Poems in this topic
Nature and Elements
Emily Dickinson
I'm sorry for the Dead—Today
I'm sorry for the Dead—Today
529
I'm sorry for the Dead—Today—
It's such congenial times
Old Neighbors have at fences—
It's time o' year for Hay.
And Broad—Sunburned Acquaintance
Discourse between the Toil—
And laugh, a homely species
That makes the Fences smile—
It seems so straight to lie away
From all of the noise of Fields—
The Busy Carts—the fragrant Cocks—
The Mower's Metre—Steals—
A Trouble lest they're homesick—
Those Farmers—and their Wives—
Set separate from the Farming—
And all the Neighbors' lives—
A Wonder if the Sepulchre
Don't feel a lonesome way—
When Men—and Boys—and Carts—and June,
Go down the Fields to "Hay"—
529
I'm sorry for the Dead—Today—
It's such congenial times
Old Neighbors have at fences—
It's time o' year for Hay.
And Broad—Sunburned Acquaintance
Discourse between the Toil—
And laugh, a homely species
That makes the Fences smile—
It seems so straight to lie away
From all of the noise of Fields—
The Busy Carts—the fragrant Cocks—
The Mower's Metre—Steals—
A Trouble lest they're homesick—
Those Farmers—and their Wives—
Set separate from the Farming—
And all the Neighbors' lives—
A Wonder if the Sepulchre
Don't feel a lonesome way—
When Men—and Boys—and Carts—and June,
Go down the Fields to "Hay"—
203
Emily Dickinson
I tend my flowers for thee
I tend my flowers for thee
339
I tend my flowers for thee-
Bright Absentee!
My Fuchsia's Coral Seams
Rip-while the Sower-dreams
Geraniums-tint-and spot-
Low Daisies-dot-
My Cactus-splits her Beard
To show her throat
Carnations-tip their spice-
And Bees-pick up-
A Hyacinth-I hid-
Puts out a Ruffled Head-
And odors fall
From flasks-so small-
You marvel how they held-
Globe Roses-break their satin glake-
Upon my Garden floorYet-
thou-not there-
I had as lief they bore
No Crimson-more-
Thy flower-be gay-
Her Lord-away!
It ill becometh meI'll
dwell in Calyx-Gray-
How modestly-alway-
Thy Daisy-
Draped for thee!
339
I tend my flowers for thee-
Bright Absentee!
My Fuchsia's Coral Seams
Rip-while the Sower-dreams
Geraniums-tint-and spot-
Low Daisies-dot-
My Cactus-splits her Beard
To show her throat
Carnations-tip their spice-
And Bees-pick up-
A Hyacinth-I hid-
Puts out a Ruffled Head-
And odors fall
From flasks-so small-
You marvel how they held-
Globe Roses-break their satin glake-
Upon my Garden floorYet-
thou-not there-
I had as lief they bore
No Crimson-more-
Thy flower-be gay-
Her Lord-away!
It ill becometh meI'll
dwell in Calyx-Gray-
How modestly-alway-
Thy Daisy-
Draped for thee!
382
Emily Dickinson
I started Early - Took my Dog
I started Early - Took my Dog
I started Early - Took my Dog -
And visited the Sea -
The Mermaids in the Basement
Came out to look at me -
And Frigates - in the Upper Floor
Extended Hempen Hands -
Presuming Me to be a Mouse -
Aground - upon the Sands -
But no Man moved Me - till the Tide
Went past my simple Shoe -
And past my Apron - and my Belt
And past my Bodice - too -
And made as He would eat me up -
As wholly as a Dew
Upon a Dandelion's Sleeve -
And then - I started - too -
And He - He followed - close behind -
I felt His Silver Heel
Upon my Ankle - Then my Shoes
Would overflow with Pearl -
Until We met the Solid Town -
No One He seemed to know -
And bowing - with a Mighty look -
At me - The Sea withdrew -
I started Early - Took my Dog -
And visited the Sea -
The Mermaids in the Basement
Came out to look at me -
And Frigates - in the Upper Floor
Extended Hempen Hands -
Presuming Me to be a Mouse -
Aground - upon the Sands -
But no Man moved Me - till the Tide
Went past my simple Shoe -
And past my Apron - and my Belt
And past my Bodice - too -
And made as He would eat me up -
As wholly as a Dew
Upon a Dandelion's Sleeve -
And then - I started - too -
And He - He followed - close behind -
I felt His Silver Heel
Upon my Ankle - Then my Shoes
Would overflow with Pearl -
Until We met the Solid Town -
No One He seemed to know -
And bowing - with a Mighty look -
At me - The Sea withdrew -
276
Emily Dickinson
I send Two Sunsets
I send Two Sunsets
308
I send Two Sunsets-
Day and I-in competition ran-
I finished Two-and several Stars-
While He-was making One-
His own was ampler-but as I
Was saying to a friendMine-
is the more convenient
To Carry in the Hand-
308
I send Two Sunsets-
Day and I-in competition ran-
I finished Two-and several Stars-
While He-was making One-
His own was ampler-but as I
Was saying to a friendMine-
is the more convenient
To Carry in the Hand-
315
Emily Dickinson
I robbed the Woods
I robbed the Woods
41
I robbed the Woods-
The trusting Woods.
