Poems in this topic
Emotions and Feelings
Henry Lawson
Mary Called Him 'Mister'
Mary Called Him 'Mister'
They'd parted but a year before—she never thought he’d come,
She stammer’d, blushed, held out her hand, and called him ‘Mister Gum.’
How could he know that all the while she longed to murmur ‘John.’
He called her ‘Miss le Brook,’ and asked how she was getting on.
They’d parted but a year before; they’d loved each other well,
But he’d been to the city, and he came back such a swell.
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister,’ and the idiot called her ‘Miss.’
He stood and lean’d against the door—a stupid chap was he—
And, when she asked if he’d come in and have a cup of tea,
He looked to left, he looked to right, and then he glanced behind,
And slowly doffed his cabbage-tree, and said he ‘didn’t mind.’
She made a shy apology because the meat was tough,
And then she asked if he was sure his tea was sweet enough;
He stirred the tea and sipped it twice, and answer’d ‘plenty, quite;’
And cut the smallest piece of beef and said that it was ‘right.’
She glanced at him at times and cough’d an awkward little cough;
He stared at anything but her and said, ‘I must be off.’
That evening he went riding north—a sad and lonely ride—
She locked herself inside her room, and there sat down and cried.
They’d parted but a year before, they loved each other well—
But she was such a country girl and he was such a swell ;
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister’ and the idiot called her ‘Miss.
They'd parted but a year before—she never thought he’d come,
She stammer’d, blushed, held out her hand, and called him ‘Mister Gum.’
How could he know that all the while she longed to murmur ‘John.’
He called her ‘Miss le Brook,’ and asked how she was getting on.
They’d parted but a year before; they’d loved each other well,
But he’d been to the city, and he came back such a swell.
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister,’ and the idiot called her ‘Miss.’
He stood and lean’d against the door—a stupid chap was he—
And, when she asked if he’d come in and have a cup of tea,
He looked to left, he looked to right, and then he glanced behind,
And slowly doffed his cabbage-tree, and said he ‘didn’t mind.’
She made a shy apology because the meat was tough,
And then she asked if he was sure his tea was sweet enough;
He stirred the tea and sipped it twice, and answer’d ‘plenty, quite;’
And cut the smallest piece of beef and said that it was ‘right.’
She glanced at him at times and cough’d an awkward little cough;
He stared at anything but her and said, ‘I must be off.’
That evening he went riding north—a sad and lonely ride—
She locked herself inside her room, and there sat down and cried.
They’d parted but a year before, they loved each other well—
But she was such a country girl and he was such a swell ;
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister’ and the idiot called her ‘Miss.
274
Henry Lawson
Mary Called Him 'Mister'
Mary Called Him 'Mister'
They'd parted but a year before—she never thought he’d come,
She stammer’d, blushed, held out her hand, and called him ‘Mister Gum.’
How could he know that all the while she longed to murmur ‘John.’
He called her ‘Miss le Brook,’ and asked how she was getting on.
They’d parted but a year before; they’d loved each other well,
But he’d been to the city, and he came back such a swell.
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister,’ and the idiot called her ‘Miss.’
He stood and lean’d against the door—a stupid chap was he—
And, when she asked if he’d come in and have a cup of tea,
He looked to left, he looked to right, and then he glanced behind,
And slowly doffed his cabbage-tree, and said he ‘didn’t mind.’
She made a shy apology because the meat was tough,
And then she asked if he was sure his tea was sweet enough;
He stirred the tea and sipped it twice, and answer’d ‘plenty, quite;’
And cut the smallest piece of beef and said that it was ‘right.’
She glanced at him at times and cough’d an awkward little cough;
He stared at anything but her and said, ‘I must be off.’
That evening he went riding north—a sad and lonely ride—
She locked herself inside her room, and there sat down and cried.
They’d parted but a year before, they loved each other well—
But she was such a country girl and he was such a swell ;
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister’ and the idiot called her ‘Miss.
They'd parted but a year before—she never thought he’d come,
She stammer’d, blushed, held out her hand, and called him ‘Mister Gum.’
How could he know that all the while she longed to murmur ‘John.’
He called her ‘Miss le Brook,’ and asked how she was getting on.
They’d parted but a year before; they’d loved each other well,
But he’d been to the city, and he came back such a swell.
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister,’ and the idiot called her ‘Miss.’
He stood and lean’d against the door—a stupid chap was he—
And, when she asked if he’d come in and have a cup of tea,
He looked to left, he looked to right, and then he glanced behind,
And slowly doffed his cabbage-tree, and said he ‘didn’t mind.’
She made a shy apology because the meat was tough,
And then she asked if he was sure his tea was sweet enough;
He stirred the tea and sipped it twice, and answer’d ‘plenty, quite;’
And cut the smallest piece of beef and said that it was ‘right.’
She glanced at him at times and cough’d an awkward little cough;
He stared at anything but her and said, ‘I must be off.’
That evening he went riding north—a sad and lonely ride—
She locked herself inside her room, and there sat down and cried.
They’d parted but a year before, they loved each other well—
But she was such a country girl and he was such a swell ;
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister’ and the idiot called her ‘Miss.
274
Henry Lawson
Let’s Be Fools To-Night
Let’s Be Fools To-Night
We, three men of commerce,
Striving wealth to raise,
See but little promise
In the coming days;
Though our hearts are brittle,
Hardened near to stone,
We can think a little
Of the seasons flown.
Lily days and rose days:
Youthful days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of what we would be
When we wandered urchins—
Foes of law and rule—
Fearing only birchings
And the village school.
Lily days and rose days,
Boyhood’s days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of ability
When we lived in riot;
Never drew the line,
Hating peace and quiet,
Loving maids and wine.
Days when money goes—days
When men’s hearts are right;
We were fools in those days,
Let’s be fools to-night.
We must wear to-morrow
All our worldly marks,
Calm looks for our sorrow,
Stern looks for our clerks,
Who, from trouble shrinking,
Tasting earthly joys,
Hate us, little thinking
Ever we were boys.
Days when kindness flows—days
When men’s hearts are white;
We’ve been wise since those days,
Let’s be fools to-night.
We, three men of commerce,
Striving wealth to raise,
See but little promise
In the coming days;
Though our hearts are brittle,
Hardened near to stone,
We can think a little
Of the seasons flown.
Lily days and rose days:
Youthful days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of what we would be
When we wandered urchins—
Foes of law and rule—
Fearing only birchings
And the village school.
Lily days and rose days,
Boyhood’s days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of ability
When we lived in riot;
Never drew the line,
Hating peace and quiet,
Loving maids and wine.
Days when money goes—days
When men’s hearts are right;
We were fools in those days,
Let’s be fools to-night.
We must wear to-morrow
All our worldly marks,
Calm looks for our sorrow,
Stern looks for our clerks,
Who, from trouble shrinking,
Tasting earthly joys,
Hate us, little thinking
Ever we were boys.
Days when kindness flows—days
When men’s hearts are white;
We’ve been wise since those days,
Let’s be fools to-night.
231
Henry Lawson
Let’s Be Fools To-Night
Let’s Be Fools To-Night
We, three men of commerce,
Striving wealth to raise,
See but little promise
In the coming days;
Though our hearts are brittle,
Hardened near to stone,
We can think a little
Of the seasons flown.
Lily days and rose days:
Youthful days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of what we would be
When we wandered urchins—
Foes of law and rule—
Fearing only birchings
And the village school.
Lily days and rose days,
Boyhood’s days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of ability
When we lived in riot;
Never drew the line,
Hating peace and quiet,
Loving maids and wine.
Days when money goes—days
When men’s hearts are right;
We were fools in those days,
Let’s be fools to-night.
We must wear to-morrow
All our worldly marks,
Calm looks for our sorrow,
Stern looks for our clerks,
Who, from trouble shrinking,
Tasting earthly joys,
Hate us, little thinking
Ever we were boys.
Days when kindness flows—days
When men’s hearts are white;
We’ve been wise since those days,
Let’s be fools to-night.
We, three men of commerce,
Striving wealth to raise,
See but little promise
In the coming days;
Though our hearts are brittle,
Hardened near to stone,
We can think a little
Of the seasons flown.
Lily days and rose days:
Youthful days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of what we would be
When we wandered urchins—
Foes of law and rule—
Fearing only birchings
And the village school.
Lily days and rose days,
Boyhood’s days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of ability
When we lived in riot;
Never drew the line,
Hating peace and quiet,
Loving maids and wine.
Days when money goes—days
When men’s hearts are right;
We were fools in those days,
Let’s be fools to-night.
We must wear to-morrow
All our worldly marks,
Calm looks for our sorrow,
Stern looks for our clerks,
Who, from trouble shrinking,
Tasting earthly joys,
Hate us, little thinking
Ever we were boys.
Days when kindness flows—days
When men’s hearts are white;
We’ve been wise since those days,
Let’s be fools to-night.
231
Henry Lawson
Let’s Be Fools To-Night
Let’s Be Fools To-Night
We, three men of commerce,
Striving wealth to raise,
See but little promise
In the coming days;
Though our hearts are brittle,
Hardened near to stone,
We can think a little
Of the seasons flown.
Lily days and rose days:
Youthful days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of what we would be
When we wandered urchins—
Foes of law and rule—
Fearing only birchings
And the village school.
Lily days and rose days,
Boyhood’s days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of ability
When we lived in riot;
Never drew the line,
Hating peace and quiet,
Loving maids and wine.
Days when money goes—days
When men’s hearts are right;
We were fools in those days,
Let’s be fools to-night.
We must wear to-morrow
All our worldly marks,
Calm looks for our sorrow,
Stern looks for our clerks,
Who, from trouble shrinking,
Tasting earthly joys,
Hate us, little thinking
Ever we were boys.
Days when kindness flows—days
When men’s hearts are white;
We’ve been wise since those days,
Let’s be fools to-night.
We, three men of commerce,
Striving wealth to raise,
See but little promise
In the coming days;
Though our hearts are brittle,
Hardened near to stone,
We can think a little
Of the seasons flown.
Lily days and rose days:
Youthful days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of what we would be
When we wandered urchins—
Foes of law and rule—
Fearing only birchings
And the village school.
Lily days and rose days,
Boyhood’s days so bright;
We were fools in those days,
Let’s be fools to-night.
We, three men of commerce,
Men of business we,
Gave but little promise
Of ability
When we lived in riot;
Never drew the line,
Hating peace and quiet,
Loving maids and wine.
Days when money goes—days
When men’s hearts are right;
We were fools in those days,
Let’s be fools to-night.
We must wear to-morrow
All our worldly marks,
Calm looks for our sorrow,
Stern looks for our clerks,
Who, from trouble shrinking,
Tasting earthly joys,
Hate us, little thinking
Ever we were boys.
Days when kindness flows—days
When men’s hearts are white;
We’ve been wise since those days,
Let’s be fools to-night.
231
Henry Lawson
Laughing and Sneering
Laughing and Sneering
WHAT tho' the world does me ill turns
And cares my life environ;
I’d sooner laugh with Bobbie Burns
Than sneer with titl'd Byron.
The smile has always been the best;
’Tis stronger than the frown, sirs:
And Venus smiled the waves to rest;
She didn’t sneer them down, sirs.
