Life and Existence

The Untold Want

THE untold want, by life and land ne'er granted,
Now, Voyager, sail thou forth, to seek and find.

The Sleepers

I WANDER all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and


stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still!
How quiet they breathe, the little children in their cradles!


The wretched features of ennuyés, the white features of
corpses, the livid faces of drunkards, the sick-gray faces of
onanists,


The gash'd bodies on battle-fields, the insane in their strong-door'd
rooms, the sacred idiots, the new-born emerging from gates, and
the dying emerging from gates,

The night pervades them and infolds them. 10

The married couple sleep calmly in their bed--he with his palm on the
hip of the wife, and she with her palm on the hip of the
husband,

The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps, with her little child carefully wrapt.


The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison--the run-away son sleeps;
The murderer that is to be hung next day--how does he sleep?
And the murder'd person--how does he sleep?


The female that loves unrequited sleeps,
And the male that loves unrequited sleeps, 20
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions--all, all sleep.


I stand in the dark with drooping eyes by the worst-suffering and the

most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds--they fitfully sleep.


Now I pierce the darkness--new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is


beautiful.

I go from bedside to bedside--I sleep close with the other sleepers,

each in turn,
I dream in my dream all the dreams of the other dreamers, 30
And I become the other dreamers.


I am a dance--Play up, there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,
I see the hiding of douceurs--I see nimble ghosts whichever way I
look,
Cache, and cache again, deep in the ground and sea, and where it is
neither ground or sea.

Well do they do their jobs, those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss, and they make me a pet besides,
And surround me and lead me, and run ahead when I walk,
To lift their cunning covers, to signify me with stretch'd arms, and


resume the way; 40
Onward we move! a gay gang of blackguards! with mirth-shouting music,
and wild-flapping pennants of joy!

I am the actor, the actress, the voter, the politician;
The emigrant and the exile, the criminal that stood in the box,
He who has been famous, and he who shall be famous after to-day,
The stammerer, the well-form'd person, the wasted or feeble person.


I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.


Double yourself and receive me, darkness!
Receive me and my lover too--he will not let me go without him.


I roll myself upon you, as upon a bed--I resign myself to the
dusk. 50

He whom I call answers me, and takes the place of my lover,
He rises with me silently from the bed.

Darkness! you are gentler than my lover--his flesh was sweaty and
panting,
I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,
I would sound up the shadowy shore to which you are journeying.


Be careful, darkness! already, what was it touch'd me?
I thought my lover had gone, else darkness and he are one,
I hear the heart-beat--I follow, I fade away.


O hot-cheek'd and blushing! O foolish hectic! 60
O for pity's sake, no one must see me now! my clothes were stolen



while I was abed,
Now I am thrust forth, where shall I run?

Pier that I saw dimly last night, when I look'd from the windows!

Pier out from the main, let me catch myself with you, and stay--I
will not chafe you,

I feel ashamed to go naked about the world.

I am curious to know where my feet stand--and what this is flooding
me, childhood or manhood--and the hunger that crosses the
bridge between.

The cloth laps a first sweet eating and drinking,

Laps life-swelling yolks--laps ear of rose-corn, milky and just
ripen'd;

The white teeth stay, and the boss-tooth advances in darkness,

And liquor is spill'd on lips and bosoms by touching glasses, and the
best liquor afterward. 70

I descend my western course, my sinews are flaccid,
Perfume and youth course through me, and I am their wake.

It is my face yellow and wrinkled, instead of the old woman's,

I sit low in a straw-bottom chair, and carefully darn my grandson's
stockings.

It is I too, the sleepless widow, looking out on the winter midnight,
I see the sparkles of starshine on the icy and pallid earth.

A shroud I see, and I am the shroud--I wrap a body, and lie in the
coffin,

It is dark here under ground--it is not evil or pain here--it is
blank here, for reasons.

It seems to me that everything in the light and air ought to be
happy,

Whoever is not in his coffin and the dark grave, let him know he has
enough. 80

I see a beautiful gigantic swimmer, swimming naked through the eddies
of the sea,

His brown hair lies close and even to his head--he strikes out with
courageous arms--he urges himself with his legs,

I see his white body--I see his undaunted eyes,

I hate the swift-running eddies that would dash him head-foremost on
the rocks.

What are you doing, you ruffianly red-trickled waves?
Will you kill the courageous giant? Will you kill him in the prime of



his middle age?

Steady and long he struggles,

He is baffled, bang'd, bruis'd--he holds out while his strength holds
out,

The slapping eddies are spotted with his blood--they bear him away-they
roll him, swing him, turn him,

His beautiful body is borne in the circling eddies, it is continually
bruis'd on rocks, 90

Swiftly and out of sight is borne the brave corpse.


I turn, but do not extricate myself,
Confused, a past-reading, another, but with darkness yet.


The beach is cut by the razory ice-wind--the wreck-guns sound,
The tempest lulls--the moon comes floundering through the drifts.


I look where the ship helplessly heads end on--I hear the burst as
she strikes--I hear the howls of dismay--they grow fainter and
fainter.

I cannot aid with my wringing fingers,
I can but rush to the surf, and let it drench me and freeze upon me.


I search with the crowd--not one of the company is wash'd to us
alive;

In the morning I help pick up the dead and lay them in rows in a
barn. 100

Now of the older war-days, the defeat at Brooklyn,

Washington stands inside the lines--he stands on the intrench'd
hills, amid a crowd of officers,

His face is cold and damp--he cannot repress the weeping drops,

He lifts the glass perpetually to his eyes--the color is blanch'd
from his cheeks,

He sees the slaughter of the southern braves confided to him by their
parents.

The same, at last and at last, when peace is declared,

He stands in the room of the old tavern--the well-belov'd soldiers
all pass through,

The officers speechless and slow draw near in their turns,

The chief encircles their necks with his arm, and kisses them on the
cheek,

He kisses lightly the wet cheeks one after another--he shakes hands,
and bids good-by to the army. 110

Now I tell what my mother told me to-day as we sat at dinner
together,


Of when she was a nearly grown girl, living home with her parents on
the old homestead.

A red squaw came one breakfast time to the old homestead,
On her back she carried a bundle of rushes for rush-bottoming chairs,
Her hair, straight, shiny, coarse, black, profuse, half-envelop'd her


face,
Her step was free and elastic, and her voice sounded exquisitely as
she spoke.

My mother look'd in delight and amazement at the stranger,
She look'd at the freshness of her tall-borne face, and full and

pliant limbs,
The more she look'd upon her, she loved her,
Never before had she seen such wonderful beauty and purity, 120
She made her sit on a bench by the jamb of the fireplace--she cook'd

food for her,
She had no work to give her, but she gave her remembrance and
fondness.

The red squaw staid all the forenoon, and toward the middle of the

afternoon she went away,
O my mother was loth to have her go away!
All the week she thought of her--she watch'd for her many a month,
She remember'd her many a winter and many a summer,
But the red squaw never came, nor was heard of there again.

Now Lucifer was not dead--or if he was, I am his sorrowful terrible

heir;
I have been wrong'd--I am oppress'd--I hate him that oppresses me,
I will either destroy him, or he shall release me. 130

Damn him! how he does defile me!
How he informs against my brother and sister, and takes pay for their
blood!
How he laughs when I look down the bend, after the steamboat that
carries away my woman!

Now the vast dusk bulk that is the whale's bulk, it seems mine;
Warily, sportsman! though I lie so sleepy and sluggish, the tap of my
flukes is death.

A show of the summer softness! a contact of something unseen! an

amour of the light and air!
I am jealous, and overwhelm'd with friendliness,
And will go gallivant with the light and air myself,
And have an unseen something to be in contact with them also.

O love and summer! you are in the dreams, and in me! 140
Autumn and winter are in the dreams--the farmer goes with his thrift,


The droves and crops increase, and the barns are well-fill'd.

Elements merge in the night--ships make tacks in the dreams,

The sailor sails--the exile returns home,

The fugitive returns unharm'd--the immigrant is back beyond months
and years,

The poor Irishman lives in the simple house of his childhood, with
the well-known neighbors and faces,

They warmly welcome him--he is barefoot again, he forgets he is well
off;

The Dutchman voyages home, and the Scotchman and Welshman voyage
home, and the native of the Mediterranean voyages home,

To every port of England, France, Spain, enter well-fill'd ships,

The Swiss foots it toward his hills--the Prussian goes his way, the
Hungarian his way, and the Pole his way, 150

The Swede returns, and the Dane and Norwegian return.

The homeward bound, and the outward bound,

The beautiful lost swimmer, the ennuyé, the onanist, the
female that loves unrequited, the money-maker,

The actor and actress, those through with their parts, and those
waiting to commence,

The affectionate boy, the husband and wife, the voter, the nominee
that is chosen, and the nominee that has fail'd,

The great already known, and the great any time after to-day,

The stammerer, the sick, the perfect-form'd, the homely,

The criminal that stood in the box, the judge that sat and sentenced
him, the fluent lawyers, the jury, the audience,

The laugher and weeper, the dancer, the midnight widow, the red
squaw,

The consumptive, the erysipelite, the idiot, he that is wrong'd, 160

The antipodes, and every one between this and them in the dark,

I swear they are averaged now--one is no better than the other,

The night and sleep have liken'd them and restored them.

I swear they are all beautiful;

Every one that sleeps is beautiful--everything in the dim light is
beautiful,

The wildest and bloodiest is over, and all is peace.

Peace is always beautiful, The myth of heaven indicates peace and
night.

The myth of heaven indicates the Soul;

The Soul is always beautiful--it appears more or it appears less--it
comes, or it lags behind, 170

It comes from its embower'd garden, and looks pleasantly on itself,
and encloses the world,

Perfect and clean the genitals previously jetting, and perfect and


clean the womb cohering,

The head well-grown, proportion'd and plumb, and the bowels and
joints proportion'd and plumb.

The Soul is always beautiful,

The universe is duly in order, everything is in its place,

What has arrived is in its place, and what waits is in its place;

The twisted skull waits, the watery or rotten blood waits,

The child of the glutton or venerealee waits long, and the child of
the drunkard waits long, and the drunkard himself waits long,

The sleepers that lived and died wait--the far advanced are to go on
in their turns, and the far behind are to come on in their
turns,

The diverse shall be no less diverse, but they shall flow and unite-they
unite now. 180

The sleepers are very beautiful as they lie unclothed,

They flow hand in hand over the whole earth, from east to west, as
they lie unclothed,

The Asiatic and African are hand in hand--the European and American
are hand in hand,

Learn'd and unlearn'd are hand in hand, and male and female are hand
in hand,

The bare arm of the girl crosses the bare breast of her lover--they
press close without lust--his lips press her neck,

The father holds his grown or ungrown son in his arms with
measureless love, and the son holds the father in his arms with
measureless love,

The white hair of the mother shines on the white wrist of the
daughter,

The breath of the boy goes with the breath of the man, friend is
inarm'd by friend,

The scholar kisses the teacher, and the teacher kisses the scholar-the
wrong'd is made right,

The call of the slave is one with the master's call, and the master
salutes the slave, 190

The felon steps forth from the prison--the insane becomes sane--the
suffering of sick persons is reliev'd,

The sweatings and fevers stop--the throat that was unsound is sound-the
lungs of the consumptive are resumed--the poor distress'd
head is free,

The joints of the rheumatic move as smoothly as ever, and smoother
than ever,

Stiflings and passages open--the paralyzed become supple,

The swell'd and convuls'd and congested awake to themselves in
condition,

They pass the invigoration of the night, and the chemistry of the
night, and awake.


I too pass from the night,
I stay a while away, O night, but I return to you again, and love
you.


Why should I be afraid to trust myself to you?
I am not afraid--I have been well brought forward by you; 200
I love the rich running day, but I do not desert her in whom I lay so


long,
I know not how I came of you, and I know not where I go with you--but
I know I came well, and shall go well.

I will stop only a time with the night, and rise betimes;
I will duly pass the day, O my mother, and duly return to you.

The Sleepers

I WANDER all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and


stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still!
How quiet they breathe, the little children in their cradles!


The wretched features of ennuyés, the white features of
corpses, the livid faces of drunkards, the sick-gray faces of
onanists,


The gash'd bodies on battle-fields, the insane in their strong-door'd
rooms, the sacred idiots, the new-born emerging from gates, and
the dying emerging from gates,

The night pervades them and infolds them. 10

The married couple sleep calmly in their bed--he with his palm on the
hip of the wife, and she with her palm on the hip of the
husband,

The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps, with her little child carefully wrapt.


The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison--the run-away son sleeps;
The murderer that is to be hung next day--how does he sleep?
And the murder'd person--how does he sleep?


The female that loves unrequited sleeps,
And the male that loves unrequited sleeps, 20
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions--all, all sleep.


I stand in the dark with drooping eyes by the worst-suffering and the

most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds--they fitfully sleep.


Now I pierce the darkness--new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is


beautiful.

I go from bedside to bedside--I sleep close with the other sleepers,

each in turn,
I dream in my dream all the dreams of the other dreamers, 30
And I become the other dreamers.


I am a dance--Play up, there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,
I see the hiding of douceurs--I see nimble ghosts whichever way I
look,
Cache, and cache again, deep in the ground and sea, and where it is
neither ground or sea.

Well do they do their jobs, those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss, and they make me a pet besides,
And surround me and lead me, and run ahead when I walk,
To lift their cunning covers, to signify me with stretch'd arms, and


resume the way; 40
Onward we move! a gay gang of blackguards! with mirth-shouting music,
and wild-flapping pennants of joy!

