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Johann Wolfgang von Goethe
Songs
Songs
SONGS are like painted window-panes!
In darkness wrapp'd the church remains,
If from the market-place we view it;
Thus sees the ignoramus through it.
No wonder that he deems it tame,--
And all his life 'twill be the same.
But let us now inside repair,
And greet the holy Chapel there!
At once the whole seems clear and bright,
Each ornament is bathed in light,
And fraught with meaning to the sight.
God's children! thus your fortune prize,
Be edified, and feast your eyes!
SONGS are like painted window-panes!
In darkness wrapp'd the church remains,
If from the market-place we view it;
Thus sees the ignoramus through it.
No wonder that he deems it tame,--
And all his life 'twill be the same.
But let us now inside repair,
And greet the holy Chapel there!
At once the whole seems clear and bright,
Each ornament is bathed in light,
And fraught with meaning to the sight.
God's children! thus your fortune prize,
Be edified, and feast your eyes!
458
Johann Wolfgang von Goethe
Solitude
Solitude
OH ye kindly nymphs, who dwell 'mongst the rocks and the thickets,
Grant unto each whatsoe'er he may in silence desire!
Comfort impart to the mourner, and give to the doubter instruction,
And let the lover rejoice, finding the bliss that he craves.
For from the gods ye received what they ever denied unto mortals,
Power to comfort and aid all who in you may confide.
OH ye kindly nymphs, who dwell 'mongst the rocks and the thickets,
Grant unto each whatsoe'er he may in silence desire!
Comfort impart to the mourner, and give to the doubter instruction,
And let the lover rejoice, finding the bliss that he craves.
For from the gods ye received what they ever denied unto mortals,
Power to comfort and aid all who in you may confide.
397
Johann Wolfgang von Goethe
She Cannot End
She Cannot End
WHEN unto thee I sent the page all white,
Instead of first thereon inscribing aught,
The space thou doubtless filledst up in sport.
And sent it me, to make my joy grow bright.
As soon as the blue cover met my sight,
As well becomes a woman, quick as thought
I tore it open, leaving hidden nought,
And read the well-known words of pure delight:
MY ONLY BEING! DEAREST HEART! SWEET CHILD!
How kindly thou my yearning then didst still
With gentle words, enthralling me to thee.
In truth methought I read thy whispers mild
Wherewith thou lovingly my soul didst fill,
E'en to myself for aye ennobling me.
WHEN unto thee I sent the page all white,
Instead of first thereon inscribing aught,
The space thou doubtless filledst up in sport.
And sent it me, to make my joy grow bright.
As soon as the blue cover met my sight,
As well becomes a woman, quick as thought
I tore it open, leaving hidden nought,
And read the well-known words of pure delight:
MY ONLY BEING! DEAREST HEART! SWEET CHILD!
How kindly thou my yearning then didst still
With gentle words, enthralling me to thee.
In truth methought I read thy whispers mild
Wherewith thou lovingly my soul didst fill,
E'en to myself for aye ennobling me.
318
Johann Wolfgang von Goethe
Sicilian Song
Sicilian Song
YE black and roguish eyes,
If ye command.
Each house in ruins lies,
No town can stand.
And shall my bosom's chain,--
This plaster wall,
To think one moment, deign,--
Shall I not fall?
YE black and roguish eyes,
If ye command.
Each house in ruins lies,
No town can stand.
And shall my bosom's chain,--
This plaster wall,
To think one moment, deign,--
Shall I not fall?
314
Johann Wolfgang von Goethe
Sameness
Sameness
Over all hilltops
is peace
in all the treetops
you feel
barely a breeze;
The birds in the forest have
stopped their song
Wait, before long
you too will be still.
Over all hilltops
is peace
in all the treetops
you feel
barely a breeze;
The birds in the forest have
stopped their song
Wait, before long
you too will be still.
434
Johann Wolfgang von Goethe
Roman Elegies I
Roman Elegies I
Tell me you stones, O speak, you towering palaces!
Streets, say a word! Spirit of this place, are you dumb?
All things are alive in your sacred walls
eternal Rome, only for me all’s still.
Who will whisper to me, at what window
will I see the sweet thing who will kindle me, and quicken?
Already I guess the ways, walking to her and from her,
ever and always I’ll go, while sweet time slips by.
I’m gazing at church and palace, ruin and column,
like a serious man making sensible use of a journey,
but soon it will happen, and all will be one vast temple,
Love’s temple, receiving its new initiate.
Though you are a whole world, Rome, still, without Love,
the world’s not the world, Rome cannot be Rome.
Tell me you stones, O speak, you towering palaces!
Streets, say a word! Spirit of this place, are you dumb?
All things are alive in your sacred walls
eternal Rome, only for me all’s still.
Who will whisper to me, at what window
will I see the sweet thing who will kindle me, and quicken?
Already I guess the ways, walking to her and from her,
ever and always I’ll go, while sweet time slips by.
I’m gazing at church and palace, ruin and column,
like a serious man making sensible use of a journey,
but soon it will happen, and all will be one vast temple,
Love’s temple, receiving its new initiate.
Though you are a whole world, Rome, still, without Love,
the world’s not the world, Rome cannot be Rome.
421
Johann Wolfgang von Goethe
Presence
Presence
ALL things give token of thee!
As soon as the bright sun is shining,
Thou too wilt follow, I trust.
When in the garden thou walk'st,
Thou then art the rose of all roses,
Lily of lilies as well.
