Life and Existence

No Boy Knows

There are many things that boys may know--
Why this and that are thus and so,--
Who made the world in the dark and lit
The great sun up to lighten it:
Boys know new things every day--
When they study, or when they play,--
When they idle, or sow and reap--
But no boy knows when he goes to sleep.


Boys who listen--or should, at least,--
May know that the round old earth rolls East;--
And know that the ice and the snow and the rain--
Ever repeating their parts again--
Are all just water the sunbeams first
Sip from the earth in their endless thirst,
And pour again till the low streams leap.--
But no boy knows when he goes to sleep.


A boy may know what a long glad while
It has been to him since the dawn's first smile,
When forth he fared in the realm divine
Of brook-laced woodland and spun-sunshine;--
He may know each call of his truant mates,
And the paths they went,--and the pasture-gates
Of the 'cross-lots home through the dusk so deep.--
But no boy knows when he goes to sleep.


O I have followed me, o'er and o'er,
From the flagrant drowse on the parlor-floor,
To the pleading voice of the mother when
I even doubted I heard it then--
To the sense of a kiss, and a moonlit room,
And dewy odors of locust-bloom--
A sweet white cot--and a cricket's cheep.--
But no boy knows when he goes to sleep.

May I Not Weep With You

Let me come in where you sit weeping—aye,
Let me, who have not any child to die,
Weep with you for the little one whose love
I have known nothing of.


The little arms that slowly, slowly loosed
Then- pressure round your neck—the hands you vised
To kiss—such arms—such hands—I never knew,
May I not weep with you?


Fain would I be of service—say something
Between the tears, that would be comforting,
But Oh! so sadder than yourself am I,
Who have not any child to die!

Limitations Of Genius

The audience entire seemed pleased--indeed
_Extremely_ pleased. And little Maymie, freed
From her task of instructing, ran to show
Her wondrous colored picture to and fro
Among the company.

'And how comes it,' said
Some one to Mr. Hammond, 'that, instead
Of the inventor's life you did not choose
The _artist's?_--since the world can better lose
A cutting-box or reaper than it can
A noble picture painted by a man
Endowed with gifts this drawing would suggest'--
Holding the picture up to show the rest.
'_There now!_' chimed in the wife, her pale face lit
Like winter snow with sunrise over it,-'
That's what _I'm_ always asking him.--But _he_-_
Well_, as he's answering _you_, he answers _me_,--
With that same silent, suffocating smile
He's wearing now!'

For quite a little while
No further speech from anyone, although
All looked at Mr. Hammond and that slow,
Immutable, mild smile of his. And then
The encouraged querist asked him yet again
_Why was it_, and etcetera--with all
The rest, expectant, waiting 'round the wall,--
Until the gentle Mr. Hammond said
He'd answer with a '_parable_,' instead--
About 'a dreamer' that he used to know-'
An artist'--'master'--_all_--in _embryo_.

Let Us Forget

Let us forget. What matters it that we
Once reigned o'er happy realms of long-ago,
And talked of love, and let our voices low,
And ruled for some brief sessions royally?
What if we sung, or laughed, or wept maybe?
It has availed not anything, and so
Let it go by that we may better know
How poor a thing is lost to you and me.
But yesterday I kissed your lips, and yet
Did thrill you not enough to shake the dew
From your drenched lids--and missed, with no regret,
Your kiss shot back, with sharp breaths failing you;
And so, to-day, while our worn eyes are wet
With all this waste of tears, let us forget!

Kingry's Mill

On old Brandywine-- about
Where White's Lots is now laid out,
And the old crick narries down
To the ditch that splits the town--,
Kingry's Mill stood. Hardly see
Where the old dam ust to be;
Shallor, long, dry trought o' grass
Where the old race ust to pass!


That's be'n forty years ago--
Forty years o' frost and snow--
Forty years o' shade and shine
Sence them boyhood-days o' mine--!
All the old landmarks o' town.
Changed about, er rotted down!
Where's the Tanyard? Where's the Still?
Tell me where's old Kingry's Mill?


Don't seem furder back, to me,
I'll be dogg'd! Than yisterd'y,
Since us fellers, in bare feet
And straw hats, went through the wheat,
Cuttin' 'crost the shortest shoot
Fer that-air old ellum root
Jest above the mill-dam-- where
The blame' cars now crosses there!


Through the willers down the crick
We could see the old mill stick
Its red gable up, as if
It jest knowed we'd stol'd the skiff!
See the winders in the sun
Blink like they wuz wonderun'
What the miller ort to do
With sich boys as me and you!


But old Kingry--! Who could fear
That old chap, with all his cheer--?
Leanin' at the window-sill,
Er the half-door o' the mill,
Swoppin' lies, and pokin' fun,
'N jigglin' like his hoppers done--
Laughin' grists o' gold and red
Right out o' the wagon-bed!


What did he keer where we went--?
'Jest keep out o' devilment,
And don't fool around the belts,
Bolts, ner burrs, ner nothin' else
'Bout the blame machinery,
And that's all I ast!' says-ee.
Then we'd climb the stairs, and play



In the bran-bins half the day!


Rickollect the dusty wall,
And the spider-webs, and all!
Rickollect the trimblin' spout
Where the meal come josslln' out--
Stand and comb yer fingers through
The fool-truck an hour er two--
Felt so sorto' warm-like and
Soothin' to a feller's hand!


Climb, high up above the stream,
And 'coon' out the wobbly beam
And peek down from out the lof'
Where the weather-boards was off-Gee-
mun-nee! w'y, it takes grit
Even jest to think of it--!
Lookin' 'way down there below
On the worter roarin' so!


Rickollect the flume, and wheel,
And the worter slosh and reel
And jest ravel out in froth
Flossier'n satin cloth!
Rickollect them paddles jest
Knock the bubbles galley-west,
And plunge under, and come up
Drippin' like a worter-pup!


