And the old hag seemed to ponder
('Twas my mother told me so),
And she said that I would wander
Where but few would think to go.
"He will fly the haunts of tailors,
He will cross the ocean wide,
For his fathers, they were sailors
All on his good father's side."


Behind me, before me, Oh! my roads are stormy
The thunder of skies and the sea's sullen sound,
The coaster or liner, the English or foreign,
The state-room or steerage the wide world round.


And the old hag she seemed troubled
As she bent above the bed,
"He will dream things and he'll see things
To come true when he is dead.
He will see things all too plainly,
And his fellows will deride,
For his mothers they were gipsies
All on his good mother's side."


And my dreams are strange dreams, are day dreams, are grey dreams,
And my dreams are wild dreams, and old dreams and new;
They haunt me and daunt me with fears of the morrow –
My brothers they doubt me – but my dreams come true.


And so I was born of fathers
From where ice-bound harbours are
Men whose strong limbs never rested
And whose blue eyes saw afar.
Till, for gold, one left the ocean,
Seeking over plain and hill;
And so I was born of mothers
Whose deep minds were never still.


I rest not, 'tis best not, the world is a wide one



And, caged for an hour, I pace to and fro;
I see things and dree things and plan while I'm sleeping,
I wander for ever and dream as I go.


I have stood by Table Mountain
On the Lion at Capetown,
And I watched the sunset fading
From the roads that I marked down,
And I looked out with my brothers
From the heights behind Bombay,
Gazing north and west and eastward,
Over roads I'll tread some day.


For my ways are strange ways and new ways and old ways,
And deep ways and steep ways and high ways and low;
I'm at home and at ease on a track that I know not,
And restless and lost on a road that I know.

The Wander-Light

And they heard the tent-poles clatter,
And the fly in twain was torn –
'Tis the soiled rag of a tatter
Of the tent where I was born.
And what matters it, I wonder?
Brick or stone or calico? –
Or a bush you were born under,
When it happened long ago?


And my beds were camp beds and tramp beds and damp beds,
And my beds were dry beds on drought-stricken ground,
Hard beds and soft beds, and wide beds and narrow –
For my beds were strange beds the wide world round.


And the old hag seemed to ponder
('Twas my mother told me so),
And she said that I would wander
Where but few would think to go.
"He will fly the haunts of tailors,
He will cross the ocean wide,
For his fathers, they were sailors
All on his good father's side."


Behind me, before me, Oh! my roads are stormy
The thunder of skies and the sea's sullen sound,
The coaster or liner, the English or foreign,
The state-room or steerage the wide world round.


And the old hag she seemed troubled
As she bent above the bed,
"He will dream things and he'll see things
To come true when he is dead.
He will see things all too plainly,
And his fellows will deride,
For his mothers they were gipsies
All on his good mother's side."


And my dreams are strange dreams, are day dreams, are grey dreams,
And my dreams are wild dreams, and old dreams and new;
They haunt me and daunt me with fears of the morrow –
My brothers they doubt me – but my dreams come true.


And so I was born of fathers
From where ice-bound harbours are
Men whose strong limbs never rested
And whose blue eyes saw afar.
Till, for gold, one left the ocean,
Seeking over plain and hill;
And so I was born of mothers
Whose deep minds were never still.


I rest not, 'tis best not, the world is a wide one



And, caged for an hour, I pace to and fro;
I see things and dree things and plan while I'm sleeping,
I wander for ever and dream as I go.


I have stood by Table Mountain
On the Lion at Capetown,
And I watched the sunset fading
From the roads that I marked down,
And I looked out with my brothers
From the heights behind Bombay,
Gazing north and west and eastward,
Over roads I'll tread some day.


For my ways are strange ways and new ways and old ways,
And deep ways and steep ways and high ways and low;
I'm at home and at ease on a track that I know not,
And restless and lost on a road that I know.

The Voice from Over Yonder

“Did she care as much as I did
When our paths of Fate divided?
Was the love, then, all onesided—
Did she understand or care?”
Slowly fall the moments leaden,
And the silence seems to deaden—
And a voice from over yonder answers sadly: “I’ve been there.”


“Have you tramped the streets of cities
Poor? And do you know what it is—
While no mortal cares or pities—
To have drifted past ambition;
To have sunk below despair?
Doomed to slave and stint and borrow;
Ever haunted in your sorrow
By the spectre of To-morrow?”
And the voice from over yonder answers sadly: “I’ve been there.”


