Poems in this topic
Society and the World
Dylan Thomas
Twenty Four Years
Twenty Four Years
Twenty-four years remind the tears of my eyes.
(Bury the dead for fear that they walk to the grave in labour.)
In the groin of the natural doorway I crouched like a tailor
Sewing a shroud for a journey
By the light of the meat-eating sun.
Dressed to die, the sensual strut begun,
With my red veins full of money,
In the final direction of the elementary town
I advance as long as forever is.
Twenty-four years remind the tears of my eyes.
(Bury the dead for fear that they walk to the grave in labour.)
In the groin of the natural doorway I crouched like a tailor
Sewing a shroud for a journey
By the light of the meat-eating sun.
Dressed to die, the sensual strut begun,
With my red veins full of money,
In the final direction of the elementary town
I advance as long as forever is.
439
Dylan Thomas
The Hand That Signed the Paper
The Hand That Signed the Paper
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.
The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose's quill has put an end to murder
That put an end to talk.
The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand that holds dominion over
Man by a scribbled name.
The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.
The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose's quill has put an end to murder
That put an end to talk.
The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand that holds dominion over
Man by a scribbled name.
The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.
277
Dylan Thomas
The Hand That Signed the Paper
The Hand That Signed the Paper
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.
The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose's quill has put an end to murder
That put an end to talk.
The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand that holds dominion over
Man by a scribbled name.
The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.
The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose's quill has put an end to murder
That put an end to talk.
The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand that holds dominion over
Man by a scribbled name.
The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.
277
Dylan Thomas
The Hand That Signed the Paper
The Hand That Signed the Paper
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.
The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose's quill has put an end to murder
That put an end to talk.
The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand that holds dominion over
Man by a scribbled name.
The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.
The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose's quill has put an end to murder
That put an end to talk.
The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand that holds dominion over
Man by a scribbled name.
The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.
277
Dylan Thomas
Limerick
Limerick
There was an old bugger called God,
who got a young virgin in pod.
This disgraceful behaviour
begot Christ our Saviour,
who was nailed to a cross, poor old sod.
There was an old bugger called God,
who got a young virgin in pod.
This disgraceful behaviour
begot Christ our Saviour,
who was nailed to a cross, poor old sod.
687
Dylan Thomas
Holy Spring
Holy Spring
O
Out of a bed of love
When that immortal hospital made one more moove to soothe
The curless counted body,
And ruin and his causes
Over the barbed and shooting sea assumed an army
And swept into our wounds and houses,
I climb to greet the war in which I have no heart but only
That one dark I owe my light,
Call for confessor and wiser mirror but there is none
To glow after the god stoning night
And I am struck as lonely as a holy marker by the sun
No
Praise that the spring time is all
Gabriel and radiant shrubbery as the morning grows joyful
Out of the woebegone pyre
And the multitude's sultry tear turns cool on the weeping wall,
My arising prodgidal
Sun the father his quiver full of the infants of pure fire,
But blessed be hail and upheaval
That uncalm still it is sure alone to stand and sing
Alone in the husk of man's home
And the mother and toppling house of the holy spring,
If only for a last time.
O
Out of a bed of love
When that immortal hospital made one more moove to soothe
The curless counted body,
And ruin and his causes
Over the barbed and shooting sea assumed an army
And swept into our wounds and houses,
I climb to greet the war in which I have no heart but only
That one dark I owe my light,
Call for confessor and wiser mirror but there is none
To glow after the god stoning night
And I am struck as lonely as a holy marker by the sun
No
Praise that the spring time is all
Gabriel and radiant shrubbery as the morning grows joyful
Out of the woebegone pyre
And the multitude's sultry tear turns cool on the weeping wall,
My arising prodgidal
Sun the father his quiver full of the infants of pure fire,
But blessed be hail and upheaval
That uncalm still it is sure alone to stand and sing
Alone in the husk of man's home
And the mother and toppling house of the holy spring,
If only for a last time.
344
Dylan Thomas
Find Meat On Bones
Find Meat On Bones
'Find meat on bones that soon have none,
And drink in the two milked crags,
The merriest marrow and the dregs
Before the ladies' breasts are hags
And the limbs are torn.
Disturb no winding-sheets, my son,
But when the ladies are cold as stone
Then hang a ram rose over the rags.
