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Life and Existence

Walt Whitman

Walt Whitman

Rise, O Days

Rise, O Days

RISE, O days, from your fathomless deeps, till you loftier, fiercer
sweep!
Long for my soul, hungering gymnastic, I devour'd what the earth gave

me;
Long I roam'd the woods of the north--long I watch'd Niagara pouring;
I travel'd the prairies over, and slept on their breast--I cross'd

the Nevadas, I cross'd the plateaus;
I ascended the towering rocks along the Pacific, I sail'd out to sea;
I sail'd through the storm, I was refresh'd by the storm;
I watch'd with joy the threatening maws of the waves;
I mark'd the white combs where they career'd so high, curling over;
I heard the wind piping, I saw the black clouds;
Saw from below what arose and mounted, (O superb! O wild as my heart,

and powerful!) 10
Heard the continuous thunder, as it bellow'd after the lightning;
Noted the slender and jagged threads of lightning, as sudden and fast


amid the din they chased each other across the sky;
--These, and such as these, I, elate, saw--saw with wonder, yet


pensive and masterful;
All the menacing might of the globe uprisen around me;
Yet there with my soul I fed--I fed content, supercilious.


'Twas well, O soul! 'twas a good preparation you gave me!
Now we advance our latent and ampler hunger to fill;
Now we go forth to receive what the earth and the sea never gave us;
Not through the mighty woods we go, but through the mightier cities;
Something for us is pouring now, more than Niagara pouring; 20
Torrents of men, (sources and rills of the Northwest, are you indeed


inexhaustible?)
What, to pavements and homesteads here--what were those storms of the

mountains and sea?
What, to passions I witness around me to-day? Was the sea risen?
Was the wind piping the pipe of death under the black clouds?
Lo! from deeps more unfathomable, something more deadly and savage;
Manhattan, rising, advancing with menacing front--Cincinnati,

Chicago, unchain'd;
--What was that swell I saw on the ocean? behold what comes here!
How it climbs with daring feet and hands! how it dashes!
How the true thunder bellows after the lightning! how bright the


flashes of lightning!
How DEMOCRACY, with desperate vengeful port strides on, shown through

the dark by those flashes of lightning! 30
(Yet a mournful wail and low sob I fancied I heard through the dark,
In a lull of the deafening confusion.)


Thunder on! stride on, Democracy! strike with vengeful stroke!
And do you rise higher than ever yet, O days, O cities!
Crash heavier, heavier yet, O storms! you have done me good;
My soul, prepared in the mountains, absorbs your immortal strong



nutriment;
--Long had I walk'd my cities, my country roads, through farms, only
half-satisfied;
One doubt, nauseous, undulating like a snake, crawl'd on the ground
before me,
Continually preceding my steps, turning upon me oft, ironically
hissing low;
--The cities I loved so well, I abandon'd and left--I sped to the
certainties suitable to me; 40
Hungering, hungering, hungering, for primal energies, and Nature's

dauntlessness,
I refresh'd myself with it only, I could relish it only;
I waited the bursting forth of the pent fire--on the water and air I

waited long;
--But now I no longer wait--I am fully satisfied--I am glutted;
I have witness'd the true lightning--I have witness'd my cities


electric;
I have lived to behold man burst forth, and warlike America rise;
Hence I will seek no more the food of the northern solitary wilds,
No more on the mountains roam, or sail the stormy sea.
462
Walt Whitman

Walt Whitman

Proud Music Of The Storm

Proud Music Of The Storm

PROUD music of the storm!
Blast that careers so free, whistling across the prairies!
Strong hum of forest tree-tops! Wind of the mountains!
Personified dim shapes! you hidden orchestras!
You serenades of phantoms, with instruments alert,
Blending, with Nature's rhythmus, all the tongues of nations;
You chords left us by vast composers! you choruses!
You formless, free, religious dances! you from the Orient!
You undertone of rivers, roar of pouring cataracts;
You sounds from distant guns, with galloping cavalry! 10
Echoes of camps, with all the different bugle-calls!
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber--Why have you seiz'd me?


Come forward, O my Soul, and let the rest retire;
Listen--lose not--it is toward thee they tend;
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance, O Soul.


A festival song!
The duet of the bridegroom and the bride--a marriage-march,
With lips of love, and hearts of lovers, fill'd to the brim with


love; 20
The red-flush'd cheeks, and perfumes--the cortege swarming, full of
friendly faces, young and old,
To flutes' clear notes, and sounding harps' cantabile.