And to see them old things gone
That I onc't was bettin' on,
In rale p'int o' fact, I feel
kindo' like that worter-wheel--,
Sorto' drippy-like and wet
Round the eyes-- but paddlin' yet,
And in mem'ry, loafin' still
Down around old Kingry's Mill!

Jack-In-The-Box


_(Grandfather, musing.)_

In childish days! O memory,
You bring such curious things to me!--
Laughs to the lip--tears to the eye,
In looking on the gifts that lie
Like broken playthings scattered o'er
Imagination's nursery floor!
Did these old hands once click the key
That let 'Jack's' box-lid upward fly,
And that blear-eyed, fur-whiskered elf
Leap, as though frightened at himself,
And quiveringly lean and stare
At me, his jailer, laughing there?


A child then! Now--I only know
They call me very old; and so
They will not let me have my way,--
But uselessly I sit all day
Here by the chimney-jamb, and poke
The lazy fire, and smoke and smoke,
And watch the wreaths swoop up the flue,
And chuckle--ay, I often do--
Seeing again, all vividly,
Jack-in-the-box leap, as in glee
To see how much he looks like me!


... They talk. I can't hear what they say--
But I am glad, clean through and through
Sometimes, in fancying that they
Are saying, 'Sweet, that fancy strays
In age back to our childish days!'

Jack-In-The-Box


_(Grandfather, musing.)_

In childish days! O memory,
You bring such curious things to me!--
Laughs to the lip--tears to the eye,
In looking on the gifts that lie
Like broken playthings scattered o'er
Imagination's nursery floor!
Did these old hands once click the key
That let 'Jack's' box-lid upward fly,
And that blear-eyed, fur-whiskered elf
Leap, as though frightened at himself,
And quiveringly lean and stare
At me, his jailer, laughing there?


A child then! Now--I only know
They call me very old; and so
They will not let me have my way,--
But uselessly I sit all day
Here by the chimney-jamb, and poke
The lazy fire, and smoke and smoke,
And watch the wreaths swoop up the flue,
And chuckle--ay, I often do--
Seeing again, all vividly,
Jack-in-the-box leap, as in glee
To see how much he looks like me!


... They talk. I can't hear what they say--
But I am glad, clean through and through
Sometimes, in fancying that they
Are saying, 'Sweet, that fancy strays
In age back to our childish days!'

In The Dark

O in the depths of midnight
What fancies haunt the brain!
When even the sigh of the sleeper
Sounds like a sob of pain.


A sense of awe and of wonder
I may never well define,--
For the thoughts that come in the shadows
Never come in the shine.


The old clock down in the parlor
Like a sleepless mourner grieves,
And the seconds drip in the silence
As the rain drips from the eaves.


And I think of the hands that signal
The hours there in the gloom,
And wonder what angel watchers
Wait in the darkened room.


And I think of the smiling faces
That used to watch and wait,
Till the click of the clock was answered
By the click of the opening gate.--


They are not there now in the evening--
Morning or noon--not there;
Yet I know that they keep their vigil,
And wait for me Somewhere.

In The Dark

O in the depths of midnight
What fancies haunt the brain!
When even the sigh of the sleeper
Sounds like a sob of pain.


A sense of awe and of wonder
I may never well define,--
For the thoughts that come in the shadows
Never come in the shine.


The old clock down in the parlor
Like a sleepless mourner grieves,
And the seconds drip in the silence
As the rain drips from the eaves.


And I think of the hands that signal
The hours there in the gloom,
And wonder what angel watchers
Wait in the darkened room.


And I think of the smiling faces
That used to watch and wait,
Till the click of the clock was answered
By the click of the opening gate.--


They are not there now in the evening--
Morning or noon--not there;
Yet I know that they keep their vigil,
And wait for me Somewhere.

How John Quit The Farm

Nobody on the old farm here but Mother, me and John,
Except, of course, the extry he'p when harvest-time come on--
And then, I want to say to you, we _needed_ he'p about,
As you'd admit, ef you'd a-seen the way the crops turned out!


A better quarter-section, ner a richer soil warn't found
Than this-here old-home place o' ourn fer fifty miles around!--
The house was small--but plenty-big we found it from the day
That John--our only livin' son--packed up and went way.


You see, we tuck sich pride in John--his mother more 'n me-That's
natchurul; but _both_ of us was proud as proud could be;
Fer the boy, from a little chap, was most oncommon bright,
And seemed in work as well as play to take the same delight.


He allus went a-whistlin' round the place, as glad at heart
As robins up at five o'clock to git an airly start;
And many a time 'fore daylight Mother's waked me up to say-'
Jest listen, David!--listen!--Johnny's beat the birds to-day!'


High-sperited from boyhood, with a most inquirin' turn,--
He wanted to learn ever'thing on earth they was to learn:
He'd ast more plaguey questions in a mortal-minute here
Than his grandpap in Paradise could answer in a year!


And read! w'y, his own mother learnt him how to read and spell;
And 'The Childern of the Abbey'--w'y, he knowed that book as well
At fifteen as his parents!--and 'The Pilgrim's Progress,' too--
Jest knuckled down, the shaver did, and read 'em through and through!


At eighteen, Mother 'lowed the boy must have a better chance--
That we ort to educate him, under any circumstance;
And John he j'ined his mother, and they ding-donged and kep' on,
Tel I sent him off to school in town, half glad that he was gone.


But--I missed him--w'y of course I did!--The Fall and Winter through
I never built the kitchen-fire, er split a stick in two,
Er fed the stock, er butchered, er swung up a gambrel-pin,
But what I thought o' John, and wished that he was home agin.


He'd come, sometimes--on Sund'ys most--and stay the Sund'y out;
And on Thanksgivin'-Day he 'peared to like to be about:
But a change was workin' on him--he was stiller than before,
And did n't joke, ner laugh, ner sing and whistle any more.


And his talk was all so proper; and I noticed, with a sigh,
He was tryin' to raise side-whiskers, and had on a striped tie,
And a standin'-collar, ironed up as stiff and slick as bone;
And a breast-pin, and a watch and chain and plug-hat of his own.


