Poems in this topic
Nature and Elements
Robert Louis Stevenson
Singing
Singing
Of speckled eggs the birdie sings
And nests among the trees;
The sailor sings of ropes and things
In ships upon the seas.
The children sing in far Japan,
The children sing in Spain;
The organ with the organ man
Is singing in the rain.
Of speckled eggs the birdie sings
And nests among the trees;
The sailor sings of ropes and things
In ships upon the seas.
The children sing in far Japan,
The children sing in Spain;
The organ with the organ man
Is singing in the rain.
342
Robert Louis Stevenson
Rain
Rain
The rain is raining all around,
It falls on field and tree,
It rains on the umbrellas here,
And on the ships at sea.
The rain is raining all around,
It falls on field and tree,
It rains on the umbrellas here,
And on the ships at sea.
550
Robert Louis Stevenson
Rain
Rain
The rain is raining all around,
It falls on field and tree,
It rains on the umbrellas here,
And on the ships at sea.
The rain is raining all around,
It falls on field and tree,
It rains on the umbrellas here,
And on the ships at sea.
550
Robert Louis Stevenson
Night and Day
Night and Day
When the golden day is done,
Through the closing portal,
Child and garden, Flower and sun,
Vanish all things mortal.
As the blinding shadows fall
As the rays diminish,
Under evening's cloak they all
Roll away and vanish.
Garden darkened, daisy shut,
Child in bed, they slumber--
Glow-worm in the hallway rut,
Mice among the lumber.
In the darkness houses shine,
Parents move the candles;
Till on all the night divine
Turns the bedroom handles.
Till at last the day begins
In the east a-breaking,
In the hedges and the whins
Sleeping birds a-waking.
In the darkness shapes of things,
Houses, trees and hedges,
Clearer grow; and sparrow's wings
Beat on window ledges.
These shall wake the yawning maid;
She the door shall open--
Finding dew on garden glade
And the morning broken.
There my garden grows again
Green and rosy painted,
As at eve behind the pane
From my eyes it fainted.
Just as it was shut away,
Toy-like, in the even,
Here I see it glow with day
Under glowing heaven.
Every path and every plot,
Every blush of roses,
Every blue forget-me-not
Where the dew reposes,
"Up!" they cry, "the day is come
On the smiling valleys:
We have beat the morning drum;
Playmate, join your allies!"
When the golden day is done,
Through the closing portal,
Child and garden, Flower and sun,
Vanish all things mortal.
As the blinding shadows fall
As the rays diminish,
Under evening's cloak they all
Roll away and vanish.
Garden darkened, daisy shut,
Child in bed, they slumber--
Glow-worm in the hallway rut,
Mice among the lumber.
In the darkness houses shine,
Parents move the candles;
Till on all the night divine
Turns the bedroom handles.
Till at last the day begins
In the east a-breaking,
In the hedges and the whins
Sleeping birds a-waking.
In the darkness shapes of things,
Houses, trees and hedges,
Clearer grow; and sparrow's wings
Beat on window ledges.
These shall wake the yawning maid;
She the door shall open--
Finding dew on garden glade
And the morning broken.
There my garden grows again
Green and rosy painted,
As at eve behind the pane
From my eyes it fainted.
Just as it was shut away,
Toy-like, in the even,
Here I see it glow with day
Under glowing heaven.
Every path and every plot,
Every blush of roses,
Every blue forget-me-not
Where the dew reposes,
"Up!" they cry, "the day is come
On the smiling valleys:
We have beat the morning drum;
Playmate, join your allies!"
366
Robert Louis Stevenson
Now When The Number Of My Years
Now When The Number Of My Years
NOW when the number of my years
Is all fulfilled, and I
From sedentary life
Shall rouse me up to die,
Bury me low and let me lie
Under the wide and starry sky.
Joying to live, I joyed to die,
Bury me low and let me lie.
Clear was my soul, my deeds were free,
Honour was called my name,
I fell not back from fear
Nor followed after fame.
Bury me low and let me lie
Under the wide and starry sky.
Joying to live, I joyed to die,
Bury me low and let me lie.
Bury me low in valleys green
And where the milder breeze
Blows fresh along the stream,
Sings roundly in the trees -
Bury me low and let me lie
Under the wide and starry sky.
Joying to live, I joyed to die,
Bury me low and let me lie.
NOW when the number of my years
Is all fulfilled, and I
From sedentary life
Shall rouse me up to die,
Bury me low and let me lie
Under the wide and starry sky.
