Nature and Elements

Leudeman's-on-the-River


Toward even when the day leans down,
To kiss the upturned face of night,
Out just beyond the loud-voiced town
I know a spot of calm delight.
Like crimson arrows from a quiver
The red rays pierce the water flowing,
While we go dreaming, singing, rowing,
To Leudeman's-on-the-River.


The hills, like some glad mocking-bird,
Send back our laughter and our singing,
While faint--and yet more faint is heard
The steeple bells all sweetly ringing.
Some message did the winds deliver
To each glad heart that August night,
All heard, but all heard not aright;
By Leudeman's-on-the-River.


Night falls as in some foreign clime,
Between the hills that slope and rise.
So dusk the shades at landing time,
We could not see each other's eyes.
We only saw the moonbeams quiver
Far down upon the stream! that night
The new moon gave but little light
By Leudeman's-on-the-River.


How dusky were those paths that led
Up from the river to the hall.
The tall trees branching overhead
Invite the early shades that fall.
In all the glad blithe world, oh, never
Were hearts more free from care than when
We wandered through those walks, we ten,
By Leudeman's-on-the-River.


So soon, so soon, the changes came.
This August day we two alone,
On that same river, not the same,
Dream of a night forever flown.
Strange distances have come to sever
The hearts that gayly beat in pleasure,
Long miles we cannot cross or measure--
From Leudeman's-on-the-River.


We'll pluck two leaves, dear friend, to-day.
The green, the russet! seems it strange
So soon, so soon, the leaves can change!
Ah, me! so runs all night away
This night wind chills me, and I shiver;
The summer time is almost past.
One more good-bye--perhaps the last



To Leudeman's-on-the-River.

Go Plant a Tree

God, what a joy it is to plant a tree,
And from the sallow earth to watch it rise,
Lifting its emerald branches to the skies
In silent adoration; and to see
Its strength and glory waxing with each spring.
Yes, 'tis a goodly, and a gladsome thing
To plant a tree.


Nature has many marvels; but a tree
Seems more than marvellous. It is divine.
So generous, so tender, so benign.
Not garrulous like the rivers; and yet free
In pleasant converse with the winds and birds;
Oh! privilege beyond explaining words,
To plant a tree.


Rocks are majestic; but, unlike a tree,
They stand aloof, and silent. In the roar
Of ocean billows breaking on the shore
There sounds the voice of turmoil. But a tree
Speaks ever of companionship and rest.
Yea, of all righteous acts, this, this is best,
To plant a tree.


There is an oak (oh! how I love that tree)
Which has been thriving for a hundred years;
Each day I send my blessing through the spheres
To one who gave this triple boon to me,
Of growing beauty, singing birds, and shade.
Wouldst thou win laurels that shall never fade?

Finis


An idle rhyme of the summer time,
Sweet, and solemn, and tender;

Fair with the haze of the moon's pale rays,
Bright with the sunset's splendour.

Summer and beauty over the lands Careless
hours of pleasure;

A meeting of eyes and a touching of hands A
change in the floating measure.

A deeper hue in the skies of blue,
Winds from the tropics blowing;

A softer grace in the fair moons face,
And the summer going, going.

The leaves drift down, the green grows brown,
And tears with smiles are blended;

A twilight hour and a treasured flower, And
now the poem is ended.

A Naughty Little Comet

There was a little comet who lived near the Milky Way!
She loved to wander out at night and jump about and play.


The mother of the comet was a very good old star;
She used to scold her reckless child for venturing out too far.


She told her of the ogre, Sun, who loved on stars to sup,
And who asked no better pastime than in gobbling comets up.


But instead of growing cautious and of showing proper fear,
The foolish little comet edged up nearer, and more near.


She switched her saucy tail along right where the Sun could see,
And flirted with old Mars, and was as bold as bold could be.


She laughed to scorn the quiet stars who never frisked about;
She said there was no fun in life unless you ventured out.