The unsuspecting Trees
Brought out their Burs and mosses
My fantasy to please.
I scanned their trinkets curious-I grasped-I bore away-
What will the solemn Hemlock-
What will the Oak tree say?
41
I robbed the Woods-
The trusting Woods.
The unsuspecting Trees
Brought out their Burs and mosses
My fantasy to please.
I scanned their trinkets curious-I grasped-I bore away-
What will the solemn Hemlock-
What will the Oak tree say?
401
Emily Dickinson
I robbed the Woods
I robbed the Woods
41
I robbed the Woods-
The trusting Woods.
The unsuspecting Trees
Brought out their Burs and mosses
My fantasy to please.
I scanned their trinkets curious-I grasped-I bore away-
What will the solemn Hemlock-
What will the Oak tree say?
41
I robbed the Woods-
The trusting Woods.
The unsuspecting Trees
Brought out their Burs and mosses
My fantasy to please.
I scanned their trinkets curious-I grasped-I bore away-
What will the solemn Hemlock-
What will the Oak tree say?
401
Emily Dickinson
I know some lonely Houses off the Road
I know some lonely Houses off the Road
289
I know some lonely Houses off the Road
A Robber'd like the look of-
Wooden barred,
And Windows hanging low,
Inviting to-
A Portico,
Where two could creepOne-
hand the Tools-
The other peep-
To make sure All's Asleep-
Old fashioned eyes-
Not easy to surprise!
How orderly the Kitchen'd look, by night,
With just a Clock-
But they could gag the Tick-
And Mice won't bark-
And so the Walls-don't tellNone-
will-
A pair of Spectacles ajar just stir-
An Almanac's aware-
Was it the Mat-winked,
Or a Nervous Star?
The Moon-slides down the stair,
To see who's there!
There's plunder-where-
Tankard, or SpoonEarring-
or Stone-
A Watch-Some Ancient Brooch
To match the Grandmama-
Staid sleeping-there
Day-rattles-too
Stealth's-slow-
The Sun has got as far
As the third Sycamore-
Screams Chanticleer
"Who's there"?
And Echoes-Trains away,
Sneer-"Where"!
While the old Couple, just astir,
Fancy the Sunrise-left the door ajar!
289
I know some lonely Houses off the Road
A Robber'd like the look of-
Wooden barred,
And Windows hanging low,
Inviting to-
A Portico,
Where two could creepOne-
hand the Tools-
The other peep-
To make sure All's Asleep-
Old fashioned eyes-
Not easy to surprise!
How orderly the Kitchen'd look, by night,
With just a Clock-
But they could gag the Tick-
And Mice won't bark-
And so the Walls-don't tellNone-
will-
A pair of Spectacles ajar just stir-
An Almanac's aware-
Was it the Mat-winked,
Or a Nervous Star?
The Moon-slides down the stair,
To see who's there!
There's plunder-where-
Tankard, or SpoonEarring-
or Stone-
A Watch-Some Ancient Brooch
To match the Grandmama-
Staid sleeping-there
Day-rattles-too
Stealth's-slow-
The Sun has got as far
As the third Sycamore-
Screams Chanticleer
"Who's there"?
And Echoes-Trains away,
Sneer-"Where"!
While the old Couple, just astir,
Fancy the Sunrise-left the door ajar!
384
Emily Dickinson
I know a place where summer strives
I know a place where summer strives
I know a place where summer strives
With such a practised frost,
She each year leads her daisies back,
Recording briefly, 'Lost.'
But when the south wind stirs the pools
And struggles in the lanes,
Her heart misgives her for her vow,
And she pours soft refrains
Into the lap of adamant,
And spices, and the dew,
That stiffens quietly to quartz
Upon her amber shoe.
I know a place where summer strives
With such a practised frost,
She each year leads her daisies back,
Recording briefly, 'Lost.'
