Poems in this topic
Life and Existence
Walt Whitman
As At Thy Portals Also Death
As At Thy Portals Also Death
AS at thy portals also death,
Entering thy sovereign, dim, illimitable grounds,
To memories of my mother, to the divine blending, maternity,
To her, buried and gone, yet buried not, gone not from me,
(I see again the calm benignant face fresh and beautiful still,
I sit by the form in the coffin,
I kiss and kiss convulsively again the sweet old lips, the cheeks,
the closed eyes in the coffin;)
To her, the ideal woman, practical, spiritual, of all of earth, life,
love, to me the best,
I grave a monumental line, before I go, amid these songs,
And set a tombstone here. 10
AS at thy portals also death,
Entering thy sovereign, dim, illimitable grounds,
To memories of my mother, to the divine blending, maternity,
To her, buried and gone, yet buried not, gone not from me,
(I see again the calm benignant face fresh and beautiful still,
I sit by the form in the coffin,
I kiss and kiss convulsively again the sweet old lips, the cheeks,
the closed eyes in the coffin;)
To her, the ideal woman, practical, spiritual, of all of earth, life,
love, to me the best,
I grave a monumental line, before I go, amid these songs,
And set a tombstone here. 10
439
Walt Whitman
Apostroph
Apostroph
O MATER! O fils!
O brood continental!
O flowers of the prairies!
O space boundless! O hum of mighty products!
O you teeming cities! O so invincible, turbulent, proud!
O race of the future! O women!
O fathers! O you men of passion and the storm!
O native power only! O beauty!
O yourself! O God! O divine average!
O you bearded roughs! O bards! O all those slumberers! 10
O arouse! the dawn bird's throat sounds shrill! Do you not hear the
cock crowing?
O, as I walk'd the beach, I heard the mournful notes foreboding a
tempest--the low, oft-repeated shriek of the diver, the long
lived loon;
O I heard, and yet hear, angry thunder;--O you sailors! O ships! make
quick preparation!
O from his masterful sweep, the warning cry of the eagle!
(Give way there, all! It is useless! Give up your spoils;)
O sarcasms! Propositions! (O if the whole world should prove indeed a
sham, a sell!)
O I believe there is nothing real but America and freedom!
O to sternly reject all except Democracy!
O imperator! O who dare confront you and me?
O to promulgate our own! O to build for that which builds for
mankind! 20
O feuillage! O North! O the slope drained by the Mexican sea!
O all, all inseparable--ages, ages, ages!
O a curse on him that would dissever this Union for any reason
whatever!
O climates, labors! O good and evil! O death!
O you strong with iron and wood! O Personality!
O the village or place which has the greatest man or woman! even if
it be only a few ragged huts;
O the city where women walk in public processions in the streets, the
same as the men;
O a wan and terrible emblem, by me adopted!
O shapes arising! shapes of the future centuries!
O muscle and pluck forever for me! 30
O workmen and workwomen forever for me!
O farmers and sailors! O drivers of horses forever for me!
O I will make the new bardic list of trades and tools!
O you coarse and wilful! I love you!
O South! O longings for my dear home! O soft and sunny airs!
O pensive! O I must return where the palm grows and the mocking-bird
sings, or else I die!
O equality! O organic compacts! I am come to be your born poet!
O whirl, contest, sounding and resounding! I am your poet, because I
am part of you;
O days by-gone! Enthusiasts! Antecedents!
O vast preparations for These States! O years! 40
O what is now being sent forward thousands of years to come!
O mediums! O to teach! to convey the invisible faith!
To promulge real things! to journey through all The States!
O creation! O to-day! O laws! O unmitigated adoration!
O for mightier broods of orators, artists, and singers!
O for native songs! carpenter's, boatman's, ploughman's songs!
shoemaker's songs!
O haughtiest growth of time! O free and extatic!
O what I, here, preparing, warble for!
O you hastening light! O the sun of the world will ascend, dazzling,
and take his height--and you too will ascend;
O so amazing and so broad! up there resplendent, darting and
burning; 50
O prophetic! O vision staggered with weight of light! with pouring
glories!
O copious! O hitherto unequalled!
O Libertad! O compact! O union impossible to dissever!
O my Soul! O lips becoming tremulous, powerless!
O centuries, centuries yet ahead!
O voices of greater orators! I pause--I listen for you
O you States! Cities! defiant of all outside authority! I spring at
once into your arms! you I most love!
O you grand Presidentiads! I wait for you!
New history! New heroes! I project you!
Visions of poets! only you really last! O sweep on! sweep on! 60
O Death! O you striding there! O I cannot yet!
O heights! O infinitely too swift and dizzy yet!
O purged lumine! you threaten me more than I can stand!
O present! I return while yet I may to you!
O poets to come, I depend upon you!
O MATER! O fils!
O brood continental!
O flowers of the prairies!
O space boundless! O hum of mighty products!
O you teeming cities! O so invincible, turbulent, proud!
O race of the future! O women!
O fathers! O you men of passion and the storm!
O native power only! O beauty!
O yourself! O God! O divine average!
O you bearded roughs! O bards! O all those slumberers! 10
O arouse! the dawn bird's throat sounds shrill! Do you not hear the
cock crowing?
O, as I walk'd the beach, I heard the mournful notes foreboding a
tempest--the low, oft-repeated shriek of the diver, the long
lived loon;
O I heard, and yet hear, angry thunder;--O you sailors! O ships! make
quick preparation!
O from his masterful sweep, the warning cry of the eagle!
(Give way there, all! It is useless! Give up your spoils;)
O sarcasms! Propositions! (O if the whole world should prove indeed a
sham, a sell!)
O I believe there is nothing real but America and freedom!
O to sternly reject all except Democracy!
O imperator! O who dare confront you and me?
O to promulgate our own! O to build for that which builds for
mankind! 20
O feuillage! O North! O the slope drained by the Mexican sea!
O all, all inseparable--ages, ages, ages!
O a curse on him that would dissever this Union for any reason
whatever!
O climates, labors! O good and evil! O death!
O you strong with iron and wood! O Personality!
O the village or place which has the greatest man or woman! even if
it be only a few ragged huts;
O the city where women walk in public processions in the streets, the
same as the men;
O a wan and terrible emblem, by me adopted!
O shapes arising! shapes of the future centuries!
O muscle and pluck forever for me! 30
O workmen and workwomen forever for me!
O farmers and sailors! O drivers of horses forever for me!
O I will make the new bardic list of trades and tools!
O you coarse and wilful! I love you!
O South! O longings for my dear home! O soft and sunny airs!
O pensive! O I must return where the palm grows and the mocking-bird
sings, or else I die!
O equality! O organic compacts! I am come to be your born poet!
O whirl, contest, sounding and resounding! I am your poet, because I
am part of you;
O days by-gone! Enthusiasts! Antecedents!