'Rebel against the binding moon
And the parliament of sky,
The kingcrafts of the wicked sea,
Autocracy of night and day,
Dictatorship of sun.
Rebel against the flesh and bone,
The word of the blood, the wily skin,
And the maggot no man can slay.'
'The thirst is quenched, the hunger gone,
And my heart is cracked across;
My face is haggard in the glass,
My lips are withered with a kiss,
My breasts are thin.
A merry girl took me for man,
I laid her down and told her sin,
And put beside her a ram rose.
'The maggot that no man can kill
And the man no rope can hang
Rebel against my father's dream
That out of a bower of red swine
Howls the foul fiend to heel.
I cannot murder, like a fool,
Season and sunshine, grace and girl,
Nor can I smother the sweet waking.'
Black night still ministers the moon,
And the sky lays down her laws,
The sea speaks in a kingly voice,
Light and dark are no enemies
But one companion.
'War on the spider and the wren!
War on the destiny of man!
Doom on the sun!'
Before death takes you, O take back this.
'Find meat on bones that soon have none,
And drink in the two milked crags,
The merriest marrow and the dregs
Before the ladies' breasts are hags
And the limbs are torn.
Disturb no winding-sheets, my son,
But when the ladies are cold as stone
Then hang a ram rose over the rags.
'Rebel against the binding moon
And the parliament of sky,
The kingcrafts of the wicked sea,
Autocracy of night and day,
Dictatorship of sun.
Rebel against the flesh and bone,
The word of the blood, the wily skin,
And the maggot no man can slay.'
'The thirst is quenched, the hunger gone,
And my heart is cracked across;
My face is haggard in the glass,
My lips are withered with a kiss,
My breasts are thin.
A merry girl took me for man,
I laid her down and told her sin,
And put beside her a ram rose.
'The maggot that no man can kill
And the man no rope can hang
Rebel against my father's dream
That out of a bower of red swine
Howls the foul fiend to heel.
I cannot murder, like a fool,
Season and sunshine, grace and girl,
Nor can I smother the sweet waking.'
Black night still ministers the moon,
And the sky lays down her laws,
The sea speaks in a kingly voice,
Light and dark are no enemies
But one companion.
'War on the spider and the wren!
War on the destiny of man!
Doom on the sun!'
Before death takes you, O take back this.
345
Dylan Thomas
Find Meat On Bones
Find Meat On Bones
'Find meat on bones that soon have none,
And drink in the two milked crags,
The merriest marrow and the dregs
Before the ladies' breasts are hags
And the limbs are torn.
Disturb no winding-sheets, my son,
But when the ladies are cold as stone
Then hang a ram rose over the rags.
'Rebel against the binding moon
And the parliament of sky,
The kingcrafts of the wicked sea,
Autocracy of night and day,
Dictatorship of sun.
Rebel against the flesh and bone,
The word of the blood, the wily skin,
And the maggot no man can slay.'
'The thirst is quenched, the hunger gone,
And my heart is cracked across;
My face is haggard in the glass,
My lips are withered with a kiss,
My breasts are thin.
A merry girl took me for man,
I laid her down and told her sin,
And put beside her a ram rose.
'The maggot that no man can kill
And the man no rope can hang
Rebel against my father's dream
That out of a bower of red swine
Howls the foul fiend to heel.
I cannot murder, like a fool,
Season and sunshine, grace and girl,
Nor can I smother the sweet waking.'
Black night still ministers the moon,
And the sky lays down her laws,
The sea speaks in a kingly voice,
Light and dark are no enemies
But one companion.
'War on the spider and the wren!
War on the destiny of man!
Doom on the sun!'
Before death takes you, O take back this.
'Find meat on bones that soon have none,
And drink in the two milked crags,
The merriest marrow and the dregs
Before the ladies' breasts are hags
And the limbs are torn.
Disturb no winding-sheets, my son,
But when the ladies are cold as stone
Then hang a ram rose over the rags.
'Rebel against the binding moon
And the parliament of sky,
The kingcrafts of the wicked sea,
Autocracy of night and day,
Dictatorship of sun.
Rebel against the flesh and bone,
The word of the blood, the wily skin,
And the maggot no man can slay.'
'The thirst is quenched, the hunger gone,
And my heart is cracked across;
My face is haggard in the glass,
My lips are withered with a kiss,
My breasts are thin.
