Emotions and Feelings

Spartan Mother

My mother loved her horses and
Her hounds of pedigree;
She did not kiss the baby hand
I held to her in glee.
Of course I had a sweet nou-nou
Who tended me with care,
And mother reined her nag to view
Me with a critic air.

So I went to a famous school,
But holidays were short;
My mother thought me just a fool,
Unfit for games and sport.
For I was fond of books and art,
And hated hound and steed:
Said Mother, 'Boy, you break my heart!
You are not of our breed.'

Then came the War. The Mater said:
'Thank God, a son I give
To King and Country,'--well, I'm dead
Who would have loved to live.
'For England's sake,' said she, 'he died.
For that my boy I bore.'
And now she talks of me with pride.
A hero of the War.

Mother, I think that you are glad
I ended up that way.
Your horses and your dogs you had,
And still you have today.
Your only child you say you gave
Your Country to defend . . .
Dear Mother, from a hero's grave
I--curse you in the end.

Song Of The Sardine

A fat man sat in an orchestra stall and his cheeks were wet with tears,
As he gazed at the primadonna tall, whom he hadn't seen in years.
"Oh don't you remember" he murmured low "that Spring in Montparnasse,
When hand in hand we used to go to our nightly singing class.
Ah me those days so gay and glad, so full of hope and cheer.
And that little super that we had of tinned sardines and beer.
When you looked so like a little queen with your proud and haughty air,
That I took from the box the last sardine and I twined it in your hair."


Alas I am only a stockbroker now while you are high and great,
The laurels of fame adorn your brow while on you Princes wait.
And as I sit so sadly here and list to your thrilling tones,
You cannot remember I sadly fear if my name is Smith or jones.
Yet Oh those days of long ago, when I had scarce a sou.
And as my bitter tears down flow I think again of you.
And once again I seem to see that mad of sweet sixteen,
Within whose tresses tenderly I twined that bright sardine.


Chorus:
Oh that sardine in your hair, I can see it shining there,
As I took it from its box, And I twined it in your locks.
Silver sardine in your hair. Like a jewel rich and rare,
Oh that little silver sardine in your hair.

Song Of The Sardine

A fat man sat in an orchestra stall and his cheeks were wet with tears,
As he gazed at the primadonna tall, whom he hadn't seen in years.
"Oh don't you remember" he murmured low "that Spring in Montparnasse,
When hand in hand we used to go to our nightly singing class.
Ah me those days so gay and glad, so full of hope and cheer.
And that little super that we had of tinned sardines and beer.
When you looked so like a little queen with your proud and haughty air,
That I took from the box the last sardine and I twined it in your hair."


Alas I am only a stockbroker now while you are high and great,
The laurels of fame adorn your brow while on you Princes wait.
And as I sit so sadly here and list to your thrilling tones,
You cannot remember I sadly fear if my name is Smith or jones.
Yet Oh those days of long ago, when I had scarce a sou.
And as my bitter tears down flow I think again of you.
And once again I seem to see that mad of sweet sixteen,
Within whose tresses tenderly I twined that bright sardine.


Chorus:
Oh that sardine in your hair, I can see it shining there,
As I took it from its box, And I twined it in your locks.
Silver sardine in your hair. Like a jewel rich and rare,
Oh that little silver sardine in your hair.

Slugging Saint

'Twas in a pub in Battersea
They call the "Rose and Crown,"
Quite suddenly, it seemed to me,
The Lord was looking down;
The Lord was looking from above,

And shiny was His face,
And I was filled with gush of love
For all the human race.


Anon I saw three ancient men
Who reckoned not of bliss,
And they looked quite astonished when
I gave them each a kiss.
I kissed each on his balding spot
With heart of Heaven grace . . .
And then it seemed there was a lot
Of trouble round the place.

They had me up before the beak,
But though I told my tale,
He sentanced me to spend a week
In Yard of Scotland Gaol.


So when they kindly set me free
Please don't think it amiss,
If Battling Bill of Battersea,
For love of all humanity
Gives you a kiss.

