Poems in this topic
Society and the World
Robert W. Service
Raising The Flag
Raising The Flag
Behold! the Spanish flag they're raising
Before the Palace courtyard gate;
To watch its progress bold and blazing
Two hundred patient people wait.
Though bandsmen play the anthem bravely
The silken emblem seems to lag;
Two hundred people watch it gravely -
But only two salute the flag.
Fine-clad and arrogant of manner
The twain are like dark dons of old,
And to that high and haughty banner
Uplifted palms they proudly hold.
The others watch them glumly, grimly;
No sullen proletariat these,
but middle-class, well clad though dimly,
Who seem to live in decent ease.
Then sadly they look at each other,
And sigh ans shrug and turn away.
What is the feeling that they smother?
I wonder, but it's none too gay.
And as with puzzlement I bide me,
Beneath that rich, resplendent rag,
I hear a bitter voice beside me:
"It isn't ours - it's Franco's flag.
"I'm Right: I have no Left obsession.
I hate the Communists like hell,
But after ten years of oppression
I hate our Franco twice as well.
And hush! I keep (do not reprove me)
His portrait in a private place,
And every time my bowels move me
I - spit in El Caudillo's face."
These were the words I heard, I swear,
But when I turned around to stare,
Believe me - there was no one there.
Behold! the Spanish flag they're raising
Before the Palace courtyard gate;
To watch its progress bold and blazing
Two hundred patient people wait.
Though bandsmen play the anthem bravely
The silken emblem seems to lag;
Two hundred people watch it gravely -
But only two salute the flag.
Fine-clad and arrogant of manner
The twain are like dark dons of old,
And to that high and haughty banner
Uplifted palms they proudly hold.
The others watch them glumly, grimly;
No sullen proletariat these,
but middle-class, well clad though dimly,
Who seem to live in decent ease.
Then sadly they look at each other,
And sigh ans shrug and turn away.
What is the feeling that they smother?
I wonder, but it's none too gay.
And as with puzzlement I bide me,
Beneath that rich, resplendent rag,
I hear a bitter voice beside me:
"It isn't ours - it's Franco's flag.
"I'm Right: I have no Left obsession.
I hate the Communists like hell,
But after ten years of oppression
I hate our Franco twice as well.
And hush! I keep (do not reprove me)
His portrait in a private place,
And every time my bowels move me
I - spit in El Caudillo's face."
These were the words I heard, I swear,
But when I turned around to stare,
Believe me - there was no one there.
234
Robert W. Service
Raising The Flag
Raising The Flag
Behold! the Spanish flag they're raising
Before the Palace courtyard gate;
To watch its progress bold and blazing
Two hundred patient people wait.
Though bandsmen play the anthem bravely
The silken emblem seems to lag;
Two hundred people watch it gravely -
But only two salute the flag.
Fine-clad and arrogant of manner
The twain are like dark dons of old,
And to that high and haughty banner
Uplifted palms they proudly hold.
The others watch them glumly, grimly;
No sullen proletariat these,
but middle-class, well clad though dimly,
Who seem to live in decent ease.
Then sadly they look at each other,
And sigh ans shrug and turn away.
What is the feeling that they smother?
I wonder, but it's none too gay.
And as with puzzlement I bide me,
Beneath that rich, resplendent rag,
I hear a bitter voice beside me:
"It isn't ours - it's Franco's flag.
"I'm Right: I have no Left obsession.
I hate the Communists like hell,
But after ten years of oppression
I hate our Franco twice as well.
And hush! I keep (do not reprove me)
His portrait in a private place,
And every time my bowels move me
I - spit in El Caudillo's face."
These were the words I heard, I swear,
But when I turned around to stare,
Believe me - there was no one there.
Behold! the Spanish flag they're raising
Before the Palace courtyard gate;
To watch its progress bold and blazing
Two hundred patient people wait.
Though bandsmen play the anthem bravely
The silken emblem seems to lag;
Two hundred people watch it gravely -
But only two salute the flag.
Fine-clad and arrogant of manner
The twain are like dark dons of old,
And to that high and haughty banner
Uplifted palms they proudly hold.
The others watch them glumly, grimly;
No sullen proletariat these,
but middle-class, well clad though dimly,
Who seem to live in decent ease.
Then sadly they look at each other,
And sigh ans shrug and turn away.
What is the feeling that they smother?
I wonder, but it's none too gay.
And as with puzzlement I bide me,
Beneath that rich, resplendent rag,
I hear a bitter voice beside me:
"It isn't ours - it's Franco's flag.
"I'm Right: I have no Left obsession.
I hate the Communists like hell,
But after ten years of oppression
I hate our Franco twice as well.
And hush! I keep (do not reprove me)
His portrait in a private place,
And every time my bowels move me
I - spit in El Caudillo's face."
These were the words I heard, I swear,
But when I turned around to stare,
Believe me - there was no one there.
234
Robert W. Service
Raising The Flag
Raising The Flag
Behold! the Spanish flag they're raising
Before the Palace courtyard gate;
To watch its progress bold and blazing
Two hundred patient people wait.
Though bandsmen play the anthem bravely
The silken emblem seems to lag;
Two hundred people watch it gravely -
But only two salute the flag.
Fine-clad and arrogant of manner
The twain are like dark dons of old,
And to that high and haughty banner
Uplifted palms they proudly hold.
The others watch them glumly, grimly;
No sullen proletariat these,
but middle-class, well clad though dimly,
Who seem to live in decent ease.
Then sadly they look at each other,
And sigh ans shrug and turn away.
What is the feeling that they smother?
I wonder, but it's none too gay.
And as with puzzlement I bide me,
Beneath that rich, resplendent rag,
I hear a bitter voice beside me:
"It isn't ours - it's Franco's flag.
"I'm Right: I have no Left obsession.
I hate the Communists like hell,
But after ten years of oppression
I hate our Franco twice as well.
And hush! I keep (do not reprove me)
His portrait in a private place,
And every time my bowels move me
I - spit in El Caudillo's face."
These were the words I heard, I swear,
But when I turned around to stare,
Believe me - there was no one there.