WHAT tho' the world does me ill turns
And cares my life environ;
I’d sooner laugh with Bobbie Burns
Than sneer with titl'd Byron.
The smile has always been the best;
’Tis stronger than the frown, sirs:
And Venus smiled the waves to rest;
She didn’t sneer them down, sirs.
265
Henry Lawson
Laughing and Sneering
Laughing and Sneering
WHAT tho' the world does me ill turns
And cares my life environ;
I’d sooner laugh with Bobbie Burns
Than sneer with titl'd Byron.
The smile has always been the best;
’Tis stronger than the frown, sirs:
And Venus smiled the waves to rest;
She didn’t sneer them down, sirs.
WHAT tho' the world does me ill turns
And cares my life environ;
I’d sooner laugh with Bobbie Burns
Than sneer with titl'd Byron.
The smile has always been the best;
’Tis stronger than the frown, sirs:
And Venus smiled the waves to rest;
She didn’t sneer them down, sirs.
265
Henry Lawson
Laughing and Sneering
Laughing and Sneering
WHAT tho' the world does me ill turns
And cares my life environ;
I’d sooner laugh with Bobbie Burns
Than sneer with titl'd Byron.
The smile has always been the best;
’Tis stronger than the frown, sirs:
And Venus smiled the waves to rest;
She didn’t sneer them down, sirs.
WHAT tho' the world does me ill turns
And cares my life environ;
I’d sooner laugh with Bobbie Burns
Than sneer with titl'd Byron.
The smile has always been the best;
’Tis stronger than the frown, sirs:
And Venus smiled the waves to rest;
She didn’t sneer them down, sirs.
265
Henry Lawson
Lachlan Side
Lachlan Side
REGION of damper and junk and tea,
Region of pastures wide!
The fairest spots in the world to me
Are out on the Lachlan Side.
CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.
My heart was hardened against advice
And reason I would not see,
For by the ocean a paradise
The city appeared to me.
CHORUS:
I’m off to the Lachlan Side, etc.
“Not I for a bumpkin’s fate,” I cried,
“I’ll not be a country clown!
A life’s too slow on the Lachlan Side;
I’ll go to the shining town!”
CHORUS:
I’m off to the Lachlan Side, etc.
I’ve lost the battle, I strike the flag,
The town may sink in the tide;
A wiser head and a lighter swag
I take to the Lachlan Side.
CHORUS:
I’m off to the Lachlan Side, etc.
When crops of wool on the plains shall grow,
Shall flourish in drought or rain,
And when the shearers begin to mow
I’ll come to the town again.
CHORUS:
I’m off to the Lachlan Side, etc.
But now I go to a kinder fate,
If her love still conquers pride;
Her heart was true when she sobbed, “I’ll wait
For you on the Lachlan Side.”
CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.
REGION of damper and junk and tea,
Region of pastures wide!
The fairest spots in the world to me
Are out on the Lachlan Side.
CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.
My heart was hardened against advice
And reason I would not see,
For by the ocean a paradise
The city appeared to me.
CHORUS:
I’m off to the Lachlan Side, etc.
“Not I for a bumpkin’s fate,” I cried,
“I’ll not be a country clown!
A life’s too slow on the Lachlan Side;
I’ll go to the shining town!”
CHORUS:
I’m off to the Lachlan Side, etc.
I’ve lost the battle, I strike the flag,
The town may sink in the tide;
A wiser head and a lighter swag
I take to the Lachlan Side.
CHORUS:
I’m off to the Lachlan Side, etc.
When crops of wool on the plains shall grow,
Shall flourish in drought or rain,
And when the shearers begin to mow
I’ll come to the town again.
CHORUS:
I’m off to the Lachlan Side, etc.
But now I go to a kinder fate,
If her love still conquers pride;
Her heart was true when she sobbed, “I’ll wait
For you on the Lachlan Side.”
CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.
222
Henry Lawson
Lachlan Side
Lachlan Side
REGION of damper and junk and tea,
Region of pastures wide!
The fairest spots in the world to me
Are out on the Lachlan Side.
CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.
My heart was hardened against advice
And reason I would not see,
For by the ocean a paradise
The city appeared to me.
CHORUS:
I’m off to the Lachlan Side, etc.
“Not I for a bumpkin’s fate,” I cried,
“I’ll not be a country clown!
A life’s too slow on the Lachlan Side;
I’ll go to the shining town!”
CHORUS:
I’m off to the Lachlan Side, etc.
I’ve lost the battle, I strike the flag,
The town may sink in the tide;
A wiser head and a lighter swag
I take to the Lachlan Side.
CHORUS:
I’m off to the Lachlan Side, etc.
When crops of wool on the plains shall grow,
Shall flourish in drought or rain,
And when the shearers begin to mow
I’ll come to the town again.
CHORUS:
I’m off to the Lachlan Side, etc.
But now I go to a kinder fate,
If her love still conquers pride;
Her heart was true when she sobbed, “I’ll wait
For you on the Lachlan Side.”
CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.
REGION of damper and junk and tea,
Region of pastures wide!
The fairest spots in the world to me
Are out on the Lachlan Side.
CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.
My heart was hardened against advice
And reason I would not see,
For by the ocean a paradise
The city appeared to me.
CHORUS:
I’m off to the Lachlan Side, etc.
“Not I for a bumpkin’s fate,” I cried,
“I’ll not be a country clown!
A life’s too slow on the Lachlan Side;
I’ll go to the shining town!”
CHORUS:
I’m off to the Lachlan Side, etc.
I’ve lost the battle, I strike the flag,
The town may sink in the tide;
A wiser head and a lighter swag
I take to the Lachlan Side.
CHORUS:
I’m off to the Lachlan Side, etc.
When crops of wool on the plains shall grow,
Shall flourish in drought or rain,
And when the shearers begin to mow
I’ll come to the town again.
CHORUS:
I’m off to the Lachlan Side, etc.
But now I go to a kinder fate,
If her love still conquers pride;
Her heart was true when she sobbed, “I’ll wait
For you on the Lachlan Side.”
CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.
222
Henry Lawson
Knocked Up
Knocked Up
I'm lyin' on the barren ground that's baked and cracked with drought,
And dunno if my legs or back or heart is most wore out;
I've got no spirits left to rise and smooth me achin' brow -I'm
too knocked up to light a fire and bile the billy now.
Oh it's trampin', trampin', tra-a-mpin', in flies an' dust an' heat,
Or it's trampin' trampin' tra-a-a-mpin'
through mud and slush 'n sleet;
It's tramp an' tramp for tucker -- one everlastin' strife,
An' wearin' out yer boots an' heart in the wastin' of yer life.
They whine o' lost an' wasted lives in idleness and crime -I've
wasted mine for twenty years, and grafted all the time
And never drunk the stuff I earned, nor gambled when I shore --
But somehow when yer on the track yer life seems wasted more.
A long dry stretch of thirty miles I've tramped this broilin' day,
All for the off-chance of a job a hundred miles away;
There's twenty hungry beggars wild for any job this year,
An' fifty might be at the shed while I am lyin' here.
The sinews in my legs seem drawn, red-hot -- 'n that's the truth;
I seem to weigh a ton, and ache like one tremendous tooth;
I'm stung between my shoulder-blades -- my blessed back seems broke;
I'm too knocked out to eat a bite -- I'm too knocked up to smoke.
The blessed rain is comin' too -- there's oceans in the sky,
An' I suppose I must get up and rig the blessed fly;
The heat is bad, the water's bad, the flies a crimson curse,
The grub is bad, mosquitoes damned -- but rheumatism's worse.
I wonder why poor blokes like me will stick so fast ter breath,
Though Shakespeare says it is the fear of somethin' after death;
But though Eternity be cursed with God's almighty curse --
What ever that same somethin' is I swear it can't be worse.
For it's trampin', trampin', tra-a-mpin' thro' hell across the plain,
And it's trampin' trampin' tra-a-mpin' thro' slush 'n mud 'n rain -A
livin' worse than any dog -- without a home 'n wife,
A-wearin' out yer heart 'n soul in the wastin' of yer life.
I'm lyin' on the barren ground that's baked and cracked with drought,
And dunno if my legs or back or heart is most wore out;
I've got no spirits left to rise and smooth me achin' brow -I'm
too knocked up to light a fire and bile the billy now.
Oh it's trampin', trampin', tra-a-mpin', in flies an' dust an' heat,
Or it's trampin' trampin' tra-a-a-mpin'
through mud and slush 'n sleet;
It's tramp an' tramp for tucker -- one everlastin' strife,
An' wearin' out yer boots an' heart in the wastin' of yer life.
They whine o' lost an' wasted lives in idleness and crime -I've
wasted mine for twenty years, and grafted all the time
And never drunk the stuff I earned, nor gambled when I shore --
But somehow when yer on the track yer life seems wasted more.
A long dry stretch of thirty miles I've tramped this broilin' day,
All for the off-chance of a job a hundred miles away;
There's twenty hungry beggars wild for any job this year,
An' fifty might be at the shed while I am lyin' here.
The sinews in my legs seem drawn, red-hot -- 'n that's the truth;
I seem to weigh a ton, and ache like one tremendous tooth;
I'm stung between my shoulder-blades -- my blessed back seems broke;
I'm too knocked out to eat a bite -- I'm too knocked up to smoke.
The blessed rain is comin' too -- there's oceans in the sky,
An' I suppose I must get up and rig the blessed fly;
The heat is bad, the water's bad, the flies a crimson curse,
The grub is bad, mosquitoes damned -- but rheumatism's worse.
I wonder why poor blokes like me will stick so fast ter breath,
Though Shakespeare says it is the fear of somethin' after death;
But though Eternity be cursed with God's almighty curse --
What ever that same somethin' is I swear it can't be worse.
For it's trampin', trampin', tra-a-mpin' thro' hell across the plain,
And it's trampin' trampin' tra-a-mpin' thro' slush 'n mud 'n rain -A
livin' worse than any dog -- without a home 'n wife,
A-wearin' out yer heart 'n soul in the wastin' of yer life.
248
Henry Lawson
John Cornstalk
John Cornstalk
Jack Cornstalk lives in the Southern Land—
What says Cornstalk John?
Jack Cornstalk says in a loud firm voice:
“Land of the South, lead on.”
CHORUS:
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!
John Bull lays claim to the Southern Land.
Jack, is the South Land thine?
John Cornstalk cries in a loud, firm voice:
“The Land of the South is mine!”
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!
“By the long, long years my father toiled
In the pioneering band;
By the hardships of those early days,
I claim the Southern Land!”
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!
But where shall the Land of the South lead to?
Where lead the nation’s van?
Jack Cornstalk cries from his strong young heart:
“To the Dynasty of Man.”
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!
Jack Cornstalk lives in the Southern Land—
What says Cornstalk John?
Jack Cornstalk says in a loud firm voice:
“Land of the South, lead on.”
CHORUS:
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!
John Bull lays claim to the Southern Land.
Jack, is the South Land thine?
John Cornstalk cries in a loud, firm voice:
“The Land of the South is mine!”
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!
“By the long, long years my father toiled
In the pioneering band;
By the hardships of those early days,
I claim the Southern Land!”
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!
But where shall the Land of the South lead to?