When thou dost move in the dance,
Then each constellation moves also;
With thee and round thee they move.
Night! oh, what bliss were the night!
For then thou o'ershadow'st the lustre,
Dazzling and fair, of the moon.
Dazzling and beauteous art thou,
And flowers, and moon, and the planets
Homage pay, Sun, but to thee.
Sun! to me also be thou
Creator of days bright and glorious;
Life and Eternity this!
ALL things give token of thee!
As soon as the bright sun is shining,
Thou too wilt follow, I trust.
When in the garden thou walk'st,
Thou then art the rose of all roses,
Lily of lilies as well.
When thou dost move in the dance,
Then each constellation moves also;
With thee and round thee they move.
Night! oh, what bliss were the night!
For then thou o'ershadow'st the lustre,
Dazzling and fair, of the moon.
Dazzling and beauteous art thou,
And flowers, and moon, and the planets
Homage pay, Sun, but to thee.
Sun! to me also be thou
Creator of days bright and glorious;
Life and Eternity this!
392
Johann Wolfgang von Goethe
Procemion
Procemion
IN His blest name, who was His own creation,
Who from all time makes making his vocation;
The name of Him who makes our faith so bright,
Love, confidence, activity, and might;
In that One's name, who, named though oft He be,
Unknown is ever in Reality:
As far as ear can reach, or eyesight dim,
Thou findest but the known resembling Him;
How high so'er thy fiery spirit hovers,
Its simile and type it straight discovers
Onward thou'rt drawn, with feelings light and gay,
Where'er thou goest, smiling is the way;
No more thou numbrest, reckonest no time,
Each step is infinite, each step sublime.
WHAT God would outwardly alone control,
And on his finger whirl the mighty Whole?
He loves the inner world to move, to view
Nature in Him, Himself in Nature too,
So that what in Him works, and is, and lives,
The measure of His strength, His spirit gives.
WITHIN us all a universe doth dwell;
And hence each people's usage laudable,
That ev'ry one the Best that meets his eyes
As God, yea e'en his God, doth recognise;
To Him both earth and heaven surrenders he,
Fears Him, and loves Him too, if that may be.
IN His blest name, who was His own creation,
Who from all time makes making his vocation;
The name of Him who makes our faith so bright,
Love, confidence, activity, and might;
In that One's name, who, named though oft He be,
Unknown is ever in Reality:
As far as ear can reach, or eyesight dim,
Thou findest but the known resembling Him;
How high so'er thy fiery spirit hovers,
Its simile and type it straight discovers
Onward thou'rt drawn, with feelings light and gay,
Where'er thou goest, smiling is the way;
No more thou numbrest, reckonest no time,
Each step is infinite, each step sublime.
WHAT God would outwardly alone control,
And on his finger whirl the mighty Whole?
He loves the inner world to move, to view
Nature in Him, Himself in Nature too,
So that what in Him works, and is, and lives,
The measure of His strength, His spirit gives.
WITHIN us all a universe doth dwell;
And hence each people's usage laudable,
That ev'ry one the Best that meets his eyes
As God, yea e'en his God, doth recognise;
To Him both earth and heaven surrenders he,
Fears Him, and loves Him too, if that may be.
464
Johann Wolfgang von Goethe
Poetry
Poetry
GOD to his untaught children sent
Law, order, knowledge, art, from high,
And ev'ry heav'nly favour lent,
The world's hard lot to qualify.
They knew not how they should behave,
For all from Heav'n stark-naked came;
But Poetry their garments gave,
And then not one had cause for shame.
GOD to his untaught children sent
Law, order, knowledge, art, from high,
And ev'ry heav'nly favour lent,
The world's hard lot to qualify.
They knew not how they should behave,
For all from Heav'n stark-naked came;
But Poetry their garments gave,
And then not one had cause for shame.
357
Johann Wolfgang von Goethe
Poetry
Poetry
GOD to his untaught children sent
Law, order, knowledge, art, from high,
And ev'ry heav'nly favour lent,
The world's hard lot to qualify.
They knew not how they should behave,
For all from Heav'n stark-naked came;
But Poetry their garments gave,
And then not one had cause for shame.
GOD to his untaught children sent
Law, order, knowledge, art, from high,
And ev'ry heav'nly favour lent,
The world's hard lot to qualify.
They knew not how they should behave,
For all from Heav'n stark-naked came;
But Poetry their garments gave,
And then not one had cause for shame.
357
Johann Wolfgang von Goethe
Phoebus And Hermes
Phoebus And Hermes
DELOS' stately ruler, and Maia's son, the adroit one,
Warmly were striving, for both sought the great prize to obtain.
Hermes the lyre demanded, the lyre was claim'd by Apollo,
Yet were the hearts of the foes fruitlessly nourish'd by hope.
For on a sudden Ares burst in, with fury decisive,
Dashing in twain the gold toy, brandishing wildly his sword.
Hermes, malicious one, laughed beyond measure; yet deep-seated sorrow
Seized upon Phoebus's heart, seized on the heart of each Muse.
DELOS' stately ruler, and Maia's son, the adroit one,
Warmly were striving, for both sought the great prize to obtain.
Hermes the lyre demanded, the lyre was claim'd by Apollo,
Yet were the hearts of the foes fruitlessly nourish'd by hope.
For on a sudden Ares burst in, with fury decisive,
Dashing in twain the gold toy, brandishing wildly his sword.
