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Life and Existence

John Donne

John Donne

Good Friday, 1613. Riding Westward

Good Friday, 1613. Riding Westward

Let mans Soule be a Spheare, and then, in this,
The intelligence that moves, devotion is
And as the other Spheares, by being growne
Subject to forraigne motions, lose their owne
And being by others hurried every day,
Scarce in a yeare their natural! forme obey:
Pleasure or businesse, so, our Soules admit
For their first mover, and are whirld by it.
Hence is's, that I am carryed towards the West
This day, when my Soules forme bends toward the East.
There I should see a Sunne, by rising set,
And by that setting endlesse day beget;
But that Christ on this Crosse, did rise and fall,
Sinne had eternally benighted all.
Yet dare ['almost be glad, I do not see
That spectacle of too much weight for meet
Who sees Gods face, that is selfe life, must dye;
What a death were it then to see God dye?
It made his owne Lieutenant Nature shrinke,
It made his footstoole crack, and the Sunne winke.
Could I behold those hands which span the Poles,
And tune all spheares at once, peirc'd with those holes?
Could I behold that endlesse height which is
Zenith to us, and to'our Antipodes,
Humbled below us? or that blood which is
The seat of all our Soules, if not of his,
Make curt of dust, or that flesh which was worne
By God, for his apparel!, rag'd, and tome?
If on these things I durst not looke, durst I
Upon his miserable mother cast mine eye,
Who was Gods partner here, and furnish'd thus
Halfe of that Sacrifice, which ransom'd us?
Though these things, as I ride, be from mine eye,
They'are present yet unto my memory,
For that looks towards them; and thou look'st towards mee,
O Saviour, as thou hang'st upon the tree;
I turne my backe to thee, but to receive
Corrections, till thy mercies bid thee leave.
O thinke mee worth shine anger, punish mee,
Burne off my rusts, and my deformity,
Restore shine Image, so much, by thy grace,
That thou may'st know mee, and I'll turne my face.
293
John Donne

John Donne

Epithalamion Made At Lincoln's Inn

Epithalamion Made At Lincoln's Inn

I

HAIL sun-beams in the east are spread ;
Leave, leave, fair bride, your solitary bed ;
No more shall you return to it alone ;
It nurseth sadness, and your body's print,
Like to a grave, the yielding down doth dint ;
You, and your other you, meet there anon.
Put forth, put forth, that warm balm-breathing thigh,
Which when next time you in these sheets will smother,
There it must meet another,
Which never was, but must be, oft, more nigh.
Come glad from thence, go gladder than you came ;
To-day put on perfection, and a woman's name.
Daughters of London, you which be
Our golden mines, and furnish'd treasury ;
You which are angels, yet still bring with you
Thousands of angels on your marriage days ;
Help with your presence, and devise to praise
These rites, which also unto you grow due ;
Conceitedly dress her, and be assign'd,
By you fit place for every flower and jewel ;
Make her for love fit fuel,
As gay as Flora and as rich as Ind ;
So may she, fair and rich in nothing lame,
To-day put on perfection, and a woman's name.


And you frolic patricians,
Sons of those senators, wealth's deep oceans ;
Ye painted courtiers, barrels of other's wits ;
Ye countrymen, who but your beasts love none ;
Ye of those fellowships, whereof he's one,
Of study and play made strange hermaphrodites,
Here shine ; this bridegroom to the temple bring.
Lo, in yon path which store of strew'd flowers graceth,
The sober virgin paceth ;
Except my sight fail, 'tis no other thing.
Weep not, nor blush, here is no grief nor shame,
To-day put on perfection, and a woman's name.


Thy two-leaved gates, fair temple, unfold,
And these two in thy sacred bosom hold,
Till mystically join'd but one they be ;
Then may thy lean and hunger-starvèd womb
Long time expect their bodies, and their tomb,
Long after their own parents fatten thee.
All elder claims, and all cold barrenness,
All yielding to new loves, be far for ever,
Which might these two dissever ;
Always, all th'other may each one possess ;
For the best bride, best worthy of praise and fame,
To-day puts on perfection, and a woman's name.