Where lead the nation’s van?
Jack Cornstalk cries from his strong young heart:
“To the Dynasty of Man.”
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!
242
Henry Lawson
Jack Cornstalk as a Lover
Jack Cornstalk as a Lover
'For he rides hard to dull the pain,
Who rides from him who loves him best;
But he rides slowly home again,
Whose restless heart must rove for rest.'
'For he rides hard to dull the pain,
Who rides from him who loves him best;
But he rides slowly home again,
Whose restless heart must rove for rest.'
236
Henry Lawson
In The Day's When We Are Dead
In The Day's When We Are Dead
Listen! The end draws nearer,
Nearer the morning—or night—
And I see with a vision clearer
That the beginning was right!
These shall be words to remember
When all has been done and said,
And my fame is a dying ember
In the days when I am dead.
Listen! We wrote in sorrow,
And we wrote by candle light;
We took no heed of the morrow,
And I think that we were right—
(To-morrow, but not the day after,
And I think that we were right).
We wrote of a world that was human
And we wrote of blood that was red,
For a child, or a man, or a woman—
Remember when we are dead.
Listen! We wrote not for money,
And listen! We wrote not for fame—
We wrote for the milk and the honey
Of Kindness, and not for a name.
We paused not, nor faltered for any,
Though many fell back where we led;
We wrote of the few for the many—
Remember when we are dead.
We suffered as few men suffer,
Yet laughed as few men laugh;
We grin as the road grows rougher,
And a bitterer cup we quaff.
We lived for Right and for Laughter,
And we fought for a Nation ahead—
Remember it, friends, hereafter,
In the years when I am dead—
For to-morrow and not the day after,
For ourselves, and a Nation ahead.
Listen! The end draws nearer,
Nearer the morning—or night—
And I see with a vision clearer
That the beginning was right!
These shall be words to remember
When all has been done and said,
And my fame is a dying ember
In the days when I am dead.
Listen! We wrote in sorrow,
And we wrote by candle light;
We took no heed of the morrow,
And I think that we were right—
(To-morrow, but not the day after,
And I think that we were right).
We wrote of a world that was human
And we wrote of blood that was red,
For a child, or a man, or a woman—
Remember when we are dead.
Listen! We wrote not for money,
And listen! We wrote not for fame—
We wrote for the milk and the honey
Of Kindness, and not for a name.
We paused not, nor faltered for any,
Though many fell back where we led;
We wrote of the few for the many—
Remember when we are dead.
We suffered as few men suffer,
Yet laughed as few men laugh;
We grin as the road grows rougher,
And a bitterer cup we quaff.
We lived for Right and for Laughter,
And we fought for a Nation ahead—
Remember it, friends, hereafter,
In the years when I am dead—
For to-morrow and not the day after,
For ourselves, and a Nation ahead.
216
Henry Lawson
I'd Back Again the World
I'd Back Again the World
She's not like an empress,
And crowned with raven hair,
She is not “pert an’ bonny,”
Nor “winsome, wee, an’ fair.”
But when a man’s in trouble,
And darkest shadows fall,
She’s just a little woman
I’d back against them all.
I’d back against them all,
When friends on rocks are hurled—
Oh, she’s the little woman
I’d back against the world.
She has her little temper
(As all the world can know)
When things are running smoothly,
She sometimes lets it go;
But when the sea is stormy,
And clouds are like a pall,
Oh, she’s the little woman
I’d back against them all.
I’d back against the world,
When darkest shadows fall—
Oh, she’s the little woman
I’d back against them all.
She’s had to stand at business
Till she was fit to drop;
She has to count the pennies
When she goes to the shop.
She has no land or terrace,
Nor money in the bank,
And, save what’s in her ownself,
No influence nor rank.
No influence nor rank
While darker shadows fall—
Oh, she’s a little woman
I’d back against them all.
It will not last for ever,
As old time goes his rounds,
Where now she counts the pennies
She yet shall count the pounds.
And those who laugh to see her,
Or pass her unawares,
Shall stand beside her motor car,
And bow her up the stairs.
And bow her up the stairs,
When foes on rocks are hurled—
For she’s the little woman
I’ll back against the world.
Or may I slave in prisons,
In mental misery,
And no one write a letter,
And no one visit me!
And may I rot with paupers,
A ditch without a stone,
My work be never quoted,
And my grave be never known.
My work be never quoted,
When friends on rocks are hurled—
Ah! she’s a little woman
I’d back against the world.
She's not like an empress,
And crowned with raven hair,
She is not “pert an’ bonny,”
Nor “winsome, wee, an’ fair.”
But when a man’s in trouble,
And darkest shadows fall,
She’s just a little woman
I’d back against them all.
I’d back against them all,
When friends on rocks are hurled—
Oh, she’s the little woman
I’d back against the world.
She has her little temper
(As all the world can know)
When things are running smoothly,
She sometimes lets it go;
But when the sea is stormy,
And clouds are like a pall,
Oh, she’s the little woman
I’d back against them all.
I’d back against the world,
When darkest shadows fall—
Oh, she’s the little woman
I’d back against them all.
She’s had to stand at business
Till she was fit to drop;
She has to count the pennies
When she goes to the shop.
She has no land or terrace,
Nor money in the bank,
And, save what’s in her ownself,
No influence nor rank.
No influence nor rank
While darker shadows fall—
Oh, she’s a little woman
I’d back against them all.
It will not last for ever,
As old time goes his rounds,
Where now she counts the pennies
She yet shall count the pounds.
And those who laugh to see her,
Or pass her unawares,
Shall stand beside her motor car,
And bow her up the stairs.
And bow her up the stairs,
When foes on rocks are hurled—
For she’s the little woman
I’ll back against the world.
Or may I slave in prisons,
In mental misery,
And no one write a letter,
And no one visit me!
And may I rot with paupers,
A ditch without a stone,
My work be never quoted,
And my grave be never known.
My work be never quoted,
When friends on rocks are hurled—
Ah! she’s a little woman
I’d back against the world.
246
Henry Lawson
I'd Back Again the World
I'd Back Again the World
She's not like an empress,
And crowned with raven hair,
She is not “pert an’ bonny,”
Nor “winsome, wee, an’ fair.”
But when a man’s in trouble,
And darkest shadows fall,
She’s just a little woman
I’d back against them all.
I’d back against them all,
When friends on rocks are hurled—
Oh, she’s the little woman
I’d back against the world.
She has her little temper
(As all the world can know)
When things are running smoothly,
She sometimes lets it go;
But when the sea is stormy,
And clouds are like a pall,
Oh, she’s the little woman
I’d back against them all.
I’d back against the world,
When darkest shadows fall—
Oh, she’s the little woman
I’d back against them all.
She’s had to stand at business
Till she was fit to drop;
She has to count the pennies
When she goes to the shop.
She has no land or terrace,
Nor money in the bank,
And, save what’s in her ownself,
No influence nor rank.
No influence nor rank
While darker shadows fall—
Oh, she’s a little woman
I’d back against them all.
It will not last for ever,
As old time goes his rounds,
Where now she counts the pennies
She yet shall count the pounds.
And those who laugh to see her,
Or pass her unawares,
Shall stand beside her motor car,
And bow her up the stairs.
And bow her up the stairs,
When foes on rocks are hurled—
For she’s the little woman
I’ll back against the world.
Or may I slave in prisons,
In mental misery,
And no one write a letter,
And no one visit me!
And may I rot with paupers,
A ditch without a stone,
My work be never quoted,
And my grave be never known.
My work be never quoted,
When friends on rocks are hurled—
Ah! she’s a little woman
I’d back against the world.
She's not like an empress,
And crowned with raven hair,
She is not “pert an’ bonny,”
Nor “winsome, wee, an’ fair.”
But when a man’s in trouble,
And darkest shadows fall,
She’s just a little woman
I’d back against them all.
I’d back against them all,
When friends on rocks are hurled—
Oh, she’s the little woman
I’d back against the world.
She has her little temper
(As all the world can know)
When things are running smoothly,
She sometimes lets it go;
But when the sea is stormy,
And clouds are like a pall,
Oh, she’s the little woman
I’d back against them all.
I’d back against the world,
When darkest shadows fall—
Oh, she’s the little woman
I’d back against them all.
She’s had to stand at business
Till she was fit to drop;
She has to count the pennies
When she goes to the shop.
She has no land or terrace,
Nor money in the bank,
And, save what’s in her ownself,
No influence nor rank.
No influence nor rank
While darker shadows fall—
Oh, she’s a little woman
I’d back against them all.
It will not last for ever,
As old time goes his rounds,
Where now she counts the pennies
She yet shall count the pounds.
And those who laugh to see her,
Or pass her unawares,
Shall stand beside her motor car,
And bow her up the stairs.
And bow her up the stairs,
When foes on rocks are hurled—
For she’s the little woman
I’ll back against the world.
Or may I slave in prisons,
In mental misery,
And no one write a letter,
And no one visit me!
And may I rot with paupers,
A ditch without a stone,
My work be never quoted,
And my grave be never known.
My work be never quoted,
When friends on rocks are hurled—
Ah! she’s a little woman
I’d back against the world.
246
Henry Lawson
I'd Back Again the World
I'd Back Again the World
She's not like an empress,
And crowned with raven hair,
She is not “pert an’ bonny,”
Nor “winsome, wee, an’ fair.”
But when a man’s in trouble,
And darkest shadows fall,
She’s just a little woman
I’d back against them all.
I’d back against them all,
When friends on rocks are hurled—
Oh, she’s the little woman
I’d back against the world.
She has her little temper
(As all the world can know)
When things are running smoothly,
She sometimes lets it go;
But when the sea is stormy,
And clouds are like a pall,
Oh, she’s the little woman
I’d back against them all.
I’d back against the world,
When darkest shadows fall—
Oh, she’s the little woman
I’d back against them all.
She’s had to stand at business
Till she was fit to drop;
She has to count the pennies
When she goes to the shop.
She has no land or terrace,
Nor money in the bank,
And, save what’s in her ownself,
No influence nor rank.
No influence nor rank
While darker shadows fall—
Oh, she’s a little woman
I’d back against them all.
It will not last for ever,
As old time goes his rounds,
Where now she counts the pennies
She yet shall count the pounds.
And those who laugh to see her,
Or pass her unawares,
Shall stand beside her motor car,
And bow her up the stairs.
And bow her up the stairs,
When foes on rocks are hurled—
For she’s the little woman
I’ll back against the world.
Or may I slave in prisons,
In mental misery,
And no one write a letter,
And no one visit me!
And may I rot with paupers,
A ditch without a stone,
My work be never quoted,
And my grave be never known.
My work be never quoted,
When friends on rocks are hurled—
Ah! she’s a little woman
I’d back against the world.
She's not like an empress,
And crowned with raven hair,
She is not “pert an’ bonny,”
Nor “winsome, wee, an’ fair.”
But when a man’s in trouble,
And darkest shadows fall,
She’s just a little woman
I’d back against them all.
I’d back against them all,
When friends on rocks are hurled—
Oh, she’s the little woman
I’d back against the world.
She has her little temper
(As all the world can know)
When things are running smoothly,
She sometimes lets it go;
But when the sea is stormy,
And clouds are like a pall,
Oh, she’s the little woman
I’d back against them all.