I am the actor, the actress, the voter, the politician;
The emigrant and the exile, the criminal that stood in the box,
He who has been famous, and he who shall be famous after to-day,
The stammerer, the well-form'd person, the wasted or feeble person.


I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.


Double yourself and receive me, darkness!
Receive me and my lover too--he will not let me go without him.


I roll myself upon you, as upon a bed--I resign myself to the
dusk. 50

He whom I call answers me, and takes the place of my lover,
He rises with me silently from the bed.

Darkness! you are gentler than my lover--his flesh was sweaty and
panting,
I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,
I would sound up the shadowy shore to which you are journeying.


Be careful, darkness! already, what was it touch'd me?
I thought my lover had gone, else darkness and he are one,
I hear the heart-beat--I follow, I fade away.


O hot-cheek'd and blushing! O foolish hectic! 60
O for pity's sake, no one must see me now! my clothes were stolen



while I was abed,
Now I am thrust forth, where shall I run?

Pier that I saw dimly last night, when I look'd from the windows!

Pier out from the main, let me catch myself with you, and stay--I
will not chafe you,

I feel ashamed to go naked about the world.

I am curious to know where my feet stand--and what this is flooding
me, childhood or manhood--and the hunger that crosses the
bridge between.

The cloth laps a first sweet eating and drinking,

Laps life-swelling yolks--laps ear of rose-corn, milky and just
ripen'd;

The white teeth stay, and the boss-tooth advances in darkness,

And liquor is spill'd on lips and bosoms by touching glasses, and the
best liquor afterward. 70

I descend my western course, my sinews are flaccid,
Perfume and youth course through me, and I am their wake.

It is my face yellow and wrinkled, instead of the old woman's,

I sit low in a straw-bottom chair, and carefully darn my grandson's
stockings.

It is I too, the sleepless widow, looking out on the winter midnight,
I see the sparkles of starshine on the icy and pallid earth.

A shroud I see, and I am the shroud--I wrap a body, and lie in the
coffin,

It is dark here under ground--it is not evil or pain here--it is
blank here, for reasons.

It seems to me that everything in the light and air ought to be
happy,

Whoever is not in his coffin and the dark grave, let him know he has
enough. 80

I see a beautiful gigantic swimmer, swimming naked through the eddies
of the sea,

His brown hair lies close and even to his head--he strikes out with
courageous arms--he urges himself with his legs,

I see his white body--I see his undaunted eyes,

I hate the swift-running eddies that would dash him head-foremost on
the rocks.

What are you doing, you ruffianly red-trickled waves?
Will you kill the courageous giant? Will you kill him in the prime of



his middle age?

Steady and long he struggles,

He is baffled, bang'd, bruis'd--he holds out while his strength holds
out,

The slapping eddies are spotted with his blood--they bear him away-they
roll him, swing him, turn him,

His beautiful body is borne in the circling eddies, it is continually
bruis'd on rocks, 90

Swiftly and out of sight is borne the brave corpse.


I turn, but do not extricate myself,
Confused, a past-reading, another, but with darkness yet.


The beach is cut by the razory ice-wind--the wreck-guns sound,
The tempest lulls--the moon comes floundering through the drifts.


I look where the ship helplessly heads end on--I hear the burst as
she strikes--I hear the howls of dismay--they grow fainter and
fainter.

I cannot aid with my wringing fingers,
I can but rush to the surf, and let it drench me and freeze upon me.


I search with the crowd--not one of the company is wash'd to us
alive;

In the morning I help pick up the dead and lay them in rows in a
barn. 100

Now of the older war-days, the defeat at Brooklyn,

Washington stands inside the lines--he stands on the intrench'd
hills, amid a crowd of officers,

His face is cold and damp--he cannot repress the weeping drops,

He lifts the glass perpetually to his eyes--the color is blanch'd
from his cheeks,

He sees the slaughter of the southern braves confided to him by their
parents.

The same, at last and at last, when peace is declared,

He stands in the room of the old tavern--the well-belov'd soldiers
all pass through,

The officers speechless and slow draw near in their turns,

The chief encircles their necks with his arm, and kisses them on the
cheek,

He kisses lightly the wet cheeks one after another--he shakes hands,
and bids good-by to the army. 110

Now I tell what my mother told me to-day as we sat at dinner
together,


Of when she was a nearly grown girl, living home with her parents on
the old homestead.

A red squaw came one breakfast time to the old homestead,
On her back she carried a bundle of rushes for rush-bottoming chairs,
Her hair, straight, shiny, coarse, black, profuse, half-envelop'd her


face,
Her step was free and elastic, and her voice sounded exquisitely as
she spoke.

My mother look'd in delight and amazement at the stranger,
She look'd at the freshness of her tall-borne face, and full and

pliant limbs,
The more she look'd upon her, she loved her,
Never before had she seen such wonderful beauty and purity, 120
She made her sit on a bench by the jamb of the fireplace--she cook'd

food for her,
She had no work to give her, but she gave her remembrance and
fondness.

The red squaw staid all the forenoon, and toward the middle of the

afternoon she went away,
O my mother was loth to have her go away!
All the week she thought of her--she watch'd for her many a month,
She remember'd her many a winter and many a summer,
But the red squaw never came, nor was heard of there again.

Now Lucifer was not dead--or if he was, I am his sorrowful terrible

heir;
I have been wrong'd--I am oppress'd--I hate him that oppresses me,
I will either destroy him, or he shall release me. 130

Damn him! how he does defile me!
How he informs against my brother and sister, and takes pay for their
blood!
How he laughs when I look down the bend, after the steamboat that
carries away my woman!

Now the vast dusk bulk that is the whale's bulk, it seems mine;
Warily, sportsman! though I lie so sleepy and sluggish, the tap of my
flukes is death.

A show of the summer softness! a contact of something unseen! an

amour of the light and air!
I am jealous, and overwhelm'd with friendliness,
And will go gallivant with the light and air myself,
And have an unseen something to be in contact with them also.

O love and summer! you are in the dreams, and in me! 140
Autumn and winter are in the dreams--the farmer goes with his thrift,


The droves and crops increase, and the barns are well-fill'd.

Elements merge in the night--ships make tacks in the dreams,

The sailor sails--the exile returns home,

The fugitive returns unharm'd--the immigrant is back beyond months
and years,

The poor Irishman lives in the simple house of his childhood, with
the well-known neighbors and faces,

They warmly welcome him--he is barefoot again, he forgets he is well
off;

The Dutchman voyages home, and the Scotchman and Welshman voyage
home, and the native of the Mediterranean voyages home,

To every port of England, France, Spain, enter well-fill'd ships,

The Swiss foots it toward his hills--the Prussian goes his way, the
Hungarian his way, and the Pole his way, 150

The Swede returns, and the Dane and Norwegian return.

The homeward bound, and the outward bound,

The beautiful lost swimmer, the ennuyé, the onanist, the
female that loves unrequited, the money-maker,

The actor and actress, those through with their parts, and those
waiting to commence,

The affectionate boy, the husband and wife, the voter, the nominee
that is chosen, and the nominee that has fail'd,

The great already known, and the great any time after to-day,

The stammerer, the sick, the perfect-form'd, the homely,

The criminal that stood in the box, the judge that sat and sentenced
him, the fluent lawyers, the jury, the audience,

The laugher and weeper, the dancer, the midnight widow, the red
squaw,

The consumptive, the erysipelite, the idiot, he that is wrong'd, 160

The antipodes, and every one between this and them in the dark,

I swear they are averaged now--one is no better than the other,

The night and sleep have liken'd them and restored them.

I swear they are all beautiful;

Every one that sleeps is beautiful--everything in the dim light is
beautiful,

The wildest and bloodiest is over, and all is peace.

Peace is always beautiful, The myth of heaven indicates peace and
night.

The myth of heaven indicates the Soul;

The Soul is always beautiful--it appears more or it appears less--it
comes, or it lags behind, 170

It comes from its embower'd garden, and looks pleasantly on itself,
and encloses the world,

Perfect and clean the genitals previously jetting, and perfect and


clean the womb cohering,

The head well-grown, proportion'd and plumb, and the bowels and
joints proportion'd and plumb.

The Soul is always beautiful,

The universe is duly in order, everything is in its place,

What has arrived is in its place, and what waits is in its place;

The twisted skull waits, the watery or rotten blood waits,

The child of the glutton or venerealee waits long, and the child of
the drunkard waits long, and the drunkard himself waits long,

The sleepers that lived and died wait--the far advanced are to go on
in their turns, and the far behind are to come on in their
turns,

The diverse shall be no less diverse, but they shall flow and unite-they
unite now. 180

The sleepers are very beautiful as they lie unclothed,

They flow hand in hand over the whole earth, from east to west, as
they lie unclothed,

The Asiatic and African are hand in hand--the European and American
are hand in hand,

Learn'd and unlearn'd are hand in hand, and male and female are hand
in hand,

The bare arm of the girl crosses the bare breast of her lover--they
press close without lust--his lips press her neck,

The father holds his grown or ungrown son in his arms with
measureless love, and the son holds the father in his arms with
measureless love,

The white hair of the mother shines on the white wrist of the
daughter,

The breath of the boy goes with the breath of the man, friend is
inarm'd by friend,

The scholar kisses the teacher, and the teacher kisses the scholar-the
wrong'd is made right,

The call of the slave is one with the master's call, and the master
salutes the slave, 190

The felon steps forth from the prison--the insane becomes sane--the
suffering of sick persons is reliev'd,

The sweatings and fevers stop--the throat that was unsound is sound-the
lungs of the consumptive are resumed--the poor distress'd
head is free,

The joints of the rheumatic move as smoothly as ever, and smoother
than ever,

Stiflings and passages open--the paralyzed become supple,

The swell'd and convuls'd and congested awake to themselves in
condition,

They pass the invigoration of the night, and the chemistry of the
night, and awake.


I too pass from the night,
I stay a while away, O night, but I return to you again, and love
you.


Why should I be afraid to trust myself to you?
I am not afraid--I have been well brought forward by you; 200
I love the rich running day, but I do not desert her in whom I lay so


long,
I know not how I came of you, and I know not where I go with you--but
I know I came well, and shall go well.

I will stop only a time with the night, and rise betimes;
I will duly pass the day, O my mother, and duly return to you.

The Last Invocation

At the last, tenderly,

From the walls of the powerful fortress'd house,
From the clasp of the knitted locks, from the keep of the well-closed doors,
Let me be wafted.
Let me glide noiselessly forth;
With the key of softness unlock the locks--with a whisper,
Set open the doors O soul.


Tenderly--be not impatient,
(Strong is your hold, O mortal flesh,
Strong is your hold O love.)

The Imprisoned Soul

AT the last, tenderly,
From the walls of the powerful, fortress'd house,
From the clasp of the knitted locks--from the keep of the well-closed
doors,
Let me be wafted.


Let me glide noiselessly forth;
With the key of softness unlock the locks--with a whisper
Set ope the doors, O soul!


Tenderly! be not impatient!
(Strong is your hold, O mortal flesh!
Strong is your hold, O love!)

The Centerarian's Story

GIVE me your hand, old Revolutionary;
The hill-top is nigh--but a few steps, (make room, gentlemen;)
Up the path you have follow'd me well, spite of your hundred and


extra years;
You can walk, old man, though your eyes are almost done;
Your faculties serve you, and presently I must have them serve me.

Rest, while I tell what the crowd around us means;
On the plain below, recruits are drilling and exercising;
There is the camp--one regiment departs to-morrow;
Do you hear the officers giving the orders?
Do you hear the clank of the muskets? 10


Why, what comes over you now, old man?
Why do you tremble, and clutch my hand so convulsively?
The troops are but drilling--they are yet surrounded with smiles;
Around them, at hand, the well-drest friends, and the women;
While splendid and warm the afternoon sun shines down;
Green the midsummer verdure, and fresh blows the dallying breeze,
O'er proud and peaceful cities, and arm of the sea between.
But drill and parade are over--they march back to quarters;
Only hear that approval of hands! hear what a clapping!


As wending, the crowds now part and disperse--but we, old man, 20
Not for nothing have I brought you hither--we must remain;
You to speak in your turn, and I to listen and tell.


THE CENTENARIAN.

When I clutch'd your hand, it was not with terror;
But suddenly, pouring about me here, on every side,
And below there where the boys were drilling, and up the slopes they


ran,
And where tents are pitch'd, and wherever you see, south and south


east and south-west,
Over hills, across lowlands, and in the skirts of woods,
And along the shores, in mire (now fill'd over), came again, and


suddenly raged,
As eighty-five years agone, no mere parade receiv'd with applause of
friends,
But a battle, which I took part in myself--aye, long ago as it is, I
took part in it, 30
Walking then this hill-top, this same ground.

Aye, this is the ground;
My blind eyes, even as I speak, behold it re-peopled from graves;
The years recede, pavements and stately houses disappear;
Rude forts appear again, the old hoop'd guns are mounted;
I see the lines of rais'd earth stretching from river to bay;
I mark the vista of waters, I mark the uplands and slopes:
Here we lay encamp'd--it was this time in summer also.



As I talk, I remember all--I remember the Declaration;
It was read here--the whole army paraded--it was read to us here; 40
By his staff surrounded, the General stood in the middle--he held up

his unsheath'd sword,
It glitter'd in the sun in full sight of the army.

'Twas a bold act then;
The English war-ships had just arrived--the king had sent them from


over the sea;
We could watch down the lower bay where they lay at anchor,
And the transports, swarming with soldiers.