Behold! the Spanish flag they're raising
Before the Palace courtyard gate;
To watch its progress bold and blazing
Two hundred patient people wait.
Though bandsmen play the anthem bravely
The silken emblem seems to lag;
Two hundred people watch it gravely -
But only two salute the flag.
Fine-clad and arrogant of manner
The twain are like dark dons of old,
And to that high and haughty banner
Uplifted palms they proudly hold.
The others watch them glumly, grimly;
No sullen proletariat these,
but middle-class, well clad though dimly,
Who seem to live in decent ease.
Then sadly they look at each other,
And sigh ans shrug and turn away.
What is the feeling that they smother?
I wonder, but it's none too gay.
And as with puzzlement I bide me,
Beneath that rich, resplendent rag,
I hear a bitter voice beside me:
"It isn't ours - it's Franco's flag.
"I'm Right: I have no Left obsession.
I hate the Communists like hell,
But after ten years of oppression
I hate our Franco twice as well.
And hush! I keep (do not reprove me)
His portrait in a private place,
And every time my bowels move me
I - spit in El Caudillo's face."
These were the words I heard, I swear,
But when I turned around to stare,
Believe me - there was no one there.
234
Robert W. Service
Raising The Flag
Raising The Flag
Behold! the Spanish flag they're raising
Before the Palace courtyard gate;
To watch its progress bold and blazing
Two hundred patient people wait.
Though bandsmen play the anthem bravely
The silken emblem seems to lag;
Two hundred people watch it gravely -
But only two salute the flag.
Fine-clad and arrogant of manner
The twain are like dark dons of old,
And to that high and haughty banner
Uplifted palms they proudly hold.
The others watch them glumly, grimly;
No sullen proletariat these,
but middle-class, well clad though dimly,
Who seem to live in decent ease.
Then sadly they look at each other,
And sigh ans shrug and turn away.
What is the feeling that they smother?
I wonder, but it's none too gay.
And as with puzzlement I bide me,
Beneath that rich, resplendent rag,
I hear a bitter voice beside me:
"It isn't ours - it's Franco's flag.
"I'm Right: I have no Left obsession.
I hate the Communists like hell,
But after ten years of oppression
I hate our Franco twice as well.
And hush! I keep (do not reprove me)
His portrait in a private place,
And every time my bowels move me
I - spit in El Caudillo's face."
These were the words I heard, I swear,
But when I turned around to stare,
Believe me - there was no one there.
Behold! the Spanish flag they're raising
Before the Palace courtyard gate;
To watch its progress bold and blazing
Two hundred patient people wait.
Though bandsmen play the anthem bravely
The silken emblem seems to lag;
Two hundred people watch it gravely -
But only two salute the flag.
Fine-clad and arrogant of manner
The twain are like dark dons of old,
And to that high and haughty banner
Uplifted palms they proudly hold.
The others watch them glumly, grimly;
No sullen proletariat these,
but middle-class, well clad though dimly,
Who seem to live in decent ease.
Then sadly they look at each other,
And sigh ans shrug and turn away.
What is the feeling that they smother?
I wonder, but it's none too gay.
And as with puzzlement I bide me,
Beneath that rich, resplendent rag,
I hear a bitter voice beside me:
"It isn't ours - it's Franco's flag.
"I'm Right: I have no Left obsession.
I hate the Communists like hell,
But after ten years of oppression
I hate our Franco twice as well.
And hush! I keep (do not reprove me)
His portrait in a private place,
And every time my bowels move me
I - spit in El Caudillo's face."
These were the words I heard, I swear,
But when I turned around to stare,
Believe me - there was no one there.
234
Robert W. Service
Priscilla
Priscilla
Jerry MacMullen, the millionaire,
Driving a red-meat bus out there --
How did he win his Croix de Guerre?
Bless you, that's all old stuff:
Beast of a night on the Verdun road,
Jerry stuck with a woeful load,
Stalled in the mud where the red lights glowed,
Prospect devilish tough.
"Little Priscilla" he called his car,
Best of our battered bunch by far,
Branded with many a bullet scar,
Yet running so sweet and true.
Jerry he loved her, knew her tricks;
Swore: "She's the beat of the best big six,
And if ever I get in a deuce of a fix
Priscilla will pull me through."
"Looks pretty rotten right now," says he;
"Hanged if the devil himself could see.
Priscilla, it's up to you and me
To show 'em what we can do."
Seemed that Priscilla just took the word;
Up with a leap like a horse that's spurred,
On with the joy of a homing bird,
Swift as the wind she flew.
Shell-holes shoot at them out of the night;
A lurch to the left, a wrench to the right,
Hands grim-gripping and teeth clenched tight,
Eyes that glare through the dark.
"Priscilla, you're doing me proud this day;
Hospital's only a league away,
And, honey, I'm longing to hit the hay,
So hurry, old girl. . . . But hark!"
Howl of a shell, harsh, sudden, dread;
Another . . . another. . . . "Strike me dead
If the Huns ain't strafing the road ahead
So the convoy can't get through!
A barrage of shrap, and us alone;
Four rush-cases -- you hear 'em moan?
Fierce old messes of blood and bone. . . .
Priscilla, what shall we do?"
Again it seems that Priscilla hears.
With a rush and a roar her way she clears,
Straight at the hell of flame she steers,
Full at its heart of wrath.
Fury of death and dust and din!
Havoc and horror! She's in, she's in;
She's almost over, she'll win, she'll win!
Woof! Crump! right in the path.
Little Priscilla skids and stops,
Jerry MacMullen sways and flops;
Bang in his map the crash he cops;
Shriek from the car: "Mon Dieu!"
One of the blessés hears him say,
Just at the moment he faints away:
"Reckon this isn't my lucky day,
Priscilla, it's up to you."
Sergeant raps on the doctor's door;
"Car in the court with couchés four;
Driver dead on the dashboard floor;
Strange how the bunch got here."
"No," says the Doc, "this chap's alive;
But tell me, how could a man contrive
With both arms broken, a car to drive?
Thunder of God! it's queer."