Joying to live, I joyed to die,
Bury me low and let me lie.
Clear was my soul, my deeds were free,
Honour was called my name,
I fell not back from fear
Nor followed after fame.
Bury me low and let me lie
Under the wide and starry sky.
Joying to live, I joyed to die,
Bury me low and let me lie.
Bury me low in valleys green
And where the milder breeze
Blows fresh along the stream,
Sings roundly in the trees -
Bury me low and let me lie
Under the wide and starry sky.
Joying to live, I joyed to die,
Bury me low and let me lie.
313
Robert Louis Stevenson
Long Time I Lay In Little Ease
Long Time I Lay In Little Ease
LONG TIME I LAY IN LITTLE EASE
LONG time I lay in little ease
Where, placed by the Turanian,
Marseilles, the many-masted, sees
The blue Mediterranean.
Now songful in the hour of sport,
Now riotous for wages,
She camps around her ancient port,
As ancient of the ages.
Algerian airs through all the place
Unconquerably sally;
Incomparable women pace
The shadows of the alley.
And high o'er dark and graving yard
And where the sky is paler,
The golden virgin of the guard
Shines, beckoning the sailor.
She hears the city roar on high,
Thief, prostitute, and banker;
She sees the masted vessels lie
Immovably at anchor.
She sees the snowy islets dot
The sea's immortal azure,
And If, that castellated spot,
Tower, turret, and embrasure.
LONG TIME I LAY IN LITTLE EASE
LONG time I lay in little ease
Where, placed by the Turanian,
Marseilles, the many-masted, sees
The blue Mediterranean.
Now songful in the hour of sport,
Now riotous for wages,
She camps around her ancient port,
As ancient of the ages.
Algerian airs through all the place
Unconquerably sally;
Incomparable women pace
The shadows of the alley.
And high o'er dark and graving yard
And where the sky is paler,
The golden virgin of the guard
Shines, beckoning the sailor.
She hears the city roar on high,
Thief, prostitute, and banker;
She sees the masted vessels lie
Immovably at anchor.
She sees the snowy islets dot
The sea's immortal azure,
And If, that castellated spot,
Tower, turret, and embrasure.
254
Robert Louis Stevenson
Looking-Glass River
Looking-Glass River
Smooth it glides upon its travel,
Here a wimple, there a gleam--
O the clean gravel!
O the smooth stream!
Sailing blossoms, silver fishes,
Pave pools as clear as air--
How a child wishes
To live down there!
We can see our colored faces
Floating on the shaken pool
Down in cool places,
Dim and very cool;
Till a wind or water wrinkle,
Dipping marten, plumping trout,
Spreads in a twinkle
And blots all out.
See the rings pursue each other;
All below grows black as night,
Just as if mother
Had blown out the light!
Patience, children, just a minute--
See the spreading circles die;
The stream and all in it
Will clear by-and-by.
Smooth it glides upon its travel,
Here a wimple, there a gleam--
O the clean gravel!
O the smooth stream!
Sailing blossoms, silver fishes,
Pave pools as clear as air--
How a child wishes
To live down there!
We can see our colored faces
Floating on the shaken pool
Down in cool places,
Dim and very cool;
Till a wind or water wrinkle,
Dipping marten, plumping trout,
Spreads in a twinkle
And blots all out.
See the rings pursue each other;
All below grows black as night,
Just as if mother
Had blown out the light!
Patience, children, just a minute--
See the spreading circles die;
The stream and all in it
Will clear by-and-by.
368
Robert Louis Stevenson
Know You The River NEar To Grez
Know You The River NEar To Grez
KNOW you the river near to Grez,
A river deep and clear?
Among the lilies all the way,
That ancient river runs to-day
From snowy weir to weir.
Old as the Rhine of great renown,
She hurries clear and fast,
She runs amain by field and town
From south to north, from up to down,
To present on from past.
The love I hold was borne by her;
And now, though far away,
My lonely spirit hears the stir
Of water round the starling spur
Beside the bridge at Grez.
So may that love forever hold
In life an equal pace;
So may that love grow never old,
But, clear and pure and fountain-cold,
Go on from grace to grace.
KNOW you the river near to Grez,
A river deep and clear?
Among the lilies all the way,
That ancient river runs to-day
From snowy weir to weir.
Old as the Rhine of great renown,
She hurries clear and fast,
She runs amain by field and town
From south to north, from up to down,
To present on from past.
The love I hold was borne by her;
And now, though far away,
My lonely spirit hears the stir
Of water round the starling spur
Beside the bridge at Grez.