A few days more, and they landed--and then the battle.

Twenty thousand were brought against us,
A veteran force, furnish'd with good artillery.

I tell not now the whole of the battle; 50
But one brigade, early in the forenoon, order'd forward to engage the

red-coats;
Of that brigade I tell, and how steadily it march'd,
And how long and how well it stood, confronting death.

Who do you think that was, marching steadily, sternly confronting

death?
It was the brigade of the youngest men, two thousand strong,
Rais'd in Virginia and Maryland, and many of them known personally to

the General.

Jauntily forward they went with quick step toward Gowanus' waters;
Till of a sudden, unlook'd for, by defiles through the woods, gain'd
at night,
The British advancing, wedging in from the east, fiercely playing
their guns,
That brigade of the youngest was cut off, and at the enemy's
mercy. 60

The General watch'd them from this hill;
They made repeated desperate attempts to burst their environment;
Then drew close together, very compact, their flag flying in the


middle;
But O from the hills how the cannon were thinning and thinning them!

It sickens me yet, that slaughter!
I saw the moisture gather in drops on the face of the General;
I saw how he wrung his hands in anguish.


Meanwhile the British maneuver'd to draw us out for a pitch'd battle;
But we dared not trust the chances of a pitch'd battle.


We fought the fight in detachments; 70



Sallying forth, we fought at several points--but in each the luck was
against us;

Our foe advancing, steadily getting the best of it, push'd us back to
the works on this hill;

Till we turn'd, menacing, here, and then he left us.

That was the going out of the brigade of the youngest men, two
thousand strong;

Few return'd--nearly all remain in Brooklyn.

That, and here, my General's first battle;

No women looking on, nor sunshine to bask in--it did not conclude
with applause;

Nobody clapp'd hands here then.

But in darkness, in mist, on the ground, under a chill rain,

Wearied that night we lay, foil'd and sullen; 80

While scornfully laugh'd many an arrogant lord, off against us
encamp'd,

Quite within hearing, feasting, klinking wine-glasses together over
their victory.

So, dull and damp, and another day;

But the night of that, mist lifting, rain ceasing,

Silent as a ghost, while they thought they were sure of him, my
General retreated.

I saw him at the river-side,

Down by the ferry, lit by torches, hastening the embarcation;

My General waited till the soldiers and wounded were all pass'd over;

And then, (it was just ere sunrise,) these eyes rested on him for the
last time.

Every one else seem'd fill'd with gloom; 90
Many no doubt thought of capitulation.

But when my General pass'd me,
As he stood in his boat, and look'd toward the coming sun,
I saw something different from capitulation.


TERMINUS.

Enough--the Centenarian's story ends;

The two, the past and present, have interchanged;

I myself, as connecter, as chansonnier of a great future, am now
speaking.

And is this the ground Washington trod?

And these waters I listlessly daily cross, are these the waters he
cross'd,

As resolute in defeat, as other generals in their proudest
triumphs? 100


It is well--a lesson like that, always comes good;
I must copy the story, and send it eastward and westward;
I must preserve that look, as it beam'd on you, rivers of Brooklyn.


See! as the annual round returns, the phantoms return;
It is the 27th of August, and the British have landed;
The battle begins, and goes against us--behold! through the smoke,


Washington's face;
The brigade of Virginia and Maryland have march'd forth to intercept

the enemy;
They are cut off--murderous artillery from the hills plays upon them;
Rank after rank falls, while over them silently droops the flag,
Baptized that day in many a young man's bloody wounds, 110
In death, defeat, and sisters', mothers' tears.

Ah, hills and slopes of Brooklyn! I perceive you are more valuable
than your owners supposed;
Ah, river! henceforth you will be illumin'd to me at sunrise with
something besides the sun.


Encampments new! in the midst of you stands an encampment very old;
Stands forever the camp of the dead brigade.

The Centerarian's Story

GIVE me your hand, old Revolutionary;
The hill-top is nigh--but a few steps, (make room, gentlemen;)
Up the path you have follow'd me well, spite of your hundred and


extra years;
You can walk, old man, though your eyes are almost done;
Your faculties serve you, and presently I must have them serve me.

Rest, while I tell what the crowd around us means;
On the plain below, recruits are drilling and exercising;
There is the camp--one regiment departs to-morrow;
Do you hear the officers giving the orders?
Do you hear the clank of the muskets? 10


Why, what comes over you now, old man?
Why do you tremble, and clutch my hand so convulsively?
The troops are but drilling--they are yet surrounded with smiles;
Around them, at hand, the well-drest friends, and the women;
While splendid and warm the afternoon sun shines down;
Green the midsummer verdure, and fresh blows the dallying breeze,
O'er proud and peaceful cities, and arm of the sea between.
But drill and parade are over--they march back to quarters;
Only hear that approval of hands! hear what a clapping!


As wending, the crowds now part and disperse--but we, old man, 20
Not for nothing have I brought you hither--we must remain;
You to speak in your turn, and I to listen and tell.


THE CENTENARIAN.

When I clutch'd your hand, it was not with terror;
But suddenly, pouring about me here, on every side,
And below there where the boys were drilling, and up the slopes they


ran,
And where tents are pitch'd, and wherever you see, south and south


east and south-west,
Over hills, across lowlands, and in the skirts of woods,
And along the shores, in mire (now fill'd over), came again, and


suddenly raged,
As eighty-five years agone, no mere parade receiv'd with applause of
friends,
But a battle, which I took part in myself--aye, long ago as it is, I
took part in it, 30
Walking then this hill-top, this same ground.

Aye, this is the ground;
My blind eyes, even as I speak, behold it re-peopled from graves;
The years recede, pavements and stately houses disappear;
Rude forts appear again, the old hoop'd guns are mounted;
I see the lines of rais'd earth stretching from river to bay;
I mark the vista of waters, I mark the uplands and slopes:
Here we lay encamp'd--it was this time in summer also.



As I talk, I remember all--I remember the Declaration;
It was read here--the whole army paraded--it was read to us here; 40
By his staff surrounded, the General stood in the middle--he held up

his unsheath'd sword,
It glitter'd in the sun in full sight of the army.

'Twas a bold act then;
The English war-ships had just arrived--the king had sent them from


over the sea;
We could watch down the lower bay where they lay at anchor,
And the transports, swarming with soldiers.

A few days more, and they landed--and then the battle.

Twenty thousand were brought against us,
A veteran force, furnish'd with good artillery.

I tell not now the whole of the battle; 50
But one brigade, early in the forenoon, order'd forward to engage the

red-coats;
Of that brigade I tell, and how steadily it march'd,
And how long and how well it stood, confronting death.

Who do you think that was, marching steadily, sternly confronting

death?
It was the brigade of the youngest men, two thousand strong,
Rais'd in Virginia and Maryland, and many of them known personally to

the General.

Jauntily forward they went with quick step toward Gowanus' waters;
Till of a sudden, unlook'd for, by defiles through the woods, gain'd
at night,
The British advancing, wedging in from the east, fiercely playing
their guns,
That brigade of the youngest was cut off, and at the enemy's
mercy. 60

The General watch'd them from this hill;
They made repeated desperate attempts to burst their environment;
Then drew close together, very compact, their flag flying in the


middle;
But O from the hills how the cannon were thinning and thinning them!

It sickens me yet, that slaughter!
I saw the moisture gather in drops on the face of the General;
I saw how he wrung his hands in anguish.


Meanwhile the British maneuver'd to draw us out for a pitch'd battle;
But we dared not trust the chances of a pitch'd battle.


We fought the fight in detachments; 70



Sallying forth, we fought at several points--but in each the luck was
against us;

Our foe advancing, steadily getting the best of it, push'd us back to
the works on this hill;

Till we turn'd, menacing, here, and then he left us.

That was the going out of the brigade of the youngest men, two
thousand strong;

Few return'd--nearly all remain in Brooklyn.

That, and here, my General's first battle;

No women looking on, nor sunshine to bask in--it did not conclude
with applause;

Nobody clapp'd hands here then.

But in darkness, in mist, on the ground, under a chill rain,

Wearied that night we lay, foil'd and sullen; 80

While scornfully laugh'd many an arrogant lord, off against us
encamp'd,

Quite within hearing, feasting, klinking wine-glasses together over
their victory.

So, dull and damp, and another day;

But the night of that, mist lifting, rain ceasing,

Silent as a ghost, while they thought they were sure of him, my
General retreated.

I saw him at the river-side,

Down by the ferry, lit by torches, hastening the embarcation;

My General waited till the soldiers and wounded were all pass'd over;

And then, (it was just ere sunrise,) these eyes rested on him for the
last time.

Every one else seem'd fill'd with gloom; 90
Many no doubt thought of capitulation.

But when my General pass'd me,
As he stood in his boat, and look'd toward the coming sun,
I saw something different from capitulation.


TERMINUS.

Enough--the Centenarian's story ends;

The two, the past and present, have interchanged;

I myself, as connecter, as chansonnier of a great future, am now
speaking.

And is this the ground Washington trod?

And these waters I listlessly daily cross, are these the waters he
cross'd,

As resolute in defeat, as other generals in their proudest
triumphs? 100


It is well--a lesson like that, always comes good;
I must copy the story, and send it eastward and westward;
I must preserve that look, as it beam'd on you, rivers of Brooklyn.


See! as the annual round returns, the phantoms return;
It is the 27th of August, and the British have landed;
The battle begins, and goes against us--behold! through the smoke,


Washington's face;
The brigade of Virginia and Maryland have march'd forth to intercept

the enemy;
They are cut off--murderous artillery from the hills plays upon them;
Rank after rank falls, while over them silently droops the flag,
Baptized that day in many a young man's bloody wounds, 110
In death, defeat, and sisters', mothers' tears.

Ah, hills and slopes of Brooklyn! I perceive you are more valuable
than your owners supposed;
Ah, river! henceforth you will be illumin'd to me at sunrise with
something besides the sun.


Encampments new! in the midst of you stands an encampment very old;
Stands forever the camp of the dead brigade.

The Artilleryman's Vision

WHILE my wife at my side lies slumbering, and the wars are over long,
And my head on the pillow rests at home, and the vacant midnight
passes,
And through the stillness, through the dark, I hear, just hear, the

breath of my infant,
There in the room, as I wake from sleep, this vision presses upon me:
The engagement opens there and then, in fantasy unreal;
The skirmishers begin--they crawl cautiously ahead--I hear the

irregular snap! snap!
I hear the sounds of the different missiles--the short t-h-t! t-h-t!
of the rifle balls;
I see the shells exploding, leaving small white clouds--I hear the
great shells shrieking as they pass;
The grape, like the hum and whirr of wind through the trees, (quick,
tumultuous, now the contest rages!)
All the scenes at the batteries themselves rise in detail before me

again; 10
The crashing and smoking--the pride of the men in their pieces;
The chief gunner ranges and sights his piece, and selects a fuse of


the right time;
After firing, I see him lean aside, and look eagerly off to note the
effect;
--Elsewhere I hear the cry of a regiment charging--(the young colonel
leads himself this time, with brandish'd sword;)
I see the gaps cut by the enemy's volleys, (quickly fill'd up, no
delay;)
I breathe the suffocating smoke--then the flat clouds hover low,
concealing all;
Now a strange lull comes for a few seconds, not a shot fired on
either side;
Then resumed, the chaos louder than ever, with eager calls, and
orders of officers;
While from some distant part of the field the wind wafts to my ears a
shout of applause, (some special success;)

And ever the sound of the cannon, far or near, (rousing, even in
dreams, a devilish exultation, and all the old mad joy, in the
depths of my soul;) 20


And ever the hastening of infantry shifting positions--batteries,
cavalry, moving hither and thither;
(The falling, dying, I heed not--the wounded, dripping and red, I


heed not--some to the rear are hobbling;)
Grime, heat, rush--aid-de-camps galloping by, or on a full run;
With the patter of small arms, the warning s-s-t of the rifles,


(these in my vision I hear or see,)
And bombs busting in air, and at night the vari-color'd rockets.

Tests

ALL submit to them, where they sit, inner, secure, unapproachable to
analysis, in the Soul;
Not traditions--not the outer authorities are the judges--they are
the judges of outer authorities, and of all traditions;
They corroborate as they go, only whatever corroborates themselves,
and touches themselves;
For all that, they have it forever in themselves to corroborate far
and near, without one exception.

Tests

ALL submit to them, where they sit, inner, secure, unapproachable to
analysis, in the Soul;
Not traditions--not the outer authorities are the judges--they are
the judges of outer authorities, and of all traditions;
They corroborate as they go, only whatever corroborates themselves,
and touches themselves;
For all that, they have it forever in themselves to corroborate far
and near, without one exception.

That Music Always Round Me

THAT music always round me, unceasing, unbeginning--yet long untaught

I did not hear;
But now the chorus I hear, and am elated;
A tenor, strong, ascending, with power and health, with glad notes of


day-break I hear,
A soprano, at intervals, sailing buoyantly over the tops of immense
waves,
A transparent bass, shuddering lusciously under and through the
universe,
The triumphant tutti--the funeral wailings, with sweet flutes and
violins--all these I fill myself with;
I hear not the volumes of sound merely--I am moved by the exquisite
meanings,
I listen to the different voices winding in and out, striving,
contending with fiery vehemence to excel each other in emotion;
I do not think the performers know themselves--but now I think I
begin to know them.

