Emotions and Feelings

Tranquilism


I call myself a Tranquilist;
With deep detachment I exist,

From friction free;
While others court the gilded throng
And worship Women, Wine and Song,

I scorn the three.
For I have reached the sober age
When I prefer to turn a page

Beside the fire,
And from the busy mart of men
To meditative book and pen

With grace retire.

If you are craving peace of mind,
In Tranquilism you will find

Philosophy;
Serenely fold your hands and wait
Be cloistered calm whatever fate

The Gods decree.
And though the world with rage be rent,
Hold it remote and claim content

With quiet heart;
You can't do much to better it,
But your good-will may help a bit,

Ere you depart.

So let us who are old and sere
To din of battle shut the ear,

And trumpet vain;
And though in no monastic mood
Accept the balm of solitude

And grace regain.
Let us be Tranquilists and try
In placid places to apply

Life's wisdom won;
In Nature's bounty we may bless
The Gods and wait with thankfulness

Our setting sun.

Tranquilism


I call myself a Tranquilist;
With deep detachment I exist,

From friction free;
While others court the gilded throng
And worship Women, Wine and Song,

I scorn the three.
For I have reached the sober age
When I prefer to turn a page

Beside the fire,
And from the busy mart of men
To meditative book and pen

With grace retire.

If you are craving peace of mind,
In Tranquilism you will find

Philosophy;
Serenely fold your hands and wait
Be cloistered calm whatever fate

The Gods decree.
And though the world with rage be rent,
Hold it remote and claim content

With quiet heart;
You can't do much to better it,
But your good-will may help a bit,

Ere you depart.

So let us who are old and sere
To din of battle shut the ear,

And trumpet vain;
And though in no monastic mood
Accept the balm of solitude

And grace regain.
Let us be Tranquilists and try
In placid places to apply

Life's wisdom won;
In Nature's bounty we may bless
The Gods and wait with thankfulness

Our setting sun.

Tom


That Tom was poor was sure a pity,
Such guts for learning had the lad;
He took to Greek like babe to titty,
And he was mathematic mad.
I loved to prime him up with knowledge,
A brighter lad I never knew;
I dreamed that he would go to college
And there be honoured too.

But no! His Dad said, "Son, I need you
To keep the kettle on the boil;
No longer can I clothe and feed you,
Buy study books and midnight oil.
I carry on as best I'm able,
A humble tailor, as you know;
And you must squat cross-legged a table
And learn to snip and sew."

And that is what poor Tom is doing.
He bravely makes the best of it;

But as he "fits" you he is knowing
That he himself is a misfit;
And thinks as he fulfils his calling,


With patient heart yet deep distaste,
Like clippings from his shears down-falling,
--He, too, is Waste.

Toilet Seats

While I am emulating Keats
My brother fabrics toilet seats,
The which, they say, are works of art,
Aesthetic features of the mart;
So exquisitely are they made
With plastic of a pastel shade,
Of topaz, ivory or rose,
Inviting to serene repose.


Rajahs I'm told have seats of gold,-(
They must, I fear, be very cold).
But Tom's have thermostatic heat,
With sympathy your grace to greet.
Like silver they are neon lit,
Making a halo as you sit:
Then lo! they play with dulset tone
A melody by Mendelssohn.


Oh were I lyrical as Yeats
I would not sing of toilet seats,
But rather serenade a star,--
Yet I must take things as they are.
For even kings must coyly own
Them as essential as a throne:
So as I tug the Muse's teats
I envy Tom his toilet seats.

To Sunnydale

There lies the trail to Sunnydale,
Amid the lure of laughter.
Oh, how can we unhappy be
Beneath its leafy rafter!
Each perfect hour is like a flower,
Each day is like a posy.
How can you say the skies are grey?
You're wrong, my friend, they're rosy.


With right good will let's climb the hill,
And leave behind all sorrow.
Oh, we'll be gay! a bright to-day
Will make a bright to-morrow.
Oh, we'll be strong! the way is long
That never has a turning;
The hill is high, but there's the sky,
And how the West is burning!


And if through chance of circumstance
We have to go bare-foot, sir,
We'll not repine -- a friend of mine
Has got no feet to boot, sir.
This Happiness a habit is,
And Life is what we make it:
See! there's the trail to Sunnydale!
Up, friend! and let us take it.