O vast preparations for These States! O years! 40
O what is now being sent forward thousands of years to come!
O mediums! O to teach! to convey the invisible faith!
To promulge real things! to journey through all The States!
O creation! O to-day! O laws! O unmitigated adoration!
O for mightier broods of orators, artists, and singers!
O for native songs! carpenter's, boatman's, ploughman's songs!
shoemaker's songs!
O haughtiest growth of time! O free and extatic!
O what I, here, preparing, warble for!
O you hastening light! O the sun of the world will ascend, dazzling,
and take his height--and you too will ascend;
O so amazing and so broad! up there resplendent, darting and
burning; 50
O prophetic! O vision staggered with weight of light! with pouring
glories!
O copious! O hitherto unequalled!
O Libertad! O compact! O union impossible to dissever!
O my Soul! O lips becoming tremulous, powerless!
O centuries, centuries yet ahead!
O voices of greater orators! I pause--I listen for you
O you States! Cities! defiant of all outside authority! I spring at
once into your arms! you I most love!
O you grand Presidentiads! I wait for you!
New history! New heroes! I project you!
Visions of poets! only you really last! O sweep on! sweep on! 60
O Death! O you striding there! O I cannot yet!
O heights! O infinitely too swift and dizzy yet!
O purged lumine! you threaten me more than I can stand!
O present! I return while yet I may to you!
O poets to come, I depend upon you!
501
Walt Whitman
As A Strong Bird On Pinious Free
As A Strong Bird On Pinious Free
AS a strong bird on pinions free,
Joyous, the amplest spaces heavenward cleaving,
Such be the thought I'd think to-day of thee, America,
Such be the recitative I'd bring to-day for thee.
The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long,
Nor rhyme--nor the classics--nor perfume of foreign court, or indoor
library;
But an odor I'd bring to-day as from forests of pine in the north, in
Maine--or breath of an Illinois prairie,
With open airs of Virginia, or Georgia, or Tennessee--or from Texas
uplands, or Florida's glades,
With presentment of Yellowstone's scenes, or Yosemite; 10
And murmuring under, pervading all, I'd bring the rustling sea-sound,
That endlessly sounds from the two great seas of the world.
And for thy subtler sense, subtler refrains, O Union!
Preludes of intellect tallying these and thee--mind-formulas fitted
for thee--real, and sane, and large as these and thee;
Thou, mounting higher, diving deeper than we knew--thou
transcendental Union!
By thee Fact to be justified--blended with Thought;
Thought of Man justified--blended with God:
Through thy Idea--lo! the immortal Reality!
Through thy Reality--lo! the immortal Idea!
Brain of the New World! what a task is thine! 20
To formulate the Modern.....Out of the peerless grandeur of the
modern,
Out of Thyself--comprising Science--to recast Poems, Churches, Art,
(Recast--may-be discard them, end them--May-be their work is done-
who knows?)
By vision, hand, conception, on the background of the mighty past,
the dead,
To limn, with absolute faith, the mighty living present.
(And yet, thou living, present brain! heir of the dead, the Old World
brain!
Thou that lay folded, like an unborn babe, within its folds so long!
Thou carefully prepared by it so long!--haply thou but unfoldest it-
only maturest it;
It to eventuate in thee--the essence of the by-gone time contain'd in
thee;
Its poems, churches, arts, unwitting to themselves, destined with
reference to thee, 30
The fruit of all the Old, ripening to-day in thee.)
Sail--sail thy best, ship of Democracy!
Of value is thy freight--'tis not the Present only,
The Past is also stored in thee!
Thou holdest not the venture of thyself alone--not of thy western
continent alone;
Earth's résumé entire floats on thy keel, O ship--is steadied by thy
spars;
With thee Time voyages in trust--the antecedent nations sink or swim
with thee;
With all their ancient struggles, martyrs, heroes, epics, wars, thou
bear'st the other continents;
Theirs, theirs as much as thine, the destination-port triumphant:
--Steer, steer with good strong hand and wary eye, O helmsman--thou
carryest great companions, 40
Venerable, priestly Asia sails this day with thee,
And royal, feudal Europe sails with thee.
Beautiful World of new, superber Birth, that rises to my eyes,
Like a limitless golden cloud, filling the western sky;
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons;
Out of thy teeming womb, thy giant babes in ceaseless procession
issuing,
Acceding from such gestation, taking and giving continual strength
and life;
World of the Real! world of the twain in one!
World of the Soul--born by the world of the real alone--led to
identity, body, by it alone; 50
Yet in beginning only--incalculable masses of composite, precious
materials,
By history's cycles forwarded--by every nation, language, hither
sent,
Ready, collected here--a freer, vast, electric World, to be
constructed here,
(The true New World--the world of orbic Science, Morals, Literatures
to come,)
Thou Wonder World, yet undefined, unform'd--neither do I define thee;
How can I pierce the impenetrable blank of the future?
I feel thy ominous greatness, evil as well as good;
I watch thee, advancing, absorbing the present, transcending the
past;
I see thy light lighting and thy shadow shadowing, as if the entire
globe;
But I do not undertake to define thee--hardly to comprehend thee; 60
I but thee name--thee prophecy--as now!
I merely thee ejaculate!
Thee in thy future;
Thee in thy only permanent life, career--thy own unloosen'd mind--thy
soaring spirit;
Thee as another equally needed sun, America--radiant, ablaze, swiftmoving,
fructifying all;
Thee! risen in thy potent cheerfulness and joy--thy endless, great
hilarity!
(Scattering for good the cloud that hung so long--that weigh'd so
long upon the mind of man,
The doubt, suspicion, dread, of gradual, certain decadence of man;)
Thee in thy larger, saner breeds of Female, Male--thee in thy
athletes, moral, spiritual, South, North, West, East,
(To thy immortal breasts, Mother of All, thy every daughter, son,
endear'd alike, forever equal;) 70
Thee in thy own musicians, singers, artists, unborn yet, but certain;
Thee in thy moral wealth and civilization (until which thy proudest
material wealth and civilization must remain in vain;)
Thee in thy all-supplying, all-enclosing Worship--thee in no single
bible, saviour, merely,
Thy saviours countless, latent within thyself--thy bibles incessant,
within thyself, equal to any, divine as any;
Thee in an education grown of thee--in teachers, studies, students,
born of thee;
Thee in thy democratic fetes, en masse--thy high original festivals,
operas, lecturers, preachers;
Thee in thy ultimata, (the preparations only now completed--the
edifice on sure foundations tied,)
Thee in thy pinnacles, intellect, thought--thy topmost rational
joys--thy love, and godlike aspiration,
In thy resplendent coming literati--thy full-lung'd orators--thy
sacerdotal bards--kosmic savans,
These! these in thee, (certain to come,) to-day I prophecy. 80
Land tolerating all--accepting all--not for the good alone--all good
for thee;
Land in the realms of God to be a realm unto thyself;
Under the rule of God to be a rule unto thyself.