Starting From Paumanok

STARTING from fish-shape Paumanok, where I was born,
Well-begotten, and rais'd by a perfect mother;
After roaming many lands--lover of populous pavements;
Dweller in Mannahatta, my city--or on


southern savannas;
Or a soldier camp'd, or carrying my knapsack and gun--or a miner in
California;
Or rude in my home in Dakota's woods, my diet meat, my drink from the

spring;
Or withdrawn to muse and meditate in some deep recess,
Far from the clank of crowds, intervals passing, rapt and happy;
Aware of the fresh free giver, the flowing Missouri--aware of mighty


Niagara;
Aware of the buffalo herds, grazing the plains--the hirsute and
strong-breasted bull; 10
Of earth, rocks, Fifth-month flowers, experienced--stars, rain, snow,


my amaze;
Having studied the mocking-bird's tones, and the mountainhawk's,
And heard at dusk the unrival'd one, the hermit thrush from the


swamp-cedars,
Solitary, singing in the West, I strike up for a New World.


Victory, union, faith, identity, time,
The indissoluble compacts, riches, mystery,
Eternal progress, the kosmos, and the modern reports.


This, then, is life;
Here is what has come to the surface after so many throes and
convulsions.


How curious! how real! 20
Underfoot the divine soil--overhead the sun.


See, revolving, the globe;
The ancestor-continents, away, group'd together;
The present and future continents, north and south, with the isthmus


between.

See, vast, trackless spaces;
As in a dream, they change, they swiftly fill;
Countless masses debouch upon them;
They are now cover'd with the foremost people, arts, institutions,


known.

See, projected, through time,
For me, an audience interminable. 30


With firm and regular step they wend--they never stop,
Successions of men, Americanos, a hundred millions;
One generation playing its part, and passing on;



Another generation playing its part, and passing on in its turn,
With faces turn'd sideways or backward towards me, to listen,
With eyes retrospective towards me,


Americanos! conquerors! marches humanitarian;
Foremost! century marches! Libertad! masses!
For you a programme of chants.


Chants of the prairies; 40
Chants of the long-running Mississippi, and down to the Mexican sea;
Chants of Ohio, Indiana, Illinois, Iowa, Wisconsin and Minnesota;
Chants going forth from the centre, from Kansas, and thence, equi


distant,
Shooting in pulses of fire, ceaseless, to vivify all.

In the Year 80 of The States,
My tongue, every atom of my blood, form'd from this soil, this air,
Born here of parents born here, from parents the same, and their


parents the same,
I, now thirty-six years old, in perfect health, begin,
Hoping to cease not till death.

Creeds and schools in abeyance, 50
(Retiring back a while, sufficed at what they are, but never

forgotten,)
I harbor, for good or bad--I permit to speak, at every hazard,
Nature now without check, with original energy.

Take my leaves, America! take them, South, and take them, North!
Make welcome for them everywhere, for they are your own offspring;
Surround them, East and West! for they would surround you;
And you precedents! connect lovingly with them, for they connect


lovingly with you.

I conn'd old times;
I sat studying at the feet of the great masters:
Now, if eligible, O that the great masters might return and study


me! 60

In the name of These States, shall I scorn the antique?
Why These are the children of the antique, to justify it.


Dead poets, philosophs, priests,
Martyrs, artists, inventors, governments long since,
Language-shapers, on other shores,
Nations once powerful, now reduced, withdrawn, or desolate,
I dare not proceed till I respectfully credit what you have left,


wafted hither:


I have perused it--own it is admirable,
(moving awhile among it;)

Think nothing can ever be greater--nothing can ever deserve more than
it deserves;

Regarding it all intently a long while--then dismissing it, 70

I stand in my place, with my own day, here.

Here lands female and male;

Here the heir-ship and heiress-ship of the world--here the flame of
materials;

Here Spirituality, the translatress, the openly-avow'd,

The ever-tending, the finale of visible forms;

The satisfier, after due long-waiting, now advancing,

Yes, here comes my mistress, the Soul.

The SOUL:

Forever and forever--longer than soil is brown and solid--longer than
water ebbs and flows.

I will make the poems of materials, for I think they are to be the
most spiritual poems; 80

And I will make the poems of my body and of mortality,

For I think I shall then supply myself with the poems of my Soul, and
of immortality.

I will make a song for These States, that no-one State may under any
circumstances be subjected to another State;

And I will make a song that there shall be comity by day and by night
between all The States, and between any two of them:

And I will make a song for the ears of the President, full of weapons
with menacing points,

And behind the weapons countless dissatisfied faces:

--And a song make I, of the One form'd out of all;

The fang'd and glittering One whose head is over all;

Resolute, warlike One, including and over all;

(However high the head of any else, that head is over all.) 90

I will acknowledge contemporary lands;

I will trail the whole geography of the globe, and salute courteously
every city large and small;

And employments! I will put in my poems, that with you is heroism,
upon land and sea;

And I will report all heroism from an American point of view.

I will sing the song of companionship;

I will show what alone must finally compact These;

I believe These are to found their own ideal of manly love,
indicating it in me;

I will therefore let flame from me the burning fires that were
threatening to consume me;

I will lift what has too long kept down those smouldering fires;


I will give them complete abandonment; 100
I will write the evangel-poem of comrades, and of love;
(For who but I should understand love, with all its sorrow and joy?
And who but I should be the poet of comrades?)


I am the credulous man of qualities, ages, races;
I advance from the people in their own spirit;
Here is what sings unrestricted faith.


Omnes! Omnes! let others ignore what they may;
I make the poem of evil also--I commemorate that part also;
I am myself just as much evil as good, and my nation is--And I say


there is in fact no evil;
(Or if there is, I say it is just as important to you, to the land,
or to me, as anything else.) 110

I too, following many, and follow'd by many, inaugurate a Religion--I
descend into the arena;
(It may be I am destin'd to utter the loudest cries there, the
winner's pealing shouts;
Who knows? they may rise from me yet, and soar above every thing.)

Each is not for its own sake;
I say the whole earth, and all the stars in the sky, are for
Religion's sake.

I say no man has ever yet been half devout enough;
None has ever yet adored or worship'd half enough;
None has begun to think how divine he himself is, and how certain the


future is.

I say that the real and permanent grandeur of These States must be

their Religion;
Otherwise there is no real and permanent grandeur: 120
(Nor character, nor life worthy the name, without Religion;
Nor land, nor man or woman, without Religion.)

What are you doing, young man?
Are you so earnest--so given up to literature, science, art, amours?
These ostensible realities, politics, points?
Your ambition or business, whatever it may be?


It is well--Against such I say not a word--I am their poet also;
But behold! such swiftly subside--burnt up for Religion's sake;
For not all matter is fuel to heat, impalpable flame, the essential


life of the earth,
Any more than such are to Religion. 130

What do you seek, so pensive and silent?


What do you need, Camerado?
Dear son! do you think it is love?


Listen, dear son--listen, America, daughter or son!
It is a painful thing to love a man or woman to excess--and yet it


satisfies--it is great;
But there is something else very great--it makes the whole coincide;
It, magnificent, beyond materials, with continuous hands, sweeps and

provides for all.

Know you! solely to drop in the earth the germs of a greater
Religion,
The following chants, each for its kind, I sing.

My comrade! 140
For you, to share with me, two greatnesses--and a third one, rising
inclusive and more resplendent,
The greatness of Love and Democracy--and the greatness of Religion.

Melange mine own! the unseen and the seen;
Mysterious ocean where the streams empty;
Prophetic spirit of materials shifting and flickering around me;
Living beings, identities, now doubtless near us, in the air, that we


know not of;
Contact daily and hourly that will not release me;
These selecting--these, in hints, demanded of me.

Not he, with a daily kiss, onward from childhood kissing me,
Has winded and twisted around me that which holds me to him, 150
Any more than I am held to the heavens, to the spiritual world,
And to the identities of the Gods, my lovers, faithful and true,
After what they have done to me, suggesting themes.


O such themes! Equalities!
O amazement of things! O divine average!
O warblings under the sun--usher'd, as now, or at noon, or setting!
O strain, musical, flowing through ages--now reaching hither!
I take to your reckless and composite chords--I add to them, and


cheerfully pass them forward.

As I have walk'd in Alabama my morning walk,
I have seen where the she-bird, the mocking-bird, sat on her nest in
the briers, hatching her brood. 160

I have seen the he-bird also;
I have paused to hear him, near at hand, inflating his throat, and
joyfully singing.

And while I paused, it came to me that what he really sang for was
not there only,


Nor for his mate, nor himself only, nor all sent back by the echoes;
But subtle, clandestine, away beyond,
A charge transmitted, and gift occult, for those being born.


Democracy!


Near at hand to you a throat is now inflating itself and joyfully
singing.

Ma femme!

For the brood beyond us and of us, 170

For those who belong here, and those to come,

I, exultant, to be ready for them, will now shake out carols stronger
and haughtier than have ever yet been heard upon earth.

I will make the songs of passion, to give them their way,

And your songs, outlaw'd offenders--for I scan you with kindred eyes,
and carry you with me the same as any.

I will make the true poem of riches,

To earn for the body and the mind whatever adheres, and goes forward,
and is not dropt by death.

I will effuse egotism, and show it underlying all--and I will be the
bard of personality;

And I will show of male and female that either is but the equal of
the other;

And sexual organs and acts! do you concentrate in me--for I am
determin'd to tell you with courageous clear voice, to prove
you illustrious;

And I will show that there is no imperfection in the present--and can
be none in the future; 180

And I will show that whatever happens to anybody, it may be turn'd to
beautiful results--and I will show that nothing can happen more
beautiful than death;

And I will thread a thread through my poems that time and events are
compact,

And that all the things of the universe are perfect miracles, each as
profound as any.

I will not make poems with reference to parts;

But I will make leaves, poems, poemets, songs, says, thoughts with
reference to ensemble:

And I will not sing with reference to a day, but with reference to
all days;

And I will not make a poem, nor the least part of a poem, but has
reference to the Soul;

(Because, having look'd at the objects of the universe, I find there
is no one, nor any particle of one, but has reference to the
Soul.)


Was somebody asking to see the Soul? 190

See! your own shape and countenance--persons, substances, beasts, the
trees, the running rivers, the rocks and sands.

All hold spiritual joys, and afterwards loosen them:
How can the real body ever die, and be buried?

Of your real body, and any man's or woman's real body,

Item for item, it will elude the hands of the corpse-cleaners, and
pass to fitting spheres,

Carrying what has accrued to it from the moment of birth to the
moment of death.

Not the types set up by the printer return their impression, the
meaning, the main concern,

Any more than a man's substance and life, or a woman's substance and
life, return in the body and the Soul,

Indifferently before death and after death.

Behold! the body includes and is the meaning, the main concern--and
includes and is the Soul; 200

Whoever you are! how superb and how divine is your body, or any part
of it.

Whoever you are! to you endless announcements.

Daughter of the lands, did you wait for your poet?
Did you wait for one with a flowing mouth and indicative hand?


Toward the male of The States, and toward the female of The States,
Live words--words to the lands.

O the lands! interlink'd, food-yielding lands!

Land of coal and iron! Land of gold! Lands of cotton, sugar, rice!

Land of wheat, beef, pork! Land of wool and hemp! Land of the apple
and grape!

Land of the pastoral plains, the grass-fields of the world! Land of
those sweet-air'd interminable plateaus! 210

Land of the herd, the garden, the healthy house of adobie!

Lands where the northwest Columbia winds, and where the southwest
Colorado winds!

Land of the eastern Chesapeake! Land of the Delaware!

Land of Ontario, Erie, Huron, Michigan!

Land of the Old Thirteen! Massachusetts land! Land of Vermont and
Connecticut!

Land of the ocean shores! Land of sierras and peaks!

Land of boatmen and sailors! Fishermen's land!

Inextricable lands! the clutch'd together! the passionate ones!

The side by side! the elder and younger brothers! the bony-limb'd!

The great women's land! the feminine! the experienced sisters and the
inexperienced sisters! 220


Far breath'd land! Arctic braced! Mexican breez'd! the diverse! the
compact!

The Pennsylvanian! the Virginian! the double Carolinian!

O all and each well-loved by me! my intrepid nations! O I at any rate
include you all with perfect love!

I cannot be discharged from you! not from one, any sooner than
another!

O Death! O for all that, I am yet of you, unseen, this hour, with
irrepressible love,

Walking New England, a friend, a traveler,

Splashing my bare feet in the edge of the summer ripples, on
Paumanok's sands,

Crossing the prairies--dwelling again in Chicago--dwelling in every
town,

Observing shows, births, improvements, structures, arts,

Listening to the orators and the oratresses in public halls, 230

Of and through The States, as during life--each man and woman my
neighbor,

The Louisianian, the Georgian, as near to me, and I as near to him
and her,

The Mississippian and Arkansian yet with me--and I yet with any of
them;

Yet upon the plains west of the spinal river--yet in my house of
adobie,

Yet returning eastward--yet in the Sea-Side State, or in Maryland,

Yet Kanadian, cheerily braving the winter--the snow and ice welcome
to me,

Yet a true son either of Maine, or of the Granite State, or of the
Narragansett Bay State, or of the Empire State;

Yet sailing to other shores to annex the same--yet welcoming every
new brother;

Hereby applying these leaves to the new ones, from the hour they
unite with the old ones;

Coming among the new ones myself, to be their companion and equal-coming
personally to you now; 240

Enjoining you to acts, characters, spectacles, with me.

With me, with firm holding--yet haste, haste on.

For your life, adhere to me!