To Sunnydale

There lies the trail to Sunnydale,
Amid the lure of laughter.
Oh, how can we unhappy be
Beneath its leafy rafter!
Each perfect hour is like a flower,
Each day is like a posy.
How can you say the skies are grey?
You're wrong, my friend, they're rosy.


With right good will let's climb the hill,
And leave behind all sorrow.
Oh, we'll be gay! a bright to-day
Will make a bright to-morrow.
Oh, we'll be strong! the way is long
That never has a turning;
The hill is high, but there's the sky,
And how the West is burning!


And if through chance of circumstance
We have to go bare-foot, sir,
We'll not repine -- a friend of mine
Has got no feet to boot, sir.
This Happiness a habit is,
And Life is what we make it:
See! there's the trail to Sunnydale!
Up, friend! and let us take it.

To Sunnydale

There lies the trail to Sunnydale,
Amid the lure of laughter.
Oh, how can we unhappy be
Beneath its leafy rafter!
Each perfect hour is like a flower,
Each day is like a posy.
How can you say the skies are grey?
You're wrong, my friend, they're rosy.


With right good will let's climb the hill,
And leave behind all sorrow.
Oh, we'll be gay! a bright to-day
Will make a bright to-morrow.
Oh, we'll be strong! the way is long
That never has a turning;
The hill is high, but there's the sky,
And how the West is burning!


And if through chance of circumstance
We have to go bare-foot, sir,
We'll not repine -- a friend of mine
Has got no feet to boot, sir.
This Happiness a habit is,
And Life is what we make it:
See! there's the trail to Sunnydale!
Up, friend! and let us take it.

Titine


Although I have a car of class,
A limousine,
I also have a jenny ass
I call Titine.
And if I had in sober sense
To choose between,
I know I'd give the preference
To sleek Titine.

My chauffeur drives my Cadillac
In uniform.
I wear a worn coat on my back
That he would scorn.
He speeds with umpty equine power,
Like an express;
I amble at eight miles an hour,
Or even less.

My wife can use our fancy bus
To cut a dash;
She very definitely does,
And blows my cash.
But this old codger seeks the sane
And simple scene;
Content to jog along a lane
With old Titine.

So as in country ways I go
Wife loves the town;
But though I'm slow, serene I know
I won't break down.
With brawn and bone I reckon mine
The best machine:
Old folks and donkeys best combine,
--"Giddup, Titine!"

To A Tycoon

Since much has been your mirth
And fair your fate,
Friend, leave your lot of earth
Less desolate.
With frailing overdue,
Why don't you try
The bit of God in you
To justify?

Try to discern the grace
All greed above,
That may uplift the race
To realm of love.
For in you is a spark,
A heaven-glow,
That will illume the dark
Before you go.

Aye, though it be that you
To Faith are blind,
There's one thing you can do,
It's--just be kind.
The anguish understand,
Of hearts that bleed:
Friends, lend a helping hand
To those in need.

Three Wives

Said Jones: "I'm glad my wife's not clever;
Her intellect is second-rate.
If she was witty she would never
Give me a chance to scintillate;
But cap my humorous endeavour
And make me seem as addle-pate."


Said Smith: "I'm glad my wife's no beauty,
For if a siren's charm she had,
And stinted her domestic duty,
I fear that she would drive me mad:
For I am one of those sad fellows
Who are unreasonably jealous."


Said Brown: ""I know my wife's not witty,
Nor is she very long on looks;
She's neither humorous nor pretty,
But oh how she divinely cooks!
You guys must come some night to dinner You'll
see my little girl's a winner."


So it's important in our lives,
(Exaggerating more or less),
To be content with our wives,
And prize the virtues they possess;
And with dispraise to turn one's back
On all the qualities they lack.

Tim


My brother Tim has children ten,
While I have none.

Maybe that's why he's toiling when
To ease I've won.

But though I would some of his brood
Give hearth and care,

I know that not a one he would
Have heart to spare.

'Tis children that have kept him poor;
He's clad them neat.

They've never wanted, I am sure,
For bite to eat.

And though their future may be dim,
They laugh a lot.

Am I tearful for Brother Tim?
Oh no, I'm not.

