Life and Existence

Find The Favorite

Our three cats is Maltese cats,
An' they's two that's white,--
An' bofe of 'em's _deef_--an' that's
'Cause their _eyes_ ain't right.--


Uncle say that _Huxley_ say
Eyes of _white_ Maltese--
When they don't match thataway-They're
deef as you please!


_Girls, they_ like our white cats best,
'Cause they're white as snow,
Yes, an' look the stylishest--
But they're deef, you know!


They don't know their names, an' don't
Hear us when we call
'Come in, Nick an' Finn!'--they won't
Come fer us at all!


But our _other_ cat, _he_ knows
Mister Nick an' Finn,-Mowg's
_his_ name,--an' when _he_ goes
Fer 'em, they come in!


Mowgli's _all_ his name--the same
Me an' Muvver took
Like the Wolf-Child's _other_ name,
In 'The Jungul Book.'


I bet Mowg's the smartest cat
In the world!--_He's_ not
_White_, but mousy-plush, with that
Smoky gloss he's got!


All's got little bells to ring,
Round their neck; but none
Only Mowg _knows_ anything-He's
the only one!


I ist 'spect sometimes he hate
White cats' stupid ways:--
He won't hardly 'sociate
With 'em, lots o' days!


Mowg wants in where _we_ air,--well,
He'll ist take his paw
An' ist ring an' ring his bell
There till me er Ma


Er _some_body lets him in
Nen an' shuts the door.-



An', when he wants out ag'in,
Nen he'll ring some more.


Ort to hear our Katy tell!
She sleeps 'way up-stairs;
An' last night she hear Mowg's bell
Ringin' round _some_wheres...


Trees grows by her winder.--So,
She lean out an' see
Mowg up there, 'way out, you know,
In the clingstone-tree;-


An'-sir! he ist _hint_ an' _ring_,--
Till she ketch an' plat
Them limbs;--nen he crawl an' spring
In where Katy's at!

Farmer Whipple--Bachelor

It's a mystery to see me--a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more-A-
lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!


I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife--
Kindo' 'crawfish' from the Present to the Springtime of my life!


I was brought up in the country: Of a family of five--
Three brothers and a sister--I'm the only one alive,--
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.


The sweetest little thing she was, with rosy cheeks, and fat--
We was little chunks o' shavers then about as high as that!
But someway we sort a' SUITED-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair


Than WE was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!-W'y,
even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!


I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on ME now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up--and workin', with a mighty smilin'
face.--


Fer SOMEPIN' ELSE was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,-'
Some day I'd maybe marry, and a BROTHER'S love was one
Thing--a LOVER'S was another!' was the way the notion run!


I remember onc't in harvest, when the 'cradle-in' ' was done,
(When the harvest of my summers mounted up to twenty-one),
I was ridin' home with Mary at the closin' o' the day-A-
chawin' straws and thinkin', in a lover's lazy way!


And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well--when she turned and KISSED ME, WITH HER ARMS AROUND
ME--LAW!
I'd a bigger load o' Heaven than I had a load o' straw!


I don't p'tend to learnin', but I'll tell you what's a fac',
They's a mighty truthful sayin' somers in a' almanac--
Er SOMERS--'bout 'puore happiness'--perhaps some folks'll laugh
At the idy--'only lastin' jest two seconds and a half.'-



But it's jest as true as preachin'!--fer that was a SISTER'S
kiss,
And a sister's lovin' confidence a-tellin' to me this:-'
SHE was happy, BEIN' PROMISED TO THE SON O' FARMER BROWN.'--
And my feelin's struck a pardnership with sunset and went down!


I don't know HOW I acted, and I don't know WHAT I said,--
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kind o'glimmered before me in the road,
And the lines fell from my fingers--And that was all I knowed-


Fer--well, I don't know HOW long--They's a dim rememberence
Of a sound o' snortin' horses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' 'Murder!' and a-runnin' up to where


_I_ was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a-whirlin' roun'!
And I tried to raise and meet her, but I couldn't, with a vague
Sort o' notion comin' to me that I had a broken leg.


Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left ME worth livin' fer below,
When the girl I loved was married to another, don't you know!


And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married--Railly must 'a' been my MIND
Was kind o' out o' kilter!--fer I hated Brown, you see,
Worse'n PIZEN--and the feller whittled crutches out fer ME--


And done a thousand little ac's o' kindness and respec'--
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.