(Lo! where arise three peerless stars,
To be thy natal stars, my country--Ensemble--Evolution--Freedom,
Set in the sky of Law.)
Land of unprecedented faith--God's faith!
Thy soil, thy very subsoil, all upheav'd;
The general inner earth, so long, so sedulously draped over, now and
hence for what it is, boldly laid bare,
Open'd by thee to heaven's light, for benefit or bale. 90
Not for success alone;
Not to fair-sail unintermitted always;
The storm shall dash thy face--the murk of war, and worse than war,
shall cover thee all over;
(Wert capable of war--its tug and trials? Be capable of peace, its
trials;
For the tug and mortal strain of nations come at last in peace--not
war;)
In many a smiling mask death shall approach, beguiling thee--thou in
disease shalt swelter;
The livid cancer spread its hideous claws, clinging upon thy breasts,
seeking to strike thee deep within;
Consumption of the worst--moral consumption--shall rouge thy face
with hectic:
But thou shalt face thy fortunes, thy diseases, and surmount them
all,
Whatever they are to-day, and whatever through time they may be, 100
They each and all shall lift, and pass away, and cease from thee;
While thou, Time's spirals rounding--out of thyself, thyself still
extricating, fusing,
Equable, natural, mystical Union thou--(the mortal with immortal
blent,)
Shalt soar toward the fulfilment of the future--the spirit of the
body and the mind,
The Soul--its destinies.
The Soul, its destinies--the real real,
(Purport of all these apparitions of the real;)
In thee, America, the Soul, its destinies;
Thou globe of globes! thou wonder nebulous!
By many a throe of heat and cold convuls'd--(by these thyself
solidifying;) 110
Thou mental, moral orb! thou New, indeed new, Spiritual World!
The Present holds thee not--for such vast growth as thine--for such
unparallel'd flight as thine,
The Future only holds thee, and can hold thee.
AS a strong bird on pinions free,
Joyous, the amplest spaces heavenward cleaving,
Such be the thought I'd think to-day of thee, America,
Such be the recitative I'd bring to-day for thee.
The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long,
Nor rhyme--nor the classics--nor perfume of foreign court, or indoor
library;
But an odor I'd bring to-day as from forests of pine in the north, in
Maine--or breath of an Illinois prairie,
With open airs of Virginia, or Georgia, or Tennessee--or from Texas
uplands, or Florida's glades,
With presentment of Yellowstone's scenes, or Yosemite; 10
And murmuring under, pervading all, I'd bring the rustling sea-sound,
That endlessly sounds from the two great seas of the world.
And for thy subtler sense, subtler refrains, O Union!
Preludes of intellect tallying these and thee--mind-formulas fitted
for thee--real, and sane, and large as these and thee;
Thou, mounting higher, diving deeper than we knew--thou
transcendental Union!
By thee Fact to be justified--blended with Thought;
Thought of Man justified--blended with God:
Through thy Idea--lo! the immortal Reality!
Through thy Reality--lo! the immortal Idea!
Brain of the New World! what a task is thine! 20
To formulate the Modern.....Out of the peerless grandeur of the
modern,
Out of Thyself--comprising Science--to recast Poems, Churches, Art,
(Recast--may-be discard them, end them--May-be their work is done-
who knows?)
By vision, hand, conception, on the background of the mighty past,
the dead,
To limn, with absolute faith, the mighty living present.
(And yet, thou living, present brain! heir of the dead, the Old World
brain!
Thou that lay folded, like an unborn babe, within its folds so long!
Thou carefully prepared by it so long!--haply thou but unfoldest it-
only maturest it;
It to eventuate in thee--the essence of the by-gone time contain'd in
thee;
Its poems, churches, arts, unwitting to themselves, destined with
reference to thee, 30
The fruit of all the Old, ripening to-day in thee.)
Sail--sail thy best, ship of Democracy!
Of value is thy freight--'tis not the Present only,
The Past is also stored in thee!
Thou holdest not the venture of thyself alone--not of thy western
continent alone;
Earth's résumé entire floats on thy keel, O ship--is steadied by thy
spars;
With thee Time voyages in trust--the antecedent nations sink or swim
with thee;
With all their ancient struggles, martyrs, heroes, epics, wars, thou
bear'st the other continents;
Theirs, theirs as much as thine, the destination-port triumphant:
--Steer, steer with good strong hand and wary eye, O helmsman--thou
carryest great companions, 40
Venerable, priestly Asia sails this day with thee,
And royal, feudal Europe sails with thee.
Beautiful World of new, superber Birth, that rises to my eyes,
Like a limitless golden cloud, filling the western sky;
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons;
Out of thy teeming womb, thy giant babes in ceaseless procession
issuing,
Acceding from such gestation, taking and giving continual strength
and life;
World of the Real! world of the twain in one!
World of the Soul--born by the world of the real alone--led to
identity, body, by it alone; 50
Yet in beginning only--incalculable masses of composite, precious
materials,
By history's cycles forwarded--by every nation, language, hither
sent,
Ready, collected here--a freer, vast, electric World, to be
constructed here,
(The true New World--the world of orbic Science, Morals, Literatures
to come,)
Thou Wonder World, yet undefined, unform'd--neither do I define thee;
How can I pierce the impenetrable blank of the future?
I feel thy ominous greatness, evil as well as good;
I watch thee, advancing, absorbing the present, transcending the
past;
I see thy light lighting and thy shadow shadowing, as if the entire
globe;
But I do not undertake to define thee--hardly to comprehend thee; 60
I but thee name--thee prophecy--as now!
I merely thee ejaculate!
Thee in thy future;
Thee in thy only permanent life, career--thy own unloosen'd mind--thy
soaring spirit;
Thee as another equally needed sun, America--radiant, ablaze, swiftmoving,
fructifying all;
Thee! risen in thy potent cheerfulness and joy--thy endless, great
hilarity!
(Scattering for good the cloud that hung so long--that weigh'd so
long upon the mind of man,
The doubt, suspicion, dread, of gradual, certain decadence of man;)
Thee in thy larger, saner breeds of Female, Male--thee in thy
athletes, moral, spiritual, South, North, West, East,
(To thy immortal breasts, Mother of All, thy every daughter, son,
endear'd alike, forever equal;) 70
Thee in thy own musicians, singers, artists, unborn yet, but certain;
Thee in thy moral wealth and civilization (until which thy proudest
material wealth and civilization must remain in vain;)
Thee in thy all-supplying, all-enclosing Worship--thee in no single
bible, saviour, merely,
Thy saviours countless, latent within thyself--thy bibles incessant,
within thyself, equal to any, divine as any;
Thee in an education grown of thee--in teachers, studies, students,
born of thee;
Thee in thy democratic fetes, en masse--thy high original festivals,
operas, lecturers, preachers;
Thee in thy ultimata, (the preparations only now completed--the
edifice on sure foundations tied,)
Thee in thy pinnacles, intellect, thought--thy topmost rational
joys--thy love, and godlike aspiration,
In thy resplendent coming literati--thy full-lung'd orators--thy
sacerdotal bards--kosmic savans,
These! these in thee, (certain to come,) to-day I prophecy. 80
Land tolerating all--accepting all--not for the good alone--all good
for thee;
Land in the realms of God to be a realm unto thyself;
Under the rule of God to be a rule unto thyself.