But when Spring-weather opened out, and John was to come home
And he'p me through the season, I was glad to see him come;



But my happiness, that evening, with the settin' sun went down,
When he bragged of 'a position' that was offered him in town.


'But,' says I, 'you'll not accept it?' 'W'y, of course
I will,' says he.-'
This drudgin' on a farm,' he says, 'is not the life fer me;
I've set my stakes up higher,' he continued, light and gay,
'And town's the place fer me, and I'm a-goin' right away!'


And go he did!--his mother clingin' to him at the gate,
A-pleadin' and a-cryin'; but it hadn't any weight.
I was tranquiller, and told her 'twarn't no use to worry so,
And onclasped her arms from round his neck round mine--and let him go!


I felt a little bitter feelin' foolin' round about
The aidges of my conscience; but I didn't let it out;--
I simply retch out, trimbly-like, and tuck the boy's hand,
And though I did n't say a word, I knowed he'd understand.


And--well!--sence then the old home here was mighty lonesome, shore!
With me a-workin' in the field, and Mother at the door,
Her face ferever to'rds the town, and fadin' more and more---
Her only son nine miles away, a-clerkin' in a store!


The weeks and months dragged by us; and sometimes the boy would write
A letter to his mother, savin' that his work was light,
And not to feel oneasy about his health a bit--
Though his business was confinin', he was gittin' used to it.


And sometimes he would write and ast how _I_ was gittin' on,
And ef I had to pay out much fer he'p sence he was gone;
And how the hogs was doin', and the balance of the stock,
And talk on fer a page er two jest like he used to talk.


And he wrote, along 'fore harvest, that he guessed he would git home,
Fer business would, of course be dull in town.--But _didn't_ come:--
We got a postal later, sayin' when they had no trade
They filled the time 'invoicin' goods,' and that was why he staid.


And then he quit a-writin' altogether: Not a word--
Exceptin' what the neighbors brung who'd been to town and heard
What store John was clerkin' in, and went round to inquire
If they could buy their goods there less and sell their produce higher.


And so the Summer faded out, and Autumn wore away,
And a keener Winter never fetched around Thanksgivin'-Day!
The night before that day of thanks I'll never quite fergit,
The wind a-howlin' round the house--it makes me creepy yit!


And there set me and Mother--me a-twistin' at the prongs
Of a green scrub-ellum forestick with a vicious pair of tongs,
And Mother sayin', '_David! David!_' in a' undertone,



As though she thought that I was thinkin' bad-words unbeknown.


'I've dressed the turkey, David, fer to-morrow,' Mother said,
A-tryin' to wedge some pleasant subject in my stubborn head,-'
And the mince-meat I'm a-mixin' is perfection mighty nigh;
And the pound-cake is delicious-rich--' 'Who'll eat 'em?' I-says-I.


'The cramberries is drippin-sweet,' says Mother, runnin' on,
P'tendin' not to hear me;--'and somehow I thought of John
All the time they was a-jellin'--fer you know they allus was
His favour--he likes 'em so!' Says I, 'Well, s'pose he does?'


'Oh, nothin' much!' says Mother, with a quiet sort o' smile-'
This gentleman behind my cheer may tell you after while!'
And as I turned and looked around, some one riz up and leant
And put his arms round Mother's neck, and laughed in low content.


'It's _me_,' he says--'your fool-boy John, come back to shake your hand;
Set down with you, and talk with you, and make you understand
How dearer yit than all the world is this old home that we
Will spend Thanksgivin' in fer life--jest Mother, you and me!'


* * * * * *


Nobody on the old farm here but Mother, me and John,
Except of course the extry he'p, when harvest-time comes on;
And then, I want to say to you, we _need_ sich he'p about,
As you'd admit, ef you could see the way the crops turns out!

How John Quit The Farm

Nobody on the old farm here but Mother, me and John,
Except, of course, the extry he'p when harvest-time come on--
And then, I want to say to you, we _needed_ he'p about,
As you'd admit, ef you'd a-seen the way the crops turned out!


A better quarter-section, ner a richer soil warn't found
Than this-here old-home place o' ourn fer fifty miles around!--
The house was small--but plenty-big we found it from the day
That John--our only livin' son--packed up and went way.


You see, we tuck sich pride in John--his mother more 'n me-That's
natchurul; but _both_ of us was proud as proud could be;
Fer the boy, from a little chap, was most oncommon bright,
And seemed in work as well as play to take the same delight.


He allus went a-whistlin' round the place, as glad at heart
As robins up at five o'clock to git an airly start;
And many a time 'fore daylight Mother's waked me up to say-'
Jest listen, David!--listen!--Johnny's beat the birds to-day!'


High-sperited from boyhood, with a most inquirin' turn,--
He wanted to learn ever'thing on earth they was to learn:
He'd ast more plaguey questions in a mortal-minute here
Than his grandpap in Paradise could answer in a year!


And read! w'y, his own mother learnt him how to read and spell;
And 'The Childern of the Abbey'--w'y, he knowed that book as well
At fifteen as his parents!--and 'The Pilgrim's Progress,' too--
Jest knuckled down, the shaver did, and read 'em through and through!


At eighteen, Mother 'lowed the boy must have a better chance--
That we ort to educate him, under any circumstance;
And John he j'ined his mother, and they ding-donged and kep' on,
Tel I sent him off to school in town, half glad that he was gone.


But--I missed him--w'y of course I did!--The Fall and Winter through
I never built the kitchen-fire, er split a stick in two,
Er fed the stock, er butchered, er swung up a gambrel-pin,
But what I thought o' John, and wished that he was home agin.


He'd come, sometimes--on Sund'ys most--and stay the Sund'y out;
And on Thanksgivin'-Day he 'peared to like to be about:
But a change was workin' on him--he was stiller than before,
And did n't joke, ner laugh, ner sing and whistle any more.


