Emotions and Feelings

The Heart of the Swag

Oh, the track through the scrub groweth ever more dreary,
And lower and lower his grey head doth bow;
For the swagman is old and the swagman is weary—
He’s been tramping for over a century now.
He tramps in a worn-out old “side spring” and “blucher,”
His hat is a ruin, his coat is a rag,
And he carries forever, far into the future,
The key of his life in the core of his swag.
There are old-fashioned portraits of girls who are grannies,
There are tresses of dark hair whose owner’s are grey;
There are faded old letters from Marys and Annies,
And Toms, Dicks, and Harrys, dead many a day.
There are broken-heart secrets and bitter-heart reasons—
They are sewn in a canvas or calico bag,
And wrapped up in oilskin through dark rainy seasons,
And he carries them safe in the core of his swag.


There are letters that should have been burnt in the past time,
For he reads them alone, and a devil it brings;
There were farewells that should have been said for the last time,
For, forever and ever the love for her springs.
But he keeps them all precious, and keeps them in order,
And no matter to man how his footsteps may drag,
There’s a friend who will find, when he crosses the Border,
That the Heart of the Man’s in the Heart of his swag.

The Heart of the Swag

Oh, the track through the scrub groweth ever more dreary,
And lower and lower his grey head doth bow;
For the swagman is old and the swagman is weary—
He’s been tramping for over a century now.
He tramps in a worn-out old “side spring” and “blucher,”
His hat is a ruin, his coat is a rag,
And he carries forever, far into the future,
The key of his life in the core of his swag.
There are old-fashioned portraits of girls who are grannies,
There are tresses of dark hair whose owner’s are grey;
There are faded old letters from Marys and Annies,
And Toms, Dicks, and Harrys, dead many a day.
There are broken-heart secrets and bitter-heart reasons—
They are sewn in a canvas or calico bag,
And wrapped up in oilskin through dark rainy seasons,
And he carries them safe in the core of his swag.


There are letters that should have been burnt in the past time,
For he reads them alone, and a devil it brings;
There were farewells that should have been said for the last time,
For, forever and ever the love for her springs.
But he keeps them all precious, and keeps them in order,
And no matter to man how his footsteps may drag,
There’s a friend who will find, when he crosses the Border,
That the Heart of the Man’s in the Heart of his swag.

The Good Old Concertina

’Twas merry when the hut was full
Of jolly girls and fellows.
We danced and sang until we burst
The concertina’s bellows.
From distant Darling to the sea,
From the Downs to Riverina,
Has e’er a gum in all the west
Not heard the concertina?


’Twas peaceful round the campfire blaze,
The long white branches o’er us;
We’d play the tunes of bygone days,
To some good old bush chorus.
Old Erin’s harp may sweeter be,
The Scottish pipes blow keener;
But sing an old bush song for me
To the good old concertina.


’Twas cosy by the hut-fire bright
When the pint pot passed between us;
We drowned the voice of the stormy night
With the good old concertina’s.
Though trouble drifts along the years,
And the pangs of care grow keener,
My heart is gladdened when it hears
That good old concertina.

The Good Old Concertina

’Twas merry when the hut was full
Of jolly girls and fellows.
We danced and sang until we burst
The concertina’s bellows.
From distant Darling to the sea,
From the Downs to Riverina,
Has e’er a gum in all the west
Not heard the concertina?


’Twas peaceful round the campfire blaze,
The long white branches o’er us;
We’d play the tunes of bygone days,
To some good old bush chorus.
Old Erin’s harp may sweeter be,
The Scottish pipes blow keener;
But sing an old bush song for me
To the good old concertina.


’Twas cosy by the hut-fire bright
When the pint pot passed between us;
We drowned the voice of the stormy night
With the good old concertina’s.
Though trouble drifts along the years,
And the pangs of care grow keener,
My heart is gladdened when it hears
That good old concertina.

The Ghost

Down the street as I was drifting with the city's human tide,
Came a ghost, and for a moment walked in silence by my side --
Now my heart was hard and bitter, and a bitter spirit he,
So I felt no great aversion to his ghostly company.
Said the Shade: `At finer feelings let your lip in scorn be curled,
`Self and Pelf', my friend, has ever been the motto for the world.'


And he said: `If you'd be happy, you must clip your fancy's wings,
Stretch your conscience at the edges to the size of earthly things;
Never fight another's battle, for a friend can never know
When he'll gladly fly for succour to the bosom of the foe.
At the power of truth and friendship let your lip in scorn be curled -`
Self and Pelf', my friend, remember, is the motto of the world.


`Where Society is mighty, always truckle to her rule;
Never send an `i' undotted to the teacher of a school;
Only fight a wrong or falsehood when the crowd is at your back,
And, till Charity repay you, shut the purse, and let her pack;
At the fools who would do other let your lip in scorn be curled,
`Self and Pelf', my friend, remember, that's the motto of the world.