But when the south wind stirs the pools
And struggles in the lanes,
Her heart misgives her for her vow,
And she pours soft refrains
Into the lap of adamant,
And spices, and the dew,
That stiffens quietly to quartz
Upon her amber shoe.
285
Emily Dickinson
I had been hungry all the years-
I had been hungry all the years-
I had been hungry all the years-
My noon had come, to dine-
I, trembling, drew the table near
And touched the curious wine.
'T was this on tables I had seen
When turning, hungry, lone,
I looked in windows, for the wealth
I could not hope to own.
I did not know the ample bread,
'T was so unlike the crumb
The birds and I had often shared
In Nature's dining-room.
The plenty hurt me, 't was so new,--
Myself felt ill and odd,
As berry of a mountain bush
Transplanted to the road.
Nor was I hungry; so I found
That hunger was a way
Of persons outside windows,
The entering takes away.
I had been hungry all the years-
My noon had come, to dine-
I, trembling, drew the table near
And touched the curious wine.
'T was this on tables I had seen
When turning, hungry, lone,
I looked in windows, for the wealth
I could not hope to own.
I did not know the ample bread,
'T was so unlike the crumb
The birds and I had often shared
In Nature's dining-room.
The plenty hurt me, 't was so new,--
Myself felt ill and odd,
As berry of a mountain bush
Transplanted to the road.
Nor was I hungry; so I found
That hunger was a way
Of persons outside windows,
The entering takes away.
390
Emily Dickinson
How the Waters closed above Him
How the Waters closed above Him
923
How the Waters closed above Him
We shall never know-
How He stretched His Anguish to us
That-is covered too-
Spreads the Pond Her Base of Lilies
Bold above the Boy
Whose unclaimed Hat and Jacket
Sum the History-
923
How the Waters closed above Him
We shall never know-
How He stretched His Anguish to us
That-is covered too-
Spreads the Pond Her Base of Lilies
Bold above the Boy
Whose unclaimed Hat and Jacket
Sum the History-
284
Emily Dickinson
How happy is the little Stone
How happy is the little Stone
1510
How happy is the little Stone
That rambles in the Road alone,
And doesn't care about Careers
And Exigencies never fears-
Whose Coat of elemental Brown
A passing Universe put on,
And independent as the Sun
Associates or glows alone,
Fulfilling absolute Decree
In casual simplicity-
1510
How happy is the little Stone
That rambles in the Road alone,
And doesn't care about Careers
And Exigencies never fears-
Whose Coat of elemental Brown
A passing Universe put on,
And independent as the Sun
Associates or glows alone,
Fulfilling absolute Decree
In casual simplicity-
244
Emily Dickinson
His Bill an Auger is
His Bill an Auger is
1034
His Bill an Auger is,
His Head, a Cap and Frill.
He laboreth at every Tree
A Worm, His utmost Goal.
1034
His Bill an Auger is,
His Head, a Cap and Frill.
He laboreth at every Tree
A Worm, His utmost Goal.
404
Emily Dickinson
Heaven has different Signs—to me
Heaven has different Signs—to me
"Heaven" has different Signs—to me—
Sometimes, I think that Noon
Is but a symbol of the Place—
And when again, at Dawn,
A mighty look runs round the World
And settles in the Hills—
An Awe if it should be like that
Upon the Ignorance steals—
The Orchard, when the Sun is on—
The Triumph of the Birds
When they together Victory make—
Some Carnivals of Clouds—
The Rapture of a finished Day—
Returning to the West—
All these—remind us of the place
That Men call "paradise"—
Itself be fairer—we suppose—
But how Ourself, shall be
Adorned, for a Superior Grace—
Not yet, our eyes can see—
"Heaven" has different Signs—to me—
Sometimes, I think that Noon
Is but a symbol of the Place—
And when again, at Dawn,
A mighty look runs round the World
And settles in the Hills—
An Awe if it should be like that
Upon the Ignorance steals—
The Orchard, when the Sun is on—
The Triumph of the Birds
When they together Victory make—
Some Carnivals of Clouds—
The Rapture of a finished Day—
Returning to the West—
All these—remind us of the place
That Men call "paradise"—
Itself be fairer—we suppose—
But how Ourself, shall be
Adorned, for a Superior Grace—
Not yet, our eyes can see—
222
Emily Dickinson
Heaven has different Signs—to me
Heaven has different Signs—to me
"Heaven" has different Signs—to me—
Sometimes, I think that Noon
Is but a symbol of the Place—
And when again, at Dawn,
A mighty look runs round the World
And settles in the Hills—
An Awe if it should be like that
Upon the Ignorance steals—
The Orchard, when the Sun is on—
The Triumph of the Birds
When they together Victory make—
Some Carnivals of Clouds—
The Rapture of a finished Day—
Returning to the West—
All these—remind us of the place
That Men call "paradise"—
Itself be fairer—we suppose—
But how Ourself, shall be
Adorned, for a Superior Grace—
Not yet, our eyes can see—
"Heaven" has different Signs—to me—
Sometimes, I think that Noon
Is but a symbol of the Place—
And when again, at Dawn,
A mighty look runs round the World
And settles in the Hills—
An Awe if it should be like that
Upon the Ignorance steals—
The Orchard, when the Sun is on—
The Triumph of the Birds
When they together Victory make—
Some Carnivals of Clouds—
The Rapture of a finished Day—
Returning to the West—
All these—remind us of the place
That Men call "paradise"—
Itself be fairer—we suppose—
But how Ourself, shall be
Adorned, for a Superior Grace—
Not yet, our eyes can see—
222
Emily Dickinson
Good to hide, and hear 'em hunt!
