Emotions and Feelings

Friends


Come, the Wines are off to the seaside,
and the waves by the million!
Look at wild Bitter rolling from the mountain tops!
Let us reach, like good pilgrims, green-pillared Absinthe…


Myself: No more of these landscapes.
What is drunkenness, friends?
I had soon - rather, even - rot in the pond,
beneath the horrible scum, near the floating driftwood.

Drunken Morning

Oh, my Beautiful! Oh, my Good!
Hideous fanfare where yet I do not stumble!
Oh, rack of enchantments!
For the first time, hurrah for the unheard-of work,
For the marvelous body! For the first time!
It began with the laughter of children, and there it will end.
This poison will stay in our veins even when, as the fanfares depart,
We return to our former disharmony.
Oh, now, we who are so worthy of these tortures!
Let us re-create ourselves after that superhuman promise
Made to our souls and our bodies at their creation:
That promise, that madness!
Elegance, silence, violence!
They promised to bury in shadows the tree of good and evil,
To banish tyrannical honesty,
So that we might flourish in our very pure love.
It began with a certain disgust, and it ended -
Since we could not immediately seize upon eternity -
It ended in a scattering of perfumes.
Laughter of children, discretion of slaves, austerity of virgins,
Horror of faces and objects here below,
Be sacred in the memory of the evening past.
It began in utter boorishness, and now it ends
In angels of fire and ice.
Little drunken vigil, blessed!
If only for the mask you have left us!
Method, we believe in you! We never forgot that yesterday
You glorified all of our ages.
We have faith in poison.
We will give our lives completely, every day.
FOR THIS IS THE ASSASSIN'S HOUR.


(translated by Paul Schmidt)

Drunken Morning

Oh, my Beautiful! Oh, my Good!
Hideous fanfare where yet I do not stumble!
Oh, rack of enchantments!
For the first time, hurrah for the unheard-of work,
For the marvelous body! For the first time!
It began with the laughter of children, and there it will end.
This poison will stay in our veins even when, as the fanfares depart,
We return to our former disharmony.
Oh, now, we who are so worthy of these tortures!
Let us re-create ourselves after that superhuman promise
Made to our souls and our bodies at their creation:
That promise, that madness!
Elegance, silence, violence!
They promised to bury in shadows the tree of good and evil,
To banish tyrannical honesty,
So that we might flourish in our very pure love.
It began with a certain disgust, and it ended -
Since we could not immediately seize upon eternity -
It ended in a scattering of perfumes.
Laughter of children, discretion of slaves, austerity of virgins,
Horror of faces and objects here below,
Be sacred in the memory of the evening past.
It began in utter boorishness, and now it ends
In angels of fire and ice.
Little drunken vigil, blessed!
If only for the mask you have left us!
Method, we believe in you! We never forgot that yesterday
You glorified all of our ages.
We have faith in poison.
We will give our lives completely, every day.
FOR THIS IS THE ASSASSIN'S HOUR.


(translated by Paul Schmidt)

Evening Prayer

I spend my life sitting - like an angel
in the hands of a barber - a deeply fluted beer mug
in my fist, belly and neck curved,
a Gambier pipe in my teeth, under the air
swelling with impalpable veils of smoke.


Like the warm excrements in an old dovecote,
a thousand dreams burn softly inside me,
and at times my sad heart is like sap-wood bled
on by the dark yellow gold of its sweats.


Then, when I have carefully swallowed my dreams,
I turn, having drunk thirty or forty tankards,
and gather myself together to relieve bitter need:
As sweetly as the Saviour of Hyssops
and of Cedar I piss towards dark skies,
very high and very far;
and receive the approval of the great heliotropes.

Dawn


I have kissed the summer dawn. Before the palaces, nothing moved. The water lay
dead. Battalions of shadows still kept the forest road.

I walked, walking warm and vital breath, While stones watched, and wings rose
soundlessly.