Same little blessé makes a spiel;
Says he: "When I saw our driver reel,
A Strange Shape leapt to the driving wheel
And sped us safe through the night."
But Jerry, he says in his drawling tone:
"Rats! Why, Priscilla came in on her own.
Bless her, she did it alone, alone. . . ."
Hanged if I know who's right.
Jerry MacMullen, the millionaire,
Driving a red-meat bus out there --
How did he win his Croix de Guerre?
Bless you, that's all old stuff:
Beast of a night on the Verdun road,
Jerry stuck with a woeful load,
Stalled in the mud where the red lights glowed,
Prospect devilish tough.
"Little Priscilla" he called his car,
Best of our battered bunch by far,
Branded with many a bullet scar,
Yet running so sweet and true.
Jerry he loved her, knew her tricks;
Swore: "She's the beat of the best big six,
And if ever I get in a deuce of a fix
Priscilla will pull me through."
"Looks pretty rotten right now," says he;
"Hanged if the devil himself could see.
Priscilla, it's up to you and me
To show 'em what we can do."
Seemed that Priscilla just took the word;
Up with a leap like a horse that's spurred,
On with the joy of a homing bird,
Swift as the wind she flew.
Shell-holes shoot at them out of the night;
A lurch to the left, a wrench to the right,
Hands grim-gripping and teeth clenched tight,
Eyes that glare through the dark.
"Priscilla, you're doing me proud this day;
Hospital's only a league away,
And, honey, I'm longing to hit the hay,
So hurry, old girl. . . . But hark!"
Howl of a shell, harsh, sudden, dread;
Another . . . another. . . . "Strike me dead
If the Huns ain't strafing the road ahead
So the convoy can't get through!
A barrage of shrap, and us alone;
Four rush-cases -- you hear 'em moan?
Fierce old messes of blood and bone. . . .
Priscilla, what shall we do?"
Again it seems that Priscilla hears.
With a rush and a roar her way she clears,
Straight at the hell of flame she steers,
Full at its heart of wrath.
Fury of death and dust and din!
Havoc and horror! She's in, she's in;
She's almost over, she'll win, she'll win!
Woof! Crump! right in the path.
Little Priscilla skids and stops,
Jerry MacMullen sways and flops;
Bang in his map the crash he cops;
Shriek from the car: "Mon Dieu!"
One of the blessés hears him say,
Just at the moment he faints away:
"Reckon this isn't my lucky day,
Priscilla, it's up to you."
Sergeant raps on the doctor's door;
"Car in the court with couchés four;
Driver dead on the dashboard floor;
Strange how the bunch got here."
"No," says the Doc, "this chap's alive;
But tell me, how could a man contrive
With both arms broken, a car to drive?
Thunder of God! it's queer."
Same little blessé makes a spiel;
Says he: "When I saw our driver reel,
A Strange Shape leapt to the driving wheel
And sped us safe through the night."
But Jerry, he says in his drawling tone:
"Rats! Why, Priscilla came in on her own.
Bless her, she did it alone, alone. . . ."
Hanged if I know who's right.
305
Robert W. Service
Pragmatic
Pragmatic
When young I was an Atheist,
Yea, pompous as a pigeon
No opportunity I missed
To satirize religion.
I sneered at Scripture, scoffed at Faith,
I blasphemed at believers:
Said I: "There's nothing after Death,-
Your priests are just deceivers."
In middle age I was not so
Contemptuous and caustic.
Thought I: "There's much I do not know:
I'd better be agnostic.
The hope of immortality
'Tis foolish to be flouting."
So in the end I came to be
A doubter of my doubting.
Now I am old, with steps inclined
To hesitate and falter;
I find I get such peace of mind
Just sitting by an altar.
So Friends, don't scorn the family pew,
The preachments of the kirks:
Religion may be false or true,
But by the Lord!--it works.
When young I was an Atheist,
Yea, pompous as a pigeon
No opportunity I missed
To satirize religion.
I sneered at Scripture, scoffed at Faith,
I blasphemed at believers:
Said I: "There's nothing after Death,-
Your priests are just deceivers."
In middle age I was not so
Contemptuous and caustic.
Thought I: "There's much I do not know:
I'd better be agnostic.
The hope of immortality
'Tis foolish to be flouting."
So in the end I came to be
A doubter of my doubting.
Now I am old, with steps inclined
To hesitate and falter;
I find I get such peace of mind
Just sitting by an altar.
So Friends, don't scorn the family pew,
The preachments of the kirks:
Religion may be false or true,
But by the Lord!--it works.
213
Robert W. Service
Poor Poet
Poor Poet
'A man should write to please himself,'
He proudly said.
Well, see his poems on the shelf,
Dusty, unread.
When he came to my shop each day,
So peaked and cold,
I'd sneak one of his books away
And say 'twas sold.
And then by chance he looked below,
And saw a stack
Of his own work,--speechless with woe
He came not back.
I hate to think he took to drink,
And passed away;
I have not heard of him a word
Unto this day.
A man must write to please himself,
Of all it's true;
But happy they who spurning pelf-Please
people too.
'A man should write to please himself,'
He proudly said.
Well, see his poems on the shelf,
Dusty, unread.
When he came to my shop each day,
So peaked and cold,
I'd sneak one of his books away
And say 'twas sold.
And then by chance he looked below,
And saw a stack
Of his own work,--speechless with woe
He came not back.
I hate to think he took to drink,
And passed away;
I have not heard of him a word
Unto this day.
A man must write to please himself,
Of all it's true;
But happy they who spurning pelf-Please
people too.
273
Robert W. Service
Pipe Smoker
Pipe Smoker
Because I love the soothing weed
And am of sober type,
I'd choose me for a friend in need
A man who smokes a pipe.
A cove who hasn't much to say,
And spits into the fire,
Puffing like me a pipe of clay,
Corn-cob or briar.
A chap original of thought,
With cheery point of view,
Who has of gumption quite a lot,
And streaks of humour too.
He need not be a whiskered sage,
With wisdom over-ripe:
Just give me in the old of age
A pal who smokes a pipe.