She liked to make the planets stare, and wished no better mirth
Than just to see the telescopes aimed at her from the Earth.


She wondered how so many stars could mope through nights and days,
And let the sickly faced old Moon get all the love and praise.


And as she talked and tossed her head and switched her shining trail
The staid old mother star grew sad, her cheek grew wan and pale.


For she had lived there in the skies a million years or more,
And she had heard gay comets talk in just this way before.


And by and by there came an end to this gay comet's fun.
She went a tiny bit too far-and vanished in the Sun!


No more she swings her shining trail before the whole world's sight,
But quiet stars she laughed to scorn are twinkling every night.

A Naughty Little Comet

There was a little comet who lived near the Milky Way!
She loved to wander out at night and jump about and play.


The mother of the comet was a very good old star;
She used to scold her reckless child for venturing out too far.


She told her of the ogre, Sun, who loved on stars to sup,
And who asked no better pastime than in gobbling comets up.


But instead of growing cautious and of showing proper fear,
The foolish little comet edged up nearer, and more near.


She switched her saucy tail along right where the Sun could see,
And flirted with old Mars, and was as bold as bold could be.


She laughed to scorn the quiet stars who never frisked about;
She said there was no fun in life unless you ventured out.


She liked to make the planets stare, and wished no better mirth
Than just to see the telescopes aimed at her from the Earth.


She wondered how so many stars could mope through nights and days,
And let the sickly faced old Moon get all the love and praise.


And as she talked and tossed her head and switched her shining trail
The staid old mother star grew sad, her cheek grew wan and pale.


For she had lived there in the skies a million years or more,
And she had heard gay comets talk in just this way before.


And by and by there came an end to this gay comet's fun.
She went a tiny bit too far-and vanished in the Sun!


No more she swings her shining trail before the whole world's sight,
But quiet stars she laughed to scorn are twinkling every night.

A Marine Etching

A yacht from its harbour ropes pulled free,

And leaped like a steed o’er the race track blue,
Then up behind her, the dust of the sea,

A gray fog, drifted, and hid her from view.

A Fisherman's Baby

Oh hush, little baby, thy papa's at sea;
The big billows rock him as mamma rocks thee.
He hastes to his dear ones o'er billows of foam;
Then sleep, little darling, till papa comes home.
Sleep, little baby; hush, little baby;
Papa is coming, no longer to roam.


The shells and the pebbles, all day tossed about,
Are lulled into sleep by the tide ebbing out.
The tired shore slumbers, stretched out in the sand,
While the waves hurry off at mid-ocean's command.
Then hush, little darling; sleep, little darling;
Sleep, baby, rocked by thy mother's own hand.


The winds that have rollicked all day in the west
Are hushed into sleep on the calm evening's breast.
The boats that were out with the wild sea at play
Are now rocked to sleep in the arms of the bay.
Then rest, little baby; sleep, little baby;
Papa will come at the break of the day.


Sleep, little darling; too soon thou wilt be
A man like thy father, to sail o'er the sea.
Then sleep will not come at thy bidding or prayer,
For thou wilt be harassed by danger and care.
Then sleep, little darling; rest, little baby;
Rest whilst thou may, dear, and sleep whilst thou dare.

Trouvée


Oh, why should a hen
have been run over
on West 4th Street
in the middle of summer?


She was a white hen
--red-and-white now, of course.
How did she get there?
Where was she going?


Her wing feathers spread
flat, flat in the tar,
all dirtied, and thin
as tissue paper.


A pigeon, yes,
or an English sparrow,
might meet such a fate,
but not that poor fowl.


Just now I went back
to look again.
I hadn't dreamed it:
there is a hen


turned into a quaint
old country saying
scribbled in chalk
(except for the beak).

The Fish

I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn't fight.
He hadn't fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled and barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green weed hung down.
While his gills were breathing in
the terrible oxygen
--the frightening gills,
fresh and crisp with blood,
that can cut so badly--
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
--It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
--if you could call it a lip
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader



with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels--until everything
was rainbow, rainbow, rainbow!
And I let the fish go.