My first adventure, in a path already gleaming With a clear pale light, Was a flower
who told me its name.

I laughted at the blond Wasserfall That threw its hair across the pines: On the silvered
summit, I came upon the goddess.

Then one by one, I lifted her veils. In the long walk, waving my arms.

Across the meadow, where I betrayed her to the cock. In the heart of town she fled
among the steeples and domes, And I hunted her, scrambling like a beggar on marble
wharves.

Above the road, near a thicket of laurel, I caught her in her gathered veils, And smelled
the scent of her immense body. Dawn and the child fell together at the bottom of the
wood.

When I awoke, it was noon.

Conclusion


The pigeons which flutter in the meadow,
the game which runs and sees in the dark,
the water animals, the animal enslaved,
the last butterflies!.. also are thirsty.
But to dissolve where that wandering cloud is dissolving -
Oh! Favoured by what is fresh!
To expire in those damp violets
whose awakening fills these woods?

Clearance Sale

For what the Jews have not sold,
what neither nobility nor crime have tasted,
what is unknown to monstrous love
and to the infernal probity of the masses!


what neither time nor science need recognize: The Voices restored;
fraternal awakening of all choral and orchestral energies
and their instantaneous application; the opportunity, the only one,
for the release of our senses! For sale Bodies without price,
outside any race, any world, any sex, any lineage! Riches gushing at every step!


Uncontrolled sale of diamonds!
For sale anarchy for the masses;
irrepressible satisfaction for rare connoisseurs;
agonizing death for the faithful and for lovers!


For sale colonization and migrations, sports,
fairylands and incomparable comforts,
and the noise and the movement
and the future they make!


For sale the application of calculations
and the incredible leaps of harmony.
Discoveries and terms never dreamed of,
-- immediate possession.


Wild and infinite flight toward invisible splendors,
toward intangible delights-and
its maddening secrets for every vice
-- and its terrifying gaiety for the mob.


For sale, the bodies, the voices,
the enormous and unquestionable wealth,
that which will never be sold.
Salesmen are not at the end of their stock!
It will be some time before travelers have to turn in their accounts.

Brussels


Boulevard du Régent
July Flowerbeds of amaranths right up to
The pleasant palace of Jupiter. -
I know it is Thou, who is this place,
Minglest thine almost Saharan Blue !


Then, since rose and fir-tree of the sun
And tropical creeper have their play enclosed here,
The little widow's cage !...
What, Flocks of birds, o iaio, iaio !... -


Calm houses, old passions !
Summerhouse of the Lady who ran mad for love.
After the buttocks of the rosebushes,
the balcony Of Juliet, shadowy and very low. -
La Juliette, that reminds me of l'Henriette,
A charming railway station,
At the heart of a mountain, as if the bottom of an orchard
Where a thousand blue devils dance in the air !


Green bench where in stormy paradise,
The white Irish girl sings to the guitar.
Then, from the Guianian dining-room,
Chatter of children and of cages.
The duke's window which makes me think
Of the poison of snails and of boxwood
Sleeping down here in the sun.


And then, It is too beautiful ! too ! Let us maintain our silence. -
Boulevard without movement or business,
Dumb, every drama and every comedy,
Unending concentration of scenes,
I know you and I admire you in silence.


*** Is she an Almeh ?...
in the first blue hours
Will she destroy herself like flowers of fire...
In front of the splendid sweep where one may smell
The enormous flowering city's breath !
It's too beautiful ! It's too beautiful ! but it is necessary -
For the Fisherwoman*
and the Corsair's song,
And also because the last masqueraders still believed
In nocturnal festivities on the pure sea !

Cities Vagabonds

These are cities!
And this is the people for whom these
Alleghenys and Lebanons of dream have been raised!
Castles of wood and crystal move on tracks and invisible winches.


Old craters ringed with mammoth statues and
coppery palms roar melodiously in flames.
Festivals of love reverberate
from the canals suspended behind the castles.


