Life and Existence

The Dead Drummer.
I
They throw in Drummer Hodge, to rest
Uncoffined--just as found:
His landmark is a kopje-crest
That breaks the veldt around;
And foreign constellations west
Each night above his mound.
II
Young Hodge the Drummer never knew -
Fresh from his Wessex home -
The meaning of the broad Karoo,
The Bush, the dusty loam,
And why uprose to nightly view
Strange stars amid the gloam.
III
Yet portion of that unknown plain
Will Hodge for ever be;
His homely Northern breast and brain
Grow up a Southern tree.
And strange-eyed constellations reign
His stars eternally.

The Darkling Thrush
The Darkling Thrush
I leant upon a coppice gate,
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled vine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to me
The Century's corpse outleant,
Its crypt the cloudy canopy,
The wind its death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervorless as I.
At once a voice arose among
The bleak twigs overhead,
In a full-throated evensong
Of joy illimited.
An ancient thrush, frail, gaunt and small,
With blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew,
And I was unaware.

The Convergence Of The Twain
I
In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.
II
Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.
III
Over the mirrors meant
To glass the opulent
The sea-worm crawls-grotesque, slimed, dumb, indifferent.
IV
Jewels in joy designed
To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.
V
Dim moon-eyed fishes near
Gaze at the gilded gear
And query: "What does this vaingloriousness down here?" . . .
VI
Well: while was fashioning
This creature of cleaving wing,
The Immanent Will that stirs and urges everything
VII
Prepared a sinister mate
For her - so gaily great -
A Shape of Ice, for the time far and dissociate.
VIII
And as the smart ship grew
In stature, grace, and hue,
In shadowy silent distance grew the Iceberg too.
IX
Alien they seemed to be:


No mortal eye could see
The intimate welding of their later history,
X
Or sign that they were bent
by paths coincident
On being anon twin halves of one august event,
XI
Till the Spinner of the Years
Said "Now!" And each one hears,
And consummation comes, and jars two hemispheres.

The Dame of Athelhall
I
"Soul! Shall I see thy face," she said,
"In one brief hour?
And away with thee from a loveless bed
To a far-off sun, to a vine-wrapt bower,
And be thine own unseparated,
And challenge the world's white glower?
II
She quickened her feet, and met him where
They had predesigned:
And they clasped, and mounted, and cleft the air
Upon whirling wheels; till the will to bind
Her life with his made the moments there
Efface the years behind.
III
Miles slid, and the sight of the port upgrew
As they sped on;
When slipping its bond the bracelet flew
From her fondled arm. Replaced anon,
Its cameo of the abjured one drew
Her musings thereupon.
IV
The gaud with his image once had been
A gift from him:
And so it was that its carving keen
Refurbished memories wearing dim,
Which set in her soul a throe of teen,
And a tear on her lashes' brim.
V
"I may not go!" she at length upspake,
"Thoughts call me back -
I would still lose all for your dear, dear sake;
My heart is thine, friend! But my track
I home to Athelhall must take
To hinder household wrack!"
VI
He appealed. But they parted, weak and wan:
And he left the shore;
His ship diminished, was low, was gone;
And she heard in the waves as the daytide wore,
And read in the leer of the sun that shone,


That they parted for evermore.
VII
She homed as she came, at the dip of eve
On Athel Coomb
Regaining the Hall she had sworn to leave . . .
The house was soundless as a tomb,
And she entered her chamber, there to grieve
Lone, kneeling, in the gloom.
VIII
From the lawn without rose her husband's voice
To one his friend:
"Another her Love, another my choice,
Her going is good. Our conditions mend;
In a change of mates we shall both rejoice;
I hoped that it thus might end!
IX
"A quick divorce; she will make him hers,
And I wed mine.
So Time rights all things in long, long years -
Or rather she, by her bold design!
I admire a woman no balk deters:
She has blessed my life, in fine.
X
"I shall build new rooms for my new true bride,
Let the bygone be:
By now, no doubt, she has crossed the tide
With the man to her mind. Far happier she
In some warm vineland by his side
Than ever she was with me."