The Colder The Air

We must admire her perfect aim,
this huntress of the winter air
whose level weapon needs no sight,
if it were not that everywhere
her game is sure, her shot is right.
The least of us could do the same.


The chalky birds or boats stand still,
reducing her conditions of chance;
air's gallery marks identically
the narrow gallery of her glance.
The target-center in her eye
is equally her aim and will.


Time's in her pocket, ticking loud
on one stalled second. She'll consult
not time nor circumstance. She calls
on atmosphere for her result.
(It is this clock that later falls
in wheels and chimes of leaf and cloud.)

Suicide of a Moderate Dictator

This is a day when truths will out, perhaps;
leak from the dangling telephone earphones
sapping the festooned switchboards' strength;
fall from the windows, blow from off the sills,
—the vague, slight unremarkable contents
of emptying ash-trays; rub off on our fingers
like ink from the un-proof-read newspapers,
crocking the way the unfocused photographs
of crooked faces do that soil our coats,
our tropical-weight coats, like slapped-at moths.


Today's a day when those who work
are idling. Those who played must work
and hurry, too, to get it done,
with little dignity or none.
The newspapers are sold; the kiosk shutters
crash down. But anyway, in the night
the headlines wrote themselves, see, on the streets
and sidewalks everywhere; a sediment's splashed
even to the first floors of apartment houses.


This is a day that's beautiful as well,
and warm and clear. At seven o'clock I saw
the dogs being walked along the famous beach
as usual, in a shiny gray-green dawn,
leaving their paw prints draining in the wet.
The line of breakers was steady and the pinkish,
segmented rainbow steadily hung above it.
At eight two little boys were flying kites.

The Bight

At low tide like this how sheer the water is.
White, crumbling ribs of marl protrude and glare
and the boats are dry, the pilings dry as matches.
Absorbing, rather than being absorbed,
the water in the bight doesn't wet anything,
the color of the gas flame turned as low as possible.
One can smell it turning to gas; if one were Baudelaire
one could probably hear it turning to marimba music.
The little ocher dredge at work off the end of the dock
already plays the dry perfectly off-beat claves.
The birds are outsize. Pelicans crash
into this peculiar gas unnecessarily hard,
it seems to me, like pickaxes,
rarely coming up with anything to show for it,
and going off with humorous elbowings.
Black-and-white man-of-war birds soar
on impalpable drafts
and open their tails like scissors on the curves
or tense them like wishbones, till they tremble.
The frowsy sponge boats keep coming in
with the obliging air of retrievers,
bristling with jackstraw gaffs and hooks
and decorated with bobbles of sponges.
There is a fence of chicken wire along the dock
where, glinting like little plowshares,
the blue-gray shark tails are hung up to dry
for the Chinese-restaurant trade.
Some of the little white boats are still piled up
against each other, or lie on their sides, stove in,
and not yet salvaged, if they ever will be, from the last bad storm,
like torn-open, unanswered letters.
The bight is littered with old correspondences.
Click. Click. Goes the dredge,
and brings up a dripping jawful of marl.
All the untidy activity continues,
awful but cheerful.

Squatter's Children

On the unbreathing sides of hills
they play, a specklike girl and boy,
alone, but near a specklike house.
The Sun's suspended eye
blinks casually, and then they wade
gigantic waves of light and shade.
A dancing yellow spot, a pup,
attends them. Clouds are piling up;


a storm piles up behind the house.
The children play at digging holes.
The ground is hard; they try to use
one of their father's tools,
a mattock with a broken haft
the two of them can scarcely lift.
It drops and clangs. Their laughter spreads
effulgence in the thunderheads,


Weak flashes of inquiry
direct as is the puppy's bark.
But to their little, soluble,
unwarrantable ark,
apparently the rain's reply
consists of echolalia,
and Mother's voice, ugly as sin,
keeps calling to them to come in.