(Lo! where arise three peerless stars,
To be thy natal stars, my country--Ensemble--Evolution--Freedom,
Set in the sky of Law.)
Land of unprecedented faith--God's faith!
Thy soil, thy very subsoil, all upheav'd;
The general inner earth, so long, so sedulously draped over, now and
hence for what it is, boldly laid bare,
Open'd by thee to heaven's light, for benefit or bale. 90
Not for success alone;
Not to fair-sail unintermitted always;
The storm shall dash thy face--the murk of war, and worse than war,
shall cover thee all over;
(Wert capable of war--its tug and trials? Be capable of peace, its
trials;
For the tug and mortal strain of nations come at last in peace--not
war;)
In many a smiling mask death shall approach, beguiling thee--thou in
disease shalt swelter;
The livid cancer spread its hideous claws, clinging upon thy breasts,
seeking to strike thee deep within;
Consumption of the worst--moral consumption--shall rouge thy face
with hectic:
But thou shalt face thy fortunes, thy diseases, and surmount them
all,
Whatever they are to-day, and whatever through time they may be, 100
They each and all shall lift, and pass away, and cease from thee;
While thou, Time's spirals rounding--out of thyself, thyself still
extricating, fusing,
Equable, natural, mystical Union thou--(the mortal with immortal
blent,)
Shalt soar toward the fulfilment of the future--the spirit of the
body and the mind,
The Soul--its destinies.
The Soul, its destinies--the real real,
(Purport of all these apparitions of the real;)
In thee, America, the Soul, its destinies;
Thou globe of globes! thou wonder nebulous!
By many a throe of heat and cold convuls'd--(by these thyself
solidifying;) 110
Thou mental, moral orb! thou New, indeed new, Spiritual World!
The Present holds thee not--for such vast growth as thine--for such
unparallel'd flight as thine,
The Future only holds thee, and can hold thee.
435
Walt Whitman
All Is Truth
All Is Truth
O ME, man of slack faith so long!
Standing aloof--denying portions so long;
Only aware to-day of compact, all-diffused truth;
Discovering to-day there is no lie, or form of lie, and can be none,
but grows as inevitably upon itself as the truth does upon
itself,
Or as any law of the earth, or any natural production of the earth
does.
(This is curious, and may not be realized immediately--But it must be
realized;
I feel in myself that I represent falsehoods equally with the rest,
And that the universe does.)
Where has fail'd a perfect return, indifferent of lies or the truth?
Is it upon the ground, or in water or fire? or in the spirit of man?
or in the meat and blood? 10
Meditating among liars, and retreating sternly into myself, I see
that there are really no liars or lies after all,
And that nothing fails its perfect return--And that what are called
lies are perfect returns,
And that each thing exactly represents itself, and what has preceded
it,
And that the truth includes all, and is compact, just as much as
space is compact,
And that there is no flaw or vacuum in the amount of the truth--but
that all is truth without exception;
And henceforth I will go celebrate anything I see or am,
And sing and laugh, and deny nothing.
O ME, man of slack faith so long!
Standing aloof--denying portions so long;
Only aware to-day of compact, all-diffused truth;
Discovering to-day there is no lie, or form of lie, and can be none,
but grows as inevitably upon itself as the truth does upon
itself,
Or as any law of the earth, or any natural production of the earth
does.
(This is curious, and may not be realized immediately--But it must be
realized;
I feel in myself that I represent falsehoods equally with the rest,
And that the universe does.)
Where has fail'd a perfect return, indifferent of lies or the truth?
Is it upon the ground, or in water or fire? or in the spirit of man?
or in the meat and blood? 10
Meditating among liars, and retreating sternly into myself, I see
that there are really no liars or lies after all,
And that nothing fails its perfect return--And that what are called
lies are perfect returns,
And that each thing exactly represents itself, and what has preceded
it,
And that the truth includes all, and is compact, just as much as
space is compact,
And that there is no flaw or vacuum in the amount of the truth--but
that all is truth without exception;
And henceforth I will go celebrate anything I see or am,
And sing and laugh, and deny nothing.
545
Walt Whitman
All Is Truth
All Is Truth
O ME, man of slack faith so long!
Standing aloof--denying portions so long;
Only aware to-day of compact, all-diffused truth;
Discovering to-day there is no lie, or form of lie, and can be none,
but grows as inevitably upon itself as the truth does upon
itself,
Or as any law of the earth, or any natural production of the earth
does.
(This is curious, and may not be realized immediately--But it must be
realized;
I feel in myself that I represent falsehoods equally with the rest,
And that the universe does.)
Where has fail'd a perfect return, indifferent of lies or the truth?
Is it upon the ground, or in water or fire? or in the spirit of man?
or in the meat and blood? 10
Meditating among liars, and retreating sternly into myself, I see
that there are really no liars or lies after all,
And that nothing fails its perfect return--And that what are called
lies are perfect returns,
And that each thing exactly represents itself, and what has preceded
it,
And that the truth includes all, and is compact, just as much as
space is compact,
And that there is no flaw or vacuum in the amount of the truth--but
that all is truth without exception;
And henceforth I will go celebrate anything I see or am,
And sing and laugh, and deny nothing.
O ME, man of slack faith so long!
Standing aloof--denying portions so long;
Only aware to-day of compact, all-diffused truth;
Discovering to-day there is no lie, or form of lie, and can be none,
but grows as inevitably upon itself as the truth does upon
itself,
Or as any law of the earth, or any natural production of the earth
does.
(This is curious, and may not be realized immediately--But it must be
realized;
I feel in myself that I represent falsehoods equally with the rest,
And that the universe does.)
Where has fail'd a perfect return, indifferent of lies or the truth?
Is it upon the ground, or in water or fire? or in the spirit of man?
or in the meat and blood? 10
Meditating among liars, and retreating sternly into myself, I see
that there are really no liars or lies after all,
And that nothing fails its perfect return--And that what are called
lies are perfect returns,
And that each thing exactly represents itself, and what has preceded
it,
And that the truth includes all, and is compact, just as much as
space is compact,
And that there is no flaw or vacuum in the amount of the truth--but
that all is truth without exception;
And henceforth I will go celebrate anything I see or am,
And sing and laugh, and deny nothing.