`Ne'er assail the shaky ladders Fame has from her niches hung,
Lest unfriendly heels above you grind your fingers from the rung;
Or the fools who idle under, envious of your fair renown,
Heedless of the pain you suffer, do their worst to shake you down.
At the praise of men, or censure, let your lip in scorn be curled,
`Self and Pelf', my friend, remember, is the motto of the world.


`Flowing founts of inspiration leave their sources parched and dry,
Scalding tears of indignation sear the hearts that beat too high;
Chilly waters thrown upon it drown the fire that's in the bard;
And the banter of the critic hurts his heart till it grows hard.
At the fame your muse may offer let your lip in scorn be curled,
`Self and Pelf', my friend, remember, that's the motto of the world.


`Shun the fields of love, where lightly, to a low and mocking tune,
Strong and useful lives are ruined, and the broken hearts are strewn.
Not a farthing is the value of the honest love you hold;
Call it lust, and make it serve you! Set your heart on nought but gold.
At the bliss of purer passions let your lip in scorn be curled -`
Self and Pelf', my friend, shall ever be the motto of the world.'


Then he ceased and looked intently in my face, and nearer drew;
But a sudden deep repugnance to his presence thrilled me through;
Then I saw his face was cruel, by the look that o'er it stole,
Then I felt his breath was poison, by the shuddering of my soul,
Then I guessed his purpose evil, by his lip in sneering curled,
And I knew he slandered mankind, by my knowledge of the world.


But he vanished as a purer brighter presence gained my side -`
Heed him not! there's truth and friendship



in this wondrous world,' she cried,
And of those who cleave to virtue in their climbing for renown,
Only they who faint or falter from the height are shaken down.
At a cynic's baneful teaching let your lip in scorn be curled!
`Brotherhood and Love and Honour!' is the motto for the world.'

The Glass On The Bar

Three bushmen one morning rode up to an inn,
And one of them called for the drinks with a grin;
They'd only returned from a trip to the North,
And, eager to greet them, the landlord came forth.
He absently poured out a glass of Three Star.
And set down that drink with the rest on the bar.


`There, that is for Harry,' he said, `and it's queer,
'Tis the very same glass that he drank from last year;
His name's on the glass, you can read it like print,
He scratched it himself with an old piece of flint;
I remember his drink -- it was always Three Star' --
And the landlord looked out through the door of the bar.


He looked at the horses, and counted but three:
`You were always together -- where's Harry?' cried he.
Oh, sadly they looked at the glass as they said,
`You may put it away, for our old mate is dead;'
But one, gazing out o'er the ridges afar,
Said, `We owe him a shout -- leave the glass on the bar.'


They thought of the far-away grave on the plain,
They thought of the comrade who came not again,
They lifted their glasses, and sadly they said:
`We drink to the name of the mate who is dead.'
And the sunlight streamed in, and a light like a star
Seemed to glow in the depth of the glass on the bar.


And still in that shanty a tumbler is seen,
It stands by the clock, ever polished and clean;
And often the strangers will read as they pass
The name of a bushman engraved on the glass;
And though on the shelf but a dozen there are,
That glass never stands with the rest on the bar.

The Glass On The Bar

Three bushmen one morning rode up to an inn,
And one of them called for the drinks with a grin;
They'd only returned from a trip to the North,
And, eager to greet them, the landlord came forth.
He absently poured out a glass of Three Star.
And set down that drink with the rest on the bar.


`There, that is for Harry,' he said, `and it's queer,
'Tis the very same glass that he drank from last year;
His name's on the glass, you can read it like print,
He scratched it himself with an old piece of flint;
I remember his drink -- it was always Three Star' --
And the landlord looked out through the door of the bar.


He looked at the horses, and counted but three:
`You were always together -- where's Harry?' cried he.
Oh, sadly they looked at the glass as they said,
`You may put it away, for our old mate is dead;'
But one, gazing out o'er the ridges afar,
Said, `We owe him a shout -- leave the glass on the bar.'


They thought of the far-away grave on the plain,
They thought of the comrade who came not again,
They lifted their glasses, and sadly they said:
`We drink to the name of the mate who is dead.'
And the sunlight streamed in, and a light like a star
Seemed to glow in the depth of the glass on the bar.


And still in that shanty a tumbler is seen,
It stands by the clock, ever polished and clean;
And often the strangers will read as they pass
The name of a bushman engraved on the glass;
And though on the shelf but a dozen there are,
That glass never stands with the rest on the bar.

The Flour Bin

By Lawson's Hill, near Mudgee,
On old Eurunderee –
The place they called "New Pipeclay",
Where the diggers used to be –
On a dreary old selection,
Where times were dry and thin,
In a slab and shingle kitchen
There stood a flour bin.