Slugging Saint

'Twas in a pub in Battersea
They call the "Rose and Crown,"
Quite suddenly, it seemed to me,
The Lord was looking down;
The Lord was looking from above,

And shiny was His face,
And I was filled with gush of love
For all the human race.


Anon I saw three ancient men
Who reckoned not of bliss,
And they looked quite astonished when
I gave them each a kiss.
I kissed each on his balding spot
With heart of Heaven grace . . .
And then it seemed there was a lot
Of trouble round the place.

They had me up before the beak,
But though I told my tale,
He sentanced me to spend a week
In Yard of Scotland Gaol.


So when they kindly set me free
Please don't think it amiss,
If Battling Bill of Battersea,
For love of all humanity
Gives you a kiss.

Shakespeare And Cervantes

Obit 23rd April 1616

Is it not strange that on this common date,
Two titans of their age, aye of all Time,
Together should renounce this mortal state,
And rise like gods, unsullied and sublime?
Should mutually render up the ghost,
And hand n hand join Jove's celestial host?


What wondrous welcome from the scribes on high!
Homer and Virgil would be waiting there;
Plato and Aristotle standing nigh;
Petrarch and Dante greet the peerless pair:
And as in harmony they make their bow,
Horace might quip: "Great timing, you'll allow."


Imagine this transcendant team arrive
At some hilarious banquet of the gods!
Their nations battled when they were alive,
And they were bitter foes - but what's the odd?
Actor and soldier, happy hand in hand,
By death close-linked, like loving brothers stand.


But how diverse! Our Will had gold and gear,
Chattels and land, the starshine of success;
The bleak Castilian fought with casque and spear,
Passing his life in prisons - more or less.
The Bard of Avon was accounted rich;
Cervantes often bedded in a ditch.


Yet when I slough this flesh, if I could meet
By sweet, fantastic fate one of these two,
In languorous Elysian retreat,
Which would I choose? Fair reader, which would you?
Well, though our William more divinely wrote,
By gad! the lousy Spaniard has my vote.

Silence


When I was cub reporter I
Would interview the Great,
And sometimes they would make reply,
And sometimes hesitate;
But often they would sharply say,
With bushy eyebrows bent:
"Young man, your answer for to-day


Is - No Comment."

Nigh sixty years have called the tune,
And silver is my pate;
No longer do I importune
Important men of state;
But time has made me wise, and so
When button-holed I shake
My head and say: "To-day, I've no

Comment to make."

Oh, silence is a mighty shield,
Verbosity is vain;
let others wordy warfare wield,
From arguments abstain;
When faced with dialectic foes
Just shrug and turn away:
Be sure your wisest words are those


You do not say.

Yea, Silence is a gleaming sword
Whose wounds are hard to heal;
Its quiet stuns the spoken word
More than a thunder peal;
Against it there is no defense,
For like the grave-yard sod
Its hush is Heaven's eloquence,


The VOICE OF GOD.

Seven


If on water and sweet bread
Seven years I'll add to life,
For me will no blood be shed,
No lamb know the evil knife;
Excellently will I dine
On a crust and Adam's wine.


If a bed in monkish cell
Well mean old of age to me,
Let me in a convent dwell,
And from fellow men be free;
Let my mellow sunset days
Pass in piety and praise.


For I love each hour I live,
Wishing it were twice as long;
Dawn my gratitude I give,
Laud the Lord with evensong:
Now that moons are sadly few
How I grudge the grave its due!


Yet somehow I seem to know
Seven Springs are left to me;
Seven Mays may cherry tree
Will allume with sudden snow . . .
Then let seven candles shine
Silver peace above my shrine.

Sentimental Hangman

'Tis hard to hang a husky lad
When larks are in the sky;
It hurts when daffydills are glad
To wring a neck awry,
When joy o' Spring is in the sap
And cheery in the sun,
'Tis sad to string aloft a chap,
No matter what he done.


And sittin' in the pub o' night
I hears that prison bell,
And wonders if it's reely right
To haste a man to hell,


For doin' what he had to do,
Through greed, or lust, or hate . . .
Aye, them seem rightful words to you,
But me, I calls it - Fate.