Then I went to work in airnest--I had nothin' much in view
But to drownd out rickollections--and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.


Then I'd think how little MONEY was, compared to happiness--
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm payin' half the taxes in the county, mighty near!


Well!--A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land-'
The feller that had owned it,' it went ahead to state,
'Had jest deceased, insolvent, leavin' chance to speculate,'--


And then it closed by sayin' that I'd 'better come and see.'-



I'd never been West, anyhow--a'most too wild fer ME,
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakend when I come to look around.


So I bids good-by to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again--
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd 'a' went along with me!


Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last:
And that night, at the tavern, I dreamp' I was a train
O' cars, and SKEERED at somepin', runnin' down a country lane!


Well, in the morning airly--after huntin' up the man--
The lawyer who was wantin' to swap the piece o' land--
We started fer the country; and I ast the history
Of the farm--its former owner--and so forth, etcetery!


And--well--it was interESTin'--I su'prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!--
But his su'prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the
door!--


IT WAS MARY: . . . They's a feelin' a-hidin' down in here--
Of course I can't explain it, ner ever make it clear.--
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o'nervous when I think about it yit!


I BOUGHT that farm, and DEEDED it, afore I left the town
With 'title clear to mansions in the skies,' to Mary Brown!
And fu'thermore, I took her and the CHILDERN--fer you see,
They'd never seed their Grandma--and I fetched 'em home with me.


So NOW you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more
Is a-lookin' glad and smilin'!--And I've jest come into town
To git a pair o' license fer to MARRY Mary Brown.

Dear Hands

The touches of her hands are like the fall
Of velvet snowflakes; like the touch of down
The peach just brushes 'gainst the garden wall;
The flossy fondlings of the thistle-wisp
Caught in the crinkle of a leaf of brown
The blighting frost hath turned from green to crisp.


Soft as the falling of the dusk at night,
The touches of her hands, and the delight--
The touches of her hands!
The touches of her hands are like the dew
That falls so softly down no one e'er knew
The touch thereof save lovers like to one
Astray in lights where ranged Endymion.


O rarely soft, the touches of her hands,
As drowsy zephyrs in enchanted lands;
Or pulse of dying fay; or fairy sighs,
Or--in between the midnight and the dawn,
When long unrest and tears and fears are gone--
Sleep, smoothing down the lids of weary eyes.

Dead Leaves

DAWN

As though a gipsy maiden with dim look,
Sat crooning by the roadside of the year,
So, Autumn, in thy strangeness, thou art here
To read dark fortunes for us from the book
Of fate; thou flingest in the crinkled brook
The trembling maple's gold, and frosty-clear
Thy mocking laughter thrills the atmosphere,
And drifting on its current calls the rook
To other lands. As one who wades, alone,
Deep in the dusk, and hears the minor talk
Of distant melody, and finds the tone,
In some wierd way compelling him to stalk
The paths of childhood over,--so I moan,
And like a troubled sleeper, groping, walk.


DUSK


The frightened herds of clouds across the sky
Trample the sunshine down, and chase the day
Into the dusky forest-lands of gray
And somber twilight. Far, and faint, and high
The wild goose trails his harrow, with a cry
Sad as the wail of some poor castaway
Who sees a vessel drifting far astray
Of his last hope, and lays him down to die.
The children, riotous from school, grow bold
And quarrel with the wind, whose angry gust
Plucks off the summer hat, and flaps the fold
Of many a crimson cloak, and twirls the dust
In spiral shapes grotesque, and dims the gold
Of gleaming tresses with the blur of rust.


NIGHT


Funereal Darkness, drear and desolate,
Muffles the world. The moaning of the wind
Is piteous with sobs of saddest kind;
And laughter is a phantom at the gate
Of memory. The long-neglected grate
Within sprouts into flame and lights the mind
With hopes and wishes long ago refined
To ashes,--long departed friends await
Our words of welcome: and our lips are dumb
And powerless to greet the ones that press
Old kisses there. The baby beats its drum,
And fancy marches to the dear caress
Of mother-arms, and all the gleeful hum
Of home intrudes upon our loneliness.