And his talk was all so proper; and I noticed, with a sigh,
He was tryin' to raise side-whiskers, and had on a striped tie,
And a standin'-collar, ironed up as stiff and slick as bone;
And a breast-pin, and a watch and chain and plug-hat of his own.


But when Spring-weather opened out, and John was to come home
And he'p me through the season, I was glad to see him come;



But my happiness, that evening, with the settin' sun went down,
When he bragged of 'a position' that was offered him in town.


'But,' says I, 'you'll not accept it?' 'W'y, of course
I will,' says he.-'
This drudgin' on a farm,' he says, 'is not the life fer me;
I've set my stakes up higher,' he continued, light and gay,
'And town's the place fer me, and I'm a-goin' right away!'


And go he did!--his mother clingin' to him at the gate,
A-pleadin' and a-cryin'; but it hadn't any weight.
I was tranquiller, and told her 'twarn't no use to worry so,
And onclasped her arms from round his neck round mine--and let him go!


I felt a little bitter feelin' foolin' round about
The aidges of my conscience; but I didn't let it out;--
I simply retch out, trimbly-like, and tuck the boy's hand,
And though I did n't say a word, I knowed he'd understand.


And--well!--sence then the old home here was mighty lonesome, shore!
With me a-workin' in the field, and Mother at the door,
Her face ferever to'rds the town, and fadin' more and more---
Her only son nine miles away, a-clerkin' in a store!


The weeks and months dragged by us; and sometimes the boy would write
A letter to his mother, savin' that his work was light,
And not to feel oneasy about his health a bit--
Though his business was confinin', he was gittin' used to it.


And sometimes he would write and ast how _I_ was gittin' on,
And ef I had to pay out much fer he'p sence he was gone;
And how the hogs was doin', and the balance of the stock,
And talk on fer a page er two jest like he used to talk.


And he wrote, along 'fore harvest, that he guessed he would git home,
Fer business would, of course be dull in town.--But _didn't_ come:--
We got a postal later, sayin' when they had no trade
They filled the time 'invoicin' goods,' and that was why he staid.


And then he quit a-writin' altogether: Not a word--
Exceptin' what the neighbors brung who'd been to town and heard
What store John was clerkin' in, and went round to inquire
If they could buy their goods there less and sell their produce higher.


And so the Summer faded out, and Autumn wore away,
And a keener Winter never fetched around Thanksgivin'-Day!
The night before that day of thanks I'll never quite fergit,
The wind a-howlin' round the house--it makes me creepy yit!


And there set me and Mother--me a-twistin' at the prongs
Of a green scrub-ellum forestick with a vicious pair of tongs,
And Mother sayin', '_David! David!_' in a' undertone,



As though she thought that I was thinkin' bad-words unbeknown.


'I've dressed the turkey, David, fer to-morrow,' Mother said,
A-tryin' to wedge some pleasant subject in my stubborn head,-'
And the mince-meat I'm a-mixin' is perfection mighty nigh;
And the pound-cake is delicious-rich--' 'Who'll eat 'em?' I-says-I.


'The cramberries is drippin-sweet,' says Mother, runnin' on,
P'tendin' not to hear me;--'and somehow I thought of John
All the time they was a-jellin'--fer you know they allus was
His favour--he likes 'em so!' Says I, 'Well, s'pose he does?'


'Oh, nothin' much!' says Mother, with a quiet sort o' smile-'
This gentleman behind my cheer may tell you after while!'
And as I turned and looked around, some one riz up and leant
And put his arms round Mother's neck, and laughed in low content.


'It's _me_,' he says--'your fool-boy John, come back to shake your hand;
Set down with you, and talk with you, and make you understand
How dearer yit than all the world is this old home that we
Will spend Thanksgivin' in fer life--jest Mother, you and me!'


* * * * * *


Nobody on the old farm here but Mother, me and John,
Except of course the extry he'p, when harvest-time comes on;
And then, I want to say to you, we _need_ sich he'p about,
As you'd admit, ef you could see the way the crops turns out!

If I Knew What Poets Know

If I knew what poets know,
Would I write a rhyme
Of the buds that never blow
In the summer-time?
Would I sing of golden seeds
Springing up in ironweeds?
And of rain-drops turned to snow,
If I knew what poets know?


Did I know what poets do,
Would I sing a song
Sadder than the pigeon's coo
When the days are long?
Where I found a heart in pain,
I would make it glad again;
And the false should be the true,
Did I know what poets do.


If I knew what poets know,
I would find a theme
Sweeter than the placid flow
Of the fairest dream:
I would sing of love that lives
On the errors it forgives;
And the world would better grow
If I knew what poets know.

How Did You Rest, Last Night?

'How did you rest, last night?'-I've
heard my gran'pap say
Them words a thousand times--that's right--
Jes them words thataway!
As punctchul-like as morning dast
To ever heave in sight
Gran'pap 'ud allus haf to ast-'
How did you rest, last night?'


Us young-uns used to grin,
At breakfast, on the sly,
And mock the wobble of his chin
And eyebrows belt so high
And kind: _'How did you rest, last night?'_
We'd mumble and let on
Our voices trimbled, and our sight
Was dim, and hearin' gone.


* * * * *


Bad as I used to be,
All I'm a-wantin' is
As puore and ca'm a sleep fer me
And sweet a sleep as his!
And so I pray, on Jedgment Day
To wake, and with its light
See _his_ face dawn, and hear him say-'
How did you rest, last night?'

How Did You Rest, Last Night?

'How did you rest, last night?'-I've
heard my gran'pap say
Them words a thousand times--that's right--
Jes them words thataway!
As punctchul-like as morning dast
To ever heave in sight
Gran'pap 'ud allus haf to ast-'
How did you rest, last night?'


Us young-uns used to grin,
At breakfast, on the sly,
And mock the wobble of his chin
And eyebrows belt so high
And kind: _'How did you rest, last night?'_
We'd mumble and let on
Our voices trimbled, and our sight
Was dim, and hearin' gone.