A merry girl took me for man,
I laid her down and told her sin,
And put beside her a ram rose.
'The maggot that no man can kill
And the man no rope can hang
Rebel against my father's dream
That out of a bower of red swine
Howls the foul fiend to heel.
I cannot murder, like a fool,
Season and sunshine, grace and girl,
Nor can I smother the sweet waking.'
Black night still ministers the moon,
And the sky lays down her laws,
The sea speaks in a kingly voice,
Light and dark are no enemies
But one companion.
'War on the spider and the wren!
War on the destiny of man!
Doom on the sun!'
Before death takes you, O take back this.
345
Dylan Thomas
Among Those Killed in the Dawn Raid Was a Man Aged a Hundred
Among Those Killed in the Dawn Raid Was a Man Aged a Hundred
When the morning was waking over the war
He put on his clothes and stepped out and he died,
The locks yawned loose and a blast blew them wide,
He dropped where he loved on the burst pavement stone
And the funeral grains of the slaughtered floor.
Tell his street on its back he stopped a sun
And the craters of his eyes grew springshots and fire
When all the keys shot from the locks, and rang.
Dig no more for the chains of his grey-haired heart.
The heavenly ambulance drawn by a wound
Assembling waits for the spade's ring on the cage.
O keep his bones away from the common cart,
The morning is flying on the wings of his age
And a hundred storks perch on the sun's right hand.
When the morning was waking over the war
He put on his clothes and stepped out and he died,
The locks yawned loose and a blast blew them wide,
He dropped where he loved on the burst pavement stone
And the funeral grains of the slaughtered floor.
Tell his street on its back he stopped a sun
And the craters of his eyes grew springshots and fire
When all the keys shot from the locks, and rang.
Dig no more for the chains of his grey-haired heart.
The heavenly ambulance drawn by a wound
Assembling waits for the spade's ring on the cage.
O keep his bones away from the common cart,
The morning is flying on the wings of his age
And a hundred storks perch on the sun's right hand.
265
Dylan Thomas
Among Those Killed in the Dawn Raid Was a Man Aged a Hundred
Among Those Killed in the Dawn Raid Was a Man Aged a Hundred
When the morning was waking over the war
He put on his clothes and stepped out and he died,
The locks yawned loose and a blast blew them wide,
He dropped where he loved on the burst pavement stone
And the funeral grains of the slaughtered floor.
Tell his street on its back he stopped a sun
And the craters of his eyes grew springshots and fire
When all the keys shot from the locks, and rang.
Dig no more for the chains of his grey-haired heart.
The heavenly ambulance drawn by a wound
Assembling waits for the spade's ring on the cage.
O keep his bones away from the common cart,
The morning is flying on the wings of his age
And a hundred storks perch on the sun's right hand.
When the morning was waking over the war
He put on his clothes and stepped out and he died,
The locks yawned loose and a blast blew them wide,
He dropped where he loved on the burst pavement stone
And the funeral grains of the slaughtered floor.
Tell his street on its back he stopped a sun
And the craters of his eyes grew springshots and fire
When all the keys shot from the locks, and rang.
Dig no more for the chains of his grey-haired heart.
The heavenly ambulance drawn by a wound
Assembling waits for the spade's ring on the cage.
O keep his bones away from the common cart,
The morning is flying on the wings of his age
And a hundred storks perch on the sun's right hand.
265
Dylan Thomas
A Saint About To Fall
A Saint About To Fall
A saint about to fall,
The stained flats of heaven hit and razed
To the kissed kite hems of his shawl,
On the last street wave praised
The unwinding, song by rock,
Of the woven wall
Of his father's house in the sands,
The vanishing of the musical ship-work and the chucked bells,
The wound-down cough of the blood-counting clock
Behind a face of hands,
On the angelic etna of the last whirring featherlands,
Wind-heeled foot in the hole of a fireball,
Hymned his shrivelling flock,
On the last rick's tip by spilled wine-wells
Sang heaven hungry and the quick
Cut Christbread spitting vinegar and all
The mazes of his praise and envious tongue were worked in flames and shells.
Glory cracked like a flea.
The sun-leaved holy candlewoods
Drivelled down to one singeing tree
With a stub of black buds,
The sweet, fish-gilled boats bringing blood
Lurched through a scuttled sea
With a hold of leeches and straws,
Heaven fell with his fall and one crocked bell beat the left air.