By Her White Bed

By her white bed I muse a little space:
She fell asleep--not very long ago,--
And yet the grass was here and not the snow--
The leaf, the bud, the blossom, and--her face!-Midsummer's
heaven above us, and the grace
Of Lovers own day, from dawn to afterglow;
The fireflies' glimmering, and the sweet and low
Plaint of the whip-poor-wills, and every place
In thicker twilight for the roses' scent.
Then _night_.--She slept--in such tranquility,
I walk atiptoe still, nor _dare_ to weep,
Feeling, in all this hush, she rests content--
That though God stood to wake her for me, she
Would mutely plead: 'Nay, Lord! Let _him_ so sleep.'

Company Manners

When Bess gave her Dollies a Tea, said she,-'
It's unpolite, when they's Company,
To say you've drinked _two_ cups, you see,--
But say you've drinked _a couple_ of tea.'

Company Manners

When Bess gave her Dollies a Tea, said she,-'
It's unpolite, when they's Company,
To say you've drinked _two_ cups, you see,--
But say you've drinked _a couple_ of tea.'

Blooms Of May

But yesterday!...
O blooms of May,
And summer roses--Where-away?
O stars above,
And lips of love
And all the honeyed sweets thereof!


O lad and lass
And orchard-pass,
And briered lane, and daisied grass!
O gleam and gloom,
And woodland bloom,
And breezy breaths of all perfume!--


No more for me
Or mine shall be
Thy raptures--save in memory,--
No more--no more--
Till through the Door
Of Glory gleam the days of yore.

Back From A Two-years' Sentence

Back from a two-years' sentence!
And though it had been ten,
You think, I were scarred no deeper
In the eyes of my fellow-men.
'My fellow-men--?' Sounds like a satire,
You think-- and I so allow,
Here in my home since childhood,
Yet more than a stranger now!


Pardon--! Not wholly a stranger--,
For I have a wife and child:
That woman has wept for two long years,
And yet last night she smiled--!
Smiled, as I leapt from the platform
Of the midnight train, and then--
All that I knew was that smile of hers,
And our babe in my arms again!


Back from a two-years' sentence--
But I've thought the whole thing through--,
A hint of it came when the bars swung back
And I looked straight up in the blue
Of the blessed skies with my hat off!
O-ho! I've a wife and child:
That woman has wept for two long years,
And yet last night she smiled!

At Crown Hill

Leave him here in the fresh
greening grasses and trees
And the symbols of love, and the solace of these-
The saintly white lilies and blossoms he keeps
In endless caress as
he breathlessly sleeps.
The tears of our eyes wrong the scene of his rest,
For the sky's at its clearest-the sun's at its best-
The earth at its greenest- its wild bud and bloom
At its sweetest-and sweetest its honey'd perfume.
Home! Home!-Leave him here in his lordly estate,
And with never a tear as we turn from the gate!
Turn back to the home that will know him no more,-
The vines at the window-the sun through the door,-
Nor sound of his voice, nor the light of his face!...
But the birds will sing on, and the rose, in his place,
Will tenderly smile til we daringly feign
He is home with us still, though the tremulous rain
Of our tears reappear, and again all is bloom,
And all prayerless we sob in the long-darkened room.
Heaven portions it thus-the old mystery dim,-
It is midnight to us-it is morning to him

As My Uncle Used To Say

I've thought a power on men and things,
As my uncle ust to say,--
And ef folks don't work as they pray, i jings!
W'y, they ain't no use to pray!
Ef you want somepin', and jes dead-set
A-pleadin' fer it with both eyes wet,
And _tears_ won't bring it, w'y, you try _sweat_,
As my uncle ust to say.


They's some don't know their A, B, Cs,
As my uncle ust to say,
And yit don't waste no candle-grease,
Ner whistle their lives away!
But ef they can't write no book, ner rhyme
No ringin' song fer to last all time,
They can blaze the way fer the march sublime,
As my uncle ust to say.


Whoever's Foreman of all things here,
As my uncle ust to say,
He knows each job 'at we 're best fit fer,
And our round-up, night and day:
And a-sizin' _His_ work, east and west,
And north and south, and worst and best
I ain't got nothin' to suggest,
As my uncle ust to say.

An Out-Worn Sappho

How tired I am! I sink down all alone
Here by the wayside of the Present. Lo,
Even as a child I hide my face and moan--
A little girl that may no farther go;
The path above me only seems to grow
More rugged, climbing still, and ever briered
With keener thorns of pain than these below;
And O the bleeding feet that falter so
And are so very tired!