'Twas "ploorer" with the cattle,
'Twas rust and smut in wheat,
'Twas blight in eyes and orchards,
And coarse salt-beef to eat.
Oh, how our mothers struggled
Till eyes and brain were dull –
Oh, how our fathers slaved and toiled
To keep those flour bins full!


We've been in many countries,
We've sailed on many seas;
We've travelled in the steerage
And lived on land at ease.
We've seen the world together
Through laughter and through tears –
And not been far from baker's bread
These five and thirty years.


The flats are green as ever,
The creeks go rippling through;
The Mudgee Hills are showing
Their deepest shades of blue;
Those mountains in the distance
That ever held a charm
Are fairer than a picture
As seen from Cox's farm.


On a German farm by Mudgee,
That took long years to win,
On the wide bricked back verandah
There stands a flour bin;
And the dear old German lady –
Though the bakers' carts run out –
Still keeps a "fifty" in it
Against a time of drought.


It was my father made it,
It stands as good as new,
And of the others like it
There still remain a few.
God grant, when drought shall strike us,
The young will "take a pull",
And the old folk their strength anew



To keep those flour bins full.

The Drunkard's Vision

A public parlour in the slums,
The haunt of vice and villainy,
Where things are said unfit to hear,
And things are done unfit to see;
’Mid ribald jest and reckless song,
That mock at all that’s pure and right,
The drunkard drinks the whole day long,
And raves through half the dreadful night.


And in the morning now he sits,
With staring eyes and trembling limb;
The harbour in the sunlight laughs,
But morning is as night to him.
And, staring blankly at the wall,
He sees the tragedy complete—
He sees the man he used to be
Go striding proudly up the street.


He turns the corner with a swing,
And, at the vine-framed cottage gate,
The father sees, with laughing eyes,
His little son and daughter wait:
They race to meet him as he comes—
And—Oh! this memory is worst—
Her dimpled arms go round his neck,
She pants, ‘I dot my daddy first!’


He sees his bright-eyed little wife;
He sees the cottage neat and clean—
He sees the wrecking of his life
And all the things that might have been!
And, sunk in hopeless, black despair,
That drink no more has power to drown,
Upon the beer-stained table there
The drunkard’s ruined head goes down.


But even I, a fearful wreck,
Have drifted long before the storm:
I know, when all seems lost on earth,
How hard it can be to reform.
I, too, have sinned, and we have both
Drunk to the dregs the bitter cup—
Give me your hand, Oh brother mine,
And even I might help you up.

The Drunkard's Vision

A public parlour in the slums,
The haunt of vice and villainy,
Where things are said unfit to hear,
And things are done unfit to see;
’Mid ribald jest and reckless song,
That mock at all that’s pure and right,
The drunkard drinks the whole day long,
And raves through half the dreadful night.


And in the morning now he sits,
With staring eyes and trembling limb;
The harbour in the sunlight laughs,
But morning is as night to him.
And, staring blankly at the wall,
He sees the tragedy complete—
He sees the man he used to be
Go striding proudly up the street.


He turns the corner with a swing,
And, at the vine-framed cottage gate,
The father sees, with laughing eyes,
His little son and daughter wait:
They race to meet him as he comes—
And—Oh! this memory is worst—
Her dimpled arms go round his neck,
She pants, ‘I dot my daddy first!’


He sees his bright-eyed little wife;
He sees the cottage neat and clean—
He sees the wrecking of his life
And all the things that might have been!
And, sunk in hopeless, black despair,
That drink no more has power to drown,
Upon the beer-stained table there
The drunkard’s ruined head goes down.


But even I, a fearful wreck,
Have drifted long before the storm:
I know, when all seems lost on earth,
How hard it can be to reform.
I, too, have sinned, and we have both
Drunk to the dregs the bitter cup—
Give me your hand, Oh brother mine,
And even I might help you up.

The Drunkard's Vision

A public parlour in the slums,
The haunt of vice and villainy,
Where things are said unfit to hear,
And things are done unfit to see;
’Mid ribald jest and reckless song,
That mock at all that’s pure and right,
The drunkard drinks the whole day long,
And raves through half the dreadful night.


And in the morning now he sits,
With staring eyes and trembling limb;
The harbour in the sunlight laughs,
But morning is as night to him.
And, staring blankly at the wall,
He sees the tragedy complete—
He sees the man he used to be
Go striding proudly up the street.


He turns the corner with a swing,
And, at the vine-framed cottage gate,
The father sees, with laughing eyes,
His little son and daughter wait:
They race to meet him as he comes—
And—Oh! this memory is worst—
Her dimpled arms go round his neck,
She pants, ‘I dot my daddy first!’


He sees his bright-eyed little wife;
He sees the cottage neat and clean—
He sees the wrecking of his life
And all the things that might have been!
And, sunk in hopeless, black despair,
That drink no more has power to drown,
Upon the beer-stained table there
The drunkard’s ruined head goes down.