* * * * *


Bad as I used to be,
All I'm a-wantin' is
As puore and ca'm a sleep fer me
And sweet a sleep as his!
And so I pray, on Jedgment Day
To wake, and with its light
See _his_ face dawn, and hear him say-'
How did you rest, last night?'

Heat-Lightning


There was a curious quiet for a space
Directly following: and in the face
Of one rapt listener pulsed the flush and glow
Of the heat-lightning that pent passions throw
Long ere the crash of speech.--He broke the spell--
The host:--The Traveler's story, told so well,
He said, had wakened there within his breast
A yearning, as it were, to know _the rest_--
That all unwritten sequence that the Lord
Of Righteousness must write with flame and sword,
Some awful session of His patient thought--
Just then it was, his good old mother caught
His blazing eye--so that its fire became
But as an ember--though it burned the same.
It seemed to her, she said, that she had heard
It was the _Heavenly_ Parent never erred,
And not the _earthly_ one that had such grace:
'Therefore, my son,' she said, with lifted face
And eyes, 'let no one dare anticipate
The Lord's intent. While _He_ waits, _we_ will wait'
And with a gust of reverence genuine
Then Uncle Mart was aptly ringing in-


''_If the darkened heavens lower,
Wrap thy cloak around thy form;
Though the tempest rise in power,
God is mightier than the storm!_''

Which utterance reached the restive children all
As something humorous. And then a call
For _him_ to tell a story, or to 'say
A funny piece.' His face fell right away:
He knew no story worthy. Then he must
_Declaim_ for them: In that, he could not trust
His memory. And then a happy thought
Struck some one, who reached in his vest and brought
Some scrappy clippings into light and said
There was a poem of Uncle Mart's he read
Last April in '_The Sentinel_.' He had
It there in print, and knew all would be glad
To hear it rendered by the author.

And,
All reasons for declining at command
Exhausted, the now helpless poet rose
And said: 'I am discovered, I suppose.
Though I have taken all precautions not
To sign my name to any verses wrought
By my transcendent genius, yet, you see,
Fame wrests my secret from me bodily;
So I must needs confess I did this deed
Of poetry red-handed, nor can plead


One whit of unintention in my crime--
My guilt of rhythm and my glut of rhyme.-


'Maenides rehearsed a tale of arms,
And Naso told of curious metat_mur_phoses;
Unnumbered pens have pictured woman's charms,
While crazy _I_'ve made poetry _on purposes!_'


In other words, I stand convicted--need
I say--by my own doing, as I read.

Harlie


Fold the little waxen hands
Lightly. Let your warmest tears
Speak regrets, but never fears,--
Heaven understands!
Let the sad heart, o'er the tomb,
Lift again and burst in bloom
Fragrant with a prayer as sweet
As the lily at your feet.

Bend and kiss the folded eyes--
They are only feigning sleep
While their truant glances peep
Into Paradise.
See, the face, though cold and white,
Holds a hint of some delight
E'en with Death, whose finger-tips
Rest upon the frozen lips.

When, within the years to come,
Vanished echoes live once more--
Pattering footsteps on the floor,
And the sounds of home,--
Let your arms in fancy fold
Little Harlie as of old--
As of old and as he waits
At the City's golden gates.

Harlie


Fold the little waxen hands
Lightly. Let your warmest tears
Speak regrets, but never fears,--
Heaven understands!
Let the sad heart, o'er the tomb,
Lift again and burst in bloom
Fragrant with a prayer as sweet
As the lily at your feet.

Bend and kiss the folded eyes--
They are only feigning sleep
While their truant glances peep
Into Paradise.
See, the face, though cold and white,
Holds a hint of some delight
E'en with Death, whose finger-tips
Rest upon the frozen lips.

When, within the years to come,
Vanished echoes live once more--
Pattering footsteps on the floor,
And the sounds of home,--
Let your arms in fancy fold
Little Harlie as of old--
As of old and as he waits
At the City's golden gates.

Grant At Rest-- August 8, 1885

Sir Launcelot rode overthwart and endlong in a wide forest, and held no
path but as wild adventure led him... And he returned and came again to his
horse, and took off his saddle and his bridle, and let him pasture; and
unlaced his helm, and ungirdled his sword, and laid him down to sleep upon
his shield before the cross. --Age of Chivalary


_Grant_


What shall we say of the soldier. Grant,
His sword put by and his great soul free?
How shall we cheer him now or chant
His requiem befittingly?
The fields of his conquest now are seen
Ranged no more with his armed men--
But the rank and file of the gold and green
Of the waving grain is there again.


Though his valiant life is a nation's pride,
And his death heroic and half divine,
And our grief as great as the world is wide,
There breaks in speech but a single line--:
We loved him living, revere him dead--!
A silence then on our lips is laid:
We can say no thing that has not been said,
Nor pray one prayer that has not been prayed.


But a spirit within us speaks: and lo,
We lean and listen to wondrous words
That have a sound as of winds that blow,
And the voice of waters and low of herds;
And we hear, as the song flows on serene,
The neigh of horses, and then the beat
Of hooves that skurry o'er pastures green,
And the patter and pad of a boy's bare feet.


A brave lad, wearing a manly brow,
Knit as with problems of grave dispute,
And a face, like the bloom of the orchard bough,
Pink and pallid, but resolute;
And flushed it grows as the clover-bloom,
And fresh it gleams as the morning dew,
As he reins his steed where the quick quails boom
Up from the grasses he races through.


And ho! As he rides what dreams are his?
And what have the breezes to suggest--?
Do they whisper to him of shells that whiz
O'er fields made ruddy with wrongs redressed?
Does the hawk above him an Eagle float?
Does he thrill and his boyish heart beat high,
Hearing the ribbon about his throat
Flap as a Flag as the winds go by?



And does he dream of the Warrior's fame--
This Western boy in his rustic dress?
For in miniature, this is the man that came
Riding out of the Wilderness--!
The selfsame figure-- the knitted brow--
The eyes full steady-- the lips full mute--
And the face, like the bloom of the orchard bough,
Pink and pallid, but resolute.