I know he goes to work each day
With flagging feet.

'Tis hard, even with decent pay,
To make ends meet.

But when my sterile home I see,
So smugly prim,

Although my banker bows to me,
I envy Tim.

Tim


My brother Tim has children ten,
While I have none.

Maybe that's why he's toiling when
To ease I've won.

But though I would some of his brood
Give hearth and care,

I know that not a one he would
Have heart to spare.

'Tis children that have kept him poor;
He's clad them neat.

They've never wanted, I am sure,
For bite to eat.

And though their future may be dim,
They laugh a lot.

Am I tearful for Brother Tim?
Oh no, I'm not.

I know he goes to work each day
With flagging feet.

'Tis hard, even with decent pay,
To make ends meet.

But when my sterile home I see,
So smugly prim,

Although my banker bows to me,
I envy Tim.

The Younger Son

If you leave the gloom of London and you seek a glowing land,
Where all except the flag is strange and new,
There's a bronzed and stalwart fellow who will grip you by the hand,
And greet you with a welcome warm and true;
For he's your younger brother, the one you sent away
Because there wasn't room for him at home;
And now he's quite contented, and he's glad he didn't stay,
And he's building Britain's greatness o'er the foam.

When the giant herd is moving at the rising of the sun,
And the prairie is lit with rose and gold,
And the camp is all abustle, and the busy day's begun,
He leaps into the saddle sure and bold.
Through the round of heat and hurry, through the racket and the rout,
He rattles at a pace that nothing mars;
And when the night-winds whisper and camp-fires flicker out,
He is sleeping like a child beneath the stars.

When the wattle-blooms are drooping in the sombre she-oak glade,
And the breathless land is lying in a swoon,
He leaves his work a moment, leaning lightly on his spade,
And he hears the bell-bird chime the Austral noon.
The parrakeets are silent in the gum-tree by the creek;
The ferny grove is sunshine-steeped and still;
But the dew will gem the myrtle in the twilight ere he seek
His little lonely cabin on the hill.

Around the purple, vine-clad slope the argent river dreams;
The roses almost hide the house from view;
A snow-peak of the Winterberg in crimson splendor gleams;
The shadow deepens down on the karroo.
He seeks the lily-scented dusk beneath the orange tree;
His pipe in silence glows and fades and glows;
And then two little maids come out and climb upon his knee,
And one is like the lily, one the rose.

He sees his white sheep dapple o'er the green New Zealand plain,
And where Vancouver's shaggy ramparts frown,
When the sunlight threads the pine-gloom he is fighting might and main
To clinch the rivets of an Empire down.
You will find him toiling, toiling, in the south or in the west,
A child of nature, fearless, frank, and free;
And the warmest heart that beats for you is beating in his breast,
And he sends you loyal greeting o'er the sea.

You've a brother in the army, you've another in the Church;
One of you is a diplomatic swell;
You've had the pick of everything and left him in the lurch,
And yet I think he's doing very well.
I'm sure his life is happy, and he doesn't envy yours;
I know he loves the land his pluck has won;
And I fancy in the years unborn, while England's fame endures,


She will come to bless with pride -- The Younger Son.

The Wood-Cutter

The sky is like an envelope,
One of those blue official things;
And, sealing it, to mock our hope,
The moon, a silver wafer, clings.
What shall we find when death gives leave
To read--our sentence or reprieve?

I'm holding it down on God's scrap-pile, up on the fag-end of earth;
O'er me a menace of mountains, a river that grits at my feet;
Face to face with my soul-self, weighing my life at its worth;
Wondering what I was made for, here in my last retreat.

Last! Ah, yes, it's the finish. Have ever you heard a man cry?
(Sobs that rake him and rend him, right from the base of the chest.)
That's how I've cried, oh, so often; and now that my tears are dry,
I sit in the desolate quiet and wait for the infinite Rest.

Rest! Well, it's restful around me; it's quiet clean to the core.
The mountains pose in their ermine, in golden the hills are clad;
The big, blue, silt-freighted Yukon seethes by my cabin door,
And I think it's only the river that keeps me from going mad.

By day it's a ruthless monster, a callous, insatiate thing,
With oily bubble and eddy, with sudden swirling of breast;
By night it's a writhing Titan, sullenly murmuring,
Ever and ever goaded, and ever crying for rest.