Why, I have journeyed from the far-off Lands
Of Babyhood--where baby-lilies blew
Their trumpets in mine ears, and filled my hands
With treasures of perfume and honey-dew,
And where the orchard shadows ever drew
Their cool arms round me when my cheeks were fired
With too much joy, and lulled mine eyelids to,
And only let the starshine trickle through
In sprays, when I was tired!

Yet I remember, when the butterfly
Went flickering about me like a flame
That quenched itself in roses suddenly,
How oft I wished that _I_ might blaze the same,
And in some rose-wreath nestle with my name,
While all the world looked on it and admired.--
Poor moth!--Along my wavering flight toward fame
The winds drive backward, and my wings are lame
And broken, bruised and tired!

I hardly know the path from those old times;
I know at first it was a smoother one
Than this that hurries past me now, and climbs
So high, its far cliffs even hide the sun
And shroud in gloom my journey scarce begun.
I could not do quite all the world required--
I could not do quite all I should have done,
And in my eagerness I have outrun
My strength--and I am tired....

Just tired! But when of old I had the stay
Of mother-hands, O very sweet indeed
It was to dream that all the weary way
I should but follow where I now must lead--
For long ago they left me in my need,
And, groping on alone, I tripped and mired
Among rank grasses where the serpents breed
In knotted coils about the feet of speed.--
There first it was I tired.

And yet I staggered on, and bore my load
Right gallantly: The sun, in summer-time,


In lazy belts came slipping down the road
To woo me on, with many a glimmering rhyme
Rained from the golden rim of some fair clime,
That, hovering beyond the clouds, inspired
My failing heart with fancies so sublime
I half forgot my path of dust and grime,
Though I was growing tired.


And there were many voices cheering me:
I listened to sweet praises where the wind
Went laughing o'er my shoulders gleefully
And scattering my love-songs far behind;--
Until, at last, I thought the world so kind--
So rich in all my yearning soul desired--
So generous--so loyally inclined,
I grew to love and trust it.... I was blind--
Yea, blind as I was tired!


And yet one hand held me in creature-touch:
And O, how fair it was, how true and strong,
How it did hold my heart up like a crutch,
Till, in my dreams, I joyed to walk along
The toilsome way, contented with a song-'
Twas all of earthly things I had acquired,
And 'twas enough, I feigned, or right or wrong,
Since, binding me to man--a mortal thong--
It stayed me, growing tired....


Yea, I had e'en resigned me to the strait
Of earthly rulership--had bowed my head
Acceptant of the master-mind--the great
One lover--lord of all,--the perfected
Kiss-comrade of my soul;--had stammering said
My prayers to him;--all--all that he desired
I rendered sacredly as we were wed.-Nay--
nay!--'twas but a myth I worshipped.--
And--God of love!--how tired!


For, O my friends, to lose the latest grasp--
To feel the last hope slipping from its hold--
To feel the one fond hand within your clasp
Fall slack, and loosen with a touch so cold
Its pressure may not warm you as of old
Before the light of love had thus expired--
To know your tears are worthless, though they rolled
Their torrents out in molten drops of gold.-God's
pity! I am tired!


And I must rest.--Yet do not say 'She _died_,'
In speaking of me, sleeping here alone.
I kiss the grassy grave I sink beside,
And close mine eyes in slumber all mine own:



Hereafter I shall neither sob nor moan
Nor murmur one complaint;--all I desired,
And failed in life to find, will now be known--
So let me dream. Good night! And on the stone
Say simply: She was tired.

An Old Sweetheart Of Mine

As one who cons at evening o'er an album all alone,
And muses on the faces of the friends that he has known,
So I turn the leaves of Fancy, till in shadowy design
I find the smiling features of an old sweetheart of mine.


The lamplight seems to glimmer with a flicker of surprise,
As I turn it low, to rest me of the dazzle in my eyes,
And light my pipe in silence, save a sigh that seems to yoke
Its fate with my tobacco, and to vanish with the smoke.


'Tis a fragrant retrospection, for the loving thoughts that start
Into being are like perfumes from the blossom of the heart;
And to dream the old dreams over is a luxury divine—
When my truant fancies wander with that old sweetheart of mine.