Children, the threshold of the storm
has slid beneath your muddy shoes;
wet and beguiled, you stand among
the mansions you may choose
out of a bigger house than yours,
whose lawfulness endures.
It's soggy documents retain
your rights in rooms of falling rain.

Roosters


At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock


just below
the gun-metal blue window
and immediately there is an echo


off in the distance,
then one from the backyard fence,
then one, with horrible insistence,


grates like a wet match
from the broccoli patch,
flares,and all over town begins to catch.


Cries galore
come from the water-closet door,
from the dropping-plastered henhouse floor,


where in the blue blur
their rusting wives admire,
the roosters brace their cruel feet and glare


with stupid eyes
while from their beaks there rise
the uncontrolled, traditional cries.


Deep from protruding chests
in green-gold medals dressed,
planned to command and terrorize the rest,


the many wives
who lead hens' lives
of being courted and despised;


deep from raw throats
a senseless order floats
all over town. A rooster gloats


over our beds
from rusty irons sheds
and fences made from old bedsteads,


over our churches
where the tin rooster perches,
over our little wooden northern houses,


making sallies
from all the muddy alleys,
marking out maps like Rand McNally's:



glass-headed pins,
oil-golds and copper greens,
anthracite blues, alizarins,


each one an active
displacement in perspective;
each screaming, "This is where I live!"


Each screaming
"Get up! Stop dreaming!"
Roosters, what are you projecting?


You, whom the Greeks elected
to shoot at on a post, who struggled
when sacrificed, you whom they labeled


"Very combative..."
what right have you to give
commands and tell us how to live,


cry "Here!" and "Here!"
and wake us here where are
unwanted love, conceit and war?


The crown of red
set on your little head
is charged with all your fighting blood


Yes, that excrescence
makes a most virile presence,
plus all that vulgar beauty of iridescence


Now in mid-air
by two they fight each other.
Down comes a first flame-feather,


and one is flying,
with raging heroism defying
even the sensation of dying.


And one has fallen
but still above the town
his torn-out, bloodied feathers drift down;


and what he sung
no matter. He is flung
on the gray ash-heap, lies in dung


with his dead wives
with open, bloody eyes,
while those metallic feathers oxidize.



St. Peter's sin
was worse than that of Magdalen
whose sin was of the flesh alone;


of spirit, Peter's,
falling, beneath the flares,
among the "servants and officers."


Old holy sculpture
could set it all together
in one small scene, past and future:


Christ stands amazed,
Peter, two fingers raised
to surprised lips, both as if dazed.


But in between
a little cock is seen
carved on a dim column in the travertine,


explained by gallus canit;
flet Petrus underneath it,
There is inescapable hope, the pivot;


yes, and there Peter's tears
run down our chanticleer's
sides and gem his spurs.


Tear-encrusted thick
as a medieval relic
he waits. Poor Peter, heart-sick,


still cannot guess
those cock-a-doodles yet might bless,
his dreadful rooster come to mean forgiveness,


a new weathervane
on basilica and barn,
and that outside the Lateran


there would always be
a bronze cock on a porphyry
pillar so the people and the Pope might see


that event the Prince
of the Apostles long since
had been forgiven, and to convince


all the assembly
that "Deny deny deny"
is not all the roosters cry.



In the morning
a low light is floating
in the backyard, and gilding


from underneath
the broccoli, leaf by leaf;
how could the night have come to grief?


gilding the tiny
floating swallow's belly
and lines of pink cloud in the sky,


the day's preamble
like wandering lines in marble,
The cocks are now almost inaudible.


The sun climbs in,
following "to see the end,"
faithful as enemy, or friend.

North Haven

In Memoriam: Robert Lowell


I can make out the rigging of a schooner
a mile off; I can count
the new cones on the spruce. It is so still
the pale bay wears a milky skin; the sky
no clouds except for one long, carded horse¹s tail.