It cries for its human tribute, but me it will never drown.
I've learned the lore of my river; my river obeys me well.
I hew and I launch my cordwood, and raft it to Dawson town,
Where wood means wine and women, and, incidentally, hell.

Hell and the anguish thereafter. Here as I sit alone
I'd give the life I have left me to lighten some load of care:
(The bitterest part of the bitter is being denied to atone;
Lips that have mocked at Heaven lend themselves ill to prayer.)

Impotent as a beetle pierced on the needle of Fate;
A wretch in a cosmic death-cell, peaks for my prison bars;
'Whelmed by a world stupendous, lonely and listless I wait,
Drowned in a sea of silence, strewn with confetti of stars.

See! from far up the valley a rapier pierces the night,
The white search-ray of a steamer. Swiftly, serenely it nears;
A proud, white, alien presence, a glittering galley of light,
Confident-poised, triumphant, freighted with hopes and fears.

I look as one looks on a vision; I see it pulsating by;
I glimpse joy-radiant faces; I hear the thresh of the wheel.
Hoof-like my heart beats a moment; then silence swoops from the sky.
Darkness is piled upon darkness. God only knows how I feel.


Maybe you've seen me sometimes; maybe you've pitied me then-The
lonely waif of the wood-camp, here by my cabin door.
Some day you'll look and see not; futile and outcast of men,
I shall be far from your pity, resting forevermore.

My life was a problem in ciphers, a weary and profitless sum.
Slipshod and stupid I worked it, dazed by negation and doubt.
Ciphers the total confronts me. Oh, Death, with thy moistened thumb,
Stoop like a petulant schoolboy, wipe me forever out!

The Wood-Cutter

The sky is like an envelope,
One of those blue official things;
And, sealing it, to mock our hope,
The moon, a silver wafer, clings.
What shall we find when death gives leave
To read--our sentence or reprieve?

I'm holding it down on God's scrap-pile, up on the fag-end of earth;
O'er me a menace of mountains, a river that grits at my feet;
Face to face with my soul-self, weighing my life at its worth;
Wondering what I was made for, here in my last retreat.

Last! Ah, yes, it's the finish. Have ever you heard a man cry?
(Sobs that rake him and rend him, right from the base of the chest.)
That's how I've cried, oh, so often; and now that my tears are dry,
I sit in the desolate quiet and wait for the infinite Rest.

Rest! Well, it's restful around me; it's quiet clean to the core.
The mountains pose in their ermine, in golden the hills are clad;
The big, blue, silt-freighted Yukon seethes by my cabin door,
And I think it's only the river that keeps me from going mad.

By day it's a ruthless monster, a callous, insatiate thing,
With oily bubble and eddy, with sudden swirling of breast;
By night it's a writhing Titan, sullenly murmuring,
Ever and ever goaded, and ever crying for rest.

It cries for its human tribute, but me it will never drown.
I've learned the lore of my river; my river obeys me well.
I hew and I launch my cordwood, and raft it to Dawson town,
Where wood means wine and women, and, incidentally, hell.

Hell and the anguish thereafter. Here as I sit alone
I'd give the life I have left me to lighten some load of care:
(The bitterest part of the bitter is being denied to atone;
Lips that have mocked at Heaven lend themselves ill to prayer.)

Impotent as a beetle pierced on the needle of Fate;
A wretch in a cosmic death-cell, peaks for my prison bars;
'Whelmed by a world stupendous, lonely and listless I wait,
Drowned in a sea of silence, strewn with confetti of stars.

See! from far up the valley a rapier pierces the night,
The white search-ray of a steamer. Swiftly, serenely it nears;
A proud, white, alien presence, a glittering galley of light,
Confident-poised, triumphant, freighted with hopes and fears.

I look as one looks on a vision; I see it pulsating by;
I glimpse joy-radiant faces; I hear the thresh of the wheel.
Hoof-like my heart beats a moment; then silence swoops from the sky.
Darkness is piled upon darkness. God only knows how I feel.


Maybe you've seen me sometimes; maybe you've pitied me then-The
lonely waif of the wood-camp, here by my cabin door.
Some day you'll look and see not; futile and outcast of men,
I shall be far from your pity, resting forevermore.