But even I, a fearful wreck,
Have drifted long before the storm:
I know, when all seems lost on earth,
How hard it can be to reform.
I, too, have sinned, and we have both
Drunk to the dregs the bitter cup—
Give me your hand, Oh brother mine,
And even I might help you up.

The Empty Glass

THERE ARE three lank bards in a borrowed room—
Ah! The number is one too few—
They have deemed their home and the bars unfit
For the thing that they have to do.
Three glasses they fill with the Land’s own wine,
And the bread of life they pass.
Their glasses they take, which they slowly raise—
And they drink to an empty glass.


(There’s a greater glare in the street to-night,
And a louder rush and roar,
There’s a mad crowd yelling the winner’s name,
And howling the cricket score:
Oh! The bright moonlight on the angels white,
And the tombs and the monuments grand—
And down by the water at Waverley
There’s a little lone mound of sand.)


Oh, the drinkers would deem them drunk or mad,
And the barmaid stare and frown—
Each lays a hand on the empty glass
Ere they turn it upside down.
There’s a name they know, in a hand they know,
Was scratched with a diamond there—
And they place it in sight—turn on more light—
And they fill their glasses fair.


There’s a widow that weeps by the Hornsby line,
And she stood by him long and true—
But the widow should think by the Hornsby line
That others have loved him too,
’Twas a peaceful end, and his work was done,
When called with the year away;
And the greatest lady in all the land
Is working for her to-day.


If the widow should fear for her children’s fate,
Or brood on a future lot,
In a frivolous land with her widowed state
In a short twelve months forgot.
She can lay her down for a peaceful rest
And forget her grief in sleep,
For his brothers have taken an oath to-night,
An oath that their hearts can keep.


They have taken an oath to his memory,
A pledge they cannot recall,
To stand by the woman that stood by him,
Through poverty, illness and all.
They are young men yet, or the prime of life,
And as each lays down his trust,
May the world be kind to the left behind,



And their native land be just.


(Silence of death in town to-night,
And the streets seem strangely clear—
Have the pitiful slaves of the gambling curse
Fled home for a strange new fear?
Oh, the soft moonlight on the angels white,
Where the beautiful marbles stand—
And down by the rollers at Waverley
There’s a mound of the golden sand.)

The Drovers

Shrivelled leather, rusty buckles, and the rot is in our knuckles,
Scorched for months upon the pommel while the brittle rein hung free;
Shrunken eyes that once were lighted with fresh boyhood, dull and blighted—
And the sores upon our eyelids are unpleasant sights to see.
And our hair is thin and dying from the ends, with too long lying
In the night dews on the ashes of the Dry Countree.
Yes, we’ve seen ’em ‘bleaching whitely’ where the salt-bush sparkles brightly,
But their grins were over-friendly, so we passed and let them be.
And we’ve seen them ‘rather recent,’ and we’ve stopped to hide ’em decent
When they weren’t nice to handle and they weren’t too nice to see;
We have heard the dry bones rattle under fifteen hundred cattle—
Seen the rags go up in dust-clouds and the brittle joints kicked free;
But there’s little time to tarry, if you wish to live and marry,
When the cattle shy at something in the Dry Countree.


No, you needn’t fear the blacks on the Never Never tracks—
For the Myall in his freedom’s an uncommon sight to see;
Oh! we do not stick at trifles—and the trackers sneak their rifles,
And go strolling in the gloaming while the sergeant’s yarning free:
Round the Myalls creep the trackers—there’s a sound like firing crackers
And—the blacks are getting scarcer in the Dry Countree.
(Goes an unprotected maiden-’cross the clearing carrion-laden—
Oh they ride ’em down on horseback in the Dry Countree.)


But you don’t know what might happen when a tank is but a trap on
Roofs of hell, and there is nothing but the blaze of hell to see;
And the phantom water’s lapping—and no limb for saddle-strapping—
Better carry your revolver through the Dry Countree.
But I’m feeling gay and frisky, come with me and have a whisky!
Change of hells is all we live for (that’s my mate that’s got D.T.);
We have fought through hell’s own weather, he and I and death together—
Oh, the devil grins to greet us from the Dry Countree!

The Day Before I Die

There's such a lot of work to do, for such a troubled head!
I’m scribbling this against a book, with foolscap round, in bed.
It strikes me that I’ll scribble much in this way by and by,
And write my last lines so perchance the day before I die.


There’s lots of things to come and go, and I, in careless rhyme,
And drink and love (it wastes the most) have wasted lots of time.
There’s so much good work to be done it makes me sure that I
Will be the sorriest for my death, the day before I die.


But, lift me dear, for I am tired, and let me taste the wine—
And lay your cheek a little while on this lined cheek of mine.
I want to say I love you so—your patient love is why
I’ll have such little time, you know, the day before I die.

The Cross-Roads

Once more I write a line to you,
While darker shadows fall;
Dear friends of mine who have been true,
And steadfast through it all.
If I have written bitter rhymes,
With many lines that halt,
And if I have been false at times
It was not all my fault.