Of all the men of the earth, I only can unloose you and toughen you;

I may have to be persuaded many times before I consent to give myself
really to you--but what of that?

Must not Nature be persuaded many times?

No dainty dolce affettuoso I;
Bearded, sun-burnt, gray-neck'd, forbidding, I have arrived,
To be wrestled with as I pass, for the solid prizes of the universe;
For such I afford whoever can persevere to win them. 250



On my way a moment I pause;

Here for you! and here for America!

Still the Present I raise aloft--Still the Future of The States I
harbinge, glad and sublime;

And for the Past, I pronounce what the air holds of the red
aborigines.

The red aborigines!

Leaving natural breaths, sounds of rain and winds, calls as of birds
and animals in the woods, syllabled to us for names;

Okonee, Koosa, Ottawa, Monongahela, Sauk, Natchez, Chattahoochee,
Kaqueta, Oronoco,

Wabash, Miami, Saginaw, Chippewa, Oshkosh, Walla-Walla;

Leaving such to The States, they melt, they depart, charging the
water and the land with names.

O expanding and swift! O henceforth, 260

Elements, breeds, adjustments, turbulent, quick, and audacious;

A world primal again--Vistas of glory, incessant and branching;

A new race, dominating previous ones, and grander far--with new
contests,

New politics, new literatures and religions, new inventions and arts.

These! my voice announcing--I will sleep no more, but arise;

You oceans that have been calm within me! how I feel you, fathomless,
stirring, preparing unprecedented waves and storms.

See! steamers steaming through my poems!

See, in my poems immigrants continually coming and landing;

See, in arriere, the wigwam, the trail, the hunter's hut, the
flatboat, the maize-leaf, the claim, the rude fence, and the
backwoods village;

See, on the one side the Western Sea, and on the other the Eastern
Sea, how they advance and retreat upon my poems, as upon their
own shores. 270

See, pastures and forests in my poems--See, animals, wild and tame-See,
beyond the Kanzas, countless herds of buffalo, feeding on
short curly grass;

See, in my poems, cities, solid, vast, inland, with paved streets,
with iron and stone edifices, ceaseless vehicles, and commerce;

See, the many-cylinder'd steam printing-press--See, the electric
telegraph, stretching across the Continent, from the Western
Sea to Manhattan;

See, through Atlantica's depths, pulses American, Europe reaching-pulses
of Europe, duly return'd;

See, the strong and quick locomotive, as it departs, panting, blowing
the steam-whistle;

See, ploughmen, ploughing farms--See, miners, digging mines--See, the
numberless factories;


See, mechanics, busy at their benches, with tools--See from among
them, superior judges, philosophs, Presidents, emerge, drest in
working dresses;

See, lounging through the shops and fields of The States, me, wellbelov'd,
close-held by day and night;
Hear the loud echoes of my songs there! Read the hints come at last.

O Camerado close! 280
O you and me at last--and us two only.


O a word to clear one's path ahead endlessly!
O something extatic and undemonstrable! O music wild!


O now I triumph--and you shall also;
O hand in hand--O wholesome pleasure--O one more desirer and lover!
O to haste, firm holding--to haste, haste on with me.

Starting From Paumanok

STARTING from fish-shape Paumanok, where I was born,
Well-begotten, and rais'd by a perfect mother;
After roaming many lands--lover of populous pavements;
Dweller in Mannahatta, my city--or on


southern savannas;
Or a soldier camp'd, or carrying my knapsack and gun--or a miner in
California;
Or rude in my home in Dakota's woods, my diet meat, my drink from the

spring;
Or withdrawn to muse and meditate in some deep recess,
Far from the clank of crowds, intervals passing, rapt and happy;
Aware of the fresh free giver, the flowing Missouri--aware of mighty


Niagara;
Aware of the buffalo herds, grazing the plains--the hirsute and
strong-breasted bull; 10
Of earth, rocks, Fifth-month flowers, experienced--stars, rain, snow,


my amaze;
Having studied the mocking-bird's tones, and the mountainhawk's,
And heard at dusk the unrival'd one, the hermit thrush from the


swamp-cedars,
Solitary, singing in the West, I strike up for a New World.


Victory, union, faith, identity, time,
The indissoluble compacts, riches, mystery,
Eternal progress, the kosmos, and the modern reports.


This, then, is life;
Here is what has come to the surface after so many throes and
convulsions.


How curious! how real! 20
Underfoot the divine soil--overhead the sun.


See, revolving, the globe;
The ancestor-continents, away, group'd together;
The present and future continents, north and south, with the isthmus


between.

See, vast, trackless spaces;
As in a dream, they change, they swiftly fill;
Countless masses debouch upon them;
They are now cover'd with the foremost people, arts, institutions,


known.

See, projected, through time,
For me, an audience interminable. 30


With firm and regular step they wend--they never stop,
Successions of men, Americanos, a hundred millions;
One generation playing its part, and passing on;



Another generation playing its part, and passing on in its turn,
With faces turn'd sideways or backward towards me, to listen,
With eyes retrospective towards me,


Americanos! conquerors! marches humanitarian;
Foremost! century marches! Libertad! masses!
For you a programme of chants.


Chants of the prairies; 40
Chants of the long-running Mississippi, and down to the Mexican sea;
Chants of Ohio, Indiana, Illinois, Iowa, Wisconsin and Minnesota;
Chants going forth from the centre, from Kansas, and thence, equi


distant,
Shooting in pulses of fire, ceaseless, to vivify all.

In the Year 80 of The States,
My tongue, every atom of my blood, form'd from this soil, this air,
Born here of parents born here, from parents the same, and their


parents the same,
I, now thirty-six years old, in perfect health, begin,
Hoping to cease not till death.

Creeds and schools in abeyance, 50
(Retiring back a while, sufficed at what they are, but never

forgotten,)
I harbor, for good or bad--I permit to speak, at every hazard,
Nature now without check, with original energy.

Take my leaves, America! take them, South, and take them, North!
Make welcome for them everywhere, for they are your own offspring;
Surround them, East and West! for they would surround you;
And you precedents! connect lovingly with them, for they connect


lovingly with you.

I conn'd old times;
I sat studying at the feet of the great masters:
Now, if eligible, O that the great masters might return and study


me! 60

In the name of These States, shall I scorn the antique?
Why These are the children of the antique, to justify it.


Dead poets, philosophs, priests,
Martyrs, artists, inventors, governments long since,
Language-shapers, on other shores,
Nations once powerful, now reduced, withdrawn, or desolate,
I dare not proceed till I respectfully credit what you have left,


wafted hither:


I have perused it--own it is admirable,
(moving awhile among it;)

Think nothing can ever be greater--nothing can ever deserve more than
it deserves;

Regarding it all intently a long while--then dismissing it, 70

I stand in my place, with my own day, here.

Here lands female and male;

Here the heir-ship and heiress-ship of the world--here the flame of
materials;

Here Spirituality, the translatress, the openly-avow'd,

The ever-tending, the finale of visible forms;

The satisfier, after due long-waiting, now advancing,

Yes, here comes my mistress, the Soul.

The SOUL:

Forever and forever--longer than soil is brown and solid--longer than
water ebbs and flows.

I will make the poems of materials, for I think they are to be the
most spiritual poems; 80

And I will make the poems of my body and of mortality,

For I think I shall then supply myself with the poems of my Soul, and
of immortality.

I will make a song for These States, that no-one State may under any
circumstances be subjected to another State;

And I will make a song that there shall be comity by day and by night
between all The States, and between any two of them:

And I will make a song for the ears of the President, full of weapons
with menacing points,

And behind the weapons countless dissatisfied faces:

--And a song make I, of the One form'd out of all;

The fang'd and glittering One whose head is over all;

Resolute, warlike One, including and over all;

(However high the head of any else, that head is over all.) 90

I will acknowledge contemporary lands;

I will trail the whole geography of the globe, and salute courteously
every city large and small;

And employments! I will put in my poems, that with you is heroism,
upon land and sea;

And I will report all heroism from an American point of view.

I will sing the song of companionship;

I will show what alone must finally compact These;

I believe These are to found their own ideal of manly love,
indicating it in me;

I will therefore let flame from me the burning fires that were
threatening to consume me;

I will lift what has too long kept down those smouldering fires;


I will give them complete abandonment; 100
I will write the evangel-poem of comrades, and of love;
(For who but I should understand love, with all its sorrow and joy?
And who but I should be the poet of comrades?)


I am the credulous man of qualities, ages, races;
I advance from the people in their own spirit;
Here is what sings unrestricted faith.


Omnes! Omnes! let others ignore what they may;
I make the poem of evil also--I commemorate that part also;
I am myself just as much evil as good, and my nation is--And I say


there is in fact no evil;
(Or if there is, I say it is just as important to you, to the land,
or to me, as anything else.) 110

I too, following many, and follow'd by many, inaugurate a Religion--I
descend into the arena;
(It may be I am destin'd to utter the loudest cries there, the
winner's pealing shouts;
Who knows? they may rise from me yet, and soar above every thing.)

Each is not for its own sake;
I say the whole earth, and all the stars in the sky, are for
Religion's sake.

I say no man has ever yet been half devout enough;
None has ever yet adored or worship'd half enough;
None has begun to think how divine he himself is, and how certain the


future is.

I say that the real and permanent grandeur of These States must be

their Religion;
Otherwise there is no real and permanent grandeur: 120
(Nor character, nor life worthy the name, without Religion;
Nor land, nor man or woman, without Religion.)

What are you doing, young man?
Are you so earnest--so given up to literature, science, art, amours?
These ostensible realities, politics, points?
Your ambition or business, whatever it may be?


It is well--Against such I say not a word--I am their poet also;
But behold! such swiftly subside--burnt up for Religion's sake;
For not all matter is fuel to heat, impalpable flame, the essential


life of the earth,
Any more than such are to Religion. 130

What do you seek, so pensive and silent?


What do you need, Camerado?
Dear son! do you think it is love?


Listen, dear son--listen, America, daughter or son!
It is a painful thing to love a man or woman to excess--and yet it


satisfies--it is great;
But there is something else very great--it makes the whole coincide;
It, magnificent, beyond materials, with continuous hands, sweeps and

provides for all.

Know you! solely to drop in the earth the germs of a greater
Religion,
The following chants, each for its kind, I sing.

My comrade! 140
For you, to share with me, two greatnesses--and a third one, rising
inclusive and more resplendent,
The greatness of Love and Democracy--and the greatness of Religion.

Melange mine own! the unseen and the seen;
Mysterious ocean where the streams empty;
Prophetic spirit of materials shifting and flickering around me;
Living beings, identities, now doubtless near us, in the air, that we


know not of;
Contact daily and hourly that will not release me;
These selecting--these, in hints, demanded of me.

Not he, with a daily kiss, onward from childhood kissing me,
Has winded and twisted around me that which holds me to him, 150
Any more than I am held to the heavens, to the spiritual world,
And to the identities of the Gods, my lovers, faithful and true,
After what they have done to me, suggesting themes.


O such themes! Equalities!
O amazement of things! O divine average!
O warblings under the sun--usher'd, as now, or at noon, or setting!
O strain, musical, flowing through ages--now reaching hither!
I take to your reckless and composite chords--I add to them, and


cheerfully pass them forward.

As I have walk'd in Alabama my morning walk,
I have seen where the she-bird, the mocking-bird, sat on her nest in
the briers, hatching her brood. 160

I have seen the he-bird also;
I have paused to hear him, near at hand, inflating his throat, and
joyfully singing.

And while I paused, it came to me that what he really sang for was
not there only,


Nor for his mate, nor himself only, nor all sent back by the echoes;
But subtle, clandestine, away beyond,
A charge transmitted, and gift occult, for those being born.


Democracy!


Near at hand to you a throat is now inflating itself and joyfully
singing.

Ma femme!

For the brood beyond us and of us, 170

For those who belong here, and those to come,

I, exultant, to be ready for them, will now shake out carols stronger
and haughtier than have ever yet been heard upon earth.

I will make the songs of passion, to give them their way,

And your songs, outlaw'd offenders--for I scan you with kindred eyes,
and carry you with me the same as any.

I will make the true poem of riches,

To earn for the body and the mind whatever adheres, and goes forward,
and is not dropt by death.

I will effuse egotism, and show it underlying all--and I will be the
bard of personality;

And I will show of male and female that either is but the equal of
the other;

And sexual organs and acts! do you concentrate in me--for I am
determin'd to tell you with courageous clear voice, to prove
you illustrious;

And I will show that there is no imperfection in the present--and can
be none in the future; 180

And I will show that whatever happens to anybody, it may be turn'd to
beautiful results--and I will show that nothing can happen more
beautiful than death;

And I will thread a thread through my poems that time and events are
compact,

And that all the things of the universe are perfect miracles, each as
profound as any.

I will not make poems with reference to parts;

But I will make leaves, poems, poemets, songs, says, thoughts with
reference to ensemble:

And I will not sing with reference to a day, but with reference to
all days;

And I will not make a poem, nor the least part of a poem, but has
reference to the Soul;

(Because, having look'd at the objects of the universe, I find there
is no one, nor any particle of one, but has reference to the
Soul.)


Was somebody asking to see the Soul? 190

See! your own shape and countenance--persons, substances, beasts, the
trees, the running rivers, the rocks and sands.

All hold spiritual joys, and afterwards loosen them:
How can the real body ever die, and be buried?

Of your real body, and any man's or woman's real body,

Item for item, it will elude the hands of the corpse-cleaners, and
pass to fitting spheres,

Carrying what has accrued to it from the moment of birth to the
moment of death.