Ay, this is the man, with features grim
And stoical as the Sphinx's own,
That heard the harsh guns calling him,
As musical as the bugle blown,
When the sweet spring heavens were clouded o'er
With a tempest, glowering and wild,
And our country's flag bowed down before
Its bursting wrath as a stricken child.


Thus, ready mounted and booted and spurred,
He loosed his bridle and dashed away--!
Like a roll of drums were his hoof-beats heard,
Like the shriek of the fife his charger's neigh!
And over his shoulder and backward blown,
We heard his voice, and we saw the sod
Reel, as our wild steeds chased his own
As though hurled on by the hand of God!


And still, in fancy, we see him ride
In the blood-red front of a hundred frays,
His face set stolid, but glorified
As a knight's of the old Arthurian days:
And victor ever as courtly too,
Gently lifting the vanquished foe,
And staying him with a hand as true
As dealt the deadly avenging blow.


So brighter than all of the cluster of stars
Of the flag enshrouding his form to-day,
His face shines forth from the grime of wars
With a glory that shall not pass away:
He rests at last: he has borne his part
Of salutes and salvos and cheers on cheers--
But O the sobs of his country's heart,
And the driving rain of a nations tears!

Green Fields And Running Brooks

Ho! green fields and running brooks!
Knotted strings and fishing-hooks
Of the truant, stealing down
Weedy backways of the town.


Where the sunshine overlooks,
By green fields and running brooks,
All intruding guests of chance
With a golden tolerance,


Cooing doves, or pensive pair
Of picnickers, straying there--
By green fields and running brooks,
Sylvan shades and mossy nooks!


And--O Dreamer of the Days,
Murmurer of roundelays
All unsung of words or books,
Sing green fields and running brooks!

Grandfather Squeers

'My grandfather Squeers,' said The Raggedy Man,
As he solemnly lighted his pipe and began-


'The most indestructible man, for his years,
And the grandest on earth, was my grandfather Squeers!


'He said, when he rounded his three-score-and-ten,
'I've the hang of it now and can do it again!'


'He had frozen his heels so repeatedly, he
Could tell by them just what the weather would be;


'And would laugh and declare, 'while the _Almanac_ would
Most falsely prognosticate, _he_ never could!'


'Such a hale constitution had grandfather Squeers
That, 'though he'd used '_navy_' for sixty odd years,


'He still chewed a dime's-worth six days of the week,
While the seventh he passed with a chew in each cheek:


'Then my grandfather Squeers had a singular knack
Of sitting around on the small of his back,


'With his legs like a letter Y stretched o'er the grate
Wherein 'twas his custom to ex-pec-tor-ate.


'He was fond of tobacco in _manifold_ ways,
And would sit on the door-step, of sunshiny days,


'And smoke leaf-tobacco he'd raised strictly for
The pipe he'd used all through The Mexican War.'


And The Raggedy Man said, refilling the bowl
Of his own pipe and leisurely picking a coal


From the stove with his finger and thumb, 'You can see
What a tee-nacious habit he's fastened on me!


'And my grandfather Squeers took a special delight
In pruning his corns every Saturday night


'With a horn-handled razor, whose edge he excused
By saying 'twas one that his grandfather used;


'And, though deeply etched in the haft of the same
Was the ever-euphonious Wostenholm's name,


''Twas my grandfather's custom to boast of the blade
As 'A Seth Thomas razor--the best ever made!'


'No Old Settlers' Meeting, or Pioneers' Fair,



Was complete without grandfather Squeers in the chair

'To lead off the programme by telling folks how
'He used to shoot deer where the Court-House stands now'-


'How 'he felt, of a truth, to live over the past,
When the country was wild and unbroken and vast,

''That the little log cabin was just plenty fine
For himself, his companion, and fambly of nine!-


''When they didn't have even a pump, or a tin,
But drunk surface-water, year out and year in,

''From the old-fashioned gourd that was sweeter, by odds,
Than the goblets of gold at the lips of the gods!''

Then The Raggedy Man paused to plaintively say
It was clockin' along to'rds the close of the day--

And he'd _ought_ to get back to his work on the lawn,--
Then dreamily blubbered his pipe and went on:

'His teeth were imperfect--my grandfather owned
That he couldn't eat oysters unless they were 'boned';

'And his eyes were so weak, and so feeble of sight,
He couldn't sleep with them unless, every night,

'He put on his spectacles--all he possessed,--
Three pairs--with his goggles on top of the rest.

'And my grandfather always, retiring at night,
Blew down the lamp-chimney to put out the light;

'Then he'd curl up on edge like a shaving, in bed,
And puff and smoke pipes in his sleep, it is said:

'And would snore oftentimes as the legends relate,
Till his folks were wrought up to a terrible state,-


'Then he'd snort, and rear up, and roll over; and there,
In the subsequent hush they could hear him chew air.

'And so glaringly bald was the top of his head
That many's the time he has musingly said,

'As his eyes journeyed o'er its reflex in the glass,-'
I must set out a few signs of _Keep Off the Grass!_'

'So remarkably deaf was my grandfather Squeers
That he had to wear lightning-rods over his ears


'To even hear thunder--and oftentimes then
He was forced to request it to thunder again.'

Grandfather Squeers

'My grandfather Squeers,' said The Raggedy Man,
As he solemnly lighted his pipe and began-


'The most indestructible man, for his years,
And the grandest on earth, was my grandfather Squeers!


'He said, when he rounded his three-score-and-ten,
'I've the hang of it now and can do it again!'


'He had frozen his heels so repeatedly, he
Could tell by them just what the weather would be;


'And would laugh and declare, 'while the _Almanac_ would
Most falsely prognosticate, _he_ never could!'