I’d back against the world,
When darkest shadows fall—
Oh, she’s the little woman
I’d back against them all.
She’s had to stand at business
Till she was fit to drop;
She has to count the pennies
When she goes to the shop.
She has no land or terrace,
Nor money in the bank,
And, save what’s in her ownself,
No influence nor rank.
No influence nor rank
While darker shadows fall—
Oh, she’s a little woman
I’d back against them all.
It will not last for ever,
As old time goes his rounds,
Where now she counts the pennies
She yet shall count the pounds.
And those who laugh to see her,
Or pass her unawares,
Shall stand beside her motor car,
And bow her up the stairs.
And bow her up the stairs,
When foes on rocks are hurled—
For she’s the little woman
I’ll back against the world.
Or may I slave in prisons,
In mental misery,
And no one write a letter,
And no one visit me!
And may I rot with paupers,
A ditch without a stone,
My work be never quoted,
And my grave be never known.
My work be never quoted,
When friends on rocks are hurled—
Ah! she’s a little woman
I’d back against the world.
246
Henry Lawson
Here's Luck
Here's Luck
Old Time is tramping close to-day—you hear his bluchers fall,
A mighty change is on the way, an’ God protect us all;
Some dust’ll fly from beery coats—at least it’s been declared.
I’m glad that wimin has the votes—but just a trifle scared.
I’m just a trifle scared—For why? The wimin mean to rule;
It makes me feel like days gone by when I was caned at school.
The days of men is nearly dead—of double moons and stars—
They’ll soon put out our pipes, ’tis said, an’ close the public bars.
No more we’ll take a glass of ale when pushed with care an’ strife,
An’chuckle home with that old tale we used to tell the wife.
We’ll laugh an’joke an’ sing no more with jolly beery chums,
An’ shout ‘Here’s luck!’ while waitin’ for the luck that never comes.
Did we prohibit swillin’ tea clean out of common-sense
Or legislate on gossipin’ across a backyard fence?
Did we prohibit bustles—or the hoops when they was here?
The wimin never think of this—they want to stop our beer.
The track o’ life is dry enough, an’ crossed with many a rut,
But, oh! we’ll find it long an’ rough when all the pubs is shut,
When all the pubs is shut, an’ gone the doors we used to seek,
An’ we go toilin’, thirstin’ on through Sundays all the week.
For since the days when pubs was ‘inns’—in years gone past’n’ far—
Poor sinful souls have drowned their sins an’ sorrers at the bar;
An’ though at times it led to crimes, an’ debt, and such complaints—
I scarce dare think about the time when all mankind is saints.
’Twould make the bones of Bacchus leap an’ break his coffin lid;
And Burns’s ghost would wail an’ weep as Bobby never did.
But let the preachers preach in style, an’ rave and rant—’n’ buck,
I rather guess they’ll hear awhile the old war-cry: ‘Here’s Luck!’
The world might wobble round the sun, an’ all the banks go bung,
But pipes’ll smoke an’ liquor run while Auld Lang Syne is sung.
While men are driven through the mill, an’ flinty times is struck,
They’ll find a private entrance still! Here’s Luck, old man—Here’s Luck!
Old Time is tramping close to-day—you hear his bluchers fall,
A mighty change is on the way, an’ God protect us all;
Some dust’ll fly from beery coats—at least it’s been declared.
I’m glad that wimin has the votes—but just a trifle scared.
I’m just a trifle scared—For why? The wimin mean to rule;
It makes me feel like days gone by when I was caned at school.
The days of men is nearly dead—of double moons and stars—
They’ll soon put out our pipes, ’tis said, an’ close the public bars.
No more we’ll take a glass of ale when pushed with care an’ strife,
An’chuckle home with that old tale we used to tell the wife.
We’ll laugh an’joke an’ sing no more with jolly beery chums,
An’ shout ‘Here’s luck!’ while waitin’ for the luck that never comes.
Did we prohibit swillin’ tea clean out of common-sense
Or legislate on gossipin’ across a backyard fence?
Did we prohibit bustles—or the hoops when they was here?
The wimin never think of this—they want to stop our beer.
The track o’ life is dry enough, an’ crossed with many a rut,
But, oh! we’ll find it long an’ rough when all the pubs is shut,
When all the pubs is shut, an’ gone the doors we used to seek,
An’ we go toilin’, thirstin’ on through Sundays all the week.
For since the days when pubs was ‘inns’—in years gone past’n’ far—
Poor sinful souls have drowned their sins an’ sorrers at the bar;
An’ though at times it led to crimes, an’ debt, and such complaints—
I scarce dare think about the time when all mankind is saints.
’Twould make the bones of Bacchus leap an’ break his coffin lid;
And Burns’s ghost would wail an’ weep as Bobby never did.
But let the preachers preach in style, an’ rave and rant—’n’ buck,
I rather guess they’ll hear awhile the old war-cry: ‘Here’s Luck!’
The world might wobble round the sun, an’ all the banks go bung,
But pipes’ll smoke an’ liquor run while Auld Lang Syne is sung.
While men are driven through the mill, an’ flinty times is struck,
They’ll find a private entrance still! Here’s Luck, old man—Here’s Luck!
277
Henry Lawson
How the Land was Won
How the Land was Won
The future was dark and the past was dead
As they gazed on the sea once more –
But a nation was born when the immigrants said
"Good-bye!" as they stepped ashore!
In their loneliness they were parted thus
Because of the work to do,
A wild wide land to be won for us
By hearts and hands so few.
The darkest land 'neath a blue sky's dome,
And the widest waste on earth;
The strangest scenes and the least like home
In the lands of our fathers' birth;
The loneliest land in the wide world then,
And away on the furthest seas,
A land most barren of life for men –
And they won it by twos and threes!
With God, or a dog, to watch, they slept
By the camp-fires' ghastly glow,
Where the scrubs were dark as the blacks that crept
With "nulla" and spear held low;
Death was hidden amongst the trees,
And bare on the glaring sand
They fought and perished by twos and threes –
And that's how they won the land!
It was two that failed by the dry creek bed,
While one reeled on alone –
The dust of Australia's greatest dead
With the dust of the desert blown!
Gaunt cheek-bones cracking the parchment skin
That scorched in the blazing sun,
Black lips that broke in a ghastly grin –
And that's how the land was won!
Starvation and toil on the tracks they went,
And death by the lonely way;
The childbirth under the tilt or tent,
The childbirth under the dray!
The childbirth out in the desolate hut
With a half-wild gin for nurse –
That's how the first were born to bear
The brunt of the first man's curse!
They toiled and they fought through the shame of it –
Through wilderness, flood, and drought;
They worked, in the struggles of early days,
Their sons' salvation out.
The white girl-wife in the hut alone,
The men on the boundless run,
The miseries suffered, unvoiced, unknown –
And that's how the land was won.
No armchair rest for the old folk then –
But, ruined by blight and drought,
They blazed the tracks to the camps again
In the big scrubs further out.
The worn haft, wet with a father's sweat,
Gripped hard by the eldest son,
The boy's back formed to the hump of toil –
And that's how the land was won!
And beyond Up Country, beyond Out Back,
And the rainless belt, they ride,
The currency lad and the ne'er-do-well
And the black sheep, side by side;
In wheeling horizons of endless haze
That disk through the Great North-west,
They ride for ever by twos and by threes –
And that's how they win the rest.
The future was dark and the past was dead
As they gazed on the sea once more –
But a nation was born when the immigrants said
"Good-bye!" as they stepped ashore!
In their loneliness they were parted thus
Because of the work to do,
A wild wide land to be won for us
By hearts and hands so few.
The darkest land 'neath a blue sky's dome,
And the widest waste on earth;
The strangest scenes and the least like home
In the lands of our fathers' birth;
The loneliest land in the wide world then,
And away on the furthest seas,
A land most barren of life for men –
And they won it by twos and threes!
With God, or a dog, to watch, they slept
By the camp-fires' ghastly glow,
Where the scrubs were dark as the blacks that crept
With "nulla" and spear held low;
Death was hidden amongst the trees,
And bare on the glaring sand
They fought and perished by twos and threes –
And that's how they won the land!
It was two that failed by the dry creek bed,
While one reeled on alone –
The dust of Australia's greatest dead
With the dust of the desert blown!
Gaunt cheek-bones cracking the parchment skin
That scorched in the blazing sun,
Black lips that broke in a ghastly grin –
And that's how the land was won!
Starvation and toil on the tracks they went,
And death by the lonely way;
The childbirth under the tilt or tent,
The childbirth under the dray!
The childbirth out in the desolate hut
With a half-wild gin for nurse –
That's how the first were born to bear
The brunt of the first man's curse!
They toiled and they fought through the shame of it –
Through wilderness, flood, and drought;
They worked, in the struggles of early days,
Their sons' salvation out.
The white girl-wife in the hut alone,
The men on the boundless run,
The miseries suffered, unvoiced, unknown –
And that's how the land was won.
No armchair rest for the old folk then –
But, ruined by blight and drought,
They blazed the tracks to the camps again
In the big scrubs further out.
The worn haft, wet with a father's sweat,
Gripped hard by the eldest son,
The boy's back formed to the hump of toil –
And that's how the land was won!
And beyond Up Country, beyond Out Back,
And the rainless belt, they ride,
The currency lad and the ne'er-do-well
And the black sheep, side by side;
In wheeling horizons of endless haze
That disk through the Great North-west,
They ride for ever by twos and by threes –
And that's how they win the rest.
210
Henry Lawson
He Mourned His Master
He Mourned His Master
INTRODUCTION
The theme is ancient as the hills,
With all their prehistoric glory;
But yet of Corney and his friend,
We’ve often longed to tell the story;
And should we jar the reader’s ear,
Or fail to please his eye observant,
We only trust that he’ll forgive
The bush muse and—your humble servant.
THE STORY
Old Corney built in Deadman’s Gap
A hut, where mountain shades grow denser,
And there he lived for many years,
A timber-getter and a fencer.
And no one knew if he’d a soul
Above long sprees, or split-rail fences,
Unless, indeed, it was his friend,
Who always kept his confidences.
There was a saw-pit in the range;
’Twas owned by three, and they were brothers,
And visitors to Corney’s hut—
’Twas seldom visited by others.
They came because, as they averred,
“Old Corney licked—a gent infernal.”
“His yarns,” if I might trust their word,
“Would made the fortune of a journal.”
In short, the splitter was a “cure”,
Who brightened up their lives’ dull courses;
And so on Sunday afternoons,
At Corney’s hut they’d hang their horses.
They’d have a game of cards and smoke,
And sometimes sing, which was a rum thing—
Unless, in spite of legal folk,
The splitter kept a “drop of something”.
If, as ’twas said, he was “a swell”
Before he sought these sombre ranges,
’Twixt mother’s arms and coffin gear
He must have seen a world of changes.
But from his lips would never fall
A hint of home, or friends, or brothers;
And if he told his tale at all,
He must have told it as another’s.
Though he was good at telling yarns,
At listening he excelled not less so,
And greatly helped the bushman’s tales
With “yes”, “exactly so”, or “jes’ so”.
In short, the hut became a club
Like our Assembly Legislative,
Combining smokeroom, hall, and “pub”,
Political and recreative.