Lots more would flout the gallows tree,
But that they are afraid;
And so to save society,
I ply my grisly trade.
Yet as I throttle eager breath
And plunge to his hell-home
Some cringin' cove, to me his death
Seems more like martyrdom.


For most o' us have held betime
Foul murder in the heart;
And them sad blokes I swung for crime
Were doomed right from the start.
Of wilful choosing they had none,
For freedom's most a fraud,
And maybe in the end the one
Responsible is - God.

Sentimental Hangman

'Tis hard to hang a husky lad
When larks are in the sky;
It hurts when daffydills are glad
To wring a neck awry,
When joy o' Spring is in the sap
And cheery in the sun,
'Tis sad to string aloft a chap,
No matter what he done.


And sittin' in the pub o' night
I hears that prison bell,
And wonders if it's reely right
To haste a man to hell,


For doin' what he had to do,
Through greed, or lust, or hate . . .
Aye, them seem rightful words to you,
But me, I calls it - Fate.


Lots more would flout the gallows tree,
But that they are afraid;
And so to save society,
I ply my grisly trade.
Yet as I throttle eager breath
And plunge to his hell-home
Some cringin' cove, to me his death
Seems more like martyrdom.


For most o' us have held betime
Foul murder in the heart;
And them sad blokes I swung for crime
Were doomed right from the start.
Of wilful choosing they had none,
For freedom's most a fraud,
And maybe in the end the one
Responsible is - God.

Segregation


I stood beside the silken rope,
Five dollars in my hand,
And waited in my patient hope
To sit anear the Band,
And hear the famous Louie play
The best hot trumpet of today.

And then a waiter loafing near
Says in a nasty tone:
"Old coon, we don't want darkies here,
Beat it before you're thrown."
So knowin' nothin' I could do
I turned to go and--there was Lou.

I think he slapped that Dago's face;
His voice was big an' loud;
An' then he leads me from my place


Through all that tony crowd.
World-famous Louie by the hand
Took me to meet his famous Band.

"Listen, you folks," I heard him say.
"Here's Grand-papa what's come.
Savin' he teached me how to play,
I mighta been a bum.
Come on, Grand-pop, git up an' show
How you kin trumpet Ol' Black Joe."

Tremblin' I played before his Band:
You should have heard the cheers.
Them swell folks gave me such a hand
My cheeks was wet wi' tears . . .
An' now I'm off to tell the wife
The proudest night o' all ma life.

Sensibility


I

Once, when a boy, I killed a cat.
I guess it's just because of that
A cat evokes my tenderness,
And takes so kindly my caress.
For with a rich, resonant purr
It sleeks an arch or ardent fur
So vibrantly against my shin;
And as I tickle tilted chin
And rub the roots of velvet ears
Its tail in undulation rears.
Then tremoring with all its might,
In blissful sensuous delight,
It looks aloft with lambent eyes,
Mystic, Egyptianly wise,
And O so eloquently tries
In every fibre to express
Consummate trust and friendliness.


II

I think the longer that we live
The more do we grow sensitive
Of hurt and harm to man and beast,
And learn to suffer at the least
Surmise of other's suffering;
Till pity, lie an eager spring
Wells up, and we are over-fain
To vibrate to the chords of pain.

For look you - after three-score yeas
I see with anguish nigh to tears
That starveling cat so sudden still
I set my terrier to to kill.
Great, golden memories pale away,
But that unto my dying day
Will haunt and haunt me horribly.
Why, even my poor dog felt shame
And shrank away as if to blame
of that poor mangled mother-cat
Would ever lie at his doormat.

III

What's done is done. No power can bring
To living joy a slaughtered thing.
Aye, if of life I gave my own
I could not for my guilt atone.
And though in stress of sea and land
Sweet breath has ended at my hand,
That boyhood killing in my eyes


A thousand must epitomize.
Yet to my twilight steals a thought:
Somehow forgiveness may be bought;
Somewhere I'll live my life again
So finely sensitized to pain,
With heart so rhymed to truth and right
That Truth will be a blaze of light;
All all the evil I have wrought
Will haggardly to home be brought. . . .
Then will I know my hell indeed,
And bleed where I made others bleed,
Till purged by penitence of sin
To Peace (or Heaven) I may win.