Though I hear, beneath my study, like a fluttering of wings,
The voices of my children and the mother as she sings,
I feel no twinge of conscience to deny me any theme
When Care has cast her anchor in the harbor of a dream.


In fact, to speak in earnest, I believe it adds a charm
To spice the good a trifle with a little dust of harm;
For I find an extra flavor in Memory's mellow wine
That makes me drink the deeper to that old sweetheart of mine.


A face of lily-beauty, with a form of airy grace,
Floats out of my tobacco as the genii from the vase;
And I thrill beneath the glances of a pair of azure eyes,
As glowing as the summer and as tender as the skies.


I can see the pink sunbonnet and the little checkered dress
She wore when first I kissed her, and she answered the caress
With the written declaration that, 'as surely as the vine
Grew round the stump,' she loved me,—that old sweetheart of mine!


And again I feel the pressure of her slender little hand,
As we used to talk together of the future we had planned:
When I should be a poet, and with nothing else to do
But write the tender verses that she set the music to;


When we should live together in a cozy little cot,
Hid in a nest of roses, with a fairy garden-spot,
Where the vines were ever fruited, and the weather ever fine,
And the birds were ever singing for that old sweetheart of mine;


And I should be her lover forever and a day,
And she my faithful sweetheart till the golden hair was gray;
And we should be so happy that when either's lips were dumb
They would not smile in heaven till the other's kiss had come.


But ah! my dream is broken by a step upon the stair,
And the door is softly opened, and my wife is standing there!



Yet with eagerness and rapture all my visions I resign
To greet the living presence of that old sweetheart of mine.

A Worn-Out Pencil

Welladay!
Here I lay
You at rest--all worn away,
O my pencil, to the tip
Of our old companionship!


Memory
Sighs to see
What you are, and used to be,
Looking backward to the time
When you wrote your earliest rhyme!--


When I sat
Filing at
Your first point, and dreaming that
Your initial song should be
Worthy of posterity.


With regret
I forget
If the song be living yet,
Yet remember, vaguely now,
It was honest, anyhow.


You have brought
Me a thought--
Truer yet was never taught,--
That the silent song is best,
And the unsung worthiest.


So if I,
When I die,
May as uncomplainingly
Drop aside as now you do,
Write of me, as I of you:--


Here lies one
Who begun
Life a-singing, heard of none;
And he died, satisfied,
With his dead songs by his side.

A Tale Of The Airly Days

Oh! tell me a tale of the airly days--
Of the times as they ust to be;
'Piller of Fi-er' and 'Shakespeare's Plays'
Is a' most too deep fer me!
I want plane facts, and I want plane words,
Of the good old-fashioned ways,
When speech run free as the songs of birds
'Way back in the airly days.


Tell me a tale of the timber-lands--
Of the old-time pioneers;
Somepin' a pore man understands
With his feelins's well as ears.
Tell of the old log house,--about
The loft, and the puncheon flore--
The old fi-er-place, with the crane swung out,
And the latch-string thrugh the door.


Tell of the things jest as they was--
They don't need no excuse!-Don't
tech 'em up like the poets does,
Tel theyr all too fine fer use!--
Say they was 'leven in the fambily--
Two beds, and the chist, below,
And the trundle-beds that each helt three,
And the clock and the old bureau.


Then blow the horn at the old back-door
Tel the echoes all halloo,
And the childern gethers home onc't more,
Jest as they ust to do:
Blow fer Pap tel he hears and comes,
With Tomps and Elias, too,
A-marchin' home, with the fife and drums
And the old Red White and Blue!


Blow and blow tel the sound draps low
As the moan of the whipperwill,
And wake up Mother, and Ruth and Jo,
All sleepin' at Bethel Hill:
Blow and call tel the faces all
Shine out in the back-log's blaze,
And the shadders dance on the old hewed wall
As they did in the airly days.

A Song of the Road

O I will walk with you, my lad, whichever way you fare,
You'll have me, too, the side o' you, with heart as light as air;
No care for where the road you take's a-leadin' anywhere,--
It can but be a joyful ja'nt whilst you journey there.
The road you take's the path o' love, an' that's the bridth o' two--
An' I will walk with you, my lad -- O I will walk with you.


Ho! I will walk with you, my lad,
Be weather black or blue
Or roadsides frost or dew, my lad --
O I will walk with you.