545
Walt Whitman
Among The Multitude
Among The Multitude
AMONG the men and women, the multitude,
I perceive one picking me out by secret and divine signs,
Acknowledging none else--not parent, wife, husband, brother, child,
any nearer than I am;
Some are baffled--But that one is not--that one knows me.
Ah, lover and perfect equal!
I meant that you should discover me so, by my faint indirections;
And I, when I meet you, mean to discover you by the like in you.
AMONG the men and women, the multitude,
I perceive one picking me out by secret and divine signs,
Acknowledging none else--not parent, wife, husband, brother, child,
any nearer than I am;
Some are baffled--But that one is not--that one knows me.
Ah, lover and perfect equal!
I meant that you should discover me so, by my faint indirections;
And I, when I meet you, mean to discover you by the like in you.
460
Walt Whitman
A Sight In Camp
A Sight In Camp
A SIGHT in camp in the day-break grey and dim,
As from my tent I emerge so early, sleepless,
As slow I walk in the cool fresh air, the path near by the hospital
tent,
Three forms I see on stretchers lying, brought out there, untended
lying,
Over each the blanket spread, ample brownish woollen blanket,
Grey and heavy blanket, folding, covering all.
Curious, I halt, and silent stand;
Then with light fingers I from the face of the nearest, the first,
just lift the blanket:
Who are you, elderly man so gaunt and grim, with well-grey'd hair,
and flesh all sunken about the eyes?
Who are you, my dear comrade? 10
Then to the second I step--And who are you, my child and darling?
Who are you, sweet boy, with cheeks yet blooming?
Then to the third--a face nor child, nor old, very calm, as of
beautiful yellow-white ivory;
Young man, I think I know you--I think this face of yours is the face
of the Christ himself;
Dead and divine, and brother of all, and here again he lies.
A SIGHT in camp in the day-break grey and dim,
As from my tent I emerge so early, sleepless,
As slow I walk in the cool fresh air, the path near by the hospital
tent,
Three forms I see on stretchers lying, brought out there, untended
lying,
Over each the blanket spread, ample brownish woollen blanket,
Grey and heavy blanket, folding, covering all.
Curious, I halt, and silent stand;
Then with light fingers I from the face of the nearest, the first,
just lift the blanket:
Who are you, elderly man so gaunt and grim, with well-grey'd hair,
and flesh all sunken about the eyes?
Who are you, my dear comrade? 10
Then to the second I step--And who are you, my child and darling?
Who are you, sweet boy, with cheeks yet blooming?
Then to the third--a face nor child, nor old, very calm, as of
beautiful yellow-white ivory;
Young man, I think I know you--I think this face of yours is the face
of the Christ himself;
Dead and divine, and brother of all, and here again he lies.
486
Walt Whitman
A Woman Waits For Me
A Woman Waits For Me
A WOMAN waits for me--she contains all, nothing is lacking,
Yet all were lacking, if sex were lacking, or if the moisture of the
right man were lacking.
Sex contains all,
Bodies, Souls, meanings, proofs, purities, delicacies, results,
promulgations,
Songs, commands, health, pride, the maternal mystery, the seminal
milk;
All hopes, benefactions, bestowals,
All the passions, loves, beauties, delights of the earth,
All the governments, judges, gods, follow'd persons of the earth,
These are contain'd in sex, as parts of itself, and justifications of
itself.
Without shame the man I like knows and avows the deliciousness of his
sex, 10
Without shame the woman I like knows and avows hers.
Now I will dismiss myself from impassive women,
I will go stay with her who waits for me, and with those women that
are warm-blooded and sufficient for me;
I see that they understand me, and do not deny me;
I see that they are worthy of me--I will be the robust husband of
those women.
They are not one jot less than I am,
They are tann'd in the face by shining suns and blowing winds,
Their flesh has the old divine suppleness and strength,
They know how to swim, row, ride, wrestle, shoot, run, strike,
retreat, advance, resist, defend themselves,
They are ultimate in their own right--they are calm, clear, wellpossess'd
of themselves. 20
I draw you close to me, you women!
I cannot let you go, I would do you good,
I am for you, and you are for me, not only for our own sake, but for
others' sakes;
Envelop'd in you sleep greater heroes and bards,
They refuse to awake at the touch of any man but me.
It is I, you women--I make my way,
I am stern, acrid, large, undissuadable--but I love you,
I do not hurt you any more than is necessary for you,
I pour the stuff to start sons and daughters fit for These States--I
press with slow rude muscle,
I brace myself effectually--I listen to no entreaties, 30
I dare not withdraw till I deposit what has so long accumulated
within me.
Through you I drain the pent-up rivers of myself,
In you I wrap a thousand onward years,
On you I graft the grafts of the best-beloved of me and America,
The drops I distil upon you shall grow fierce and athletic girls, new
artists, musicians, and singers,
The babes I beget upon you are to beget babes in their turn,
I shall demand perfect men and women out of my love-spendings,
I shall expect them to interpenetrate with others, as I and you
interpenetrate now,
I shall count on the fruits of the gushing showers of them, as I
count on the fruits of the gushing showers I give now,
I shall look for loving crops from the birth, life, death,
immortality, I plant so lovingly now. 40
A WOMAN waits for me--she contains all, nothing is lacking,
Yet all were lacking, if sex were lacking, or if the moisture of the
right man were lacking.
Sex contains all,
Bodies, Souls, meanings, proofs, purities, delicacies, results,
promulgations,
Songs, commands, health, pride, the maternal mystery, the seminal
milk;
All hopes, benefactions, bestowals,
All the passions, loves, beauties, delights of the earth,
All the governments, judges, gods, follow'd persons of the earth,
These are contain'd in sex, as parts of itself, and justifications of
itself.
Without shame the man I like knows and avows the deliciousness of his
sex, 10
Without shame the woman I like knows and avows hers.
Now I will dismiss myself from impassive women,
I will go stay with her who waits for me, and with those women that
are warm-blooded and sufficient for me;
I see that they understand me, and do not deny me;
I see that they are worthy of me--I will be the robust husband of
those women.
They are not one jot less than I am,
They are tann'd in the face by shining suns and blowing winds,
Their flesh has the old divine suppleness and strength,
They know how to swim, row, ride, wrestle, shoot, run, strike,
retreat, advance, resist, defend themselves,
They are ultimate in their own right--they are calm, clear, wellpossess'd
of themselves. 20
I draw you close to me, you women!
I cannot let you go, I would do you good,
I am for you, and you are for me, not only for our own sake, but for
others' sakes;
Envelop'd in you sleep greater heroes and bards,
They refuse to awake at the touch of any man but me.
It is I, you women--I make my way,
I am stern, acrid, large, undissuadable--but I love you,
I do not hurt you any more than is necessary for you,
I pour the stuff to start sons and daughters fit for These States--I
press with slow rude muscle,
I brace myself effectually--I listen to no entreaties, 30
I dare not withdraw till I deposit what has so long accumulated
within me.