The islands haven't shifted since last summer,
even if I like to pretend they have-drifting,
in a dreamy sort of way,
a little north, a little south, or sidewise-and
that they¹re free within the blue frontiers of bay.


This month our favorite one is full of flowers:
buttercups, red clover, purple vetch,
hackweed still burning, daisies pied, eyebright,
the fragrant bedstraw's incandescent stars,
and more, returned, to paint the meadows with delight.


The goldfinches are back, or others like them,
and the white-throated sparrow's five-note song,
pleading and pleading, brings tears to the eyes.
Nature repeats herself, or almost does:
repeat, repeat, repeat; revise, revise, revise.


Years ago, you told me it was here
(in 1932?) you first "discovered girls"
and learned to sail, and learned to kiss.
You had "such fun," you said, that classic summer.
("Fun"--it always seemed to leave you at a loss...)


You left North Haven, anchored in its rock,
afloat in mystic blue...And now--you've left
for good. You can't derange, or rearrange,
your poems again. (But the sparrows can their song.)
The words won't change again. Sad friend, you cannot change.

Insomnia


The moon in the bureau mirror
looks out a million miles
(and perhaps with pride, at herself,
but she never, never smiles)
far and away beyond sleep, or
perhaps she's a daytime sleeper.


By the Universe deserted,
she'd tell it to go to hell,
and she'd find a body of water,
or a mirror, on which to dwell.
So wrap up care in a cobweb
and drop it down the well


into that world inverted
where left is always right,
where the shadows are really the body,
where we stay awake all night,
where the heavens are shallow as the sea
is now deep, and you love me.

Large Bad Picture

Remembering the Strait of Belle Isle or
some northerly harbor of Labrador,
before he became a schoolteacher
a great-uncle painted a big picture.


Receding for miles on either side
into a flushed, still sky
are overhanging pale blue cliffs
hundreds of feet high,


their bases fretted by little arches,
the entrances to caves
running in along the level of a bay
masked by perfect waves.


On the middle of that quiet floor
sits a fleet of small black ships,
square-rigged, sails furled, motionless,
their spars like burnt match-sticks.


And high above them, over the tall cliffs'
semi-translucent ranks,
are scribbled hundreds of fine black birds
hanging in n's in banks.


One can hear their crying, crying,
the only sound there is
except for occasional sizhine
as a large aquatic animal breathes.


In the pink light
the small red sun goes rolling, rolling,
round and round and round at the same height
in perpetual sunset, comprehensive, consoling,


while the ships consider it.
Apparently they have reached their destination.
It would be hard to say what brought them there,
commerce or contemplation.

Giant Snail

The rain has stopped. The waterfall will roar like that all
night. I have come out to take a walk and feed. My body--foot,
that is--is wet and cold and covered with sharp gravel. It is
white, the size of a dinner plate. I have set myself a goal, a
certain rock, but it may well be dawn before I get there.
Although I move ghostlike and my floating edges barely graze
the ground, I am heavy, heavy, heavy. My white muscles are
already tired. I give the impression of mysterious ease, but it is
only with the greatest effort of my will that I can rise above the
smallest stones and sticks. And I must not let myself be distracted
by those rough spears of grass. Don't touch them. Draw
back. Withdrawal is always best.

The rain has stopped. The waterfall makes such a noise! (And
what if I fall over it?) The mountains of black rock give off such
clouds of steam! Shiny streamers are hanging down their sides.
When this occurs, we have a saying that the Snail Gods have
come down in haste. I could never descend such steep escarpments,
much less dream of climbing them.

That toad was too big, too, like me. His eyes beseeched my
love. Our proportions horrify our neighbors.

Rest a minute; relax. Flattened to the ground, my body is like
a pallid, decomposing leaf. What's that tapping on my shell?
Nothing. Let's go on.