Winter days bring much delight,
Not for themselves, but for they soon bring night ;
Other sweets wait thee than these diverse meats,
Other disports than dancing jollities,
Other love-tricks than glancing with the eyes,
But that the sun still in our half sphere sweats ;
He flies in winter, but he now stands still.
Yet shadows turn ; noon point he hath attain'd ;
His steeds will be restrain'd,
But gallop lively down the western hill.
Thou shalt, when he hath run the heaven's half frame,
To-night put on perfection, and a woman's name.


The amorous evening star is rose,
Why then should not our amorous star inclose
Herself in her wish'd bed ? Release your strings,
Musicians ; and dancers take some truce
With these your pleasing labours, for great use
As much weariness as perfection brings.
You, and not only you, but all toil'd beasts
Rest duly ; at night all their toils are dispensed ;
But in their beds commenced
Are other labours, and more dainty feasts.
She goes a maid, who, lest she turn the same,
To-night puts on perfection, and a woman's name.


Thy virgin's girdle now untie,
And in thy nuptial bed, love's altar, lie
A pleasing sacrifice ; now dispossess
Thee of these chains and robes, which were put on
To adorn the day, not thee ; for thou, alone,
Like virtue and truth, art best in nakedness.
This bed is only to virginity
A grave, but to a better state, a cradle.
Till now thou wast but able
To be, what now thou art ; then, that by thee
No more be said, “ I may be,” but, “ I am,”
To-night put on perfection, and a woman's name.


Even like a faithful man content,
That this life for a better should be spent,
So she a mother's rich stile doth prefer,
And at the bridegroom's wish'd approach doth lie,
Like an appointed lamb, when tenderly
The priest comes on his knees to embowel her.
Now sleep or watch with more joy ; and, O light
Of heaven, to-morrow rise thou hot, and early ;
This sun will love so dearly
Her rest, that long, long we shall want her sight.
Wonders are wrought, for she, which had no maim,
To-night puts on perfection, and a woman's name.
464
John Donne

John Donne

Elegy VIII: The Comparison

Elegy VIII: The Comparison

As the sweet sweat of roses in a still,
As that which from chafed musk-cats' pores doth trill,
As the almighty balm of th' early East,
Such are the sweat drops of my mistress' breast,
And on her brow her skin such lustre sets,
They seem no sweat drops, but pearl coronets.
Rank sweaty froth thy Mistress's brow defiles,
Like spermatic issue of ripe menstruous boils,
Or like the scum, which, by need's lawless law
Enforced, Sanserra's starved men did draw
From parboiled shoes and boots, and all the rest
Which were with any sovereigne fatness blest,
And like vile lying stones in saffroned tin,
Or warts, or weals, they hang upon her skin.
Round as the world's her head, on every side,
Like to the fatal ball which fell on Ide,


Or that whereof God had such jealousy,
As, for the ravishing thereof we die.
Thy head is like a rough-hewn statue of jet,
Where marks for eyes, nose, mouth, are yet scarce set;
Like the first Chaos, or flat-seeming face
Of Cynthia, when th' earth's shadows her embrace.
Like Proserpine's white beauty-keeping chest,
Or Jove's best fortunes urn, is her fair breast.
Thine's like worm-eaten trunks, clothed in seals' skin,
Or grave, that's dust without, and stink within.
And like that slender stalk, at whose end stands
The woodbine quivering, are her arms and hands.
Like rough barked elm-boughs, or the russet skin
Of men late scourged for madness, or for sin,
Like sun-parched quarters on the city gate,
Such is thy tanned skin's lamentable state.
And like a bunch of ragged carrots stand
The short swol'n fingers of thy gouty hand.
Then like the Chimic's masculine equal fire,
Which in the Lymbecks warm womb doth inspire
Into th' earth's worthless dirt a soul of gold,
Such cherishing heat her best loved part doth hold.
Thine's like the dread mouth of a fired gun,
Or like hot liquid metals newly run
Into clay moulds, or like to that Etna
Where round about the grass is burnt away.
Are not your kisses then as filthy, and more,
As a worm sucking an envenomed sore?
Doth not thy feareful hand in feeling quake,
As one which gath'ring flowers still fears a snake?
Is not your last act harsh, and violent,
As when a plough a stony ground doth rent?
So kiss good turtles, so devoutly nice
Are priests in handling reverent sacrifice,
And such in searching wounds the surgeon is