A cigarette may make for wit,
Although I like it not;
A good cigar, I must admit,
Gives dignity to thought.
But as my glass of grog I sip
I never, never gripe
If I have for companionship
A guy who smokes a pipe.
Because I love the soothing weed
And am of sober type,
I'd choose me for a friend in need
A man who smokes a pipe.
A cove who hasn't much to say,
And spits into the fire,
Puffing like me a pipe of clay,
Corn-cob or briar.
A chap original of thought,
With cheery point of view,
Who has of gumption quite a lot,
And streaks of humour too.
He need not be a whiskered sage,
With wisdom over-ripe:
Just give me in the old of age
A pal who smokes a pipe.
A cigarette may make for wit,
Although I like it not;
A good cigar, I must admit,
Gives dignity to thought.
But as my glass of grog I sip
I never, never gripe
If I have for companionship
A guy who smokes a pipe.
235
Robert W. Service
Plebeian Plutocrat
Plebeian Plutocrat
I own a gorgeous Cadillac,
A chauffeur garbed in blue;
And as I sit behind his back
His beefy neck I view.
Yet let me whisper, though you may
Think me a queer old cuss,
From Claude I often sneak away
To board a bus.
A democrat, I love the crowd,
The bustle and the din;
The market wives who gab aloud
As they go out and in.
I chuckle as I pay my dime,
With mien meticulous:
You can't believe how happy I'm;
Aboard a bus.
The driver of my Cadillac
Has such a haughty sneer;
I'm sure he would give me the sack
If he beheld me here.
His horror all my friends would share
Could they but see me thus:
A gleeful multi-millionaire
Aboard a bus.
I own a gorgeous Cadillac,
A chauffeur garbed in blue;
And as I sit behind his back
His beefy neck I view.
Yet let me whisper, though you may
Think me a queer old cuss,
From Claude I often sneak away
To board a bus.
A democrat, I love the crowd,
The bustle and the din;
The market wives who gab aloud
As they go out and in.
I chuckle as I pay my dime,
With mien meticulous:
You can't believe how happy I'm;
Aboard a bus.
The driver of my Cadillac
Has such a haughty sneer;
I'm sure he would give me the sack
If he beheld me here.
His horror all my friends would share
Could they but see me thus:
A gleeful multi-millionaire
Aboard a bus.
253
Robert W. Service
Plebeian Plutocrat
Plebeian Plutocrat
I own a gorgeous Cadillac,
A chauffeur garbed in blue;
And as I sit behind his back
His beefy neck I view.
Yet let me whisper, though you may
Think me a queer old cuss,
From Claude I often sneak away
To board a bus.
A democrat, I love the crowd,
The bustle and the din;
The market wives who gab aloud
As they go out and in.
I chuckle as I pay my dime,
With mien meticulous:
You can't believe how happy I'm;
Aboard a bus.
The driver of my Cadillac
Has such a haughty sneer;
I'm sure he would give me the sack
If he beheld me here.
His horror all my friends would share
Could they but see me thus:
A gleeful multi-millionaire
Aboard a bus.
I own a gorgeous Cadillac,
A chauffeur garbed in blue;
And as I sit behind his back
His beefy neck I view.
Yet let me whisper, though you may
Think me a queer old cuss,
From Claude I often sneak away
To board a bus.
A democrat, I love the crowd,
The bustle and the din;
The market wives who gab aloud
As they go out and in.
I chuckle as I pay my dime,
With mien meticulous:
You can't believe how happy I'm;
Aboard a bus.
The driver of my Cadillac
Has such a haughty sneer;
I'm sure he would give me the sack
If he beheld me here.
His horror all my friends would share
Could they but see me thus:
A gleeful multi-millionaire
Aboard a bus.
253
Robert W. Service
Plebeian Plutocrat
Plebeian Plutocrat
I own a gorgeous Cadillac,
A chauffeur garbed in blue;
And as I sit behind his back
His beefy neck I view.
Yet let me whisper, though you may
Think me a queer old cuss,
From Claude I often sneak away
To board a bus.
A democrat, I love the crowd,
The bustle and the din;
The market wives who gab aloud
As they go out and in.
I chuckle as I pay my dime,
With mien meticulous:
You can't believe how happy I'm;
Aboard a bus.
The driver of my Cadillac
Has such a haughty sneer;
I'm sure he would give me the sack
If he beheld me here.
His horror all my friends would share
Could they but see me thus:
A gleeful multi-millionaire
Aboard a bus.
I own a gorgeous Cadillac,
A chauffeur garbed in blue;
And as I sit behind his back
His beefy neck I view.
Yet let me whisper, though you may
Think me a queer old cuss,
From Claude I often sneak away
To board a bus.
A democrat, I love the crowd,
The bustle and the din;
The market wives who gab aloud
As they go out and in.
I chuckle as I pay my dime,
With mien meticulous:
You can't believe how happy I'm;
Aboard a bus.
The driver of my Cadillac
Has such a haughty sneer;
I'm sure he would give me the sack
If he beheld me here.
His horror all my friends would share
Could they but see me thus:
A gleeful multi-millionaire
Aboard a bus.
253
Robert W. Service
Perfection
Perfection
If I could practise what I preach,
Of fellows there would few be finer;
If I were true to what I teach
My life would be a lot diviner.
If I would act the way I speak,
Of halo I might be a winner:
The spirit wills, the flesh is weak,-
I'm just a simple sinner.
Six days I stray,--on number seven
I try to be a little better,
And stake a tiny claim on Heaven
By clinging close to gospel letter.
My pew I occupy on Sunday,
And though I draw the line at snoring,
I must admit I long for Monday,
And find the sermon boring.
Although from godly grace I fall,
For sensed with sin my every act is,
'Twere better not to preach at all,
Then I would have no need to practice.
So Sabbath day I'll sneak away,
And though the Church grieve my defection,
In sunny woodland I will pray:
"God save us from Perfection!"
If I could practise what I preach,
Of fellows there would few be finer;
If I were true to what I teach
My life would be a lot diviner.