To Heaven’s decree I would not bow,
And I sank very low—
The bitter things are written now,
And we must let them go.
But I feel softened as I write;
The better spirit springs,
And I am very sad to-night
Because of many things.


The friendships that I have abused,
The trust I did betray,
The talents that I have misused,
The gifts I threw away.
The things that did me little good,
And—well my cheeks might burn—
The kindly letters that I should
Have answered by return.


But you might deem them answered now,
And answered from my heart;
And injured friends will understand
’Tis I who feel the smart.
But I have done with barren strife
And dark imaginings,
And in my future work and life
Will seek the better things.

The Cross-Roads

Once more I write a line to you,
While darker shadows fall;
Dear friends of mine who have been true,
And steadfast through it all.
If I have written bitter rhymes,
With many lines that halt,
And if I have been false at times
It was not all my fault.


To Heaven’s decree I would not bow,
And I sank very low—
The bitter things are written now,
And we must let them go.
But I feel softened as I write;
The better spirit springs,
And I am very sad to-night
Because of many things.


The friendships that I have abused,
The trust I did betray,
The talents that I have misused,
The gifts I threw away.
The things that did me little good,
And—well my cheeks might burn—
The kindly letters that I should
Have answered by return.


But you might deem them answered now,
And answered from my heart;
And injured friends will understand
’Tis I who feel the smart.
But I have done with barren strife
And dark imaginings,
And in my future work and life
Will seek the better things.

The Cattle-Dog's Death

The Plains lay bare on the homeward route,
And the march was heavy on man and brute;
For the Spirit of Drought was on all the land,
And the white heat danced on the glowing sand.


The best of our cattle-dogs lagged at last,
His strength gave out ere the plains were passed,
And our hearts grew sad when he crept and laid
His languid limbs in the nearest shade.


He saved our lives in the years gone by,
When no one dreamed of the danger nigh,
And the treacherous blacks in the darkness crept
On the silent camp where the drovers slept.


‘The dog is dying,’ a stockman said,
As he knelt and lifted the shaggy head;
‘’Tis a long day’s march ere the run be near,
‘And he’s dying fast; shall we leave him here?’


But the super cried, ‘There’s an answer there!’
As he raised a tuft of the dog’s grey hair;
And, strangely vivid, each man descried
The old spear-mark on the shaggy hide.


We laid a ‘bluey’ and coat across
The camping pack of the lightest horse,
And raised the dog to his deathbed high,
And brought him far ’neath the burning sky.


At the kindly touch of the stockmen rude
His eyes grew human with gratitude;
And though we parched in the heat that fags,
We gave him the last of the water-bags.


The super’s daughter we knew would chide
If we left the dog in the desert wide;
So we brought him far o’er the burning sand
For a parting stroke of her small white hand.


But long ere the station was seen ahead,
His pain was o’er, for the dog was dead
And the folks all knew by our looks of gloom
’Twas a comrade’s corpse that we carried home.

The Cab Lamps

The crescent moon and clock tower are fair above the wall
Across the smothered lanes of ’Loo, the stifled vice and all,
And in the shadow yonder—like cats that wait for scraps—
The crowding cabs seem waiting—for you and me, perhaps.


The cab lamps are watching as they watched for you and me,
The cab lamps are a-watching and they watch unblinkingly.
The sea breeze in Macleay Street and star-angels over all,
But the slinking cabs of darkness keep their watch beside the wall.


Oh! the years we slipped like months—and the months like a day—
When our cabs slid from the stand—touched the kerb and sped away—
Oh! the cloak on girlish shoulders—Oh! the theatres and light!
And the private rooms and supper that were all in a night!


Oh! the rickshaw in Colombo! And the flat that no one knew,
Where the cab lamps watched Haymarket—London cabs for me and you.
Oh! the gay run “Home” by Paris when the world was ours to play
And the wild run back by Frisco that seems all in a day.


Oh! the cab lamps and rose curtains, when the lie called love seemed true,
While an honest wife and husband suffered by the lanes of ’Loo.
Oh! the health and strength and beauty and the money with its power—
And those two good lives we ruined that was all in an hour.


But the night policeman’s coming with a sharp suspicious eye,
And he’d shift us “quick and lively” to the sweet by and by.
So we’ll seek our frowsy bedroom, if the old hag lets us through—
Where our folks died broken-hearted in the cruel lanes of ’Loo.


The cab lamps are watching as they watched across the sea,
The cab lamps are watching, and they watch for you and me.
For you and me they waited, when the thing called love seemed true,
But the bull’s-eye of our midnight must not flash on me—and you.

The Captain of the Push

As the night was falling slowly down on city, town and bush,
From a slum in Jones's Alley sloped the Captain of the Push;
And he scowled towards the North, and he scowled towards the South,
As he hooked his little finger in the corners of his mouth.
Then his whistle, loud and shrill, woke the echoes of the `Rocks',
And a dozen ghouls came sloping round the corners of the blocks.