My life was a problem in ciphers, a weary and profitless sum.
Slipshod and stupid I worked it, dazed by negation and doubt.
Ciphers the total confronts me. Oh, Death, with thy moistened thumb,
Stoop like a petulant schoolboy, wipe me forever out!

The Woman And The Angel

An angel was tired of heaven, as he lounged in the golden street;
His halo was tilted sideways, and his harp lay mute at his feet;
So the Master stooped in His pity, and gave him a pass to go,
For the space of a moon, to the earth-world, to mix with the men below.


He doffed his celestial garments, scarce waiting to lay them straight;
He bade good by to Peter, who stood by the golden gate;
The sexless singers of heaven chanted a fond farewell,
And the imps looked up as they pattered on the red-hot flags of hell.


Never was seen such an angel -- eyes of heavenly blue,
Features that shamed Apollo, hair of a golden hue;
The women simply adored him; his lips were like Cupid's bow;
But he never ventured to use them -- and so they voted him slow.


Till at last there came One Woman, a marvel of loveliness,
And she whispered to him: "Do you love me?" And he answered that woman, "Yes."
And she said: "Put your arms around me, and kiss me, and hold me -- so --"
But fiercely he drew back, saying: "This thing is wrong, and I know."


Then sweetly she mocked his scruples, and softly she him beguiled:
"You, who are verily man among men, speak with the tongue of a child.
We have outlived the old standards; we have burst, like an over-tight thong,
The ancient, outworn, Puritanic traditions of Right and Wrong."


Then the Master feared for His angel, and called him again to His side,
For oh, the woman was wondrous, and oh, the angel was tried!
And deep in his hell sang the Devil, and this was the strain of his song:
"The ancient, outworn, Puritanic traditions of Right and Wrong."

The Womb

Up from the evil day
Of wattle and of woad,
Along man's weary way
Dark Pain has been the goad.
Back from the age of stone,
Within his brutish brain,
What pleasure he has known


Is ease from Pain.

Behold in Pain the force
That haled Man from the Pit,
And set him such a course
No mind can measure it.
To angel from the ape
No human pang was vain
In that divine escape

To joy through Pain.

See Pain with stoic eyes
And patient fortitude,
A blessing in disguise,
An instrument of good.
Aye, though with hearts forlorn
We to despair be fain,
Believe that Joy is born


From Womb of Pain.

The Widower

Oh I have worn my mourning out,
And on her grave the green grass grows;
So I will hang each sorry clout
High in the corn to scare the crows.
And I will buy a peacock tie,
And coat of cloth of Donegal;
Then to the Farmer's Fair I'll hie
And peek in at the Barley Ball.


But though the fiddlers saw a jig
I used to foot when I was wed,
I'll walk me home and feed the pig,
And go a lonesome man to bed.


So I will wait another year,
As any decent chap would do,
Till I can think without a tear
Of her whose eyes were cornflower blue.


Then to the Harvest Ball I'll hie,
And I will wear a flower-sprigged vest;
For Maggie has a nut-brown eyes,
And we will foot it with the best.


And if kind-minded she should be
To wife me - 'tis the will if God . . .
But Oh the broken heart f me
For her who lies below the sod!

The Widower

Oh I have worn my mourning out,
And on her grave the green grass grows;
So I will hang each sorry clout
High in the corn to scare the crows.
And I will buy a peacock tie,
And coat of cloth of Donegal;
Then to the Farmer's Fair I'll hie
And peek in at the Barley Ball.


But though the fiddlers saw a jig
I used to foot when I was wed,
I'll walk me home and feed the pig,
And go a lonesome man to bed.


So I will wait another year,
As any decent chap would do,
Till I can think without a tear
Of her whose eyes were cornflower blue.


Then to the Harvest Ball I'll hie,
And I will wear a flower-sprigged vest;
For Maggie has a nut-brown eyes,
And we will foot it with the best.


And if kind-minded she should be
To wife me - 'tis the will if God . . .
But Oh the broken heart f me
For her who lies below the sod!

The Wildy Ones

The sheep are in the silver wood,
The cows are in the broom;

The goats are in the wild mountain
And won't be home by noon.