Well, anyway, you know the why
We are so pally, cats and I;
So if you have the gift of shame,
O Fellow-sinner, be the same.

Sensibility


I

Once, when a boy, I killed a cat.
I guess it's just because of that
A cat evokes my tenderness,
And takes so kindly my caress.
For with a rich, resonant purr
It sleeks an arch or ardent fur
So vibrantly against my shin;
And as I tickle tilted chin
And rub the roots of velvet ears
Its tail in undulation rears.
Then tremoring with all its might,
In blissful sensuous delight,
It looks aloft with lambent eyes,
Mystic, Egyptianly wise,
And O so eloquently tries
In every fibre to express
Consummate trust and friendliness.


II

I think the longer that we live
The more do we grow sensitive
Of hurt and harm to man and beast,
And learn to suffer at the least
Surmise of other's suffering;
Till pity, lie an eager spring
Wells up, and we are over-fain
To vibrate to the chords of pain.

For look you - after three-score yeas
I see with anguish nigh to tears
That starveling cat so sudden still
I set my terrier to to kill.
Great, golden memories pale away,
But that unto my dying day
Will haunt and haunt me horribly.
Why, even my poor dog felt shame
And shrank away as if to blame
of that poor mangled mother-cat
Would ever lie at his doormat.

III

What's done is done. No power can bring
To living joy a slaughtered thing.
Aye, if of life I gave my own
I could not for my guilt atone.
And though in stress of sea and land
Sweet breath has ended at my hand,
That boyhood killing in my eyes


A thousand must epitomize.
Yet to my twilight steals a thought:
Somehow forgiveness may be bought;
Somewhere I'll live my life again
So finely sensitized to pain,
With heart so rhymed to truth and right
That Truth will be a blaze of light;
All all the evil I have wrought
Will haggardly to home be brought. . . .
Then will I know my hell indeed,
And bleed where I made others bleed,
Till purged by penitence of sin
To Peace (or Heaven) I may win.


Well, anyway, you know the why
We are so pally, cats and I;
So if you have the gift of shame,
O Fellow-sinner, be the same.

Schizophrenic


Each morning as I catch my bus,
A-fearing I'll be late,
I think: there are in all of us
Two folks quite separate;
As one I greet the office staff
With grim, official mien;
The other's when I belly-laugh,
And Home Sweet Home's the scene.


I've half a hundred men to boss,
And take my job to heart;
You'll never find me at a loss,
So well I play my part.
My voice is hard, my eye is cold,
My mouth is grimly set;
They all consider me, I'm told,
A "bloody martinet."


But when I reach my home at night
I'm happy as a boy;
My kiddies kiss me with delight,
And dance a jig of joy.
I slip into my oldest cloths,
My lines of care uncrease;
I mow the lawn, unhook the hose,
And glow with garden peace.


It's then I wonder which I am,
the boss with hard-boiled eye,
Or just the gay don't care-a-damn
Go-lucky garden guy?
Am I the starchy front who rants
As round his weight he throws,
or just old Pop with patchy pants,
Who sings and sniffs a rose?

Secretary


My Master is a man of might
With manners like a hog;

He makes me slave from morn to night
And treats me like a dog.

He thinks there's nothing on this earth
His money cannot buy,

And claims to get full wages worth
From hirelings such as I.

But does he? Though a Man of State,
And fabulously rich,

He little guesses that his mate
Is just a bonny bitch.

For he is grey and gross and fat,
While I am tall and slim,

And when he's gone it happens that
I take the place of him.

Oh God! The beauty of the blow
When I will blast his life;

When I will laugh and let him know
My mistress is his wife.

Today a doormat for his feet,
He loves to see me squirm . . .

Tomorrow,--how revenge is sweet!
The turning of the worm.

Roulette


I'll wait until my money's gone
Before I take the sleeping pills;
Then when they find me in the dawn,
Remote from earthly ails and ills
They'll say: "She's broke, the foreign bitch!"
And dump me in the common ditch.


So thought I, of all hope bereft,
And by my evil fate obsessed;
A thousand franks was all I'd left
Of that fair fortune I possessed.
...I throw it on the table there,
And wait, with on my lips a prayer.