“Surely in the wide Hereafter
There’s a land of love and laughter?
Say: Is this life all we live for—
Say it! think it, if you dare!
Have you ever thought or wondered
Why the Man and God were sundered?
Do you think the Maker blundered?”
And the voice, in mocking accents, answered only: “I’ve been there.”

The Voice from Over Yonder

“Did she care as much as I did
When our paths of Fate divided?
Was the love, then, all onesided—
Did she understand or care?”
Slowly fall the moments leaden,
And the silence seems to deaden—
And a voice from over yonder answers sadly: “I’ve been there.”


“Have you tramped the streets of cities
Poor? And do you know what it is—
While no mortal cares or pities—
To have drifted past ambition;
To have sunk below despair?
Doomed to slave and stint and borrow;
Ever haunted in your sorrow
By the spectre of To-morrow?”
And the voice from over yonder answers sadly: “I’ve been there.”


“Surely in the wide Hereafter
There’s a land of love and laughter?
Say: Is this life all we live for—
Say it! think it, if you dare!
Have you ever thought or wondered
Why the Man and God were sundered?
Do you think the Maker blundered?”
And the voice, in mocking accents, answered only: “I’ve been there.”

The Vanguard [1]

While the crippled cruisers stagger where the blind horizon dips,
And the ocean ooze is rising round the sunken battle-ships,
While the battered wrecks, unnoticed, with their mangled crews drift past—
Let me fire one gun for Russia, though that gun should be the last.
’Tis a struggle of the Ages, and the White Man’s star is dim,
There is little jubilation, for the game has got too grim;
But though Russia’s hope seems shattered, and the Russian star seems set,
It may mean the Dawn for Russia—and my hope’s in IVAN yet!


Let the Jingo in his blindness cant and cackle as he will;
But across the path from Asia run the Russian trenches still!
And the sahib in his rickshaw may loll back and smoke at ease,
While the haggard, ragged heroes man the battered batteries.


’Tis the first round of the struggle of the East against the West,
Of the fearful war of races—for the White Man could not rest.
Hold them, IVAN! staggering bravely underneath your gloomy sky;
Hold them, IVAN! we shall want you pretty badly by-and-bye!


Fighting for the Indian empire, when the British pay their debt;
Never Britain watched for BLUCHER as he’ll watch for IVAN yet!
It means all to young Australia—it means life or death to us,
For the vanguard of the White Man is the vanguard of the Russ!

The Two Samaritans and the Tramp

A TRAMP was trampin’ on the road—
The afternoon was warm an’ muggy—
And by-and-by he chanced to meet
A parsin ridin’ in a buggy.
Said he: “As follerers ov the Loard,
To do good offices we oughter!”
An’ from a water-bag he poured,
An’ guv the tramp, a drink er water.


The parsin he went rattlin’ ’ome
To ware his fam-i-lee was thrivin’,
The tramp went on until he met
A bullick-driver, bullick drivin’—
“It’s bilin’ ’ot,” the driver sed
As soon’s the dirty tramp drawed nearer,
And from a little keg he poured,
And giv the tramp a pint of beer—“ah!”


(P.S.—The “ah” is meant to stand for the tramp a-drinking ov it.)


I ain’t agin the temperance cause,
Nor yet no advocate ov drinkin’—
I only tells the yarn because—
Well, at the time it somehow seemed
Ter kind ov set me thinkin’.

The Tracks That Lie By India

Now this is not a dismal song, like some I’ve sung of late,
When I’ve been brooding all day long about my muddled fate;
For though I’ve had a rocky time I’ll never quite forget,
And though I never was so deep in trouble and in debt,
And though I never was so poor nor in a fix so tight—
The tracks that run by India are shining in my sight.
The roads that run by India, and all the ports of call—
I’m going back to London first to raise the wherewithal.
I’ll call at Suez and Port Said as I am going past
(I was too worried to take notes when I was that way last),
At Naples and at Genoa, and, if I get the chance,
Who knows but I might run across the pleasant land of France.


The track that runs by India goes up the hot Red Sea—
The other side of Africa is far too dull for me.
(I fear that I have missed a chance I’ll never get again
To see the land of chivalry and bide awhile in Spain.)
I’ll graft a year in London, and if fortune smiles on me
I’ll take the track to India by France and Italy.