Through you I drain the pent-up rivers of myself,
In you I wrap a thousand onward years,
On you I graft the grafts of the best-beloved of me and America,
The drops I distil upon you shall grow fierce and athletic girls, new
artists, musicians, and singers,
The babes I beget upon you are to beget babes in their turn,
I shall demand perfect men and women out of my love-spendings,
I shall expect them to interpenetrate with others, as I and you
interpenetrate now,
I shall count on the fruits of the gushing showers of them, as I
count on the fruits of the gushing showers I give now,
I shall look for loving crops from the birth, life, death,
immortality, I plant so lovingly now. 40
691
Walt Whitman
A Hand-Mirror
A Hand-Mirror
HOLD it up sternly! See this it sends back! (Who is it? Is it you?)
Outside fair costume--within ashes and filth,
No more a flashing eye--no more a sonorous voice or springy step;
Now some slave's eye, voice, hands, step,
A drunkard's breath, unwholesome eater's face, venerealee's flesh,
Lungs rotting away piecemeal, stomach sour and cankerous,
Joints rheumatic, bowels clogged with abomination,
Blood circulating dark and poisonous streams,
Words babble, hearing and touch callous,
No brain, no heart left--no magnetism of sex; 10
Such, from one look in this looking-glass ere you go hence,
Such a result so soon--and from such a beginning!
HOLD it up sternly! See this it sends back! (Who is it? Is it you?)
Outside fair costume--within ashes and filth,
No more a flashing eye--no more a sonorous voice or springy step;
Now some slave's eye, voice, hands, step,
A drunkard's breath, unwholesome eater's face, venerealee's flesh,
Lungs rotting away piecemeal, stomach sour and cankerous,
Joints rheumatic, bowels clogged with abomination,
Blood circulating dark and poisonous streams,
Words babble, hearing and touch callous,
No brain, no heart left--no magnetism of sex; 10
Such, from one look in this looking-glass ere you go hence,
Such a result so soon--and from such a beginning!
534
Walt Whitman
A Hand-Mirror
A Hand-Mirror
HOLD it up sternly! See this it sends back! (Who is it? Is it you?)
Outside fair costume--within ashes and filth,
No more a flashing eye--no more a sonorous voice or springy step;
Now some slave's eye, voice, hands, step,
A drunkard's breath, unwholesome eater's face, venerealee's flesh,
Lungs rotting away piecemeal, stomach sour and cankerous,
Joints rheumatic, bowels clogged with abomination,
Blood circulating dark and poisonous streams,
Words babble, hearing and touch callous,
No brain, no heart left--no magnetism of sex; 10
Such, from one look in this looking-glass ere you go hence,
Such a result so soon--and from such a beginning!
HOLD it up sternly! See this it sends back! (Who is it? Is it you?)
Outside fair costume--within ashes and filth,
No more a flashing eye--no more a sonorous voice or springy step;
Now some slave's eye, voice, hands, step,
A drunkard's breath, unwholesome eater's face, venerealee's flesh,
Lungs rotting away piecemeal, stomach sour and cankerous,
Joints rheumatic, bowels clogged with abomination,
Blood circulating dark and poisonous streams,
Words babble, hearing and touch callous,
No brain, no heart left--no magnetism of sex; 10
Such, from one look in this looking-glass ere you go hence,
Such a result so soon--and from such a beginning!
534
Walt Whitman
A March In The Ranks, Hard-prest
A March In The Ranks, Hard-prest
A MARCH in the ranks hard-prest, and the road unknown;
A route through a heavy wood, with muffled steps in the darkness;
Our army foil'd with loss severe, and the sullen remnant retreating;
Till after midnight glimmer upon us, the lights of a dim-lighted
building;
We come to an open space in the woods, and halt by the dim-lighted
building;
'Tis a large old church at the crossing roads--'tis now an impromptu
hospital;
--Entering but for a minute, I see a sight beyond all the pictures
and poems ever made:
Shadows of deepest, deepest black, just lit by moving candles and
lamps,
And by one great pitchy torch, stationary, with wild red flame, and
clouds of smoke;
By these, crowds, groups of forms, vaguely I see, on the floor, some
in the pews laid down; 10
At my feet more distinctly, a soldier, a mere lad, in danger of
bleeding to death, (he is shot in the abdomen;)
I staunch the blood temporarily, (the youngster's face is white as a
lily;)
Then before I depart I sweep my eyes o'er the scene, fain to absorb
it all;
Faces, varieties, postures beyond description, most in obscurity,
some of them dead;
Surgeons operating, attendants holding lights, the smell of ether,
the odor of blood;
The crowd, O the crowd of the bloody forms of soldiers--the yard
outside also fill'd;
Some on the bare ground, some on planks or stretchers, some in the
death-spasm sweating;
An occasional scream or cry, the doctor's shouted orders or calls;
The glisten of the little steel instruments catching the glint of the
torches;
These I resume as I chant--I see again the forms, I smell the
odor; 20
Then hear outside the orders given, Fall in, my men, Fall in;
But first I bend to the dying lad--his eyes open--a half-smile gives
he me;
Then the eyes close, calmly close, and I speed forth to the darkness,
Resuming, marching, ever in darkness marching, on in the ranks,
The unknown road still marching.
A MARCH in the ranks hard-prest, and the road unknown;
A route through a heavy wood, with muffled steps in the darkness;
Our army foil'd with loss severe, and the sullen remnant retreating;
Till after midnight glimmer upon us, the lights of a dim-lighted
building;
We come to an open space in the woods, and halt by the dim-lighted
building;
'Tis a large old church at the crossing roads--'tis now an impromptu
hospital;
--Entering but for a minute, I see a sight beyond all the pictures
and poems ever made:
Shadows of deepest, deepest black, just lit by moving candles and
lamps,
And by one great pitchy torch, stationary, with wild red flame, and
clouds of smoke;
By these, crowds, groups of forms, vaguely I see, on the floor, some
in the pews laid down; 10
At my feet more distinctly, a soldier, a mere lad, in danger of
bleeding to death, (he is shot in the abdomen;)
I staunch the blood temporarily, (the youngster's face is white as a
lily;)
Then before I depart I sweep my eyes o'er the scene, fain to absorb
it all;
Faces, varieties, postures beyond description, most in obscurity,
some of them dead;
Surgeons operating, attendants holding lights, the smell of ether,
the odor of blood;
The crowd, O the crowd of the bloody forms of soldiers--the yard
outside also fill'd;
Some on the bare ground, some on planks or stretchers, some in the
death-spasm sweating;
An occasional scream or cry, the doctor's shouted orders or calls;
The glisten of the little steel instruments catching the glint of the
torches;
These I resume as I chant--I see again the forms, I smell the
odor; 20
Then hear outside the orders given, Fall in, my men, Fall in;
But first I bend to the dying lad--his eyes open--a half-smile gives
he me;
Then the eyes close, calmly close, and I speed forth to the darkness,
Resuming, marching, ever in darkness marching, on in the ranks,
The unknown road still marching.