If I would act the way I speak,
Of halo I might be a winner:
The spirit wills, the flesh is weak,-
I'm just a simple sinner.
Six days I stray,--on number seven
I try to be a little better,
And stake a tiny claim on Heaven
By clinging close to gospel letter.
My pew I occupy on Sunday,
And though I draw the line at snoring,
I must admit I long for Monday,
And find the sermon boring.
Although from godly grace I fall,
For sensed with sin my every act is,
'Twere better not to preach at all,
Then I would have no need to practice.
So Sabbath day I'll sneak away,
And though the Church grieve my defection,
In sunny woodland I will pray:
"God save us from Perfection!"
245
Robert W. Service
Pavement Poet
Pavement Poet
God's truth! these be the bitter times.
In vain I sing my sheaf of rhymes,
And hold my battered hat for dimes.
And then a copper collars me,
Barking: "It's begging that you be;
Come on, dad; you're in custody."
And then the Beak looks down and says:
"Sheer doggerel I deem your lays:
I send you down for seven days."
So for the week I won't disturb
The peace by singing at the curb.
I don't mind that, but oh it's hell
To have my verse called doggerel.
God's truth! these be the bitter times.
In vain I sing my sheaf of rhymes,
And hold my battered hat for dimes.
And then a copper collars me,
Barking: "It's begging that you be;
Come on, dad; you're in custody."
And then the Beak looks down and says:
"Sheer doggerel I deem your lays:
I send you down for seven days."
So for the week I won't disturb
The peace by singing at the curb.
I don't mind that, but oh it's hell
To have my verse called doggerel.
201
Robert W. Service
Pavement Poet
Pavement Poet
God's truth! these be the bitter times.
In vain I sing my sheaf of rhymes,
And hold my battered hat for dimes.
And then a copper collars me,
Barking: "It's begging that you be;
Come on, dad; you're in custody."
And then the Beak looks down and says:
"Sheer doggerel I deem your lays:
I send you down for seven days."
So for the week I won't disturb
The peace by singing at the curb.
I don't mind that, but oh it's hell
To have my verse called doggerel.
God's truth! these be the bitter times.
In vain I sing my sheaf of rhymes,
And hold my battered hat for dimes.
And then a copper collars me,
Barking: "It's begging that you be;
Come on, dad; you're in custody."
And then the Beak looks down and says:
"Sheer doggerel I deem your lays:
I send you down for seven days."
So for the week I won't disturb
The peace by singing at the curb.
I don't mind that, but oh it's hell
To have my verse called doggerel.
201
Robert W. Service
Our Pote
Our Pote
A pote is sure a goofy guy;
He ain't got guts like you or I
To tell the score;
He ain't goy gumption 'nuff to know
The game of life's to get the dough,
Then get some more.
Take Brother Bill, he used to be
The big shot of the family,
The first at school;
But since about a year ago,
Through readin' Longfeller and Poe,
He's most a fool.
He mopes around with dimwit stare;
You might as well jest not be there,
The way he looks;
You'd think he shuns the human race,
The how he buries down his face
In highbrow books.
I've seen him stand for near an hour,
Jest starin' at a simple flower
Sich waste o' time;
The scribblin' on an envelope . . .
Why, most of all his silly dope
Don't even rhyme.
Now Brother's Jim's an engineer,
And Brother Tim's a bank cashier,
While I keep store;
Yet Bill, the brightest of the flock,
Might be a lawyer or a doc,
And then some more.
But no, he moons and loafs about,
As if he tried to figger out
Why skies are blue;
Instead o' gittin' down to grips
Wi' life an' stackin' up the chips
Like me an' you.
* * * * * * * * * *
Well, since them final lines I wrote,
We're mournin' for our Brother Pote:
Bill crossed the sea
And solved his problem with the beat,
For now he lies in peace and rest
In Normandie.
He died the bravest of the brave,
And here I'm standin' by his grave
So far from home;
With just a wooden cross to tell
How in the blaze of battle hell
As gloriously there he fell Bill
wrote his "pome".
A pote is sure a goofy guy;
He ain't got guts like you or I
To tell the score;
He ain't goy gumption 'nuff to know
The game of life's to get the dough,
Then get some more.
Take Brother Bill, he used to be
The big shot of the family,
The first at school;
But since about a year ago,
Through readin' Longfeller and Poe,
He's most a fool.
He mopes around with dimwit stare;
You might as well jest not be there,
The way he looks;
You'd think he shuns the human race,
The how he buries down his face
In highbrow books.
I've seen him stand for near an hour,
Jest starin' at a simple flower
Sich waste o' time;
The scribblin' on an envelope . . .
Why, most of all his silly dope
Don't even rhyme.
Now Brother's Jim's an engineer,
And Brother Tim's a bank cashier,
While I keep store;
Yet Bill, the brightest of the flock,
Might be a lawyer or a doc,
And then some more.
But no, he moons and loafs about,
As if he tried to figger out
Why skies are blue;
Instead o' gittin' down to grips
Wi' life an' stackin' up the chips
Like me an' you.
* * * * * * * * * *
Well, since them final lines I wrote,
We're mournin' for our Brother Pote:
Bill crossed the sea
And solved his problem with the beat,
For now he lies in peace and rest
In Normandie.
He died the bravest of the brave,
And here I'm standin' by his grave
So far from home;
With just a wooden cross to tell
How in the blaze of battle hell
As gloriously there he fell Bill
wrote his "pome".
159
Robert W. Service
Our Pote
Our Pote
A pote is sure a goofy guy;
He ain't got guts like you or I
To tell the score;
He ain't goy gumption 'nuff to know
The game of life's to get the dough,
Then get some more.
Take Brother Bill, he used to be
The big shot of the family,
The first at school;
But since about a year ago,
Through readin' Longfeller and Poe,
He's most a fool.
He mopes around with dimwit stare;
You might as well jest not be there,
The way he looks;
You'd think he shuns the human race,
The how he buries down his face
In highbrow books.
I've seen him stand for near an hour,
Jest starin' at a simple flower
Sich waste o' time;
The scribblin' on an envelope . . .