Now loud approaching drums!
Victoria! see'st thou in powder-smoke the banners torn but flying?
the rout of the baffled?
Hearest those shouts of a conquering army?

(Ah, Soul, the sobs of women--the wounded groaning in agony,
The hiss and crackle of flames--the blacken'd ruins--the embers of
cities,
The dirge and desolation of mankind.)

Now airs antique and medieval fill me!
I see and hear old harpers with their harps, at Welsh festivals: 30
I hear the minnesingers, singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the feudal ages.


Now the great organ sounds,
Tremulous--while underneath, (as the hid footholds of the earth,
On which arising, rest, and leaping forth, depend,
All shapes of beauty, grace and strength--all hues we know,
Green blades of grass, and warbling birds--children that gambol and



play--the clouds of heaven above,)
The strong base stands, and its pulsations intermits not,
Bathing, supporting, merging all the rest--maternity of all the rest;
And with it every instrument in multitudes, 40
The players playing--all the world's musicians,
The solemn hymns and masses, rousing adoration,
All passionate heart-chants, sorrowful appeals,
The measureless sweet vocalists of ages,
And for their solvent setting, Earth's own diapason,
Of winds and woods and mighty ocean waves;
A new composite orchestra--binder of years and climes--ten-fold

renewer,
As of the far-back days the poets tell--the Paradiso,
The straying thence, the separation long, but now the wandering done,
The journey done, the Journeyman come home, 50
And Man and Art, with Nature fused again.

Tutti! for Earth and Heaven!
The Almighty Leader now for me, for once has signal'd with his wand.


The manly strophe of the husbands of the world,
And all the wives responding.


The tongues of violins!
(I think, O tongues, ye tell this heart, that cannot tell itself;
This brooding, yearning heart, that cannot tell itself.)


Ah, from a little child,
Thou knowest, Soul, how to me all sounds became music; 60
My mother's voice, in lullaby or hymn;
(The voice--O tender voices--memory's loving voices!
Last miracle of all--O dearest mother's, sister's, voices;)
The rain, the growing corn, the breeze among the long-leav'd corn,
The measur'd sea-surf, beating on the sand,
The twittering bird, the hawk's sharp scream,
The wild-fowl's notes at night, as flying low, migrating north or


south,
The psalm in the country church, or mid the clustering trees, the

open air camp-meeting,
The fiddler in the tavern--the glee, the long-strung sailor-song,
The lowing cattle, bleating sheep--the crowing cock at dawn. 70

All songs of current lands come sounding 'round me,
The German airs of friendship, wine and love,
Irish ballads, merry jigs and dances--English warbles,
Chansons of France, Scotch tunes--and o'er the rest,
Italia's peerless compositions.


Across the stage, with pallor on her face, yet lurid passion,



Stalks Norma, brandishing the dagger in her hand.

I see poor crazed Lucia's eyes' unnatural gleam;
Her hair down her back falls loose and dishevell'd.

I see where Ernani, walking the bridal garden, 80
Amid the scent of night-roses, radiant, holding his bride by the
hand,
Hears the infernal call, the death-pledge of the horn.

To crossing swords, and grey hairs bared to heaven,
The clear, electric base and baritone of the world,
The trombone duo--Libertad forever!


From Spanish chestnut trees' dense shade,
By old and heavy convent walls, a wailing song,
Song of lost love--the torch of youth and life quench'd in despair,
Song of the dying swan--Fernando's heart is breaking.


Awaking from her woes at last, retriev'd Amina sings; 90
Copious as stars, and glad as morning light, the torrents of her joy.


(The teeming lady comes!
The lustrious orb--Venus contralto--the blooming mother,
Sister of loftiest gods--Alboni's self I hear.)


I hear those odes, symphonies, operas;
I hear in the William Tell, the music of an arous'd and angry people;
I hear Meyerbeer's Huguenots, the Prophet, or Robert;
Gounod's Faust, or Mozart's Don Juan.


I hear the dance-music of all nations,
The waltz, (some delicious measure, lapsing, bathing me in
bliss;) 100
The bolero, to tinkling guitars and clattering castanets.