Chimes echo through the gorges like a chase.
Corporations of giant singers assemble,
their vestments and oriflames
brilliant as the mountain-peaks.


On platforms in the midst of gulfs,
Rolands brazen their bravuras.
From abysmal catwalks and the rooftops of inns,
a burning sky hoists flags upon the masts.


The collapse of apotheosis
unites the heights to the depths
where seraphic shecentaurs
wind among the avalanches.


Above the plateaus of the highest reaches,
the sea, troubled by the perpetual birth of Venus
and loaded with choral fleets amid
an uproar of pearls and precious conches,
grows dark at times with mortal thunder.


On the slopes,
harvests of flowers
as big as our weapons
and goblets are bellowing.


Processions of Mabs in red-opaline scale the ravines.
On high, their feet in the waterfalls and briars,
stags give suck to Diana.


Bacchantes of the suburbs weep,
and the moon burns and howls.
Venus enters the caves
of the black-smiths and hermits.


Clusters of belfries repeat the ideas of the people.
Issues from castles of bone an unknown music.
In the boroughs legends
are born and enthusiasm germinate.


A paradise of storms collapses.
Savages dance without stopping the festival of night.



And, for one hour, I descended into the swarm
of a boulevard of Baghdad
where groups of peple were singing
the joy of the new work,
circulating under a heavy wind
without being able to escape those fabulous phantoms
of the mountains to which one must return.

What good arms, what wondrous hour
will restore to me that region
whence come my slumbers
and least movements?

Being Beauteous

Against a fall of snow, a Being Beauiful, and very tall.
Whistlings of death and circles of faint music
Make this adored body, swelling and trembling
Like a specter, rise...
Black and scarlet gashes burst in the gleaming flesh.
The true colors of life grow dark,
Shimmering and sperate
In the scaffolding, around the Vision.


Shiverings mutter and rise,
And the furious taste of these effects is charged
With deadly whistlings and the raucous music
That the world, far behind us, hurls at our mother of beauty...
She retreats, she rises up...
Oh! Our bones have put on new flesh, for love.


Oh ash-white face


Oh tousled hair


O crystal arms!


On this cannot I mean to destroy myself
In a swirling of trees and soft air!

Being Beauteous

Against a fall of snow, a Being Beauiful, and very tall.
Whistlings of death and circles of faint music
Make this adored body, swelling and trembling
Like a specter, rise...
Black and scarlet gashes burst in the gleaming flesh.
The true colors of life grow dark,
Shimmering and sperate
In the scaffolding, around the Vision.


Shiverings mutter and rise,
And the furious taste of these effects is charged
With deadly whistlings and the raucous music
That the world, far behind us, hurls at our mother of beauty...
She retreats, she rises up...
Oh! Our bones have put on new flesh, for love.


Oh ash-white face


Oh tousled hair


O crystal arms!


On this cannot I mean to destroy myself
In a swirling of trees and soft air!

Being Beauteous

Against a fall of snow, a Being Beauiful, and very tall.
Whistlings of death and circles of faint music
Make this adored body, swelling and trembling
Like a specter, rise...
Black and scarlet gashes burst in the gleaming flesh.
The true colors of life grow dark,
Shimmering and sperate
In the scaffolding, around the Vision.


Shiverings mutter and rise,
And the furious taste of these effects is charged
With deadly whistlings and the raucous music
That the world, far behind us, hurls at our mother of beauty...
She retreats, she rises up...
Oh! Our bones have put on new flesh, for love.


Oh ash-white face


Oh tousled hair


O crystal arms!


On this cannot I mean to destroy myself
In a swirling of trees and soft air!