My sides move in rhythmic waves, just off the ground, from
front to back, the wake of a ship, wax-white water, or a slowly
melting floe. I am cold, cold, cold as ice. My blind, white bull's
head was a Cretan scare-head; degenerate, my four horns that
can't attack. The sides of my mouth are now my hands. They
press the earth and suck it hard. Ah, but I know my shell is
beautiful, and high, and glazed, and shining. I know it well,
although I have not seen it. Its curled white lip is of the finest
enamel. Inside, it is as smooth as silk, and I, I fill it to perfection.

My wide wake shines, now it is growing dark. I leave a lovely
opalescent ribbon: I know this.

But O! I am too big. I feel it. Pity me.

If and when I reach the rock, I shall go into a certain crack
there for the night. The waterfall below will vibrate through
my shell and body all night long. In that steady pulsing I can
rest. All night I shall be like a sleeping ear.

Five Flights Up

Still dark.
The unknown bird sits on his usual branch.
The little dog next door barks in his sleep
inquiringly, just once.
Perhaps in his sleep, too, the bird inquires
once or twice, quavering.
Questions---if that is what they are--answered
directly, simply,
by day itself.


Enormous morning, ponderous, meticulous;
gray light streaking each bare branch,
each single twig, along one side,
making another tree, of glassy veins...
The bird still sits there. Now he seems to yawn.


The little black dog runs in his yard.
His owner's voice arises, stern,
"You ought to be ashamed!"
What has he done?
He bounces cheerfully up and down;
he rushes in circles in the fallen leaves.


Obviously, he has no sense of shame.
He and the bird know everything is answered,
all taken care of,
no need to ask again.
---Yesterday brought to today so lightly!
(A yesterday I find almost impossible to lift.)

Cape Breton

Out on the high "bird islands," Ciboux and Hertford,
the razorbill auks and the silly-looking puffins all stand
with their backs to the mainland
in solemn, uneven lines along the cliff's brown grass-frayed edge,
while the few sheep pastured there go "Baaa, baaa."
(Sometimes, frightened by aeroplanes, they stampede
and fall over into the sea or onto the rocks.)
The silken water is weaving and weaving,
disappearing under the mist equally in all directions,
lifted and penetrated now and then
by one shag's dripping serpent-neck,
and somewhere the mist incorporates the pulse,
rapid but unurgent, of a motor boat.


The same mist hangs in thin layers
among the valleys and gorges of the mainland
like rotting snow-ice sucked away
almost to spirit; the ghosts of glaciers drift
among those folds and folds of fir: spruce and hackmatack-dull,
dead, deep pea-cock colors,
each riser distinguished from the next
by an irregular nervous saw-tooth edge,
alike, but certain as a stereoscopic view.


The wild road clambers along the brink of the coast.
On it stand occasional small yellow bulldozers,
but without their drivers, because today is Sunday.
The little white churches have been dropped into the matted hills
like lost quartz arrowheads.
The road appears to have been abandoned.
Whatever the landscape had of meaning appears to have been abandoned,
unless the road is holding it back, in the interior,
where we cannot see,
where deep lakes are reputed to be,
and disused trails and mountains of rock
and miles of burnt forests, standing in gray scratches
like the admirable scriptures made on stones by stones-and
these regions now have little to say for themselves
except in thousands of light song-sparrow songs floating upward
freely, dispassionately, through the mist, and meshing
in brown-wet, fine torn fish-nets.


A small bus comes along, in up-and-down rushes,


packed with people, even to its step.


(On weekdays with groceries, spare automobile parts, and pump parts,


but today only two preachers extra, one carrying his frock coat on a
hanger.)


It passes the closed roadside stand, the closed schoolhouse,


where today no flag is flying


from the rough-adzed pole topped with a white china doorknob.


It stops, and a man carrying a bay gets off,


climbs over a stile, and goes down through a small steep meadow,



which establishes its poverty in a snowfall of daisies,
to his invisible house beside the water.


