Poems — Life and Existence

James Whitcomb Riley

We Must Believe

We Must Believe

_'Lord, I believe: help Thou mine unbelief.'_

We must believe--
Being from birth endowed with love and trust--
Born unto loving;--and how simply just
That love--that faith!--even in the blossom-face
The babe drops dreamward in its resting-place,
Intuitively conscious of the sure
Awakening to rapture ever pure
And sweet and saintly as the mother's own,
Or the awed father's, as his arms are thrown
O'er wife and child, to round about them weave
And wind and bind them as one harvest-sheaf
Of love--to cleave to, and _forever_ cleave....
Lord, I believe:
Help Thou mine unbelief.

We must believe--
Impelled since infancy to seek some clear
Fulfillment, still withheld all seekers here;--
For never have we seen perfection nor
The glory we are ever seeking for:
But we _have_ seen--all mortal souls as one--
Have seen its _promise_, in the morning sun--
Its blest assurance, in the stars of night;--
The ever-dawning of the dark to light;--
The tears down-falling from all eyes that grieve--
The eyes uplifting from all deeps of grief,
Yearning for what at last we shall receive....
Lord, I believe:
Help Thou mine unbelief.

We must believe--
For still all unappeased our hunger goes,
From life's first waking, to its last repose:
The briefest life of any babe, or man
Outwearing even the allotted span,
Is each a life unfinished--incomplete:
For these, then, of th' outworn, or unworn feet
Denied one toddling step--O there must be
Some fair, green, flowery pathway endlessly
Winding through lands Elysian! Lord, receive
And lead each as Thine Own Child--even the Chief
Of us who didst Immortal life achieve....
Lord, I believe:
Help Thou mine unbelief.

275

James Whitcomb Riley

We Must Believe

We Must Believe

_'Lord, I believe: help Thou mine unbelief.'_

We must believe--
Being from birth endowed with love and trust--
Born unto loving;--and how simply just
That love--that faith!--even in the blossom-face
The babe drops dreamward in its resting-place,
Intuitively conscious of the sure
Awakening to rapture ever pure
And sweet and saintly as the mother's own,
Or the awed father's, as his arms are thrown
O'er wife and child, to round about them weave
And wind and bind them as one harvest-sheaf
Of love--to cleave to, and _forever_ cleave....
Lord, I believe:
Help Thou mine unbelief.

We must believe--
Impelled since infancy to seek some clear
Fulfillment, still withheld all seekers here;--
For never have we seen perfection nor
The glory we are ever seeking for:
But we _have_ seen--all mortal souls as one--
Have seen its _promise_, in the morning sun--
Its blest assurance, in the stars of night;--
The ever-dawning of the dark to light;--
The tears down-falling from all eyes that grieve--
The eyes uplifting from all deeps of grief,
Yearning for what at last we shall receive....
Lord, I believe:
Help Thou mine unbelief.

We must believe--
For still all unappeased our hunger goes,
From life's first waking, to its last repose:
The briefest life of any babe, or man
Outwearing even the allotted span,
Is each a life unfinished--incomplete:
For these, then, of th' outworn, or unworn feet
Denied one toddling step--O there must be
Some fair, green, flowery pathway endlessly
Winding through lands Elysian! Lord, receive
And lead each as Thine Own Child--even the Chief
Of us who didst Immortal life achieve....
Lord, I believe:
Help Thou mine unbelief.

275

James Whitcomb Riley

Waitin' Fer The Cat To Die

Waitin' Fer The Cat To Die

Lawzy! don't I rickollect
That-'air old swing in the lane!
Right and proper, I expect,
Old times _can't_ come back again;
But I want to state, ef they
_Could_ come back, and I could say
What _my_ pick 'ud be, i jing!
I'd say, Gimme the old swing
'Nunder the old locus'-trees
On the old place, ef you please!--
Danglin' there with half-shet eye,
Waitin' fer the cat to die!