There was nought to rouse their anger; yet the oath that each one swore
Seemed less fit for publication than the one that went before.
For they spoke the gutter language with the easy flow that comes
Only to the men whose childhood knew the brothels and the slums.
Then they spat in turns, and halted; and the one that came behind,
Spitting fiercely on the pavement, called on Heaven to strike him blind.


Let us first describe the captain, bottle-shouldered, pale and thin,
For he was the beau-ideal of a Sydney larrikin;
E'en his hat was most suggestive of the city where we live,
With a gallows-tilt that no one, save a larrikin, can give;
And the coat, a little shorter than the writer would desire,
Showed a more or less uncertain portion of his strange attire.


That which tailors know as `trousers' -- known by him as `bloomin' bags' --
Hanging loosely from his person, swept, with tattered ends, the flags;
And he had a pointed sternpost to the boots that peeped below
(Which he laced up from the centre of the nail of his great toe),
And he wore his shirt uncollar'd, and the tie correctly wrong;
But I think his vest was shorter than should be in one so long.


And the captain crooked his finger at a stranger on the kerb,
Whom he qualified politely with an adjective and verb,
And he begged the Gory Bleeders that they wouldn't interrupt
Till he gave an introduction -- it was painfully abrupt -`
Here's the bleedin' push, me covey -- here's a (something) from the bush!
Strike me dead, he wants to join us!' said the captain of the push.


Said the stranger: `I am nothing but a bushy and a dunce;
`But I read about the Bleeders in the WEEKLY GASBAG once;
`Sitting lonely in the humpy when the wind began to "whoosh,"
`How I longed to share the dangers and the pleasures of the push!
`Gosh! I hate the swells and good 'uns -- I could burn 'em in their beds;
`I am with you, if you'll have me, and I'll break their blazing heads.'


`Now, look here,' exclaimed the captain to the stranger from the bush,
`Now, look here -- suppose a feller was to split upon the push,
`Would you lay for him and fetch him, even if the traps were round?
`Would you lay him out and kick him to a jelly on the ground?
`Would you jump upon the nameless -- kill, or cripple him, or both?
`Speak? or else I'll SPEAK!' The stranger answered, `My kerlonial oath!'


`Now, look here,' exclaimed the captain to the stranger from the bush,
`Now, look here -- suppose the Bleeders let you come and join the push,
`Would you smash a bleedin' bobby if you got the blank alone?



`Would you break a swell or Chinkie -- split his garret with a stone?
`Would you have a "moll" to keep yer -- like to swear off work for good?'
`Yes, my oath!' replied the stranger. `My kerlonial oath! I would!'


`Now, look here,' exclaimed the captain to the stranger from the bush,
`Now, look here -- before the Bleeders let yer come and join the push,
`You must prove that you're a blazer -- you must prove that you have grit
`Worthy of a Gory Bleeder -- you must show your form a bit -`
Take a rock and smash that winder!' and the stranger, nothing loth,
Took the rock -- and smash! They only muttered, `My kerlonial oath!'


So they swore him in, and found him sure of aim and light of heel,
And his only fault, if any, lay in his excessive zeal;
He was good at throwing metal, but we chronicle with pain
That he jumped upon a victim, damaging the watch and chain,
Ere the Bleeders had secured them; yet the captain of the push
Swore a dozen oaths in favour of the stranger from the bush.


Late next morn the captain, rising, hoarse and thirsty from his lair,
Called the newly-feather'd Bleeder, but the stranger wasn't there!
Quickly going through the pockets of his `bloomin' bags,' he learned
That the stranger had been through him for the stuff his `moll' had earned;
And the language that he muttered I should scarcely like to tell.
(Stars! and notes of exclamation!! blank and dash will do as well).


In the night the captain's signal woke the echoes of the `Rocks,'
Brought the Gory Bleeders sloping thro' the shadows of the blocks;
And they swore the stranger's action was a blood-escaping shame,
While they waited for the nameless, but the nameless never came.
And the Bleeders soon forgot him; but the captain of the push
Still is `laying' round, in ballast, for the nameless `from the bush.'

The Bush Fire

Ah, better the thud of the deadly gun, and the crash of the bursting shell,
Than the terrible silence where drought is fought out there in the western hell;
And better the rattle of rifles near, or the thunder on deck at sea,
Than the sound—most hellish of all to hear—of a fire where it should not be.


On the runs to the west of the Dingo Scrubs there was drought, and ruin, and death,
And the sandstorm came from the dread north-east with the blast of a furnace-breath;
Till at last one day, at the fierce sunrise, a boundary-rider woke,
And saw, in the place of the distant haze, a curtain of light blue smoke.