The Colonel's Soliloquy (Southampton Docks: October, )
"The quay recedes. Hurrah! Ahead we go! . . .
It's true I've been accustomed now to home,
And joints get rusty, and one's limbs may grow
More fit to rest than roam.
"But I can stand as yet fair stress and strain;
There's not a little steel beneath the rust;
My years mount somewhat, but here's to't again!
And if I fall, I must.
"God knows that for myself I've scanty care;
Past scrimmages have proved as much to all;
In Eastern lands and South I've had my share
Both of the blade and ball.
"And where those villains ripped me in the flitch
With their old iron in my early time,
I'm apt at change of wind to feel a twitch,
Or at a change of clime.
"And what my mirror shows me in the morning
Has more of blotch and wrinkle than of bloom;
My eyes, too, heretofore all glasses scorning,
Have just a touch of rheum . . .
"Now sounds 'The Girl I've left behind me,'--Ah,
The years, the ardours, wakened by that tune!
Time was when, with the crowd's farewell 'Hurrah!'
'Twould lift me to the moon.
"But now it's late to leave behind me one
Who if, poor soul, her man goes underground,
Will not recover as she might have done
In days when hopes abound.
"She's waving from the wharfside, palely grieving,
As down we draw . . . Her tears make little show,
Yet now she suffers more than at my leaving
Some twenty years ago.
"I pray those left at home will care for her!
I shall come back; I have before; though when
The Girl you leave behind you is a grandmother,
Things may not be as then."

The Colonel's Soliloquy (Southampton Docks: October, )
"The quay recedes. Hurrah! Ahead we go! . . .
It's true I've been accustomed now to home,
And joints get rusty, and one's limbs may grow
More fit to rest than roam.
"But I can stand as yet fair stress and strain;
There's not a little steel beneath the rust;
My years mount somewhat, but here's to't again!
And if I fall, I must.
"God knows that for myself I've scanty care;
Past scrimmages have proved as much to all;
In Eastern lands and South I've had my share
Both of the blade and ball.
"And where those villains ripped me in the flitch
With their old iron in my early time,
I'm apt at change of wind to feel a twitch,
Or at a change of clime.
"And what my mirror shows me in the morning
Has more of blotch and wrinkle than of bloom;
My eyes, too, heretofore all glasses scorning,
Have just a touch of rheum . . .
"Now sounds 'The Girl I've left behind me,'--Ah,
The years, the ardours, wakened by that tune!
Time was when, with the crowd's farewell 'Hurrah!'
'Twould lift me to the moon.
"But now it's late to leave behind me one
Who if, poor soul, her man goes underground,
Will not recover as she might have done
In days when hopes abound.
"She's waving from the wharfside, palely grieving,
As down we draw . . . Her tears make little show,
Yet now she suffers more than at my leaving
Some twenty years ago.
"I pray those left at home will care for her!
I shall come back; I have before; though when
The Girl you leave behind you is a grandmother,
Things may not be as then."

The Comet at Valbury or Yell'ham
I
It bends far over Yell'ham Plain,
And we, from Yell'ham Height,
Stand and regard its fiery train,
So soon to swim from sight.
II
It will return long years hence, when
As now its strange swift shine
Will fall on Yell'ham; but not then
On that sweet form of thine.

The Cave of the Unborn
I rose at night and visited
The Cave of the Unborn,
And crowding shapes surrounded me
For tidings of the life to be,
Who long had prayed the silent Head
To speed their advent morn.
Their eyes were lit with artless trust;
Hope thrilled their every tone:
"A place the loveliest, is it not?
A pure delight, a beauty-spot
Where all is gentle, pure and just
And ??violence?? is unknown?"
My heart was anguished for their sake;
I could not frame a word;
But they descried my sunken face
And seemed to read therein, and trace
The news which Pity would not break
Nor Truth leave unaverred.
And as I silently retired
I turned and watched them still:
And they came helter-skelter out,
Driven forward like a rabble rout
Into the world they had so desired,
By the all-immanent Will.