I'd say, Gimme the old gang
Of barefooted, hungry, lean,
Ornry boys you want to hang
When you're growed up twic't as mean!
The old gyarden-patch, the old
Truants, and the stuff we stol'd!
The old stompin'-groun', where we
Wore the grass off, wild and free
As the swoop of the old swing,
Where we ust to climb and cling,
And twist roun', and fight, and lie--
Waitin' fer the cat to die!

'Pears like I 'most allus could
Swing the highest of the crowd--
Jes sail up there tel I stood
Downside-up, and screech out loud,--
Ketch my breath, and jes drap back
Fer to let the old swing slack,
Yit my tow-head dippin' still
In the green boughs, and the chill
Up my backbone taperin' down,
With my shadder on the ground'
Slow and slower trailin' by--
Waitin' fer the cat to die!

Now my daughter's little Jane's
Got a kind o' baby-swing
On the porch, so's when it rains
She kin play there--little thing!
And I'd limped out t'other day
With my old cheer this-a-way,
Swingin' _her_ and rockin' too,
Thinkin' how _I_ ust to do
At _her_ age, when suddently,
'Hey, Gran'pap!' she says to me,
'Why you rock so slow?' ... Says I,
'Waitin' fer the cat to die!'

275

James Whitcomb Riley

Waitin' Fer The Cat To Die

Waitin' Fer The Cat To Die

Lawzy! don't I rickollect
That-'air old swing in the lane!
Right and proper, I expect,
Old times _can't_ come back again;
But I want to state, ef they
_Could_ come back, and I could say
What _my_ pick 'ud be, i jing!
I'd say, Gimme the old swing
'Nunder the old locus'-trees
On the old place, ef you please!--
Danglin' there with half-shet eye,
Waitin' fer the cat to die!

I'd say, Gimme the old gang
Of barefooted, hungry, lean,
Ornry boys you want to hang
When you're growed up twic't as mean!
The old gyarden-patch, the old
Truants, and the stuff we stol'd!
The old stompin'-groun', where we
Wore the grass off, wild and free
As the swoop of the old swing,
Where we ust to climb and cling,
And twist roun', and fight, and lie--
Waitin' fer the cat to die!

'Pears like I 'most allus could
Swing the highest of the crowd--
Jes sail up there tel I stood
Downside-up, and screech out loud,--
Ketch my breath, and jes drap back
Fer to let the old swing slack,
Yit my tow-head dippin' still
In the green boughs, and the chill
Up my backbone taperin' down,
With my shadder on the ground'
Slow and slower trailin' by--
Waitin' fer the cat to die!

Now my daughter's little Jane's
Got a kind o' baby-swing
On the porch, so's when it rains
She kin play there--little thing!
And I'd limped out t'other day
With my old cheer this-a-way,
Swingin' _her_ and rockin' too,
Thinkin' how _I_ ust to do
At _her_ age, when suddently,
'Hey, Gran'pap!' she says to me,
'Why you rock so slow?' ... Says I,
'Waitin' fer the cat to die!'

275

James Whitcomb Riley

Uncle Mart's Poem

Uncle Mart's Poem

THE OLD SNOW-MAN

Ho! the old Snow-Man
That Noey Bixler made!
He looked as fierce and sassy
As a soldier on parade!-'
Cause Noey, when he made him,
While we all wuz gone, you see,
He made him, jist a-purpose,
Jist as fierce as he could be!--
But when we all got _ust_ to him,
Nobody wuz afraid
Of the old Snow-Man
That Noey Bixler made!

'Cause Noey told us 'bout him
And what he made him fer:-He'd
come to feed, that morning
He found we wuzn't here;
And so the notion struck him,
When we all come taggin' home
'Tud _s'prise_ us ef a' old Snow-Man
'Ud meet us when we come!
So, when he'd fed the stock, and milked,
And ben back home, and chopped
His wood, and et his breakfast, he
Jist grabbed his mitts and hopped
Right in on that-air old Snow-Man
That he laid out he'd make
Er bust a trace _a-tryin_'--jist
Fer old-acquaintance sake!--
But work like that wuz lots more fun.
He said, than when he played!
Ho! the old Snow-Man
That Noey Bixler made!