Hermes, malicious one, laughed beyond measure; yet deep-seated sorrow
Seized upon Phoebus's heart, seized on the heart of each Muse.
377
Johann Wolfgang von Goethe
On The Divan
On The Divan
HE who knows himself and others
Here will also see,
That the East and West, like brothers,
Parted ne'er shall be.
Thoughtfully to float for ever
'Tween two worlds, be man's endeavour!
So between the East and West
To revolve, be my behest!
HE who knows himself and others
Here will also see,
That the East and West, like brothers,
Parted ne'er shall be.
Thoughtfully to float for ever
'Tween two worlds, be man's endeavour!
So between the East and West
To revolve, be my behest!
318
Johann Wolfgang von Goethe
New Love, New Life
New Love, New Life
HEART! my heart! what means this feeling?
What oppresseth thee so sore?
What strange life is o'er me stealing!
I acknowledge thee no more.
Fled is all that gave thee gladness,
Fled the cause of all thy sadness,
Fled thy peace, thine industry-
Ah, why suffer it to be?
Say, do beauty's graces youthful,
Does this form so fair and bright,
Does this gaze, so kind, so truthful,
Chain thee with unceasing might?
Would I tear me from her boldly,
Courage take, and fly her coldly,
Back to her. I'm forthwith led
By the path I seek to tread.
By a thread I ne'er can sever,
For 'tis 'twined with magic skill,
Doth the cruel maid for ever
Hold me fast against my will.
While those magic chains confine me,
To her will I must resign me.
Ah, the change in truth is great!
Love! kind love! release me straight!
HEART! my heart! what means this feeling?
What oppresseth thee so sore?
What strange life is o'er me stealing!
I acknowledge thee no more.
Fled is all that gave thee gladness,
Fled the cause of all thy sadness,
Fled thy peace, thine industry-
Ah, why suffer it to be?
Say, do beauty's graces youthful,
Does this form so fair and bright,
Does this gaze, so kind, so truthful,
Chain thee with unceasing might?
Would I tear me from her boldly,
Courage take, and fly her coldly,
Back to her. I'm forthwith led
By the path I seek to tread.
By a thread I ne'er can sever,
For 'tis 'twined with magic skill,
Doth the cruel maid for ever
Hold me fast against my will.
While those magic chains confine me,
To her will I must resign me.
Ah, the change in truth is great!
Love! kind love! release me straight!
407
Johann Wolfgang von Goethe
Night Song
Night Song
WHEN on thy pillow lying,
Half listen, I implore,
And at my lute's soft sighing,
Sleep on! what wouldst thou more?
For at my lute's soft sighing
The stars their blessings pour
On feelings never-dying;
Sleep on! what wouldst thou more?
Those feelings never-dying
My spirit aid to soar
From earthly conflicts trying;
Sleep on! what wouldst thou more?
From earthly conflicts trying
Thou driv'st me to this shore;
Through thee I'm thither flying,--
Sleep on! what wouldst thou more?
Through thee I'm hither flying,
Thou wilt not list before
In slumbers thou art lying:
Sleep on! what wouldst thou more?
WHEN on thy pillow lying,
Half listen, I implore,
And at my lute's soft sighing,
Sleep on! what wouldst thou more?
For at my lute's soft sighing
The stars their blessings pour
On feelings never-dying;
Sleep on! what wouldst thou more?
Those feelings never-dying
My spirit aid to soar
From earthly conflicts trying;
Sleep on! what wouldst thou more?
From earthly conflicts trying
Thou driv'st me to this shore;
Through thee I'm thither flying,--
Sleep on! what wouldst thou more?
Through thee I'm hither flying,
Thou wilt not list before
In slumbers thou art lying:
Sleep on! what wouldst thou more?
472
Johann Wolfgang von Goethe
My Goddess
My Goddess
SAY, which Immortal
Merits the highest reward?
With none contend I,
But I will give it
To the aye-changing,
Ever-moving
Wondrous daughter of Jove.
His best-beloved offspring.
Sweet Phantasy.
For unto her
Hath he granted
All the fancies which erst
To none allow'd he
Saving himself;
Now he takes his pleasure
In the mad one.
She may, crowned with roses,
With staff twined round with lilies,
Roam thro' flow'ry valleys,
Rule the butterfly-people,
And soft-nourishing dew
With bee-like lips
Drink from the blossom:
Or else she may
With fluttering hair
And gloomy looks
Sigh in the wind
Round rocky cliffs,
And thousand-hued.
Like morn and even.
Ever changing,
Like moonbeam's light,
To mortals appear.
Let us all, then,
Adore the Father!
The old, the mighty,
Who such a beauteous
Ne'er-fading spouse
Deigns to accord
To perishing mortals!
To us alone
Doth he unite her,
With heavenly bonds,
While he commands her,
in joy and sorrow,
As a true spouse
Never to fly us.
All the remaining
Races so poor
Of life-teeming earth.
In children so rich.
Wander and feed
In vacant enjoyment,
And 'mid the dark sorrows
Of evanescent
Restricted life,Bow'd
by the heavy
Yoke of Necessity.
But unto us he
Hath his most versatile,
Most cherished daughter
Granted,-what joy!
Lovingly greet her
As a beloved one!
Give her the woman's
Place in our home!
And oh, may the aged
Stepmother Wisdom
Her gentle spirit
Ne'er seek to harm!