So may that love forever hold
In life an equal pace;
So may that love grow never old,
But, clear and pure and fountain-cold,
Go on from grace to grace.
366
Robert Louis Stevenson
It Blows A Snowing Gale
It Blows A Snowing Gale
IT blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
IT blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
270
Robert Louis Stevenson
It Blows A Snowing Gale
It Blows A Snowing Gale
IT blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
IT blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
270
Robert Louis Stevenson
It Blows A Snowing Gale
It Blows A Snowing Gale
IT blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
IT blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
270
Robert Louis Stevenson
In Port
In Port
Last, to the chamber where I lie
My fearful footsteps patter nigh,
And come out from the cold and gloom
Into my warm and cheerful room.
There, safe arrived, we turn about
To keep the coming shadows out,
And close the happy door at last
On all the perils that we past.
Then, when mamma goes by to bed,
She shall come in with tip-toe tread,
And see me lying warm and fast
And in the land of Nod at last.
Last, to the chamber where I lie
My fearful footsteps patter nigh,
And come out from the cold and gloom
Into my warm and cheerful room.
There, safe arrived, we turn about
To keep the coming shadows out,
And close the happy door at last
On all the perils that we past.
Then, when mamma goes by to bed,
She shall come in with tip-toe tread,
And see me lying warm and fast
And in the land of Nod at last.
323
Robert Louis Stevenson
In Lupum
In Lupum
BEYOND the gates thou gav'st a field to till;
I have a larger on my window-sill.
A farm, d'ye say? Is this a farm to you,
Where for all woods I spay one tuft of rue,
And that so rusty, and so small a thing,
One shrill cicada hides it with a wing;
Where one cucumber covers all the plain;
And where one serpent rings himself in vain
To enter wholly; and a single snail
Eats all and exit fasting to the pool?
Here shall my gardener be the dusty mole.
My only ploughman the . . . mole.
Here shall I wait in vain till figs be set,
And till the spring disclose the violet.
Through all my wilds a tameless mouse careers,
And in that narrow boundary appears,
Huge as the stalking lion of Algiers,
Huge as the fabled boar of Calydon.
And all my hay is at one swoop impresst
By one low-flying swallow for her nest,
Strip god Priapus of each attribute
Here finds he scarce a pedestal to foot.
The gathered harvest scarcely brims a spoon;
And all my vintage drips in a cocoon.
Generous are you, but I more generous still:
Take back your farm and stand me half a gill!
BEYOND the gates thou gav'st a field to till;
I have a larger on my window-sill.
A farm, d'ye say? Is this a farm to you,
Where for all woods I spay one tuft of rue,
And that so rusty, and so small a thing,
One shrill cicada hides it with a wing;
Where one cucumber covers all the plain;
And where one serpent rings himself in vain
To enter wholly; and a single snail
Eats all and exit fasting to the pool?
Here shall my gardener be the dusty mole.
My only ploughman the . . . mole.
Here shall I wait in vain till figs be set,
And till the spring disclose the violet.
Through all my wilds a tameless mouse careers,
And in that narrow boundary appears,
Huge as the stalking lion of Algiers,
Huge as the fabled boar of Calydon.
And all my hay is at one swoop impresst
By one low-flying swallow for her nest,
Strip god Priapus of each attribute
Here finds he scarce a pedestal to foot.
The gathered harvest scarcely brims a spoon;
And all my vintage drips in a cocoon.
Generous are you, but I more generous still:
Take back your farm and stand me half a gill!
400
Robert Louis Stevenson
I WHo All The Winter Through
I WHo All The Winter Through
I WHO all the winter through
Cherished other loves than you,
And kept hands with hoary policy in marriage-bed and pew;
Now I know the false and true,
For the earnest sun looks through,
And my old love comes to meet me in the dawning and the dew.
Now the hedged meads renew
Rustic odour, smiling hue,
And the clean air shines and tinkles as the world goes wheeling through;
And my heart springs up anew,
Bright and confident and true,
And my old love comes to meet me in the dawning and the dew.
I WHO all the winter through
Cherished other loves than you,
And kept hands with hoary policy in marriage-bed and pew;
Now I know the false and true,
For the earnest sun looks through,
And my old love comes to meet me in the dawning and the dew.
Now the hedged meads renew
Rustic odour, smiling hue,
And the clean air shines and tinkles as the world goes wheeling through;
And my heart springs up anew,
Bright and confident and true,
And my old love comes to meet me in the dawning and the dew.
