Emotions and Feelings

The Picture

The eyes of this dead lady speak to me,
For here was love, was not to be drowned out.
And here desire, not to be kissed away.
The eyes of this dead lady speak to me.

The Jewel Stairs' Grievance

The jewelled steps are already quite white with dew,
It is so late that the dew soaks my gauze stockings,
And I let down the crystal curtain
And watch the moon through the clear autumn.

The Garden

En robe de parade. Samain


Like a skein of loose silk blown against a wall
She walks by the railing of a path in Kensington Gardens,
And she is dying piece-meal

Tof a sort of emotional anaemia.


And round about there is a rabble
Of the filthy, sturdy, unkillable infants of the very poor.
They shall inherit the earth.


In her is the end of breeding.
Her boredom is exquisite and excessive.
She would like some one to speak to her,
And is almost afraid that I


Twill commit that indiscretion.

The Garden

En robe de parade. Samain


Like a skein of loose silk blown against a wall
She walks by the railing of a path in Kensington Gardens,
And she is dying piece-meal

Tof a sort of emotional anaemia.


And round about there is a rabble
Of the filthy, sturdy, unkillable infants of the very poor.
They shall inherit the earth.


In her is the end of breeding.
Her boredom is exquisite and excessive.
She would like some one to speak to her,
And is almost afraid that I


Twill commit that indiscretion.

The Flame

‘Tis not a game that plays at mates and mating,
Provençe knew;
'Tis not a game of barter, lands and houses,
Provençe knew.
We who are wise beyond your dream of wisdom,
Drink our immortal moments; we 'pass through'.
We have gone forth beyond your bonds and borders,
Provençe knew;
And all the tales of Oisin say but this:
That man doth pass the net of days and hours.
Where time is shrivelled down to time's seed corn
We of the Ever-living, in that light
Meet through our veils and whisper, and of love.


O smoke and shadow of a darkling world,
These, and the rest, and all the rest we knew.
'Tis not a game that plays at mates and mating,
'Tis not a game of barter, lands and houses,
'Tis not 4of days and nights' and troubling years,
Of cheeks grown sunken and glad hair gone gray;
There is the subtler music, the clear light
Where time burns back about th' eternal embers.
We are not shut from all the thousand heavens:
Lo, there are many gods whom we have seen,
Folk of unearthly fashion, places splendid,
Bulwarks of beryl and of chrysoprase.


Sapphire Benacus, in thy mists and thee
Nature herself's turned metaphysical,
Who can look on that blue and not believe?


Thou hooded opal, thou eternal pearl,
O thou dark secret with a shimmering floor,
Through all thy various mood I know thee mine;
If I have merged my soul, or utterly
Am solved and bound in, through aught here on earth,
There canst thou find me, O thou anxious thou,
Who call’st about my gates for some lost me;
I say my soul flowed back, became translucent.
Search not my lips, O Love, let go my hands,
This thing that moves as man is no more mortal.
If thou hast seen my shade sans character,
If thou hast seen that mirror of all moments,
That glass to all things that o'ershadow it,
Call not that mirror me, for I have slipped
Your grasp, I have eluded.

The City Of Choan

The phoenix are at play on their terrace.
The phoenix are gone, the river Hows on alone.
Flowers and grass
Cover over the dark path
where lay the dynastic house of the Go.
The bright cloths and bright caps of Shin
Are now the base of old hills.


The Three Mountains fall through the far heaven,
The isle of White Heron
splits the two streams apart.
Now the high clouds cover the sun
And I can not see Choan afar
And I am sad.

The City Of Choan

The phoenix are at play on their terrace.
The phoenix are gone, the river Hows on alone.
Flowers and grass
Cover over the dark path
where lay the dynastic house of the Go.
The bright cloths and bright caps of Shin
Are now the base of old hills.


The Three Mountains fall through the far heaven,
The isle of White Heron
splits the two streams apart.
Now the high clouds cover the sun
And I can not see Choan afar
And I am sad.

The Altar

Let us build here an exquisite friendship,
The flame, the autumn, and the green rose of love
Fought out their strife here, 'tis a place of wonder;
Where these have been, meet 'tis, the ground is holy.

The Bath-Tub

As a bathtub lined with white porcelain,
When the hot water gives out or goes tepid,
So is the slow cooling of our chivalrous passion,
O my much praised but-not-altogether-satisfactory lady.

Tame Cat

It rests me to be among beautiful women
Why should one always lie about such matters?
I repeat:
It rests me to converse with beautiful women
Even though we talk nothing but nonsense,


The purring of the invisible antennae
Is both stimulating and delightful.

Tenzone


Will people accept them?