Not the types set up by the printer return their impression, the
meaning, the main concern,

Any more than a man's substance and life, or a woman's substance and
life, return in the body and the Soul,

Indifferently before death and after death.

Behold! the body includes and is the meaning, the main concern--and
includes and is the Soul; 200

Whoever you are! how superb and how divine is your body, or any part
of it.

Whoever you are! to you endless announcements.

Daughter of the lands, did you wait for your poet?
Did you wait for one with a flowing mouth and indicative hand?


Toward the male of The States, and toward the female of The States,
Live words--words to the lands.

O the lands! interlink'd, food-yielding lands!

Land of coal and iron! Land of gold! Lands of cotton, sugar, rice!

Land of wheat, beef, pork! Land of wool and hemp! Land of the apple
and grape!

Land of the pastoral plains, the grass-fields of the world! Land of
those sweet-air'd interminable plateaus! 210

Land of the herd, the garden, the healthy house of adobie!

Lands where the northwest Columbia winds, and where the southwest
Colorado winds!

Land of the eastern Chesapeake! Land of the Delaware!

Land of Ontario, Erie, Huron, Michigan!

Land of the Old Thirteen! Massachusetts land! Land of Vermont and
Connecticut!

Land of the ocean shores! Land of sierras and peaks!

Land of boatmen and sailors! Fishermen's land!

Inextricable lands! the clutch'd together! the passionate ones!

The side by side! the elder and younger brothers! the bony-limb'd!

The great women's land! the feminine! the experienced sisters and the
inexperienced sisters! 220


Far breath'd land! Arctic braced! Mexican breez'd! the diverse! the
compact!

The Pennsylvanian! the Virginian! the double Carolinian!

O all and each well-loved by me! my intrepid nations! O I at any rate
include you all with perfect love!

I cannot be discharged from you! not from one, any sooner than
another!

O Death! O for all that, I am yet of you, unseen, this hour, with
irrepressible love,

Walking New England, a friend, a traveler,

Splashing my bare feet in the edge of the summer ripples, on
Paumanok's sands,

Crossing the prairies--dwelling again in Chicago--dwelling in every
town,

Observing shows, births, improvements, structures, arts,

Listening to the orators and the oratresses in public halls, 230

Of and through The States, as during life--each man and woman my
neighbor,

The Louisianian, the Georgian, as near to me, and I as near to him
and her,

The Mississippian and Arkansian yet with me--and I yet with any of
them;

Yet upon the plains west of the spinal river--yet in my house of
adobie,

Yet returning eastward--yet in the Sea-Side State, or in Maryland,

Yet Kanadian, cheerily braving the winter--the snow and ice welcome
to me,

Yet a true son either of Maine, or of the Granite State, or of the
Narragansett Bay State, or of the Empire State;

Yet sailing to other shores to annex the same--yet welcoming every
new brother;

Hereby applying these leaves to the new ones, from the hour they
unite with the old ones;

Coming among the new ones myself, to be their companion and equal-coming
personally to you now; 240

Enjoining you to acts, characters, spectacles, with me.

With me, with firm holding--yet haste, haste on.

For your life, adhere to me!

Of all the men of the earth, I only can unloose you and toughen you;

I may have to be persuaded many times before I consent to give myself
really to you--but what of that?

Must not Nature be persuaded many times?

No dainty dolce affettuoso I;
Bearded, sun-burnt, gray-neck'd, forbidding, I have arrived,
To be wrestled with as I pass, for the solid prizes of the universe;
For such I afford whoever can persevere to win them. 250



On my way a moment I pause;

Here for you! and here for America!

Still the Present I raise aloft--Still the Future of The States I
harbinge, glad and sublime;

And for the Past, I pronounce what the air holds of the red
aborigines.

The red aborigines!

Leaving natural breaths, sounds of rain and winds, calls as of birds
and animals in the woods, syllabled to us for names;

Okonee, Koosa, Ottawa, Monongahela, Sauk, Natchez, Chattahoochee,
Kaqueta, Oronoco,

Wabash, Miami, Saginaw, Chippewa, Oshkosh, Walla-Walla;

Leaving such to The States, they melt, they depart, charging the
water and the land with names.

O expanding and swift! O henceforth, 260

Elements, breeds, adjustments, turbulent, quick, and audacious;

A world primal again--Vistas of glory, incessant and branching;

A new race, dominating previous ones, and grander far--with new
contests,

New politics, new literatures and religions, new inventions and arts.

These! my voice announcing--I will sleep no more, but arise;

You oceans that have been calm within me! how I feel you, fathomless,
stirring, preparing unprecedented waves and storms.

See! steamers steaming through my poems!

See, in my poems immigrants continually coming and landing;

See, in arriere, the wigwam, the trail, the hunter's hut, the
flatboat, the maize-leaf, the claim, the rude fence, and the
backwoods village;

See, on the one side the Western Sea, and on the other the Eastern
Sea, how they advance and retreat upon my poems, as upon their
own shores. 270

See, pastures and forests in my poems--See, animals, wild and tame-See,
beyond the Kanzas, countless herds of buffalo, feeding on
short curly grass;

See, in my poems, cities, solid, vast, inland, with paved streets,
with iron and stone edifices, ceaseless vehicles, and commerce;

See, the many-cylinder'd steam printing-press--See, the electric
telegraph, stretching across the Continent, from the Western
Sea to Manhattan;

See, through Atlantica's depths, pulses American, Europe reaching-pulses
of Europe, duly return'd;

See, the strong and quick locomotive, as it departs, panting, blowing
the steam-whistle;

See, ploughmen, ploughing farms--See, miners, digging mines--See, the
numberless factories;


See, mechanics, busy at their benches, with tools--See from among
them, superior judges, philosophs, Presidents, emerge, drest in
working dresses;

See, lounging through the shops and fields of The States, me, wellbelov'd,
close-held by day and night;
Hear the loud echoes of my songs there! Read the hints come at last.

O Camerado close! 280
O you and me at last--and us two only.


O a word to clear one's path ahead endlessly!
O something extatic and undemonstrable! O music wild!


O now I triumph--and you shall also;
O hand in hand--O wholesome pleasure--O one more desirer and lover!
O to haste, firm holding--to haste, haste on with me.

Spirit Whose Work Is Done

SPIRIT whose work is done! spirit of dreadful hours!
Ere, departing, fade from my eyes your forests of bayonets;
Spirit of gloomiest fears and doubts, (yet onward ever unfaltering


pressing;)
Spirit of many a solemn day, and many a savage scene! Electric
spirit!
That with muttering voice, through the war now closed, like a
tireless phantom flitted,
Rousing the land with breath of flame, while you beat and beat the
drum;
--Now, as the sound of the drum, hollow and harsh to the last,

reverberates round me;
As your ranks, your immortal ranks, return, return from the battles;
While the muskets of the young men yet lean over their shoulders; 10
While I look on the bayonets bristling over their shoulders;
While those slanted bayonets, whole forests of them, appearing in the

distance, approach and pass on, returning homeward,
Moving with steady motion, swaying to and fro, to the right and left,
Evenly, lightly rising and falling, as the steps keep time;
--Spirit of hours I knew, all hectic red one day, but pale as death

next day;
Touch my mouth, ere you depart--press my lips close!
Leave me your pulses of rage! bequeath them to me! fill me with


currents convulsive!
Let them scorch and blister out of my chants, when you are gone;
Let them identify you to the future, in these songs.

Song Of The Redwood-Tree

A CALIFORNIA song!
A prophecy and indirection--a thought impalpable, to breathe, as air;
A chorus of dryads, fading, departing--or hamadryads departing;
A murmuring, fateful, giant voice, out of the earth and sky,
Voice of a mighty dying tree in the Redwood forest dense.


Farewell, my brethren,
Farewell, O earth and sky--farewell, ye neighboring waters;
My time has ended, my term has come.


Along the northern coast,
Just back from the rock-bound shore, and the caves, 10
In the saline air from the sea, in the Mendocino country,
With the surge for bass and accompaniment low and hoarse,
With crackling blows of axes, sounding musically, driven by strong


arms,
Riven deep by the sharp tongues of the axes--there in the Redwood
forest dense,
I heard the mighty tree its death-chant chanting.

The choppers heard not--the camp shanties echoed not;
The quick-ear'd teamsters, and chain and jack-screw men, heard not,
As the wood-spirits came from their haunts of a thousand years, to


join the refrain;
But in my soul I plainly heard.


Murmuring out of its myriad leaves, 20
Down from its lofty top, rising two hundred feet high,
Out of its stalwart trunk and limbs--out of its foot-thick bark,
That chant of the seasons and time--chant, not of the past only, but


the future.

You untold life of me,
And all you venerable and innocent joys,
Perennial, hardy life of me, with joys, 'mid rain, and many a summer


sun,
And the white snows, and night, and the wild winds;
O the great patient, rugged joys! my soul's strong joys, unreck'd by

man;
(For know I bear the soul befitting me--I too have consciousness,

identity,
And all the rocks and mountains have--and all the earth;) 30
Joys of the life befitting me and brothers mine,
Our time, our term has come.

Nor yield we mournfully, majestic brothers,
We who have grandly fill'd our time;
With Nature's calm content, and tacit, huge delight,
We welcome what we wrought for through the past,



And leave the field for them.

For them predicted long,

For a superber Race--they too to grandly fill their time,

For them we abdicate--in them ourselves, ye forest kings! 40

In them these skies and airs--these mountain peaks--Shasta--Nevadas,

These huge, precipitous cliffs--this amplitude--these valleys grand-Yosemite,


To be in them absorb'd, assimilated.

Then to a loftier strain,
Still prouder, more ecstatic, rose the chant,
As if the heirs, the Deities of the West,
Joining, with master-tongue, bore part.


Not wan from Asia's fetishes,

Nor red from Europe's old dynastic slaughter-house,

(Area of murder-plots of thrones, with scent left yet of wars and
scaffolds every where,) 50

But come from Nature's long and harmless throes--peacefully builded
thence,

These virgin lands--Lands of the Western Shore,

To the new Culminating Man--to you, the Empire New,

You, promis'd long, we pledge, we dedicate.

You occult, deep volitions,

You average Spiritual Manhood, purpose of all, pois'd on yourself-giving,
not taking law,

You Womanhood divine, mistress and source of all, whence life and
love, and aught that comes from life and love,

You unseen Moral Essence of all the vast materials of America, (age
upon age, working in Death the same as Life,)

You that, sometimes known, oftener unknown, really shape and mould
the New World, adjusting it to Time and Space,

You hidden National Will, lying in your abysms, conceal'd, but ever
alert, 60

You past and present purposes, tenaciously pursued, may-be
unconscious of yourselves,

Unswerv'd by all the passing errors, perturbations of the surface;

You vital, universal, deathless germs, beneath all creeds, arts,
statutes, literatures,

Here build your homes for good--establish here--These areas entire,
Lands of the Western Shore,

We pledge, we dedicate to you.

For man of you--your characteristic Race,

Here may be hardy, sweet, gigantic grow--here tower, proportionate to
Nature,

Here climb the vast, pure spaces, unconfined, uncheck'd by wall or
roof,

Here laugh with storm or sun--here joy--here patiently inure,


Here heed himself, unfold himself (not others' formulas heed)--here

fill his time, 70
To duly fall, to aid, unreck'd at last,
To disappear, to serve.

Thus, on the northern coast,
In the echo of teamsters' calls, and the clinking chains, and the
music of choppers' axes,
The falling trunk and limbs, the crash, the muffled shriek, the
groan,
Such words combined from the Redwood-tree--as of wood-spirits' voices

ecstatic, ancient and rustling,
The century-lasting, unseen dryads, singing, withdrawing,
All their recesses of forests and mountains leaving,
From the Cascade range to the Wasatch--or Idaho far, or Utah,
To the deities of the Modern henceforth yielding, 80
The chorus and indications, the vistas of coming humanity--the

settlements, features all,
In the Mendocino woods I caught.

The flashing and golden pageant of California!
The sudden and gorgeous drama--the sunny and ample lands;
The long and varied stretch from Puget Sound to Colorado south;
Lands bathed in sweeter, rarer, healthier air--valleys and mountain


cliffs;
The fields of Nature long prepared and fallow--the silent, cyclic
chemistry;
The slow and steady ages plodding--the unoccupied surface ripening-


the rich ores forming beneath;
At last the New arriving, assuming, taking possession,
A swarming and busy race settling and organizing every where;
Ships coming in from the whole round world, and going out to the

whole world, 90
To India and China and Australia, and the thousand island paradises
of the Pacific;
Populous cities--the latest inventions--the steamers on the rivers-the
railroads--with many a thrifty farm, with machinery,
And wool, and wheat, and the grape--and diggings of yellow gold.

But more in you than these, Lands of the Western Shore!
(These but the means, the implements, the standing-ground,)
I see in you, certain to come, the promise of thousands of years,


till now deferr'd,
Promis'd, to be fulfill'd, our common kind, the Race.

The New Society at last, proportionate to Nature,
In Man of you, more than your mountain peaks, or stalwart trees
imperial, 100
In Woman more, far more, than all your gold, or vines, or even vital
air.


Fresh come, to a New World indeed, yet long prepared,

I see the Genius of the Modern, child of the Real and Ideal,

Clearing the ground for broad humanity, the true America, heir of the

past so grand,

To build a grander future.