There is saddling-up by the cockey’s hut, and out in the station yard,
And away to the north, north-east, north-west, the bushmen are riding hard.
The pickets are out and many a scout, and many a mulga wire,
While Bill and Jim, with their faces grim, are riding to meet the fire.


It roars for days in the hopeless scrubs, and across, where the ground seems bare,
With a cackle and hiss, like the hissing of snakes, the fire is travelling there;
Till at last, exhausted by sleeplessness, and the terrible toil and heat,
The squatter is crying, ‘My God! the wool!’ and the farmer, ‘My God! the wheat!’


But there comes a drunkard (who reels as he rides), with the news from the roadside
pub:—
‘Pat Murphy—the cockey—cut off by the fire!—way back in the Dingo Scrub!’
‘Let the wheat and the woolshed go to——’ Well, they do as each great heart bids;
They are riding a race for the Dingo Scrub—for Pat and his wife and kids.


And who is leading the race with death? An ill-matched three, you’ll allow;
Flash Jim the breaker and Boozing Bill (who is riding steadily now),
And Constable Dunn, of the Mounted Police, is riding between the two
(He wants Flash Jim, but the job can wait till they get the Murphys through).


As they strike the track through the blazing scrub, the trooper is heard to shout:
‘We’ll take them on to the Two-mile Tank, if we cannot bring them out!’
A half-mile more, and the rest rein back, retreating, half-choked, halfblind;
And the three are gone from the sight of men, and the bush fire roars behind.


The Bushman wiped the tears of smoke, and like Bushmen wept and swore;
‘Poor Bill will be wanting his drink to-night as never he did before.
‘And Dunn was the best in the whole damned force!’ says a client of Dunn’s, with pride;
I reckon he’ll serve his summons on Jim—when they get to the other side.


It is daylight again, and the fire is past, and the black scrub silent and grim,
Except for the blaze of an old dead tree, or the crash of a falling limb;
And the Bushmen are riding again on the run, with hearts and with eyes that fill,
To look for the bodies of Constable Dunn, Flash Jim, and Boozing Bill.


They are found in the mud of the Two-mile Tank, where a fiend might scarce survive,
But the Bushmen gather from words they hear that the bodies are much alive.
There is Swearing Pat, with his grey beard singed, and his language of lurid hue,
And his tough old wife, and his half-baked kids, and the three who dragged them
through.



Old Pat is deploring his burnt-out home, and his wife the climate warm;
And Jim the loss of his favourite horse, and Dunn his uniform;
And Boozing Bill, with a raging thirst, is cursing the Dingo Scrub—
He’ll only ask for the loan of a flask and a lift to the nearest pub.


Flash Jim the Breaker is lying low—blue-paper is after him,
And Dunn, the trooper, is riding his rounds with a blind eye out for Jim,
And Boozing Bill is fighting D.Ts. in the township of Sudden Jerk—
When they’re wanted again in the Dingo Scrubs, they’ll be there to do the work.

The Boss's Boots

The Shearers squint along the pens, they squint along the ‘shoots;’
The shearers squint along the board to catch the Boss’s boots;
They have no time to straighten up, they have no time to stare,
But when the Boss is looking on, they like to be aware.
The ‘rouser’ has no soul to save. Condemn the rouseabout!
And sling ’em in, and rip ’em through, and get the bell-sheep out ;
And skim it by the tips at times, or take it with the roots—
But ‘pink’ ’em nice and pretty when you see the Boss’s boots.


The shearing super sprained his foot, as bosses sometimes do—
And wore, until the shed cut out, one ‘side-spring’ and one shoe;
And though he changed his pants at times—some worn-out and some neat—
No ‘tiger’ there could possibly mistake the Boss’s feet.


The Boss affected larger boots than many Western men,
And Jim the Ringer swore the shoe was half as big again;
And tigers might have heard the boss ere any harm was done—
For when he passed it was a sort of dot and carry one.


But now there comes a picker-up who sprained his ankle, too,
And limping round the shed he found the Boss’s cast-off shoe.
He went to work, all legs and arms, as green-hand rousers will,
And never dreamed of Boss’s boots—much less of Bogan Bill.


Ye sons of sin that tramp and shear in hot and dusty scrubs,
Just keep away from ‘headin’ ’em,’ and keep away from pubs,
And keep away from handicaps—for so your sugar scoots—
And you may own a station yet and wear the Boss’s boots.


And Bogan by his mate was heard to mutter through his hair:
‘The Boss has got a rat to-day: he’s buckin’ everywhere—
‘He’s trainin’ for a bike, I think, the way he comes an’ scoots,
‘He’s like a bloomin’ cat on mud the way he shifts his boots.’


Now Bogan Bill was shearing rough and chanced to cut a teat ;
He stuck his leg in front at once, and slewed the ewe a bit;
He hurried up to get her through, when, close beside his shoot,
He saw a large and ancient shoe, in mateship with a boot.