O wake in me in my house in the mud
Of the crotch of the squawking shores,
Flicked from the carbolic city puzzle in a bed of sores
The scudding base of the familiar sky,
The lofty roots of the clouds.
From an odd room in a split house stare,
Milk in your mouth, at the sour floods
That bury the sweet street slowly, see
The skull of the earth is barbed with a war of burning brains and hair.
Strike in the time-bomb town,
Raise the live rafters of the eardrum,
Throw your fear a parcel of stone
Through the dark asylum,
Lapped among herods wail
As their blade marches in
That the eyes are already murdered,
The stocked heart is forced, and agony has another mouth to feed.
O wake to see, after a noble fall,
The old mud hatch again, the horrid
Woe drip from the dishrag hands and the pressed sponge of the forehead,
The breath draw back like a bolt through white oil
And a stranger enter like iron.
Cry joy that hits witchlike midwife second
Bullies into rough seas you so gentle
And makes with a flick of the thumb and sun
A thundering bullring of your silent and girl-circled island.
A saint about to fall,
The stained flats of heaven hit and razed
To the kissed kite hems of his shawl,
On the last street wave praised
The unwinding, song by rock,
Of the woven wall
Of his father's house in the sands,
The vanishing of the musical ship-work and the chucked bells,
The wound-down cough of the blood-counting clock
Behind a face of hands,
On the angelic etna of the last whirring featherlands,
Wind-heeled foot in the hole of a fireball,
Hymned his shrivelling flock,
On the last rick's tip by spilled wine-wells
Sang heaven hungry and the quick
Cut Christbread spitting vinegar and all
The mazes of his praise and envious tongue were worked in flames and shells.
Glory cracked like a flea.
The sun-leaved holy candlewoods
Drivelled down to one singeing tree
With a stub of black buds,
The sweet, fish-gilled boats bringing blood
Lurched through a scuttled sea
With a hold of leeches and straws,
Heaven fell with his fall and one crocked bell beat the left air.
O wake in me in my house in the mud
Of the crotch of the squawking shores,
Flicked from the carbolic city puzzle in a bed of sores
The scudding base of the familiar sky,
The lofty roots of the clouds.
From an odd room in a split house stare,
Milk in your mouth, at the sour floods
That bury the sweet street slowly, see
The skull of the earth is barbed with a war of burning brains and hair.
Strike in the time-bomb town,
Raise the live rafters of the eardrum,
Throw your fear a parcel of stone
Through the dark asylum,
Lapped among herods wail
As their blade marches in
That the eyes are already murdered,
The stocked heart is forced, and agony has another mouth to feed.
O wake to see, after a noble fall,
The old mud hatch again, the horrid
Woe drip from the dishrag hands and the pressed sponge of the forehead,
The breath draw back like a bolt through white oil
And a stranger enter like iron.
Cry joy that hits witchlike midwife second
Bullies into rough seas you so gentle
And makes with a flick of the thumb and sun
A thundering bullring of your silent and girl-circled island.
280
Dylan Thomas
A Saint About To Fall
A Saint About To Fall
A saint about to fall,
The stained flats of heaven hit and razed
To the kissed kite hems of his shawl,
On the last street wave praised
The unwinding, song by rock,
Of the woven wall
Of his father's house in the sands,
The vanishing of the musical ship-work and the chucked bells,
The wound-down cough of the blood-counting clock
Behind a face of hands,
On the angelic etna of the last whirring featherlands,
Wind-heeled foot in the hole of a fireball,
Hymned his shrivelling flock,
On the last rick's tip by spilled wine-wells
Sang heaven hungry and the quick
Cut Christbread spitting vinegar and all
The mazes of his praise and envious tongue were worked in flames and shells.
Glory cracked like a flea.
The sun-leaved holy candlewoods
Drivelled down to one singeing tree
With a stub of black buds,
The sweet, fish-gilled boats bringing blood
Lurched through a scuttled sea
With a hold of leeches and straws,
Heaven fell with his fall and one crocked bell beat the left air.
O wake in me in my house in the mud
Of the crotch of the squawking shores,
Flicked from the carbolic city puzzle in a bed of sores
The scudding base of the familiar sky,
The lofty roots of the clouds.