I fear my very life's at stake;
My note is lying on the Red . . .
I know I'll lose it, then I'll take
My pills and sleep until I'm dead . . .
Oh God of mercy, understand!
In pity guide the croupier's hand.


My heart beats hard, my lips are dry;
I feel I cannot bear to look.
I dread to hear the croupier's cry,
I'll sit down in this quiet nook.
The lights go dim, my senses reel . . .
See! Jesus Christ is at the wheel.


* * * * * * *

Kind folks arouse me from my trance.
"The Red has come ten times," they say.
"Oh do not risk another chance;
Please, Lady, take your gains away,
And to the Lord of Luck give thanks You've
won nigh half a million franks."


Aye, call me just a daft old dame;
I knit and sew to make my bread,
And nevermore I'll play that game,
For I've a glory in my head. . . .
Ah well I know, to stay my fall,
'Twas our dear Lord who spun the ball.

Rose Leaves

When they shall close my careless eyes
And look their last upon my face,
I fear that some will say: "her lies

A man of deep disgrace;
His thoughts were bare, his words were brittle,
He dreamed so much, he did so little.

When they shall seal y coffin lid
And this worn mask I know as ME,
Shall from the sight of man be hid

To all eternity -
Some one may say: "His sins were many,
His virtues - really, had he any?"

When I shall lie beneath my tomb,
Oh do not grave it with my name
But let one rose-bush o'er me bloom,

And heedless of my shame,
With velvet shade and loving laugh,
In petals write my epitaph.

Room 5: The Concert Singer

I'm one of these haphazard chaps
Who sit in cafes drinking;
A most improper taste, perhaps,
Yet pleasant, to my thinking.
For, oh, I hate discord and strife;
I'm sadly, weakly human;
And I do think the best of life
Is wine and song and woman.


Now, there's that youngster on my right
Who thinks himself a poet,
And so he toils from morn to night
And vainly hopes to show it;
And there's that dauber on my left,
Within his chamber shrinking --
He looks like one of hope bereft;
He lives on air, I'm thinking.


But me, I love the things that are,
My heart is always merry;
I laugh and tune my old guitar:
Sing ho! and hey-down-derry.
Oh, let them toil their lives away
To gild a tawdry era,
But I'll be gay while yet I may:
Sing tira-lira-lira.


I'm sure you know that picture well,
A monk, all else unheeding,
Within a bare and gloomy cell
A musty volume reading;
While through the window you can see
In sunny glade entrancing,
With cap and bells beneath a tree
A jester dancing, dancing.


Which is the fool and which the sage?
I cannot quite discover;
But you may look in learning's page
And I'll be laughter's lover.
For this our life is none too long,
And hearts were made for gladness;
Let virtue lie in joy and song,
The only sin be sadness.


So let me troll a jolly air,
Come what come will to-morrow;
I'll be no cabotin of care,
No souteneur of sorrow.
Let those who will indulge in strife,
To my most merry thinking,
The true philosophy of life



Is laughing, loving, drinking.

And there's that weird and ghastly hag
Who walks head bent, with lips a-mutter;
With twitching hands and feet that drag,
And tattered skirts that sweep the gutter.
An outworn harlot, lost to hope,
With staring eyes and hair that's hoary
I hear her gibber, dazed with dope:
I often wonder what's her story.

Room 5: The Concert Singer

I'm one of these haphazard chaps
Who sit in cafes drinking;
A most improper taste, perhaps,
Yet pleasant, to my thinking.
For, oh, I hate discord and strife;
I'm sadly, weakly human;
And I do think the best of life
Is wine and song and woman.


Now, there's that youngster on my right
Who thinks himself a poet,
And so he toils from morn to night
And vainly hopes to show it;
And there's that dauber on my left,
Within his chamber shrinking --
He looks like one of hope bereft;
He lives on air, I'm thinking.


But me, I love the things that are,
My heart is always merry;
I laugh and tune my old guitar:
Sing ho! and hey-down-derry.
Oh, let them toil their lives away
To gild a tawdry era,
But I'll be gay while yet I may:
Sing tira-lira-lira.