Old Corney lived and Corney died,
As we will, too, on some to-morrow,
But not as Corney died, we hope,
Of heart disease, and rum, and sorrow.
(We hope to lead a married life,
At times the cup of comfort quaffing;
And when we leave this world of strife
We trust that we may die of laughing.)
One New Year’s Eve they found him dead—
For rum had made his life unstable—
They found him stretched upon his bed,
And also found, upon the table,
The coloured portrait of a girl—
Blue eyes of course. The hair was golden,
A faded letter and a curl,
And—well, we said the theme was olden.
The splitter had for days been dead
And cold before the sawyers found him,
And none had witnessed how he died
Except the friend who whimpered round him;
A noble friend, and of a kind
Who stay when other friends forsake us;
And he at last was left behind
To greet the rough bush undertakers.
This was a season when the bush
Was somewhat ruled by time and distance,
And bushmen came and tried the world,
And “gave it best” without assistance.
Then one might die of heart disease,
And still be spared the inquest horrors.
And when the splitter lay at ease,
So, also, did his sins and sorrows.
“Ole Corey’s dead,” the bushmen said;
“He’s gone at last, an’ ne’er a blunder.”
And so they brought a horse and dray,
And tools to “tuck the old cove under.”
The funeral wended through the range,
And slowly round its rugged corners;
The reader will not think it strange
That Corney’s friend was chief of mourners.
He must have thought the bushmen hard,
And of his misery unheeding,
Because they shunned his anxious eyes,
That seemed for explanation pleading.
At intervals his tongue would wipe
The jaws that seemed with anguish quaking;
As some strong hand impatiently
Might chide the tears for prison breaking.
They reached by rugged ways at last,
A desolate bush cemetery,
Where now (our tale is of the past),
A thriving town its dead doth bury.
And where the bones of pioneers
Are found and thrown aside unheeded—
For later sleepers, blessed with tears
Of many friends, the graves are needed.
The funeral reached the bushmen’s graves,
Where these old pioneers were sleeping,
And now while down the granite ridge
The shadow of the peak was creeping,
They dug a grave beneath a gum
And lowered the dead as gently may be
As Corney’s mother long before
Had laid him down to “hush-a-baby”.
A bushman read the words to which
The others reverently listened,
Some bearded lips were seen to twitch,
Some shaded eyes with moisture glistened.
Perhaps this weakness was because
Their work reminded them in sorrow
Of other burials long ago,
When friends “turned in to wait the morrow.”
The boys had brought the splitter’s tools,
And now they split and put together
Four panels such as Corney made,
To stand the stress of western weather.
Perhaps this second weakness rose,
From some good reason undetected;
They may have thought of other graves
Of dearer friends they left neglected.
“Old Corney’s dead, he paid his bills”
(These words upon the tree were graven)
“And oft a swagman down in luck,
At Corey’s mansion found a haven.”
If this an explanation needs,
We greatly fear we can’t afford it;
Unless they thought of other dead,
Whose virtues they had not recorded.
The day had crossed the homeward track,
And as the bushmen turned to tread it,
They thought and spoke of many things,
Remembered now to Corney’s credit;
And strange to say, above their heads
The kookaburra burst with laughter.
(Perhaps he thought of other friends
Whose virtues they remembered—after.)
But now the bushmen hurried on
Lest darkness in the range should find them;
And strange to say they never saw
That Corney’s friend had stayed behind them.
If one had thrown a backward glance
Along the rugged path they wended,
He might have seen a darker form
Upon the damp cold mound extended.
But soon their forms had vanished all,
And night came down the ranges faster,
And no one saw the shadows fall
Upon the dog that mourned his master.
INTRODUCTION
The theme is ancient as the hills,
With all their prehistoric glory;
But yet of Corney and his friend,
We’ve often longed to tell the story;
And should we jar the reader’s ear,
Or fail to please his eye observant,
We only trust that he’ll forgive
The bush muse and—your humble servant.
THE STORY
Old Corney built in Deadman’s Gap
A hut, where mountain shades grow denser,
And there he lived for many years,
A timber-getter and a fencer.
And no one knew if he’d a soul
Above long sprees, or split-rail fences,
Unless, indeed, it was his friend,
Who always kept his confidences.
There was a saw-pit in the range;
’Twas owned by three, and they were brothers,
And visitors to Corney’s hut—
’Twas seldom visited by others.
They came because, as they averred,
“Old Corney licked—a gent infernal.”
“His yarns,” if I might trust their word,
“Would made the fortune of a journal.”
In short, the splitter was a “cure”,
Who brightened up their lives’ dull courses;
And so on Sunday afternoons,
At Corney’s hut they’d hang their horses.
They’d have a game of cards and smoke,
And sometimes sing, which was a rum thing—
Unless, in spite of legal folk,
The splitter kept a “drop of something”.
If, as ’twas said, he was “a swell”
Before he sought these sombre ranges,
’Twixt mother’s arms and coffin gear
He must have seen a world of changes.
But from his lips would never fall
A hint of home, or friends, or brothers;
And if he told his tale at all,
He must have told it as another’s.
Though he was good at telling yarns,
At listening he excelled not less so,
And greatly helped the bushman’s tales
With “yes”, “exactly so”, or “jes’ so”.
In short, the hut became a club
Like our Assembly Legislative,
Combining smokeroom, hall, and “pub”,
Political and recreative.
Old Corney lived and Corney died,
As we will, too, on some to-morrow,
But not as Corney died, we hope,
Of heart disease, and rum, and sorrow.
(We hope to lead a married life,
At times the cup of comfort quaffing;
And when we leave this world of strife
We trust that we may die of laughing.)
One New Year’s Eve they found him dead—
For rum had made his life unstable—
They found him stretched upon his bed,
And also found, upon the table,
The coloured portrait of a girl—
Blue eyes of course. The hair was golden,
A faded letter and a curl,
And—well, we said the theme was olden.
The splitter had for days been dead
And cold before the sawyers found him,
And none had witnessed how he died
Except the friend who whimpered round him;
A noble friend, and of a kind
Who stay when other friends forsake us;
And he at last was left behind
To greet the rough bush undertakers.
This was a season when the bush
Was somewhat ruled by time and distance,
And bushmen came and tried the world,
And “gave it best” without assistance.
Then one might die of heart disease,
And still be spared the inquest horrors.
And when the splitter lay at ease,
So, also, did his sins and sorrows.
“Ole Corey’s dead,” the bushmen said;
“He’s gone at last, an’ ne’er a blunder.”
And so they brought a horse and dray,
And tools to “tuck the old cove under.”
The funeral wended through the range,
And slowly round its rugged corners;
The reader will not think it strange
That Corney’s friend was chief of mourners.
He must have thought the bushmen hard,
And of his misery unheeding,
Because they shunned his anxious eyes,
That seemed for explanation pleading.
At intervals his tongue would wipe
The jaws that seemed with anguish quaking;
As some strong hand impatiently
Might chide the tears for prison breaking.
They reached by rugged ways at last,
A desolate bush cemetery,
Where now (our tale is of the past),
A thriving town its dead doth bury.
And where the bones of pioneers
Are found and thrown aside unheeded—
For later sleepers, blessed with tears
Of many friends, the graves are needed.
The funeral reached the bushmen’s graves,
Where these old pioneers were sleeping,
And now while down the granite ridge
The shadow of the peak was creeping,
They dug a grave beneath a gum
And lowered the dead as gently may be
As Corney’s mother long before
Had laid him down to “hush-a-baby”.
A bushman read the words to which
The others reverently listened,
Some bearded lips were seen to twitch,
Some shaded eyes with moisture glistened.
Perhaps this weakness was because
Their work reminded them in sorrow
Of other burials long ago,
When friends “turned in to wait the morrow.”
The boys had brought the splitter’s tools,
And now they split and put together
Four panels such as Corney made,
To stand the stress of western weather.
Perhaps this second weakness rose,
From some good reason undetected;
They may have thought of other graves
Of dearer friends they left neglected.
“Old Corney’s dead, he paid his bills”
(These words upon the tree were graven)
“And oft a swagman down in luck,
At Corey’s mansion found a haven.”
If this an explanation needs,
We greatly fear we can’t afford it;
Unless they thought of other dead,
Whose virtues they had not recorded.
The day had crossed the homeward track,
And as the bushmen turned to tread it,
They thought and spoke of many things,
Remembered now to Corney’s credit;
And strange to say, above their heads
The kookaburra burst with laughter.
(Perhaps he thought of other friends
Whose virtues they remembered—after.)
But now the bushmen hurried on
Lest darkness in the range should find them;
And strange to say they never saw
That Corney’s friend had stayed behind them.
If one had thrown a backward glance
Along the rugged path they wended,
He might have seen a darker form
Upon the damp cold mound extended.
But soon their forms had vanished all,
And night came down the ranges faster,
And no one saw the shadows fall
Upon the dog that mourned his master.
195
Henry Lawson
He Mourned His Master
He Mourned His Master
INTRODUCTION
The theme is ancient as the hills,
With all their prehistoric glory;
But yet of Corney and his friend,
We’ve often longed to tell the story;
And should we jar the reader’s ear,
Or fail to please his eye observant,
We only trust that he’ll forgive
The bush muse and—your humble servant.
THE STORY
Old Corney built in Deadman’s Gap
A hut, where mountain shades grow denser,
And there he lived for many years,
A timber-getter and a fencer.
And no one knew if he’d a soul
Above long sprees, or split-rail fences,
Unless, indeed, it was his friend,
Who always kept his confidences.
There was a saw-pit in the range;
’Twas owned by three, and they were brothers,
And visitors to Corney’s hut—
’Twas seldom visited by others.
They came because, as they averred,
“Old Corney licked—a gent infernal.”
“His yarns,” if I might trust their word,
“Would made the fortune of a journal.”
In short, the splitter was a “cure”,
Who brightened up their lives’ dull courses;
And so on Sunday afternoons,
At Corney’s hut they’d hang their horses.
They’d have a game of cards and smoke,
And sometimes sing, which was a rum thing—
Unless, in spite of legal folk,
The splitter kept a “drop of something”.
If, as ’twas said, he was “a swell”
Before he sought these sombre ranges,
’Twixt mother’s arms and coffin gear
He must have seen a world of changes.
But from his lips would never fall
A hint of home, or friends, or brothers;
And if he told his tale at all,
He must have told it as another’s.
Though he was good at telling yarns,
At listening he excelled not less so,
And greatly helped the bushman’s tales
With “yes”, “exactly so”, or “jes’ so”.
In short, the hut became a club
Like our Assembly Legislative,
Combining smokeroom, hall, and “pub”,
Political and recreative.
Old Corney lived and Corney died,
As we will, too, on some to-morrow,
But not as Corney died, we hope,
Of heart disease, and rum, and sorrow.
(We hope to lead a married life,
At times the cup of comfort quaffing;
And when we leave this world of strife
We trust that we may die of laughing.)
One New Year’s Eve they found him dead—
For rum had made his life unstable—
They found him stretched upon his bed,
And also found, upon the table,
The coloured portrait of a girl—
Blue eyes of course. The hair was golden,
A faded letter and a curl,
And—well, we said the theme was olden.