Yet know I her sister,
The older, sedater,
Mine own silent friend;
Oh, may she never,
Till life's lamp is quench'd,
Turn away from me,-
That noble inciter,
Comforter,-Hope!
SAY, which Immortal
Merits the highest reward?
With none contend I,
But I will give it
To the aye-changing,
Ever-moving
Wondrous daughter of Jove.
His best-beloved offspring.
Sweet Phantasy.
For unto her
Hath he granted
All the fancies which erst
To none allow'd he
Saving himself;
Now he takes his pleasure
In the mad one.
She may, crowned with roses,
With staff twined round with lilies,
Roam thro' flow'ry valleys,
Rule the butterfly-people,
And soft-nourishing dew
With bee-like lips
Drink from the blossom:
Or else she may
With fluttering hair
And gloomy looks
Sigh in the wind
Round rocky cliffs,
And thousand-hued.
Like morn and even.
Ever changing,
Like moonbeam's light,
To mortals appear.
Let us all, then,
Adore the Father!
The old, the mighty,
Who such a beauteous
Ne'er-fading spouse
Deigns to accord
To perishing mortals!
To us alone
Doth he unite her,
With heavenly bonds,
While he commands her,
in joy and sorrow,
As a true spouse
Never to fly us.
All the remaining
Races so poor
Of life-teeming earth.
In children so rich.
Wander and feed
In vacant enjoyment,
And 'mid the dark sorrows
Of evanescent
Restricted life,Bow'd
by the heavy
Yoke of Necessity.
But unto us he
Hath his most versatile,
Most cherished daughter
Granted,-what joy!
Lovingly greet her
As a beloved one!
Give her the woman's
Place in our home!
And oh, may the aged
Stepmother Wisdom
Her gentle spirit
Ne'er seek to harm!
Yet know I her sister,
The older, sedater,
Mine own silent friend;
Oh, may she never,
Till life's lamp is quench'd,
Turn away from me,-
That noble inciter,
Comforter,-Hope!
374
Johann Wolfgang von Goethe
My Goddess
My Goddess
SAY, which Immortal
Merits the highest reward?
With none contend I,
But I will give it
To the aye-changing,
Ever-moving
Wondrous daughter of Jove.
His best-beloved offspring.
Sweet Phantasy.
For unto her
Hath he granted
All the fancies which erst
To none allow'd he
Saving himself;
Now he takes his pleasure
In the mad one.
She may, crowned with roses,
With staff twined round with lilies,
Roam thro' flow'ry valleys,
Rule the butterfly-people,
And soft-nourishing dew
With bee-like lips
Drink from the blossom:
Or else she may
With fluttering hair
And gloomy looks
Sigh in the wind
Round rocky cliffs,
And thousand-hued.
Like morn and even.
Ever changing,
Like moonbeam's light,
To mortals appear.
Let us all, then,
Adore the Father!
The old, the mighty,
Who such a beauteous
Ne'er-fading spouse
Deigns to accord
To perishing mortals!
To us alone
Doth he unite her,
With heavenly bonds,
While he commands her,
in joy and sorrow,
As a true spouse
Never to fly us.
All the remaining
Races so poor
Of life-teeming earth.
In children so rich.
Wander and feed
In vacant enjoyment,
And 'mid the dark sorrows
Of evanescent
Restricted life,Bow'd
by the heavy
Yoke of Necessity.
But unto us he
Hath his most versatile,
Most cherished daughter
Granted,-what joy!
Lovingly greet her
As a beloved one!
Give her the woman's
Place in our home!
And oh, may the aged
Stepmother Wisdom
Her gentle spirit
Ne'er seek to harm!
Yet know I her sister,
The older, sedater,
Mine own silent friend;
Oh, may she never,
Till life's lamp is quench'd,
Turn away from me,-
That noble inciter,
Comforter,-Hope!
SAY, which Immortal
Merits the highest reward?
With none contend I,
But I will give it
To the aye-changing,
Ever-moving
Wondrous daughter of Jove.
His best-beloved offspring.
Sweet Phantasy.
For unto her
Hath he granted
All the fancies which erst
To none allow'd he
Saving himself;
Now he takes his pleasure
In the mad one.
She may, crowned with roses,
With staff twined round with lilies,
Roam thro' flow'ry valleys,
Rule the butterfly-people,
And soft-nourishing dew
With bee-like lips
Drink from the blossom:
Or else she may
With fluttering hair
And gloomy looks
Sigh in the wind
Round rocky cliffs,
And thousand-hued.
Like morn and even.
Ever changing,
Like moonbeam's light,
To mortals appear.
Let us all, then,
Adore the Father!
The old, the mighty,
Who such a beauteous
Ne'er-fading spouse
Deigns to accord
To perishing mortals!
To us alone
Doth he unite her,
With heavenly bonds,
While he commands her,
in joy and sorrow,
As a true spouse
Never to fly us.
All the remaining
Races so poor
Of life-teeming earth.
In children so rich.
Wander and feed
In vacant enjoyment,
And 'mid the dark sorrows
Of evanescent
Restricted life,Bow'd
by the heavy
Yoke of Necessity.
But unto us he
Hath his most versatile,
Most cherished daughter
Granted,-what joy!
Lovingly greet her
As a beloved one!
Give her the woman's
Place in our home!
And oh, may the aged
Stepmother Wisdom
Her gentle spirit
Ne'er seek to harm!