The Bridge of Lodi (Spring, )
I
When of tender mind and body
I was moved by minstrelsy,
And that strain "The Bridge of Lodi"
Brought a strange delight to me.
II
In the battle-breathing jingle
Of its forward-footing tune
I could see the armies mingle,
And the columns cleft and hewn
III
On that far-famed spot by Lodi
Where Napoleon clove his way
To his fame, when like a god he
Bent the nations to his sway.
IV
Hence the tune came capering to me
While I traced the Rhone and Po;
Nor could Milan's Marvel woo me
From the spot englamoured so.
V
And to-day, sunlit and smiling,
Here I stand upon the scene,
With its saffron walls, dun tiling,
And its meads of maiden green,
VI
Even as when the trackway thundered
With the charge of grenadiers,
And the blood of forty hundred
Splashed its parapets and piers . . .
VII
Any ancient crone I'd toady
Like a lass in young-eyed prime,
Could she tell some tale of Lodi
At that moving mighty time.
VIII
So, I ask the wives of Lodi


For traditions of that day;
But alas! not anybody
Seems to know of such a fray.
IX
And they heed but transitory
Marketings in cheese and meat,
Till I judge that Lodi's story
Is extinct in Lodi's street.
X
Yet while here and there they thrid them
In their zest to sell and buy,
Let me sit me down amid them
And behold those thousands die . . .
XI
- Not a creature cares in Lodi
How Napoleon swept each arch,
Or where up and downward trod he,
Or for his memorial March!
XII
So that wherefore should I be here,
Watching Adda lip the lea,
When the whole romance to see here
Is the dream I bring with me?
XIII
And why sing "The Bridge of Lodi"
As I sit thereon and swing,
When none shows by smile or nod he
Guesses why or what I sing? . . .
XIV
Since all Lodi, low and head ones,
Seem to pass that story by,
It may be the Lodi-bred ones
Rate it truly, and not I.
XV
Once engrossing Bridge of Lodi,
Is thy claim to glory gone?
Must I pipe a palinody,
Or be silent thereupon?


XVI
And if here, from strand to steeple,
Be no stone to fame the fight,
Must I say the Lodi people
Are but viewing crime aright?
Nay; I'll sing "The Bridge of Lodi" -
That long-loved, romantic thing,
Though none show by smile or nod he
Guesses why and what I sing!

Song of Hope
O sweet To-morrow! -
After to-day
There will away
This sense of sorrow.
Then let us borrow
Hope, for a gleaming
Soon will be streaming,
Dimmed by no gray -
No gray!
While the winds wing us
Sighs from The Gone,
Nearer to dawn
Minute-beats bring us;
When there will sing us
Larks of a glory
Waiting our story
Further anon -
Anon!
Doff the black token,
Don the red shoon,
Right and retune
Viol-strings broken;
Null the words spoken
In speeches of rueing,
The night cloud is hueing,
To-morrow shines soon -
Shines soon!

Song of Hope
O sweet To-morrow! -
After to-day
There will away
This sense of sorrow.
Then let us borrow
Hope, for a gleaming
Soon will be streaming,
Dimmed by no gray -
No gray!
While the winds wing us
Sighs from The Gone,
Nearer to dawn
Minute-beats bring us;
When there will sing us
Larks of a glory
Waiting our story
Further anon -
Anon!
Doff the black token,
Don the red shoon,
Right and retune
Viol-strings broken;
Null the words spoken
In speeches of rueing,
The night cloud is hueing,
To-morrow shines soon -
Shines soon!

She, to Him, II
Perhaps, long hence, when I have passed away,
Some other’s feature, accent, thought like mine,
Will carry you back to what I used to say,
And bring some memory of your love’s decline.
Then you may pause awhile and think, “Poor jade!”
And yield a sigh to me—as gift benign,
Not as the tittle of a debt unpaid
To one who could to you her all resign—
And thus reflecting, you will never see
That your thin thought, in two small words conveyed,
Was no such fleeting phantom-thought to me,
But the Whole Life wherein my part was played;
And you amid its fitful masquerade
A Thought—as I in yours but seem to be.

