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Emotions and Feelings

Christina Rossetti

Christina Rossetti

Heart’s Chill Between

Heart’s Chill Between

I did not chide him, though I knew
That he was false to me.
Chide the exhaling of the dew,
The ebbing of the sea,
The fading of a rosy hue,—
But not inconstancy.


Why strive for love when love is o'er?
Why bind a restive heart?—
He never knew the pain I bore
In saying: 'We must part;
Let us be friends and nothing more.'
—Oh, woman's shallow art!


But it is over, it is done,—
I hardly heed it now;
So many weary years have run
Since then, I think not how
Things might have been,—but greet each one
With an unruffled brow.


What time I am where others be,
My heart seems very calm—
Stone calm; but if all go from me,
There comes a vague alarm,
A shrinking in the memory
From some forgotten harm.


And often through the long, long night,
Waking when none are near,
I feel my heart beat fast with fright,
Yet know not what I fear.
Oh how I long to see the light,
And the sweet birds to hear!


To have the sun upon my face,
To look up through the trees,
To walk forth in the open space
And listen to the breeze,—
And not to dream the burial-place
Is clogging my weak knees.


Sometimes I can nor weep nor pray,
But am half stupefied:
And then all those who see me say
Mine eyes are opened wide
And that my wits seem gone away—
Ah, would that I had died!


Would I could die and be at peace,
Or living could forget!
My grief nor grows nor doth decrease,



But ever is:—and yet
Methinks, now, that all this shall cease
Before the sun shall set.
201
Christina Rossetti

Christina Rossetti

Heart’s Chill Between

Heart’s Chill Between

I did not chide him, though I knew
That he was false to me.
Chide the exhaling of the dew,
The ebbing of the sea,
The fading of a rosy hue,—
But not inconstancy.


Why strive for love when love is o'er?
Why bind a restive heart?—
He never knew the pain I bore
In saying: 'We must part;
Let us be friends and nothing more.'
—Oh, woman's shallow art!


But it is over, it is done,—
I hardly heed it now;
So many weary years have run
Since then, I think not how
Things might have been,—but greet each one
With an unruffled brow.


What time I am where others be,
My heart seems very calm—
Stone calm; but if all go from me,
There comes a vague alarm,
A shrinking in the memory
From some forgotten harm.


And often through the long, long night,
Waking when none are near,
I feel my heart beat fast with fright,
Yet know not what I fear.
Oh how I long to see the light,
And the sweet birds to hear!


To have the sun upon my face,
To look up through the trees,
To walk forth in the open space
And listen to the breeze,—
And not to dream the burial-place
Is clogging my weak knees.


Sometimes I can nor weep nor pray,
But am half stupefied:
And then all those who see me say
Mine eyes are opened wide
And that my wits seem gone away—
Ah, would that I had died!


Would I could die and be at peace,
Or living could forget!
My grief nor grows nor doth decrease,



But ever is:—and yet
Methinks, now, that all this shall cease
Before the sun shall set.
201
Christina Rossetti

Christina Rossetti

Heart’s Chill Between

Heart’s Chill Between

I did not chide him, though I knew
That he was false to me.
Chide the exhaling of the dew,
The ebbing of the sea,
The fading of a rosy hue,—
But not inconstancy.


Why strive for love when love is o'er?
Why bind a restive heart?—
He never knew the pain I bore
In saying: 'We must part;
Let us be friends and nothing more.'
—Oh, woman's shallow art!


But it is over, it is done,—
I hardly heed it now;
So many weary years have run
Since then, I think not how
Things might have been,—but greet each one
With an unruffled brow.


What time I am where others be,
My heart seems very calm—
Stone calm; but if all go from me,
There comes a vague alarm,
A shrinking in the memory
From some forgotten harm.


And often through the long, long night,
Waking when none are near,
I feel my heart beat fast with fright,
Yet know not what I fear.
Oh how I long to see the light,
And the sweet birds to hear!


To have the sun upon my face,
To look up through the trees,
To walk forth in the open space
And listen to the breeze,—
And not to dream the burial-place
Is clogging my weak knees.


Sometimes I can nor weep nor pray,
But am half stupefied:
And then all those who see me say
Mine eyes are opened wide
And that my wits seem gone away—
Ah, would that I had died!


Would I could die and be at peace,
Or living could forget!
My grief nor grows nor doth decrease,



But ever is:—and yet
Methinks, now, that all this shall cease
Before the sun shall set.
201
Christina Rossetti

Christina Rossetti

Dream-Love

Dream-Love


Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there:
And round about him
The May-bushes are white.


Soft moss the pillow
For oh, a softer cheek;
Broad leaves cast shadow
Upon the heavy eyes:
There winds and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.


Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips;
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.


Burn odours round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For oh, in waking
The sights are not so fair,
And song and silence
Are not like these below.


Young Love lies dreaming
Till summer days are gone,—
Dreaming and drowsing
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep.


Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
Oh, poor the voices
Of earth from east to west,
And poor earth's stillness



Between her stately palms.


Young Love lies drowsing
Away to poppied death;
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm, delicious breath;
And what hath autumn
To give us in its place?


Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere:
Here the first violets
Perhaps will bud unseen,
And a dove, may be,
Return to nestle here.
348
Christina Rossetti

Christina Rossetti

Despised And Rejected

Despised And Rejected

My sun has set, I dwell
In darkness as a dead man out of sight;
And none remains, not one, that I should tell
To him mine evil plight
This bitter night.
I will make fast my door
That hollow friends may trouble me no more.


'Friend, open to Me.'—Who is this that calls?
Nay, I am deaf as are my walls:
Cease crying, for I will not hear
Thy cry of hope or fear.
Others were dear,
Others forsook me: what art thou indeed
That I should heed
Thy lamentable need?
Hungry should feed,
Or stranger lodge thee here?


'Friend, My Feet bleed.
Open thy door to Me and comfort Me.'
I will not open, trouble me no more.
Go on thy way footsore,
I will not rise and open unto thee.


'Then is it nothing to thee? Open, see
Who stands to plead with thee.
Open, lest I should pass thee by, and thou
One day entreat My Face
And howl for grace,
And I be deaf as thou art now.
Open to Me.'


Then I cried out upon him: Cease,
Leave me in peace:
Fear not that I should crave
Aught thou mayst have.
Leave me in peace, yea trouble me no more,
Lest I arise and chase thee from my door.
What, shall I not be let
Alone, that thou dost vex me yet?


But all night long that voice spake urgently:
'Open to Me.'
Still harping in mine ears:
'Rise, let Me in.'
Pleading with tears:
'Open to Me that I may come to thee.'
While the dew dropped, while the dark hours were cold:
'My Feet bleed, see My Face,
See My Hands bleed that bring thee grace,
My Heart doth bleed for thee,



Open to Me.'


So till the break of day:
Then died away
That voice, in silence as of sorrow;
Then footsteps echoing like a sigh
Passed me by,
Lingering footsteps slow to pass.
On the morrow
I saw upon the grass
Each footprint marked in blood, and on my door
The mark of blood for evermore.
228