Yet know I her sister,
The older, sedater,
Mine own silent friend;
Oh, may she never,
Till life's lamp is quench'd,
Turn away from me,-
That noble inciter,
Comforter,-Hope!
374
Johann Wolfgang von Goethe
My Goddess
My Goddess
SAY, which Immortal
Merits the highest reward?
With none contend I,
But I will give it
To the aye-changing,
Ever-moving
Wondrous daughter of Jove.
His best-beloved offspring.
Sweet Phantasy.
For unto her
Hath he granted
All the fancies which erst
To none allow'd he
Saving himself;
Now he takes his pleasure
In the mad one.
She may, crowned with roses,
With staff twined round with lilies,
Roam thro' flow'ry valleys,
Rule the butterfly-people,
And soft-nourishing dew
With bee-like lips
Drink from the blossom:
Or else she may
With fluttering hair
And gloomy looks
Sigh in the wind
Round rocky cliffs,
And thousand-hued.
Like morn and even.
Ever changing,
Like moonbeam's light,
To mortals appear.
Let us all, then,
Adore the Father!
The old, the mighty,
Who such a beauteous
Ne'er-fading spouse
Deigns to accord
To perishing mortals!
To us alone
Doth he unite her,
With heavenly bonds,
While he commands her,
in joy and sorrow,
As a true spouse
Never to fly us.
All the remaining
Races so poor
Of life-teeming earth.
In children so rich.
Wander and feed
In vacant enjoyment,
And 'mid the dark sorrows
Of evanescent
Restricted life,Bow'd
by the heavy
Yoke of Necessity.
But unto us he
Hath his most versatile,
Most cherished daughter
Granted,-what joy!
Lovingly greet her
As a beloved one!
Give her the woman's
Place in our home!
And oh, may the aged
Stepmother Wisdom
Her gentle spirit
Ne'er seek to harm!
Yet know I her sister,
The older, sedater,
Mine own silent friend;
Oh, may she never,
Till life's lamp is quench'd,
Turn away from me,-
That noble inciter,
Comforter,-Hope!
SAY, which Immortal
Merits the highest reward?
With none contend I,
But I will give it
To the aye-changing,
Ever-moving
Wondrous daughter of Jove.
His best-beloved offspring.
Sweet Phantasy.
For unto her
Hath he granted
All the fancies which erst
To none allow'd he
Saving himself;
Now he takes his pleasure
In the mad one.
She may, crowned with roses,
With staff twined round with lilies,
Roam thro' flow'ry valleys,
Rule the butterfly-people,
And soft-nourishing dew
With bee-like lips
Drink from the blossom:
Or else she may
With fluttering hair
And gloomy looks
Sigh in the wind
Round rocky cliffs,
And thousand-hued.
Like morn and even.
Ever changing,
Like moonbeam's light,
To mortals appear.
Let us all, then,
Adore the Father!
The old, the mighty,
Who such a beauteous
Ne'er-fading spouse
Deigns to accord
To perishing mortals!
To us alone
Doth he unite her,
With heavenly bonds,
While he commands her,
in joy and sorrow,
As a true spouse
Never to fly us.
All the remaining
Races so poor
Of life-teeming earth.
In children so rich.
Wander and feed
In vacant enjoyment,
And 'mid the dark sorrows
Of evanescent
Restricted life,Bow'd
by the heavy
Yoke of Necessity.
But unto us he
Hath his most versatile,
Most cherished daughter
Granted,-what joy!
Lovingly greet her
As a beloved one!
Give her the woman's
Place in our home!
And oh, may the aged
Stepmother Wisdom
Her gentle spirit
Ne'er seek to harm!
Yet know I her sister,
The older, sedater,
Mine own silent friend;
Oh, may she never,
Till life's lamp is quench'd,
Turn away from me,-
That noble inciter,
Comforter,-Hope!
374
Johann Wolfgang von Goethe
Minstrel's Book - The Four Favours
Minstrel's Book - The Four Favours
THAT Arabs through the realms of space
May wander on, light-hearted,
Great Allah hath, to all their race,
Four favours meet imparted.
The turban first--that ornament
All regal crowns excelling;
A light and ever-shifting tent,
Wherein to make our dwelling;
A sword, which, more than rocks and walls
Doth shield us, brightly glistening;
A song that profits and enthrall,
For which the maids are list'ning!
THAT Arabs through the realms of space
May wander on, light-hearted,
Great Allah hath, to all their race,
Four favours meet imparted.
The turban first--that ornament
All regal crowns excelling;
A light and ever-shifting tent,
Wherein to make our dwelling;
A sword, which, more than rocks and walls
Doth shield us, brightly glistening;
A song that profits and enthrall,
For which the maids are list'ning!
320
Johann Wolfgang von Goethe
Minstrel's Book - Song And Structure
Minstrel's Book - Song And Structure
LET the Greek his plastic clay
Mould in human fashion,
While his own creation may
Wake his glowing passion;
But it is our joy to court
Great Euphrates' torrent,
Here and there at will to sport
In the Wat'ry current.
Quench'd I thus my spirit's flame,
Songs had soon resounded;
Water drawn by bards whose fame
Pure is, may be rounded.
LET the Greek his plastic clay
Mould in human fashion,
While his own creation may
Wake his glowing passion;
But it is our joy to court
Great Euphrates' torrent,
Here and there at will to sport
In the Wat'ry current.