At The Green Inn, Five In The Evening (Au Cabaret-Vert, Cinq Heures Du Soir)

For a whole week I had ripped up my boots
on the stones of the roads.
I walked into Charleroi. -Into the Green Inn:
I asked for some slices of bread and butter,
and some half-cooked ham. Happy, I stuck out my legs under
the green table: I studied the artless patterns of the wallpaper


-and it was charming when the girl with the huge breasts
and lively eyes, - a kiss wouldn't scare that one!
-smilingly brought me some bread and butter and lukewarm ham,
on a coloured plate; - pink and white ham,
scented with a clove of garlic - and filled my huge beer mug,
whose froth was turned into gold
by a ray of late sunshine.
Original French

Au Cabaret-Vert, cinq heures du soir.

Depuis huit jours, j'avais déchiré mes bottines
Aux cailloux des chemins. J'entrais à Charleroi.

-Au Cabaret-Vert : je demandai des tartines
Du beurre et du jambon qui fût à moitié froid.
Bienheureux, j'allongeai les jambes sous la table
Verte : je contemplai les sujets très naïfs
De la tapisserie. - Et ce fut adorable,
Quand la fille aux tétons énormes, aux yeux vifs,


- Celle-là, ce n'est pas un baiser qui l'épeure ! -
Rieuse, m'apporta des tartines de beurre,
Du jambon tiède, dans un plat colorié,


Du jambon rose et blanc parfumé d'une gousse
D'ail, - et m'emplit la chope immense, avec sa mousse
Que dorait un rayon de soleil arriéré.

A Winter Dream

In winter we’ll travel in a little pink carriage
With cushions of blue.
We’ll be fine. A nest of mad kisses waits
In each corner too.


You’ll shut your eyes, not to see, through the glass,
Grimacing shadows of evening,
Those snarling monsters, a crowd going past
Of black wolves and black demons.


Then you’ll feel your cheek tickled quite hard…
A little kiss, like a maddened spider,
Will run over your neck…


And you’ll say: “Catch it!” bowing your head,


– And we’ll take our time finding that creature
– Who travels so far…

A Winter Dream

In winter we’ll travel in a little pink carriage
With cushions of blue.
We’ll be fine. A nest of mad kisses waits
In each corner too.


You’ll shut your eyes, not to see, through the glass,
Grimacing shadows of evening,
Those snarling monsters, a crowd going past
Of black wolves and black demons.


Then you’ll feel your cheek tickled quite hard…
A little kiss, like a maddened spider,
Will run over your neck…


And you’ll say: “Catch it!” bowing your head,


– And we’ll take our time finding that creature
– Who travels so far…

Waly, Waly
O WALY, waly, up the bank,
And waly, waly, doun the brae,
And waly, waly, yon burn-side,
Where I and my Love wont to gae!
I lean'd my back unto an aik,
I thocht it was a trustie tree;
But first it bow'd and syne it brak--
Sae my true love did lichtlie me.
O waly, waly, gin love be bonnie
A little time while it is new!
But when 'tis auld it waxeth cauld,
And fades awa' like morning dew.
O wherefore should I busk my heid,
Or wherefore should I kame my hair?
For my true Love has me forsook,
And says he'll never lo'e me mair.
Now Arthur's Seat sall be my bed,
The sheets sall ne'er be 'filed by me;
Saint Anton's well sall be my drink;
Since my true Love has forsaken me.
Marti'mas wind, when wilt thou blaw,
And shake the green leaves aff the tree?
O gentle Death, when wilt thou come?
For of my life I am wearìe.
'Tis not the frost, that freezes fell,
Nor blawing snaw's inclemencie,
'Tis not sic cauld that makes me cry;
But my Love's heart grown cauld to me.
When we cam in by Glasgow toun,
We were a comely sicht to see;
My Love was clad in the black velvet,
And I mysel in cramasie.
But had I wist, before I kist,
That love had been sae ill to win,
I had lock'd my heart in a case o' gowd,
And pinn'd it wi' a siller pin.
And O! if my young babe were born,
And set upon the nurse's knee;
And I mysel were dead and gane,
And the green grass growing over me!