My mother sang that olden tune
Most every night,

And to her newest she would croon
By candle light;

While cuddling in the velvet gloom
I'd dream of cows

That sought each dawn 'mid golden broom
To gently browse.

Or I would glimpse the silver wood,
The birchen glade,

Where pearly sheep in quiet mood
Cropped unafraid;

But how I loved in lapsing drowse
The mountain wild!

The goats were more than sheep and cows
To one wee child.

For cows and sheep are shelter-wise,
And love the lea;

While goats have starlight in their eyes,
In cragland free . . .

And now on edge of endless sleep
Wryly I note

How less I'm kin to kine and sheep
Than rebel goat!

The Whistle Of Sandy McGraw

You may talk o' your lutes and your dulcimers fine,
Your harps and your tabors and cymbals and a',
But here in the trenches jist gie me for mine
The wee penny whistle o' Sandy McGraw.
Oh, it's: "Sandy, ma lad, will you lilt us a tune?"
And Sandy is willin' and trillin' like mad;
Sae silvery sweet that we a' throng aroun',
And some o' it's gay, but the maist o' it's sad.
Jist the wee simple airs that sink intae your hert,

And grup ye wi' love and wi' longin' for hame;
And ye glour like an owl till you're feelin' the stert
O' a tear, and you blink wi' a feelin' o' shame.

For his song's o' the heather, and here in the dirt
You listen and dream o' a land that's sae braw,
And he mak's you forget a' the harm and the hurt,
For he pipes like a laverock, does Sandy McGraw.

* * * * *

At Eepers I mind me when rank upon rank
We rose from the trenches and swept like the gale,
Till the rapid-fire guns got us fell on the flank
And the murderin' bullets came swishin' like hail:
Till a' that were left o' us faltered and broke;
Till it seemed for a moment a panicky rout,
When shrill through the fume and the flash and the smoke
The wee valiant voice o' a whistle piped out.
`The Campbells are Comin'': Then into the fray
We bounded wi' bayonets reekin' and raw,
And oh we fair revelled in glory that day,
Jist thanks to the whistle o' Sandy McGraw.

* * * * *

At Loose, it wis after a sconnersome fecht,
On the field o' the slain I wis crawlin' aboot;
And the rockets were burnin' red holes in the nicht;
And the guns they were veciously thunderin' oot;
When sudden I heard a bit sound like a sigh,
And there in a crump-hole a kiltie I saw:
"Whit ails ye, ma lad? Are ye woundit?" says I.
"I've lost ma wee whustle," says Sandy McGraw.
"'Twas oot by yon bing where we pressed the attack,
It drapped frae ma pooch, and between noo and dawn
There isna much time so I'm jist crawlin' back. . . ."
"Ye're daft, man!" I telt him, but Sandy wis gone.
Weel, I waited a wee, then I crawled oot masel,
And the big stuff wis gorin' and roarin' around,
And I seemed tae be under the oxter o' hell,
And Creation wis crackin' tae bits by the sound.
And I says in ma mind: "Gang ye back, ye auld fule!"
When I thrilled tae a note that wis saucy and sma';


And there in a crater, collected and cool,
Wi' his wee penny whistle wis Sandy McGraw.
Ay, there he wis playin' as gleg as could be,
And listenin' hard wis a spectacled Boche;
Then Sandy turned roon' and he noddit tae me,
And he says: "Dinna blab on me, Sergeant McTosh.
The auld chap is deein'. He likes me tae play.
It's makin' him happy. Jist see his een shine!"
And thrillin' and sweet in the hert o' the fray
Wee Sandy wis playin' The Watch on the Rhine.

* * * * *

The last scene o' a' -- 'twas the day that we took
That bit o' black ruin they ca' Labbiesell.
It seemed the hale hillside jist shivered and shook,
And the red skies were roarin' and spewin' oot shell.
And the Sergeants were cursin' tae keep us in hand,
And hard on the leash we were strainin' like dugs,
When upward we shot at the word o' command,
And the bullets were dingin' their songs in oor lugs.
And onward we swept wi' a yell and a cheer,
And a' wis destruction, confusion and din,

And we knew that the trench o' the Boches wis near,
And it seemed jist the safest bit hole tae be in.
So we a' tumbled doon, and the Boches were there,


And they held up their hands, and they yelled: "Kamarad!"
And I merched aff wi' ten, wi' their palms in the air,
And my! I wis prood-like, and my! I wis glad.
And I thocht: if ma lassie could see me jist then. . . .