The splitter had for days been dead
And cold before the sawyers found him,
And none had witnessed how he died
Except the friend who whimpered round him;
A noble friend, and of a kind
Who stay when other friends forsake us;
And he at last was left behind
To greet the rough bush undertakers.
This was a season when the bush
Was somewhat ruled by time and distance,
And bushmen came and tried the world,
And “gave it best” without assistance.
Then one might die of heart disease,
And still be spared the inquest horrors.
And when the splitter lay at ease,
So, also, did his sins and sorrows.
“Ole Corey’s dead,” the bushmen said;
“He’s gone at last, an’ ne’er a blunder.”
And so they brought a horse and dray,
And tools to “tuck the old cove under.”
The funeral wended through the range,
And slowly round its rugged corners;
The reader will not think it strange
That Corney’s friend was chief of mourners.
He must have thought the bushmen hard,
And of his misery unheeding,
Because they shunned his anxious eyes,
That seemed for explanation pleading.
At intervals his tongue would wipe
The jaws that seemed with anguish quaking;
As some strong hand impatiently
Might chide the tears for prison breaking.
They reached by rugged ways at last,
A desolate bush cemetery,
Where now (our tale is of the past),
A thriving town its dead doth bury.
And where the bones of pioneers
Are found and thrown aside unheeded—
For later sleepers, blessed with tears
Of many friends, the graves are needed.
The funeral reached the bushmen’s graves,
Where these old pioneers were sleeping,
And now while down the granite ridge
The shadow of the peak was creeping,
They dug a grave beneath a gum
And lowered the dead as gently may be
As Corney’s mother long before
Had laid him down to “hush-a-baby”.
A bushman read the words to which
The others reverently listened,
Some bearded lips were seen to twitch,
Some shaded eyes with moisture glistened.
Perhaps this weakness was because
Their work reminded them in sorrow
Of other burials long ago,
When friends “turned in to wait the morrow.”
The boys had brought the splitter’s tools,
And now they split and put together
Four panels such as Corney made,
To stand the stress of western weather.
Perhaps this second weakness rose,
From some good reason undetected;
They may have thought of other graves
Of dearer friends they left neglected.
“Old Corney’s dead, he paid his bills”
(These words upon the tree were graven)
“And oft a swagman down in luck,
At Corey’s mansion found a haven.”
If this an explanation needs,
We greatly fear we can’t afford it;
Unless they thought of other dead,
Whose virtues they had not recorded.
The day had crossed the homeward track,
And as the bushmen turned to tread it,
They thought and spoke of many things,
Remembered now to Corney’s credit;
And strange to say, above their heads
The kookaburra burst with laughter.
(Perhaps he thought of other friends
Whose virtues they remembered—after.)
But now the bushmen hurried on
Lest darkness in the range should find them;
And strange to say they never saw
That Corney’s friend had stayed behind them.
If one had thrown a backward glance
Along the rugged path they wended,
He might have seen a darker form
Upon the damp cold mound extended.
But soon their forms had vanished all,
And night came down the ranges faster,
And no one saw the shadows fall
Upon the dog that mourned his master.
INTRODUCTION
The theme is ancient as the hills,
With all their prehistoric glory;
But yet of Corney and his friend,
We’ve often longed to tell the story;
And should we jar the reader’s ear,
Or fail to please his eye observant,
We only trust that he’ll forgive
The bush muse and—your humble servant.
THE STORY
Old Corney built in Deadman’s Gap
A hut, where mountain shades grow denser,
And there he lived for many years,
A timber-getter and a fencer.
And no one knew if he’d a soul
Above long sprees, or split-rail fences,
Unless, indeed, it was his friend,
Who always kept his confidences.
There was a saw-pit in the range;
’Twas owned by three, and they were brothers,
And visitors to Corney’s hut—
’Twas seldom visited by others.
They came because, as they averred,
“Old Corney licked—a gent infernal.”
“His yarns,” if I might trust their word,
“Would made the fortune of a journal.”
In short, the splitter was a “cure”,
Who brightened up their lives’ dull courses;
And so on Sunday afternoons,
At Corney’s hut they’d hang their horses.
They’d have a game of cards and smoke,
And sometimes sing, which was a rum thing—
Unless, in spite of legal folk,
The splitter kept a “drop of something”.
If, as ’twas said, he was “a swell”
Before he sought these sombre ranges,
’Twixt mother’s arms and coffin gear
He must have seen a world of changes.
But from his lips would never fall
A hint of home, or friends, or brothers;
And if he told his tale at all,
He must have told it as another’s.
Though he was good at telling yarns,
At listening he excelled not less so,
And greatly helped the bushman’s tales
With “yes”, “exactly so”, or “jes’ so”.
In short, the hut became a club
Like our Assembly Legislative,
Combining smokeroom, hall, and “pub”,
Political and recreative.
Old Corney lived and Corney died,
As we will, too, on some to-morrow,
But not as Corney died, we hope,
Of heart disease, and rum, and sorrow.
(We hope to lead a married life,
At times the cup of comfort quaffing;
And when we leave this world of strife
We trust that we may die of laughing.)
One New Year’s Eve they found him dead—
For rum had made his life unstable—
They found him stretched upon his bed,
And also found, upon the table,
The coloured portrait of a girl—
Blue eyes of course. The hair was golden,
A faded letter and a curl,
And—well, we said the theme was olden.
The splitter had for days been dead
And cold before the sawyers found him,
And none had witnessed how he died
Except the friend who whimpered round him;
A noble friend, and of a kind
Who stay when other friends forsake us;
And he at last was left behind
To greet the rough bush undertakers.
This was a season when the bush
Was somewhat ruled by time and distance,
And bushmen came and tried the world,
And “gave it best” without assistance.
Then one might die of heart disease,
And still be spared the inquest horrors.
And when the splitter lay at ease,
So, also, did his sins and sorrows.
“Ole Corey’s dead,” the bushmen said;
“He’s gone at last, an’ ne’er a blunder.”
And so they brought a horse and dray,
And tools to “tuck the old cove under.”
The funeral wended through the range,
And slowly round its rugged corners;
The reader will not think it strange
That Corney’s friend was chief of mourners.
He must have thought the bushmen hard,
And of his misery unheeding,
Because they shunned his anxious eyes,
That seemed for explanation pleading.
At intervals his tongue would wipe
The jaws that seemed with anguish quaking;
As some strong hand impatiently
Might chide the tears for prison breaking.
They reached by rugged ways at last,
A desolate bush cemetery,
Where now (our tale is of the past),
A thriving town its dead doth bury.
And where the bones of pioneers
Are found and thrown aside unheeded—
For later sleepers, blessed with tears
Of many friends, the graves are needed.
The funeral reached the bushmen’s graves,
Where these old pioneers were sleeping,
And now while down the granite ridge
The shadow of the peak was creeping,
They dug a grave beneath a gum
And lowered the dead as gently may be
As Corney’s mother long before
Had laid him down to “hush-a-baby”.
A bushman read the words to which
The others reverently listened,
Some bearded lips were seen to twitch,
Some shaded eyes with moisture glistened.
Perhaps this weakness was because
Their work reminded them in sorrow
Of other burials long ago,
When friends “turned in to wait the morrow.”
The boys had brought the splitter’s tools,
And now they split and put together
Four panels such as Corney made,
To stand the stress of western weather.
Perhaps this second weakness rose,
From some good reason undetected;
They may have thought of other graves
Of dearer friends they left neglected.
“Old Corney’s dead, he paid his bills”
(These words upon the tree were graven)
“And oft a swagman down in luck,
At Corey’s mansion found a haven.”
If this an explanation needs,
We greatly fear we can’t afford it;
Unless they thought of other dead,
Whose virtues they had not recorded.
The day had crossed the homeward track,
And as the bushmen turned to tread it,
They thought and spoke of many things,
Remembered now to Corney’s credit;
And strange to say, above their heads
The kookaburra burst with laughter.
(Perhaps he thought of other friends
Whose virtues they remembered—after.)
But now the bushmen hurried on
Lest darkness in the range should find them;
And strange to say they never saw
That Corney’s friend had stayed behind them.
If one had thrown a backward glance
Along the rugged path they wended,
He might have seen a darker form
Upon the damp cold mound extended.
But soon their forms had vanished all,
And night came down the ranges faster,
And no one saw the shadows fall
Upon the dog that mourned his master.
195
Henry Lawson
He Mourned His Master
He Mourned His Master
INTRODUCTION
The theme is ancient as the hills,
With all their prehistoric glory;
But yet of Corney and his friend,
We’ve often longed to tell the story;
And should we jar the reader’s ear,
Or fail to please his eye observant,
We only trust that he’ll forgive
The bush muse and—your humble servant.
THE STORY
Old Corney built in Deadman’s Gap
A hut, where mountain shades grow denser,
And there he lived for many years,
A timber-getter and a fencer.
And no one knew if he’d a soul
Above long sprees, or split-rail fences,
Unless, indeed, it was his friend,
Who always kept his confidences.
There was a saw-pit in the range;
’Twas owned by three, and they were brothers,
And visitors to Corney’s hut—
’Twas seldom visited by others.
They came because, as they averred,
“Old Corney licked—a gent infernal.”
“His yarns,” if I might trust their word,
“Would made the fortune of a journal.”
In short, the splitter was a “cure”,
Who brightened up their lives’ dull courses;
And so on Sunday afternoons,
At Corney’s hut they’d hang their horses.
They’d have a game of cards and smoke,
And sometimes sing, which was a rum thing—
Unless, in spite of legal folk,
The splitter kept a “drop of something”.
If, as ’twas said, he was “a swell”
Before he sought these sombre ranges,
’Twixt mother’s arms and coffin gear
He must have seen a world of changes.
But from his lips would never fall
A hint of home, or friends, or brothers;
And if he told his tale at all,
He must have told it as another’s.
Though he was good at telling yarns,
At listening he excelled not less so,
And greatly helped the bushman’s tales
With “yes”, “exactly so”, or “jes’ so”.
In short, the hut became a club
Like our Assembly Legislative,
Combining smokeroom, hall, and “pub”,
Political and recreative.
Old Corney lived and Corney died,
As we will, too, on some to-morrow,
But not as Corney died, we hope,
Of heart disease, and rum, and sorrow.
(We hope to lead a married life,
At times the cup of comfort quaffing;
And when we leave this world of strife
We trust that we may die of laughing.)
One New Year’s Eve they found him dead—
For rum had made his life unstable—
They found him stretched upon his bed,
And also found, upon the table,
The coloured portrait of a girl—
Blue eyes of course. The hair was golden,
A faded letter and a curl,
And—well, we said the theme was olden.
The splitter had for days been dead
And cold before the sawyers found him,
And none had witnessed how he died
Except the friend who whimpered round him;
A noble friend, and of a kind
Who stay when other friends forsake us;
And he at last was left behind
To greet the rough bush undertakers.
This was a season when the bush
Was somewhat ruled by time and distance,
And bushmen came and tried the world,
And “gave it best” without assistance.
Then one might die of heart disease,
And still be spared the inquest horrors.
And when the splitter lay at ease,
So, also, did his sins and sorrows.
“Ole Corey’s dead,” the bushmen said;
“He’s gone at last, an’ ne’er a blunder.”