Quench'd I thus my spirit's flame,
Songs had soon resounded;
Water drawn by bards whose fame
Pure is, may be rounded.
295
Johann Wolfgang von Goethe
Minstrel's Book - Song And Structure
Minstrel's Book - Song And Structure
LET the Greek his plastic clay
Mould in human fashion,
While his own creation may
Wake his glowing passion;
But it is our joy to court
Great Euphrates' torrent,
Here and there at will to sport
In the Wat'ry current.
Quench'd I thus my spirit's flame,
Songs had soon resounded;
Water drawn by bards whose fame
Pure is, may be rounded.
LET the Greek his plastic clay
Mould in human fashion,
While his own creation may
Wake his glowing passion;
But it is our joy to court
Great Euphrates' torrent,
Here and there at will to sport
In the Wat'ry current.
Quench'd I thus my spirit's flame,
Songs had soon resounded;
Water drawn by bards whose fame
Pure is, may be rounded.
295
Johann Wolfgang von Goethe
Minstrel's Book - Song And Structure
Minstrel's Book - Song And Structure
LET the Greek his plastic clay
Mould in human fashion,
While his own creation may
Wake his glowing passion;
But it is our joy to court
Great Euphrates' torrent,
Here and there at will to sport
In the Wat'ry current.
Quench'd I thus my spirit's flame,
Songs had soon resounded;
Water drawn by bards whose fame
Pure is, may be rounded.
LET the Greek his plastic clay
Mould in human fashion,
While his own creation may
Wake his glowing passion;
But it is our joy to court
Great Euphrates' torrent,
Here and there at will to sport
In the Wat'ry current.
Quench'd I thus my spirit's flame,
Songs had soon resounded;
Water drawn by bards whose fame
Pure is, may be rounded.
295
Johann Wolfgang von Goethe
Love As A Landscape Painter
Love As A Landscape Painter
ON a rocky peak once sat I early,
Gazing on the mist with eyes unmoving;
Stretch'd out like a pall of greyish texture,
All things round, and all above it cover'd.
Suddenly a boy appear'd beside me,
Saying "Friend, what meanest thou by gazing
On the vacant pall with such composure?
Hast thou lost for evermore all pleasure
Both in painting cunningly, and forming?"
On the child I gazed, and thought in secret:
"Would the boy pretend to be a master?"
"Wouldst thou be for ever dull and idle,"
Said the boy, "no wisdom thou'lt attain to;
See, I'll straightway paint for thee a figure,--
How to paint a beauteous figure, show thee."
And he then extended his fore-finger,-(
Ruddy was it as a youthful rosebud)
Tow'rd the broad and far outstretching carpet,
And began to draw there with his finger.
First on high a radiant sun he painted,
Which upon mine eyes with splendour glisten'd,
And he made the clouds with golden border,
Through the clouds he let the sunbeams enter;
Painted then the soft and feathery summits
Of the fresh and quicken'd trees, behind them
One by one with freedom drew the mountains;
Underneath he left no lack of water,
But the river painted so like Nature,
That it seem'd to glitter in the sunbeams,
That it seem'd against its banks to murmur.
Ah, there blossom'd flowers beside the river,
And bright colours gleam'd upon the meadow,
Gold, and green, and purple, and enamell'd,
All like carbuncles and emeralds seeming!
Bright and clear he added then the heavens,
And the blue-tinged mountains far and farther,
So that I, as though newborn, enraptured
Gazed on, now the painter, now the picture.
Then spake he: "Although I have convinced thee
That this art I understand full surely,
Yet the hardest still is left to show thee."
Thereupon he traced, with pointed finger,
And with anxious care, upon the forest,
At the utmost verge, where the strong sunbeams
From the shining ground appear'd reflected,
Traced the figure of a lovely maiden,
Fair in form, and clad in graceful fashion,
Fresh the cheeks beneath her brown locks' ambush,
And the cheeks possess'd the selfsame colour
As the finger that had served to paint them.
"Oh thou boy!" exclaim'd I then, "what master
In his school received thee as his pupil,
Teaching thee so truthfully and quickly
Wisely to begin, and well to finish?"
Whilst I still was speaking, lo, a zephyr
Softly rose, and set the tree-tops moving,
Curling all the wavelets on the river,
And the perfect maiden's veil, too, fill'd it,
And to make my wonderment still greater,
Soon the maiden set her foot in motion.
On she came, approaching tow'rd the station
Where still sat I with my arch instructor.
As now all, yes, all thus moved together,--
Flowers, river, trees, the veil,--all moving,--
And the gentle foot of that most fair one,
Can ye think that on my rock I linger'd,
Like a rock, as though fast-chain'd and silent?
ON a rocky peak once sat I early,
Gazing on the mist with eyes unmoving;
Stretch'd out like a pall of greyish texture,
All things round, and all above it cover'd.
Suddenly a boy appear'd beside me,
Saying "Friend, what meanest thou by gazing
On the vacant pall with such composure?
Hast thou lost for evermore all pleasure
Both in painting cunningly, and forming?"
On the child I gazed, and thought in secret:
"Would the boy pretend to be a master?"
"Wouldst thou be for ever dull and idle,"
Said the boy, "no wisdom thou'lt attain to;
See, I'll straightway paint for thee a figure,--
How to paint a beauteous figure, show thee."
And he then extended his fore-finger,-(
Ruddy was it as a youthful rosebud)
Tow'rd the broad and far outstretching carpet,
And began to draw there with his finger.