When sudden I sobered at somethin' I saw,
And I stopped and I stared, and I halted ma men,
For there on a stretcher wis Sandy McGraw.


Weel, he looks in ma face, jist as game as ye please:
"Ye ken hoo I hate tae be workin'," says he;
"But noo I can play in the street for bawbees,
Wi' baith o' ma legs taken aff at the knee."
And though I could see he wis rackit wi' pain,
He reached for his whistle and stertit tae play;
And quaverin' sweet wis the pensive refrain:
The floors o' the forest are a' wede away.
Then sudden he stoppit: "Man, wis it no grand
Hoo we took a' them trenches?" . . . He shakit his heid:
"I'll -- no -- play -- nae -- mair ----" feebly doon frae his hand
Slipped the wee penny whistle and -- Sandy wis deid.

* * * * *

And so you may talk o' your Steinways and Strads,
Your wonderful organs and brasses sae braw;
But oot in the trenches jist gie me, ma lads,
Yon wee penny whistle o' Sandy McGraw.

The Whistle Of Sandy McGraw

You may talk o' your lutes and your dulcimers fine,
Your harps and your tabors and cymbals and a',
But here in the trenches jist gie me for mine
The wee penny whistle o' Sandy McGraw.
Oh, it's: "Sandy, ma lad, will you lilt us a tune?"
And Sandy is willin' and trillin' like mad;
Sae silvery sweet that we a' throng aroun',
And some o' it's gay, but the maist o' it's sad.
Jist the wee simple airs that sink intae your hert,

And grup ye wi' love and wi' longin' for hame;
And ye glour like an owl till you're feelin' the stert
O' a tear, and you blink wi' a feelin' o' shame.

For his song's o' the heather, and here in the dirt
You listen and dream o' a land that's sae braw,
And he mak's you forget a' the harm and the hurt,
For he pipes like a laverock, does Sandy McGraw.

* * * * *

At Eepers I mind me when rank upon rank
We rose from the trenches and swept like the gale,
Till the rapid-fire guns got us fell on the flank
And the murderin' bullets came swishin' like hail:
Till a' that were left o' us faltered and broke;
Till it seemed for a moment a panicky rout,
When shrill through the fume and the flash and the smoke
The wee valiant voice o' a whistle piped out.
`The Campbells are Comin'': Then into the fray
We bounded wi' bayonets reekin' and raw,
And oh we fair revelled in glory that day,
Jist thanks to the whistle o' Sandy McGraw.

* * * * *

At Loose, it wis after a sconnersome fecht,
On the field o' the slain I wis crawlin' aboot;
And the rockets were burnin' red holes in the nicht;
And the guns they were veciously thunderin' oot;
When sudden I heard a bit sound like a sigh,
And there in a crump-hole a kiltie I saw:
"Whit ails ye, ma lad? Are ye woundit?" says I.
"I've lost ma wee whustle," says Sandy McGraw.
"'Twas oot by yon bing where we pressed the attack,
It drapped frae ma pooch, and between noo and dawn
There isna much time so I'm jist crawlin' back. . . ."
"Ye're daft, man!" I telt him, but Sandy wis gone.
Weel, I waited a wee, then I crawled oot masel,
And the big stuff wis gorin' and roarin' around,
And I seemed tae be under the oxter o' hell,
And Creation wis crackin' tae bits by the sound.
And I says in ma mind: "Gang ye back, ye auld fule!"
When I thrilled tae a note that wis saucy and sma';


And there in a crater, collected and cool,
Wi' his wee penny whistle wis Sandy McGraw.
Ay, there he wis playin' as gleg as could be,
And listenin' hard wis a spectacled Boche;
Then Sandy turned roon' and he noddit tae me,
And he says: "Dinna blab on me, Sergeant McTosh.
The auld chap is deein'. He likes me tae play.
It's makin' him happy. Jist see his een shine!"
And thrillin' and sweet in the hert o' the fray
Wee Sandy wis playin' The Watch on the Rhine.