I see religious dances old and new,
I hear the sound of the Hebrew lyre,
I see the Crusaders marching, bearing the cross on high, to the


martial clang of cymbals;
I hear dervishes monotonously chanting, interspers'd with frantic

shouts, as they spin around, turning always towards Mecca;
I see the rapt religious dances of the Persians and the Arabs;
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing,
I hear them clapping their hands, as they bend their bodies,
I hear the metrical shuffling of their feet.

I see again the wild old Corybantian dance, the performers wounding
each other; 110
I see the Roman youth, to the shrill sound of flageolets, throwing


and catching their weapons,
As they fall on their knees, and rise again.

I hear from the Mussulman mosque the muezzin calling;
I see the worshippers within, (nor form, nor sermon, argument, nor
word,
But silent, strange, devout--rais'd, glowing heads--extatic faces.)

I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen;
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone;)
Or to Hindu flutes, and the fretting twang of the vina, 120
A band of bayaderes.


Now Asia, Africa leave me--Europe, seizing, inflates me;
To organs huge, and bands, I hear as from vast concourses of voices,
Luther's strong hymn, Eine feste Burg ist unser Gott;
Rossini's Stabat Mater dolorosa;
Or, floating in some high cathedral dim, with gorgeous color'd


windows,
The passionate Agnus Dei, or Gloria in Excelsis.

Composers! mighty maestros!
And you, sweet singers of old lands--Soprani! Tenori! Bassi!
To you a new bard, carolling free in the west,
Obeisant, sends his love. 130


(Such led to thee, O Soul!
All senses, shows and objects, lead to thee,
But now, it seems to me, sound leads o'er all the rest.)


I hear the annual singing of the children in St. Paul's Cathedral;
Or, under the high roof of some colossal hall, the symphonies,
oratorios of Beethoven, Handel, or Haydn;
The Creation, in billows of godhood laves me.

Give me to hold all sounds, (I, madly struggling, cry,)
Fill me with all the voices of the universe,
Endow me with their throbbings--Nature's also,
The tempests, waters, winds--operas and chants--marches and


dances, 140
Utter--pour in--for I would take them all.

Then I woke softly,
And pausing, questioning awhile the music of my dream,
And questioning all those reminiscences--the tempest in its fury,



And all the songs of sopranos and tenors,
And those rapt oriental dances, of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love, and grief and death,
I said to my silent, curious Soul, out of the bed of the slumber


chamber,
Come, for I have found the clue I sought so long, 150
Let us go forth refresh'd amid the day,
Cheerfully tallying life, walking the world, the real,
Nourish'd henceforth by our celestial dream.


And I said, moreover,
Haply, what thou hast heard, O Soul, was not the sound of winds,
Nor dream of raging storm, nor sea-hawk's flapping wings, nor harsh


scream,
Nor vocalism of sun-bright Italy,
Nor German organ majestic--nor vast concourse of voices--nor layers

of harmonies;
Nor strophes of husbands and wives--nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps; 160
But, to a new rhythmus fitted for thee,
Poems, bridging the way from Life to Death, vaguely wafted in night

air, uncaught, unwritten,
Which, let us go forth in the bold day, and write.
524
Walt Whitman

Walt Whitman

President Lincoln's Burial Hymn

President Lincoln's Burial Hymn

When Lilacs Last in the Door-yard Bloom'd

WHEN lilacs last in the door-yard bloom'd,
And the great star early droop'd in the western sky in the night,
I mourn'd--and yet shall mourn with ever-returning spring.


O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.


O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear'd! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me! 10
O harsh surrounding cloud, that will not free my soul!


In the door-yard fronting an old farm-house, near the white-wash'd
palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich
green,
With many a pointed blossom, rising, delicate, with the perfume

strong I love,
With every leaf a miracle......and from this bush in the door-yard,
With delicate-color'd blossoms, and heart-shaped leaves of rich

green,
A sprig, with its flower, I break.


In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.


Solitary, the thrush, 20
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.


Song of the bleeding throat!
Death's outlet song of life--(for well, dear brother, I know
If thou wast not gifted to sing, thou would'st surely die.)


Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep'd
from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes--passing the
endless grass;
Passing the yellow-spear'd wheat, every grain from its shroud in the
dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards; 30


Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.


Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop'd flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil'd women,


standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit--with the silent sea of faces, and the

unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong

and solemn; 40
With all the mournful voices of the dirges, pour'd around the coffin,
The dim-lit churches and the shuddering organs--Where amid these you

journey,
With the tolling, tolling bells' perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning--thus would I carol a song for you, O sane


and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies; 50
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)


O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk'd,
As we walk'd up and down in the dark blue so mystic,
As we walk'd in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after


night,
As you droop'd from the sky low down, as if to my side, (while the
other stars all look'd on;) 60
As we wander'd together the solemn night, (for something, I know not
what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you
went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold
transparent night,
As I watch'd where you pass'd and was lost in the netherward black of
the night,


As my soul, in its trouble, dissatisfied, sank, as where you, sad
orb,

Concluded, dropt in the night, and was gone.


Sing on, there in the swamp!
O singer bashful and tender! I hear your notes--I hear your call;
I hear--I come presently--I understand you;
But a moment I linger--for the lustrous star has detain'd me; 70
The star, my departing comrade, holds and detains me.


O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?


Sea-winds, blown from east and west,


Blown from the eastern sea, and blown from the western sea, till
there on the prairies meeting:

These, and with these, and the breath of my chant,

I perfume the grave of him I love.

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls, 80
To adorn the burial-house of him I love?


Pictures of growing spring, and farms, and homes,


With the Fourth-month eve at sundown, and the gray smoke lucid and
bright,

With floods of the yellow gold of the gorgeous, indolent, sinking
sun, burning, expanding the air;

With the fresh sweet herbage under foot, and the pale green leaves of
the trees prolific;

In the distance the flowing glaze, the breast of the river, with a
wind-dapple here and there;

With ranging hills on the banks, with many a line against the sky,
and shadows;

And the city at hand, with dwellings so dense, and stacks of
chimneys,

And all the scenes of life, and the workshops, and the workmen
homeward returning.

Lo! body and soul! this land! 90

Mighty Manhattan, with spires, and the sparkling and hurrying tides,
and the ships;

The varied and ample land--the South and the North in the light-Ohio's
shores, and flashing Missouri,

And ever the far-spreading prairies, cover'd with grass and corn.

Lo! the most excellent sun, so calm and haughty;


The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all--the fulfill'd noon;
The coming eve, delicious--the welcome night, and the stars,
Over my cities shining all, enveloping man and land.


Sing on! sing on, you gray-brown bird! 100
Sing from the swamps, the recesses--pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.


Sing on, dearest brother--warble your reedy song;
Loud human song, with voice of uttermost woe.


O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear......yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.


Now while I sat in the day, and look'd forth,


In the close of the day, with its light, and the fields of spring,
and the farmer preparing his crops, 110

In the large unconscious scenery of my land, with its lakes and
forests,

In the heavenly aerial beauty, (after the perturb'd winds, and the
storms;)

Under the arching heavens of the afternoon swift passing, and the
voices of children and women,

The many-moving sea-tides,--and I saw the ships how they sail'd,

And the summer approaching with richness, and the fields all busy
with labor,

And the infinite separate houses, how they all went on, each with its
meals and minutia of daily usages;

And the streets, how their throbbings throbb'd, and the cities pent-lo!
then and there,

Falling upon them all, and among them all, enveloping me with the
rest,

Appear'd the cloud, appear'd the long black trail;

And I knew Death, its thought, and the sacred knowledge of death. 120

Then with the knowledge of death as walking one side of me,

And the thought of death close-walking the other side of me,

And I in the middle, as with companions, and as holding the hands of
companions,

I fled forth to the hiding receiving night, that talks not,

Down to the shores of the water, the path by the swamp in the
dimness,

To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv'd me;


The gray-brown bird I know, receiv'd us comrades three;
And he sang what seem'd the carol of death, and a verse for him I
love.

From deep secluded recesses, 130
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.


And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.


DEATH CAROL.

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.


Prais'd be the fathomless universe, 140
For life and joy, and for objects and knowledge curious;
And for love, sweet love--But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.


Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?


Then I chant it for thee--I glorify thee above all;
I bring thee a song that when thou must indeed come, come
unfalteringly.

Approach, strong Deliveress!
When it is so--when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee, 150
Laved in the flood of thy bliss, O Death.


From me to thee glad serenades,
Dances for thee I propose, saluting thee--adornments and feastings
for thee;
And the sights of the open landscape, and the high-spread sky, are
fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil'd Death,
And the body gratefully nestling close to thee.


Over the tree-tops I float thee a song! 160
Over the rising and sinking waves--over the myriad fields, and the
prairies wide;


Over the dense-pack'd cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!