Aye, glad, my lad, I'll walk with you, whatever winds may blow,
Or summer blossoms stay our steps, or blinding drifts of snow;
The way thay you set face an' foot 's the way that I will go,
An' brave I'll be, abreast o' ye, the Saints and Angels know!
With loyal hand in loyal hand, an' one heart made o' two,
Through summer's gold, or winter's cold, It's I will walk with you.


Sure, I will walk with you, my lad,
A love ordains me to,--
To Heaven's door, an' through, my lad.
O I will walk with you.

A Song Of Long Ago

A song of Long Ago:
Sing it lightly--sing it low--
Sing it softly--like the lisping of the lips we used to know
When our baby-laughter spilled
From the glad hearts ever filled
With music blithe as robin ever trilled!


Let the fragrant summer-breeze,
And the leaves of locust-trees,
And the apple-buds and blossoms, and the wings of honey-bees,
All palpitate with glee,
Till the happy harmony
Brings back each childish joy to you and me.


Let the eyes of fancy turn
Where the tumbled pippins burn
Like embers in the orchard's lap of tangled grass and fern,--
There let the old path wind
In and out and on behind
The cider-press that chuckles as we grind.


Blend in the song the moan
Of the dove that grieves alone,
And the wild whir of the locust, and the bumble's drowsy drone;
And the low of cows that call
Through the pasture-bars when all
The landscape fades away at evenfall.


Then, far away and clear,
Through the dusky atmosphere,
Let the wailing of the kildee be the only sound we hear:
O sad and sweet and low
As the memory may know
Is the glad-pathetic song of Long Ago!

A Song Of Long Ago

A song of Long Ago:
Sing it lightly--sing it low--
Sing it softly--like the lisping of the lips we used to know
When our baby-laughter spilled
From the glad hearts ever filled
With music blithe as robin ever trilled!


Let the fragrant summer-breeze,
And the leaves of locust-trees,
And the apple-buds and blossoms, and the wings of honey-bees,
All palpitate with glee,
Till the happy harmony
Brings back each childish joy to you and me.


Let the eyes of fancy turn
Where the tumbled pippins burn
Like embers in the orchard's lap of tangled grass and fern,--
There let the old path wind
In and out and on behind
The cider-press that chuckles as we grind.


Blend in the song the moan
Of the dove that grieves alone,
And the wild whir of the locust, and the bumble's drowsy drone;
And the low of cows that call
Through the pasture-bars when all
The landscape fades away at evenfall.


Then, far away and clear,
Through the dusky atmosphere,
Let the wailing of the kildee be the only sound we hear:
O sad and sweet and low
As the memory may know
Is the glad-pathetic song of Long Ago!

A Passing Hail

Let us rest ourselves a bit!
Worry?-- wave your hand to it --
Kiss your finger-tips and smile
It farewell a little while.


Weary of the weary way
We have come from Yesterday,
Let us fret not, instead,
Of the wary way ahead.


Let us pause and catch our breath
On the hither side of death,
While we see the tender shoots
Of the grasses -- not the roots,--


While we yet look down -- not up --
To seek out the buttercup
And the daisy where they wave
O'er the green home of the grave.


Let us launch us smoothly on
The soft billows of the lawn,
And drift out across the main
Of our childish dreams again:


Voyage off, beneath the trees,
O'er the field's enchanted seas,
Where the lilies are our sails,
And our sea-gulls, nightingales:


Where no wilder storm shall beat
Than the wind that waves the wheat,
And no tempest-burst above
The old laughs we used to love:


Lose all troubles -- gain release,
Languor, and exceeding peace,
Cruising idly o'er the vast,
Calm mid-ocean of the Past.


Let us rest ourselves a bit!
Worry? -- Wave your hand to it --
Kiss your finger-tips and smile
It fare well a little while.