Good to hide, and hear 'em hunt!
842
Good to hide, and hear 'em hunt!
Better, to be found,
If one care to, that is,
The Fox fits the Hound-
Good to know, and not tell,
Best, to know and tell,
Can one find the rare Ear
Not too dull-
842
Good to hide, and hear 'em hunt!
Better, to be found,
If one care to, that is,
The Fox fits the Hound-
Good to know, and not tell,
Best, to know and tell,
Can one find the rare Ear
Not too dull-
328
Emily Dickinson
Glowing is her Bonnet
Glowing is her Bonnet
72
Glowing is her Bonnet,
Glowing is her Cheek,
Glowing is her Kirtle,
Yet she cannot speak.
Better as the Daisy
From the Summer hill
Vanish unrecorded
Save by tearful rill-
Save by loving sunrise
Looking for her face.
Save by feet unnumbered
Pausing at the place.
72
Glowing is her Bonnet,
Glowing is her Cheek,
Glowing is her Kirtle,
Yet she cannot speak.
Better as the Daisy
From the Summer hill
Vanish unrecorded
Save by tearful rill-
Save by loving sunrise
Looking for her face.
Save by feet unnumbered
Pausing at the place.
250
Emily Dickinson
From Cocoon forth a Butterfly
From Cocoon forth a Butterfly
354
From Cocoon forth a Butterfly
As Lady from her Door
Emerged-a Summer Afternoon-
Repairing Everywhere-
Without Design-that I could trace
Except to stray abroad
On Miscellaneous Enterprise
The Clovers-understood-
Her pretty Parasol be seen
Contracting in a Field
Where Men made Hay-
Then struggling hard
With an opposing Cloud-
Where Parties-Phantom as Herself-
To Nowhere-seemed to go
In purposeless Circumference-
As 'twere a Tropic Show-
And notwithstanding Bee-that worked-
And Flower-that zealous blew-
This Audience of Idleness
Disdained them, from the Sky-
Till Sundown crept-a steady Tide-
And Men that made the Hay-
And Afternoon-and ButterflyExtinguished-
in the Sea-
354
From Cocoon forth a Butterfly
As Lady from her Door
Emerged-a Summer Afternoon-
Repairing Everywhere-
Without Design-that I could trace
Except to stray abroad
On Miscellaneous Enterprise
The Clovers-understood-
Her pretty Parasol be seen
Contracting in a Field
Where Men made Hay-
Then struggling hard
With an opposing Cloud-
Where Parties-Phantom as Herself-
To Nowhere-seemed to go
In purposeless Circumference-
As 'twere a Tropic Show-
And notwithstanding Bee-that worked-
And Flower-that zealous blew-
This Audience of Idleness
Disdained them, from the Sky-
Till Sundown crept-a steady Tide-
And Men that made the Hay-
And Afternoon-and ButterflyExtinguished-
in the Sea-
244
Emily Dickinson
Frequently the wood are pink
Frequently the wood are pink
6
Frequently the wood are pink-
Frequently are brown.
Frequently the hills undress
Behind my native town.
Oft a head is crested
I was wont to see-
And as oft a cranny
Where it used to be-
And the Earth- they tell me-
On its Axis turned!
Wonderful Rotation!
By but twelve performed!
6
Frequently the wood are pink-
Frequently are brown.
Frequently the hills undress
Behind my native town.
Oft a head is crested
I was wont to see-
And as oft a cranny
Where it used to be-
And the Earth- they tell me-
On its Axis turned!
Wonderful Rotation!
By but twelve performed!
261
Emily Dickinson
Frequently the wood are pink
Frequently the wood are pink
6
Frequently the wood are pink-
Frequently are brown.