293
Robert Louis Stevenson
Good-Night
Good-Night
Then the bright lamp is carried in,
The sunless hours again begin;
O'er all without, in field and lane,
The haunted night returns again.
Now we behold the embers flee
About the firelit hearth; and see
Our faces painted as we pass,
Like pictures, on the window glass.
Must we to bed indeed? Well then,
Let us arise and go like men,
And face with an undaunted tread
The long black passage up to bed.
Farewell, O brother, sister, sire!
O pleasant party round the fire!
The songs you sing, the tales you tell,
Till far to-morrow, fare you well!
Then the bright lamp is carried in,
The sunless hours again begin;
O'er all without, in field and lane,
The haunted night returns again.
Now we behold the embers flee
About the firelit hearth; and see
Our faces painted as we pass,
Like pictures, on the window glass.
Must we to bed indeed? Well then,
Let us arise and go like men,
And face with an undaunted tread
The long black passage up to bed.
Farewell, O brother, sister, sire!
O pleasant party round the fire!
The songs you sing, the tales you tell,
Till far to-morrow, fare you well!
378
Robert Louis Stevenson
Escape at Bedtime
Escape at Bedtime
The lights from the parlour and kitchen shone out
Through the blinds and the windows and bars;
And high overhead and all moving about,
There were thousands of millions of stars.
There ne'er were such thousands of leaves on a tree,
Nor of people in church or the Park,
As the crowds of the stars that looked down upon me,
And that glittered and winked in the dark.
The Dog, and the Plough, and the Hunter, and all,
And the star of the sailor, and Mars,
These shown in the sky, and the pail by the wall
Would be half full of water and stars.
They saw me at last, and they chased me with cries,
And they soon had me packed into bed;
But the glory kept shining and bright in my eyes,
And the stars going round in my head.
The lights from the parlour and kitchen shone out
Through the blinds and the windows and bars;
And high overhead and all moving about,
There were thousands of millions of stars.
There ne'er were such thousands of leaves on a tree,
Nor of people in church or the Park,
As the crowds of the stars that looked down upon me,
And that glittered and winked in the dark.
The Dog, and the Plough, and the Hunter, and all,
And the star of the sailor, and Mars,
These shown in the sky, and the pail by the wall
Would be half full of water and stars.
They saw me at last, and they chased me with cries,
And they soon had me packed into bed;
But the glory kept shining and bright in my eyes,
And the stars going round in my head.
469
Robert Louis Stevenson
Duddingstone
Duddingstone
WITH caws and chirrupings, the woods
In this thin sun rejoice.
The Psalm seems but the little kirk
That sings with its own voice.
The cloud-rifts share their amber light
With the surface of the mere -
I think the very stones are glad
To feel each other near.
Once more my whole heart leaps and swells
And gushes o'er with glee;
The fingers of the sun and shade
Touch music stops in me.
Now fancy paints that bygone day
When you were here, my fair -
The whole lake rang with rapid skates
In the windless winter air.
You leaned to me, I leaned to you,
Our course was smooth as flight -
We steered - a heel-touch to the left,
A heel-touch to the right.
We swung our way through flying men,
Your hand lay fast in mine:
We saw the shifting crowd dispart,
The level ice-reach shine.
I swear by yon swan-travelled lake,
By yon calm hill above,
I swear had we been drowned that day
We had been drowned in love.
WITH caws and chirrupings, the woods
In this thin sun rejoice.
The Psalm seems but the little kirk
That sings with its own voice.
The cloud-rifts share their amber light
With the surface of the mere -
I think the very stones are glad
To feel each other near.
Once more my whole heart leaps and swells
And gushes o'er with glee;
The fingers of the sun and shade
Touch music stops in me.
Now fancy paints that bygone day
When you were here, my fair -
The whole lake rang with rapid skates
In the windless winter air.
You leaned to me, I leaned to you,
Our course was smooth as flight -
We steered - a heel-touch to the left,
A heel-touch to the right.
We swung our way through flying men,
Your hand lay fast in mine:
We saw the shifting crowd dispart,
The level ice-reach shine.
I swear by yon swan-travelled lake,
By yon calm hill above,
I swear had we been drowned that day
We had been drowned in love.
329
Robert Louis Stevenson
Come, Here Is Adieu To The City
Come, Here Is Adieu To The City
COME, here is adieu to the city
And hurrah for the country again.
The broad road lies before me
Watered with last night's rain.
The timbered country woos me
With many a high and bough;
And again in the shining fallows
The ploughman follows the plough.