To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.


Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.


While my sight that was bound in my eyes unclosed, 170
As to long panoramas of visions.


I saw askant the armies;


And I saw, as in noiseless dreams, hundreds of battle-flags;


Borne through the smoke of the battles, and pierc'd with missiles, I
saw them,

And carried hither and yon through the smoke, and torn and bloody;

And at last but a few shreds left on the staffs, (and all in
silence,)

And the staffs all splinter'd and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men--I saw them;
I saw the debris and debris of all the dead soldiers of the war; 180
But I saw they were not as was thought;
They themselves were fully at rest--they suffer'd not;
The living remain'd and suffer'd--the mother suffer'd,
And the wife and the child, and the musing comrade suffer'd,
And the armies that remain'd suffer'd.


Passing the visions, passing the night;


Passing, unloosing the hold of my comrades' hands;


Passing the song of the hermit bird, and the tallying song of my
soul,

(Victorious song, death's outlet song, yet varying, ever-altering
song,

As low and wailing, yet clear the notes, rising and falling, flooding
the night, 190

Sadly sinking and fainting, as warning and warning, and yet again
bursting with joy,

Covering the earth, and filling the spread of the heaven,

As that powerful psalm in the night I heard from recesses,)

Passing, I leave thee, lilac with heart-shaped leaves;

I leave thee there in the door-yard, blooming, returning with spring,

I cease from my song for thee;

From my gaze on thee in the west, fronting the west, communing with
thee,


O comrade lustrous, with silver face in the night.


Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird, 200
And the tallying chant, the echo arous'd in my soul,
With the lustrous and drooping star, with the countenance full of


woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep--for

the dead I loved so well;
For the sweetest, wisest soul of all my days and lands...and this for

his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
429
Walt Whitman

Walt Whitman

Pioneers! O Pioneers!

Pioneers! O Pioneers!

COME, my tan-faced children,
Follow well in order, get your weapons ready;
Have you your pistols? have you your sharp edged axes?


Pioneers! O pioneers!

For we cannot tarry here,
We must march my darlings, we must bear the brunt of danger,
We, the youthful sinewy races, all the rest on us depend,


Pioneers! O pioneers!

O you youths, western youths,
So impatient, full of action, full of manly pride and friendship, 10
Plain I see you, western youths, see you tramping with the foremost,

Pioneers! O pioneers!

Have the elder races halted?
Do they droop and end their lesson, wearied, over there beyond the
seas?
We take up the task eternal, and the burden, and the lesson,
Pioneers! O pioneers!

All the past we leave behind;
We debouch upon a newer, mightier world, varied world,
Fresh and strong the world we seize, world of labor and the march,

Pioneers! O pioneers! 20

We detachments steady throwing,
Down the edges, through the passes, up the mountains steep,
Conquering, holding, daring, venturing, as we go, the unknown ways,

Pioneers! O pioneers!

We primeval forests felling,
We the rivers stemming, vexing we, and piercing deep the mines
within;
We the surface broad surveying, we the virgin soil upheaving,
Pioneers! O pioneers!


Colorado men are we,
From the peaks gigantic, from the great sierras and the high
plateaus, 30
From the mine and from the gully, from the hunting trail we come,
Pioneers! O pioneers!


From Nebraska, from Arkansas,
Central inland race are we, from Missouri, with the continental blood
intervein'd;
All the hands of comrades clasping, all the Southern, all the
Northern,
Pioneers! O pioneers!

O resistless, restless race!

O beloved race in all! O my breast aches with tender love for all!

O I mourn and yet exult--I am rapt with love for all,
Pioneers! O pioneers! 40

Raise the mighty mother mistress,
Waving high the delicate mistress, over all the starry mistress,
(bend your heads all,)
Raise the fang'd and warlike mistress, stern, impassive, weapon'd
mistress,
Pioneers! O pioneers!

See, my children, resolute children,

By those swarms upon our rear, we must never yield or falter,

Ages back in ghostly millions, frowning there behind us urging,
Pioneers! O pioneers!

On and on, the compact ranks,
With accessions ever waiting, with the places of the dead quickly
fill'd, 50
Through the battle, through defeat, moving yet and never stopping,
Pioneers! O pioneers!

O to die advancing on!

Are there some of us to droop and die? has the hour come?

Then upon the march we fittest die, soon and sure the gap is fill'd,
Pioneers! O pioneers!