Frequently the hills undress
Behind my native town.
Oft a head is crested
I was wont to see-
And as oft a cranny
Where it used to be-
And the Earth- they tell me-
On its Axis turned!
Wonderful Rotation!
By but twelve performed!
6
Frequently the wood are pink-
Frequently are brown.
Frequently the hills undress
Behind my native town.
Oft a head is crested
I was wont to see-
And as oft a cranny
Where it used to be-
And the Earth- they tell me-
On its Axis turned!
Wonderful Rotation!
By but twelve performed!
261
Emily Dickinson
Flowers—Well—if anybody
Flowers—Well—if anybody
137
Flowers—Well—if anybody
Can the ecstasy define—
Half a transport—half a trouble—
With which flowers humble men:
Anybody find the fountain
From which floods so contra flow—
I will give him all the Daisies
Which upon the hillside blow.
Too much pathos in their faces
For a simple breast like mine—
Butterflies from St. Domingo
Cruising round the purple line—
Have a system of aesthetics—
Far superior to mine.
137
Flowers—Well—if anybody
Can the ecstasy define—
Half a transport—half a trouble—
With which flowers humble men:
Anybody find the fountain
From which floods so contra flow—
I will give him all the Daisies
Which upon the hillside blow.
Too much pathos in their faces
For a simple breast like mine—
Butterflies from St. Domingo
Cruising round the purple line—
Have a system of aesthetics—
Far superior to mine.
223
Emily Dickinson
Flowers—Well—if anybody
Flowers—Well—if anybody
137
Flowers—Well—if anybody
Can the ecstasy define—
Half a transport—half a trouble—
With which flowers humble men:
Anybody find the fountain
From which floods so contra flow—
I will give him all the Daisies
Which upon the hillside blow.
Too much pathos in their faces
For a simple breast like mine—
Butterflies from St. Domingo
Cruising round the purple line—
Have a system of aesthetics—
Far superior to mine.
137
Flowers—Well—if anybody
Can the ecstasy define—
Half a transport—half a trouble—
With which flowers humble men:
Anybody find the fountain
From which floods so contra flow—
I will give him all the Daisies
Which upon the hillside blow.
Too much pathos in their faces
For a simple breast like mine—
Butterflies from St. Domingo
Cruising round the purple line—
Have a system of aesthetics—
Far superior to mine.
223
Emily Dickinson
Escaping backward to perceive
Escaping backward to perceive
867
Escaping backward to perceive
The Sea upon our place-
Escaping forward, to confront
His glittering Embrace-
Retreating up, a Billow's height
Retreating blinded down
Our undermining feet to meet
Instructs to the Divine.
867
Escaping backward to perceive
The Sea upon our place-
Escaping forward, to confront
His glittering Embrace-
Retreating up, a Billow's height
Retreating blinded down
Our undermining feet to meet
Instructs to the Divine.
252
Emily Dickinson
Deprived of other Banquet
Deprived of other Banquet
773
Deprived of other Banquet,
I entertained Myself-
At first-a scant nutrition-
An insufficient Loaf-
But grown by slender addings
To so esteemed a size
'Tis sumptuous enough for me-
And almost to suffice
A Robin's famine able-
Red Pilgrim, He and I-
A Berry from our table
Reserve-for charity-
773
Deprived of other Banquet,
I entertained Myself-
At first-a scant nutrition-
An insufficient Loaf-
But grown by slender addings
To so esteemed a size
'Tis sumptuous enough for me-
And almost to suffice
A Robin's famine able-
Red Pilgrim, He and I-
A Berry from our table
Reserve-for charity-
357
Emily Dickinson
Civilization-spurns-the Leopard!
Civilization-spurns-the Leopard!
492
Civilization-spurns-the Leopard!
Was the Leopard-bold?
Deserts-never rebuked her SatinEthiop-
her GoldTawny-
her Customs-
She was ConsciousSpotted-
her Dun Gown-
This was the Leopard's nature-SignorNeed-
a keeper-frown?
Pity-the Pard-that left her AsiaMemories-
of Palm-
Cannot be stifled-with Narcotic-
Nor suppressed-with Balm-
492
Civilization-spurns-the Leopard!
Was the Leopard-bold?
Deserts-never rebuked her SatinEthiop-
her GoldTawny-
her Customs-
She was ConsciousSpotted-
her Dun Gown-
This was the Leopard's nature-SignorNeed-
a keeper-frown?
Pity-the Pard-that left her AsiaMemories-
of Palm-
Cannot be stifled-with Narcotic-
Nor suppressed-with Balm-
323