473
Walt Whitman
A Child's Amaze
A Child's Amaze
SILENT and amazed, even when a little boy,
I remember I heard the preacher every Sunday put God in his
statements,
As contending against some being or influence.
SILENT and amazed, even when a little boy,
I remember I heard the preacher every Sunday put God in his
statements,
As contending against some being or influence.
380
Walt Whitman
A Child's Amaze
A Child's Amaze
SILENT and amazed, even when a little boy,
I remember I heard the preacher every Sunday put God in his
statements,
As contending against some being or influence.
SILENT and amazed, even when a little boy,
I remember I heard the preacher every Sunday put God in his
statements,
As contending against some being or influence.
380
Walt Whitman
A Boston Ballad, 1854
A Boston Ballad, 1854
TO get betimes in Boston town, I rose this morning early;
Here's a good place at the corner--I must stand and see the show.
Clear the way there, Jonathan!
Way for the President's marshal! Way for the government cannon!
Way for the Federal foot and dragoons--and the apparitions copiously
tumbling.
I love to look on the stars and stripes--I hope the fifes will play
Yankee Doodle.
How bright shine the cutlasses of the foremost troops!
Every man holds his revolver, marching stiff through Boston town.
A fog follows--antiques of the same come limping,
Some appear wooden-legged, and some appear bandaged and bloodless. 10
Why this is indeed a show! It has called the dead out of the earth!
The old grave-yards of the hills have hurried to see!
Phantoms! phantoms countless by flank and rear!
Cock'd hats of mothy mould! crutches made of mist!
Arms in slings! old men leaning on young men's shoulders!
What troubles you, Yankee phantoms? What is all this chattering of
bare gums?
Does the ague convulse your limbs? Do you mistake your crutches for
fire-locks, and level them?
If you blind your eyes with tears, you will not see the President's
marshal;
If you groan such groans, you might balk the government cannon.
For shame, old maniacs! Bring down those toss'd arms, and let your
white hair be; 20
Here gape your great grand-sons--their wives gaze at them from the
windows,
See how well dress'd--see how orderly they conduct themselves.
Worse and worse! Can't you stand it? Are you retreating?
Is this hour with the living too dead for you?
Retreat then! Pell-mell!
To your graves! Back! back to the hills, old limpers!
I do not think you belong here, anyhow.
But there is one thing that belongs here--shall I tell you what it
is, gentlemen of Boston?
I will whisper it to the Mayor--he shall send a committee to England;
They shall get a grant from the Parliament, go with a cart to the
royal vault--haste! 30
Dig out King George's coffin, unwrap him quick from the graveclothes,
box up his bones for a journey;
Find a swift Yankee clipper--here is freight for you, black-bellied
clipper,
Up with your anchor! shake out your sails! steer straight toward
Boston bay.
Now call for the President's marshal again, bring out the government
cannon,
Fetch home the roarers from Congress, make another procession, guard
it with foot and dragoons.
This centre-piece for them:
Look! all orderly citizens--look from the windows, women!
The committee open the box, set up the regal ribs, glue those that
will not stay,
Clap the skull on top of the ribs, and clap a crown on top of the
skull.
You have got your revenge, old buster! The crown is come to its own,
and more than its own.
Stick your hands in your pockets, Jonathan--you are a made man from
this day; 40
You are mighty cute--and here is one of your bargains.
TO get betimes in Boston town, I rose this morning early;
Here's a good place at the corner--I must stand and see the show.
Clear the way there, Jonathan!
Way for the President's marshal! Way for the government cannon!
Way for the Federal foot and dragoons--and the apparitions copiously
tumbling.
I love to look on the stars and stripes--I hope the fifes will play
Yankee Doodle.
How bright shine the cutlasses of the foremost troops!
Every man holds his revolver, marching stiff through Boston town.
A fog follows--antiques of the same come limping,
Some appear wooden-legged, and some appear bandaged and bloodless. 10
Why this is indeed a show! It has called the dead out of the earth!
The old grave-yards of the hills have hurried to see!
Phantoms! phantoms countless by flank and rear!
Cock'd hats of mothy mould! crutches made of mist!
Arms in slings! old men leaning on young men's shoulders!
What troubles you, Yankee phantoms? What is all this chattering of
bare gums?
Does the ague convulse your limbs? Do you mistake your crutches for
fire-locks, and level them?
If you blind your eyes with tears, you will not see the President's
marshal;
If you groan such groans, you might balk the government cannon.
For shame, old maniacs! Bring down those toss'd arms, and let your
white hair be; 20
Here gape your great grand-sons--their wives gaze at them from the
windows,
See how well dress'd--see how orderly they conduct themselves.
Worse and worse! Can't you stand it? Are you retreating?
Is this hour with the living too dead for you?
Retreat then! Pell-mell!
To your graves! Back! back to the hills, old limpers!
I do not think you belong here, anyhow.
But there is one thing that belongs here--shall I tell you what it
is, gentlemen of Boston?
I will whisper it to the Mayor--he shall send a committee to England;
They shall get a grant from the Parliament, go with a cart to the
royal vault--haste! 30
Dig out King George's coffin, unwrap him quick from the graveclothes,
box up his bones for a journey;
Find a swift Yankee clipper--here is freight for you, black-bellied
clipper,
Up with your anchor! shake out your sails! steer straight toward
Boston bay.
Now call for the President's marshal again, bring out the government
cannon,
Fetch home the roarers from Congress, make another procession, guard
it with foot and dragoons.
This centre-piece for them:
Look! all orderly citizens--look from the windows, women!
The committee open the box, set up the regal ribs, glue those that
will not stay,
Clap the skull on top of the ribs, and clap a crown on top of the
skull.
You have got your revenge, old buster! The crown is come to its own,
and more than its own.
Stick your hands in your pockets, Jonathan--you are a made man from
this day; 40
You are mighty cute--and here is one of your bargains.
500
Wallace Stevens
Thirteen Ways of Looking at a Blackbird
Thirteen Ways of Looking at a Blackbird
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the black bird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the black bird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
305
Wallace Stevens
The Man Whose Pharynx Was Bad
The Man Whose Pharynx Was Bad
The time of year has grown indifferent.
Mildew of summer and the deepening snow
Are both alike in the routine I know:
I am too dumbly in my being pent.
The wind attendant on the solstices
Blows on the shutters of the metropoles,
Stirring no poet in his sleep, and tolls
The grand ideas of the villages.
The malady of the quotidian . . .
Perhaps if summer ever came to rest
And lengthened, deepened, comforted, caressed
Through days like oceans in obsidian
Horizons, full of night's midsummer blaze;
Perhaps, if winter once could penetrate
Through all its purples to the final slate,
Persisting bleakly in an icy haze;
One might in turn become less diffident,
Out of such mildew plucking neater mould
And spouting new orations of the cold.