All the pulses of the world,

Falling in, they beat for us, with the western movement beat;

Holding single or together, steady moving, to the front, all for us,
Pioneers! O pioneers! 60

Life's involv'd and varied pageants,

All the forms and shows, all the workmen at their work,

All the seamen and the landsmen, all the masters with their slaves,
Pioneers! O pioneers!


All the hapless silent lovers,

All the prisoners in the prisons, all the righteous and the wicked,

All the joyous, all the sorrowing, all the living, all the dying,
Pioneers! O pioneers!

I too with my soul and body,

We, a curious trio, picking, wandering on our way, 70

Through these shores, amid the shadows, with the apparitions
pressing,
Pioneers! O pioneers!

Lo! the darting bowling orb!

Lo! the brother orbs around! all the clustering suns and planets,

All the dazzling days, all the mystic nights with dreams,
Pioneers! O pioneers!

These are of us, they are with us,
All for primal needed work, while the followers there in embryo wait
behind,
We to-day's procession heading, we the route for travel clearing,
Pioneers! O pioneers! 80

O you daughters of the west!

O you young and elder daughters! O you mothers and you wives!

Never must you be divided, in our ranks you move united,
Pioneers! O pioneers!

Minstrels latent on the prairies!
(Shrouded bards of other lands! you may sleep--you have done your
work;)
Soon I hear you coming warbling, soon you rise and tramp amid us,
Pioneers! O pioneers!

Not for delectations sweet;
Not the cushion and the slipper, not the peaceful and the
studious; 90
Not the riches safe and palling, not for us the tame enjoyment,
Pioneers! O pioneers!

Do the feasters gluttonous feast?

Do the corpulent sleepers sleep? have they lock'd and bolted doors?

Still be ours the diet hard, and the blanket on the ground,
Pioneers! O pioneers!


Has the night descended?
Was the road of late so toilsome? did we stop discouraged, nodding on
our way?
Yet a passing hour I yield you, in your tracks to pause oblivious,
Pioneers! O pioneers! 100


Till with sound of trumpet,
Far, far off the day-break call--hark! how loud and clear I hear it
wind;
Swift! to the head of the army!--swift! spring to your places, Pioneers! O
pioneers.
474
Walt Whitman

Walt Whitman

Out of the Cradle Endlessly Rocking

Out of the Cradle Endlessly Rocking

Out of the cradle endlessly rocking,
Out of the mocking-bird's throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child


leaving his bed wander'd alone, bareheaded, barefoot,
Down from the shower'd halo,
Up from the mystic play of shadows twining and twisting as


if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories sad brother, from the fitful risings and


fallings I heard,
From under that yellow half-moon late-risen and swollen as
if with tears,
From those beginning notes of yearning and love there in

the mist,
From the thousand responses of my heart never to cease,
From the myriad thence-arous'd words,
From the word stronger and more delicious than any,
From such as now they start the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.


Once Paumanok,
When the lilac-scent was in the air and Fifth-month grass


was growing,
Up this seashore in some briers,
Two feather'd guests from Alabama, two together,
And their nest, and four light-green eggs spotted with brown,
And every day the he-bird to and fro near at hand,
And every day the she-bird crouch'd on her nest, silent, with


bright eyes,
And every day I, a curious boy, never too close, never
disturbing them,
Cautiously peering, absorbing, translating.

Shine! shine! shine!
Pour down your warmth, great sun!
While we bask, we two together.


Two together!
Winds blow south, or winds blow north,
Day come white, or niqht come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.



Till of a sudden,
May-be kill'd, unknown to her mate,
One forenoon the she-bird crouch'd not on the nest,
Nor return'd that afternoon, nor the next,
Nor ever appear'd again.


And thenceforward all summer in the sound of the sea,
And at night under the full of the moon in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals the remaining one, the he-bird,
The solitary guest from Alabama.


Blow! blow! blow!
Blow up sea-winds along Paumanok's shore;
I wait and I wait till you blow my mate to me.


Yes, when the stars glisten'd,
All night long on the prong of a moss-scallop'd stake,
Down almost amid the slapping waves,
Sat the lone singer wonderful causing tears.


He call'd on his mate,
He pour'd forth the meanings which I of all men know.
Yes my brother I know,
The rest might not, but I have treasur'd every note,
For more than once dimly down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the


shadows,
Recalling now the obscure shapes, the echoes, the sounds


and sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen'd long and long.