He started with a big snow-ball,
And rolled it all around;
And as he rolled, more snow 'ud stick
And pull up off the ground.--
He rolled and rolled all round the yard-'
Cause we could see the _track_,
All wher' the snow come off, you know,
And left it wet and black.
He got the Snow-Man's _legs-part_ rolled--
In front the kitchen-door,--
And then he hat to turn in then
And roll and roll some more!--
He rolled the yard all round agin,
And round the house, at that--
Clean round the house and back to wher'
The blame legs-half wuz at!

He said he missed his dinner, too--
Jist clean fergot and stayed
There workin'. Ho! the old Snow-Man
That Noey Bixler made!

And Noey said he hat to _hump_
To git the _top-half_ on
The _legs-half!_--When he _did_, he said,
His wind wuz purt'-nigh gone.--
He said, I jucks! he jist drapped down
There on the old porch-floor
And panted like a dog!--And then
He up! and rolled some more!--
The _last_ batch--that wuz fer his head,-And--
time he'd got it right
And clumb and fixed it on, he said--
He hat to quit fer night!--
And _then_, he said, he'd kep' right on
Ef they'd ben any _moon_
To work by! So he crawled in bed--
And _could_ a-slep' tel _noon_,
He wuz so plum wore out! he said,--
But it wuz washin'-day,
And hat to cut a cord o' wood
'Fore he could git away!

But, last, he got to work agin,--
With spade, and gouge, and hoe,
And trowel, too--(All tools 'ud do
What _Noey_ said, you know!)
He cut his eyebrows out like cliffs--
And his cheekbones and chin
Stuck _furder_ out--and his old _nose_
Stuck out as fur-agin!
He made his eyes o' walnuts,
And his whiskers out o' this
Here buggy-cushion stuffin'--_moss_,
The teacher says it is.
And then he made a' old wood'-gun,
Set keerless-like, you know,
Acrost one shoulder--kindo' like
Big Foot, er Adam Poe--
Er, mayby, Simon Girty,
The dinged old Renegade!
_Wooh!_ the old Snow-Man
That Noey Bixler made!

And there he stood, all fierce and grim,
A stern, heroic form:
What was the winter blast to him,
And what the driving storm?--
What wonder that the children pressed

Their faces at the pane
And scratched away the frost, in pride
To look on him again?--
What wonder that, with yearning bold,
Their all of love and care
Went warmest through the keenest cold
To that Snow-Man out there!

But the old Snow-Man--
What a dubious delight
He grew at last when Spring came on
And days waxed warm and bright.--
Alone he stood--all kith and kin
Of snow and ice were gone;--
Alone, with constant teardrops in
His eyes and glittering on
His thin, pathetic beard of black--
Grief in a hopeless cause!-Hope--
hope is for the man that _dies_--
What for the man that _thaws!_
O Hero of a hero's make!--
Let _marble_ melt and fade,
But never _you_--you old Snow-Man
That Noey Bixler made!

359

James Whitcomb Riley

Up And Down Old Brandywine

290

James Whitcomb Riley

Up And Down Old Brandywine

290

James Whitcomb Riley

Told By

Told By

Coming, clean from the Maryland-end
Of this great National Road of ours,
Through your vast West; with the time to spend,
Stopping for days in the main towns, where
Every citizen seemed a friend,
And friends grew thick as the wayside flowers,--
I found no thing that I might narrate
More singularly strange or queer
Than a thing I found in your sister-state
Ohio,--at a river-town--down here
In my notebook: _Zanesville--situate
On the stream Muskingum--broad and clear,
And navigable, through half the year,
North, to Coshocton; south, as far
As Marietta._--But these facts are
Not of the _story_, but the _scene_
Of the simple little tale I mean
To tell _directly_--from this, straight through
To the _end_ that is best worth listening to:

Eastward of Zanesville, two or three
Miles from the town, as our stage drove in,
I on the driver's seat, and he
Pointing out this and that to me,--
On beyond us--among the rest--
A grovey slope, and a fluttering throng
Of little children, which he 'guessed'
Was a picnic, as we caught their thin
High laughter, as we drove along,
Clearer and clearer. Then suddenly
He turned and asked, with a curious grin,
What were my views on _Slavery? 'Why?'_
I asked, in return, with a wary eye.
'Because,' he answered, pointing his whip
At a little, whitewashed house and shed
On the edge of the road by the grove ahead,-'
Because there are two slaves _there_,' he said-'
Two Black slaves that I've passed each trip
For eighteen years.--Though they've been set free,
They have been slaves ever since!' said he.
And, as our horses slowly drew
Nearer the little house in view,
All briefly I heard the history
Of this little old Negro woman and
Her husband, house and scrap of land;
How they were slaves and had been made free
By their dying master, years ago
In old Virginia; and then had come
North here into a _free_ state--so,
Safe forever, to found a home--
For themselves alone?--for they left South there
Five strong sons, who had, alas!

All been sold ere it came to pass
This first old master with his last breath
Had freed the _parents_.--(He went to death
Agonized and in dire despair
That the poor slave _children_ might not share
Their parents' freedom. And wildly then
He moaned for pardon and died. Amen!)

Thus, with their freedom, and little sum
Of money left them, these two had come
North, full twenty long years ago;
And, settling there, they had hopefully
Gone to work, in their simple way,
Hauling--gardening--raising sweet
Corn, and popcorn.--Bird and bee
In the garden-blooms and the apple-tree
Singing with them throughout the slow
Summer's day, with its dust and heat--
The crops that thirst and the rains that fail;
Or in Autumn chill, when the clouds hung low,
And hand-made hominy might find sale
In the near town-market; or baking pies
And cakes, to range in alluring show
At the little window, where the eyes
Of the Movers' children, driving past,
Grew fixed, till the big white wagons drew
Into a halt that would sometimes last
Even the space of an hour or two--
As the dusty, thirsty travelers made
Their noonings there in the beeches' shade
By the old black Aunty's spring-house, where,
Along with its cooling draughts, were found
Jugs of her famous sweet spruce-beer,
Served with her gingerbread-horses there,
While Aunty's snow-white cap bobbed 'round
Till the children's rapture knew no bound,
As she sang and danced for them, quavering clear
And high the chant of her old slave-days-

'Oh, Lo'd, Jinny! my toes is so',
Dancin' on yo' sandy flo'!'

Even so had they wrought all ways
To earn the pennies, and hoard them, too,--
And with what ultimate end in view?--
They were saving up money enough to be
Able, in time, to buy their own
Five children back.

Ah! the toil gone through!
And the long delays and the heartaches, too,
And self-denials that they had known!

But the pride and glory that was theirs
When they first hitched up their shackly cart
For the long, long journey South.--The start
In the first drear light of the chilly dawn,
With no friends gathered in grieving throng,--
With no farewells and favoring prayers;
But, as they creaked and jolted on,
Their chiming voices broke in song-

''Hail, all hail! don't you see the stars a-fallin'?
Hail, all hail! I'm on my way.
Gideon[1] am
A healin' ba'm--
I belong to the blood-washed army.
Gideon am
A healin' ba'm--
On my way!''

And their _return!_--with their oldest boy
Along with them! Why, their happiness
Spread abroad till it grew a joy
_Universal_--It even reached
And thrilled the town till the _Church_ was stirred
Into suspecting that wrong was wrong!--
And it stayed awake as the preacher preached
A _Real_ 'Love'-text that he had not long
To ransack for in the Holy Word.

And the son, restored, and welcomed so,
Found service readily in the town;
And, with the parents, sure and slow,
_He_ went 'saltin' de cole cash down.'

So with the _next_ boy--and each one
In turn, till _four_ of the five at last
Had been bought back; and, in each case,
With steady work and good homes not
Far from the parents, _they_ chipped in
To the family fund, with an equal grace.
Thus they managed and planned and wrought,
And the old folks throve--Till the night before
They were to start for the lone last son
In the rainy dawn--their money fast
Hid away in the house,--two mean,
Murderous robbers burst the door.
...Then, in the dark, was a scuffle--a fall--
An old man's gasping cry--and then
A woman's fife-like shriek.