He thought that he’d be fined all right—he couldn’t turn the ‘yoe;’
The more he wished the boss away, the more he wouldn’t go;
And Bogan swore amenfully—beneath his breath he swore—
And he was never known to ‘pink’ so prettily before.


And Bogan through his bristling scalp in his mind’s eye could trace,
The cold, sarcastic smile that lurked about the Boss’s face;
He cursed him with a silent curse in language known to few,
He cursed him from his boot right up, and then down to his shoe.


But while he shore so mighty clean, and while he screened the teat,
He fancied there was something wrong about the Boss’s feet:
The boot grew unfamiliar, and the odd shoe seemed awry,



And slowly up the trouser went the tail of Bogan’s eye,


Then swiftly to the features from a plaited green-hide belt—
You’d have to ring a shed or two to feel as Bogan felt—
For ’twas his green-hand picker-up (who wore a vacant look),
And Bogan saw the Boss outside consulting with his cook.


And Bogan Bill was hurt and mad to see that rouseabout
And Bogan laid his ‘Wolseley’ down and knocked that rouser out;
He knocked him right across the board, he tumbled through the shoot—
‘I’ll learn the fool,’ said Bogan Bill, ‘to flash the Boss’s boot!’


The rouser squints along the pens, he squints along the shoots,
And gives his men the office when they miss the Boss’s boots.
They have no time to straighten up, they’re too well-bred to stare,
But when the Boss is looking on they like to be aware.


The rouser has no soul to lose—it’s blarst the rouseabout!
And rip ’em through and yell for ‘tar’ and get the bell-sheep out,
And take it with the scum at times or take it with the roots,—
But ‘pink’ ’em nice and pretty when you see the Boss’s boots.

The Black Tracker (Or: Why He Lost The Track)

There was a tracker in the force
Of wondrous sight (the story ran):—
He never failed to track a horse,
He never failed to find his man.


They brought him from a distant town
Once more to gain reward and praise,
Nor dreamed the man he hunted down
Had saved his life in bygone days.


Away across the farthest run,
And far across the stony plain,
The outlaw’s horse’s tracks, each one,
Unto the black man’s eyes were plain.


Those tracks across the ranges wide
Right well he knew that he could trace,
And oft he turned aside to hide
The tears upon his dusky face.


Now was his time, for he could claim
Reward and praise if he prevailed!
Now was the time to win him fame,
When all the other blacks had failed.


He struggled well to play his part,
For in the art he took a pride.
But, ah! there beat a white man’s heart
Beneath his old, black wrinkled hide.


Against that heart he struggled well,
But gratitude was in the black—
He failed—and only he could tell
The reason why he lost the track.

The Bonny Port of Sydney

The lovely Port of Sydney
Lies laughing to the sky,
The bonny Port of Sydney,
Where the ships of nations lie.
You shall never see such beauty,
Though you sail the wide world o’er,
As the sunny Port of Sydney,
As we see it from the Shore.
The shades of night are falling
On many ports of call,
But the harbour lights of Sydney
Are the grandest of them all;
Such a city set in jewels
Has ne’er been seen before
As the harbour lights of Sydney
As we see them from the Shore.


I must sail for gloomy London,
Where there are no harbour lights,
Where no sun is seen in winter,
And there are no starry nights;
And the bonny port of Sydney—
I may never see it more,
But I’ll always dream about it
As we view it from North Shore.

The Battling Days

So, sit you down in a straight-backed chair, with your pipe and your wife content,
And cross your knees with your wisest air, and preach of the ‘days mis-spent;’
Grown fat and moral apace, old man! you prate of the change ‘since then’—
In spite of all, I’d as lief be back in those hard old days again.
They were hard old days; they were battling days; they were cruel at times—but then,
In spite of all, I would rather be back in those hard old days again.
The land was barren to sow wild oats in the days when we sowed our own—
(’Twas little we thought or our friends believed that ours would ever be sown)


But the wild oats wave on their stormy path, and they speak of the hearts of men—
I would sow a crop if I had my time in those hard old days again.
We travel first, or we go saloon—on the planned-out trips we go,
With those who are neither rich nor poor, and we find that the life is slow;


It’s ‘a pleasant trip’ where they cried, ‘Good luck!’ There was fun in the steerage then—
In spite of all, I would fain be back in those vagabond days again.
On Saturday night we’ve a pound to spare—a pound for a trip down town—
We took more joy in those hard old days for a hardly spared half-crown;


We took more pride in the pants we patched than the suits we have had since then—
In spite of all, I would rather be back in those comical days again.
’Twas We and the World—and the rest go hang—as the Outside tracks we trod;
Each thought of himself as a man and mate, and not as a martyred god;


The world goes wrong when your heart is strong—and this is the way with men—
The world goes right when your liver is white, and you preach of the change ‘since
then.’
They were hard old days; they were battling days; they were cruel times—but then,
In spite of all, we shall live to-night in those hard old days again.