I'm sure you know that picture well,
A monk, all else unheeding,
Within a bare and gloomy cell
A musty volume reading;
While through the window you can see
In sunny glade entrancing,
With cap and bells beneath a tree
A jester dancing, dancing.


Which is the fool and which the sage?
I cannot quite discover;
But you may look in learning's page
And I'll be laughter's lover.
For this our life is none too long,
And hearts were made for gladness;
Let virtue lie in joy and song,
The only sin be sadness.


So let me troll a jolly air,
Come what come will to-morrow;
I'll be no cabotin of care,
No souteneur of sorrow.
Let those who will indulge in strife,
To my most merry thinking,
The true philosophy of life



Is laughing, loving, drinking.

And there's that weird and ghastly hag
Who walks head bent, with lips a-mutter;
With twitching hands and feet that drag,
And tattered skirts that sweep the gutter.
An outworn harlot, lost to hope,
With staring eyes and hair that's hoary
I hear her gibber, dazed with dope:
I often wonder what's her story.

Room 7: The Coco-Fiend

I look at no one, me;
I pass them on the stair;
Shadows! I don't see;
Shadows! everywhere.
Haunting, taunting, staring, glaring,
Shadows! I don't care.
Once my room I gain
Then my life begins.
Shut the door on pain;
How the Devil grins!
Grin with might and main;
Grin and grin in vain;
Here's where Heav'n begins:
Cocaine! Cocaine!


A whiff! Ah, that's the thing.
How it makes me gay!
Now I want to sing,
Leap, laugh, play.
Ha! I've had my fling!
Mistress of a king
In my day.
Just another snuff . . .
Oh, the blessed stuff!
How the wretched room
Rushes from my sight;
Misery and gloom
Melt into delight;
Fear and death and doom
Vanish in the night.
No more cold and pain,
I am young again,
Beautiful again,
Cocaine! Cocaine!


Oh, I was made to be good, to be good,
For a true man's love and a life that's sweet;
Fireside blessings and motherhood.
Little ones playing around my feet.
How it all unfolds like a magic screen,
Tender and glowing and clear and glad,
The wonderful mother I might have been,
The beautiful children I might have had;
Romping and laughing and shrill with glee,
Oh, I see them now and I see them plain.
Darlings! Come nestle up close to me,
You comfort me so, and you're just . . . Cocaine.


It's Life that's all to blame:
We can't do what we will;
She robes us with her shame,
She crowns us with her ill.



I do not care, because
I see with bitter calm,
Life made me what I was,
Life makes me what I am.
Could I throw back the years,
It all would be the same;
Hunger and cold and tears,
Misery, fear and shame,
And then the old refrain,
Cocaine! Cocaine!


A love-child I, so here my mother came,
Where she might live in peace with none to blame.
And how she toiled! Harder than any slave,
What courage! patient, hopeful, tender, brave.
We had a little room at Lavilette,
So small, so neat, so clean, I see it yet.
Poor mother! sewing, sewing late at night,
Her wasted face beside the candlelight,
This Paris crushed her. How she used to sigh!
And as I watched her from my bed I knew
She saw red roofs against a primrose sky
And glistening fields and apples dimmed with dew.
Hard times we had. We counted every sou,
We sewed sacks for a living. I was quick . . .
Four busy hands to work instead of two.
Oh, we were happy there, till she fell sick. . . .


My mother lay, her face turned to the wall,
And I, a girl of sixteen, fair and tall,
Sat by her side, all stricken with despair,
Knelt by her bed and faltered out a prayer.
A doctor's order on the table lay,
Medicine for which, alas! I could not pay;
Medicine to save her life, to soothe her pain.
I sought for something I could sell, in vain . . .
All, all was gone! The room was cold and bare;
Gone blankets and the cloak I used to wear;
Bare floor and wall and cupboard, every shelf --
Nothing that I could sell . . . except myself.