Listen'd to keep, to sing, now translating the notes,
Following you my brother.


Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind embracing and lapping, every one close,
But my love soothes not me, not me.


Low hangs the moon, it rose late,
It is lagging--O I think it is heavy with love, with love.


O madly the sea pushes upon the land,
With love, with love.


O night! do I not see my love fluttering out among the breakers?
What is that little black thing I see there in the white?



Loud! loud! loud!
Loud I call to you, my love!


Hiqh and clear I shoot my voice over the waves,
Surely you must know who is here, is here,
You must know who I am, my love.


Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon do not keep her from me any longer.


Land! land! O land!


Whichever way I turn, 0 I think you could give me my mate
back again if you only would,


For I am almost sure I see her dimly whichever way I look.


O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.


O throat! 0 trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth,
Somewhere listening to catch you must be the one I want.


Shake out carols!
Solitary here, the niqht's carols!
Carols of lonesome love! death's carols!
Carols under that lagging, yellow, waning moon!
O under that moon where she droops almost down into the sea!
O reckless despairing carols.


But soft! sink low!


Soft! let me just murmur,


And do you wait a moment you husky-nois'd sea,


For somewhere I believe I heard my mate responding to me,


So faint, I must be still, be still to listen,


But not altogether still, for then she miqht not come immediately
to me.


Hither my love!
Here I am! here!
With this just-sustain'd note I announce myself to you,
This gentle call is for you my love, for you.


Do not be decoy'd elsewhere,
That is the whistle of the wind, it is not my voice,
That is the fluttering, the fluttering of the spray,
Those are the shadows of leaves.


O darkness! 0 in vain!
0 I am very sick and sorrowful.



O brown halo in the sky near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! 0 throbbing heart!
And I singing uselessly, uselessly all the niqht.


0 past! 0 happy life! 0 songs of joy!
In the air, in the woods, over fields,
Loved! loved! loved! loved! loved!
But my mate no more, no more with me!
We two together no more.


The aria sinking,
All else continuing, the stars shining,
The winds blowing, the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok's shore gray and rustling,
The yellow half-moon enlarged, sagging down, drooping,


the face of the sea almost touching,
The boy ecstatic, with his bare feet the waves, with his hair
the atmosphere dallying,
The love in the heart long pent, now loose, now at last

tumultuously bursting,
The aria's meaning, the ears, the soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there, the trio, each uttering,
The undertone, the savage old mother incessantly crying,
To the boy's soul's questions sullenly timing, some drown'd


secret hissing,
To the outsetting bard.


Demon or bird! (said the boy's soul,)
Is it indeed toward your mate you sing? or is it really to me?
For I, that was a child, my tongue's use sleeping, now I


have heard you,
Now in a moment I know what I am for, I awake,
And already a thousand singers, a thousand songs, clearer,


louder and more sorrowful than yours,
A thousand warbling echoes have started to life within me,


never to die.
O you singer solitary, singing by yourself, projecting me,
O solitary me listening, never more shall I cease


perpetuating you,
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before


what there in the night,
By the sea under the yellow and sagging moon,
The messenger there arous'd, the fire, the sweet hell within,
The unknown want, the destiny of me.


O give me the clew! (it lurks in the night here somewhere,)
O if I am to have so much, let me have more!



A word then, (for I will conquer it,)

The word final, superior to all,

Subtle, sent up--what is it?--I listen;

Are you whispering it, and have been all the time, you seawaves?


Is that it from your liquid rims and wet sands?

Whereto answering, the sea,

Delaying not, hurrying not,

Whisper'd me through the night, and very plainly before
daybreak,

Lisp'd to me the low and delicious word death,

And again death, death, death, death,

Hissing melodious, neither like the bird nor like my arous'd
child's heart,

But edging near as privately for me rustling at my feet,

Creeping thence steadily up to my ears and laving me softly
all over,

Death, death, death, death, death.

Which I do not forget,

But fuse the song of my dusky demon and brother,

That he sang to me in the moonlight on Paumanok's gray
beach,

With the thousand responsive songs at random,

My own songs awaked from that hour,

And with them the key, the word up from the waves,

The word of the sweetest song and all songs,

That strong and delicious word which, creeping to my feet,

(Or like some old crone rocking the cradle, swathed in sweet
garments, bending aside,)

The sea whisper'd me.
663