(i.e. these songs).
As a timorous wench from a centaur
(or a centurion),
Already they flee, howling in terror.
Will they be touched with the verisimilitudes?
Their virgin stupidity is untemptable.
I beg you, my friendly critics,
Do not set about to procure me an audience.


I mate with my free kind upon the crags;
the hidden recesses
Have heard the echo ofmy heels,
in the cool light,
in the darkness.

Speech For Psyche In The Golden Book Of Apuleius

All night, and as the wind lieth among
The cypress trees, he lay,
Nor held me save as air that brusheth by one
Close, and as the petals of flowers in falling
Waver and seem not drawn to earth, so he
Seemed over me to hover light as leaves
And closer me than air,
And music flowing through me seemed to open
Mine eyes upon new colours.
O winds, what wind can match the weight of him!

Song Of The Six Hundred M.P.'S

‘We are 'ere met together
in this momentous hower,
Ter lick th' bankers' dirty boots
an' keep the Bank in power.’


We are 'ere met together
ter grind the same old axes
And keep the people in its place
a'payin' us the taxes.


We are six hundred beefy men
(but mostly gas and suet)
An’ every year we meet to let
some other feller do it.'


I see their 'igh 'ats on the seats
an' them sprawling on the benches
And thinks about a Rowton 'ouse
and a lot of small street stenches.


'O Britain, muvver of parliaments,
'ave you seen yer larst sweet litter?
Could yeh swap th' brains of orl this lot
fer 'arft a pint o' bitter?'


‘I couldn't,' she sez, ‘an' I aint tried,
They're me own,' she sez to me,
‘As footlin' a lot as was ever spawned
to defend democracy.'

Song in the Manner of Housman

O woe, woe,
People are born and die,
We also shall be dead pretty soon
Therefore let us act as if we were
dead already.


The bird sits on the hawthorn tree
But he dies also, presently.
Some lads get hung, and some get shot.
Woeful is this human lot.
Woe! woe, etcetera . . . .


London is a woeful place,
Shropshire is much pleasanter.
Then let us smile a little space
Upon fond nature's morbid grace.
Oh, Woe, woe, woe, etcetera . . .

Society


The family position was waning,
And on this account the little Aurelia,
Who had laughed on eighteen summers,
Now bears the palsied contact of Phidippus.

Sestina: Altaforte

Loquitur: En Bertrans de Born.
Dante Alighieri put this man in hell for that he was a
stirrer-up of strife.
Eccovi!
Judge ye!
Have I dug him up again?
The scene in at his castle, Altaforte. "Papiols" is his jongleur.
"The Leopard," the device of Richard (Cúur de Lion).


I


Damn it all! all this our South stinks peace.
You whoreson dog, Papiols, come! Let's to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing
And the broad fields beneath them turn crimson,
Then howl I my heart nigh mad with rejoicing.


II


In hot summer have I great rejoicing
When the tempests kill the earth's foul peace,
And the lightnings from black heav'n flash crimson,
And the fierce thunders roar me their music
And the winds shriek through the clouds mad, opposing,
And through all the riven skies God's swords clash.


III


Hell grant soon we hear again the swords clash!
And the shrill neighs of destriers in battle rejoicing,
Spiked breast to spiked breast opposing!
Better one hour's stour than a year's peace
With fat boards, bawds, wine and frail music!
Bah! there's no wine like the blood's crimson!


IV


And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills all my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace,
His lone might 'gainst all darkness opposing.


V


The man who fears war and squats opposing
My words for stour, hath no blood of crimson
But is fit only to rot in womanish peace
Far from where worth's won and the swords clash
For the death of such sluts I go rejoicing;



Yea, I fill all the air with my music.


VI


Papiols, Papiols, to the music!
There's no sound like to swords swords opposing,
No cry like the battle's rejoicing
When our elbows and swords drip the crimson
And our charges 'gainst "The Leopard's" rush clash.
May God damn for ever all who cry "Peace!"


VII


And let the music of the swords make them crimson!
Hell grant soon we hear again the swords clash!
Hell blot black for always the thought "Peace!"

Sestina: Altaforte

Loquitur: En Bertrans de Born.
Dante Alighieri put this man in hell for that he was a
stirrer-up of strife.
Eccovi!
Judge ye!
Have I dug him up again?
The scene in at his castle, Altaforte. "Papiols" is his jongleur.
"The Leopard," the device of Richard (Cúur de Lion).


I


Damn it all! all this our South stinks peace.
You whoreson dog, Papiols, come! Let's to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing
And the broad fields beneath them turn crimson,
Then howl I my heart nigh mad with rejoicing.


II


In hot summer have I great rejoicing
When the tempests kill the earth's foul peace,
And the lightnings from black heav'n flash crimson,
And the fierce thunders roar me their music
And the winds shriek through the clouds mad, opposing,
And through all the riven skies God's swords clash.