I sought the street, I could not bear
To hear my mother moaning there.
I clutched the paper in my hand.
'Twas hard. You cannot understand . . .
I walked as martyr to the flame,
Almost exalted in my shame.
They turned, who heard my voiceless cry,
"For Sale, a virgin, who will buy?"
And so myself I fiercely sold,
And clutched the price, a piece of gold.
Into a pharmacy I pressed;



I took the paper from my breast.
I gave my money . . . how it gleamed!
How precious to my eyes it seemed!
And then I saw the chemist frown,
Quick on the counter throw it down,
Shake with an angry look his head:
"Your louis d'or is bad," he said.


Dazed, crushed, I went into the night,
I clutched my gleaming coin so tight.
No, no, I could not well believe
That any one could so deceive.
I tried again and yet again --
Contempt, suspicion and disdain;
Always the same reply I had:
"Get out of this. Your money's bad."


Heart broken to the room I crept,
To mother's side. All still . . . she slept . . .
I bent, I sought to raise her head . . .
"Oh, God, have pity!" she was dead.


That's how it all began.
Said I: Revenge is sweet.
So in my guilty span
I've ruined many a man.
They've groveled at my feet,
I've pity had for none;
I've bled them every one.
Oh, I've had interest for
That worthless louis d'or.


But now it's over; see,
I care for no one, me;
Only at night sometimes
In dreams I hear the chimes
Of wedding-bells and see
A woman without stain
With children at her knee.
Ah, how you comfort me,
Cocaine! . . .

Ripeness


With peace and rest
And wisdom sage,
Ripeness is best
Of every age.
With hands that fold
In pensive prayer,
For grave-yard mold

Prepare.

From fighting free
With fear forgot,
Let ripeness be,
Before the rot.
With heart of cheer
At eighty odd,
How man grows near


To God!

With passion spent
And life nigh run
Let us repent
The ill we've done.
And as we bless
With happy heart
Life's mellowness

--Depart.

Romance


In Paris on a morn of May
I sent a radio transalantic
To catch a steamer on the way,
But oh the postal fuss was frantic;
They sent me here, they sent me there,
They were so courteous yet so canny;
Then as I wilted in despair
A Frenchman flipped me on the fanny.


'Twas only juts a gentle pat,
Yet oh what sympathy behind it!
I don't let anyone do that,
But somehow then I didn't mind it.
He seemed my worry to divine,
With kindly smile, that foreign mannie,
And as we stood in waiting line
With tender touch he tapped my fanny.


It brought a ripple of romance
Into that postal bureau dreary;
He gave me such a smiling glance
That somehow I felt gay and cheery.
For information on my case
The postal folk searched nook and cranny;
He gently tapped, with smiling face,
His reassurance on my fanny.


So I'll go back to Tennessee,
And they will ask: "How have you spent your
Brief holiday in gay Paree?"
But I'll not speak of my adventure.
Oh say I'm spectacled and grey,
Oh say I'm sixty and a grannie -
But say that morn of May
A Frenchman flipped me on the fanny!

Rich Poor Man

We pitied him because
He lived alone;
His tiny cottage was
His only own.
His little garden had
A wall around;
Yet never was so glad
A bit of ground.


It seemed to fair rejoice
With flowers and fruit;
With blooms it found a voice
When ours was muts.
It smiled without a pause
In gracious glow:
I think it was because
He loved it so.


He had no news to read,
No rent to pay;
His vegetable need
He plucked each day.
His grateful garden gave
Him ample fare;
He lived without a crave,
Without a care.


His bread and milk and tea
Were all he bought;
To us he seemed to be
A sorry lot . . .
But when we're dead and gone,
With all our fuss,
I guess he'll carry on,
And laugh at us.

Rich Poor Man

We pitied him because
He lived alone;
His tiny cottage was
His only own.
His little garden had
A wall around;
Yet never was so glad
A bit of ground.


It seemed to fair rejoice
With flowers and fruit;
With blooms it found a voice
When ours was muts.
It smiled without a pause
In gracious glow:
I think it was because
He loved it so.


He had no news to read,
No rent to pay;
His vegetable need
He plucked each day.
His grateful garden gave
Him ample fare;
He lived without a crave,
Without a care.


His bread and milk and tea
Were all he bought;
To us he seemed to be
A sorry lot . . .
But when we're dead and gone,
With all our fuss,
I guess he'll carry on,
And laugh at us.