Song Of The Exposition

AFTER all, not to create only, or found only,
But to bring, perhaps from afar, what is already founded,
To give it our own identity, average, limitless, free;
To fill the gross, the torpid bulk with vital religious fire;
Not to repel or destroy, so much as accept, fuse, rehabilitate;
To obey, as well as command--to follow, more than to lead;
These also are the lessons of our New World;
--While how little the New, after all--how much the Old, Old World!


Long, long, long, has the grass been growing,
Long and long has the rain been falling, 10
Long has the globe been rolling round.


Come, Muse, migrate from Greece and Ionia;
Cross out, please, those immensely overpaid accounts,
That matter of Troy, and Achilles' wrath, and Eneas', Odysseus'


wanderings;
Placard "Removed" and "To Let" on the rocks of your snowy Parnassus;
Repeat at Jerusalem--place the notice high on Jaffa's gate, and on

Mount Moriah;
The same on the walls of your Gothic European Cathedrals, and German,
French and Spanish Castles;
For know a better, fresher, busier sphere--a wide, untried domain
awaits, demands you.

Responsive to our summons,
Or rather to her long-nurs'd inclination, 20
Join'd with an irresistible, natural gravitation,


She comes! this famous Female--as was indeed to be expected;
(For who, so-ever youthful, 'cute and handsome, would wish to stay in


mansions such as those,
When offer'd quarters with all the modern improvements,
With all the fun that 's going--and all the best society?)


She comes! I hear the rustling of her gown;
I scent the odor of her breath's delicious fragrance;
I mark her step divine--her curious eyes a-turning, rolling,
Upon this very scene.


The Dame of Dames! can I believe, then, 30
Those ancient temples classic, and castles strong and feudalistic,
could none of them restrain her?
Nor shades of Virgil and Dante--nor myriad memories, poems, old


associations, magnetize and hold on to her?
But that she 's left them all--and here?


Yes, if you will allow me to say so,
I, my friends, if you do not, can plainly see Her,



The same Undying Soul of Earth's, activity's, beauty's, heroism's
Expression,
Out from her evolutions hither come--submerged the strata of her

former themes,
Hidden and cover'd by to-day's--foundation of to-day's;
Ended, deceas'd, through time, her voice by Castaly's fountain;
Silent through time the broken-lipp'd Sphynx in Egypt--silent those

century-baffling tombs; 40
Closed for aye the epics of Asia's, Europe's helmeted warriors;
Calliope's call for ever closed--Clio, Melpomene, Thalia closed and

dead;
Seal'd the stately rhythmus of Una and Oriana--ended the quest of the

Holy Graal;
Jerusalem a handful of ashes blown by the wind--extinct;
The Crusaders' streams of shadowy, midnight troops, sped with the

sunrise;
Amadis, Tancred, utterly gone--Charlemagne, Roland, Oliver gone,
Palmerin, ogre, departed--vanish'd the turrets that Usk reflected,
Arthur vanish'd with all his knights--Merlin and Lancelot and

Galahad--all gone--dissolv'd utterly, like an exhalation;
Pass'd! pass'd! for us, for ever pass'd! that once so mighty World-now
void, inanimate, phantom World!

Embroider'd, dazzling World! with all its gorgeous legends, myths, 50
Its kings and barons proud--its priests, and warlike lords, and
courtly dames;
Pass'd to its charnel vault--laid on the shelf--coffin'd, with Crown

and Armor on,
Blazon'd with Shakspeare's purple page,
And dirged by Tennyson's sweet sad rhyme.

I say I see, my friends, if you do not, the Animus of all that World,
Escaped, bequeath'd, vital, fugacious as ever, leaving those dead
remains, and now this spot approaching, filling;
--And I can hear what maybe you do not--a terrible aesthetical

commotion,
With howling, desperate gulp of "flower" and "bower,"
With "Sonnet to Matilda's Eyebrow" quite, quite frantic;
With gushing, sentimental reading circles turn'd to ice or stone; 60
With many a squeak, (in metre choice,) from Boston, New York,

Philadelphia, London;
As she, the illustrious Emigré, (having, it is true, in her day,
although the same, changed, journey'd considerable,)
Making directly for this rendezvous--vigorously clearing a path for

herself--striding through the confusion,
By thud of machinery and shrill steam-whistle undismay'd,
Bluff'd not a bit by drain-pipe, gasometers, artificial fertilizers,
Smiling and pleased, with palpable intent to stay,
She 's here, install'd amid the kitchen ware!

But hold--don't I forget my manners?


To introduce the Stranger (what else indeed have I come for?) to

thee, Columbia:
In Liberty's name, welcome, Immortal! clasp hands, 70
And ever henceforth Sisters dear be both.

Fear not, O Muse! truly new ways and days receive, surround you,
(I candidly confess, a queer, queer race, of novel fashion,)
And yet the same old human race--the same within, without,
Faces and hearts the same--feelings the same--yearnings the same,
The same old love--beauty and use the same.


We do not blame thee, Elder World--nor separate ourselves from thee:
(Would the Son separate himself from the Father?)
Looking back on thee--seeing thee to thy duties, grandeurs, through


past ages bending, building,
We build to ours to-day. 80

Mightier than Egypt's tombs,
Fairer than Grecia's, Roma's temples,
Prouder than Milan's statued, spired Cathedral,
More picturesque than Rhenish castle-keeps,
We plan, even now, to raise, beyond them all,
Thy great Cathedral, sacred Industry--no tomb,
A Keep for life for practical Invention.


As in a waking vision,
E'en while I chant, I see it rise--I scan and prophesy outside and
in,
Its manifold ensemble. 90

Around a Palace,
Loftier, fairer, ampler than any yet,
Earth's modern Wonder, History's Seven outstripping,
High rising tier on tier, with glass and iron façades.


Gladdening the sun and sky--enhued in cheerfulest hues,
Bronze, lilac, robin's-egg, marine and crimson,
Over whose golden roof shall flaunt, beneath thy banner, Freedom,
The banners of The States, the flags of every land,
A brood of lofty, fair, but lesser Palaces shall cluster.


Somewhere within the walls of all, 100
Shall all that forwards perfect human life be started,
Tried, taught, advanced, visibly exhibited.


Here shall you trace in flowing operation,
In every state of practical, busy movement,
The rills of Civilization.


Materials here, under your eye, shall change their shape, as if by



magic;
The cotton shall be pick'd almost in the very field,
Shall be dried, clean'd, ginn'd, baled, spun into thread and cloth,

before you:
You shall see hands at work at all the old processes, and all the new
ones;
You shall see the various grains, and how flour is made, and then
bread baked by the bakers; 110
You shall see the crude ores of California and Nevada passing on and
on till they become bullion;
You shall watch how the printer sets type, and learn what a composing
stick is;
You shall mark, in amazement, the Hoe press whirling its cylinders,
shedding the printed leaves steady and fast:
The photograph, model, watch, pin, nail, shall be created before you.

In large calm halls, a stately Museum shall teach you the infinite,
solemn lessons of Minerals;
In another, woods, plants, Vegetation shall be illustrated--in
another Animals, animal life and development.

One stately house shall be the Music House;
Others for other Arts--Learning, the Sciences, shall all be here;
None shall be slighted--none but shall here be honor'd, help'd,


exampled.

This, this and these, America, shall be your Pyramids and

Obelisks, 120
Your Alexandrian Pharos, gardens of Babylon,
Your temple at Olympia.

The male and female many laboring not,
Shall ever here confront the laboring many,
With precious benefits to both--glory to all,
To thee, America--and thee, Eternal Muse.


And here shall ye inhabit, Powerful Matrons!
In your vast state, vaster than all the old;
Echoed through long, long centuries to come,
To sound of different, prouder songs, with stronger themes, 130
Practical, peaceful life--the people's life--the People themselves,
Lifted, illumin'd, bathed in peace--elate, secure in peace.


Away with themes of war! away with War itself!
Hence from my shuddering sight, to never more return, that show of
blacken'd, mutilated corpses!
That hell unpent, and raid of blood--fit for wild tigers, or for lop


tongued wolves--not reasoning men!
And in its stead speed Industry's campaigns!
With thy undaunted armies, Engineering!


Thy pennants, Labor, loosen'd to the breeze!
Thy bugles sounding loud and clear!

Away with old romance! 140

Away with novels, plots, and plays of foreign courts!

Away with love-verses, sugar'd in rhyme--the intrigues, amours of
idlers,

Fitted for only banquets of the night, where dancers to late music
slide;

The unhealthy pleasures, extravagant dissipations of the few,

With perfumes, heat and wine, beneath the dazzling chandeliers.

To you, ye Reverent, sane Sisters,

To this resplendent day, the present scene,

These eyes and ears that like some broad parterre bloom up around,
before me,

I raise a voice for far superber themes for poets and for Art,

To exalt the present and the real, 150

To teach the average man the glory of his daily walk and trade,

To sing, in songs, how exercise and chemical life are never to be
baffled;

Boldly to thee, America, to-day! and thee, Immortal Muse!

To practical, manual work, for each and all--to plough, hoe, dig,

To plant and tend the tree, the berry, the vegetables, flowers,

For every man to see to it that he really do something--for every
woman too;

To use the hammer, and the saw, (rip or cross-cut,)

To cultivate a turn for carpentering, plastering, painting,

To work as tailor, tailoress, nurse, hostler, porter,

To invent a little--something ingenious--to aid the washing, cooking,
cleaning, 160

And hold it no disgrace to take a hand at them themselves.

I say I bring thee, Muse, to-day and here,

All occupations, duties broad and close,

Toil, healthy toil and sweat, endless, without cessation,

The old, old general burdens, interests, joys,

The family, parentage, childhood, husband and wife,

The house-comforts--the house itself, and all its belongings,

Food and its preservations--chemistry applied to it;

Whatever forms the average, strong, complete, sweet-blooded Man or
Woman--the perfect, longeve Personality,

And helps its present life to health and happiness--and shapes its
Soul, 170

For the eternal Real Life to come.


With latest materials, works,
Steam-power, the great Express lines, gas, petroleum,
These triumphs of our time, the Atlantic's delicate cable,
The Pacific Railroad, the Suez canal, the Mont Cenis tunnel;
Science advanced, in grandeur and reality, analyzing every thing,



This world all spann'd with iron rails--with lines of steamships
threading every sea,
Our own Rondure, the current globe I bring.


And thou, high-towering One--America!
Thy swarm of offspring towering high--yet higher thee, above all


towering, 180
With Victory on thy left, and at thy right hand Law;
Thou Union, holding all--fusing, absorbing, tolerating all,
Thee, ever thee, I bring.

Thou--also thou, a world!
With all thy wide geographies, manifold, different, distant,
Rounding by thee in One--one common orbic language,
One common indivisible destiny and Union.


And by the spells which ye vouchsafe,
To those, your ministers in earnest,
I here personify and call my themes, 190
To make them pass before ye.


Behold, America! (And thou, ineffable Guest and Sister!)
For thee come trooping up thy waters and thy lands:
Behold! thy fields and farms, thy far-off woods and mountains,
As in procession coming.


Behold! the sea itself!
And on its limitless, heaving breast, thy ships:
See! where their white sails, bellying in the wind, speckle the green


and blue!
See! thy steamers coming and going, steaming in or out of port!
See! dusky and undulating, their long pennants of smoke! 200

Behold, in Oregon, far in the north and west,
Or in Maine, far in the north and east, thy cheerful axemen,
Wielding all day their axes!


Behold, on the lakes, thy pilots at their wheels--thy oarsmen!
Behold how the ash writhes under those muscular arms!


There by the furnace, and there by the anvil,
Behold thy sturdy blacksmiths, swinging their sledges;
Overhand so steady--overhand they turn and fall, with joyous clank,
Like a tumult of laughter.


Behold! (for still the procession moves,) 210
Behold, Mother of All, thy countless sailors, boatmen, coasters!
The myriads of thy young and old mechanics!
Mark--mark the spirit of invention everywhere--thy rapid patents,
Thy continual workshops, foundries, risen or rising;



See, from their chimneys, how the tall flame-fires stream!

Mark, thy interminable farms, North, South,

Thy wealthy Daughter-States, Eastern, and Western,

The varied products of Ohio, Pennsylvania, Missouri, Georgia, Texas,
and the rest;

Thy limitless crops--grass, wheat, sugar, corn, rice, hemp, hops,

Thy barns all fill'd--thy endless freight-trains, and thy bulging
store-houses, 220

The grapes that ripen on thy vines--the apples in thy orchards,

Thy incalculable lumber, beef, pork, potatoes--thy coal--thy gold and
silver,

The inexhaustible iron in thy mines.

All thine, O sacred Union!
Ship, farm, shop, barns, factories, mines,
City and State--North, South, item and aggregate,
We dedicate, dread Mother, all to thee!


Protectress absolute, thou! Bulwark of all!

For well we know that while thou givest each and all, (generous as
God,)

Without thee, neither all nor each, nor land, home, 230

Ship, nor mine--nor any here, this day, secure,

Nor aught, nor any day secure.

And thou, thy Emblem, waving over all!

Delicate beauty! a word to thee, (it may be salutary;)

Remember, thou hast not always been, as here to-day, so comfortably
ensovereign'd;

In other scenes than these have I observ'd thee, flag;

Not quite so trim and whole, and freshly blooming, in folds of
stainless silk;

But I have seen thee, bunting, to tatters torn, upon thy splinter'd
staff,

Or clutch'd to some young color-bearer's breast, with desperate
hands,

Savagely struggled for, for life or death--fought over long, 240

'Mid cannon's thunder-crash, and many a curse, and groan and yell-and
rifle-volleys cracking sharp,

And moving masses, as wild demons surging--and lives as nothing
risk'd,

For thy mere remnant, grimed with dirt and smoke, and sopp'd in
blood;

For sake of that, my beauty--and that thou might'st dally, as now,
secure up there,

Many a good man have I seen go under.