She, To Him
I
WHEN you shall see me lined by tool of Time,
My lauded beauties carried off from me,
My eyes no longer stars as in their prime,
My name forgot of Maiden Fair and Free;
When in your being heart concedes to mind,
And judgment, though you scarce its process know,
Recalls the excellencies I once enshrined,
And you are irked that they have withered so:
Remembering that with me lies not the blame,
That Sportsman Time but rears his brood to kill,
Knowing me in my soul the very same--
One who would die to spare you touch of ill!--
Will you not grant to old affection's claim
The hand of friendship down Life's sunless hill?

She, To Him
I
WHEN you shall see me lined by tool of Time,
My lauded beauties carried off from me,
My eyes no longer stars as in their prime,
My name forgot of Maiden Fair and Free;
When in your being heart concedes to mind,
And judgment, though you scarce its process know,
Recalls the excellencies I once enshrined,
And you are irked that they have withered so:
Remembering that with me lies not the blame,
That Sportsman Time but rears his brood to kill,
Knowing me in my soul the very same--
One who would die to spare you touch of ill!--
Will you not grant to old affection's claim
The hand of friendship down Life's sunless hill?

Rome: The Vatican--Sala Delle Muse ()
I sat in the Muses' Hall at the mid of the day,
And it seemed to grow still, and the people to pass away,
And the chiselled shapes to combine in a haze of sun,
Till beside a Carrara column there gleamed forth One.
She was nor this nor that of those beings divine,
But each and the whole--an essence of all the Nine;
With tentative foot she neared to my halting-place,
A pensive smile on her sweet, small, marvellous face.
"Regarded so long, we render thee sad?" said she.
"Not you," sighed I, "but my own inconstancy!
I worship each and each; in the morning one,
And then, alas! another at sink of sun.
"To-day my soul clasps Form; but where is my troth
Of yesternight with Tune: can one cleave to both?"
- "Be not perturbed," said she. "Though apart in fame,
As I and my sisters are one, those, too, are the same.
- "But my loves go further--to Story, and Dance, and Hymn,
The lover of all in a sun-sweep is fool to whim -
Is swayed like a river-weed as the ripples run!"
- "Nay, wight, thou sway'st not. These are but phases of one;
"And that one is I; and I am projected from thee,
One that out of thy brain and heart thou causest to be -
Extern to thee nothing. Grieve not, nor thyself becall,
Woo where thou wilt; and rejoice thou canst love at all!

Rome: Building a New Street in the Ancient Quarter.
These numbered cliffs and gnarls of masonry
Outskeleton Time's central city, Rome;
Whereof each arch, entablature, and dome
Lies bare in all its gaunt anatomy.
And cracking frieze and rotten metope
Express, as though they were an open tome
Top-lined with caustic monitory gnome;
"Dunces, Learn here to spell Humanity!"
And yet within these ruins' very shade
The singing workmen shape and set and join
Their frail new mansion's stuccoed cove and quoin
With no apparent sense that years abrade,
Though each rent wall their feeble works invade
Once shamed all such in power of pier and groin.

Rome: At the Pyramid of Cestius. (Near the graves of Shelley & Keats)
Who, then, was Cestius,
And what is he to me? -
Amid thick thoughts and memories multitudinous
One thought alone brings he.
I can recall no word
Of anything he did;
For me he is a man who died and was interred
To leave a pyramid
Whose purpose was exprest
Not with its first design,
Nor till, far down in Time, beside it found their rest
Two countrymen of mine.
Cestius in life, maybe,
Slew, breathed out threatening;
I know not. This I know: in death all silently
He does a kindlier thing,
In beckoning pilgrim feet
With marble finger high
To where, by shadowy wall and history-haunted street,
Those matchless singers lie . . .
--Say, then, he lived and died
That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
It is an ample fame.