As we, when we embrace, or touch, or kiss.
Leave her, and I will leave comparing thus,
She, and comparisons are odious.
307
John Donne

John Donne

Elegy III: Change

Elegy III: Change

Although thy hand and faith, and good works too,
Have seal'd thy love which nothing should undo,
Yea though thou fall back, that apostasy
Confirm thy love; yet much, much I fear thee.
Women are like the Arts, forc'd unto none,
Open to'all searchers, unpriz'd, if unknown.
If I have caught a bird, and let him fly,
Another fouler using these means, as I,
May catch the same bird; and, as these things be,
Women are made for men, not him, nor me.
Foxes and goats; all beasts change when they please,
Shall women, more hot, wily, wild then these,
Be bound to one man, and did Nature then
Idly make them apter to endure than men?
They are our clogges, not their owne; if a man be
Chain'd to a galley, yet the galley is free;
Who hath a plow-land, casts all his seed corn there,
And yet allows his ground more corn should bear;
Though Danuby into the sea must flow,
The sea receives the Rhene, Volga, and Po.
By nature, which gave it, this liberty
Thou lov'st, but Oh! canst thou love it and me?
Likeness glues love: Then if so thou do,
To make us like and love, must I change too?
More than thy hate, I hate it, rather let me
Allow her change, then change as oft as she,
And so not teach, but force my opinion
To love not any one, nor every one.
To live in one land is captivity,
To run all countries, a wild roguery;
Waters stink soon, if in one place they bide,
And in the vast sea are worse putrified:
But when they kiss one bank, and leaving this
Never look back, but the next bank do kiss,
Then are they purest; Change is the nursery
Of music, joy, life, and eternity.
377
John Donne

John Donne

Elegy IX: The Autumnal

Elegy IX: The Autumnal

No spring nor summer beauty hath such grace
As I have seen in one autumnal face.

Young beauties force our love, and that's a rape,
This doth but counsel, yet you cannot scape.
If 'twere a shame to love, here 'twere no shame;


Affection here takes reverence's name.
Were her first years the golden age? That's true,
But now she's gold oft tried and ever new.
That was her torrid and inflaming time,
This is her tolerable tropic clime.
Fair eyes, who asks more heat than comes from hence,
He in a fever wishes pestilence.
Call not these wrinkles, graves; if graves they were,
They were Love's graves, for else he is no where.
Yet lies not Love dead here, but here doth sit
Vow'd to this trench, like an anachorit;
And here till hers, which must be his death, come,
He doth not dig a grave, but build a tomb.
Here dwells he; though he sojourn ev'rywhere
In progress, yet his standing house is here:
Here where still evening is, not noon nor night,
Where no voluptuousness, yet all delight.
In all her words, unto all hearers fit,
You may at revels, you at council, sit.
This is Love's timber, youth his underwood;
There he, as wine in June, enrages blood,
Which then comes seasonabliest when our taste
And appetite to other things is past.
Xerxes' strange Lydian love, the platan tree,
Was lov'd for age, none being so large as she,
Or else because, being young, nature did bless
Her youth with age's glory, barrenness.
If we love things long sought, age is a thing
Which we are fifty years in compassing;
If transitory things, which soon decay,
Age must be loveliest at the latest day.
But name not winter faces, whose skin's slack,
Lank as an unthrift's purse, but a soul's sack;
Whose eyes seek light within, for all here's shade;
Whose mouths are holes, rather worn out than made;
Whose every tooth to a several place is gone,
To vex their souls at resurrection:
Name not these living death's-heads unto me,
For these, not ancient, but antique be.
I hate extremes, yet I had rather stay
With tombs than cradles, to wear out a day.
Since such love's natural lation is, may still
My love descend, and journey down the hill,
Not panting after growing beauties. So,
I shall ebb on with them who homeward go.
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