Now here, and these, and hence, in peace all thine, O Flag!


And here, and hence, for thee, O universal Muse! and thou for them!
And here and hence, O Union, all the work and workmen thine!
The poets, women, sailors, soldiers, farmers, miners, students thine!
None separate from Thee--henceforth one only, we and Thou; 250
(For the blood of the children--what is it only the blood Maternal?
And lives and works--what are they all at last except the roads to


Faith and Death?)

While we rehearse our measureless wealth, it is for thee, dear

Mother!
We own it all and several to-day indissoluble in Thee;
--Think not our chant, our show, merely for products gross, or


lucre--it is for Thee, the Soul, electric, spiritual!
Our farms, inventions, crops, we own in Thee! Cities and States in
Thee!
Our freedom all in Thee! our very lives in Thee!

Song At Sunset

SPLENDOR of ended day, floating and filling me!
Hour prophetic--hour resuming the past!
Inflating my throat--you, divine average!
You, Earth and Life, till the last ray gleams, I sing.


Open mouth of my Soul, uttering gladness,
Eyes of my Soul, seeing perfection,
Natural life of me, faithfully praising things;
Corroborating forever the triumph of things.


Illustrious every one!
Illustrious what we name space--sphere of unnumber'd spirits; 10
Illustrious the mystery of motion, in all beings, even the tiniest

insect;
Illustrious the attribute of speech--the senses--the body;
Illustrious the passing light! Illustrious the pale reflection on the


new moon in the western sky!
Illustrious whatever I see, or hear, or touch, to the last.


Good in all,
In the satisfaction and aplomb of animals,
In the annual return of the seasons,
In the hilarity of youth,
In the strength and flush of manhood,
In the grandeur and exquisiteness of old age, 20
In the superb vistas of Death.


Wonderful to depart;
Wonderful to be here!
The heart, to jet the all-alike and innocent blood!
To breathe the air, how delicious!
To speak! to walk! to seize something by the hand!
To prepare for sleep, for bed--to look on my rose-color'd flesh;
To be conscious of my body, so satisfied, so large;
To be this incredible God I am;
To have gone forth among other Gods--these men and women I love. 30


Wonderful how I celebrate you and myself!
How my thoughts play subtly at the spectacles around!
How the clouds pass silently overhead!
How the earth darts on and on! and how the sun, moon, stars, dart on


and on!
How the water sports and sings! (Surely it is alive!)
How the trees rise and stand up--with strong trunks--with branches


and leaves!
(Surely there is something more in each of the tree--some living
Soul.)


O amazement of things! even the least particle!
O spirituality of things!
O strain musical, flowing through ages and continents--now reaching



me and America! 40
I take your strong chords--I intersperse them, and cheerfully pass
them forward.

I too carol the sun, usher'd, or at noon, or, as now, setting,
I too throb to the brain and beauty of the earth, and of all the
growths of the earth,
I too have felt the resistless call of myself.


As I sail'd down the Mississippi,
As I wander'd over the prairies,
As I have lived--As I have look'd through my windows, my eyes,
As I went forth in the morning--As I beheld the light breaking in the


east;
As I bathed on the beach of the Eastern Sea, and again on the beach
of the Western Sea;
As I roam'd the streets of inland Chicago--whatever streets I have

roam'd; 50
Or cities, or silent woods, or peace, or even amid the sights of war;
Wherever I have been, I have charged myself with contentment and

triumph.

I sing the Equalities, modern or old,
I sing the endless finales of things;
I say Nature continues--Glory continues;
I praise with electric voice;
For I do not see one imperfection in the universe;
And I do not see one cause or result lamentable at last in the


universe.

O setting sun! though the time has come,
I still warble under you, if none else does, unmitigated
adoration. 60

Song At Sunset

SPLENDOR of ended day, floating and filling me!
Hour prophetic--hour resuming the past!
Inflating my throat--you, divine average!
You, Earth and Life, till the last ray gleams, I sing.


Open mouth of my Soul, uttering gladness,
Eyes of my Soul, seeing perfection,
Natural life of me, faithfully praising things;
Corroborating forever the triumph of things.


Illustrious every one!
Illustrious what we name space--sphere of unnumber'd spirits; 10
Illustrious the mystery of motion, in all beings, even the tiniest

insect;
Illustrious the attribute of speech--the senses--the body;
Illustrious the passing light! Illustrious the pale reflection on the


new moon in the western sky!
Illustrious whatever I see, or hear, or touch, to the last.


Good in all,
In the satisfaction and aplomb of animals,
In the annual return of the seasons,
In the hilarity of youth,
In the strength and flush of manhood,
In the grandeur and exquisiteness of old age, 20
In the superb vistas of Death.


Wonderful to depart;
Wonderful to be here!
The heart, to jet the all-alike and innocent blood!
To breathe the air, how delicious!
To speak! to walk! to seize something by the hand!
To prepare for sleep, for bed--to look on my rose-color'd flesh;
To be conscious of my body, so satisfied, so large;
To be this incredible God I am;
To have gone forth among other Gods--these men and women I love. 30


Wonderful how I celebrate you and myself!
How my thoughts play subtly at the spectacles around!
How the clouds pass silently overhead!
How the earth darts on and on! and how the sun, moon, stars, dart on


and on!
How the water sports and sings! (Surely it is alive!)
How the trees rise and stand up--with strong trunks--with branches


and leaves!
(Surely there is something more in each of the tree--some living
Soul.)


O amazement of things! even the least particle!
O spirituality of things!
O strain musical, flowing through ages and continents--now reaching



me and America! 40
I take your strong chords--I intersperse them, and cheerfully pass
them forward.

I too carol the sun, usher'd, or at noon, or, as now, setting,
I too throb to the brain and beauty of the earth, and of all the
growths of the earth,
I too have felt the resistless call of myself.


As I sail'd down the Mississippi,
As I wander'd over the prairies,
As I have lived--As I have look'd through my windows, my eyes,
As I went forth in the morning--As I beheld the light breaking in the


east;
As I bathed on the beach of the Eastern Sea, and again on the beach
of the Western Sea;
As I roam'd the streets of inland Chicago--whatever streets I have

roam'd; 50
Or cities, or silent woods, or peace, or even amid the sights of war;
Wherever I have been, I have charged myself with contentment and

triumph.

I sing the Equalities, modern or old,
I sing the endless finales of things;
I say Nature continues--Glory continues;
I praise with electric voice;
For I do not see one imperfection in the universe;
And I do not see one cause or result lamentable at last in the


universe.

O setting sun! though the time has come,
I still warble under you, if none else does, unmitigated
adoration. 60

Song of Myself, I, II, VI & LII

I Celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.


I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.


My tongue, every atom of my blood, form'd from this soil,
this air,

Born here of parents born here from parents the same, and
their parents the same,

I, now thirty-seven years old in perfect health begin,

Hoping to cease not till death.

Creeds and schools in abeyance,

Retiring back a while sufficed at what they are, but never
forgotten,

I harbor for good or bad, I permit to speak at every hazard,

Nature without check with original energy.

So Far And So Far, And On Toward The End

SO far, and so far, and on toward the end,
Singing what is sung in this book, from the irresistible impulses of

me;
But whether I continue beyond this book, to maturity,
Whether I shall dart forth the true rays, the ones that wait unfired,
(Did you think the sun was shining its brightest?
No--it has not yet fully risen;)
Whether I shall complete what is here started,
Whether I shall attain my own height, to justify these, yet


unfinished,
Whether I shall make THE POEM OF THE NEW WORLD, transcending all
others--depends, rich persons, upon you,
Depends, whoever you are now filling the current Presidentiad, upon

you, 10
Upon you, Governor, Mayor, Congressman,
And you, contemporary America.


Whitman, Walt. 1900. Leaves of Grass.

Solid, Ironical, Rolling Orb

SOLID, ironical, rolling orb!
Master of all, and matter of fact!--at last I accept your terms;
Bringing to practical, vulgar tests, of all my ideal dreams,
And of me, as lover and hero.

Solid, Ironical, Rolling Orb

SOLID, ironical, rolling orb!
Master of all, and matter of fact!--at last I accept your terms;
Bringing to practical, vulgar tests, of all my ideal dreams,
And of me, as lover and hero.

Scented Herbage Of My Breast

SCENTED herbage of my breast,
Leaves from you I yield, I write, to be perused best afterwards,
Tomb-leaves, body-leaves, growing up above me, above death,
Perennial roots, tall leaves--O the winter shall not freeze you,


delicate leaves,
Every year shall you bloom again--out from where you retired, you
shall emerge again;
O I do not know whether many, passing by, will discover you, or
inhale your faint odor--but I believe a few will;
O slender leaves! O blossoms of my blood! I permit you to tell, in


your own way, of the heart that is under you;
O burning and throbbing--surely all will one day be accomplish'd;
O I do not know what you mean, there underneath yourselves--you are

not happiness,
You are often more bitter than I can bear--you burn and sting me, 10
Yet you are very beautiful to me, you faint-tinged roots--you make me

think of Death,
Death is beautiful from you--(what indeed is finally beautiful,
except Death and Love?)
--O I think it is not for life I am chanting here my chant of
lovers--I think it must be for Death,
For how calm, how solemn it grows, to ascend to the atmosphere of

lovers,
Death or life I am then indifferent--my Soul declines to prefer,
I am not sure but the high Soul of lovers welcomes death most;
Indeed, O Death, I think now these leaves mean precisely the same as

you mean;
Grow up taller, sweet leaves, that I may see! grow up out of my


breast!
Spring away from the conceal'd heart there!
Do not fold yourself so in your pink-tinged roots, timid leaves! 20
Do not remain down there so ashamed, herbage of my breast!
Come, I am determin'd to unbare this broad breast of mine--I have


long enough stifled and choked:
--Emblematic and capricious blade, I leave you--now you serve me not;
Away! I will say what I have to say, by itself,
I will escape from the sham that was proposed to me,
I will sound myself and comrades only--I will never again utter a

call, only their call,
I will raise, with it, immortal reverberations through The States,
I will give an example to lovers, to take permanent shape and will


through The States;
Through me shall the words be said to make death exhilarating;
Give me your tone therefore, O Death, that I may accord with it, 30
Give me yourself--for I see that you belong to me now above all, and

are folded inseparably together--you Love and Death are;
Nor will I allow you to balk me any more with what I was calling


life,
For now it is convey'd to me that you are the purports essential,
That you hide in these shifting forms of life, for reasons--and that


they are mainly for you,


That you, beyond them, come forth, to remain, the real reality,
That behind the mask of materials you patiently wait, no matter how

long,
That you will one day, perhaps, take control of all,
That you will perhaps dissipate this entire show of appearance,
That may-be you are what it is all for--but it does not last so very

long;
But you will last very long. 40

Scented Herbage Of My Breast

SCENTED herbage of my breast,
Leaves from you I yield, I write, to be perused best afterwards,
Tomb-leaves, body-leaves, growing up above me, above death,
Perennial roots, tall leaves--O the winter shall not freeze you,


delicate leaves,
Every year shall you bloom again--out from where you retired, you
shall emerge again;
O I do not know whether many, passing by, will discover you, or
inhale your faint odor--but I believe a few will;
O slender leaves! O blossoms of my blood! I permit you to tell, in


your own way, of the heart that is under you;
O burning and throbbing--surely all will one day be accomplish'd;
O I do not know what you mean, there underneath yourselves--you are

not happiness,
You are often more bitter than I can bear--you burn and sting me, 10
Yet you are very beautiful to me, you faint-tinged roots--you make me

think of Death,
Death is beautiful from you--(what indeed is finally beautiful,
except Death and Love?)
--O I think it is not for life I am chanting here my chant of
lovers--I think it must be for Death,
For how calm, how solemn it grows, to ascend to the atmosphere of

lovers,
Death or life I am then indifferent--my Soul declines to prefer,
I am not sure but the high Soul of lovers welcomes death most;
Indeed, O Death, I think now these leaves mean precisely the same as

you mean;
Grow up taller, sweet leaves, that I may see! grow up out of my


breast!
Spring away from the conceal'd heart there!
Do not fold yourself so in your pink-tinged roots, timid leaves! 20
Do not remain down there so ashamed, herbage of my breast!
Come, I am determin'd to unbare this broad breast of mine--I have


long enough stifled and choked:
--Emblematic and capricious blade, I leave you--now you serve me not;
Away! I will say what I have to say, by itself,
I will escape from the sham that was proposed to me,
I will sound myself and comrades only--I will never again utter a

call, only their call,
I will raise, with it, immortal reverberations through The States,
I will give an example to lovers, to take permanent shape and will


through The States;
Through me shall the words be said to make death exhilarating;
Give me your tone therefore, O Death, that I may accord with it, 30
Give me yourself--for I see that you belong to me now above all, and

are folded inseparably together--you Love and Death are;
Nor will I allow you to balk me any more with what I was calling


life,
For now it is convey'd to me that you are the purports essential,
That you hide in these shifting forms of life, for reasons--and that


they are mainly for you,


That you, beyond them, come forth, to remain, the real reality,
That behind the mask of materials you patiently wait, no matter how

long,
That you will one day, perhaps, take control of all,
That you will perhaps dissipate this entire show of appearance,
That may-be you are what it is all for--but it does not last so very

long;
But you will last very long. 40