One might. One might. But time will not relent.
The time of year has grown indifferent.
Mildew of summer and the deepening snow
Are both alike in the routine I know:
I am too dumbly in my being pent.
The wind attendant on the solstices
Blows on the shutters of the metropoles,
Stirring no poet in his sleep, and tolls
The grand ideas of the villages.
The malady of the quotidian . . .
Perhaps if summer ever came to rest
And lengthened, deepened, comforted, caressed
Through days like oceans in obsidian
Horizons, full of night's midsummer blaze;
Perhaps, if winter once could penetrate
Through all its purples to the final slate,
Persisting bleakly in an icy haze;
One might in turn become less diffident,
Out of such mildew plucking neater mould
And spouting new orations of the cold.
One might. One might. But time will not relent.
345
Wallace Stevens
The Emperor of Ice-Cream
The Emperor of Ice-Cream
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
Take from the dresser of deal.
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
Take from the dresser of deal.
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.
310
Wallace Stevens
Sunday Morning
Sunday Morning
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound.
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measure destined for her soul.
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feel shall manifest.
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound.
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measure destined for her soul.
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feel shall manifest.
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.
316
Wallace Stevens
Sunday Morning
Sunday Morning
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound.
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measure destined for her soul.
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feel shall manifest.
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound.
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measure destined for her soul.
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feel shall manifest.
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.
316
Wallace Stevens
Sunday Morning
Sunday Morning
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound.
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measure destined for her soul.
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feel shall manifest.
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound.
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measure destined for her soul.
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feel shall manifest.
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.
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Wallace Stevens
Of Modern Poetry
Of Modern Poetry
The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.
It has to be living, to learn the speech of the place.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage,
And, like an insatiable actor, slowly and
With meditation, speak words that in the ear,
In the delicatest ear of the mind, repeat,
Exactly, that which it wants to hear, at the sound
Of which, an invisible audience listens,
Not to the play, but to itself, expressed
In an emotion as of two people, as of two
Emotions becoming one. The actor is
A metaphysician in the dark, twanging
An instrument, twanging a wiry string that gives
Sounds passing through sudden rightnesses, wholly
Containing the mind, below which it cannot descend,
Beyond which it has no will to rise.
It must
Be the finding of a satisfaction, and may
Be of a man skating, a woman dancing, a woman
Combing. The poem of the act of the mind.
The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.
It has to be living, to learn the speech of the place.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage,
And, like an insatiable actor, slowly and
With meditation, speak words that in the ear,
In the delicatest ear of the mind, repeat,
Exactly, that which it wants to hear, at the sound
Of which, an invisible audience listens,
Not to the play, but to itself, expressed
In an emotion as of two people, as of two
Emotions becoming one. The actor is
A metaphysician in the dark, twanging
An instrument, twanging a wiry string that gives
Sounds passing through sudden rightnesses, wholly
Containing the mind, below which it cannot descend,
Beyond which it has no will to rise.
It must
Be the finding of a satisfaction, and may
Be of a man skating, a woman dancing, a woman
Combing. The poem of the act of the mind.
316
Wallace Stevens
Gray Room
Gray Room
Although you sit in a room that is gray,
Except for the silver
Of the straw-paper,
And pick
At your pale white gown;
Or lift one of the green beads
Of your necklace,
To let it fall;
Or gaze at your green fan
Printed with the red branches of a red willow;
Or, with one finger,
Move the leaf in the bowl--
The leaf that has fallen from the branches of the forsythia
Beside you...
What is all this?
I know how furiously your heart is beating.
Although you sit in a room that is gray,
Except for the silver
Of the straw-paper,
And pick
At your pale white gown;
Or lift one of the green beads
Of your necklace,
To let it fall;
Or gaze at your green fan
Printed with the red branches of a red willow;
Or, with one finger,
Move the leaf in the bowl--
The leaf that has fallen from the branches of the forsythia
Beside you...
What is all this?
I know how furiously your heart is beating.
303
Wallace Stevens
Madame la Fleurie
Madame la Fleurie
Weight him down, O side-stars, with the great weightings of
the end.
Seal him there. He looked in a glass of the earth and thought
he lived in it.
Now, he brings all that he saw into the earth, to the waiting
parent.
His crisp knowledge is devoured by her, beneath a dew.
Weight him, weight, weight him with the sleepiness of the
moon.
It was only a glass because he looked in it. It was nothing he
could be told.
It was a language he spoke, because he must, yet did not know.
It was a page he had found in the handbook of heartbreak.
The black fugatos are strumming the blackness of black...
The thick strings stutter the finial gutturals.
He does not lie there remembering the blue-jay, say the jay.
His grief is that his mother should feed on him, himself and
what he saw,
In that distant chamber, a bearded queen, wicked in her dead
light.
Weight him down, O side-stars, with the great weightings of
the end.
Seal him there. He looked in a glass of the earth and thought
he lived in it.
Now, he brings all that he saw into the earth, to the waiting
parent.
His crisp knowledge is devoured by her, beneath a dew.
Weight him, weight, weight him with the sleepiness of the
moon.
It was only a glass because he looked in it. It was nothing he
could be told.
It was a language he spoke, because he must, yet did not know.
It was a page he had found in the handbook of heartbreak.
The black fugatos are strumming the blackness of black...
The thick strings stutter the finial gutturals.
He does not lie there remembering the blue-jay, say the jay.
His grief is that his mother should feed on him, himself and
what he saw,
In that distant chamber, a bearded queen, wicked in her dead
light.
309
Wallace Stevens
Continual Conversation With A Silent Man
Continual Conversation With A Silent Man
The old brown hen and the old blue sky,
Between the two we live and die--
The broken cartwheel on the hill.
As if, in the presence of the sea,
We dried our nets and mended sail
And talked of never-ending things,
Of the never-ending storm of will,
One will and many wills, and the wind,
Of many meanings in the leaves,
Brought down to one below the eaves,
Link, of that tempest, to the farm,
The chain of the turquoise hen and sky
And the wheel that broke as the cart went by.
It is not a voice that is under the eaves.
It is not speech, the sound we hear
In this conversation, but the sound
Of things and their motion: the other man,
A turquoise monster moving round.
The old brown hen and the old blue sky,
Between the two we live and die--
The broken cartwheel on the hill.
As if, in the presence of the sea,
We dried our nets and mended sail
And talked of never-ending things,
Of the never-ending storm of will,
One will and many wills, and the wind,
Of many meanings in the leaves,
Brought down to one below the eaves,
Link, of that tempest, to the farm,
The chain of the turquoise hen and sky
And the wheel that broke as the cart went by.
It is not a voice that is under the eaves.
It is not speech, the sound we hear
In this conversation, but the sound
Of things and their motion: the other man,
A turquoise monster moving round.
370