...Three men
Splashing by on horseback heard
The summons: And in an instant all

Sprung to their duty, with scarce a word.
And they were _in time_--not only to save
The lives of the old folks, but to bag
Both the robbers, and buck-and-gag
And land them safe in the county-jail--
Or, as Aunty said, with a blended awe
And subtlety,--'Safe in de calaboose whah
De dawgs caint bite 'em!'

--So prevail
The faithful!--So had the Lord upheld
His servants of both deed and prayer,--
HIS the glory unparalleled-_
Theirs_ the reward,--their every son
Free, at last, as the parents were!
And, as the driver ended there
In front of the little house, I said,
All fervently, 'Well done! well done!'
At which he smiled, and turned his head
And pulled on the leaders' lines and--'See!'
He said,--''you can read old Aunty's sign?'
And, peering down through these specs of mine
On a little, square board-sign, I read:

'Stop, traveler, if you think it fit,
And quench your thirst for a-fip-and-a-bit.
The rocky spring is very clear,
And soon converted into beer.'

And, though I read aloud, I could
Scarce hear myself for laugh and shout
Of children--a glad multitude
Of little people, swarming out
Of the picnic-grounds I spoke about.--
And in their rapturous midst, I see
Again--through mists of memory--
A black old Negress laughing up
At the driver, with her broad lips rolled
Back from her teeth, chalk-white, and gums
Redder than reddest red-ripe plums.
He took from her hand the lifted cup
Of clear spring-water, pure and cold,
And passed it to me: And I raised my hat
And drank to her with a reverence that
My conscience knew was justly due
The old black face, and the old eyes, too--
The old black head, with its mossy mat
Of hair, set under its cap and frills
White as the snows on Alpine hills;
Drank to the old _black_ smile, but yet
Bright as the sun on the violet,--
Drank to the gnarled and knuckled old

Black hands whose palms had ached and bled
And pitilessly been worn pale
And white almost as the palms that hold
Slavery's lash while the victim's wail
Fails as a crippled prayer might fail.--
Aye, with a reverence infinite,
I drank to the old black face and head--
The old black breast with its life of light--
The old black hide with its heart of gold.

321

James Whitcomb Riley

Tom Van Arden

271

James Whitcomb Riley

To Annie

To Annie

When the lids of dusk are falling
O'er the dreamy eyes of day,
And the whippoorwills are calling,
And the lesson laid away,--
May Mem'ry soft and tender
As the prelude of the night,
Bend over you and render
As tranquil a delight.

284

James Whitcomb Riley

Time

Time

1
The ticking-- ticking-- ticking of the clock--!
That vexed me so last night--! 'For though Time keeps
Such drowsy watch,' I moaned, 'he never sleeps,
But only nods above the world to mock
Its restless occupant, then rudely rock
It as the cradle of a babe that weeps!'
I seemed to see the seconds piled in heaps
Like sand about me; and at every shock
O' the bell, the piled sands were swirled away
As by a desert-storm that swept the earth
Stark as a granary floor, whereon the gray
And mist-bedrizzled moon amidst the dearth
Came crawling, like a sickly child, to lay
Its pale face next mine own and weep for day.

2
Wait for the morning! Ah! We wait indeed
For daylight, we who toss about through stress
Of vacant-armed desires and emptiness
Of all the warm, warm touches that we need,
And the warm kisses upon which we feed
Our famished lips in fancy! May God bless
The starved lips of us with but one caress
Warm as the yearning blood our poor hearts bleed...!
A wild prayer--! Bite thy pillow, praying so--
Toss this side, and whirl that, and moan for dawn;
Let the clock's seconds dribble out their woe,
And Time be drained of sorrow! Long ago
We heard the crowing cock, with answer drawn
As hoarsely sad at throat as sobs... Pray on!

341

James Whitcomb Riley

Three Dead Friends

Three Dead Friends

Always suddenly they are gone--
The friends we trusted and held secure--
Suddenly we are gazing on,
Not a _smiling_ face, but the marble-pure
Dead mask of a face that nevermore
To a smile of ours will make reply--
The lips close-locked as the eyelids are-Gone--
swift as the flash of the molten ore
A meteor pours through a midnight sky,
Leaving it blind of a single star.