III


Hell grant soon we hear again the swords clash!
And the shrill neighs of destriers in battle rejoicing,
Spiked breast to spiked breast opposing!
Better one hour's stour than a year's peace
With fat boards, bawds, wine and frail music!
Bah! there's no wine like the blood's crimson!


IV


And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills all my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace,
His lone might 'gainst all darkness opposing.


V


The man who fears war and squats opposing
My words for stour, hath no blood of crimson
But is fit only to rot in womanish peace
Far from where worth's won and the swords clash
For the death of such sluts I go rejoicing;



Yea, I fill all the air with my music.


VI


Papiols, Papiols, to the music!
There's no sound like to swords swords opposing,
No cry like the battle's rejoicing
When our elbows and swords drip the crimson
And our charges 'gainst "The Leopard's" rush clash.
May God damn for ever all who cry "Peace!"


VII


And let the music of the swords make them crimson!
Hell grant soon we hear again the swords clash!
Hell blot black for always the thought "Peace!"

Salvationists


I
Come, my songs, let us speak of perfection
We shall get ourselves rather disliked.


II
Ah yes, my songs, let us resurrect
The very excellent term Rusticus.
Let us apply it in all its opprobrium
To those to whom it applies.
And you may decline to make them immortal,
For we shall consider them and their state
In delicate
Opulent silence.


III
Come, my songs,
Let us take arms against this sea of stupidities-
Beginning with Mumpodorus;
And against this sea of vulgarities
Beginning with Nimmim;
And against this sea of imbeciles
All the Bulmenian literati.

Sennin Poem By Kakuhaku

The red and green kingfishers
flash between the orchids and clover,
One bird casts its gleam on another.
Green vines hang through the high forest,
They weave a whole roof to the mountain,
The lone man sits with shut speech,
He purrs and pats the clear strings.
He throws his heart up through the sky,
He bites through the flower pistil
and brings up a fine fountain.
The red-pine-tree god looks at him and wonders.
He rides through the purple smoke to visit the sennin,
He takes 'Floating Hill' by the sleeve,
He claps his hand on the back of the great water sennin.


But you, you dam'd crowd of gnats,
Can you even tell the age of a turtle?

Salutation The Second

You were praised, my books,
because I had just come from the country;
I was twenty years behind the times
so you found an audience ready.
I do not disown you,
do not you disown your progeny.


Here they stand without quaint devices,
Here they are with nothing archaic about them.
Observe the irritation in general:


‘Is this’ they say, 'the nonsense
that we expect of poets?’
'Where is the Picturesque ?'
‘Where is the vertigo of emotion?'
‘No! his first work was the best.’
'Poor Dear! he has lost his illusions.’


Go, little naked and impudent songs,
Go with a light foot!
(Or with two light feet, if it please you!)
Go and dance shamelessly!
Go with an impertinent frolic!


Greet the grave and the stodgy,
Salute them with your thumbs at your noses.


Here are your bells and confetti.
Go! rejuvenate things!
Rejuvenate even 'The Spectator.’
Go! and make cat calls!
Dance and make people blush,
Dance the dance of the phallus
and tell anecdotes of Cybele!
Speak of the indecorous conduct of the Gods!
(Tell it to Mr. Strachey)


Ruffle the skirts of prudes,
speak of their knees and ankles.
But, above all, go to practical people
go! jangle their door-bells!
Say that you do no work
and that you will live forever.

Quies


This is another of our ancient loves.
Pass and be silent, Rullus, for the day
Hath lacked a something since this lady passed;
Hath lacked a something. 'Twas but marginal.

Post Mortem Conspectu

A brown, fat babe sitting in the lotus,
And you were glad and laughing
With a laughter not of this world.
It is good to splash in the water
And laughter is the end of all things.

Piere Vidal Old

When I but think upon the great dead days
And turn my mind upon that splendid madness,
Lo! I do curse my strength
And blame the sun his gladness;
For that the one is dead
And the red sun mocks my sadness.


Behold me, Vidal, that was fool of fools!
Swift as the king wolf was I and as strong
When tall stags fled me through the alder brakes,
And every jongleur knew me in his song,
And the hounds fled and the deer fled
And none fled over long.