The whole year's sweat and study,
And the whole year's sowing time,
Comes now to the perfect harvest,
And ripens now into rhyme.
For we that sow in the Autumn,
We reap our grain in the Spring,
And we that go sowing and weeping
Return to reap and sing.
COME, here is adieu to the city
And hurrah for the country again.
The broad road lies before me
Watered with last night's rain.
The timbered country woos me
With many a high and bough;
And again in the shining fallows
The ploughman follows the plough.
The whole year's sweat and study,
And the whole year's sowing time,
Comes now to the perfect harvest,
And ripens now into rhyme.
For we that sow in the Autumn,
We reap our grain in the Spring,
And we that go sowing and weeping
Return to reap and sing.
344
Robert Louis Stevenson
Auntie's Skirts
Auntie's Skirts
Whenever Auntie moves around,
Her dresses make a curious sound,
They trail behind her up the floor,
And trundle after through the door.
Whenever Auntie moves around,
Her dresses make a curious sound,
They trail behind her up the floor,
And trundle after through the door.
312
Robert Louis Stevenson
Ad Piscatorem
Ad Piscatorem
FOR these are sacred fishes all
Who know that lord that is the lord of all;
Come to the brim and nose the friendly hand
That sways and can beshadow all the land.
Nor only so, but have their names, and come
When they are summoned by the Lord of Rome.
Here once his line an impious Lybian threw;
And as with tremulous reed his prey he drew,
Straight, the light failed him.
He groped, nor found the prey that he had ta'en.
Now as a warning to the fisher clan
Beside the lake he sits, a beggarman.
Thou, then, while still thine innocence is pure,
Flee swiftly, nor presume to set thy lure;
Respect these fishes, for their friends are great;
And in the waters empty all thy bait.
FOR these are sacred fishes all
Who know that lord that is the lord of all;
Come to the brim and nose the friendly hand
That sways and can beshadow all the land.
Nor only so, but have their names, and come
When they are summoned by the Lord of Rome.
Here once his line an impious Lybian threw;
And as with tremulous reed his prey he drew,
Straight, the light failed him.
He groped, nor found the prey that he had ta'en.
Now as a warning to the fisher clan
Beside the lake he sits, a beggarman.
Thou, then, while still thine innocence is pure,
Flee swiftly, nor presume to set thy lure;
Respect these fishes, for their friends are great;
And in the waters empty all thy bait.
336
Robert Frost
Two Look at Two
Two Look at Two
Love and forgetting might have carried them
A little further up the mountain side
With night so near, but not much further up.
They must have halted soon in any case
With thoughts of a path back, how rough it was
With rock and washout, and unsafe in darkness;
When they were halted by a tumbled wall
With barbed-wire binding. They stood facing this,
Spending what onward impulse they still had
In One last look the way they must not go,
On up the failing path, where, if a stone
Or earthslide moved at night, it moved itself;
No footstep moved it. 'This is all,' they sighed,
Good-night to woods.' But not so; there was more.
A doe from round a spruce stood looking at them
Across the wall, as near the wall as they.
She saw them in their field, they her in hers.
The difficulty of seeing what stood still,
Like some up-ended boulder split in two,
Was in her clouded eyes; they saw no fear there.
She seemed to think that two thus they were safe.
Then, as if they were something that, though strange,
She could not trouble her mind with too long,
She sighed and passed unscared along the wall.
'This, then, is all. What more is there to ask?'
But no, not yet. A snort to bid them wait.
A buck from round the spruce stood looking at them
Across the wall as near the wall as they.
This was an antlered buck of lusty nostril,
Not the same doe come back into her place.
He viewed them quizzically with jerks of head,
As if to ask, 'Why don't you make some motion?
Or give some sign of life? Because you can't.
I doubt if you're as living as you look."
Thus till he had them almost feeling dared
To stretch a proffering hand -- and a spell-breaking.
Then he too passed unscared along the wall.
Two had seen two, whichever side you spoke from.
'This must be all.' It was all. Still they stood,
A great wave from it going over them,
As if the earth in one unlooked-for favour
Had made them certain earth returned their love.
Love and forgetting might have carried them
A little further up the mountain side
With night so near, but not much further up.
They must have halted soon in any case
With thoughts of a path back, how rough it was
With rock and washout, and unsafe in darkness;
When they were halted by a tumbled wall
With barbed-wire binding. They stood facing this,
Spending what onward impulse they still had
In One last look the way they must not go,
On up the failing path, where, if a stone
Or earthslide moved at night, it moved itself;
No footstep moved it. 'This is all,' they sighed,
Good-night to woods.' But not so; there was more.