* * * * *

The last scene o' a' -- 'twas the day that we took
That bit o' black ruin they ca' Labbiesell.
It seemed the hale hillside jist shivered and shook,
And the red skies were roarin' and spewin' oot shell.
And the Sergeants were cursin' tae keep us in hand,
And hard on the leash we were strainin' like dugs,
When upward we shot at the word o' command,
And the bullets were dingin' their songs in oor lugs.
And onward we swept wi' a yell and a cheer,
And a' wis destruction, confusion and din,

And we knew that the trench o' the Boches wis near,
And it seemed jist the safest bit hole tae be in.
So we a' tumbled doon, and the Boches were there,


And they held up their hands, and they yelled: "Kamarad!"
And I merched aff wi' ten, wi' their palms in the air,
And my! I wis prood-like, and my! I wis glad.
And I thocht: if ma lassie could see me jist then. . . .

When sudden I sobered at somethin' I saw,
And I stopped and I stared, and I halted ma men,
For there on a stretcher wis Sandy McGraw.


Weel, he looks in ma face, jist as game as ye please:
"Ye ken hoo I hate tae be workin'," says he;
"But noo I can play in the street for bawbees,
Wi' baith o' ma legs taken aff at the knee."
And though I could see he wis rackit wi' pain,
He reached for his whistle and stertit tae play;
And quaverin' sweet wis the pensive refrain:
The floors o' the forest are a' wede away.
Then sudden he stoppit: "Man, wis it no grand
Hoo we took a' them trenches?" . . . He shakit his heid:
"I'll -- no -- play -- nae -- mair ----" feebly doon frae his hand
Slipped the wee penny whistle and -- Sandy wis deid.

* * * * *

And so you may talk o' your Steinways and Strads,
Your wonderful organs and brasses sae braw;
But oot in the trenches jist gie me, ma lads,
Yon wee penny whistle o' Sandy McGraw.

The Wedding Ring

I pawned my sick wife's wedding ring,
To drink and make myself a beast.
I got the most that it would bring,
Of golden coins the very least.
With stealth into her room I crept
And stole it from her as she slept.


I do not think that she will know,
As in its place I left a band
Of brass that has a brighter glow
And gleamed upon her withered hand.
I do not think that she can tell
The change - she does not see too well.


Pray God, she doesn't find me out.
I'd rather far I would be dead.
Yet yesterday she seemed to doubt,
And looking at me long she said:
"My finger must have shrunk, because
My ring seems bigger than it was."


She gazed at it so wistfully,
And one big tear rolled down her cheek.
Said she: "You'll bury it with me . . ."
I was so moved I could not speak.
Oh wretched me! How whisky can
Bring out the devil in a man!"


And yet I know she loves me still,
As on the morn that we were wed;
And darkly guess I also will
Be doomed the day that she is dead.
And yet I swear, before she's gone,
I will retrieve her ring from pawn.


I'll get it though I have to steal,
Then when to ease her bitter pain
They give her sleep oh I will feel
Her hand and slip it on again;
Through tears her wasted face I'll see,
And pray to God: "Oh pity me!"

The Walkers

(He speaks.)

Walking, walking, oh, the joy of walking!
Swinging down the tawny lanes with head held high;
Striding up the green hills, through the heather stalking,
Swishing through the woodlands where the brown leaves lie;
Marveling at all things -- windmills gaily turning,
Apples for the cider-press, ruby-hued and gold;
Tails of rabbits twinkling, scarlet berries burning,
Wedge of geese high-flying in the sky's clear cold,
Light in little windows, field and furrow darkling;
Home again returning, hungry as a hawk;
Whistling up the garden, ruddy-cheeked and sparkling,
Oh, but I am happy as I walk, walk, walk!


(She speaks.)

Walking, walking, oh, the curse of walking!
Slouching round the grim square, shuffling up the street,
Slinking down the by-way, all my graces hawking,
Offering my body to each man I meet.
Peering in the gin-shop where the lads are drinking,
Trying to look gay-like, crazy with the blues;
Halting in a doorway, shuddering and shrinking
(Oh, my draggled feather and my thin, wet shoes).
Here's a drunken drover: "Hullo, there, old dearie!"
No, he only curses, can't be got to talk. . . .
On and on till daylight, famished, wet and weary,
God in Heaven help me as I walk, walk, walk!