From an odd room in a split house stare,
Milk in your mouth, at the sour floods
That bury the sweet street slowly, see
The skull of the earth is barbed with a war of burning brains and hair.
Strike in the time-bomb town,
Raise the live rafters of the eardrum,
Throw your fear a parcel of stone
Through the dark asylum,
Lapped among herods wail
As their blade marches in
That the eyes are already murdered,
The stocked heart is forced, and agony has another mouth to feed.
O wake to see, after a noble fall,
The old mud hatch again, the horrid
Woe drip from the dishrag hands and the pressed sponge of the forehead,
The breath draw back like a bolt through white oil
And a stranger enter like iron.
Cry joy that hits witchlike midwife second
Bullies into rough seas you so gentle
And makes with a flick of the thumb and sun
A thundering bullring of your silent and girl-circled island.
A saint about to fall,
The stained flats of heaven hit and razed
To the kissed kite hems of his shawl,
On the last street wave praised
The unwinding, song by rock,
Of the woven wall
Of his father's house in the sands,
The vanishing of the musical ship-work and the chucked bells,
The wound-down cough of the blood-counting clock
Behind a face of hands,
On the angelic etna of the last whirring featherlands,
Wind-heeled foot in the hole of a fireball,
Hymned his shrivelling flock,
On the last rick's tip by spilled wine-wells
Sang heaven hungry and the quick
Cut Christbread spitting vinegar and all
The mazes of his praise and envious tongue were worked in flames and shells.
Glory cracked like a flea.
The sun-leaved holy candlewoods
Drivelled down to one singeing tree
With a stub of black buds,
The sweet, fish-gilled boats bringing blood
Lurched through a scuttled sea
With a hold of leeches and straws,
Heaven fell with his fall and one crocked bell beat the left air.
O wake in me in my house in the mud
Of the crotch of the squawking shores,
Flicked from the carbolic city puzzle in a bed of sores
The scudding base of the familiar sky,
The lofty roots of the clouds.
From an odd room in a split house stare,
Milk in your mouth, at the sour floods
That bury the sweet street slowly, see
The skull of the earth is barbed with a war of burning brains and hair.
Strike in the time-bomb town,
Raise the live rafters of the eardrum,
Throw your fear a parcel of stone
Through the dark asylum,
Lapped among herods wail
As their blade marches in
That the eyes are already murdered,
The stocked heart is forced, and agony has another mouth to feed.
O wake to see, after a noble fall,
The old mud hatch again, the horrid
Woe drip from the dishrag hands and the pressed sponge of the forehead,
The breath draw back like a bolt through white oil
And a stranger enter like iron.
Cry joy that hits witchlike midwife second
Bullies into rough seas you so gentle
And makes with a flick of the thumb and sun
A thundering bullring of your silent and girl-circled island.
280
Dorothy Parker
Unfortunate Coincidence
Unfortunate Coincidence
By the time you swear you're his,
Shivering and sighing,
And he vows his passion is
Infinite, undying -
Lady, make a note of this:
One of you is lying.
By the time you swear you're his,
Shivering and sighing,
And he vows his passion is
Infinite, undying -
Lady, make a note of this:
One of you is lying.
419
Dorothy Parker
Two-Volume Novel
Two-Volume Novel
The sun's gone dim, and
The moon's turned black;
For I loved him, and
He didn't love back.
The sun's gone dim, and
The moon's turned black;
For I loved him, and
He didn't love back.
375
Dorothy Parker
Tombstones in the Starlight
Tombstones in the Starlight
I. The Minor Poet
His little trills and chirpings were his best.
No music like the nightingale's was born
Within his throat; but he, too, laid his breast
Upon a thorn.
II. The Pretty Lady
She hated bleak and wintry things alone.
All that was warm and quick, she loved too well-
A light, a flame, a heart against her own;
It is forever bitter cold, in Hell.
III. The Very Rich Man
He'd have the best, and that was none too good;
No barrier could hold, before his terms.
He lies below, correct in cypress wood,
And entertains the most exclusive worms.
IV. The Fisherwoman
The man she had was kind and clean
And well enough for every day,
But, oh, dear friends, you should have seen
The one that got away!
V. The Crusader
Arrived in Heaven, when his sands were run,
He seized a quill, and sat him down to tell
The local press that something should be done
About that noisy nuisance, Gabriel.