A doe from round a spruce stood looking at them
Across the wall, as near the wall as they.
She saw them in their field, they her in hers.
The difficulty of seeing what stood still,
Like some up-ended boulder split in two,
Was in her clouded eyes; they saw no fear there.
She seemed to think that two thus they were safe.
Then, as if they were something that, though strange,
She could not trouble her mind with too long,
She sighed and passed unscared along the wall.
'This, then, is all. What more is there to ask?'
But no, not yet. A snort to bid them wait.
A buck from round the spruce stood looking at them
Across the wall as near the wall as they.
This was an antlered buck of lusty nostril,
Not the same doe come back into her place.
He viewed them quizzically with jerks of head,
As if to ask, 'Why don't you make some motion?
Or give some sign of life? Because you can't.
I doubt if you're as living as you look."
Thus till he had them almost feeling dared
To stretch a proffering hand -- and a spell-breaking.
Then he too passed unscared along the wall.
Two had seen two, whichever side you spoke from.
'This must be all.' It was all. Still they stood,
A great wave from it going over them,
As if the earth in one unlooked-for favour
Had made them certain earth returned their love.
444
Robert Frost
To The Thawing Wind
To The Thawing Wind
Come with rain. O loud Southwester! Bring the singer, bring the nester; Give the
buried flower a dream; make the settled snowbank steam; Find the brown beneath the
white; But whate'er you do tonight, bath my window, make it flow, Melt it as the ice
will go; Melt the glass and leave the sticks Like a hermit's crucifix; Burst into my
narrow stall; Swing the picture on the wall; Run the rattling pages o'er; Scatter poems
on the floor; Turn the poet out of door.
Come with rain. O loud Southwester! Bring the singer, bring the nester; Give the
buried flower a dream; make the settled snowbank steam; Find the brown beneath the
white; But whate'er you do tonight, bath my window, make it flow, Melt it as the ice
will go; Melt the glass and leave the sticks Like a hermit's crucifix; Burst into my
narrow stall; Swing the picture on the wall; Run the rattling pages o'er; Scatter poems
on the floor; Turn the poet out of door.
520
Robert Frost
The Vantage Point
The Vantage Point
If tires of trees I seek again mankind, Well I know where to hie me--in the dawn, To a
slope where the cattle keep the lawn. There amid loggin juniper reclined, Myself
unseen, I see in white defined Far off the homes of men, and farther still, The graves
of men on an opposing hill, Living or dead, whichever are to mind. And if by noon I
have too much of these, I have but to turn on my arm, and lo, The sun-burned hillside
sets my face aglow, My breathing shakes the bluet like a breeze, I smell the earth, I
smell the bruisèd plant, I look into the crater of the ant.
If tires of trees I seek again mankind, Well I know where to hie me--in the dawn, To a
slope where the cattle keep the lawn. There amid loggin juniper reclined, Myself
unseen, I see in white defined Far off the homes of men, and farther still, The graves
of men on an opposing hill, Living or dead, whichever are to mind. And if by noon I
have too much of these, I have but to turn on my arm, and lo, The sun-burned hillside
sets my face aglow, My breathing shakes the bluet like a breeze, I smell the earth, I
smell the bruisèd plant, I look into the crater of the ant.
508
Robert Frost
The Vantage Point
The Vantage Point
If tires of trees I seek again mankind, Well I know where to hie me--in the dawn, To a
slope where the cattle keep the lawn. There amid loggin juniper reclined, Myself
unseen, I see in white defined Far off the homes of men, and farther still, The graves
of men on an opposing hill, Living or dead, whichever are to mind. And if by noon I
have too much of these, I have but to turn on my arm, and lo, The sun-burned hillside
sets my face aglow, My breathing shakes the bluet like a breeze, I smell the earth, I
smell the bruisèd plant, I look into the crater of the ant.
If tires of trees I seek again mankind, Well I know where to hie me--in the dawn, To a
slope where the cattle keep the lawn. There amid loggin juniper reclined, Myself
unseen, I see in white defined Far off the homes of men, and farther still, The graves
of men on an opposing hill, Living or dead, whichever are to mind. And if by noon I
have too much of these, I have but to turn on my arm, and lo, The sun-burned hillside
sets my face aglow, My breathing shakes the bluet like a breeze, I smell the earth, I
smell the bruisèd plant, I look into the crater of the ant.
508