’Tis sweet to court some foreign girl with eyes of lustrous glow,
Who does not know my language and whose language I don’t know;
To loll on gently-rolling decks beneath the softening skies,
While she sits knitting opposite, and make love with our eyes—
The glance that says far more than words, the old half-mystic smile—
The track that runs by India will wait for me awhile.


The tracks that run by India to China and Japan,
The tracks where all the rovers go—the tracks that call a Man!
I’m wearied of the formal lands of parson and of priest,
Of dollars and of fashions, and I’m drifting towards the East;
I’m tired of cant and cackle, and of sordid jobbery—
The mystery of the East hath cast its glamour over me.

The Tracks That Lie By India

Now this is not a dismal song, like some I’ve sung of late,
When I’ve been brooding all day long about my muddled fate;
For though I’ve had a rocky time I’ll never quite forget,
And though I never was so deep in trouble and in debt,
And though I never was so poor nor in a fix so tight—
The tracks that run by India are shining in my sight.
The roads that run by India, and all the ports of call—
I’m going back to London first to raise the wherewithal.
I’ll call at Suez and Port Said as I am going past
(I was too worried to take notes when I was that way last),
At Naples and at Genoa, and, if I get the chance,
Who knows but I might run across the pleasant land of France.


The track that runs by India goes up the hot Red Sea—
The other side of Africa is far too dull for me.
(I fear that I have missed a chance I’ll never get again
To see the land of chivalry and bide awhile in Spain.)
I’ll graft a year in London, and if fortune smiles on me
I’ll take the track to India by France and Italy.


’Tis sweet to court some foreign girl with eyes of lustrous glow,
Who does not know my language and whose language I don’t know;
To loll on gently-rolling decks beneath the softening skies,
While she sits knitting opposite, and make love with our eyes—
The glance that says far more than words, the old half-mystic smile—
The track that runs by India will wait for me awhile.


The tracks that run by India to China and Japan,
The tracks where all the rovers go—the tracks that call a Man!
I’m wearied of the formal lands of parson and of priest,
Of dollars and of fashions, and I’m drifting towards the East;
I’m tired of cant and cackle, and of sordid jobbery—
The mystery of the East hath cast its glamour over me.

The Stringy-Bark Tree

There's the whitebox and pine on the ridges afar,
Where the iron-bark, blue-gum, and peppermint are;
There is many another, but dearest to me,
And the king of them all was the stringy-bark tree.
Then of stringy-bark slabs were the walls of the hut,
And from stringy-bark saplings the rafters were cut;
And the roof that long sheltered my brothers and me
Was of broad sheets of bark from the stringy-bark tree.


And when sawn-timber homes were built out in the West,
Then for walls and for ceilings its wood was the best;
And for shingles and palings to last while men be,
There was nothing on earth like the stringy-bark tree.


Far up the long gullies the timber-trucks went,
Over tracks that seemed hopeless, by bark hut and tent;
And the gaunt timber-finder, who rode at his ease,
Led them on to a gully of stringy-bark trees.


Now still from the ridges, by ways that are dark,
Come the shingles and palings they call stringy-bark;
Though you ride through long gullies a twelve months you’ll see
But the old whitened stumps of the stringy-bark tree.

The Star of Australasia

We boast no more of our bloodless flag, that rose from a nation's slime;
Better a shred of a deep-dyed rag from the storms of the olden time.
From grander clouds in our `peaceful skies' than ever were there before
I tell you the Star of the South shall rise -- in the lurid clouds of war.
It ever must be while blood is warm and the sons of men increase;
For ever the nations rose in storm, to rot in a deadly peace.
There comes a point that we will not yield, no matter if right or wrong,
And man will fight on the battle-field


while passion and pride are strong --
So long as he will not kiss the rod, and his stubborn spirit sours,
And the scorn of Nature and curse of God are heavy on peace like ours.

. . . . .

There are boys out there by the western creeks, who hurry away from school
To climb the sides of the breezy peaks or dive in the shaded pool,
Who'll stick to their guns when the mountains quake

to the tread of a mighty war,
And fight for Right or a Grand Mistake as men never fought before;
When the peaks are scarred and the sea-walls crack

till the furthest hills vibrate,
And the world for a while goes rolling back in a storm of love and hate.