VI. The Actress
Her name, cut clear upon this marble cross,
Shines, as it shone when she was still on earth;
While tenderly the mild, agreeable moss
Obscures the figures of her date of birth.
I. The Minor Poet
His little trills and chirpings were his best.
No music like the nightingale's was born
Within his throat; but he, too, laid his breast
Upon a thorn.
II. The Pretty Lady
She hated bleak and wintry things alone.
All that was warm and quick, she loved too well-
A light, a flame, a heart against her own;
It is forever bitter cold, in Hell.
III. The Very Rich Man
He'd have the best, and that was none too good;
No barrier could hold, before his terms.
He lies below, correct in cypress wood,
And entertains the most exclusive worms.
IV. The Fisherwoman
The man she had was kind and clean
And well enough for every day,
But, oh, dear friends, you should have seen
The one that got away!
V. The Crusader
Arrived in Heaven, when his sands were run,
He seized a quill, and sat him down to tell
The local press that something should be done
About that noisy nuisance, Gabriel.
VI. The Actress
Her name, cut clear upon this marble cross,
Shines, as it shone when she was still on earth;
While tenderly the mild, agreeable moss
Obscures the figures of her date of birth.
363
Dorothy Parker
Thought For A Sunshiny Morning
Thought For A Sunshiny Morning
It costs me never a stab nor squirm
To tread by chance upon a worm.
"Aha, my little dear," I say,
"Your clan will pay me back one day."
It costs me never a stab nor squirm
To tread by chance upon a worm.
"Aha, my little dear," I say,
"Your clan will pay me back one day."
349
Dorothy Parker
To A Much Too Unfortunate Lady
To A Much Too Unfortunate Lady
He will love you presently
If you be the way you be.
Send your heart a-skittering.
He will stoop, and lift the thing.
Be your dreams as thread, to tease
Into patterns he shall please.
Let him see your passion is
Ever tenderer than his....
Go and bless your star above,
Thus are you, and thus is Love.
He will leave you white with woe,
If you go the way you go.
If your dreams were thread to weave
He will pluck them from his sleeve.
If your heart had come to rest,
He will flick it from his breast.
Tender though the love he bore,
You had loved a little more....
Lady, go and curse your star,
Thus Love is, and thus you are.
He will love you presently
If you be the way you be.
Send your heart a-skittering.
He will stoop, and lift the thing.
Be your dreams as thread, to tease
Into patterns he shall please.
Let him see your passion is
Ever tenderer than his....
Go and bless your star above,
Thus are you, and thus is Love.
He will leave you white with woe,
If you go the way you go.
If your dreams were thread to weave
He will pluck them from his sleeve.
If your heart had come to rest,
He will flick it from his breast.
Tender though the love he bore,
You had loved a little more....
Lady, go and curse your star,
Thus Love is, and thus you are.
384
Dorothy Parker
They Part
They Part
And if, my friend, you'd have it end,
There's naught to hear or tell.
But need you try to black my eye
In wishing me farewell.
Though I admit an edged wit
In woe is warranted,
May I be frank? . . . Such words as "-"
Are better left unsaid.
There's rosemary for you and me;
But is it usual, dear,
To hire a man, and fill a van
By way of souvenir?
And if, my friend, you'd have it end,
There's naught to hear or tell.
But need you try to black my eye
In wishing me farewell.
Though I admit an edged wit
In woe is warranted,
May I be frank? . . . Such words as "-"
Are better left unsaid.
There's rosemary for you and me;
But is it usual, dear,
To hire a man, and fill a van
By way of souvenir?
296
Dorothy Parker
Theory
Theory
Into love and out again,
Thus I went, and thus I go.
Spare your voice, and hold your penWell
and bitterly I know
All the songs were ever sung,
All the words were ever said;
Could it be, when I was young,
Some one dropped me on my head?
Into love and out again,
Thus I went, and thus I go.
Spare your voice, and hold your penWell
and bitterly I know
All the songs were ever sung,
All the words were ever said;
Could it be, when I was young,
Some one dropped me on my head?
381
Dorothy Parker
The Veteran
The Veteran
When I was young and bold and strong,
Oh, right was right, and wrong was wrong!
My plume on high, my flag unfurled,
I rode away to right the world.
"Come out, you dogs, and fight!" said I,
And wept there was but once to die.
But I am old; and good and bad
Are woven in a crazy plaid.