Even the grey pack knew me and knew fear.
God! how the swiftest hind's blood spurted hot
Over the sharpened teeth and purpling lips!
Hot was that hind's blood yet it scorched me not
As did first scorn, then lips of the Penautier!
Aye ye are fools, if ye think time can blot


From Piere Vidal’s remembrance that blue night.
God! but the purple of the sky was deep!
Clear, deep, translucent, so the stars me seemed
Set deep in crystal; and because my sleep
Rare visitor came not, the Saints I guerdon
For that restlessness Piere set to keep


One more fool's vigil with the hollyhocks.
Swift came the Loba, as a branch that's caught,
Torn, green and silent in the swollen Rhone,
Green was her mantle, close, and wrought
Of some thin silk stuff that's scarce stuff at all,
But like a mist wherethrough her white form fought,


And conquered! Ah God! conquered!
Silent my mate came as the night was still.
Speech? Words? Faugh! Who talks of words and love?!
Hot is such love and silent,
Silent as fate is, and as strong until
It faints in taking and in giving all.


Stark, keen, triumphant, till it plays at death.
God! she was white then, splendid as some tomb
High wrought of marble, and the panting breath
Ceased utterly. Well, then I waited, drew,
Half-sheathed, then naked from its saffron sheath
Drew full this dagger that doth tremble here.


Just then she woke and mocked the less keen blade.
Ah God, the Loba! and my only mate!
Was there such flesh made ever and unmade!



God curse the years that turn such women grey!
Behold here Vidal, that was hunted, flayed,
Shamed and yet bowed not and that won at last.


And yet I curse the sun for his red gladness,
I that have known strath, garth, brake, dale,
And every run-away of the wood through that great
madness,
Behold me shrivelled as an old oak's trunk
And made men's mock'ry in my rotten sadness!


No man hath heard the glory of my days:
No man hath dared and won his dare as I:
One night, one body and one welding flame!
What do ye own, ye niggards! that can buy
Such glory of the earth? Or who will win
Such battle-guerdon with his 'prowesse high' ?


O age gone lax! O stunted followers,
That mask at passions and desire desires,
Behold me shrivelled, and your mock of mocks;
And yet I mock you by the mighty fires
That burnt me to this ash.


Ah! Cabaret! Ah Cabaret, thy hills again!


Take your hands off me! . . . [Sniffing the air.
Ha! this scent is hot!

Piere Vidal Old

When I but think upon the great dead days
And turn my mind upon that splendid madness,
Lo! I do curse my strength
And blame the sun his gladness;
For that the one is dead
And the red sun mocks my sadness.


Behold me, Vidal, that was fool of fools!
Swift as the king wolf was I and as strong
When tall stags fled me through the alder brakes,
And every jongleur knew me in his song,
And the hounds fled and the deer fled
And none fled over long.


Even the grey pack knew me and knew fear.
God! how the swiftest hind's blood spurted hot
Over the sharpened teeth and purpling lips!
Hot was that hind's blood yet it scorched me not
As did first scorn, then lips of the Penautier!
Aye ye are fools, if ye think time can blot


From Piere Vidal’s remembrance that blue night.
God! but the purple of the sky was deep!
Clear, deep, translucent, so the stars me seemed
Set deep in crystal; and because my sleep
Rare visitor came not, the Saints I guerdon
For that restlessness Piere set to keep


One more fool's vigil with the hollyhocks.
Swift came the Loba, as a branch that's caught,
Torn, green and silent in the swollen Rhone,
Green was her mantle, close, and wrought
Of some thin silk stuff that's scarce stuff at all,
But like a mist wherethrough her white form fought,


And conquered! Ah God! conquered!
Silent my mate came as the night was still.
Speech? Words? Faugh! Who talks of words and love?!
Hot is such love and silent,
Silent as fate is, and as strong until
It faints in taking and in giving all.


Stark, keen, triumphant, till it plays at death.
God! she was white then, splendid as some tomb
High wrought of marble, and the panting breath
Ceased utterly. Well, then I waited, drew,
Half-sheathed, then naked from its saffron sheath
Drew full this dagger that doth tremble here.


Just then she woke and mocked the less keen blade.
Ah God, the Loba! and my only mate!
Was there such flesh made ever and unmade!



God curse the years that turn such women grey!
Behold here Vidal, that was hunted, flayed,
Shamed and yet bowed not and that won at last.


And yet I curse the sun for his red gladness,
I that have known strath, garth, brake, dale,
And every run-away of the wood through that great
madness,
Behold me shrivelled as an old oak's trunk
And made men's mock'ry in my rotten sadness!


No man hath heard the glory of my days:
No man hath dared and won his dare as I:
One night, one body and one welding flame!
What do ye own, ye niggards! that can buy
Such glory of the earth? Or who will win
Such battle-guerdon with his 'prowesse high' ?


O age gone lax! O stunted followers,
That mask at passions and desire desires,
Behold me shrivelled, and your mock of mocks;
And yet I mock you by the mighty fires
That burnt me to this ash.


Ah! Cabaret! Ah Cabaret, thy hills again!


Take your hands off me! . . . [Sniffing the air.
Ha! this scent is hot!