Rom: On the Palatine (April, )
We walked where Victor Jove was shrined awhile,
And passed to Livia's rich red mural show,
Whence, thridding cave and Criptoportico,
We gained Caligula's dissolving pile.
And each ranked ruin tended to beguile
The outer sense, and shape itself as though
It wore its marble hues, its pristine glow
Of scenic frieze and pompous peristyle.
When lo, swift hands, on strings nigh over-head,
Began to melodize a waltz by Strauss:
It stirred me as I stood, in Caesar's house,
Raised the old routs Imperial lyres had led,
And blended pulsing life with lives long done,
Till Time seemed fiction, Past and Present one.

Rom: On the Palatine (April, )
We walked where Victor Jove was shrined awhile,
And passed to Livia's rich red mural show,
Whence, thridding cave and Criptoportico,
We gained Caligula's dissolving pile.
And each ranked ruin tended to beguile
The outer sense, and shape itself as though
It wore its marble hues, its pristine glow
Of scenic frieze and pompous peristyle.
When lo, swift hands, on strings nigh over-head,
Began to melodize a waltz by Strauss:
It stirred me as I stood, in Caesar's house,
Raised the old routs Imperial lyres had led,
And blended pulsing life with lives long done,
Till Time seemed fiction, Past and Present one.

On an Invitation to the United States
I
My ardours for emprize nigh lost
Since Life has bared its bones to me,
I shrink to seek a modern coast
Whose riper times have yet to be;
Where the new regions claim them free
From that long drip of human tears
Which peoples old in tragedy
Have left upon the centuried years.
II
For, wonning in these ancient lands,
Enchased and lettered as a tomb,
And scored with prints of perished hands,
And chronicled with dates of doom,
Though my own Being bear no bloom
I trace the lives such scenes enshrine,
Give past exemplars present room,
And their experience count as mine.

On an Invitation to the United States
I
My ardours for emprize nigh lost
Since Life has bared its bones to me,
I shrink to seek a modern coast
Whose riper times have yet to be;
Where the new regions claim them free
From that long drip of human tears
Which peoples old in tragedy
Have left upon the centuried years.
II
For, wonning in these ancient lands,
Enchased and lettered as a tomb,
And scored with prints of perished hands,
And chronicled with dates of doom,
Though my own Being bear no bloom
I trace the lives such scenes enshrine,
Give past exemplars present room,
And their experience count as mine.

On an Invitation to the United States
I
My ardours for emprize nigh lost
Since Life has bared its bones to me,
I shrink to seek a modern coast
Whose riper times have yet to be;
Where the new regions claim them free
From that long drip of human tears
Which peoples old in tragedy
Have left upon the centuried years.
II
For, wonning in these ancient lands,
Enchased and lettered as a tomb,
And scored with prints of perished hands,
And chronicled with dates of doom,
Though my own Being bear no bloom
I trace the lives such scenes enshrine,
Give past exemplars present room,
And their experience count as mine.

Neutral Tones
WE stood by a pond that winter day,
And the sun was white, as though chidden of God,
And a few leaves lay on the starving sod,
--They had fallen from an ash, and were gray.
Your eyes on me were as eyes that rove
Over tedious riddles solved years ago;
And some words played between us to and fro--
On which lost the more by our love.
The smile on your mouth was the deadest thing
Alive enough to have strength to die;
And a grin of bitterness swept thereby
Like an ominous bird a-wing....
Since then, keen lessons that love deceives,
And wrings with wrong, have shaped to me
Your face, and the God-curst sun, and a tree,
And a pond edged with grayish leaves.

My spirit will not haunt the mound
My spirit will not haunt the mound
Above my breast,
But travel, memory-possessed,
To where my tremulous being found
Life largest, best.
My phantom-footed shape will go
When nightfall grays
Hither and thither along the ways
I and another used to know
In backward days.
And there you'll find me, if a jot
You still should care
For me, and for my curious air;
If otherwise, then I shall not,
For you, be there.