'Such a hale constitution had grandfather Squeers
That, 'though he'd used '_navy_' for sixty odd years,


'He still chewed a dime's-worth six days of the week,
While the seventh he passed with a chew in each cheek:


'Then my grandfather Squeers had a singular knack
Of sitting around on the small of his back,


'With his legs like a letter Y stretched o'er the grate
Wherein 'twas his custom to ex-pec-tor-ate.


'He was fond of tobacco in _manifold_ ways,
And would sit on the door-step, of sunshiny days,


'And smoke leaf-tobacco he'd raised strictly for
The pipe he'd used all through The Mexican War.'


And The Raggedy Man said, refilling the bowl
Of his own pipe and leisurely picking a coal


From the stove with his finger and thumb, 'You can see
What a tee-nacious habit he's fastened on me!


'And my grandfather Squeers took a special delight
In pruning his corns every Saturday night


'With a horn-handled razor, whose edge he excused
By saying 'twas one that his grandfather used;


'And, though deeply etched in the haft of the same
Was the ever-euphonious Wostenholm's name,


''Twas my grandfather's custom to boast of the blade
As 'A Seth Thomas razor--the best ever made!'


'No Old Settlers' Meeting, or Pioneers' Fair,



Was complete without grandfather Squeers in the chair

'To lead off the programme by telling folks how
'He used to shoot deer where the Court-House stands now'-


'How 'he felt, of a truth, to live over the past,
When the country was wild and unbroken and vast,

''That the little log cabin was just plenty fine
For himself, his companion, and fambly of nine!-


''When they didn't have even a pump, or a tin,
But drunk surface-water, year out and year in,

''From the old-fashioned gourd that was sweeter, by odds,
Than the goblets of gold at the lips of the gods!''

Then The Raggedy Man paused to plaintively say
It was clockin' along to'rds the close of the day--

And he'd _ought_ to get back to his work on the lawn,--
Then dreamily blubbered his pipe and went on:

'His teeth were imperfect--my grandfather owned
That he couldn't eat oysters unless they were 'boned';

'And his eyes were so weak, and so feeble of sight,
He couldn't sleep with them unless, every night,

'He put on his spectacles--all he possessed,--
Three pairs--with his goggles on top of the rest.

'And my grandfather always, retiring at night,
Blew down the lamp-chimney to put out the light;

'Then he'd curl up on edge like a shaving, in bed,
And puff and smoke pipes in his sleep, it is said:

'And would snore oftentimes as the legends relate,
Till his folks were wrought up to a terrible state,-


'Then he'd snort, and rear up, and roll over; and there,
In the subsequent hush they could hear him chew air.

'And so glaringly bald was the top of his head
That many's the time he has musingly said,

'As his eyes journeyed o'er its reflex in the glass,-'
I must set out a few signs of _Keep Off the Grass!_'

'So remarkably deaf was my grandfather Squeers
That he had to wear lightning-rods over his ears


'To even hear thunder--and oftentimes then
He was forced to request it to thunder again.'

Fool-Youngens


Me an' Bert an' Minnie-Belle
Knows a joke, an' we won't tell!
No, we don't--'cause we don't know
_Why_ we got to laughin' so;
But we got to laughin' so,
'We ist kep' a-laughin'.


Wind wuz blowin' in the tree--
An' wuz only ist us three
Playin' there; an' ever' one
Ketched each other, like we done,
Squintin' up there at the sun
Like we wuz a-laughin'.


Nothin' funny anyway;
But I laughed, an' so did they--
An' we all three laughed, an' nen
Squint' our eyes an' laugh' again:
Ner we didn't ist _p'ten'_--
We wuz _shore-'nough_ laughin'.


'We ist laugh' an' laugh', tel Bert
Say he _can't_ quit an' it hurt.
Nen I _howl_, an' Minnie-Belle
She tear up the grass a spell
An' ist stop her yeers an' _yell_
Like she'd _die_ a-laughin'.


Never sich fool-youngens yit!
Nothin' funny,--not a bit!--
But we laugh' so; tel we whoop'
Purt'-nigh like we have the croup--
All so hoarse we'd wheeze an' whoop
An' ist _choke_ a-laughin'.

Friday Afternoon

To William Morris Pierson
[1868-1870]


Of the wealth of facts and fancies
That our memories may recall,
The old school-day romances
Are the dearest, after all!--.
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises'
On 'Friday Afternoon.'


We seem to hear the clicking
Of the pencil and the pen,
And the solemn, ceaseless ticking
Of the timepiece ticking then;
And we note the watchful master,
As he waves the warning rod,
With our own heart beating faster
Than the boy's who threw the wad.


Some little hand uplifted,
And the creaking of a shoe:--
A problem left unsifted
For the teacher's hand to do:
The murmured hum of learning--
And the flutter of a book;
The smell of something burning,
And the school's inquiring look.


The bashful boy in blushes;
And the girl, with glancing eyes,
Who hides her smiles, and hushes
The laugh about to rise,--
Then, with a quick invention,
Assumes a serious face,
To meet the words, 'Attention!
Every scholar in his place!'


The opening song, page 20.--
Ah! dear old 'Golden Wreath,'
You willed your sweets in plenty;
And some who look beneath
The leaves of Time will linger,
And loving tears will start,
As Fancy trails her finger
O'er the index of the heart.


'Good News from Home'--We hear it
Welling tremulous, yet clear
And holy as the spirit
Of the song we used to hear-



'Good news for me' (A throbbing
And an aching melody)-'
Has come across the'--(sobbing,
Yea, and salty) 'dark blue sea!'


Or the paean 'Scotland's burning!'
With its mighty surge and swell
Of chorus, still returning
To its universal yell--
Till we're almost glad to drop to
Something sad and full of pain--
And 'Skip verse three,' and stop, too,
Ere our hearts are broke again.


Then 'the big girls'' compositions,
With their doubt, and hope, and glow
Of heart and face,--conditions
Of 'the big boys'--even so,--
When themes of 'Spring,' and 'Summer'
And of 'Fall,' and 'Winter-time'
Droop our heads and hold us dumber
Than the sleigh-bell's fancied chime.