Why, most of all his silly dope
Don't even rhyme.
Now Brother's Jim's an engineer,
And Brother Tim's a bank cashier,
While I keep store;
Yet Bill, the brightest of the flock,
Might be a lawyer or a doc,
And then some more.
But no, he moons and loafs about,
As if he tried to figger out
Why skies are blue;
Instead o' gittin' down to grips
Wi' life an' stackin' up the chips
Like me an' you.
* * * * * * * * * *
Well, since them final lines I wrote,
We're mournin' for our Brother Pote:
Bill crossed the sea
And solved his problem with the beat,
For now he lies in peace and rest
In Normandie.
He died the bravest of the brave,
And here I'm standin' by his grave
So far from home;
With just a wooden cross to tell
How in the blaze of battle hell
As gloriously there he fell Bill
wrote his "pome".
A pote is sure a goofy guy;
He ain't got guts like you or I
To tell the score;
He ain't goy gumption 'nuff to know
The game of life's to get the dough,
Then get some more.
Take Brother Bill, he used to be
The big shot of the family,
The first at school;
But since about a year ago,
Through readin' Longfeller and Poe,
He's most a fool.
He mopes around with dimwit stare;
You might as well jest not be there,
The way he looks;
You'd think he shuns the human race,
The how he buries down his face
In highbrow books.
I've seen him stand for near an hour,
Jest starin' at a simple flower
Sich waste o' time;
The scribblin' on an envelope . . .
Why, most of all his silly dope
Don't even rhyme.
Now Brother's Jim's an engineer,
And Brother Tim's a bank cashier,
While I keep store;
Yet Bill, the brightest of the flock,
Might be a lawyer or a doc,
And then some more.
But no, he moons and loafs about,
As if he tried to figger out
Why skies are blue;
Instead o' gittin' down to grips
Wi' life an' stackin' up the chips
Like me an' you.
* * * * * * * * * *
Well, since them final lines I wrote,
We're mournin' for our Brother Pote:
Bill crossed the sea
And solved his problem with the beat,
For now he lies in peace and rest
In Normandie.
He died the bravest of the brave,
And here I'm standin' by his grave
So far from home;
With just a wooden cross to tell
How in the blaze of battle hell
As gloriously there he fell Bill
wrote his "pome".
159
Robert W. Service
Our Daily Bread
Our Daily Bread
"Give me my daily bread.
It seems so odd,
When all is done and said,
This plea to God.
To pray for cake might be
The thing to do;
But bread, it seems to me,
Is just our due.
"Give me my daily toil,"
I ought to say (
If from life's cursed coil
I'd time to pray.)
Give me my daily sweat,
My body sore,
So that bread I may get
To toil for more.
"Give me my daily breath,"
Through half a sob,
Until untimely death
Shall end my job.
A crust for my award,
I cry in dread:
"Grant unto me. Oh Lord,
My daily bread!"
"Give me my daily bread.
It seems so odd,
When all is done and said,
This plea to God.
To pray for cake might be
The thing to do;
But bread, it seems to me,
Is just our due.
"Give me my daily toil,"
I ought to say (
If from life's cursed coil
I'd time to pray.)
Give me my daily sweat,
My body sore,
So that bread I may get
To toil for more.
"Give me my daily breath,"
Through half a sob,
Until untimely death
Shall end my job.
A crust for my award,
I cry in dread:
"Grant unto me. Oh Lord,
My daily bread!"
220
Robert W. Service
Our Daily Bread
Our Daily Bread
"Give me my daily bread.
It seems so odd,
When all is done and said,
This plea to God.
To pray for cake might be
The thing to do;
But bread, it seems to me,
Is just our due.
"Give me my daily toil,"
I ought to say (
If from life's cursed coil
I'd time to pray.)
Give me my daily sweat,
My body sore,
So that bread I may get
To toil for more.
"Give me my daily breath,"
Through half a sob,
Until untimely death
Shall end my job.
A crust for my award,
I cry in dread:
"Grant unto me. Oh Lord,
My daily bread!"
"Give me my daily bread.
It seems so odd,
When all is done and said,
This plea to God.
To pray for cake might be
The thing to do;
But bread, it seems to me,
Is just our due.
"Give me my daily toil,"
I ought to say (
If from life's cursed coil
I'd time to pray.)
Give me my daily sweat,
My body sore,
So that bread I may get
To toil for more.
"Give me my daily breath,"
Through half a sob,
Until untimely death
Shall end my job.
A crust for my award,
I cry in dread:
"Grant unto me. Oh Lord,
My daily bread!"
220
Robert W. Service
On The Boulevard
On The Boulevard
Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard;
Oh, it's jolly, is it not? --
Sitting on the Boulevard.
More amusing than a book,
If a chap has eyes to see;
For, no matter where I look,
Stories, stories jump at me.
Moving tales my pen might write;
Poems plain on every face;
Monologues you could recite
With inimitable grace.
(Ah! Imagination's power)
See yon demi-mondaine there,
Idly toying with a flower,
Smiling with a pensive air . . .
Well, her smile is but a mask,
For I saw within her muff
Such a wicked little flask:
Vitriol -- ugh! the beastly stuff.
Now look back beside the bar.
See yon curled and scented beau,
Puffing at a fine cigar --
Sale espèce de maquereau.
Well (of course, it's all surmise),
It's for him she holds her place;
When he passes she will rise,
Dash the vitriol in his face.
Quick they'll carry him away,
Pack him in a Red Cross car;
Her they'll hurry, so they say,
To the cells of St. Lazare.
What will happen then, you ask?
What will all the sequel be?
Ah! Imagination's task
Isn't easy . . . let me see . . .
She will go to jail, no doubt,
For a year, or maybe two;
Then as soon as she gets out
Start her bawdy life anew.
He will lie within a ward,
Harmless as a man can be,
With his face grotesquely scarred,
And his eyes that cannot see.
Then amid the city's din
He will stand against a wall,
With around his neck a tin
Into which the pennies fall.
She will pass (I see it plain,
Like a cinematograph),
She will halt and turn again,
Look and look, and maybe laugh.