Tell us, O Death, Remorseless Might!
What is this old, unescapable ire
You wreak on us?--from the birth of light
Till the world be charred to a core of fire!
We do no evil thing to you--
We seek to evade you--that is all--
That is your will--you will not be known
Of men. What, then, would you have us do?--
Cringe, and wait till your vengeance fall,
And your graves be fed, and the trumpet blown?

You desire no friends; but _we_--O we
Need them so, as we falter here,
Fumbling through each new vacancy,
As each is stricken that we hold dear.
One you struck but a year ago;
And one not a month ago; and one-(
God's vast pity!)--and one lies now
Where the widow wails, in her nameless woe,
And the soldiers pace, with the sword and gun,
Where the comrade sleeps, with the laureled brow.

And what did the first?--that wayward soul,
Clothed of sorrow, yet nude of sin,
And with all hearts bowed in the strange control
Of the heavenly voice of his violin.
Why, it was music the way he _stood_,
So grand was the poise of the head and so
Full was the figure of majesty!--
One heard with the eyes, as a deaf man would,
And with all sense brimmed to the overflow
With tears of anguish and ecstasy.

And what did the girl, with the great warm light
Of genius sunning her eyes of blue,
With her heart so pure, and her soul so white--
What, O Death, did she do to you?
Through field and wood as a child she strayed,
As Nature, the dear sweet mother led;
While from her canvas, mirrored back,
Glimmered the stream through the everglade

Where the grapevine trailed from the trees to wed
Its likeness of emerald, blue and black.

And what did he, who, the last of these,
Faced you, with never a fear, O Death?
Did you hate _him_ that he loved the breeze,
And the morning dews, and the rose's breath?
Did you hate him that he answered not
Your hate again--but turned, instead,
His only hate on his country's wrongs?
Well--you possess him, dead!--but what
Of the good he wrought? With laureled head
He bides with us in his deeds and songs.

Laureled, first, that he bravely fought,
And forged a way to our flag's release;
Laureled, next--for the harp he taught
To wake glad songs in the days of peace--
Songs of the woodland haunts he held
As close in his love as they held their bloom
In their inmost bosoms of leaf and vine--
Songs that echoed, and pulsed and welled
Through the town's pent streets, and the sick child's room,
Pure as a shower in soft sunshine.

Claim them, Death; yet their fame endures,
What friend next will you rend from us
In that cold, pitiless way of yours,
And leave us a grief more dolorous?
Speak to us!--tell us, O Dreadful Power!--
Are we to have not a lone friend left?--
Since, frozen, sodden, or green the sod,--
In every second of every hour,
_Some one_, Death, you have left thus bereft,
Half inaudibly shrieks to God.

311

James Whitcomb Riley

There Was a Cherry-Tree

There Was a Cherry-Tree

There was a cherry-tree. Its bloomy snows
Cool even now the fevered sight that knows
No more its airy visions of pure joy --
As when you were a boy.

There was a cherry-tree. The Bluejay sat
His blue against its white -- O blue as jet
He seemed there then!-- But now -- Whoever knew
He was so pale a blue!

There was a cherry-tree -- our child-eyes saw
The miracle:-- Its pure white snows did thaw
Into a crimson fruitage, far too sweet
But for a boy to eat.

There was a cherry-tree, give thanks and joy!--
There was a bloom of snow -- There was a boy --
There was a bluejay of the realest blue --
And fruit for both of you.

278

James Whitcomb Riley

There Was a Cherry-Tree

There Was a Cherry-Tree

There was a cherry-tree. Its bloomy snows
Cool even now the fevered sight that knows
No more its airy visions of pure joy --
As when you were a boy.

There was a cherry-tree. The Bluejay sat
His blue against its white -- O blue as jet
He seemed there then!-- But now -- Whoever knew
He was so pale a blue!

There was a cherry-tree -- our child-eyes saw
The miracle:-- Its pure white snows did thaw
Into a crimson fruitage, far too sweet
But for a boy to eat.