. . . . .

There are boys to-day in the city slum and the home of wealth and pride
Who'll have one home when the storm is come, and fight for it side by side,
Who'll hold the cliffs 'gainst the armoured hells

that batter a coastal town,
Or grimly die in a hail of shells when the walls come crashing down.
And many a pink-white baby girl, the queen of her home to-day,
Shall see the wings of the tempest whirl the mist of our dawn away --
Shall live to shudder and stop her ears to the thud of the distant gun,
And know the sorrow that has no tears when a battle is lost and won, --
As a mother or wife in the years to come, will kneel, wild-eyed and white,
And pray to God in her darkened home for the `men in the fort to-night'.

. . . . .

But, oh! if the cavalry charge again as they did when the world was wide,
'Twill be grand in the ranks of a thousand men
in that glorious race to ride
And strike for all that is true and strong,

for all that is grand and brave,
And all that ever shall be, so long as man has a soul to save.
He must lift the saddle, and close his `wings', and shut his angels out,
And steel his heart for the end of things,

who'd ride with a stockman scout,
When the race they ride on the battle track, and the waning distance hums,
And the shelled sky shrieks or the rifles crack

like stockwhip amongst the gums -



And the `straight' is reached and the field is `gapped'

and the hoof-torn sward grows red
With the blood of those who are handicapped with iron and steel and lead;
And the gaps are filled, though unseen by eyes,

with the spirit and with the shades
Of the world-wide rebel dead who'll rise and rush with the Bush Brigades.

. . . . .

All creeds and trades will have soldiers there -


give every class its due --
And there'll be many a clerk to spare for the pride of the jackeroo.
They'll fight for honour and fight for love, and a few will fight for gold,
For the devil below and for God above, as our fathers fought of old;
And some half-blind with exultant tears, and some stiff-lipped, stern-eyed,
For the pride of a thousand after-years and the old eternal pride;
The soul of the world they will feel and see

in the chase and the grim retreat -They'll
know the glory of victory -- and the grandeur of defeat.

The South will wake to a mighty change ere a hundred years are done
With arsenals west of the mountain range and every spur its gun.
And many a rickety son of a gun, on the tides of the future tossed,
Will tell how battles were really won that History says were lost,
Will trace the field with his pipe, and shirk


the facts that are hard to explain,
As grey old mates of the diggings work the old ground over again --
How `this was our centre, and this a redoubt,

and that was a scrub in the rear,
And this was the point where the guards held out,
and the enemy's lines were here.'

. . . . .

They'll tell the tales of the nights before

and the tales of the ship and fort
Till the sons of Australia take to war as their fathers took to sport,
Their breath come deep and their eyes grow bright

at the tales of our chivalry,
And every boy will want to fight, no matter what cause it be --
When the children run to the doors and cry:

`Oh, mother, the troops are come!'
And every heart in the town leaps high at the first loud thud of the drum.
They'll know, apart from its mystic charm, what music is at last,
When, proud as a boy with a broken arm, the regiment marches past.
And the veriest wreck in the drink-fiend's clutch,

no matter how low or mean,
Will feel, when he hears the march, a touch

of the man that he might have been.
And fools, when the fiends of war are out and the city skies aflame,
Will have something better to talk about than an absent woman's shame,
Will have something nobler to do by far than jest at a friend's expense,


Or blacken a name in a public bar or over a backyard fence.
And this you learn from the libelled past,

though its methods were somewhat rude --
A nation's born where the shells fall fast, or its lease of life renewed.
We in part atone for the ghoulish strife,

and the crimes of the peace we boast,
And the better part of a people's life in the storm comes uppermost.

The self-same spirit that drives the man to the depths of drink and crime
Will do the deeds in the heroes' van that live till the end of time.
The living death in the lonely bush, the greed of the selfish town,
And even the creed of the outlawed push is chivalry -- upside down.
'Twill be while ever our blood is hot, while ever the world goes wrong,
The nations rise in a war, to rot in a peace that lasts too long.
And southern nation and southern state, aroused from their dream of ease,
Must sign in the Book of Eternal Fate their stormy histories.