And so they brought a horse and dray,
And tools to “tuck the old cove under.”
The funeral wended through the range,
And slowly round its rugged corners;
The reader will not think it strange
That Corney’s friend was chief of mourners.
He must have thought the bushmen hard,
And of his misery unheeding,
Because they shunned his anxious eyes,
That seemed for explanation pleading.
At intervals his tongue would wipe
The jaws that seemed with anguish quaking;
As some strong hand impatiently
Might chide the tears for prison breaking.
They reached by rugged ways at last,
A desolate bush cemetery,
Where now (our tale is of the past),
A thriving town its dead doth bury.
And where the bones of pioneers
Are found and thrown aside unheeded—
For later sleepers, blessed with tears
Of many friends, the graves are needed.
The funeral reached the bushmen’s graves,
Where these old pioneers were sleeping,
And now while down the granite ridge
The shadow of the peak was creeping,
They dug a grave beneath a gum
And lowered the dead as gently may be
As Corney’s mother long before
Had laid him down to “hush-a-baby”.
A bushman read the words to which
The others reverently listened,
Some bearded lips were seen to twitch,
Some shaded eyes with moisture glistened.
Perhaps this weakness was because
Their work reminded them in sorrow
Of other burials long ago,
When friends “turned in to wait the morrow.”
The boys had brought the splitter’s tools,
And now they split and put together
Four panels such as Corney made,
To stand the stress of western weather.
Perhaps this second weakness rose,
From some good reason undetected;
They may have thought of other graves
Of dearer friends they left neglected.
“Old Corney’s dead, he paid his bills”
(These words upon the tree were graven)
“And oft a swagman down in luck,
At Corey’s mansion found a haven.”
If this an explanation needs,
We greatly fear we can’t afford it;
Unless they thought of other dead,
Whose virtues they had not recorded.
The day had crossed the homeward track,
And as the bushmen turned to tread it,
They thought and spoke of many things,
Remembered now to Corney’s credit;
And strange to say, above their heads
The kookaburra burst with laughter.
(Perhaps he thought of other friends
Whose virtues they remembered—after.)
But now the bushmen hurried on
Lest darkness in the range should find them;
And strange to say they never saw
That Corney’s friend had stayed behind them.
If one had thrown a backward glance
Along the rugged path they wended,
He might have seen a darker form
Upon the damp cold mound extended.
But soon their forms had vanished all,
And night came down the ranges faster,
And no one saw the shadows fall
Upon the dog that mourned his master.
INTRODUCTION
The theme is ancient as the hills,
With all their prehistoric glory;
But yet of Corney and his friend,
We’ve often longed to tell the story;
And should we jar the reader’s ear,
Or fail to please his eye observant,
We only trust that he’ll forgive
The bush muse and—your humble servant.
THE STORY
Old Corney built in Deadman’s Gap
A hut, where mountain shades grow denser,
And there he lived for many years,
A timber-getter and a fencer.
And no one knew if he’d a soul
Above long sprees, or split-rail fences,
Unless, indeed, it was his friend,
Who always kept his confidences.
There was a saw-pit in the range;
’Twas owned by three, and they were brothers,
And visitors to Corney’s hut—
’Twas seldom visited by others.
They came because, as they averred,
“Old Corney licked—a gent infernal.”
“His yarns,” if I might trust their word,
“Would made the fortune of a journal.”
In short, the splitter was a “cure”,
Who brightened up their lives’ dull courses;
And so on Sunday afternoons,
At Corney’s hut they’d hang their horses.
They’d have a game of cards and smoke,
And sometimes sing, which was a rum thing—
Unless, in spite of legal folk,
The splitter kept a “drop of something”.
If, as ’twas said, he was “a swell”
Before he sought these sombre ranges,
’Twixt mother’s arms and coffin gear
He must have seen a world of changes.
But from his lips would never fall
A hint of home, or friends, or brothers;
And if he told his tale at all,
He must have told it as another’s.
Though he was good at telling yarns,
At listening he excelled not less so,
And greatly helped the bushman’s tales
With “yes”, “exactly so”, or “jes’ so”.
In short, the hut became a club
Like our Assembly Legislative,
Combining smokeroom, hall, and “pub”,
Political and recreative.
Old Corney lived and Corney died,
As we will, too, on some to-morrow,
But not as Corney died, we hope,
Of heart disease, and rum, and sorrow.
(We hope to lead a married life,
At times the cup of comfort quaffing;
And when we leave this world of strife
We trust that we may die of laughing.)
One New Year’s Eve they found him dead—
For rum had made his life unstable—
They found him stretched upon his bed,
And also found, upon the table,
The coloured portrait of a girl—
Blue eyes of course. The hair was golden,
A faded letter and a curl,
And—well, we said the theme was olden.
The splitter had for days been dead
And cold before the sawyers found him,
And none had witnessed how he died
Except the friend who whimpered round him;
A noble friend, and of a kind
Who stay when other friends forsake us;
And he at last was left behind
To greet the rough bush undertakers.
This was a season when the bush
Was somewhat ruled by time and distance,
And bushmen came and tried the world,
And “gave it best” without assistance.
Then one might die of heart disease,
And still be spared the inquest horrors.
And when the splitter lay at ease,
So, also, did his sins and sorrows.
“Ole Corey’s dead,” the bushmen said;
“He’s gone at last, an’ ne’er a blunder.”
And so they brought a horse and dray,
And tools to “tuck the old cove under.”
The funeral wended through the range,
And slowly round its rugged corners;
The reader will not think it strange
That Corney’s friend was chief of mourners.
He must have thought the bushmen hard,
And of his misery unheeding,
Because they shunned his anxious eyes,
That seemed for explanation pleading.
At intervals his tongue would wipe
The jaws that seemed with anguish quaking;
As some strong hand impatiently
Might chide the tears for prison breaking.
They reached by rugged ways at last,
A desolate bush cemetery,
Where now (our tale is of the past),
A thriving town its dead doth bury.
And where the bones of pioneers
Are found and thrown aside unheeded—
For later sleepers, blessed with tears
Of many friends, the graves are needed.
The funeral reached the bushmen’s graves,
Where these old pioneers were sleeping,
And now while down the granite ridge
The shadow of the peak was creeping,
They dug a grave beneath a gum
And lowered the dead as gently may be
As Corney’s mother long before
Had laid him down to “hush-a-baby”.
A bushman read the words to which
The others reverently listened,
Some bearded lips were seen to twitch,
Some shaded eyes with moisture glistened.
Perhaps this weakness was because
Their work reminded them in sorrow
Of other burials long ago,
When friends “turned in to wait the morrow.”
The boys had brought the splitter’s tools,
And now they split and put together
Four panels such as Corney made,
To stand the stress of western weather.
Perhaps this second weakness rose,
From some good reason undetected;
They may have thought of other graves
Of dearer friends they left neglected.
“Old Corney’s dead, he paid his bills”
(These words upon the tree were graven)
“And oft a swagman down in luck,
At Corey’s mansion found a haven.”
If this an explanation needs,
We greatly fear we can’t afford it;
Unless they thought of other dead,
Whose virtues they had not recorded.
The day had crossed the homeward track,
And as the bushmen turned to tread it,
They thought and spoke of many things,
Remembered now to Corney’s credit;
And strange to say, above their heads
The kookaburra burst with laughter.
(Perhaps he thought of other friends
Whose virtues they remembered—after.)
But now the bushmen hurried on
Lest darkness in the range should find them;
And strange to say they never saw
That Corney’s friend had stayed behind them.
If one had thrown a backward glance
Along the rugged path they wended,
He might have seen a darker form
Upon the damp cold mound extended.
But soon their forms had vanished all,
And night came down the ranges faster,
And no one saw the shadows fall
Upon the dog that mourned his master.
195
Henry Lawson
Hannah Thomburn
Hannah Thomburn
They lifted her out of a story
Too sordid and selfish by far,
They left me the innocent glory
Of love that was pure as a star;
They left me all guiltless of “evil”
That would have brought years of distress
When the chance to be man, god or devil,
Was mine, on return from Success.
With a name and a courage uncommon
She had come in the soul striving days,
She had come as a child, girl and woman—
Come only to comfort and praise.
There was never a church that could marry,
For never a court could divorce,
In the season of Hannah and Harry
When the love of my life ran its course.
Her hair was red gold on head Grecian,
But fluffed from the parting away,
And her eyes were the warm grey Venetian
That comes with the dawn of the day.
No Fashion nor Fad could entrap her,
And a simple print work dress wore she,
But her long limbs were formed for the “wrapper”
And her fair arms were meant to be free.
(Oh, I knew by the thrill of pure passion
At the touch of her elbow, or hand—
By the wife’s loveless eyes that would flash on
The feeling I could not command.
Oh, I knew when revulsion came rushing—
Oh, I knew by the brush strokes that hurt
At the sight of a sculptor friend brushing
The clay from the hem of her skirt.)
She was mine on return from succeeding
In a struggle that no one shall know;
She only knew my heart was bleeding,
She only knew what dealt the blow.
I had fought back the friends that were clutching,
I had forced back the heart-scalding tears
Just to lay my hot head to her touching
And to weep for Two Terrible Years.
Oh! the hand on my hair that was greying!
Oh! the kiss on my brow that was lined!
Oh! the peace when my reason was straying
And the rest and relief for my mind.
Till, no longer world shackled or frightened,
The voice of the past would be stilled,
Hearts quickened, cheeks flushed and eyes brightened,
And the love of our lives be fulfilled!
It was Antwerp, and Plymouth—th’ Atlantic
And, so well had Love’s network been laid,
That I heard of her illness, grown frantic,
At Genoa, Naples—Port Said.
I was mad just to reach her and “tell her”,
But a sandbank at Suez tripped me,
And we limped, with a crippled propeller,
Through all Hades adown the Red Sea.
Through the monsoon we rolled like a Jumbo
With a second blade shaken away,
There was never a dock in Colombo
So the captain drank hard to Bombay.
Then a “point” in the south like an anthill
Or seawastes—then hove into sight—
I called for no news at Fremantle
For I wanted to hope through the Bight.
There’s a gentleman, reading, shall know it,
There’s an earl who will now understand
Why I “slighted” the son of their poet
(And a vice regal lord of the land)—
Semaphore—and a burst through the wicket
On platform left guards in distress—
A run without luggage or ticket,
A cab, and the Melbourne Express.
’Twas a brother-in-grief of mine told me
With harsh eyes unwontedly dim,
With a hand on my shoulder to hold me
And a grip on my own—to hold him.
A dry choke, and words cracked and hurried,
A stare, as of something afraid,
And he told me that Hannah was buried
On the day I reached Port Adelaide.
They could greet me—let Heaven or Hell come,
They could weep—for the grave by the sea
Oh! the mother and father could welcome
And the kinsfolk without fear of me.
For they watched her safe out of a story
Where she slaved and suffered alone—
They could weep to the tune of the hoary
Old lie “If we only had known”.
But I have the letter that followed
That she wrote to England and me—
That crossed us perchance as we wallowed
That birthday of mine on the sea,
That she wrote on the eve of her going,
Hopeful and loving and brave,
To keep me there, prosperous, knowing,
No care save the far away grave.