First on high a radiant sun he painted,
Which upon mine eyes with splendour glisten'd,
And he made the clouds with golden border,
Through the clouds he let the sunbeams enter;
Painted then the soft and feathery summits
Of the fresh and quicken'd trees, behind them
One by one with freedom drew the mountains;
Underneath he left no lack of water,
But the river painted so like Nature,
That it seem'd to glitter in the sunbeams,
That it seem'd against its banks to murmur.
Ah, there blossom'd flowers beside the river,
And bright colours gleam'd upon the meadow,
Gold, and green, and purple, and enamell'd,
All like carbuncles and emeralds seeming!
Bright and clear he added then the heavens,
And the blue-tinged mountains far and farther,
So that I, as though newborn, enraptured
Gazed on, now the painter, now the picture.
Then spake he: "Although I have convinced thee
That this art I understand full surely,
Yet the hardest still is left to show thee."
Thereupon he traced, with pointed finger,
And with anxious care, upon the forest,
At the utmost verge, where the strong sunbeams
From the shining ground appear'd reflected,
Traced the figure of a lovely maiden,
Fair in form, and clad in graceful fashion,
Fresh the cheeks beneath her brown locks' ambush,
And the cheeks possess'd the selfsame colour
As the finger that had served to paint them.
"Oh thou boy!" exclaim'd I then, "what master
In his school received thee as his pupil,
Teaching thee so truthfully and quickly
Wisely to begin, and well to finish?"
Whilst I still was speaking, lo, a zephyr
Softly rose, and set the tree-tops moving,
Curling all the wavelets on the river,
And the perfect maiden's veil, too, fill'd it,
And to make my wonderment still greater,
Soon the maiden set her foot in motion.
On she came, approaching tow'rd the station
Where still sat I with my arch instructor.
As now all, yes, all thus moved together,--
Flowers, river, trees, the veil,--all moving,--
And the gentle foot of that most fair one,
Can ye think that on my rock I linger'd,
Like a rock, as though fast-chain'd and silent?
322
Johann Wolfgang von Goethe
Love As A Landscape Painter
Love As A Landscape Painter
ON a rocky peak once sat I early,
Gazing on the mist with eyes unmoving;
Stretch'd out like a pall of greyish texture,
All things round, and all above it cover'd.
Suddenly a boy appear'd beside me,
Saying "Friend, what meanest thou by gazing
On the vacant pall with such composure?
Hast thou lost for evermore all pleasure
Both in painting cunningly, and forming?"
On the child I gazed, and thought in secret:
"Would the boy pretend to be a master?"
"Wouldst thou be for ever dull and idle,"
Said the boy, "no wisdom thou'lt attain to;
See, I'll straightway paint for thee a figure,--
How to paint a beauteous figure, show thee."
And he then extended his fore-finger,-(
Ruddy was it as a youthful rosebud)
Tow'rd the broad and far outstretching carpet,
And began to draw there with his finger.
First on high a radiant sun he painted,
Which upon mine eyes with splendour glisten'd,
And he made the clouds with golden border,
Through the clouds he let the sunbeams enter;
Painted then the soft and feathery summits
Of the fresh and quicken'd trees, behind them
One by one with freedom drew the mountains;
Underneath he left no lack of water,
But the river painted so like Nature,
That it seem'd to glitter in the sunbeams,
That it seem'd against its banks to murmur.
Ah, there blossom'd flowers beside the river,
And bright colours gleam'd upon the meadow,
Gold, and green, and purple, and enamell'd,
All like carbuncles and emeralds seeming!
Bright and clear he added then the heavens,
And the blue-tinged mountains far and farther,
So that I, as though newborn, enraptured
Gazed on, now the painter, now the picture.
Then spake he: "Although I have convinced thee
That this art I understand full surely,
Yet the hardest still is left to show thee."
Thereupon he traced, with pointed finger,
And with anxious care, upon the forest,
At the utmost verge, where the strong sunbeams
From the shining ground appear'd reflected,
Traced the figure of a lovely maiden,
Fair in form, and clad in graceful fashion,
Fresh the cheeks beneath her brown locks' ambush,
And the cheeks possess'd the selfsame colour
As the finger that had served to paint them.
"Oh thou boy!" exclaim'd I then, "what master
In his school received thee as his pupil,
Teaching thee so truthfully and quickly
Wisely to begin, and well to finish?"
Whilst I still was speaking, lo, a zephyr
Softly rose, and set the tree-tops moving,
Curling all the wavelets on the river,
And the perfect maiden's veil, too, fill'd it,
And to make my wonderment still greater,
Soon the maiden set her foot in motion.
On she came, approaching tow'rd the station
Where still sat I with my arch instructor.
As now all, yes, all thus moved together,--
Flowers, river, trees, the veil,--all moving,--
And the gentle foot of that most fair one,
Can ye think that on my rock I linger'd,
Like a rock, as though fast-chain'd and silent?
ON a rocky peak once sat I early,
Gazing on the mist with eyes unmoving;
Stretch'd out like a pall of greyish texture,
All things round, and all above it cover'd.
Suddenly a boy appear'd beside me,
Saying "Friend, what meanest thou by gazing
On the vacant pall with such composure?
Hast thou lost for evermore all pleasure
Both in painting cunningly, and forming?"
On the child I gazed, and thought in secret:
"Would the boy pretend to be a master?"