There was a cherry-tree, give thanks and joy!--
There was a bloom of snow -- There was a boy --
There was a bluejay of the realest blue --
And fruit for both of you.

278

James Whitcomb Riley

The Watches Of The Night

319

James Whitcomb Riley

The Stepmother

The Stepmother

First she come to our house,
Tommy run and hid;
And Emily and Bob and me
We cried jus' like we did
When Mother died,--and we all said
'At we all wisht 'at we was dead!

And Nurse she couldn't stop us,
And Pa he tried and tried,--
We sobbed and shook and wouldn't look,
But only cried and cried;
And nen someone--we couldn't jus'
Tell who--was cryin' same as us!

Our Stepmother! Yes, it was her,
Her arms around us all-'
Cause Tom slid down the bannister
And peeked in from the hall.--
And we all love her, too, because
She's purt nigh good as Mother was!

314

James Whitcomb Riley

The Stepmother

The Stepmother

First she come to our house,
Tommy run and hid;
And Emily and Bob and me
We cried jus' like we did
When Mother died,--and we all said
'At we all wisht 'at we was dead!

And Nurse she couldn't stop us,
And Pa he tried and tried,--
We sobbed and shook and wouldn't look,
But only cried and cried;
And nen someone--we couldn't jus'
Tell who--was cryin' same as us!

Our Stepmother! Yes, it was her,
Her arms around us all-'
Cause Tom slid down the bannister
And peeked in from the hall.--
And we all love her, too, because
She's purt nigh good as Mother was!

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James Whitcomb Riley

The Singer

The Singer

While with Ambition's hectic flame
He wastes the midnight oil,
And dreams, high-throned on heights of fame,
To rest him from his toil,-

Death's Angel, like a vast eclipse,
Above him spreads her wings,
And fans the embers of his lips
To ashes as he sings.

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James Whitcomb Riley

The Shower

The Shower

The landscape, like the awed face of a child,
Grew curiously blurred; a hush of death
Fell on the fields, and in the darkened wild
The zephyr held its breath.

No wavering glamour-work of light and shade
Dappled the shivering surface of the brook;
The frightened ripples in their ambuscade
Of willows thrilled and shook.

The sullen day grew darker, and anon
Dim flashes of pent anger lit the sky;
With rumbling wheels of wrath came rolling on
The storm's artillery.

The cloud above put on its blackest frown,
And then, as with a vengeful cry of pain,
The lightning snatched it, ripped and flung it down
In ravelled shreds of rain:

While I, transfigured by some wondrous art,
Bowed with the thirsty lilies to the sod,
My empty soul brimmed over, and my heart
Drenched with the love of God.

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James Whitcomb Riley

The Same Old Story

The Same Old Story

The same old story told again--
The maiden droops her head,
The ripening glow of her crimson cheek
Is answering in her stead.
The pleading tone of a trembling voice
Is telling her the way
He loved her when his heart was young
In Youth's sunshiny day:
The trembling tongue, the longing tone,
Imploringly ask why
They can not be as happy now
As in the days gone by.
And two more hearts, tumultuous
With overflowing joy,
Are dancing to the music
Which that dear, provoking boy
Is twanging on his bowstring,
As, fluttering his wings,
He sends his love-charged arrows
While merrily be sings:
'Ho! ho! my dainty maiden,
It surely can not be
You are thinking you are master
Of your heart, when it is me.'
And another gleaming arrow
Does the little god's behest,
And the dainty little maiden
Falls upon her lover's breast.
'The same old story told again,'
And listened o'er and o'er,
Will still be new, and pleasing, too,
Till 'Time shall be no more.'

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James Whitcomb Riley

The Rose

The Rose

It tossed its head at the wooing breeze;
And the sun, like a bashful swain,
Beamed on it through the waving trees
With a passion all in vain,--
For my rose laughed in a crimson glee,
And hid in the leaves in wait for me.

The honey-bee came there to sing
His love through the languid hours,
And vaunt of his hives, as a proud old king
Might boast of his palace-towers:
But my rose bowed in a mockery,
And hid in the leaves in wait for me.