I sit and say, "The world is so;
And he is wise who lets it go.
A battle lost, a battle won-
The difference is small, my son."
Inertia rides and riddles me;
The which is called Philosophy.
When I was young and bold and strong,
Oh, right was right, and wrong was wrong!
My plume on high, my flag unfurled,
I rode away to right the world.
"Come out, you dogs, and fight!" said I,
And wept there was but once to die.
But I am old; and good and bad
Are woven in a crazy plaid.
I sit and say, "The world is so;
And he is wise who lets it go.
A battle lost, a battle won-
The difference is small, my son."
Inertia rides and riddles me;
The which is called Philosophy.
462
Dorothy Parker
The Satin Dress
The Satin Dress
Needle, needle, dip and dart,
Thrusting up and down,
Where's the man could ease a heart
Like a satin gown?
See the stitches curve and crawl
Round the cunning seams-
Patterns thin and sweet and small
As a lady's dreams.
Wantons go in bright brocade;
Brides in organdie;
Gingham's for the plighted maid;
Satin's for the free!
Wool's to line a miser's chest;
Crepe's to calm the old;
Velvet hides an empty breast
Satin's for the bold!
Lawn is for a bishop's yoke;
Linen's for a nun;
Satin is for wiser folk-
Would the dress were done!
Satin glows in candlelightSatin's
for the proud!
They will say who watch at night,
"What a fine shroud!"
Needle, needle, dip and dart,
Thrusting up and down,
Where's the man could ease a heart
Like a satin gown?
See the stitches curve and crawl
Round the cunning seams-
Patterns thin and sweet and small
As a lady's dreams.
Wantons go in bright brocade;
Brides in organdie;
Gingham's for the plighted maid;
Satin's for the free!
Wool's to line a miser's chest;
Crepe's to calm the old;
Velvet hides an empty breast
Satin's for the bold!
Lawn is for a bishop's yoke;
Linen's for a nun;
Satin is for wiser folk-
Would the dress were done!
Satin glows in candlelightSatin's
for the proud!
They will say who watch at night,
"What a fine shroud!"
421
Dorothy Parker
Sonnet For The End Of A Sequence
Sonnet For The End Of A Sequence
So take my vows and scatter them to sea;
Who swears the sweetest is no more than human.
And say no kinder words than these of me:
"Ever she longed for peace, but was a woman!
And thus they are, whose silly female dust
Needs little enough to clutter it and bind it,
Who meet a slanted gaze, and ever must
Go build themselves a soul to dwell behind it."
For now I am my own again, my friend!
This scar but points the whiteness of my breast;
This frenzy, like its betters, spins an end,
And now I am my own. And that is best.
Therefore, I am immeasurably grateful
To you, for proving shallow, false, and hateful.
So take my vows and scatter them to sea;
Who swears the sweetest is no more than human.
And say no kinder words than these of me:
"Ever she longed for peace, but was a woman!
And thus they are, whose silly female dust
Needs little enough to clutter it and bind it,
Who meet a slanted gaze, and ever must
Go build themselves a soul to dwell behind it."
For now I am my own again, my friend!
This scar but points the whiteness of my breast;
This frenzy, like its betters, spins an end,
And now I am my own. And that is best.
Therefore, I am immeasurably grateful
To you, for proving shallow, false, and hateful.
355
Dorothy Parker
Song Of One Of The Girls
Song Of One Of The Girls
Here in my heart I am Helen;
I'm Aspasia and Hero, at least.
I'm Judith, and Jael, and Madame de Stael;
I'm Salome, moon of the East.
Here in my soul I am Sappho;
Lady Hamilton am I, as well.
In me Recamier vies with Kitty O'Shea,
With Dido, and Eve, and poor Nell.
I'm of the glamorous ladies
At whose beckoning history shook.
But you are a man, and see only my pan,
So I stay at home with a book.
Here in my heart I am Helen;
I'm Aspasia and Hero, at least.
I'm Judith, and Jael, and Madame de Stael;
I'm Salome, moon of the East.
Here in my soul I am Sappho;
Lady Hamilton am I, as well.
In me Recamier vies with Kitty O'Shea,
With Dido, and Eve, and poor Nell.
I'm of the glamorous ladies
At whose beckoning history shook.
But you are a man, and see only my pan,
So I stay at home with a book.
311