"Wouldst thou be for ever dull and idle,"
Said the boy, "no wisdom thou'lt attain to;
See, I'll straightway paint for thee a figure,--
How to paint a beauteous figure, show thee."
And he then extended his fore-finger,-(
Ruddy was it as a youthful rosebud)
Tow'rd the broad and far outstretching carpet,
And began to draw there with his finger.
First on high a radiant sun he painted,
Which upon mine eyes with splendour glisten'd,
And he made the clouds with golden border,
Through the clouds he let the sunbeams enter;
Painted then the soft and feathery summits
Of the fresh and quicken'd trees, behind them
One by one with freedom drew the mountains;
Underneath he left no lack of water,
But the river painted so like Nature,
That it seem'd to glitter in the sunbeams,
That it seem'd against its banks to murmur.
Ah, there blossom'd flowers beside the river,
And bright colours gleam'd upon the meadow,
Gold, and green, and purple, and enamell'd,
All like carbuncles and emeralds seeming!
Bright and clear he added then the heavens,
And the blue-tinged mountains far and farther,
So that I, as though newborn, enraptured
Gazed on, now the painter, now the picture.
Then spake he: "Although I have convinced thee
That this art I understand full surely,
Yet the hardest still is left to show thee."
Thereupon he traced, with pointed finger,
And with anxious care, upon the forest,
At the utmost verge, where the strong sunbeams
From the shining ground appear'd reflected,
Traced the figure of a lovely maiden,
Fair in form, and clad in graceful fashion,
Fresh the cheeks beneath her brown locks' ambush,
And the cheeks possess'd the selfsame colour
As the finger that had served to paint them.
"Oh thou boy!" exclaim'd I then, "what master
In his school received thee as his pupil,
Teaching thee so truthfully and quickly
Wisely to begin, and well to finish?"
Whilst I still was speaking, lo, a zephyr
Softly rose, and set the tree-tops moving,
Curling all the wavelets on the river,
And the perfect maiden's veil, too, fill'd it,
And to make my wonderment still greater,
Soon the maiden set her foot in motion.
On she came, approaching tow'rd the station
Where still sat I with my arch instructor.
As now all, yes, all thus moved together,--
Flowers, river, trees, the veil,--all moving,--
And the gentle foot of that most fair one,
Can ye think that on my rock I linger'd,
Like a rock, as though fast-chain'd and silent?
322
Johann Wolfgang von Goethe
Lines On Seeing Schiller's Skull
Lines On Seeing Schiller's Skull
WITHIN a gloomy charnel-house one day
I view'd the countless skulls, so strangely mated,
And of old times I thought, that now were grey.
Close pack'd they stand, that once so fiercely hated,
And hardy bones, that to the death contended,
Are lying cross'd,--to lie for ever, fated.
What held those crooked shoulder-blades suspended?
No one now asks; and limbs with vigour fired,
The hand, the foot--their use in life is ended.
Vainly ye sought the tomb for rest when tired;
Peace in the grave may not be yours; ye're driven
Back into daylight by a force inspired;
But none can love the wither'd husk, though even
A glorious noble kernel it contained.
To me, an adept, was the writing given
Which not to all its holy sense explained,
When 'mid the crowd, their icy shadows flinging,
I saw a form, that glorious still remained.
And even there, where mould and damp were clinging,
Gave me a blest, a rapture-fraught emotion,
As though from death a living fount were springing.
What mystic joy I felt! What rapt devotion!
That form, how pregnant with a godlike trace!
A look, how did it whirl me tow'rd that ocean
Whose rolling billows mightier shapes embrace!
Mysterious vessel! Oracle how dear!
Even to grasp thee is my hand too base,
Except to steal thee from thy prison here
With pious purpose, and devoutly go
Back to the air, free thoughts, and sunlight clear.
What greater gain in life can man e'er know
Than when God-Nature will to him explain
How into Spirit steadfastness may flow,
How steadfast, too, the Spirit-Born remain.
WITHIN a gloomy charnel-house one day
I view'd the countless skulls, so strangely mated,
And of old times I thought, that now were grey.
Close pack'd they stand, that once so fiercely hated,
And hardy bones, that to the death contended,
Are lying cross'd,--to lie for ever, fated.
What held those crooked shoulder-blades suspended?
No one now asks; and limbs with vigour fired,
The hand, the foot--their use in life is ended.
Vainly ye sought the tomb for rest when tired;
Peace in the grave may not be yours; ye're driven
Back into daylight by a force inspired;
But none can love the wither'd husk, though even
A glorious noble kernel it contained.
To me, an adept, was the writing given
Which not to all its holy sense explained,
When 'mid the crowd, their icy shadows flinging,
I saw a form, that glorious still remained.
And even there, where mould and damp were clinging,
Gave me a blest, a rapture-fraught emotion,
As though from death a living fount were springing.
What mystic joy I felt! What rapt devotion!
That form, how pregnant with a godlike trace!
A look, how did it whirl me tow'rd that ocean
Whose rolling billows mightier shapes embrace!
Mysterious vessel! Oracle how dear!
Even to grasp thee is my hand too base,
Except to steal thee from thy prison here
With pious purpose, and devoutly go
Back to the air, free thoughts, and sunlight clear.
What greater gain in life can man e'er know
Than when God-Nature will to him explain
How into Spirit steadfastness may flow,
How steadfast, too, the Spirit-Born remain.
351