A Home-Made Fairy Tale

Bud, come here to your uncle a spell,
And I'll tell you something you mustn't tell--
For it's a secret and shore-'nuf true,
And maybe I oughtn't to tell it to you--!
But out in the garden, under the shade
Of the apple-trees, where we romped and played
Till the moon was up, and you thought I'd gone
Fast asleep--, That was all put on!
For I was a-watchin' something queer
Goin' on there in the grass, my dear--!
'Way down deep in it, there I see
A little dude-Fairy who winked at me,
And snapped his fingers, and laughed as low
And fine as the whine of a mus-kee-to!
I kept still-- watchin' him closer-- and
I noticed a little guitar in his hand,
Which he leant 'ginst a little dead bee-- and laid
His cigarette down on a clean grass-blade,
And then climbed up on the shell of a snail--
Carefully dusting his swallowtail--
And pulling up, by a waxed web-thread,
This little guitar, you remember. I said!
And there he trinkled and trilled a tune--,
'My Love, so Fair, Tans in the Moon!'
Till presently, out of the clover-top
He seemed to be singing to, came k'pop!
The purtiest, daintiest Fairy face
In all this world, or any place!
Then the little ser'nader waved his hand,
As much as to say, 'We'll excuse you!' and
I heard, as I squinted my eyelids to,
A kiss like the drip of a drop of dew!

A Letter To A Friend

The past is like a story
I have listened to in dreams
That vanished in the glory
Of the Morning's early gleams;
And--at my shadow glancing--
I feel a loss of strength,
As the Day of Life advancing
Leaves it shorn of half its length.


But it's all in vain to worry
At the rapid race of Time--
And he flies in such a flurry
When I trip him with a rhyme,
I'll bother him no longer
Than to thank you for the thought
That 'my fame is growing stronger
As you really think it ought.'


And though I fall below it,
I might know as much of mirth
To live and die a poet
Of unacknowledged worth;
For Fame is but a vagrant--
Though a loyal one and brave,
And his laurels ne'er so fragrant
As when scattered o'er the grave.

A Dream Of Long Ago

Lying listless in the mosses
Underneath a tree that tosses
Flakes of sunshine, and embosses
Its green shadow with the snow-Drowsy-
eyed, I sink in slumber
Born of fancies without number--
Tangled fancies that encumber
Me with dreams of long ago.


Ripples of the river singing;
And the water-lilies swinging
Bells of Parian, and ringing
Peals of perfume faint and fine,
While old forms and fairy faces
Leap from out their hiding-places
In the past, with glad embraces
Fraught with kisses sweet as wine.


Willows dip their slender fingers
O'er the little fisher's stringers,
While he baits his hook and lingers
Till the shadows gather dim;
And afar off comes a calling
Like the sounds of water falling,
With the lazy echoes drawling
Messages of haste to him.


Little naked feet that tinkle
Through the stubble-fields, and twinkle
Down the winding road, and sprinkle
Little mists of dusty rain,
While in pasture-lands the cattle
Cease their grazing with a rattle
Of the bells whose clappers tattle
To their masters down the lane.


Trees that hold their tempting treasures
O'er the orchard's hedge embrasures,
Furnish their forbidden pleasures
As in Eden lands of old;
And the coming of the master
Indicates a like disaster
To the frightened heart that faster
Beats pulsations manifold.


Puckered lips whose pipings tingle
In staccato notes that mingle
Musically with the jingle-
Haunted winds that lightly fan
Mellow twilights, crimson-tinted
By the sun, and picture-printed
Like a book that sweetly hinted



Of the Nights Arabian.

Porticoes with columns plaited
And entwined with vines and freighted
With a bloom all radiated
With the light of moon and star;
Where some tender voice is winging
In sad flights of song, and singing
To the dancing fingers flinging
Dripping from the sweet guitar.

Would my dreams were never taken
From me: that with faith unshaken
I might sleep and never waken
On a weary world of woe!
Links of love would never sever
As I dreamed them, never, never!
I would glide along forever
Through the dreams of long ago.

A Barefoot Boy

A barefoot boy! I mark him at his play --
For May is here once more, and so is he, --
His dusty trousers, rolled half to the knee,
And his bare ankles grimy, too, as they:
Cross-hatchings of the nettle, in array
Of feverish stripes, hint vividly to me
Of woody pathways winding endlessly
Along the creek, where even yesterday
He plunged his shrinking body -- gasped and shook --
Yet called the water 'warm,' with never lack
Of joy. And so, half enviously I look
Upon this graceless barefoot and his track, --
His toe stubbed -- ay, his big toe-nail knocked back
Like unto the clasp of an old pocketbook.

As she told me it was father
From a foreign land returned.


. . . . . . .


I said--when I was calm again,
And thoughtfully once more
Had dwelt upon my mother's words
Of just the day before,-


'I DON'T look like my father,
As you told me yesterday--
I know I don't--or father
Would have run the other way.'