Waly, Waly
O WALY, waly, up the bank,
And waly, waly, doun the brae,
And waly, waly, yon burn-side,
Where I and my Love wont to gae!
I lean'd my back unto an aik,
I thocht it was a trustie tree;
But first it bow'd and syne it brak--
Sae my true love did lichtlie me.
O waly, waly, gin love be bonnie
A little time while it is new!
But when 'tis auld it waxeth cauld,
And fades awa' like morning dew.
O wherefore should I busk my heid,
Or wherefore should I kame my hair?
For my true Love has me forsook,
And says he'll never lo'e me mair.
Now Arthur's Seat sall be my bed,
The sheets sall ne'er be 'filed by me;
Saint Anton's well sall be my drink;
Since my true Love has forsaken me.
Marti'mas wind, when wilt thou blaw,
And shake the green leaves aff the tree?
O gentle Death, when wilt thou come?
For of my life I am wearìe.
'Tis not the frost, that freezes fell,
Nor blawing snaw's inclemencie,
'Tis not sic cauld that makes me cry;
But my Love's heart grown cauld to me.
When we cam in by Glasgow toun,
We were a comely sicht to see;
My Love was clad in the black velvet,
And I mysel in cramasie.
But had I wist, before I kist,
That love had been sae ill to win,
I had lock'd my heart in a case o' gowd,
And pinn'd it wi' a siller pin.
And O! if my young babe were born,
And set upon the nurse's knee;
And I mysel were dead and gane,
And the green grass growing over me!

When Flora had O'erfret the Firth
QUHEN Flora had o'erfret the firth
In May of every moneth queen;
Quhen merle and mavis singis with mirth
Sweet melling in the shawis sheen;
Quhen all luvaris rejoicit bene
And most desirous of their prey,
I heard a lusty luvar mene
--'I luve, but I dare nocht assay!'
'Strong are the pains I daily prove,
But yet with patience I sustene,
I am so fetterit with the luve
Only of my lady sheen,
Quhilk for her beauty micht be queen,
Nature so craftily alway
Has done depaint that sweet serene:
--Quhom I luve I dare nocht assay.
'She is so bricht of hyd and hue,
I luve but her alone, I ween;
Is none her luve that may eschew,
That blinkis of that dulce amene;
So comely cleir are her twa een
That she mae luvaris dois affray
Than ever of Greece did fair Helene:
--Quhom I luve I dare nocht assay!'

To Her Sea-faring Lover
SHALL I thus ever long, and be no whit the neare?
And shall I still complain to thee, the which me will not hear?
Alas! say nay! say nay! and be no more so dumb,
But open thou thy manly mouth and say that thou wilt come:
Whereby my heart may think, although I see not thee,
That thou wilt come--thy word so sware--if thou a live man be.
The roaring hugy waves they threaten my poor ghost,
And toss thee up and down the seas in danger to be lost.
Shall they not make me fear that they have swallowed thee?
--But as thou art most sure alive, so wilt thou come to me.
Whereby I shall go see thy ship ride on the strand,
And think and say Lo where he comes and Sure here will he land:
And then I shall lift up to thee my little hand,
And thou shalt think thine heart in ease, in health to see me stand.
And if thou come indeed (as Christ thee send to do!)
Those arms which miss thee now shall then embrace [and hold] thee too:
Each vein to every joint the lively blood shall spread
Which now for want of thy glad sight doth show full pale and dead.
But if thou slip thy troth, and do not come at all,
As minutes in the clock do strike so call for death I shall:
To please both thy false heart and rid myself from woe,
That rather had to die in troth than live forsaken so!