Well, I'm not so sure of that --
Whether she will laugh or cry.
He will hold a battered hat
To the lady passing by.
He will smile a cringing smile,
And into his grimy hold,
With a laugh (or sob) the while,
She will drop a piece of gold.
"Bless you, lady," he will say,
And get grandly drunk that night.
She will come and come each day,
Fascinated by the sight.
Then somehow he'll get to know
(Maybe by some kindly friend)
Who she is, and so . . . and so
Bring my story to an end.
How his heart will burst with hate!
He will curse and he will cry.
He will wait and wait and wait,
Till again she passes by.
Then like tiger from its lair
He will leap from out his place,
Down her, clutch her by the hair,
Smear the vitriol on her face.
(Ah! Imagination rare)
See . . . he takes his hat to go;
Now he's level with her chair;
Now she rises up to throw. . . .
God! and she has done it too . . .
Oh, those screams; those hideous screams!
I imagined and . . . it's true:
How his face will haunt my dreams!
What a sight! It makes me sick.
Seems I am to blame somehow.
Garcon, fetch a brandy quick . . .
There! I'm feeling better now.
Let's collaborate, we two,
You the Mummer, I the Bard;
Oh, what ripping stuff we'll do,
Sitting on the Boulevard!
Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard;
Oh, it's jolly, is it not? --
Sitting on the Boulevard.
More amusing than a book,
If a chap has eyes to see;
For, no matter where I look,
Stories, stories jump at me.
Moving tales my pen might write;
Poems plain on every face;
Monologues you could recite
With inimitable grace.
(Ah! Imagination's power)
See yon demi-mondaine there,
Idly toying with a flower,
Smiling with a pensive air . . .
Well, her smile is but a mask,
For I saw within her muff
Such a wicked little flask:
Vitriol -- ugh! the beastly stuff.
Now look back beside the bar.
See yon curled and scented beau,
Puffing at a fine cigar --
Sale espèce de maquereau.
Well (of course, it's all surmise),
It's for him she holds her place;
When he passes she will rise,
Dash the vitriol in his face.
Quick they'll carry him away,
Pack him in a Red Cross car;
Her they'll hurry, so they say,
To the cells of St. Lazare.
What will happen then, you ask?
What will all the sequel be?
Ah! Imagination's task
Isn't easy . . . let me see . . .
She will go to jail, no doubt,
For a year, or maybe two;
Then as soon as she gets out
Start her bawdy life anew.
He will lie within a ward,
Harmless as a man can be,
With his face grotesquely scarred,
And his eyes that cannot see.
Then amid the city's din
He will stand against a wall,
With around his neck a tin
Into which the pennies fall.
She will pass (I see it plain,
Like a cinematograph),
She will halt and turn again,
Look and look, and maybe laugh.
Well, I'm not so sure of that --
Whether she will laugh or cry.
He will hold a battered hat
To the lady passing by.
He will smile a cringing smile,
And into his grimy hold,
With a laugh (or sob) the while,
She will drop a piece of gold.
"Bless you, lady," he will say,
And get grandly drunk that night.
She will come and come each day,
Fascinated by the sight.
Then somehow he'll get to know
(Maybe by some kindly friend)
Who she is, and so . . . and so
Bring my story to an end.
How his heart will burst with hate!
He will curse and he will cry.
He will wait and wait and wait,
Till again she passes by.
Then like tiger from its lair
He will leap from out his place,
Down her, clutch her by the hair,
Smear the vitriol on her face.
(Ah! Imagination rare)
See . . . he takes his hat to go;
Now he's level with her chair;
Now she rises up to throw. . . .
God! and she has done it too . . .
Oh, those screams; those hideous screams!
I imagined and . . . it's true:
How his face will haunt my dreams!
What a sight! It makes me sick.
Seems I am to blame somehow.
Garcon, fetch a brandy quick . . .
There! I'm feeling better now.
Let's collaborate, we two,
You the Mummer, I the Bard;
Oh, what ripping stuff we'll do,
Sitting on the Boulevard!
217
Robert W. Service
On The Boulevard
On The Boulevard
Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard;
Oh, it's jolly, is it not? --
Sitting on the Boulevard.
More amusing than a book,
If a chap has eyes to see;
For, no matter where I look,
Stories, stories jump at me.
Moving tales my pen might write;
Poems plain on every face;
Monologues you could recite
With inimitable grace.
(Ah! Imagination's power)
See yon demi-mondaine there,
Idly toying with a flower,
Smiling with a pensive air . . .
Well, her smile is but a mask,
For I saw within her muff
Such a wicked little flask:
Vitriol -- ugh! the beastly stuff.
Now look back beside the bar.
See yon curled and scented beau,
Puffing at a fine cigar --
Sale espèce de maquereau.
Well (of course, it's all surmise),
It's for him she holds her place;
When he passes she will rise,
Dash the vitriol in his face.
Quick they'll carry him away,
Pack him in a Red Cross car;
Her they'll hurry, so they say,
To the cells of St. Lazare.
What will happen then, you ask?
What will all the sequel be?
Ah! Imagination's task
Isn't easy . . . let me see . . .
She will go to jail, no doubt,
For a year, or maybe two;
Then as soon as she gets out
Start her bawdy life anew.
He will lie within a ward,
Harmless as a man can be,
With his face grotesquely scarred,
And his eyes that cannot see.
Then amid the city's din
He will stand against a wall,
With around his neck a tin
Into which the pennies fall.
She will pass (I see it plain,
Like a cinematograph),
She will halt and turn again,
Look and look, and maybe laugh.
Well, I'm not so sure of that --
Whether she will laugh or cry.
He will hold a battered hat
To the lady passing by.
He will smile a cringing smile,
And into his grimy hold,
With a laugh (or sob) the while,
She will drop a piece of gold.
"Bless you, lady," he will say,
And get grandly drunk that night.
She will come and come each day,
Fascinated by the sight.
Then somehow he'll get to know
(Maybe by some kindly friend)
Who she is, and so . . . and so
Bring my story to an end.
How his heart will burst with hate!