The birds keep on singing, a calf bawls, the bus starts.
The thin mist follows
the white mutations of its dream;
an ancient chill is rippling the dark brooks.

Cape Breton

Out on the high "bird islands," Ciboux and Hertford,
the razorbill auks and the silly-looking puffins all stand
with their backs to the mainland
in solemn, uneven lines along the cliff's brown grass-frayed edge,
while the few sheep pastured there go "Baaa, baaa."
(Sometimes, frightened by aeroplanes, they stampede
and fall over into the sea or onto the rocks.)
The silken water is weaving and weaving,
disappearing under the mist equally in all directions,
lifted and penetrated now and then
by one shag's dripping serpent-neck,
and somewhere the mist incorporates the pulse,
rapid but unurgent, of a motor boat.


The same mist hangs in thin layers
among the valleys and gorges of the mainland
like rotting snow-ice sucked away
almost to spirit; the ghosts of glaciers drift
among those folds and folds of fir: spruce and hackmatack-dull,
dead, deep pea-cock colors,
each riser distinguished from the next
by an irregular nervous saw-tooth edge,
alike, but certain as a stereoscopic view.


The wild road clambers along the brink of the coast.
On it stand occasional small yellow bulldozers,
but without their drivers, because today is Sunday.
The little white churches have been dropped into the matted hills
like lost quartz arrowheads.
The road appears to have been abandoned.
Whatever the landscape had of meaning appears to have been abandoned,
unless the road is holding it back, in the interior,
where we cannot see,
where deep lakes are reputed to be,
and disused trails and mountains of rock
and miles of burnt forests, standing in gray scratches
like the admirable scriptures made on stones by stones-and
these regions now have little to say for themselves
except in thousands of light song-sparrow songs floating upward
freely, dispassionately, through the mist, and meshing
in brown-wet, fine torn fish-nets.


A small bus comes along, in up-and-down rushes,


packed with people, even to its step.


(On weekdays with groceries, spare automobile parts, and pump parts,


but today only two preachers extra, one carrying his frock coat on a
hanger.)


It passes the closed roadside stand, the closed schoolhouse,


where today no flag is flying


from the rough-adzed pole topped with a white china doorknob.


It stops, and a man carrying a bay gets off,


climbs over a stile, and goes down through a small steep meadow,



which establishes its poverty in a snowfall of daisies,
to his invisible house beside the water.


The birds keep on singing, a calf bawls, the bus starts.
The thin mist follows
the white mutations of its dream;
an ancient chill is rippling the dark brooks.

A Prodigal

The brown enormous odor he lived by
was too close, with its breathing and thick hair,
for him to judge. The floor was rotten; the sty
was plastered halfway up with glass-smooth dung.
Light-lashed, self-righteous, above moving snouts,
the pigs' eyes followed him, a cheerful stare-even
to the sow that always ate her young-till,
sickening, he leaned to scratch her head.
But sometimes mornings after drinking bouts
(he hid the pints behind the two-by-fours),
the sunrise glazed the barnyard mud with red
the burning puddles seemed to reassure.
And then he thought he almost might endure
his exile yet another year or more.


But evenings the first star came to warn.
The farmer whom he worked for came at dark
to shut the cows and horses in the barn
beneath their overhanging clouds of hay,
with pitchforks, faint forked lightnings, catching light,
safe and companionable as in the Ark.
The pigs stuck out their little feet and snored.
The lantern--like the sun, going away-laid
on the mud a pacing aureole.
Carrying a bucket along a slimy board,
he felt the bats' uncertain staggering flight,
his shuddering insights, beyond his control,
touching him. But it took him a long time
finally to make up his mind to go home.

To Flush, My Dog

Loving friend, the gift of one
Who her own true faith has run

Through thy lower nature,
Be my benediction said
With my hand upon thy head,

Gentle fellow-creature!