To Her Sea-faring Lover
SHALL I thus ever long, and be no whit the neare?
And shall I still complain to thee, the which me will not hear?
Alas! say nay! say nay! and be no more so dumb,
But open thou thy manly mouth and say that thou wilt come:
Whereby my heart may think, although I see not thee,
That thou wilt come--thy word so sware--if thou a live man be.
The roaring hugy waves they threaten my poor ghost,
And toss thee up and down the seas in danger to be lost.
Shall they not make me fear that they have swallowed thee?
--But as thou art most sure alive, so wilt thou come to me.
Whereby I shall go see thy ship ride on the strand,
And think and say Lo where he comes and Sure here will he land:
And then I shall lift up to thee my little hand,
And thou shalt think thine heart in ease, in health to see me stand.
And if thou come indeed (as Christ thee send to do!)
Those arms which miss thee now shall then embrace [and hold] thee too:
Each vein to every joint the lively blood shall spread
Which now for want of thy glad sight doth show full pale and dead.
But if thou slip thy troth, and do not come at all,
As minutes in the clock do strike so call for death I shall:
To please both thy false heart and rid myself from woe,
That rather had to die in troth than live forsaken so!

The Wakening, John Attye's First Book of Airs
ON a time the amorous Silvy
Said to her shepherd, 'Sweet, how do ye?
Kiss me this once and then God be with ye,
My sweetest dear!
Kiss me this once and then God be with ye,
For now the morning draweth near.'
With that, her fairest bosom showing,
Op'ning her lips, rich perfumes blowing,
She said, 'Now kiss me and be going,
My sweetest dear!
Kiss me this once and then be going,
For now the morning draweth near.'
With that the shepherd waked from sleeping,
And spying where the day was peeping,
He said, 'Now take my soul in keeping,
My sweetest dear!
Kiss me and take my soul in keeping,
Since I must go, now day is near.'

There is a Lady sweet and kind, Thomas Ford's Music of Sundry Kinds
THERE is a Lady sweet and kind,
Was never face so pleased my mind;
I did but see her passing by,
And yet I love her till I die.
Her gesture, motion, and her smiles,
Her wit, her voice my heart beguiles,
Beguiles my heart, I know not why,
And yet I love her till I die.
Cupid is winged and doth range,
Her country so my love doth change:
But change she earth, or change she sky,
Yet will I love her till I die.

The Seven Virgins
ALL under the leaves and the leaves of life
I met with virgins seven,
And one of them was Mary mild,
Our Lord's mother of Heaven.
'O what are you seeking, you seven fair maids,
All under the leaves of life?
Come tell, come tell, what seek you
All under the leaves of life?'
'We're seeking for no leaves, Thomas,
But for a friend of thine;
We're seeking for sweet Jesus Christ,
To be our guide and thine.'
'Go down, go down, to yonder town,
And sit in the gallery,
And there you'll see sweet Jesus Christ
Nail'd to a big yew-tree.'
So down they went to yonder town
As fast as foot could fall,
And many a grievous bitter tear
From the virgins' eyes did fall.
'O peace, Mother, O peace, Mother,
Your weeping doth me grieve:
I must suffer this,' He said,
'For Adam and for Eve.
'O Mother, take you John Evangelist
All for to be your son,
And he will comfort you sometimes,
Mother, as I have done.'
'O come, thou John Evangelist,
Thou'rt welcome unto me;
But more welcome my own dear Son,
Whom I nursed on my knee.'
Then He laid His head on His right shoulder,
Seeing death it struck Him nigh--
'The Holy Ghost be with your soul,
I die, Mother dear, I die.'
O the rose, the gentle rose,
And the fennel that grows so green!
God give us grace in every place
To pray for our king and queen.
Furthermore for our enemies all
Our prayers they should be strong:


Amen, good Lord; your charity
Is the ending of my song.

The Time When I First Fell In Love
The time when first I fell in love,
Which now I must lament;
The year wherein I lost such time
To compass my content.
The day wherein I saw too late
The follies of a lover;
The hour wherein I found such loss
As care cannot recover.
And last, the minute of mishap,
Which makes me thus to plain
The doleful fruits of lover's suits,
Which labour lose in vain:
Doth make me solemnly protest,
As I with pain do prove,
There is no time, year, day, nor hour,
Nor minute, good to love.