He will curse and he will cry.
He will wait and wait and wait,
Till again she passes by.
Then like tiger from its lair
He will leap from out his place,
Down her, clutch her by the hair,
Smear the vitriol on her face.
(Ah! Imagination rare)
See . . . he takes his hat to go;
Now he's level with her chair;
Now she rises up to throw. . . .
God! and she has done it too . . .
Oh, those screams; those hideous screams!
I imagined and . . . it's true:
How his face will haunt my dreams!
What a sight! It makes me sick.
Seems I am to blame somehow.
Garcon, fetch a brandy quick . . .
There! I'm feeling better now.
Let's collaborate, we two,
You the Mummer, I the Bard;
Oh, what ripping stuff we'll do,
Sitting on the Boulevard!
Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard;
Oh, it's jolly, is it not? --
Sitting on the Boulevard.
More amusing than a book,
If a chap has eyes to see;
For, no matter where I look,
Stories, stories jump at me.
Moving tales my pen might write;
Poems plain on every face;
Monologues you could recite
With inimitable grace.
(Ah! Imagination's power)
See yon demi-mondaine there,
Idly toying with a flower,
Smiling with a pensive air . . .
Well, her smile is but a mask,
For I saw within her muff
Such a wicked little flask:
Vitriol -- ugh! the beastly stuff.
Now look back beside the bar.
See yon curled and scented beau,
Puffing at a fine cigar --
Sale espèce de maquereau.
Well (of course, it's all surmise),
It's for him she holds her place;
When he passes she will rise,
Dash the vitriol in his face.
Quick they'll carry him away,
Pack him in a Red Cross car;
Her they'll hurry, so they say,
To the cells of St. Lazare.
What will happen then, you ask?
What will all the sequel be?
Ah! Imagination's task
Isn't easy . . . let me see . . .
She will go to jail, no doubt,
For a year, or maybe two;
Then as soon as she gets out
Start her bawdy life anew.
He will lie within a ward,
Harmless as a man can be,
With his face grotesquely scarred,
And his eyes that cannot see.
Then amid the city's din
He will stand against a wall,
With around his neck a tin
Into which the pennies fall.
She will pass (I see it plain,
Like a cinematograph),
She will halt and turn again,
Look and look, and maybe laugh.
Well, I'm not so sure of that --
Whether she will laugh or cry.
He will hold a battered hat
To the lady passing by.
He will smile a cringing smile,
And into his grimy hold,
With a laugh (or sob) the while,
She will drop a piece of gold.
"Bless you, lady," he will say,
And get grandly drunk that night.
She will come and come each day,
Fascinated by the sight.
Then somehow he'll get to know
(Maybe by some kindly friend)
Who she is, and so . . . and so
Bring my story to an end.
How his heart will burst with hate!
He will curse and he will cry.
He will wait and wait and wait,
Till again she passes by.
Then like tiger from its lair
He will leap from out his place,
Down her, clutch her by the hair,
Smear the vitriol on her face.
(Ah! Imagination rare)
See . . . he takes his hat to go;
Now he's level with her chair;
Now she rises up to throw. . . .
God! and she has done it too . . .
Oh, those screams; those hideous screams!
I imagined and . . . it's true:
How his face will haunt my dreams!
What a sight! It makes me sick.
Seems I am to blame somehow.
Garcon, fetch a brandy quick . . .
There! I'm feeling better now.
Let's collaborate, we two,
You the Mummer, I the Bard;
Oh, what ripping stuff we'll do,
Sitting on the Boulevard!
217
Robert W. Service
Only A Boche
Only A Boche
We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.
Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.
For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.
Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a queer resemblance to me.
It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.
And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought . . . on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.
Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.
So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.
War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.
No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things . . .Mon Dieu! Quelle vache de gueerre.
We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.
Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.
For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.
Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a queer resemblance to me.
It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.
And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought . . . on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.
Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.
So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.
War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.
No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things . . .Mon Dieu! Quelle vache de gueerre.
169
Robert W. Service
Only A Boche
Only A Boche
We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.
Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.
For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.
Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a queer resemblance to me.
It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.
And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought . . . on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.
Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.
So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.
War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.
No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things . . .Mon Dieu! Quelle vache de gueerre.
We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.
Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.
For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.
Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a queer resemblance to me.
It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.
And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought . . . on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.
Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.
So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.
War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.
No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things . . .Mon Dieu! Quelle vache de gueerre.
169
Robert W. Service
Only A Boche
Only A Boche
We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.
Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.
For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.
Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a queer resemblance to me.
It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.
And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought . . . on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.
Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.
So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.
War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.
No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things . . .Mon Dieu! Quelle vache de gueerre.
We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.
Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.
For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.
Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a queer resemblance to me.
It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.
And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought . . . on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.
Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.
So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.
War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.
No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things . . .Mon Dieu! Quelle vache de gueerre.
169
Robert W. Service
Old Engine Driver
Old Engine Driver
For five and twenty years I've run
A famous train;
But now my spell of speed is done,
No more I'll strain
My sight along the treadless tracks,
The gleamy rails:
My hand upon the throttle slacks,
My vision fails.
No more I'll urge my steed of steel
Through hostile nights;
No more the mastery I'll feel
Of monster might.
I'll miss the hiss of giant steam,
The clank, the roar;
The agony of brakes that scream
I'll hear no more.
Oh I have held within my hand
A million lives;
And now my son takes command
And proudly drives;
While from my cottage wistfully
I watch his train,
And wave and wave and seem to see
Myself again.
For five and twenty years I've run
A famous train;
But now my spell of speed is done,
No more I'll strain
My sight along the treadless tracks,
The gleamy rails:
My hand upon the throttle slacks,
My vision fails.
No more I'll urge my steed of steel
Through hostile nights;
No more the mastery I'll feel
Of monster might.
I'll miss the hiss of giant steam,
The clank, the roar;
The agony of brakes that scream
I'll hear no more.
Oh I have held within my hand
A million lives;
And now my son takes command
And proudly drives;
While from my cottage wistfully
I watch his train,
And wave and wave and seem to see
Myself again.
193