The humming-bird, like a courtier gay,
Dipped down with a dalliant song,
And twanged his wings through the roundelay
Of love the whole day long:
Yet my rose turned from his minstrelsy
And hid in the leaves in wait for me.

The firefly came in the twilight dim
My red, red rose to woo--
Till quenched was the flame of love in him,
And the light of his lantern too,
As my rose wept with dewdrops three
And hid in the leaves in wait for me.

And I said: I will cull my own sweet rose--
Some day I will claim as mine
The priceless worth of the flower that knows
No change, but a bloom divine--
The bloom of a fadeless constancy
That hides in the leaves in wait for me!

But time passed by in a strange disguise,
And I marked it not, but lay
In a lazy dream, with drowsy eyes,
Till the summer slipped away,
And a chill wind sang in a minor key:
'Where is the rose that waits for thee?'

. . . . . . . .

I dream to-day, o'er a purple stain
Of bloom on a withered stalk,
Pelted down by the autumn rain
In the dust of the garden-walk,
That an Angel-rose in the world to be
Will hide in the leaves in wait for me.

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James Whitcomb Riley

The Rainy Morning

The Rainy Morning

The dawn of the day was dreary,
And the lowering clouds o'erhead
Wept in a silent sorrow
Where the sweet sunshine lay dead;
And a wind came out of the eastward
Like an endless sigh of pain,
And the leaves fell down in the pathway
And writhed in the falling rain.

I had tried in a brave endeavor
To chord my harp with the sun,
But the strings would slacken ever,
And the task was a weary one:
And so, like a child impatient
And sick of a discontent,
I bowed in a shower of tear-drops
And mourned with the instrument.

And lo! as I bowed, the splendor
Of the sun bent over me,
With a touch as warm and tender
As a father's hand might be:
And, even as I felt its presence,
My clouded soul grew bright,
And the tears, like the rain of morning,
Melted in mists of light.

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James Whitcomb Riley

The Orchard Lands Of Long Ago

The Orchard Lands Of Long Ago

The orchard lands of Long Ago!
O drowsy winds, awake, and blow
The snowy blossoms back to me,
And all the buds that used to be!
Blow back along the grassy ways
Of truant feet, and lift the haze
Of happy summer from the trees
That trail their tresses in the seas
Of grain that float and overflow
The orchard lands of Long Ago!

Blow back the melody that slips
In lazy laughter from the lips
That marvel much if any kiss
Is sweeter than the apple's is.
Blow back the twitter of the birds--
The lisp, the titter, and the words
Of merriment that found the shine
Of summer-time a glorious wine
That drenched the leaves that loved it so,
In orchard lands of Long Ago!

O memory! alight and sing
Where rosy-bellied pippins cling,
And golden russets glint and gleam,
As, in the old Arabian dream,
The fruits of that enchanted tree
The glad Aladdin robbed for me!
And, drowsy winds, awake and fan
My blood as when it overran
A heart ripe as the apples grow
In orchard lands of Long Ago!

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James Whitcomb Riley

The Orchard Lands Of Long Ago

The Orchard Lands Of Long Ago

The orchard lands of Long Ago!
O drowsy winds, awake, and blow
The snowy blossoms back to me,
And all the buds that used to be!
Blow back along the grassy ways
Of truant feet, and lift the haze
Of happy summer from the trees
That trail their tresses in the seas
Of grain that float and overflow
The orchard lands of Long Ago!

Blow back the melody that slips
In lazy laughter from the lips
That marvel much if any kiss
Is sweeter than the apple's is.
Blow back the twitter of the birds--
The lisp, the titter, and the words
Of merriment that found the shine
Of summer-time a glorious wine
That drenched the leaves that loved it so,
In orchard lands of Long Ago!

O memory! alight and sing
Where rosy-bellied pippins cling,
And golden russets glint and gleam,
As, in the old Arabian dream,
The fruits of that enchanted tree
The glad Aladdin robbed for me!
And, drowsy winds, awake and fan
My blood as when it overran
A heart ripe as the apples grow
In orchard lands of Long Ago!

283