Elocutionary science-(
Still in changeless infancy!)--
With its 'Cataline's Defiance,'
And 'The Banner of the Free':
Or, lured from Grandma's attic,
A ramshackle 'rocker' there,
Adds a skreek of the dramatic
To the poet's 'Old Arm-Chair.'


Or the 'Speech of Logan' shifts us
From the pathos, to the fire;
And Tell (with Gessler) lifts us
Many noble notches higher.--
Till a youngster, far from sunny,
With sad eyes of watery blue,
Winds up with something 'funny,'
Like 'Cock-a-doodle-do!'


Then a dialogue--selected
For its realistic worth:--
The Cruel Boy detected
With a turtle turned to earth
Back downward; and, in pleading,
The Good Boy--strangely gay
At such a sad proceeding--
Says, 'Turn him over, pray!'


So the exercises taper
Through gradations of delight



To the reading of 'The Paper,'
Which is entertaining--quite!
For it goes ahead and mentions
'If a certain Mr. O.
Has serious intentions
That he ought to tell her so.'


It also 'Asks permission
To intimate to 'John'
The dubious condition
Of the ground he's standing on';
And, dropping the suggestion
To 'mind what he's about,'
It stuns him with the question:
'Does his mother know he's out?'


And among the contributions
To this 'Academic Press'
Are 'Versified Effusions'
By--'Our lady editress'--
Which fact is proudly stated
By the CHIEF of the concern,-'
Though the verse communicated
Bears the pen-name 'Fanny Fern.' '


. . . . . .
When all has been recited,
And the teacher's bell is heard,
And visitors, invited,
Have dropped a kindly word,
A hush of holy feeling
Falls down upon us there,
As though the day were kneeling,
With the twilight for the prayer.


. . . . . .
Midst the wealth of facts and fancies
That our memories may recall,
Thus the old school-day romances
Are the dearest, after all!--
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises,'
On 'Friday Afternoon.'

Friday Afternoon

To William Morris Pierson
[1868-1870]


Of the wealth of facts and fancies
That our memories may recall,
The old school-day romances
Are the dearest, after all!--.
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises'
On 'Friday Afternoon.'


We seem to hear the clicking
Of the pencil and the pen,
And the solemn, ceaseless ticking
Of the timepiece ticking then;
And we note the watchful master,
As he waves the warning rod,
With our own heart beating faster
Than the boy's who threw the wad.


Some little hand uplifted,
And the creaking of a shoe:--
A problem left unsifted
For the teacher's hand to do:
The murmured hum of learning--
And the flutter of a book;
The smell of something burning,
And the school's inquiring look.


The bashful boy in blushes;
And the girl, with glancing eyes,
Who hides her smiles, and hushes
The laugh about to rise,--
Then, with a quick invention,
Assumes a serious face,
To meet the words, 'Attention!
Every scholar in his place!'


The opening song, page 20.--
Ah! dear old 'Golden Wreath,'
You willed your sweets in plenty;
And some who look beneath
The leaves of Time will linger,
And loving tears will start,
As Fancy trails her finger
O'er the index of the heart.


'Good News from Home'--We hear it
Welling tremulous, yet clear
And holy as the spirit
Of the song we used to hear-



'Good news for me' (A throbbing
And an aching melody)-'
Has come across the'--(sobbing,
Yea, and salty) 'dark blue sea!'


Or the paean 'Scotland's burning!'
With its mighty surge and swell
Of chorus, still returning
To its universal yell--
Till we're almost glad to drop to
Something sad and full of pain--
And 'Skip verse three,' and stop, too,
Ere our hearts are broke again.


Then 'the big girls'' compositions,
With their doubt, and hope, and glow
Of heart and face,--conditions
Of 'the big boys'--even so,--
When themes of 'Spring,' and 'Summer'
And of 'Fall,' and 'Winter-time'
Droop our heads and hold us dumber
Than the sleigh-bell's fancied chime.


Elocutionary science-(
Still in changeless infancy!)--
With its 'Cataline's Defiance,'
And 'The Banner of the Free':
Or, lured from Grandma's attic,
A ramshackle 'rocker' there,
Adds a skreek of the dramatic
To the poet's 'Old Arm-Chair.'


Or the 'Speech of Logan' shifts us
From the pathos, to the fire;
And Tell (with Gessler) lifts us
Many noble notches higher.--
Till a youngster, far from sunny,
With sad eyes of watery blue,
Winds up with something 'funny,'
Like 'Cock-a-doodle-do!'


Then a dialogue--selected
For its realistic worth:--
The Cruel Boy detected
With a turtle turned to earth
Back downward; and, in pleading,
The Good Boy--strangely gay
At such a sad proceeding--
Says, 'Turn him over, pray!'


So the exercises taper
Through gradations of delight



To the reading of 'The Paper,'
Which is entertaining--quite!
For it goes ahead and mentions
'If a certain Mr. O.
Has serious intentions
That he ought to tell her so.'


It also 'Asks permission
To intimate to 'John'
The dubious condition
Of the ground he's standing on';
And, dropping the suggestion
To 'mind what he's about,'
It stuns him with the question:
'Does his mother know he's out?'


And among the contributions
To this 'Academic Press'
Are 'Versified Effusions'
By--'Our lady editress'--
Which fact is proudly stated
By the CHIEF of the concern,-'
Though the verse communicated
Bears the pen-name 'Fanny Fern.' '


. . . . . .
When all has been recited,
And the teacher's bell is heard,
And visitors, invited,
Have dropped a kindly word,
A hush of holy feeling
Falls down upon us there,
As though the day were kneeling,
With the twilight for the prayer.


. . . . . .
Midst the wealth of facts and fancies
That our memories may recall,
Thus the old school-day romances
Are the dearest, after all!--
When some sweet thought revises
The half-forgotten tune
That opened 'Exercises,'
On 'Friday Afternoon.'