The Stranded Ship: (The “Vincennes”)

’Twas the glowing log of a picnic fire where a red light should not be,
Or the curtained glow of a sick room light in a window that faced the sea.
But the Manly lights seemed the Sydney lights, and the bluffs as the “Heads” were
seen;
And the Manly beach was the channel then—and the captain steered between.


The croakers said with a shoulder shrug, and a careless, know-all glance:
“You might pull out her stem, or pull out her stern—but she’ll sail no more for France!”
Her stem was dry when the tide was out, and behind her banked the sand,
Where strong gales come from the Hurricane east and the sun sets on the land.


When the tide was high and the rollers struck she shuddered as if in pain,
She had no hope for the open sea and the fair full breeze again.
She turned her side to the pounding seas and the foam glared over the rails,
It seemed her fate to be sold and stripped, and broken by winter gales.


But they sent strong gear, and they sent the gangs, and they sent her a man who
knew,
And the tugs came nosing round from the Heads to see what a tug could do;
The four-ton anchors they laid to sea in the waves and the wind and rain,
And the great steel hawser they hove aboard made fast to her cable chain.


And then, while the gaping townsfolk stared from the shining beach in doubt,
The crew and the shore-gangs lowered her yards and they hove the ballast out.
(To lie like a strange sea-grave upheaved on the smooth sand by her side)
And they made all ready and clear for the tugs to come on the rising tide.


And so, in the night when the tide was in and a black sky hid the stars,
The shoremen worked at the jumping winch and the crew at the capstan bars.
To seaward the two tugs rose and fell in their own wild stormy glare
And her head came round for a fathom’s length! for a mighty heave was there.


So, tide by tide, and yard by yard, they hove her off the shore
To fit, and load for her ports of call, and to sail for France once more.
Till at last she came with the wild blind rush of a frightened thing set free,
And they towed her round to the Sydney Heads and in from the stormy sea.


And the croakers say, when a man is down, with a shrug and a know-all glance,
Oh, he’ll never get out of the gutter again, he has done with every chance;
But we’ll “haul and heave on the block and sheeve”, wave-beaten and black-rock
hemmed,
And we’ll sail with cargoes that they shall buy, when their ships are all condemned.

The Stranded Ship: (The “Vincennes”)

’Twas the glowing log of a picnic fire where a red light should not be,
Or the curtained glow of a sick room light in a window that faced the sea.
But the Manly lights seemed the Sydney lights, and the bluffs as the “Heads” were
seen;
And the Manly beach was the channel then—and the captain steered between.


The croakers said with a shoulder shrug, and a careless, know-all glance:
“You might pull out her stem, or pull out her stern—but she’ll sail no more for France!”
Her stem was dry when the tide was out, and behind her banked the sand,
Where strong gales come from the Hurricane east and the sun sets on the land.


When the tide was high and the rollers struck she shuddered as if in pain,
She had no hope for the open sea and the fair full breeze again.
She turned her side to the pounding seas and the foam glared over the rails,
It seemed her fate to be sold and stripped, and broken by winter gales.


But they sent strong gear, and they sent the gangs, and they sent her a man who
knew,
And the tugs came nosing round from the Heads to see what a tug could do;
The four-ton anchors they laid to sea in the waves and the wind and rain,
And the great steel hawser they hove aboard made fast to her cable chain.


And then, while the gaping townsfolk stared from the shining beach in doubt,
The crew and the shore-gangs lowered her yards and they hove the ballast out.
(To lie like a strange sea-grave upheaved on the smooth sand by her side)
And they made all ready and clear for the tugs to come on the rising tide.


And so, in the night when the tide was in and a black sky hid the stars,
The shoremen worked at the jumping winch and the crew at the capstan bars.
To seaward the two tugs rose and fell in their own wild stormy glare
And her head came round for a fathom’s length! for a mighty heave was there.


So, tide by tide, and yard by yard, they hove her off the shore
To fit, and load for her ports of call, and to sail for France once more.
Till at last she came with the wild blind rush of a frightened thing set free,
And they towed her round to the Sydney Heads and in from the stormy sea.


And the croakers say, when a man is down, with a shrug and a know-all glance,
Oh, he’ll never get out of the gutter again, he has done with every chance;
But we’ll “haul and heave on the block and sheeve”, wave-beaten and black-rock
hemmed,
And we’ll sail with cargoes that they shall buy, when their ships are all condemned.