They have lifted her out of a story
Too sordid and selfish by far,
And left me the innocent glory
Of love that was pure as a star:
That was human and strong though she hid it
To write before death in last lines—
And I kneel to the angels who did it
And I bow to the fate that refines.
They lifted her out of a story
Too sordid and selfish by far,
They left me the innocent glory
Of love that was pure as a star;
They left me all guiltless of “evil”
That would have brought years of distress
When the chance to be man, god or devil,
Was mine, on return from Success.
With a name and a courage uncommon
She had come in the soul striving days,
She had come as a child, girl and woman—
Come only to comfort and praise.
There was never a church that could marry,
For never a court could divorce,
In the season of Hannah and Harry
When the love of my life ran its course.
Her hair was red gold on head Grecian,
But fluffed from the parting away,
And her eyes were the warm grey Venetian
That comes with the dawn of the day.
No Fashion nor Fad could entrap her,
And a simple print work dress wore she,
But her long limbs were formed for the “wrapper”
And her fair arms were meant to be free.
(Oh, I knew by the thrill of pure passion
At the touch of her elbow, or hand—
By the wife’s loveless eyes that would flash on
The feeling I could not command.
Oh, I knew when revulsion came rushing—
Oh, I knew by the brush strokes that hurt
At the sight of a sculptor friend brushing
The clay from the hem of her skirt.)
She was mine on return from succeeding
In a struggle that no one shall know;
She only knew my heart was bleeding,
She only knew what dealt the blow.
I had fought back the friends that were clutching,
I had forced back the heart-scalding tears
Just to lay my hot head to her touching
And to weep for Two Terrible Years.
Oh! the hand on my hair that was greying!
Oh! the kiss on my brow that was lined!
Oh! the peace when my reason was straying
And the rest and relief for my mind.
Till, no longer world shackled or frightened,
The voice of the past would be stilled,
Hearts quickened, cheeks flushed and eyes brightened,
And the love of our lives be fulfilled!
It was Antwerp, and Plymouth—th’ Atlantic
And, so well had Love’s network been laid,
That I heard of her illness, grown frantic,
At Genoa, Naples—Port Said.
I was mad just to reach her and “tell her”,
But a sandbank at Suez tripped me,
And we limped, with a crippled propeller,
Through all Hades adown the Red Sea.
Through the monsoon we rolled like a Jumbo
With a second blade shaken away,
There was never a dock in Colombo
So the captain drank hard to Bombay.
Then a “point” in the south like an anthill
Or seawastes—then hove into sight—
I called for no news at Fremantle
For I wanted to hope through the Bight.
There’s a gentleman, reading, shall know it,
There’s an earl who will now understand
Why I “slighted” the son of their poet
(And a vice regal lord of the land)—
Semaphore—and a burst through the wicket
On platform left guards in distress—
A run without luggage or ticket,
A cab, and the Melbourne Express.
’Twas a brother-in-grief of mine told me
With harsh eyes unwontedly dim,
With a hand on my shoulder to hold me
And a grip on my own—to hold him.
A dry choke, and words cracked and hurried,
A stare, as of something afraid,
And he told me that Hannah was buried
On the day I reached Port Adelaide.
They could greet me—let Heaven or Hell come,
They could weep—for the grave by the sea
Oh! the mother and father could welcome
And the kinsfolk without fear of me.
For they watched her safe out of a story
Where she slaved and suffered alone—
They could weep to the tune of the hoary
Old lie “If we only had known”.
But I have the letter that followed
That she wrote to England and me—
That crossed us perchance as we wallowed
That birthday of mine on the sea,
That she wrote on the eve of her going,
Hopeful and loving and brave,
To keep me there, prosperous, knowing,
No care save the far away grave.
They have lifted her out of a story
Too sordid and selfish by far,
And left me the innocent glory
Of love that was pure as a star:
That was human and strong though she hid it
To write before death in last lines—
And I kneel to the angels who did it
And I bow to the fate that refines.
239
Henry Lawson
Hannah Thomburn
Hannah Thomburn
They lifted her out of a story
Too sordid and selfish by far,
They left me the innocent glory
Of love that was pure as a star;
They left me all guiltless of “evil”
That would have brought years of distress
When the chance to be man, god or devil,
Was mine, on return from Success.
With a name and a courage uncommon
She had come in the soul striving days,
She had come as a child, girl and woman—
Come only to comfort and praise.
There was never a church that could marry,
For never a court could divorce,
In the season of Hannah and Harry
When the love of my life ran its course.
Her hair was red gold on head Grecian,
But fluffed from the parting away,
And her eyes were the warm grey Venetian
That comes with the dawn of the day.
No Fashion nor Fad could entrap her,
And a simple print work dress wore she,
But her long limbs were formed for the “wrapper”
And her fair arms were meant to be free.
(Oh, I knew by the thrill of pure passion
At the touch of her elbow, or hand—
By the wife’s loveless eyes that would flash on
The feeling I could not command.
Oh, I knew when revulsion came rushing—
Oh, I knew by the brush strokes that hurt
At the sight of a sculptor friend brushing
The clay from the hem of her skirt.)
She was mine on return from succeeding
In a struggle that no one shall know;
She only knew my heart was bleeding,
She only knew what dealt the blow.
I had fought back the friends that were clutching,
I had forced back the heart-scalding tears
Just to lay my hot head to her touching
And to weep for Two Terrible Years.
Oh! the hand on my hair that was greying!
Oh! the kiss on my brow that was lined!
Oh! the peace when my reason was straying
And the rest and relief for my mind.
Till, no longer world shackled or frightened,
The voice of the past would be stilled,
Hearts quickened, cheeks flushed and eyes brightened,
And the love of our lives be fulfilled!
It was Antwerp, and Plymouth—th’ Atlantic
And, so well had Love’s network been laid,
That I heard of her illness, grown frantic,
At Genoa, Naples—Port Said.
I was mad just to reach her and “tell her”,
But a sandbank at Suez tripped me,
And we limped, with a crippled propeller,
Through all Hades adown the Red Sea.
Through the monsoon we rolled like a Jumbo
With a second blade shaken away,
There was never a dock in Colombo
So the captain drank hard to Bombay.
Then a “point” in the south like an anthill
Or seawastes—then hove into sight—
I called for no news at Fremantle
For I wanted to hope through the Bight.
There’s a gentleman, reading, shall know it,
There’s an earl who will now understand
Why I “slighted” the son of their poet
(And a vice regal lord of the land)—
Semaphore—and a burst through the wicket
On platform left guards in distress—
A run without luggage or ticket,
A cab, and the Melbourne Express.
’Twas a brother-in-grief of mine told me
With harsh eyes unwontedly dim,
With a hand on my shoulder to hold me
And a grip on my own—to hold him.
A dry choke, and words cracked and hurried,
A stare, as of something afraid,
And he told me that Hannah was buried
On the day I reached Port Adelaide.
They could greet me—let Heaven or Hell come,
They could weep—for the grave by the sea
Oh! the mother and father could welcome
And the kinsfolk without fear of me.
For they watched her safe out of a story
Where she slaved and suffered alone—
They could weep to the tune of the hoary
Old lie “If we only had known”.
But I have the letter that followed
That she wrote to England and me—
That crossed us perchance as we wallowed
That birthday of mine on the sea,
That she wrote on the eve of her going,
Hopeful and loving and brave,
To keep me there, prosperous, knowing,
No care save the far away grave.
They have lifted her out of a story
Too sordid and selfish by far,
And left me the innocent glory
Of love that was pure as a star:
That was human and strong though she hid it
To write before death in last lines—
And I kneel to the angels who did it
And I bow to the fate that refines.
They lifted her out of a story
Too sordid and selfish by far,
They left me the innocent glory
Of love that was pure as a star;
They left me all guiltless of “evil”
That would have brought years of distress
When the chance to be man, god or devil,
Was mine, on return from Success.
With a name and a courage uncommon
She had come in the soul striving days,
She had come as a child, girl and woman—
Come only to comfort and praise.
There was never a church that could marry,
For never a court could divorce,
In the season of Hannah and Harry
When the love of my life ran its course.
Her hair was red gold on head Grecian,
But fluffed from the parting away,
And her eyes were the warm grey Venetian
That comes with the dawn of the day.
No Fashion nor Fad could entrap her,
And a simple print work dress wore she,
But her long limbs were formed for the “wrapper”
And her fair arms were meant to be free.
(Oh, I knew by the thrill of pure passion
At the touch of her elbow, or hand—
By the wife’s loveless eyes that would flash on
The feeling I could not command.
Oh, I knew when revulsion came rushing—
Oh, I knew by the brush strokes that hurt
At the sight of a sculptor friend brushing
The clay from the hem of her skirt.)
She was mine on return from succeeding
In a struggle that no one shall know;
She only knew my heart was bleeding,
She only knew what dealt the blow.
I had fought back the friends that were clutching,
I had forced back the heart-scalding tears
Just to lay my hot head to her touching
And to weep for Two Terrible Years.
Oh! the hand on my hair that was greying!
Oh! the kiss on my brow that was lined!
Oh! the peace when my reason was straying
And the rest and relief for my mind.
Till, no longer world shackled or frightened,
The voice of the past would be stilled,
Hearts quickened, cheeks flushed and eyes brightened,
And the love of our lives be fulfilled!
It was Antwerp, and Plymouth—th’ Atlantic
And, so well had Love’s network been laid,
That I heard of her illness, grown frantic,
At Genoa, Naples—Port Said.
I was mad just to reach her and “tell her”,
But a sandbank at Suez tripped me,
And we limped, with a crippled propeller,
Through all Hades adown the Red Sea.
Through the monsoon we rolled like a Jumbo
With a second blade shaken away,
There was never a dock in Colombo
So the captain drank hard to Bombay.
Then a “point” in the south like an anthill
Or seawastes—then hove into sight—
I called for no news at Fremantle
For I wanted to hope through the Bight.
There’s a gentleman, reading, shall know it,
There’s an earl who will now understand
Why I “slighted” the son of their poet
(And a vice regal lord of the land)—
Semaphore—and a burst through the wicket
On platform left guards in distress—
A run without luggage or ticket,
A cab, and the Melbourne Express.
’Twas a brother-in-grief of mine told me
With harsh eyes unwontedly dim,
With a hand on my shoulder to hold me
And a grip on my own—to hold him.
A dry choke, and words cracked and hurried,
A stare, as of something afraid,
And he told me that Hannah was buried
On the day I reached Port Adelaide.
They could greet me—let Heaven or Hell come,
They could weep—for the grave by the sea
Oh! the mother and father could welcome
And the kinsfolk without fear of me.
For they watched her safe out of a story
Where she slaved and suffered alone—
They could weep to the tune of the hoary
Old lie “If we only had known”.
But I have the letter that followed
That she wrote to England and me—
That crossed us perchance as we wallowed
That birthday of mine on the sea,
That she wrote on the eve of her going,
Hopeful and loving and brave,
To keep me there, prosperous, knowing,
No care save the far away grave.
They have lifted her out of a story
Too sordid and selfish by far,
And left me the innocent glory
Of love that was pure as a star:
That was human and strong though she hid it
To write before death in last lines—
And I kneel to the angels who did it
And I bow to the fate that refines.
239