Like a lady's ringlets brown,
Flow thy silken ears adown

Either side demurely
Of thy silver-suited breast
Shining out from all the rest

Of thy body purely.

Darkly brown thy body is,
Till the sunshine striking this

Alchemise its dullness,
When the sleek curls manifold
Flash all over into gold

With a burnished fulness.

Underneath my stroking hand,
Startled eyes of hazel bland

Kindling, growing larger,
Up thou leapest with a spring,
Full of prank and curveting,

Leaping like a charger.

Leap! thy broad tail waves a light,
Leap! thy slender feet are bright,

Canopied in fringes;
Leap! those tasselled ears of thine
Flicker strangely, fair and fine

Down their golden inches

Yet, my pretty, sportive friend,
Little is't to such an end

That I praise thy rareness;
Other dogs may be thy peers
Haply in these drooping ears

And this glossy fairness.

But of thee it shall be said,
This dog watched beside a bed

Day and night unweary,
Watched within a curtained room
Where no sunbeam brake the gloom

Round the sick and dreary.

Roses, gathered for a vase,
In that chamber died apace,

Beam and breeze resigning;


This dog only, waited on,
Knowing that when light is gone

Love remains for shining.

Other dogs in thymy dew
Tracked the hares and followed through

Sunny moor or meadow;
This dog only, crept and crept
Next a languid cheek that slept,

Sharing in the shadow.

Other dogs of loyal cheer
Bounded at the whistle clear,

Up the woodside hieing;
This dog only, watched in reach
Of a faintly uttered speech

Or a louder sighing.

And if one or two quick tears
Dropped upon his glossy ears

Or a sigh came double,
Up he sprang in eager haste,
Fawning, fondling, breathing fast,

In a tender trouble.

And this dog was satisfied
If a pale thin hand would glide

Down his dewlaps sloping, --
Which he pushed his nose within,
After, -- platforming his chin

On the palm left open.

This dog, if a friendly voice
Call him now to blither choice

Than such chamber-keeping,
'Come out!' praying from the door, --
Presseth backward as before,

Up against me leaping.

Therefore to this dog will I,
Tenderly not scornfully,

Render praise and favor:
With my hand upon his head,
Is my benediction said

Therefore and for ever.

And because he loves me so,
Better than his kind will do

Often man or woman,
Give I back more love again
Than dogs often take of men,

Leaning from my Human.


Blessings on thee, dog of mine,
Pretty collars make thee fine,

Sugared milk make fat thee!
Pleasures wag on in thy tail,
Hands of gentle motion fail

Nevermore, to pat thee

Downy pillow take thy head,
Silken coverlid bestead,

Sunshine help thy sleeping!
No fly's buzzing wake thee up,
No man break thy purple cup

Set for drinking deep in.

Whiskered cats arointed flee,
Sturdy stoppers keep from thee

Cologne distillations;
Nuts lie in thy path for stones,
And thy feast-day macaroons

Turn to daily rations!

Mock I thee, in wishing weal? --
Tears are in my eyes to feel

Thou art made so straitly,
Blessing needs must straiten too, --
Little canst thou joy or do,

Thou who lovest greatly.

Yet be blessed to the height
Of all good and all delight

Pervious to thy nature;
Only loved beyond that line,
With a love that answers thine,

Loving fellow-creature!

Sonnet XLIV: Belovèd, Thou Hast Brought Me

Belovèd, thou hast brought me many flowers
Plucked in the garden, all the summer through
And winter, and it seemed as if they grew
In this close room, nor missed the sun and showers.
So, in the like name of that love of ours,
Take back these thoughts which here unfolded too,
And which on warm and cold days I withdrew
From my heart's ground. Indeed, those bed and bowers
Be overgrown with bitter weeds and rue,
And wait thy weeding; yet here's eglantine,
Here's ivy!--take them, as I used to do
Thy flowers, and keep them where they shall not pine.
Instruct thine eyes to keep their colours true,
And tell thy soul, their roots are left in mine.